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@blakes7bot@mas.torpidity.net
2025-12-11 22:14:34

Series A, Episode 06 - Seek-Locate-Destroy
BLAKE: [To Avon] Now do you know what you're looking for?
AVON: [Shortly] Yes. [Moves off towards the equipment.]
BLAKE: [To Gan] All the equipment here?
GAN: All here.
blake.torpidity.net/m/106/52 B7B6

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s or early 1980s. The image shows two men in futuristic military-style clothing examining what appears to be a tactical display or map on a table. The setting looks like the interior of a spacecraft, with typical sci-fi production design elements visible in the background including control panels and metallic surfaces. The lighting and film quality…
@arXiv_physicsgenph_bot@mastoxiv.page
2025-11-12 08:41:29

Geometric Interpretation of the Redshift Evolution of H_0(z)
Seokcheon Lee
arxiv.org/abs/2511.07454 arxiv.org/pdf/2511.07454 arxiv.org/html/2511.07454
arXiv:2511.07454v1 Announce Type: new
Abstract: Recent analyses of the Master Type Ia supernova (SN Ia) sample have revealed a mild redshift dependence in the inferred local Hubble parameter, often expressed as tilde{H}_0(z) = H_0 (1 z)^{-\alpha}, where \alpha quantifies possible departures from the standard cosmological time dilation relation. In this work, we show that such an empirical scaling can be interpreted as a purely geometric effect arising from a small, gauge-dependent normalization of cosmic time within the Robertson-Walker metric. This interpretation naturally unifies the observed redshift evolution of tilde{H}_0(z) and the corresponding deviation in SN Ia light-curve durations under a single geometric time-normalization framework. We demonstrate that this mapping leaves all background distances--linked to the Hubble radius in the general-relativistic frame--unchanged, while the apparent evolution in SN Ia luminosity distances arises from the redshift dependence of the Chandrasekhar mass. The result provides a unified and observationally consistent explanation of the mild Hubble-tension trend as a manifestation of the geometric structure of cosmic time rather than a modification of the expansion dynamics.
toXiv_bot_toot

@arXiv_hepph_bot@mastoxiv.page
2025-10-13 07:52:50

Expanding the Landscape of Exotic Muon Decays
Admir Greljo, Ajdin Palavri\'c, Mirsad Tunja, Jure Zupan
arxiv.org/abs/2510.08674 arxiv.o…

@arXiv_grqc_bot@mastoxiv.page
2025-10-07 08:23:32

Loop quantum inflation with inverse volume corrections in light of ACT data
Farough Parvizi, Soma Heydari, Milad Solbi, Kayoomars Karami
arxiv.org/abs/2510.03882

@blakes7bot@mas.torpidity.net
2025-10-09 06:12:56

#Blakes7 Series D, Episode 11 - Orbit
VILA: I'd have given odds Egrorian'd try to pull something! What's the escape velocity of this thing?
AVON: I don't know. Why don't you ask Orac?
VILA: Eh? [Avon opens panel, revealing Orac on the shuttle]
[Biodome]

Claude 3.7 describes the image as: "The image shows a scene from a classic science fiction television series from the late 1970s/early 1980s. It depicts two characters in what appears to be a futuristic control room or spacecraft setting, with technical equipment and computer banks visible in the background.

On the left is a person wearing a light gray outfit, while on the right is someone dressed in a distinctive black leather or vinyl costume with silver accents. Both appear to be seated at …
@arXiv_csGT_bot@mastoxiv.page
2025-12-09 07:38:34

Strategic Experimentation with Private Payoffs
J\'er\^ome Renault, Eilon Solan, Nicolas Vieille
arxiv.org/abs/2512.06180 arxiv.org/pdf/2512.06180 arxiv.org/html/2512.06180
arXiv:2512.06180v1 Announce Type: new
Abstract: We study a strategic experimentation game with exponential bandits, in which experiment outcomes are private. The equilibrium amount of experimentation is always higher than in the benchmark case where experiment outcomes are publicly observed. In addition, for pure equilibria, the equilibrium amount of experimentation is at least socially optimal, and possibly higher. We provide a tight bound on the degree of over-experimentation. The analysis rests on a new form of encouragement effect, according to which a player may hide the absence of a success to encourage future experimentation by the other player, which incentivizes current experimentation.
toXiv_bot_toot

@blakes7bot@mas.torpidity.net
2025-11-04 13:23:33

Series D, Episode 10 - Gold
TARRANT: Have we got a choice? [A small explosion goes off nearby.]
DAYNA: Looks as though we have.
TARRANT: Let's get up there.
[At the top of the ladder.]
DAYNA: Avon! Soolin!
TARRANT: [*inaudible*]
blake.torpidity.net/m/410/127

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a spacecraft or futuristic setting. The scene takes place in what appears to be a corridor or room with metallic walls and technological equipment visible in the background. One person is wearing what appears to be a form-fitting outfit with metallic or reflective elements, while the other is dressed in what looks like a light-colored uniform or…
@blakes7bot@mas.torpidity.net
2025-11-30 10:30:05

Series D, Episode 01 - Rescue
TARRANT: All right, I'll keep it a secret.
[They resume their descent.]
TARRANT: Look, we must be at least four levels below the landing silo by now.
DAYNA: At least.
blake.torpidity.net/m/401/395 B7B2

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the 1980s based on the visual style and production quality. The scene shows two characters in what appears to be a spacecraft or futuristic facility, with metallic structural elements and technological equipment visible in the background. The lighting creates a dramatic atmosphere typical of sci-fi productions of that era.

One character is positioned lower in the frame, w…
@blakes7bot@mas.torpidity.net
2025-10-01 09:15:40

Series D, Episode 11 - Orbit
VILA: You really think things through, don't you, Avon? If we do need it, we won't have time to get it.
AVON: Well then, let's hope we don't need it. [Smiles]
[Scene: Scorpio]
blake.torpidity.net/m/411/84 B7B2

Claude 3.7 describes the image as: "The image shows a person in a scene that appears to be from a science fiction production. They're wearing what looks like a light-colored outfit with a distinctive collar. The background features what appears to be technical equipment or control panels with lights and switches, suggesting a spacecraft or futuristic setting.

The lighting creates a dramatic mood, typical of sci-fi productions from the late 1970s or early 1980s, giving the scene a vintage quali…
@blakes7bot@mas.torpidity.net
2025-11-03 07:02:13

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: What do you think?
MAX: It's all been according to the rules.
blake.torpidity.net/m/312/161 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two people in what looks like a spacecraft or futuristic vehicle interior. The lighting is dramatic and moody, with both figures wearing light-colored clothing. The setting has the characteristic look of 1970s/80s sci-fi television production design, with angular surfaces and technical equipment visible in the background. The scene appears tense or dramatic based on the …