Tootfinder

Every post you write is first read by a machine. Should the nature of writing change to accommodate that? I look at the pros and cons of adopting an AI-friendly grammar https://www.linkedin.com/posts/jonippolito_writing-journali…

I opened the drawer of my little desk and a single letter fell out, a
letter from my mother, written in pencil, one of her last, with unfinished
words and an implicit sense of her departure. It's so curious: one can
resist tears and "behave" very well in the hardest hours of grief. But
then someone makes you a friendly sign behind a window... or one notices
that a flower that was in bud only yesterday has suddenly blossomed... or
a letter slips f…

I may as well embarrass myself again here - to give potential amusement. The only time I get my hair cut nowadays is if Hamed visits my parents (he was fostered by them, but as usual is now doing better than any of us.)
He’s not really a hairdresser, but still better than any I know or can afford. But the main reason this is a salvation is that usually the buzzers kick up hyperacusis and tinnitus at the barbers, and only he is willing to put up with the weirdness of me plugging my ears…

Day 22: Yuki Urushibara
I've got a few more mangaka left on my short list, and might very well get to at least one more, but Urushibara is the author of Mushishi and anyone who knows either the manga or anime understands immediately why she appears here.
Mushishi is a "seinen" anime, which means it's written for adults, not children or teenagers (although it's very accessible for all ages). It deals with a vast array of life's circumstances through the lens of a traveling mushi expert and the various whimsical supernatural creatures he is called on to deal with. He's not an exorcist though, instead understanding that humans must live in harmony with the mushi, and working like an ecologist to sort things out. As is probably obvious, Urushibara is an incredible world-builder; she's also a top-notch artist and above all, her stories are overflowing with kindness, humanity, and respect for the natural world.
Besides Mushishi, I've read "Suiiki", and it's one of the few manga I stumbled through in the original Japanese, which says a lot given my limited reading vocabulary (and the fact that it doesn't include rubi). It weaves the supernatural into a story of childhood innocence and curiosity in a lovely way.
Much like Shirahama who I mentioned earlier, Urushibara's stories are full of gentle wisdom for all ages, but Urushibara's work is quieter and less dramatic, with an adult main character confident in his expertise instead of a young-and-learning protagonist.
#30AuthorsNoMen

I’m using Claude-code to get stuff done that I couldn’t have done before. I just spent a non-frustrating hour or so successfully changing a system written mostly in typescript (which I’ve never used) to do a bunch of things differently. I’m telling it what I want the system to do (with BDD tests where possible) and it’s figuring out the code changes. Several days work for a human, weeks if I had to find someone to do it for me. Like this:

Much thanks and heartfelt support to @… for writing up the kind of article that I, too, have been dreading to have to write: that absolutist OSS is bad and we protect the commons with fair licensing, non-commercial and otherwise

Day 20: bell hooks.
Despite having decided to continue to 30, number 20 feels important, and hooks gets the spot in part because I haven't yet included a non-fiction feminist author, which feels like an obvious thing to include on such a list. The one category of author being bumped out of the first 20 here is anime writers, but I'll follow up with one of them, along with more academics and mangaka who I've been itching to include.
In any case, hooks is absolutely legendary as a feminist writer for good reason, and as a teacher I've especially appreciated her writing on pedagogy like "Teaching to Transgress: Education as the Practice of Freedom" and "Teaching Critical Thinking: Practical Wisdom". These have challenged me to teach at a higher level, and while I'm not sure I've completely succeeded, they're important to me. They also pair well with Paolo Friere's "Pedagogy of the Oppressed", but hooks always seems to be focused on very practical advice and it's incredibly direct in her writing, even though her advice isn't always straightforward to implement. In fact, that's one of the things I value about her writing: when the truth is complicated or the real work is messy interpersonal relationships that need to be negotiated with each student, she's not afraid to say so and give good advice for navigating those waters instead of trying to dispense simple-seeming platitudes or formulas for success that paper over the deeper issues. Her concern has always been truth, rather than simplicity or audience comfort and the popularity it might seem to entail, which I think is part of why her legacy endures so well.
#20AuthorsNoMen
#30AuthorsNoMen

Just finished "The Raven Boys," a graphic novel adaptation of a novel by Maggie Stiefvater (adaptation written by Stephanie Williams and illustrated by Sas Milledge).
I haven't read the original novel, and because of that, this version felt way too dense, having to fit huge amounts of important details into not enough pages. The illustrations are gorgeous and the writing is fine; the setting and plot have some pretty interesting aspects... It's just too hard to follow a lot of the threads, or things we're supposed to care about aren't given the time/space to feel important.
The other thing that I didn't like: one of the central characters is rich, and we see this reflected in several ways, but we're clearly expected to ignore/excuse the class differences within the cast because he's a good guy. At this point in my life, I'm simply no longer interested in stories about good rich guys very much. It's become clear to me how in real life, we constantly get the perspectives of the rich, and rarely if ever hear the perspectives of the poor (same applies across racial and gender gradients, among others). Why then in fiction should I get more of the same, spending my mental bandwidth building empathy for yet another dilettante who somehow has a heart of gold? I'm tired of that.
#AmReading #ReadingNow

Day 19 (a bit late): Alice Oseman
As I said I've got 14 authors to fit into two days. Probably just going to extend to 30? But Oseman gets this spot as an absolute legend of queer fiction in both novel & graphic novel form, and an excellent example of the many truths queer writers have to share with non-queer people that can make everyone's lives better. Her writing is very kind, despite in many instances dealing with some dark stuff.
I started out on Heartstopper, which is just so lovely and fun to read, and then made my way through several of her novels. The one I'll highlight here which I think it's her greatest triumph is "Loveless", which is semi-autobiographical and was at least my first (but no longer only) experience with the "platonic romance" sub-genre. It not only helped me work through some crufty internal doubts about aro/ace identities that I'd never really examined, but in the process helped improve my understanding of friendship, period. Heck, it's probably a nice novel for anyone questioning any sort of identity or dealing with loneliness, and it's just super-enjoyable as a story regardless of the philosophical value.
To cheat a bit more here on my author count, I recently read "Dear Wendy" by Ann Zhao, which shouts out "Loveless" and offers a more expository exploration of aro/ace identities, but "Loveless" is a book with more heart and better writing overall, including the neat plotting and great pacing. I think there are also parallels with Becky Albertalli's work, though I think I like Oseman slightly more. Certainly both excel at writing queer romance (and romance-adjacent) stuff with happy endings (#OwnVoices wins again with all three authors).
In any case, Oseman is excellent and if you're not up for reading a novel, Heartstopper is a graphic novel series that's easy to jump into and very kind to its adorable main characters.
I think I've now decided to continue to 30, which is a relief, so I'm tagging this (and the next post that rounds out 20) two ways.
#20AuthorsNoMen
#30AuthorsNoMen