Tootfinder

Opt-in global Mastodon full text search. Join the index!

No exact results. Similar results found.
@Techmeme@techhub.social
2026-07-25 05:25:51

Progress Software agrees to acquire Domo's AI and data platform business for $400M; Domo will remain publicly listed and change its name after the deal closes (Larry Dignan/Constellation Research)
constellationr.com/insights/ne

@tiotasram@kolektiva.social
2026-05-24 15:42:26
Content warning: Minor spoilers for "A Psalm for the Wild-Built"

Just finished "A Psalm for the Wild-Built" by Becky Chambers. Overall it's good but I also have some Thoughts.
First, it was very pleasant to finally read some non-trite utopian solarpunk after having read stuff like Octavia Butler recently. Both hope and despair can be poisonous on their own IMO, so getting some balance in is nice. It's definitely a very valuable thing to be able to lay out an actually desirable and in many ways imaginable future given our grim present. Chambers is no LeGuin though. I'll probably be reading more of her work and maybe she fleshes out these ideas elsewhere, but at least in this book there is no focus on either how the transition to a better society could happen nor on how the better society holds up in the face of adverse events and inclinations. Compare LeGuin's "The Dispossessed" or N. K. Jemisin's short story "The Ones Who Stay and Fight" and it feels like there's something important missing from Chambers' portrait of a future society. Of course, maybe the point is to make a cozy book, in which case fine, there's certainly a place for such things, and I can look for deeper inspiration elsewhere.
The second big thought I had was that Chambers' worldview seems not well-informed by certain indigenous perspectives, and this creates some contradictions. For example, (minor spoilers) when Dex enters the wilderness there's a whole bit about understanding humankind's place in nature and how human settlements are what we're used to but they're only a brief interruption of the vast untouched wilderness. Along the same lines, much of the world is intentionally left untouched by humans as a way to keep it pristine and natural. Later however, a character makes the point that humans *are* animals. The indigenous perspective that I appreciate would agree with that, and would further question the value in distinguishing between human influence on ecosystems and influences that others have. More sharply, one might observe that there's a bigger difference between how different kinds of humans relate to and influence their environments than between how less-disruptive humans and various animals do the same: the strip-mine-operator vs. migrant tribesperson impact difference is probably much greater than the migrant tribesperson vs. beaver gap, for example. Rather than talking about limiting human disruption, then, as if all human-environment interactions are disruptive and must be minimized, we could/should be talking about how to create human societies that have beneficial relationships with their environments and acknowledging that we actually have many positive examples of that, both historical and contemporary. Chambers' utopia is a "humans dominate nature but restrain themselves so that their disruptions are minimal and thus nature can thrive" vision, but what I'd even more like to see would be a "humans study old ways and make new ones so that they can interact positively with ecosystems again" vision, including some of "here are the places that sometimes breaks down but also the patterns and institutions that ensure repair of those breakdowns and thus long-term sustainability."
Final big thought: Chambers' utopia is too homogenous for my tastes. Of course it's hard enough and valuable work dreaming up and sharing any utopia and Chambers' transcends triteness in a number of ways, so this criticism is a bit rude. But the single shared religion, lack of mention of conflicts around shared decisions, especially historical society-defining ones, and nagging questions like "what about the people indigenous to the now-uninhabited lands?" and "what about the indigenous peoples who weren't part of the factory-building societies?" leave me wishing for more nuance in this direction.
All in all: a good book, and I'm criticizing out of a place of appreciation, not scorn. I've got there sequel out from the library as well and will probably detour to a few other books but get to it pretty soon.
Sadly I don't remember who, but I got this one because of a recommendation on here, so thanks if you're someone who recommended it!
#AmReading #ReadingNow #Bookstodon

@primonatura@mstdn.social
2026-06-25 15:00:31

"Populist and rightwing figures take aim at Ed Miliband and UK net zero policies at ‘anti-woke Davos’"
#Climate #ClimateChange #UK

@hex@kolektiva.social
2026-05-25 10:09:12

So one of the authors is Nicholas Carlini, who works for Anthropic. This is basically an ad for the three letter agencies to use Claude. It massively over-promises compared to what the actual paper says.
But, it is important. First, this is really about silencing people. The threat of identification is designed to make people afraid to talk online. There's a massive asymmetry between the fascists and the people. The fascists are weird racists and pedophiles who are obsessed with control. No one likes them. No one likes their ideas, because their ideas are creepy and bad.
When they talk about their ideas, that people should be murdered or kidnaped based on their skin color, that there should be a national dress code, that people's sex lives should be monitored, that children should be treated like objects that are owned by the parent (specifically, one parent), that people with different skin color or uteri should be considered as livestock, people fucking hate it because it's awful. When we talk about our ideas, that everyone should be able to eat and take care of themselves, that people who can't take care of themselves should be taken care of, that we should live in a society that values life, that we should live in harmony with nature, people like those ideas. When fascists out us for talking about those ideas, people support us. When we out people who are working as fascist goons those people have to face social consequences.
Everyone hates these people. The US government is currently less popular than it has ever been. The only way they can keep power is by making everyone think that they aren't extraordinarily unpopular. The only way to do that, the way authoritarian have always done it, is to make everyone afraid to talk.
But, yes, what this paper is saying is actually kind of bad. It looks like people who don't take any precautions at all in separating identities can be identified about 30% of the time (based on the results). It's unclear how this will actually work in the real world. Larger corpses will probably have more data, making connecting things easier.
This isn't as good as a human trying to dox someone. It's not going to work as well. It may only work in a small number of cases. There will be false positives (just like there are with people doing the work). It's probably not cheaper than hiring people. But it does mean that you can just dump money into a machine that has no ethical framework and get data out. That's the point. It's hard to find humans who will do evil shit like help dictatorships target human rights activists, but if a machine can do it for twice the price then it's a better deal for the dictatorship.
For most people, you just shouldn't care. This isn't for you. As long as you keep doing what you're doing, and you can keep everyone else doing what they're doing, then there aren't enough resources to actually target you. Even if they know who you are, there are just too many people who hate them and too few goons.
For people who might actually be targeted, there are a lot of things. First, keep in mind what you're putting into anonymous accounts. Any feature that's connected to your real life is a feature that can be extracted to identify you. This has always been true, it just may be easier to find now. Your identities should be totally siloed. It's also harder to identify you if you're writing anonymously as a collective. Collectives are better anyway because they can help check your thinking. When you write as a collective, you can help clean up each other's personal details and language. A collective develops its own voice, which is distinct from individual contributors. If you do this, and you also present your work as being from one "person," then it becomes even harder for anyone (systems or individuals) to really figure it out.
I'm not going to do a full deep dive on this because I just don't have time, but your existing threat model should *already cover these threats* if you need to make sure your writing remains anonymous.
This paper doesn't present any novel methodologies. It just extracts a bunch of features, which a human would extract as notes, and tries to correlate those between identities, which is how human researchers work. Linguistic forensics were mentioned (not by name) in the paper, but the actual methodology doesn't actually seem to use them.
So a thing with less ethics can do a worse job for more money (when adjusted for the real, not investor deflated, price of tokens). It's worth knowing. It's not the end of the world, but it is a good reminder to check your threat model and make sure it's up to date.

@Defiance@sfba.social
2026-06-26 17:44:49

I always struggle to attend this festival. I've gone a few times, starting back when it was the Burger Boogaloo. It's expensive, and the stage areas get crammed so quickly now. You lose the intimate feel. Add in the likely heat and long lines and huge line up, and it can be a real drag unless you go with a group and find time to just chill in an open space.
#music

Bright illustrated event poster for KALX Presents “Mosswood Meltdown,” hosted by John Waters at Mosswood Park in Oakland. The pink poster lists the lineup over three days: a Friday July 17 pre-party with Pavement, Wednesday, and Vivian Girls; Saturday July 18 featuring Iggy Pop, Otoboke Beaver, Mannequin Pussy, The Spits, Snooper, The Dirtbombs, The Drags, The Fadeaways, and Primitive Ring; and Sunday July 19 featuring Bikini Kill, The Return of Jackie and Judy, The Dead Milkmen, Frankie and th…
@v_i_o_l_a@openbiblio.social
2026-05-25 19:16:04

"A Framework for Books and AI in the Public Interest: How libraries could create a thoughtful and ethical interface between their shelves and artificial intelligence"
newsletter.dancohen.org/archiv

@leftsidestory@mstdn.social
2026-06-27 00:30:07

The Look from the Bystander 👁️
旁观者的凝视 👁️
📷 Pentax MX
🎞️ Ilford FP4 Plus 125 (FF), expired 1994
If you like my work, Support by buying me a coffee or a roll of film from
PayPal paypal.com/paypalme/ydcdingsite
Wise

Ilford FP4 Plus 125 (FF)

##English
Black-and-white photograph of a detailed stone carving depicting multiple Buddhist figures. The central figure is a seated Buddha with an elaborate headdress and flowing robes, gesturing with both hands. Surrounding the Buddha are smaller figures, also intricately carved, with distinct facial features and traditional attire. The carving appears to be part of a larger structure or wall.
##中文
黑白照片,展示一个详细的石雕,描绘了多个佛教人物形象。中央是一尊坐佛,头戴精美头饰,身披流动的袈裟,双手做手势。佛陀周围是一些较小的人物形…
Ilford FP4 Plus 125 (FF)

##English
Black-and-white photograph of a row of long, shaggy furry dusters hanging closely together on a rack. The disters are of varying lengths and textures, with some appearing darker and others lighter. A sign in the foreground reads "请勿动手" and "Don't touch" in both Chinese and English.
##中文
黑白照片,展示一排鸡毛掸子紧密悬挂在架子上。掸子长度和质地各异,有些颜色较深,有些较浅。前景有一个标志,用中英文写着“请勿动手”和“Don't touch”。
Ilford FP4 Plus 125 (FF)

##English
Black-and-white photograph of a small outdoor display of potted plants and gourds. Two large potted plants with tall, slender leaves are placed on a surface, with a smaller potted plant beside them. Below, a wire rack holds numerous gourds of varying sizes, some hanging and others resting on the grid. The background includes a wall and some indistinct objects.
##中文
黑白照片,展示户外陈列的盆栽植物和葫芦。两盆高大、叶子细长的植物放在一个平面上,旁边还有一盆较小的盆栽。下方有一个金属网架,悬挂着大量大小不一的葫芦,有些悬挂着,有些放在网格上。背景是一面墙…
Ilford FP4 Plus 125 (FF)

##English
Black-and-white photograph of a city street scene. A tall street lamp with a curved design is prominently visible on the left, extending upwards. Bare tree branches fill the upper part of the image. In the background, a multi-story building with rectangular windows is partially visible. A traffic light and street signs, including one with Chinese characters are also present.
##中文
黑白照片,展示城市街道场景。左侧有一盏高大的弯曲设计的路灯向上延伸。上方是光秃秃的树枝。背景中有一栋多层建筑,窗户为矩形。还可以看到交通灯和街道标志,其中一个标…
@Techmeme@techhub.social
2026-05-26 11:21:26

US law enforcement documents: the DHS, FBI, and other agencies introduce a novel domestic threat category termed "anti-tech violent extremism" amid the AI boom (Daniel Boguslaw/Wired)
wired.com/story/us-law-enforce

@v_i_o_l_a@openbiblio.social
2026-06-26 09:26:50

"For the Benefit of Humankind:” The Library of Congress and AI for Libraries, Archives and Museums"
blogs.loc.gov/thesignal/2026/0

@Techmeme@techhub.social
2026-05-25 14:41:04

How Iranian threat actor Nimbus Manticore used techniques like AI-assisted malware development and SEO poisoning to target companies during the US-Iran war (Check Point Research)
research.checkpoint.com/2026/f