2024-06-14 06:52:32
Beyond the Frontier: Predicting Unseen Walls from Occupancy Grids by Learning from Floor Plans
Ludvig Ericson, Patric Jensfelt
https://arxiv.org/abs/2406.09160
Beyond the Frontier: Predicting Unseen Walls from Occupancy Grids by Learning from Floor Plans
Ludvig Ericson, Patric Jensfelt
https://arxiv.org/abs/2406.09160
Modeling fibrous tissue in vascular fluid-structure interaction: a morphology-based pipeline and biomechanical significance
Yujie Sun, Jiayi Huang, Qingshuang Lu, Xinhai Yue, Xuanming Huang, Wei He, Yun Shi, Ju Liu
https://arxiv.org/abs/2406.07064
I made some rock faces from fir tree bark.
Read more here:
#modelmaking
I'm reading The Song of Achilles, which is either a gay romance novel or else a scholarly retelling of The Iliad or both. The prose style is interesting, lyrical and just a bit foreign. It feels like reading translations of Homer only modern and much easier to follow. I'm not normally one for wrought prose but this works to transport me.
Their whispers choked me, turned the food in my mouth to ash. I pushed away my plate and sought out corners and spare halls where I might sit undisturbed, except for the occasional passing servant. My narrow world narrowed further: to the cracks in the floor, the carved whorls in the stone walls. They rasped softly as I traced them with my fingertip.
“I heard you were here.” A clear voice, like ice-melted streams.
My head jerked up. I was in a storeroom, my knees against my chest, wedged between jars of thick-pressed olive oil. I had been dreaming myself a fish, silvered by sun as it leapt from the sea. The waves dissolved, became amphorae and grain sacks again.
I'm reading The Song of Achilles, which is either a gay romance novel or else a scholarly retelling of The Iliad or both. The prose style is interesting, lyrical and just a bit foreign. It feels like reading translations of Homer only modern and much easier to follow. I'm not normally one for wrought prose but this works to transport me.
Their whispers choked me, turned the food in my mouth to ash. I pushed away my plate and sought out corners and spare halls where I might sit undisturbed, except for the occasional passing servant. My narrow world narrowed further: to the cracks in the floor, the carved whorls in the stone walls. They rasped softly as I traced them with my fingertip.
“I heard you were here.” A clear voice, like ice-melted streams.
My head jerked up. I was in a storeroom, my knees against my chest, wedged between jars of thick-pressed olive oil. I had been dreaming myself a fish, silvered by sun as it leapt from the sea. The waves dissolved, became amphorae and grain sacks again.