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@blakes7bot@mas.torpidity.net
2025-06-10 06:12:50

#Blakes7 Series A, Episode 04 - Time Squad
AVON: Good. Moving to line up. Right lateral, minimum power.
VILA: Too much. You're overshooting.
AVON: Left lateral. That's enough. Hold.
VILA: Square on.

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator, given the futuristic interior with curved walls and control panels visible in the background. The setting has the characteristic sleek, technological aesthetic of the series with muted lighting creating a serious atmosphere.

Two crew members are shown in what appears to be a tense or contemplative moment. One character is wearing the distinctive brown and beige Federation uniform …
@blakes7bot@mas.torpidity.net
2025-06-11 06:05:53

#Blakes7 Series D, Episode 02 - Power
VILA: No. Must be brain warp. Think I'll just go off and die somewhere. [starts to exit]
TARRANT: Vila.
VILA: What?
TARRANT: The door.
VILA: Which door?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like futuristic costume design typical of late 1970s/early 1980s British sci-fi productions. The person is wearing what appears to be a light-colored outfit with darker trim or detailing, and the lighting and film quality are characteristic of that era's television production values. The setting appears to be an interior space, possibly a spacecraft or …
@blakes7bot@mas.torpidity.net
2025-06-11 18:20:46

Series A, Episode 12 - Deliverance
BLAKE: I don't know. They look like micro power cells.
CALLY: I've never seen that type before.
ENSOR: [Strangled whisper] Help...help...help me. Help me.
blake.torpidity.net/m/112/144 B7B5

@blakes7bot@mas.torpidity.net
2025-06-11 12:16:37

Series A, Episode 01 - The Way Back
MORAG: What we need is something to discredit him. If he could be deported to Cygnus Alpha .... Doctor, am I right in thinking you can create experiences, implant them into a subject, who will then believe that they really happened?
HAVANT: Of course. In fact, creating an illusion of reality is quite simple.

@blakes7bot@mas.torpidity.net
2025-06-10 12:16:55

Series C, Episode 07 - Children of Auron
AVON: I wonder why.
FRANTON: [Through door] Because of these. They're implanted with her cells.
TARRANT: Servalan's?
AVON: Her surrogate womb.
TARRANT: Birth by proxy.
blake.torpidity.net/m/307/526 B7…

@blakes7bot@mas.torpidity.net
2025-06-10 18:21:41

Series B, Episode 03 - Weapon
CLONE 2: Is there anything for us here?
RASHEL: Yes. We're free.
CLONE 2: Can we survive - alone?
blake.torpidity.net/m/203/532 B7B5

Claude Sonnet 4.0 describes the image as: "This appears to be a tense scene set in what looks like a spacecraft or space station corridor. The setting has the characteristic sterile, industrial aesthetic typical of science fiction productions from this era, with gray walls and functional lighting.

In the scene, there are three figures - one person wearing a distinctive olive-green uniform with a belt and equipment, suggesting they may be a guard or security officer. They appear to be confronti…
@blakes7bot@mas.torpidity.net
2025-06-11 15:18:45

Series A, Episode 03 - Cygnus Alpha
GAN: As long as the door doesn't break.
VILA: Did you see? They killed Arco.
BLAKE: I don't understand. There's no response from the ship.
VILA: Perhaps these bracelets don't work any more.
blake.torpidity.net/m/103/543

Claude 3.7 describes the image as: "The image shows three people in what appears to be a dimly lit, industrial or spacecraft-like setting. They're wearing period costume that suggests a science fiction production from the late 1970s or early 1980s. The individuals are dressed in earth-toned clothing including vests and collared shirts, appropriate for a space-based drama. The composition shows them in close proximity, seemingly in the middle of a tense or important conversation. The lighting an…
@blakes7bot@mas.torpidity.net
2025-06-10 09:14:56

Series A, Episode 05 - The Web
GEELA: [Touches Avon's hand with her weapon. She releases his hand.] Minimum power. A full charge would cut you in half.
NOVARA: Understand. Your lives are totally unimportant to us.
BLAKE: All right.
blake.torpidity.net/m/105/484

Claude 3.7 describes the image as: "The image shows a close-up of a person with dark, short hair wearing what appears to be a gray or silver jacket with a high collar. They have an intense or concerned expression on their face. The lighting gives the scene a somewhat dark, muted tone with greenish hues in the background.

This appears to be from a science fiction television production from the late 1970s or early 1980s, based on the visual style and filming quality. The setting seems to be some…
@blakes7bot@mas.torpidity.net
2025-06-11 09:14:27

Series C, Episode 04 - Dawn of the Gods
AVON: Our hero lives.
TARRANT: At least he didn't try to get into a spacesuit.
AVON: I look upon self-interest as my great strength. Vila.
TARRANT: One day, Avon, I may have to kill you.
blake.torpidity.net/m/304/107

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s, based on the visual style and production quality. 

The setting looks like the interior of a spacecraft or space station with curved walls and minimalist design elements typical of sci-fi of that era. Two people are visible in the frame - one person in a light-colored shirt standing and gesturing to another person wearing dark clothing w…
@blakes7bot@mas.torpidity.net
2025-06-10 15:19:30

Series A, Episode 09 - Project Avalon
AVALON: Who betrayed us?
TRAVIS: [To mutoids] Take her.
MUTOID: [Indicating homing beacon] Shall I smash it?
TRAVIS: No. Give Blake his homing beacon - make it easier for him. Finish it.
blake.torpidity.net/m/109/37 B7…

Claude 3.7 describes the image as: "The image shows a dark, atmospheric scene featuring a figure in what appears to be a black leather outfit with some kind of eye patch or facial covering. They are partially illuminated against a very dark background, creating a dramatic, shadowy effect. The costume includes what looks like fur trim visible in the lower right portion of the frame.

This appears to be from a science fiction production, with the styling and costume design suggesting a dystopian …