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@blakes7bot@mas.torpidity.net
2025-07-17 12:08:24

Series A, Episode 02 - Space Fall
[Switch to flight deck of Liberator. Blake enters rubbing his shoulder.]
AVON: What happened?
BLAKE: Slight disagreement with Raiker. And then the hatch closed.
JENNA: We're on our way.
blake.torpidity.net/m/102/663 B7B3

Claude 3.7 describes the image as: "This appears to be a still from a classic science fiction television series from the late 1970s/early 1980s. The image shows what appears to be the interior of a spacecraft or control room with a futuristic hexagonal design aesthetic typical of British sci-fi productions of that era.

The scene captures several performers in costume on what looks like a spaceship bridge or command center. The person on the right is wearing a light-colored outfit with dark tri…
@blakes7bot@mas.torpidity.net
2025-06-16 18:12:51

Series D, Episode 11 - Orbit
VILA: I'm not the type for this sort of thing, Avon.
AVON: Why not?
VILA: This Egrorian, you said he was some kind of genius.
AVON: They said he was supposed to be some time back.
blake.torpidity.net/m/411/62 B7B5

Claude Sonnet 4.0 describes the image as: "This scene takes place aboard the Liberator, the main spacecraft used by the rebel crew. The setting appears to be the ship's flight deck or a similar interior area, characterized by the distinctive white and metallic design elements typical of the series' futuristic aesthetic.

In the image, we can see crew members in their characteristic costumes - one person wearing the familiar light-colored leather outfit, while another is dressed in the black lea…
@blakes7bot@mas.torpidity.net
2025-06-09 15:23:49

Series C, Episode 03 - Volcano
SERVALAN: What has gone wrong?
COMMANDER: [On viewscreen] Liberator is still firing. I'm retreating out of range. All ships take evasion course. I repeat, all ships disengage.
blake.torpidity.net/m/303/461 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The image shows a person with very short, dark hair and distinctive makeup, wearing what appears to be a light-colored garment. The setting appears to be some kind of futuristic or sci-fi environment with blurred lighting effects in the background. The cinematography and costume design ar…
@arXiv_eessAS_bot@mastoxiv.page
2025-06-04 13:39:06

This arxiv.org/abs/2505.20552 has been replaced.
initial toot: mastoxiv.page/@arXiv_ees…

@blakes7bot@mas.torpidity.net
2025-05-29 09:18:44

Series C, Episode 13 - Terminal
SERVALAN: Mm. I must admit that when I started beaming messages to the Liberator I was worried you might not believe them.
AVON: I didn't.
SERVALAN: What convinced you?
blake.torpidity.net/m/313/332 B7B2

Claude 3.7 describes the image as: "The image shows a person in what appears to be a costume from a science fiction television series. They're wearing a distinctive black outfit with metallic or reflective shoulder elements that have studs or decorative elements. The costume has an elaborate design typical of 1970s-80s British sci-fi productions.

The setting appears to be an indoor studio set with muted colors in the background. The theatrical costume with its dark color scheme and metallic ac…
@blakes7bot@mas.torpidity.net
2025-05-29 09:18:44

Series C, Episode 13 - Terminal
SERVALAN: Mm. I must admit that when I started beaming messages to the Liberator I was worried you might not believe them.
AVON: I didn't.
SERVALAN: What convinced you?
blake.torpidity.net/m/313/332 B7B2

Claude 3.7 describes the image as: "The image shows a person in what appears to be a costume from a science fiction television series. They're wearing a distinctive black outfit with metallic or reflective shoulder elements that have studs or decorative elements. The costume has an elaborate design typical of 1970s-80s British sci-fi productions.

The setting appears to be an indoor studio set with muted colors in the background. The theatrical costume with its dark color scheme and metallic ac…
@blakes7bot@mas.torpidity.net
2025-05-28 12:06:22

Series B, Episode 04 - Horizon
SELMA: Thank you.
RO: You saved my life. While I live, you'll be welcome on Horizon.
BLAKE: Still Horizon?
RO: You can't return to the past.
BLAKE: [Into bracelet] Liberator, teleport now. [To Ro and Selma] Good-bye.
blake.torpidity.net/m/204/633

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, showing two performers in elaborate costume design. They're wearing distinctive blue-gray fringed garments with dark feathered or fur-like elements at the shoulders. The costumes have a ceremonial or ritualistic quality, with one outfit featuring an open chest design and the other a more covered style. The setting features metallic wall panels with geometric patterns in the background, sug…
@blakes7bot@mas.torpidity.net
2025-05-28 12:06:22

Series B, Episode 04 - Horizon
SELMA: Thank you.
RO: You saved my life. While I live, you'll be welcome on Horizon.
BLAKE: Still Horizon?
RO: You can't return to the past.
BLAKE: [Into bracelet] Liberator, teleport now. [To Ro and Selma] Good-bye.
blake.torpidity.net/m/204/633

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, showing two performers in elaborate costume design. They're wearing distinctive blue-gray fringed garments with dark feathered or fur-like elements at the shoulders. The costumes have a ceremonial or ritualistic quality, with one outfit featuring an open chest design and the other a more covered style. The setting features metallic wall panels with geometric patterns in the background, sug…
@blakes7bot@mas.torpidity.net
2025-06-22 06:12:33

#Blakes7 Series D, Episode 06 - Headhunter
TARRANT: [V.O. over comm.] Muller can't.
AVON: Well, we'll give him a refund on his ticket. Just get that ship back, Tarrant. We'll worry about the details then. Out!

Claude Sonnet 4.0 describes the image as: "This image shows a scene from inside a spacecraft, featuring futuristic interior design with metallic surfaces and technological elements typical of science fiction television from the late 1970s. The character is wearing a distinctive black leather outfit with metallic studs and white trim details, which was characteristic of the show's costume design. The setting appears to be aboard the Liberator, the main spacecraft used by the rebel crew. The slee…