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@heiseonline@social.heise.de
2025-08-04 19:09:00

Lyft und Baidu kooperieren: Robotaxis in Deutschland ab 2026
Lyft und Baidu wollen im nächsten Jahr einen Robotaxi-Service in Europa starten. Lyft kümmert sich um Kundendienste, Baidu liefert die Fahrzeuge.

@arXiv_physicsinsdet_bot@mastoxiv.page
2025-09-12 09:32:29

Study of a Compact Device for Water Attenuation Length Measurements
Junyou Chen, Jilei Xu, Yongbo Huang, Sibo Wang, Chuanshi Dong, Haoqi Lu, Changgen Yang, Yongpeng Zhang, Yi Wang
arxiv.org/abs/2509.09260

@mgorny@social.treehouse.systems
2025-09-07 16:14:59

"""
Customarily, the honour of having liberated hysteria from the ancient myths about a displacement of the uterus goes to Le Pois and Willis. Jean Liebaud, translating or rather adapting Marinello’s work for the seventeenth century, still accepted (with a small number of caveats) the idea of a spontaneous movement of the womb. If it moved, it was “to be more at ease; not that this came about through prudence, nor was it a conscious decision or an animal stimulus, but by a natural instinct, to safeguard health and to have the pleasure of something delectable.” The idea that it could change its place and move around the body, bringing convulsions and spasms everywhere it travelled, had been abandoned, for it was now taken to be ‘tightly held in place’ by the cervix, ligaments, vessels and the sheath of the peritoneum; yet in some senses it could change its location. “The womb therefore, even though it is tightly fixed to the parts that we have described and cannot easily change its place, still manages to roam, making strange, petulant movements around the woman’s body. These diverse movements include ascensions and descents, convulsions, wanderings and prolapses. It can wander up to the liver, spleen, diaphragm, stomach, chest, heart, lung, throat and head.” Physicians of the classical age are more or less unanimous in refusing this explanation.
[…] Yet these analyses were not sufficient to break the theme of an essential link between hysteria and the womb. But the link is now conceived in different terms. It is no longer considered to be the trajectory of a real displacement through the body, but rather a sort of mute propagation through the paths of the organism and its functional proximities. It cannot be said that the seat of the malady has become the brain, nor that thanks to Willis a psychological explanation of hysteria was now possible. But the brain does take on the role of a relay that distributes a malady whose origins are visceral, and the womb brings it on just as the other viscera do. Up until the end of the eighteenth century, and Pinel, the uterus and the womb are still present in the pathology of hysteria, but thanks to a privileged diffusion by the humours and nerves, not because of any particular prestige of their nature.
"""
(Michel Foucault, History of Madness)

@blakes7bot@mas.torpidity.net
2025-09-06 06:03:13

#Blakes7 Series C, Episode 10 - Ultraworld
CALLY: [V.O. faintly] Calling Liberator.
AVON: Be quiet, Vila.
CALLY: [V.O. signal is distorted and weak] I don't know where I am.
VILA: That's Cally's voice.

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set aboard a spacecraft. The image features several people gathered around what appears to be a control panel or table in a futuristic command center environment. The set design has hexagonal lighting panels and metallic walls typical of sci-fi productions from this era.

The individuals are wearing distinctive 1970s/80s-style sci-fi costumes - one in a brown outfit with decorative elements, a…
@carloshr@lile.cl
2025-07-25 23:03:10

«Esto Es Amor» colaboración entre Mon Laferte y Conociendo Rusia.
#MonLaferte

@arXiv_csCL_bot@mastoxiv.page
2025-08-20 09:57:10

ReviewGraph: A Knowledge Graph Embedding Based Framework for Review Rating Prediction with Sentiment Features
A. J. W. de Vink, Natalia Amat-Lefort, Lifeng Han
arxiv.org/abs/2508.13953

@UP8@mastodon.social
2025-08-20 01:52:55

⚛️ 3D printing reshapes construction for nuclear energy
#energy

@blakes7bot@mas.torpidity.net
2025-06-22 06:12:33

#Blakes7 Series D, Episode 06 - Headhunter
TARRANT: [V.O. over comm.] Muller can't.
AVON: Well, we'll give him a refund on his ticket. Just get that ship back, Tarrant. We'll worry about the details then. Out!

Claude Sonnet 4.0 describes the image as: "This image shows a scene from inside a spacecraft, featuring futuristic interior design with metallic surfaces and technological elements typical of science fiction television from the late 1970s. The character is wearing a distinctive black leather outfit with metallic studs and white trim details, which was characteristic of the show's costume design. The setting appears to be aboard the Liberator, the main spacecraft used by the rebel crew. The slee…
@blakes7bot@mas.torpidity.net
2025-07-17 12:08:24

Series A, Episode 02 - Space Fall
[Switch to flight deck of Liberator. Blake enters rubbing his shoulder.]
AVON: What happened?
BLAKE: Slight disagreement with Raiker. And then the hatch closed.
JENNA: We're on our way.
blake.torpidity.net/m/102/663 B7B3

Claude 3.7 describes the image as: "This appears to be a still from a classic science fiction television series from the late 1970s/early 1980s. The image shows what appears to be the interior of a spacecraft or control room with a futuristic hexagonal design aesthetic typical of British sci-fi productions of that era.

The scene captures several performers in costume on what looks like a spaceship bridge or command center. The person on the right is wearing a light-colored outfit with dark tri…
@blakes7bot@mas.torpidity.net
2025-06-16 18:12:51

Series D, Episode 11 - Orbit
VILA: I'm not the type for this sort of thing, Avon.
AVON: Why not?
VILA: This Egrorian, you said he was some kind of genius.
AVON: They said he was supposed to be some time back.
blake.torpidity.net/m/411/62 B7B5

Claude Sonnet 4.0 describes the image as: "This scene takes place aboard the Liberator, the main spacecraft used by the rebel crew. The setting appears to be the ship's flight deck or a similar interior area, characterized by the distinctive white and metallic design elements typical of the series' futuristic aesthetic.

In the image, we can see crew members in their characteristic costumes - one person wearing the familiar light-colored leather outfit, while another is dressed in the black lea…