Content warning: Discussion of rape in Le Guin's fiction
Just finished "Orsinian Tales" by Ursula K Le Guin. It's... good, but not nearly as anarchist as a lot of her other work. These are short fiction stories weaving mostly through a fictional Eastern European country during the cold war, although some stretch farther back into history.
As typical for Le Guin a bunch of male protagonists, and a few parts that might seem to excuse sexual assault, which I've always found an odd thing in Le Guin's work (the rape in "The Dispossessed" bothered me too; the lack of strong female characters in "A Wizard of Earthsea" also sticks out to me). On the other hand, I've read from an interview that she wrote "Earthsea" absolutely knowing her audience (teenage boys) and intentionally writing something that would sell, which speaks to true mastery of her craft (I think the opening of "The Word for World is Forest" demonstrates what an expert can do wielding an intimate understanding of pulp science fiction tropes with intent, for example).
In any case, she writes sublime similes and sparse characters who nevertheless seem to embody deep wisdom about the human condition. I feel that often enough just a few words or sentences in a story bear forth hefty wisdom while around them Le Guin constructs something like an austere painting in muted tones, full of rich details that one can easily miss.
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@vrandecic@mas.to
