Tootfinder

@blakes7bot@mas.torpidity.net
2025-08-13 09:19:30

Series A, Episode 10 - Breakdown
KAYN: That's where the fault was, in the limiter, there. And there it is repaired. If you survive, so should he.
BLAKE: Is there any way we can thank you?
KAYN: You could try getting caught.
https://blake.torpidity.net/m/110/552 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing three people in what looks like a futuristic spacecraft or station interior. The setting has characteristic sci-fi design elements including curved walls with horizontal ribbing and control panels with various displays and controls. One person is wearing what appears to be a light-colored uniform or outfit, while the others are in darker clothing. They appear to be engaged i…

@arXiv_csAI_bot@mastoxiv.page
2025-07-11 09:42:01

PlanQA: A Benchmark for Spatial Reasoning in LLMs using Structured Representations
Fedor Rodionov, Abdelrahman Eldesokey, Michael Birsak, John Femiani, Bernard Ghanem, Peter Wonka
https://arxiv.org/abs/2507.07644

PlanQA: A Benchmark for Spatial Reasoning in LLMs using Structured Representations
We introduce PlanQA, a diagnostic benchmark for evaluating geometric and spatial reasoning in large-language models (LLMs). PlanQA is grounded in structured representations of indoor scenes, such as kitchens, living rooms, and bedrooms, encoded in a symbolic format (e.g., JSON, XML layouts). The benchmark includes diverse question types that test not only metric and topological reasoning (e.g., distance, visibility, shortest paths) but also interior design constraints such as affordance, cleara…

@blakes7bot@mas.torpidity.net
2025-07-10 18:15:20

Series B, Episode 07 - Killer
GAMBRILL: They just started to act strangely, vague, wandering about, then they went into convulsions. They're in the sick bay now.
BELLFRIAR: That could be a space contamination, you'd better get me the sick bay at once.
https://blake.torpidity.net/m/207/365…

Claude Sonnet 4.0 describes the image as: "I can see two figures in what appears to be a futuristic interior setting with clean, white and beige walls typical of science fiction production design. One person is wearing a distinctive all-white outfit with puffy, padded segments and a high collar that gives it an almost ceremonial or protective appearance. The other figure is dressed in white with some dark trim details. The lighting and set design create a sterile, high-tech atmosphere character…

@cdarwin@c.im
2025-06-27 18:36:53

The design of the museum has morphed over the years, from a dark, curvaceous amoeba-like form that echoed the nearby La Brea Tar Pits to a design that retains the curves up top but shifts to rectilinear glass on the galleries level below
After five years of construction, so much debate about its scale, design and ambitions, the Los Angeles County Museum of Art held its first event Thursday night inside the Peter Zumthor-designed building

LACMA opens its new building for a sneak peak: Photos from the first preview
Los Angeles County Museum of Art's long-awaited David Geffen Galleries building opens for a sneak peak Thursday -- the first look inside the raw, empty interior of architect Peter Zumthor's poured concrete creation.

@arXiv_csGR_bot@mastoxiv.page
2025-08-26 07:53:36

DecoMind: A Generative AI System for Personalized Interior Design Layouts
Reema Alshehri, Rawan Alotaibi, Leen Almasri, Rawan Altaweel
https://arxiv.org/abs/2508.16696 https://

DecoMind: A Generative AI System for Personalized Interior Design Layouts
This paper introduces a system for generating interior design layouts based on user inputs, such as room type, style, and furniture preferences. CLIP extracts relevant furniture from a dataset, and a layout that contains furniture and a prompt are fed to Stable Diffusion with ControlNet to generate a design that incorporates the selected furniture. The design is then evaluated by classifiers to ensure alignment with the user's inputs, offering an automated solution for realistic interior design.

@blakes7bot@mas.torpidity.net
2025-09-10 12:19:00

Series D, Episode 13 - Blake
BLAKE: Nobody made the capture. She hit the self-destruct. And when it blew, she took half a squadron of gunships with her. Brace yourself.
VILA: How does it feel to be home?
SOOLIN: I wouldn't know.
https://blake.torpidity.net/m/413/389 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like a vehicle or spacecraft interior. The person appears injured or distressed, with visible bruising or marks on their face. They're wearing what appears to be dark clothing, and the lighting and set design has the characteristic look of 1970s British television production. The interior setting suggests this might be from a dramatic or action sequence…

@arXiv_mathNA_bot@mastoxiv.page
2025-07-09 09:02:22

A generalized Hessian-based error estimator for an IPDG formulation of the biharmonic problem in two dimensions
Th\'eophile Chaumont-Frelet, Joscha Gedicke, Lorenzo Mascotto
https://arxiv.org/abs/2507.05776

A generalized Hessian-based error estimator for an IPDG formulation of the biharmonic problem in two dimensions
We consider a two dimensional biharmonic problem and its discretization by means of a symmetric interior penalty discontinuous Galerkin method. Based on the ``div-div'' complex, a novel split of an error measure based on a generalized Hessian into two terms measuring the conformity and nonconformity of the scheme is proven. This splitting is the departing point for the design of a new reliable and efficient error estimator, which does not involve any DG stabilization. Such an error estimator ca…

@Techmeme@techhub.social
2025-07-24 09:16:02

Pinterest is increasingly filled with AI interior design images, often featuring unrealistic or impossible details, complicating users' search for inspiration (Bethan Staton/Financial Times)
https://www.ft.com/content/6e3e4f8e-1d7f-4d30-bdc3-94c828d60b40

@blakes7bot@mas.torpidity.net
2025-09-11 06:07:54

#Blakes7 Series D, Episode 06 - Headhunter
ORAC: The survival of organic humanoid life is improbable.
SOOLIN: Are you talking about Vila and Tarrant?
ORAC: All organic humanoid life throughout the galaxy is at hazard.
https://

Claude Sonnet 4.0 describes the image as: "This image shows a scene set in what appears to be a futuristic spacecraft or space station interior, with control panels and technical equipment visible in the background. The setting has the characteristic sterile, high-tech aesthetic typical of science fiction productions from this era. The scene appears to be from a dramatic moment, with the lighting and composition suggesting tension or concern. The futuristic costume design includes metallic elem…

@blakes7bot@mas.torpidity.net
2025-08-11 12:12:01

A10 - Breakdown
BLAKE: Jenna? [Gan throws Jenna to the floor] Jenna. Jenna! [Gan drags Jenna to front of flight deck]
BLAKE: Gan! Gan, it's me, Blake. Gan, listen to me. [Gan attacks Blake. Avon, Cally, and Vila run in. Avon and Vila pull Gan off Blake]
https://blake.torpidity.net/m/110/9

Claude 3.7 describes the image as: "The image shows a person in a dark outfit standing in what appears to be a futuristic corridor or spacecraft interior. They're wearing a black garment with some detailed embroidery or pattern on the sleeve, and appear to be in the middle of a conversation or dramatic moment.

The setting features distinctive architectural elements typical of science fiction productions from the late 1970s/early 1980s, with geometric white wall panels and hexagonal design elem…

@arXiv_csHC_bot@mastoxiv.page
2025-06-19 08:20:24

Insights Informed Generative AI for Design: Incorporating Real-world Data for Text-to-Image Output
Richa Gupta, Alexander Htet Kyaw
https://arxiv.org/abs/2506.15008

Insights Informed Generative AI for Design: Incorporating Real-world Data for Text-to-Image Output
Generative AI, specifically text-to-image models, have revolutionized interior architectural design by enabling the rapid translation of conceptual ideas into visual representations from simple text prompts. While generative AI can produce visually appealing images they often lack actionable data for designers In this work, we propose a novel pipeline that integrates DALL-E 3 with a materials dataset to enrich AI-generated designs with sustainability metrics and material usage insights. After t…

@blackknight95857669@social.linux.pizza
2025-08-19 16:00:32

House Flipper 2 (Multi, XPd on PC) Test out your interior design skills and get even more creative with the revamped toolset in this excellent sequel.
If you follow me you might have noticed I like a good sim game (and if you like em too stay tuned, reviewing a couple more today), and HF2 is absolutely a good sim. Not surprising as the OG was a good first showing for the devs, Frozen District. This time out they've refined the tool set, added in some more story elements, and booste…

@blakes7bot@mas.torpidity.net
2025-08-09 15:27:18

Series D, Episode 11 - Orbit
EGRORIAN: Apparently not. Can I offer you some refreshment? Everything here is reconstituted, of course, but it remains palatable.
AVON: We came here to talk, Egrorian.
https://blake.torpidity.net/m/411/118 B7B4

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a futuristic medical or laboratory facility with a clean, white interior design. Two people in gray uniform-like clothing are engaged in conversation across a white counter or examination table. One person on the left has a distinctive pink decoration or antenna on their head, while the person on the right has a more authoritative stance.

The clinical setting includes glass shelving with medical equipment, b…

@blakes7bot@mas.torpidity.net
2025-09-09 09:22:47

Series C, Episode 03 - Volcano
VILA: Oh, yes, Tarrant says he was a space captain, but then he says a lot of things, and you don't have to believe it all, do you?
AVON: I'd be more inclined to believe that he was a captain than that you could have been.
https://blake.torpidity.net/m/303/152

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard the Liberator spacecraft, with its distinctive curved walls and technological interior visible in the background. The setting has the characteristic futuristic design of the ship's corridors or flight deck area. Three crew members are present in what appears to be a tense moment - two men are positioned close together in what seems to be a confrontational or intense discussion, while a third person with curly hair ob…

@blakes7bot@mas.torpidity.net
2025-08-09 09:19:00

Series A, Episode 09 - Project Avalon
BLAKE: [V.O.] Can you identify it?
GAN: Well, the detectors read it as a military command cruiser and the trajectory suggested it could have come from Federation space headquarters.
https://blake.torpidity.net/m/109/143 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a spacecraft or futuristic interior setting with metallic/technological surfaces in the background. The scene has the characteristic lighting and production design typical of British sci-fi shows from that era. However, I cannot identify specific individuals in the image or confirm details about particular actors or characters without being able to verify who…

@blakes7bot@mas.torpidity.net
2025-07-09 06:12:38

#Blakes7 Series D, Episode 04 - Stardrive
PLAXTON: What's the matter with your main drive?
TARRANT: It's a museum piece.
PLAXTON: Standard fiber optic control connections?
AVON: Very standard.
https://blake.t…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set on the flight deck or bridge of the Liberator spacecraft. The futuristic set features the characteristic curved control console with its distinctive ribbed design and multiple monitor screens. Several crew members are positioned around the bridge - some seated at the control stations while others stand nearby. The setting has the typical gray and metallic color scheme of the ship's interior, with the multi-level bridge de…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-09-09 12:25:03

Series D, Episode 05 - Animals
DAYNA: I hate him.
SERVALAN: Excellent. So, you're going to help me, aren't you?
DAYNA: What do you want me to do?
SERVALAN: Get him to let you into the laboratory, then you let us in.
DAYNA: Yes. All right.
https://blake.torpidity.net/m/405/349

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television production, likely from the 1980s based on the visual style and production quality.

In the scene, two individuals are captured in what looks like a spaceship or futuristic interior setting with beige wall panels and subtle lighting. On the left stands a person wearing an elaborate black outfit with dramatic feathered or textured shoulders and a sleek design. On the right sits anoth…

@blakes7bot@mas.torpidity.net
2025-07-08 18:28:43

Series C, Episode 03 - Volcano
CALLY: [V.O. telepathy] Avon, listen. The enemy are on board. Avon.
AVON: Are they maintaining formation?
ZEN: Affirmative.
AVON: When will they be in range?
ZEN: They have been in range for one minute, eight seconds.
https://blake.torpidity.net/m/303/413

Claude Sonnet 4.0 describes the image as: "This image shows a scene set within what appears to be a spacecraft interior, characterized by the distinctive futuristic design elements typical of science fiction television from the late 1970s. The setting features curved metallic walls with circular details and technological panels, creating an appropriately sterile and advanced atmosphere.

The person in the scene is wearing a black leather outfit that has a sleek, military-style appearance fittin…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-08 06:20:19

#Blakes7 Series D, Episode 11 - Orbit
VILA: Hideaway? Avon, if I got my hands on that kind of money, I'd have gone somewhere I could enjoy it. What is the point of having money if you have to exist on a hole like that!
AVON: You are forgetting, there is a big difference between you and Egrorian. HE has a brain.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, based on the production style and visual effects. The scene shows a person in a light-colored tunic-style costume sitting in what looks like a spacecraft or space station interior.

Behind them is a curved window or viewing screen displaying what appears to be a planet or moon against the darkness of space. The set design features white paneled walls typical…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-07 09:09:29

Series A, Episode 09 - Project Avalon
JENNA: Well, yes, I've only met her once, but, yes, that's her.
AVON: Then it must be Chevner.
GAN: Chevner. How do you think he'll do it?
https://blake.torpidity.net/m/109/349 B7B2

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be the interior of a spacecraft, likely the Liberator. The setting has a distinctive futuristic design with curved walls and lighting typical of the show's aesthetic. One character wears dark leather-style clothing and holds what appears to be a weapon, while the other is dressed in a black outfit with fur trim around the collar. They appear to be having a conversation while seated on what looks like a…

@blakes7bot@mas.torpidity.net
2025-07-07 15:34:10

Series B, Episode 09 - Countdown
AVON: Approximately six million. It was colonized in the last century of the Old Calendar. At first they resisted political affiliation, but then they joined the Federation, and they have remained unswervingly loyal.
VILA: Then they're not likely to welcome us with open arms.
https://

Claude Sonnet 4.0 describes the image as: "I can see two actors in what appears to be a futuristic spacecraft interior setting. The scene shows them in conversation, with one wearing earth-toned clothing and the other in a distinctive red leather outfit. The background features sleek, metallic surfaces with horizontal lines typical of science fiction set design from the late 1970s. The lighting and production values are characteristic of British television from that era. The actors appear to be…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-07 12:11:56

Series A, Episode 07 - Mission To Destiny
BLAKE: It's effective, though. [Avon disconnects the cylinder]
AVON: Look at the gauge. The cylinder is almost empty.
https://blake.torpidity.net/m/107/75 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, showing two crew members in a technical or engineering area. The setting features the show's characteristic futuristic interior design with metallic surfaces and technological equipment. One character is leaning over what appears to be some kind of control panel or technical apparatus, while another stands nearby observing. Both are wearing the dark, military-style clothing typic…

@blakes7bot@mas.torpidity.net
2025-08-03 09:03:51

Series C, Episode 04 - Dawn of the Gods
ZEN: Confirmed. [Oppressive noise. The crew all sink to their knees, hands over ears.]
ZEN: Information. Ship's velocity now in excess of design limitations. Force wall collapse imminent. [Distortion effect. Dayna, Vila, Cally unconcious. Avon struggles towards the seating. Tarrant rouses and crawls towards Avon. Avon removes spacesuit from storage compartment, starts to pull it on.]

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, featuring the characteristic futuristic interior design with metallic surfaces and geometric panels. The setting shows what looks like a control room or bridge area with technological equipment visible in the background.

In the foreground, one character wears a distinctive light-colored outfit with decorative fastenings or toggles. In the background, three other characters are positioned together - o…

@blakes7bot@mas.torpidity.net
2025-09-07 06:20:42

#Blakes7 Series B, Episode 10 - Voice from the Past
AVON: You WILL leave it.
GLYND: Why not, it's already served its purpose in uniting us for the common cause. [Blake hands the box to Avon]
BLAKE: Acclaim it for that.
https://

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series, showing what appears to be the interior of a spacecraft or futuristic facility. The setting has the characteristic look of late 1970s/early 1980s television production, with metallic surfaces and industrial-style lighting in the background. The person in the image is wearing what appears to be dark clothing typical of the series' costume design. The lighting and cinematography create a…

@blakes7bot@mas.torpidity.net
2025-07-07 12:16:05

Series B, Episode 01 - Redemption
ALTA TWO: Sustained. Level five. [Guard uses prod on Blake again] Release. You were warned. A third time and I will command destruction level. Move.
[Exterior shot of Spaceworld]
[Jenna and Avon in a cell]
https://blake.torpidity.net/m/201/386

Claude Sonnet 4.0 describes the image as: "I can see this is a science fiction scene featuring a person in futuristic costume and makeup. The character appears to be wearing a metallic silver and light blue outfit with distinctive shoulder pieces, and has a metallic disc or emblem on their forehead. The setting looks like the interior of a spacecraft or futuristic facility, with control panels and technological equipment visible in the background. The lighting and production design are characte…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-08 09:04:29

Series C, Episode 10 - Ultraworld
[INTERIOR. Liberator flight deck]
DAYNA: What did you feel like, Avon?
AVON: [Distracted] What?
DAYNA: Being an entry in an encyclopedia.
TARRANT: Oh, he wouldn't mind so long as they filed him under genius.
https://blake.torpidity.net/m/310/681

Claude 3.7 describes the image as: "This image shows a scene from a sci-fi television series set in what appears to be a spacecraft control room or command center. The futuristic set features distinctive ribbed wall panels and technical equipment typical of 1970s/80s British television science fiction production design.

Four performers are shown in the spacecraft interior, seated in what looks like a command area. One person wearing a brown leather-like outfit with buckles sits prominently in …

@blakes7bot@mas.torpidity.net
2025-09-06 09:05:24

Series D, Episode 11 - Orbit
AVON: What is the surface analysis, Slave?
SLAVE: Nitrogen, methane, and argon predominate. Also traces of free ammonia and sulfur compounds. It is unsuitable for your illustrious life form, Master.
https://blake.torpidity.net/m/411/4 B7B2

Claude Sonnet 4.0 describes the image as: "This image shows the interior of a spacecraft, featuring a distinctive control console or computer terminal with various screens, displays, and control panels. The setting has a futuristic, sterile appearance with white/grey paneled walls typical of science fiction production design from the late 1970s. The console features multiple monitors, indicator lights, and what appears to be a circular viewing port or scanner. The technical equipment has a util…

@blakes7bot@mas.torpidity.net
2025-08-08 15:08:40

Series D, Episode 05 - Animals
TARRANT: Dayna.
SLAVE: Sir, I would draw your attention to Federation ships in line astern approaching on bearing one six zero.
TARRANT: That's a bit sudden, isn't it?
SLAVE: Plasma bolts released and running.
https://blake.torpidity.net/m/405/15

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character in a distinctive white and teal colored futuristic uniform with high collar details, characteristic of the show's sleek costume design. The setting appears to be aboard a spacecraft, with the typical metallic interior and curved architectural elements visible in the background. The lighting creates the moody, dramatic atmosphere the series was known for. The uniform's design reflects the show's aesthetic …

@blakes7bot@mas.torpidity.net
2025-08-02 06:05:46

#Blakes7 Series A, Episode 07 - Mission To Destiny
GROVANE: Well, I didn't see Mandrian die either, but I know he's dead.
AVON: I've just spent the last ten minutes in the filter plant looking for something that should be there but isn't. The cable that was damaged carries a high energy charge. In order to cut it, he would need a laser knife or an insulated saw. Ne…

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in conversation aboard a spacecraft. The setting appears to be inside a futuristic vessel with characteristic white and metallic interior design elements visible in the background, including circular porthole-like features. One character is wearing a dark leather outfit with decorative studs or metallic elements, while the other is dressed in what appears to be a reddish garment. The lighting and production design are ty…

@blakes7bot@mas.torpidity.net
2025-08-04 12:46:48

Series A, Episode 08 - Duel
JENNA: Deactivating.
BLAKE: Now, this is the pursuit ship that's done all the firing. That'll be low on power now, so it won't be a problem.
CALLY: So we can ignore it.
https://blake.torpidity.net/m/108/154 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, showing three crew members in what looks like the flight deck or control area. The setting has the characteristic futuristic interior design with curved walls and technological elements typical of the series. One person is wearing a green outfit and appears to be resting or unconscious, while another crew member in reddish/purple clothing looks on with concern. A third figure can…

@blakes7bot@mas.torpidity.net
2025-07-30 12:07:16

Series B, Episode 02 - Shadow
GAN: The manual controls won't respond.
VILA: Do something, Gan.
GAN: Something is draining off the power. [Lights dim]
VILA: Orac, it has to be Orac.
https://blake.torpidity.net/m/202/565 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, showing a person in a light-colored uniform or jumpsuit inside what seems to be a spacecraft or futuristic control room. They are working with what looks like technical equipment or control panels, typical of retro sci-fi production design. The interior has the distinctive aesthetic of television productions from that era, with somewhat minimalist set design …

@blakes7bot@mas.torpidity.net
2025-09-03 12:24:49

Series B, Episode 06 - Trial
AVON: Define alive. All planets are by some definition.
ORAC: I am not referring to a complex ecosystem. I refer to a single organism. A planetary life form. Fascinating, don't you think?
VILA: I doubt if Blake does.
https://blake.torpidity.net/m/206/346

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in the crew quarters or common area of a spacecraft. The setting features a curved, cream-colored seating area with a futuristic design typical of science fiction television from this era. The interior has a utilitarian, spaceship aesthetic with visible structural elements and control panels in the background.

Several crew members are present in the scene, positioned around the seating area. The staging suggests this is …

@blakes7bot@mas.torpidity.net
2025-07-03 18:16:58

Series D, Episode 09 - Sand
SOOLIN: Keller was right again.
AVON: Vila, try and bring Tarrant back up.
VILA: [He tries.] Nonoperational.
AVON: Well now, none of us is going to faint with amazement at that. Are we?
SOOLIN: What's the next move?
https://blake.torpidity.net/m/409/147

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a futuristic spacecraft interior with distinctive seating. The scene features three people in a spaceship setting with padded, textured gray chairs.

In the foreground, someone in a light-colored outfit sits in one of the chairs. Standing behind is a person wearing a striking black costume with a white decorative collar design and a belt. In the background, another figure with lighter…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-27 09:08:51

Series B, Episode 05 - Pressure Point
CALLY: I'd prefer that to being here.
VILA: You're welcome to take my place when the time comes.
AVON: If it comes.
CALLY: What do you mean?
AVON: Something's not right.
https://blake.torpidity.net/m/205/245…

Claude Sonnet 4.0 describes the image as: "This image shows a character in what appears to be a futuristic uniform or costume, featuring dark colored fabric with distinctive yellow/gold shoulder accents or trim. The setting has a utilitarian, spaceship-like interior with curved walls and surfaces typical of science fiction television production design from this era. The lighting creates dramatic shadows and highlights that emphasize the futuristic atmosphere. The costume design suggests this is…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-09-01 09:13:56

Series B, Episode 07 - Killer
BLAKE: What's happened?
BELLFRIAR: Well, it's standard drill with a space death. The autopsy's carried out in a sealed mortuary in case there are any alien micro-organisms around. Are you all set, Dr. Wiler?
https://blake.torpidity.net/m/207/286

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a science fiction setting with futuristic interior design featuring white and geometric wall patterns. There are two figures in the scene - one person with curly dark hair wearing what appears to be a light-colored outfit, and another figure in white clothing. The setting has the distinctive clean, minimalist aesthetic typical of sci-fi productions from this era, with sleek walls and modern-looking control panels or equipme…

@blakes7bot@mas.torpidity.net
2025-09-01 15:18:08

Series B, Episode 04 - Horizon
BLAKE: [Rubs his stomach and neck] Zen, check systems status.
ZEN: Confirmed.
https://blake.torpidity.net/m/204/94 B7B4

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series from the late 1970s/early 1980s. The scene takes place in what looks like a spacecraft interior with metallic walls and futuristic design elements typical of that era's production values.

The shot captures four individuals in a tense moment. One person in a yellow outfit is being examined or assisted by another wearing a distinctive cream-colored outfit with unusual puffed shoulders or…

@blakes7bot@mas.torpidity.net
2025-07-01 15:47:33

Series A, Episode 05 - The Web
BLAKE: Cut in the auxiliaries.
JENNA: That's helped at bit. We're now up to standard by one and one half and building but slowly.
BLAKE: Vila.
VILA: Yes.
BLAKE: It's time to use the neutron blasters.
https://blake.torpidity.net/m/105/246

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from inside a spacecraft, showing the futuristic interior with curved walls, metallic surfaces, and distinctive hexagonal lighting panels. The setting has the characteristic high-tech aesthetic of the series, with angular architectural elements and a sterile, functional design typical of the spaceship environments. The scene shows what appears to be crew members in their typical attire - practical, utilitarian clothing suitab…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-09-01 12:16:18

Series B, Episode 04 - Horizon
JENNA: I said, "Cally's right when she says we're out of condition."
RO: [Into intercom] Guard. Strangers in Theta Section. Take them.
GUARD: Yes, sir. [To other guards and a native] Theta Section, quickly.
https://blake.torpidity.net/m/204/162

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be an ornate, luxurious interior with decorative carved walls and rich furnishings. The setting has an opulent, possibly alien or futuristic aesthetic with intricate patterns visible in the background stonework. A person is seated in what looks like a throne-like chair, wearing a distinctive burgundy or maroon colored uniform or outfit with military-style details and trim. The costume design suggests thi…

@blakes7bot@mas.torpidity.net
2025-06-30 12:10:22

Series B, Episode 03 - Weapon
[Messroom. Travis enters]
SERVALAN: Are the guards in clear view?
TRAVIS: Three of them, as you ordered, Supreme Commander.
SERVALAN: And the fourth is concealed?
https://blake.torpidity.net/m/203/429 B7B3

Claude Sonnet 4.0 describes the image as: "I can see two figures in what appears to be a futuristic setting with metallic walls and sleek interior design typical of science fiction productions. One person is wearing an elaborate white feathered costume or outfit, while the other is dressed in black leather or similar dark material and appears to be wearing an eyepatch. The setting looks like it could be aboard a spaceship or in some kind of advanced facility, with the stark, technological aesth…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-24 15:12:54

Series C, Episode 05 - The Harvest of Kairos
DAYNA: On interlock?
TARRANT: No, overlap. Ask Cally, she'll put you right.
VILA: Anything I should do?
https://blake.torpidity.net/m/305/239 B7B4

Claude Sonnet 4.0 describes the image as: "This scene takes place in the interior of a spacecraft, showing the characteristic futuristic set design with white and metallic surfaces, hexagonal windows, and clean geometric lines. The setting appears to be a control room or bridge area with various technical stations and equipment visible. One person is seated at what appears to be a control console or workstation, wearing light-colored clothing typical of the series' costume design. Another figur…

@blakes7bot@mas.torpidity.net
2025-06-30 09:08:22

Series D, Episode 01 - Rescue
AVON: [Steps in front of the others] Who was the first, Dorian?
DORIAN: [Troubled] My partner. We entered this place together. Like you, he could never leave it.
https://blake.torpidity.net/m/401/511 B7B2

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator or Scorpio, with the characteristic dark, high-tech interior typical of the series. The lighting creates a moody atmosphere with the crew gathered in what looks like the main control area or flight deck. The setting suggests this is during a tense moment or important discussion, with the characters positioned around the ship's central console area. The production design shows the …

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-31 15:25:34

Series D, Episode 07 - Assassin
AVON: No, but we can try a sweep in the general area. That is, unless someone has a better suggestion.
VILA: You want to introduce us to your friend?
[Later]
https://blake.torpidity.net/m/407/209 B7B4

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction setting. They're wearing a distinctive black outfit with metallic collar detailing, suggesting a futuristic or space-themed costume. The background features what looks like industrial or spaceship interior elements with metallic surfaces.

The styling, costume design, and overall aesthetic are characteristic of classic British science fiction television from the late 1970s to early 1980s. The pr…

@blakes7bot@mas.torpidity.net
2025-06-22 06:12:33

#Blakes7 Series D, Episode 06 - Headhunter
TARRANT: [V.O. over comm.] Muller can't.
AVON: Well, we'll give him a refund on his ticket. Just get that ship back, Tarrant. We'll worry about the details then. Out!
https://

Claude Sonnet 4.0 describes the image as: "This image shows a scene from inside a spacecraft, featuring futuristic interior design with metallic surfaces and technological elements typical of science fiction television from the late 1970s. The character is wearing a distinctive black leather outfit with metallic studs and white trim details, which was characteristic of the show's costume design. The setting appears to be aboard the Liberator, the main spacecraft used by the rebel crew. The slee…

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Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-29 15:19:25

Series A, Episode 07 - Mission To Destiny
AVON: The murderer had to cover up, and quickly. Dortmunn was killed. I think the plan was to put his body into the life rocket and launch it into space. That way, it would appear obvious that Dortmunn was guilty.
SONHEIM: So why didn't it happen?
https://blake.torpidity…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spaceship or futuristic facility interior. The setting features typical sci-fi television production design with metallic walls, control panels, and utilitarian furnishing. Several characters are gathered in what appears to be a meeting or briefing scene. The costumes are characteristic of late 1970s/early 1980s science fiction television, with some characters wearing practical military-style clothing…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-30 18:12:09

Series C, Episode 07 - Children of Auron
DAYNA: Why? [more bombs]
FRANTON: Zelda!
SERVALAN: No closer. Cease firing.
GINKA: Firing ceased.
SERVALAN: Take in a ground force. You command.
GINKA: But Madam-!
https://blake.torpidity.net/m/307/515 B7B5

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series, featuring two characters in a futuristic setting. On the left is a person wearing a burgundy outfit with an off-shoulder design and a decorative brooch or insignia. On the right is someone in a brown/tan uniform with distinctive fasteners. The scene appears to be taking place in what looks like a spacecraft or space station interior, with technical panels visible in the background.

The styling…

@blakes7bot@mas.torpidity.net
2025-06-28 12:24:38

Series B, Episode 02 - Shadow
ORAC: The bridge is complete.
VILA: What? What did he say?
GAN: Something's wrong.
VILA: No, that wasn't it.
ZEN: Information. Liberator is losing power from all systems. Orbital maintenance is threatened.
https://blake.torpidity.net/m/202/555

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Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-27 12:10:32

Series A, Episode 02 - Space Fall
BLAKE: Oh yes. He's also made it clear that summary execution's one of our options. We chose the other.
LEYLAN: Well if you're successful, I promise that I'll get your sentences quashed.
AVON: And if we're not?
https://blake.torpidity.net/m/102/576

Claude Sonnet 4.0 describes the image as: "This appears to be a tense confrontation scene set in what looks like a spacecraft corridor or control room. The setting has the characteristic sterile, metallic interior design typical of space-based science fiction productions of the era. Several characters are wearing what appear to be communication devices or restraints with metallic chest pieces and coiled cables. The scene suggests a dramatic moment where characters are likely being held captive …

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-28 09:15:50

Series D, Episode 05 - Animals
SOOLIN: Or boozed up.
VILA: Would you settle for fed up? It's somebody else's turn.
AVON: Try and do it right this time, Vila.
VILA: A glass of wine when I come up or I don't do it at all.
AVON: Half a glass.
https://blake.torpidity.net/m/405/262

Claude 3.7 describes the image as: "This image shows a scene with two people in what appears to be a futuristic spaceship or station interior. They're wearing distinctive sci-fi costumes typical of late 1970s/early 1980s British television production.

The person on the left wears a stylized outfit with green and white vertical stripes and a turtleneck, complemented by curly hair. The person on the right has blonde hair in a ponytail and wears a gray uniform with similar design elements and a …

@blakes7bot@mas.torpidity.net
2025-07-27 06:19:01

#Blakes7 Series D, Episode 06 - Headhunter
VILA: The interceptors!
MULLER: Send it back. That box must go back! [Throws Tarrant to floor.]
VILA: Slave, set a course for base. Maximum power. Go! Go! [Tarrant shoulders Muller away from the box.]
h…

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a spacecraft or space station interior. The setting features metallic walls and control panels typical of retro sci-fi production design.

The scene includes three figures: two people in standard clothing appropriate for the show's futuristic setting, and between them is a distinctive alien or masked character wearing a dark purple/blue outfit with red and white accen…

@blakes7bot@mas.torpidity.net
2025-08-26 15:28:19

Series C, Episode 01 - Aftermath
LAUREN: That's the north shore.
MELLANBY: Nothing there. Try the west. Nothing there either.
DAYNA: [Enters] What's happening, father?
https://blake.torpidity.net/m/301/264 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a futuristic spacecraft interior or control room setting. The scene features several people gathered around what appears to be a control console or table with some kind of device on it. The set design has that distinctive late 1970s/early 1980s sci-fi aesthetic with white and metallic surfaces, and there are some lighting effects visible in the background. Th…

@blakes7bot@mas.torpidity.net
2025-08-25 06:14:01

#Blakes7 Series A, Episode 12 - Deliverance
TRAVIS: It was Maryatt.
SERVALAN: Does it matter?
TRAVIS: No... No. Only Blake matters now.
SERVALAN: And Orac.
TRAVIS: Right.
https://blake.torpidity.net/m/112/281…

@blakes7bot@mas.torpidity.net
2025-08-26 12:26:10

Series B, Episode 02 - Shadow
BLAKE: Don't tell me you agree with Gan.
AVON: No, no, no, I'm just...interested. It seems to me that we have identified the source of that threat rather easily.
BLAKE: So why haven't they?
AVON: Exactly.
https://blake.torpidity.net/m/202/405

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be a futuristic or sci-fi setting with metallic walls and atmospheric lighting in the background. One man is wearing a dark green or olive-colored shirt, while the other is dressed in a distinctive silver metallic garment with a black collar or turtleneck underneath. The scene appears to be taking place in some kind of spaceship or advanced facility interior. The lighting and set design have the characteristic look …

@blakes7bot@mas.torpidity.net
2025-08-25 18:23:48

Series B, Episode 07 - Killer
BELLFRIAR: Killing Wyler? It doesn't make sense, why kill him?
BLAKE: That, I wish I knew.
https://blake.torpidity.net/m/207/358 B7B5

Claude 3.7 describes the image as: "The image shows a person in what appears to be a shiny white uniform or coat with distinctive styling. They have gray/silver hair and are in what looks like an institutional or spacecraft interior setting with a neutral background. The costume has a futuristic quality with its glossy material and unusual collar design, which is consistent with science fiction television production styles from the late 1970s or early 1980s. The setting suggests a clinical or o…

@blakes7bot@mas.torpidity.net
2025-08-24 15:27:18

Series D, Episode 01 - Rescue
AVON: Well now, it begins to look as though Dorian has got a lot of very bright associates.
VILA: And we've got a lot of trouble.
DAYNA: Cheer up, Vila. You've got a lot of very bright associates too.
https://blake.torpidity.net/m/401/260 B7B…

Claude Sonnet 4.0 describes the image as: "This image shows a character in a distinctive black leather outfit with ornate silver studs and decorative metalwork across the chest and shoulders. The costume has a futuristic, militaristic design typical of science fiction television from this era. The character appears to be in an interior setting with white columns and venetian blinds visible in the background, suggesting a formal or institutional environment. The lighting and image quality indica…

@blakes7bot@mas.torpidity.net
2025-08-23 06:05:23

#Blakes7 Series C, Episode 02 - Powerplay
DAYNA: Do what? Avon, why do you keep everything to yourself? Why so secretive?
AVON: Perhaps I'm shy. [Goes to leave] Anybody comes through this door, kill them. Anybody that isn't me, that is.
https…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like a futuristic spacecraft or base interior. The setting features sleek, metallic walls with a distinctive angular design typical of sci-fi productions from that era.

One character is wearing an elegant white flowing garment with decorative trim, suggesting a formal or ceremonial outfit. The other character is dressed in what appears to be a mil…

@blakes7bot@mas.torpidity.net
2025-06-21 18:27:54

Series B, Episode 08 - Hostage
ZEN: Fifteen minutes.
JENNA: How long before her detectors pick us up?
ZEN: Twelve minutes.
JENNA: We can't go down, if that's all the time we've got.
https://blake.torpidity.net/m/208/625 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a spacecraft interior, with characteristic futuristic design elements including curved walls and sleek surfaces. Two women are present in the scene - one wearing a light-colored, flowing garment with a belt, and another in a patterned outfit. The setting has the distinctive aesthetic of late 1970s science fiction television, with clean lines and a sterile, high-tech atmosphere. The scene appears to be…

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@blakes7bot@mas.torpidity.net
2025-08-22 15:16:56

Series D, Episode 12 - Warlord
ORAC: Orbit range in seventeen minutes.
SOOLIN: Visual scanners?
DAYNA: Locking on to automatic.
[Crew room]
https://blake.torpidity.net/m/412/8 B7B4

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator or Scorpio, showing the ship's control room or flight deck. The futuristic interior features white walls, control panels, and technical equipment typical of the series' design aesthetic. Three crew members are present - one wearing a light-colored uniform standing in the background, another in the center wearing what appears to be a metallic or leather outfit with decorative studs, …

@blakes7bot@mas.torpidity.net
2025-07-20 12:08:27

Series C, Episode 02 - Powerplay
TARRANT: Not for more than an hour. There's nothing on this heading except the planet Chenga. That's got to be where we're going.
KLEGG: Chenga? Never heard of it.
https://blake.torpidity.net/m/302/299 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like the interior of a spacecraft or futuristic facility. The scene shows several people in dark military or uniform-style clothing in what appears to be a control room or command center setting. The production design has the characteristic look of late 1970s/early 1980s British science fiction television, with metallic surfaces and angular architectural elements.…

@blakes7bot@mas.torpidity.net
2025-07-20 15:10:05

Series C, Episode 09 - Sarcophagus
TARRANT: She's in some sort of coma. Describe what attacked you.
DAYNA: Well, that's the point. It was Cally. But not Cally.
https://blake.torpidity.net/m/309/274 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene in a futuristic setting. The image shows figures in what appears to be a spacecraft or space station interior, with characteristic lighting and set design typical of classic sci-fi productions. There appears to be someone lying on the floor while another figure kneels nearby, suggesting this may be from an intense or dramatic moment in the ep…

@blakes7bot@mas.torpidity.net
2025-06-18 15:22:16

Series B, Episode 01 - Redemption
VILA: Maximum. Can we hold together at that speed?
AVON: We won't have to.
VILA: What do you mean?
BLAKE: Running at full power will drain the energy banks in - what?
AVON: Two hours at the most.
https://blake.torpidity.net/m/201/133

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard the Liberator spacecraft, showing the main flight deck or control room area. The setting features the distinctive futuristic interior design with clean lines, hexagonal viewports, and control consoles typical of the series' aesthetic. Three crew members are present in the scene, positioned around the ship's control stations. The lighting and staging suggests this is during a moment of tension or concentration, poss…

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@blakes7bot@mas.torpidity.net
2025-08-18 09:10:23

Series C, Episode 04 - Dawn of the Gods
AVON: There is no known power in the universe that can operate a traction beam over that distance.
ZEN: Detector analysis result: negative.
https://blake.torpidity.net/m/304/40 B7B2

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator, given the characteristic curved walls and technological interior design typical of the series. The lighting creates a dramatic atmosphere with shadows and metallic surfaces visible in the background.

Two men are present in what appears to be a tense or serious moment. One wears a distinctive black leather outfit with a high collar, while the other is dressed in lighter colored clo…

@blakes7bot@mas.torpidity.net
2025-07-17 18:12:19

Series A, Episode 04 - Time Squad
BLAKE: Oh, what do you say to that Zen?
ZEN: Please state course and speed.
BLAKE: Very diplomatic. Set a course for Centero, speed standard by two.
ZEN: Confirmed.
[End of episode. Roll credits.]
https://blake.torpidity.net/m/104/504 …

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set aboard what appears to be a spacecraft, with the characteristic futuristic interior design typical of science fiction television from this era. The image shows two figures - one prominently in the foreground wearing a distinctive brown and beige uniform with geometric patterns, and another figure visible in the background. The setting appears to be the main area or control room of the ship, with the typical technological b…

@blakes7bot@mas.torpidity.net
2025-08-16 18:11:23

Series C, Episode 07 - Children of Auron
ZEN: Confirm course changing to zero three one zero. Destination: the planet Auron. State speed.
TARRANT: Standard by Six.
ZEN: Confirm.
https://blake.torpidity.net/m/307/171 B7B5

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be the interior of a spacecraft, featuring the characteristic futuristic set design with curved white walls and technological elements. Five characters are gathered in what looks like a crew meeting or discussion area, with comfortable seating and control panels visible. The setting has the distinctive aesthetic of late 1970s science fiction television, with clean lines and a sterile, high-tech atmosphere. The …

@blakes7bot@mas.torpidity.net
2025-07-17 12:08:24

Series A, Episode 02 - Space Fall
[Switch to flight deck of Liberator. Blake enters rubbing his shoulder.]
AVON: What happened?
BLAKE: Slight disagreement with Raiker. And then the hatch closed.
JENNA: We're on our way.
https://blake.torpidity.net/m/102/663 B7B3

Claude 3.7 describes the image as: "This appears to be a still from a classic science fiction television series from the late 1970s/early 1980s. The image shows what appears to be the interior of a spacecraft or control room with a futuristic hexagonal design aesthetic typical of British sci-fi productions of that era.

The scene captures several performers in costume on what looks like a spaceship bridge or command center. The person on the right is wearing a light-colored outfit with dark tri…

@blakes7bot@mas.torpidity.net
2025-07-18 12:22:27

Series D, Episode 02 - Power
VILA: What happened to the transceiver?
ORAC: It is no longer functioning.
TARRANT: Yes, but why?
ORAC: There is a seventy two percent probability that it was damaged by a hostile agency.
https://blake.torpidity.net/m/402/34 B7B3

Claude 3.7 describes the image as: "The image shows three people in a sci-fi setting, looking at what appears to be some kind of control panel or electronic device. They're wearing distinctive futuristic costumes typical of classic British science fiction television from the late 1970s/early 1980s.

The setting appears to be the interior of a spacecraft or space station, with utilitarian design elements visible in the background. The three individuals are examining something on a transparent o…

@blakes7bot@mas.torpidity.net
2025-06-16 18:12:51

Series D, Episode 11 - Orbit
VILA: I'm not the type for this sort of thing, Avon.
AVON: Why not?
VILA: This Egrorian, you said he was some kind of genius.
AVON: They said he was supposed to be some time back.
https://blake.torpidity.net/m/411/62 B7B5

Claude Sonnet 4.0 describes the image as: "This scene takes place aboard the Liberator, the main spacecraft used by the rebel crew. The setting appears to be the ship's flight deck or a similar interior area, characterized by the distinctive white and metallic design elements typical of the series' futuristic aesthetic.

In the image, we can see crew members in their characteristic costumes - one person wearing the familiar light-colored leather outfit, while another is dressed in the black lea…

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Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-18 15:24:44

Series D, Episode 10 - Gold
TARRANT: Avon! Soolin!
DAYNA: [Pointing at Keiller.] Tarrant!
TARRANT: Keiller, what happened? He's out cold. [Dayna looks through a door. To Dayna: ] What is it?
DAYNA: Two bodies, I think. The radiation hasn't left much.
https://blake.torpidity.net/m/410/134

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a science fiction setting with futuristic costumes and lighting. However, I cannot identify who these specific individuals are based on their appearance alone. The scene appears to be from a television production, with dramatic lighting and what looks like a spacecraft or futuristic interior setting in the background. The costumes and production design suggest this is from a science fiction series, with the ch…

@blakes7bot@mas.torpidity.net
2025-07-16 21:20:46

Series D, Episode 08 - Games
AVON: We don't have half an hour!
VILA: I know that, but unless you can cut off one of Belkov's fingers for me - just a minute? [He bends down and grabs Tarrant's foot]
TARRANT: Vila, what are you doing?
https://blake.torpidity.net/m/408/480…

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be a futuristic spacecraft or space station interior, characterized by the distinctive metallic walls and technological panels typical of the series' production design. The setting has a sterile, high-tech aesthetic with geometric patterns and industrial lighting.

In the scene, three characters are positioned in what appears to be a corridor or operational area. One figure stands to the left observing the inte…

@blakes7bot@mas.torpidity.net
2025-07-15 09:19:30

Series A, Episode 10 - Breakdown
RENOR: Sorry, professor. [to Cally] Hello! This place is full of pretty girls.
KAYN: Prepare for immediate surgery, please.
RENOR: Right.
JENNA: I'll get out of your way.
KAYN: Won't need you either, Cally.
https://blake.torpidity.net/m/110/456

Claude 3.7 describes the image as: "This appears to be a scene from a science fiction television series from the late 1970s or early 1980s, based on the production style and costumes. The image shows several people in a futuristic-looking corridor or spacecraft interior with clean white walls and minimalist design.

The scene features individuals in distinctive costume styles - one wearing a dark outfit with a white collar, another in a draped gray garment with a belt, someone in a white turtle…

@blakes7bot@mas.torpidity.net
2025-07-15 06:17:26

#Blakes7 Series B, Episode 03 - Weapon
JENNA: We're below horizon now.
GAN: Then she's lost!
AVON: Only us. She got what she really wanted.
VILA: I thought that was us.
https://blake.torpidity.net/m/203/510…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard the Liberator, the advanced alien spacecraft that serves as the crew's base of operations. The setting shows the ship's distinctive flight deck with its characteristic hexagonal viewports and sleek, futuristic interior design. The scene captures what appears to be a tense moment during their ongoing struggle against the totalitarian Federation. The high-tech control panels and the ship's sophisticated architecture …

@blakes7bot@mas.torpidity.net
2025-06-20 21:15:53

Series A, Episode 13 - Orac
BLAKE: No, we'd end up looking for each other as well as Orac and Ensor. Come on.
[Scene: Travis and Servalan still in the tunnels.]
TRAVIS: Let's check the map.
SERVALAN: We're almost there.
https://blake.torpidity.net/m/113/241

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic or sci-fi setting, likely aboard a spacecraft or space facility based on the sterile, metallic interior visible in the background. They're wearing matching green and white/silver colored outfits that have a utilitarian, space-age design - possibly uniforms or protective gear. Both individuals have dark, curly hair typical of late 1970s styling. The woman appears concerned or apprehensive, while th…

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Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

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