Tootfinder

@blakes7bot@mas.torpidity.net
2025-11-25 07:06:39

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
AVON: Space Commander Travis.
BLAKE: Travis!
JENNA: Do you know him?
BLAKE: I thought he was dead. I was sure I'd killed him.
https://blake.torpidity.net/m/106/…

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a science fiction television production, likely from the 1970s based on the visual style and set design. The image shows four people in what appears to be a spacecraft interior, characterized by the futuristic but modest production design typical of that era.

The setting features sleek, minimalist backgrounds with geometric patterns and metallic tones. The actors are wearing stylized costumes consisten…

@cheryanne@aus.social
2025-12-17 05:33:31

Inside Interior Design
Design secrets over coffee...
Great Australian Pods Podcast Directory: #AusPods

Inside Interior Design
Screenshot of the podcast listing on the Great Australian Pods website

@blakes7bot@mas.torpidity.net
2025-10-25 21:20:43

Series D, Episode 11 - Orbit
SERVALAN: I hope so, Egrorian. I've waited a long time for this.
EGRORIAN: His death is a mathematical certainty. The product of a simple equation.
https://blake.torpidity.net/m/411/202 B7B6

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene set in a futuristic, sterile-looking interior space with white walls and minimalist design elements.

The scene features two individuals in conversation. On the left is a person with very short dark hair wearing an elegant black one-shoulder dress and statement jewelry with a distinctive necklace. On the right is an older individual in a light gray or beige coat or lab coat.

…

@catsalad@infosec.exchange
2025-11-19 22:48:00

❌ Interior Design
👉 Ulterior Design

@blakes7bot@mas.torpidity.net
2025-12-25 16:17:26

Series D, Episode 12 - Warlord
TARRANT: Extent of damage, Orac? [pause, no response] Orac?
[Crew room. Tarrant enters and looks at Orac beneath the beam.]
[Shot of Zukan's ship in space, approaching another space ship.]
https://blake.torpidity.net/m/412/270 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, showing a scene set in what looks like a spacecraft or futuristic facility interior. The setting features technical panels and equipment typical of sci-fi set design from the late 1970s or early 1980s.

The scene depicts four individuals in costume around what appears to be a control station or work area. The costumes are characteristic of space opera productions of that era, featur…

@blakes7bot@mas.torpidity.net
2025-11-24 16:19:16

Series A, Episode 04 - Time Squad
JENNA: All right. [walks toward the passage off Liberator flight deck, then stops]
BLAKE: Problem?
JENNA: Putting out a false distress signal. It's a trick used by space pirates.
https://blake.torpidity.net/m/104/60 B7B4

Claude 3.7 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s. The image shows two characters in what looks like the interior of a spacecraft, with futuristic white and dark-colored set design typical of the show's aesthetic. One character is wearing earth-toned clothing and has curly dark hair, while the other character has blonde curly hair and is wearing a distinctive outfit with purple and light-colored elem…

@leftsidestory@mstdn.social
2025-12-22 01:13:13

Urban Domicile 🏠
城市聚落 🏠
📷 Pentax MX
🎞️ Ilford Pan 100
#filmphotography #Photography #blackandwhite

Ilford Pan 100 (FF)

English Alt Text:
A decorative chandelier hangs from the ceiling, featuring multiple curved arms that each hold a light bulb shaped like a candle flame. The chandelier is adorned with flower-shaped glass ornaments and dangling crystal-like beads, creating an elegant and vintage aesthetic. The lights are turned on, casting a warm glow that highlights the intricate details of the design. The overall atmosphere is refined and classic, suitable for a formal interior setting.

中…

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photograph shows a statue placed indoors near the corner of two walls. The statue depicts a serene figure, possibly a deity, seated on an elephant. The figure wears detailed clothing and jewelry and holds an object in one hand. A strong shadow of the statue is cast on the wall behind it, adding depth to the image. A plastic container sits nearby. The composition emphasizes spiritual calm and artistic detail.

中文替代文字：
这是一张黑白照片，展示了一尊室内角落的雕像…

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photo captures a mirror reflecting a room. In the reflection, a chair, a pair of shoes on the floor, and a window with vertical blinds or bars are visible. To the left of the mirror, a hanging object resembling a fly-whisk with soft bristles is seen. The composition uses reflection to create a layered visual effect, blending real and mirrored elements in a quiet, introspective setting.

中文替代文字：
这是一张黑白照片，镜子反射出一个房间的景象。镜中可见一把椅子、地上的一双鞋，以及带有垂直…

Ilford Pan 100 (FF)

English Alt Text:
A collection of ceramic or clay teapots and cups is arranged on a wooden floor. The items are placed in a semi-organized manner on the right side of the image. The wood grain is visible, and the lighting creates a contrast between the bright left side and the shadowed right side. The scene evokes a sense of tradition and quiet reflection, possibly related to tea culture or artistic display.

中文替代文字：
一组陶瓷或陶土制成的茶壶和茶杯摆放在木地板上，集中在画面右侧，排列略显有序。木地板纹理清晰，光线使左侧明亮而右侧阴…

@blakes7bot@mas.torpidity.net
2025-12-24 16:22:06

Series A, Episode 06 - Seek-Locate-Destroy
AVON: As soon as I get this linked into our communications set-up, we should be able to read every message that the Federation puts out.
JENNA: Any sign of the interceptors?
https://blake.torpidity.net/m/106/131 B7B4

Claude Haiku 4.5 describes the image as: "# Scene from Blake's 7

This image captures a tense moment from the science fiction series *Blake's 7*, showing four cast members in what appears to be an interior spacecraft or space station setting. The scene takes place in a utilitarian corridor or control room, identifiable by the metallic walls and industrial design typical of the show's aesthetic.

The four actors are engaged in what seems to be a dramatic confrontation or discussion. One cast mem…

@blakes7bot@mas.torpidity.net
2025-12-24 19:24:37

Series B, Episode 04 - Horizon
AVON: The magnetic barrier must have triggered automatically. The freighter was impervious to it, therefore its fuselage must've been demagnetized. Ours hasn't. If it hadn't been for the force wall, we would be a cloud of agitated atoms.
VILA: I wish I was a cloud of agitated atoms!
https://

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," which aired from 1978-1981. The image shows what looks like a medical or care scene taking place aboard the spaceship Liberator. The setting features the show's characteristic futuristic interior design with curved walls and distinctive lighting. The scene appears to be taking place in one of the ship's medical or living areas, with the crew gathered around someone…

@poppastring@dotnet.social
2025-12-15 18:00:46

The photography is by Arch-Exist.

A modern architectural structure with a sweeping arched roof and expansive glass facade, perched on a scenic hillside surrounded by greenery. The building features a curved outdoor deck supported by cylindrical columns and tiered wooden seating inside, where people are gathered in a relaxed, open setting.

An elevated wooden observation deck with a curved design, nestled into a lush green hillside. A person stands on the platform, gazing out over the dense vegetation, while the structure blends seamlessly with the natural surroundings.

A contemporary interior space with a sweeping arched wooden ceiling and floor-to-ceiling windows overlooking the ocean. The room features tiered seating with sculptural wooden tables and chairs arranged in a semi-circle, while sunlight casts dramatic shadows across the curved surfaces. Outside, a wooden deck extends toward the water, where two people enjoy the coastal view.

@arXiv_csCV_bot@mastoxiv.page
2025-10-15 08:13:52

PanoTPS-Net: Panoramic Room Layout Estimation via Thin Plate Spline Transformation
Hatem Ibrahem, Ahmed Salem, Qinmin Vivian Hu, Guanghui Wang
https://arxiv.org/abs/2510.11992 h…

PanoTPS-Net: Panoramic Room Layout Estimation via Thin Plate Spline Transformation
Accurately estimating the 3D layout of rooms is a crucial task in computer vision, with potential applications in robotics, augmented reality, and interior design. This paper proposes a novel model, PanoTPS-Net, to estimate room layout from a single panorama image. Leveraging a Convolutional Neural Network (CNN) and incorporating a Thin Plate Spline (TPS) spatial transformation, the architecture of PanoTPS-Net is divided into two stages: First, a convolutional neural network extracts the high-l…

@blakes7bot@mas.torpidity.net
2025-11-24 07:11:59

#Blakes7 Series D, Episode 05 - Animals
AVON: Right. How's our armament situation?
SOOLIN: Good as it'll ever be. We couldn't hold off a Federation patrol with it, but we knew that already.
https://blake.torpidity.ne…

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction series "Blake's 7." The scene takes place in what looks like a spacecraft or space station interior with metallic walls and industrial styling typical of the show's production design.

Three people are gathered around what appears to be a control console or workstation. On the right, a person wearing a distinctive black outfit with decorative elements stands at the console, appearing to operate…

@Techmeme@techhub.social
2025-09-27 05:15:53

eBay agrees to acquire Tise, a social marketplace for secondhand fashion and interior design items that has raised $45M in funding, for an undisclosed sum (Aisha Malik/TechCrunch)
https://techcrunch.com/2025/09/22/ebay-to-acquire-social-marketplace-platfor…

eBay to acquire social marketplace platform Tise | TechCrunch
eBay’s acquisition of Tise indicates that it's looking to modernize its platform to attract younger shoppers, expand its social commerce tools, and build a stronger presence in the sustainable retail market.

@blakes7bot@mas.torpidity.net
2025-10-23 18:28:11

Series C, Episode 12 - Death-Watch
VILA: A few hours ago. We've plenty of time to get to the combat grounds.
TARRANT: Zen. [Looks at Avon] Yes?
AVON: Why not?
https://blake.torpidity.net/m/312/71 B7B5

@leftsidestory@mstdn.social
2025-12-18 00:30:00

Metropolitana VII - Markings 💮
城 VII - 印记 💮
📷 Pentax MX
🎞️ Ilford Pan 100
#filmphotography #Photography #blackandwhite

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white image of a vertical measurement gauge beside a road. The gauge is marked from 30 to 100 in increments of 10, with smaller divisions in between. It stands in front of a metal railing. In the background are trees, a white car, a bus, and a multi-story building. The gauge likely measures water levels or clearance height. The urban setting contrasts with the utilitarian design of the gauge.
中文替代文字：
这是一张黑白照片，展示一条道路旁的垂直测量尺。尺上标有从30到100的数字，每隔10…

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white street scene showing a sidewalk with shadow patterns cast by a fence or railing. Several scooters and bicycles are parked along the right side. A few pedestrians walk in the distance. A car drives on the road in the background. A metal plate embedded in the sidewalk displays partially legible numbers: "182 303 427." The image captures urban life with strong contrasts and geometric shadows.
中文替代文字：
这是一张黑白街景照片，画面中人行道上有栏杆投下的阴影图案。右侧停放着几辆电动车…

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photo of a concrete wall in the foreground, with buildings visible above it. One building has a chimney; another is modern with many windows. A streetlight rises above the wall. The sky is filled with wispy clouds and two overhead utility wires stretch across the image. In the bottom right corner, a triangular traffic sign with an upward arrow indicates a one-way direction. The image contrasts industrial and residential elements with dram…

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photo of a multi-tiered circular shelf filled with bottles of alcoholic beverages. Brands like Martini, Aperol, and Luxardo Limoncello are visible. The shelf has metal railings and is part of a modern interior space. Behind it, a wall features illustrated graphics of bar stools and signage reading "Martini." To the left, a large arched window lets in natural light. Outside the window, a poster with a stylized face and the text "007" is pa…

@blakes7bot@mas.torpidity.net
2025-11-23 10:44:02

Series C, Episode 05 - The Harvest of Kairos
AVON: Cally. [Grasps her by the arms]
TARRANT: [Enters] Is this the time or the place? That thing has warped your reason, Avon. It's even warped your notorious instinct for looking after number one. We are in danger, can't you understand that?
https://blake.torpidity.net/m/3…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and set design. The setting features a futuristic interior with distinctive green lighting and sleek, modernist architecture typical of sci-fi productions of that era.

Three actors are positioned in what appears to be a tense dramatic moment. The scene takes place on a multi-level set with steps and geometric des…

@blakes7bot@mas.torpidity.net
2025-10-22 18:13:16

Series B, Episode 08 - Hostage
JENNA: What?
CALLY: I don't believe it.
MOLOK: Show me the ship; I must learn about it.
CALLY: You're a crimo, aren't you?
https://blake.torpidity.net/m/208/582 B7B5

Claude 3.7 describes the image as: "The image appears to be from a vintage science fiction television series, captured in a distinctly retro production style typical of British sci-fi from the late 1970s or early 1980s.

Two individuals are shown in what looks like a futuristic spaceship or base interior, characterized by hexagonal wall panels and minimalist design elements. The person on the left wears a simple beige outfit, while the one on the right is dressed in a more elaborate patterned …

@leftsidestory@mstdn.social
2025-10-17 02:24:17

Moody Urbanity - Odes 🎶
情绪化城市 - 颂 🎶
📷 Zeiss Super Ikonta 533/16
🎞️ Ilford HP5 Plus, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (6x6)

English Alt Text:
A black and white photo captures a city street running beneath a low overpass with a clearance sign reading “2.5m.” Two people ride bicycles or electric scooters—one holds an umbrella while moving. A car travels alongside them. The overpass has a stone wall and metal railings. In the distance, tall buildings and construction cranes suggest ongoing urban development. The monochrome tone adds a timeless, documentary feel. The scene reflects everyday ci…

Ilford HP5 Plus 400 (6x6)

English Alt Text:
A contemplative black and white image shows a person standing at a crosswalk beneath an overpass. The person faces away from the camera, hands clasped behind their back, wearing a jacket. Shadows from the bridge create dramatic contrast on the pavement. In the background, several pedestrians and cars move through the urban setting. The photo evokes solitude and reflection, with strong light and shadow interplay.

中文替代文字：
这张黑白照片展现了一位行人站在高架桥下的斑马线上，背对镜头…

Ilford HP5 Plus 400 (6x6)

English Alt Text:
A black and white photo of a modern building interior with a high, angled glass ceiling supported by geometric beams. Natural light floods the space. On a mezzanine level, people sit at round tables, possibly in a café or lounge. The word “PURE” is visible on the right wall. Through the large windows, tall buildings suggest an urban setting. The architectural design and relaxed atmosphere contrast with the city outside.

中文替代文字：
这张黑白照片展示了一座现代建筑的内部，高耸…

Ilford HP5 Plus 400 (6x6)

English Alt Text:
A black and white photo of a quiet bus stop beside a multi-lane road. The bus stop sign features Chinese characters and an information board mounted on a tall pole. A white metal fence lines the road, with trees and a wall in the background. No vehicles or people are visible. Sunlight casts shadows on the sidewalk, adding depth. The grainy texture and monochrome palette give the image a nostalgic, historical feel.

中文替代文字：
这是一张黑白照片，描绘了一个安静的公交车站，位于多车道…

@blakes7bot@mas.torpidity.net
2025-10-21 18:17:39

A04 - Time Squad
BLAKE: Zen, three sixty degree survey. Put etheric detector beams on maximum. Report any space vehicles within range. Vila, put visual survey on the screen.
ZEN: Negative on all systems. There are no space vehicles within detector range.
https://blake.torpidity.net/m/104/10…

Claude Sonnet 4.0 describes the image as: "This image shows a scene from inside a spacecraft, with futuristic interior design elements visible in the background. The character appears to be in a contemplative or brooding pose, wearing what looks like a distinctive costume with earth-toned colors and geometric patterns typical of science fiction television from this era. The setting suggests this is taking place aboard one of the main vessels featured in the series, with the sleek, angular archi…

@blakes7bot@mas.torpidity.net
2025-10-22 06:03:57

#Blakes7 Series C, Episode 10 - Ultraworld
AVON: They've presented no threat so far.
TARRANT: Maybe they're biding their time.
AVON: What for? They could take us out quite easily with their technology.
https://blak…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator or Scorpio, featuring three crew members in a tense moment. The setting shows the characteristic metallic interior design with geometric patterns typical of the series' futuristic aesthetic. The characters are wearing their distinctive costumes - one in a dark outfit with military-style detailing, another in the iconic studded leather jacket, and a third in red and black. The ligh…

@blakes7bot@mas.torpidity.net
2025-11-20 07:27:18

#Blakes7 Series B, Episode 02 - Shadow
LARGO: Oh, I'm fascinated. But I'm just an independent businessman.
AVON: [Takes two gems from a bag, lays them on Largo's platform] Are you sure?
https://blake.torpidity.net/m/…

Claude Sonnet 4.0 describes the image as: "This scene appears to be from a science fiction television production, likely from the 1970s or early 1980s based on the visual quality and costume design. The setting features a sleek, minimalist interior with pale walls and geometric patterns, characteristic of futuristic set design from that era.

In the foreground, one actor wears a distinctive metallic silver tunic with voluminous sleeves over black clothing, creating a striking space-age appearan…

@blakes7bot@mas.torpidity.net
2025-11-21 19:14:55

Series D, Episode 06 - Headhunter
AVON: Where is Orac?
SOOLIN: Behind a panel in section four.
AVON: We have to get Orac outside.
TARRANT: Why risk it?
https://blake.torpidity.net/m/406/498 B7B5

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7" from the late 1970s/early 1980s. The scene shows a group of people in futuristic costumes standing in what looks like a spacecraft or space station interior with gray walls and utilitarian design.

The costumes feature distinctive styling typical of sci-fi productions of that era - including a character in black leather with silver accents holding what appears to b…

@blakes7bot@mas.torpidity.net
2025-11-21 13:10:01

Series B, Episode 04 - Horizon
AVON: Has anybody else picked it up?
ZEN: Negative. [More beeps come in]
AVON: Decode.
https://blake.torpidity.net/m/204/530 B7B3

Claude 3.7 describes the image as: "# Scene Description

This image shows a figure in a silvery, flowing tunic-style garment seated at what appears to be a control console or command station. The setting features a futuristic interior with dark, metallic walls and atmospheric lighting in warm tones. Behind the figure is a sleek panel with horizontal lines characteristic of science fiction production design from the 1970s-1980s era.

The character displayed a composed, serious demeanor while sea…

@blakes7bot@mas.torpidity.net
2025-10-21 06:08:34

#Blakes7 B12 - The Keeper
JENNA: I've told you, we mean him no harm.
GOLA: You come from a spaceship. My guards capture you, or else by now you would have killed us. [holding up teleport bracelets] What are these? You - fool! What are these?
http…

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a tribal or primitive interior space with decorative wall hangings and circular shields. Several people are visible in what looks like a costume drama from the late 1970s or early 1980s, based on the production style and costume design.

In the foreground, a person in leather-like attire sits on a cushioned seat, while others stand in the background. One figure wears a furry costume with an ornate vest, sugge…

@blakes7bot@mas.torpidity.net
2025-12-20 19:42:00

Series B, Episode 10 - Voice from the Past
VILA: You're in charge now, are you?
AVON: Can you think of anyone more suitable? Yourself, perhaps? [Exits]
VILA: And why not? [Shouts after Avon] I'm as good as you are. [Sotto voce] Better probably.
https://blake.torpidity.net/m/210/177<…

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" (1978-1981). The setting shows the interior of what looks like a futuristic spacecraft or space station, with characteristic curved walls and metallic surfaces typical of the show's production design.

In the scene, there are three characters present. One person is seated in what appears to be a chair or command position, wearing light-colored clothing and having so…

@blakes7bot@mas.torpidity.net
2025-11-20 10:29:46

Series A, Episode 13 - Orac
BLAKE: Zen, surface conditions?
ZEN: Tolerable. The land masses are arid and support only primitive plant life. Nine tenths of the planet is covered by water which is highly acidic. The level of the oceans is constantly rising and they now virtually cover all traces of the cities built by early civilizations.
https://

Claude 3.7 describes the image as: "This image shows a scene from what appears to be the classic British science fiction series "Blake's 7." The setting is the interior of a spacecraft, likely the flight deck of the Liberator, with its distinctive control panels and futuristic design elements.

The scene depicts two people in the ship's control room - one wearing dark clothing with a green garment, and another in a red outfit. They appear to be operating or examining the ship's controls. The s…

@blakes7bot@mas.torpidity.net
2025-11-19 19:33:09

Series A, Episode 01 - The Way Back
P.A.: The President will be answering questions about new population control *?measures
RAVELLA: All our food and drink is treated with suppressants. Going without for a day and a half, they should be wearing off.
https://blake.torpidity.net/m/101/9 B7…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the aesthetic and production values. The scene takes place in what looks like a futuristic, sterile interior setting with white/gray geometric walls and angular architectural elements typical of sci-fi set design from that era.

Two actors are shown in what appears to be an intense dramatic moment. One person on the left has sho…

@blakes7bot@mas.torpidity.net
2025-12-15 19:18:48

Series D, Episode 01 - Rescue
[Interior Xenon base lounge. Soolin sets out glasses on a tray. She stops, regards the tray and then takes another glass from the shelf. She begins to pour wine into the glasses. Dorian leads the group into the lounge. Dorian grabs her and kisses her.]
SOOLIN: Are you all right?
https://blake.torpi…

Claude Haiku 4.5 describes the image as: "# Scene from Blake's 7

This image depicts a scene set aboard a spacecraft, featuring a futuristic interior with sleek, minimalist design elements including curved seating, paneled walls, and potted plants. The setting appears to be a command center or common area with a distinctly 1980s science fiction aesthetic.

The scene shows a group of characters in various costumes gathered in conversation. Some wear distinctive black and metallic uniforms typica…

@leftsidestory@mstdn.social
2025-10-27 00:30:02

Moody Urbanity - Metro Consistency 🪅
情绪化城市 - 都市质地 🪅
📷 Pentax MX
🎞️ Orwo Wolfen P400
#filmphotography #Photography #blackandwhite

ORWO P400 (FF)

English Alt Text: A dimly lit tunnel filled with rows of parked bicycles. The tunnel’s interior is dark, with light pouring in from the far exit, creating a dramatic contrast. A person is silhouetted against the light, walking or cycling toward the exit. Outside, a car is visible on the road, along with greenery and a stone wall. The image captures an urban scene emphasizing bicycle use and the interplay of light and shadow.

中文替代文字：
一个昏暗的隧道里停满了自行车，排列整齐。隧道尽头透进明亮的光线，形成强烈的明暗对比。一名行…

ORWO P400 (FF)

English Alt Text: A grainy black and white image of a pond covered with lily pads. In the center, a single white water lily blooms, standing out against the dark water and dense foliage. The water appears slightly murky, and the texture suggests film grain or high ISO photography. The composition emphasizes tranquility and the beauty of a solitary flower.

中文替代文字：
一张黑白颗粒感照片，画面是布满睡莲叶的池塘。中央有一朵盛开的白色睡莲，在昏暗的水面和密集的叶片中格外醒目。水质略显浑浊，图像质感显示出胶片颗粒或高感光度拍摄的效果。画面传达出宁静氛围和孤花之美。

ORWO P400 (FF)

English Alt Text: A black and white photo showing a quiet pond with wooden posts emerging from the water. A wooden walkway crosses the pond, partially hidden by tall grasses. Two small human figures are visible on the walkway. Behind the pond is a dense line of trees, and in the far background, tall apartment buildings rise above the treetops. The image contrasts natural serenity with urban development.

中文替代文字：
这是一张黑白照片，画面中是一个宁静的池塘，水面上有几根木桩。一条木质步道横跨池塘，被高高的芦苇部分遮挡。步道上有两个人影。池塘后方是一…

ORWO P400 (FF)

English Alt Text: An outdoor art installation featuring curved metal rods forming a tunnel-like structure. The rods are arranged in a rhythmic, undulating pattern. The ground is paved with irregular tiles, adding texture. Trees and buildings are visible in the background, suggesting a park or plaza setting. The structure invites pedestrian interaction and showcases modern urban design.

中文替代文字：
一个户外艺术装置，由弯曲的金属杆构成隧道状结构。金属杆排列有节奏感，形成波浪般的视觉效果。地面铺有不规则的瓷砖，增添质感。背景中可见树木和建筑，表明此处位于公园或广场。此…

@blakes7bot@mas.torpidity.net
2025-10-17 15:28:06

Series A, Episode 08 - Duel
BLAKE: Vila, try and stay alert.
VILA: Of course I will, how can you doubt me?
BLAKE: It isn't easy, but somehow I manage it. Come on. Put us down. [Blake, Jenna and Gan teleport to the planet's surface and look around]
https://blake.torpidity.net/m/108/59…

Claude 3.7 describes the image as: "This image shows a scene set on a spaceship or command center with a futuristic interior design featuring hexagonal wall patterns and control panels. Several individuals are gathered around what appears to be a control console with buttons and displays.

The scene captures people wearing distinctive 1970s-style science fiction costumes in burgundy, brown, and green tones with geometric collar designs. They appear to be in the middle of a discussion or confro…

@blakes7bot@mas.torpidity.net
2025-12-15 16:16:17

Series D, Episode 05 - Animals
JUSTIN: Probably by the cliff.
[Servalan's ship is on planet's surface. Servalan to three troopers]
https://blake.torpidity.net/m/405/271 B7B4

@blakes7bot@mas.torpidity.net
2025-11-16 10:03:42

Series D, Episode 04 - Stardrive
AVON: We'll take it with us. [As Tarrant enters, Atlan trips him, grabs Soolin and uses her as a shield as he backs towards the door. He shoves her away and runs off.]
DAYNA: The door control. [Runs after Atlan.]
https://blake.torpidity.net/m/404/382

@blakes7bot@mas.torpidity.net
2025-12-14 16:22:02

Series A, Episode 13 - Orac
VILA: Yes, but Zen's only a machine.
AVON: So is Orac. [He removes the activator and throws it across the flight deck.]
VILA: That's all right, that's fixed Orac.
BLAKE: No, it hasn't.
JENNA: What do you mean?
https://blake.torpidity.net/m/113/484

Claude Sonnet 4 describes the image as: "I can see a science fiction scene showing two people seated in what appears to be a spaceship interior. The setting has the characteristic design elements of classic sci-fi television - sleek surfaces, futuristic chairs, and technical equipment visible in the background. One person wears a red v-neck outfit with a decorative belt, while the other is dressed in burgundy and tan colored clothing with a more utilitarian, space-faring appearance. They appear…

@blakes7bot@mas.torpidity.net
2025-12-10 07:17:55

#Blakes7 Series D, Episode 12 - Warlord
DAYNA: [Into comm] All launch checks complete.
AVON: [V.O.] Green on all systems.
VILA: [Into comm] Betafarl has just confirmed full clearance on your flight plan.
https://blake.torp…

Claude Sonnet 4 describes the image as: "This image shows two actors in what appears to be a science fiction television production, likely from the late 1970s or 1980s based on the visual style and set design. The scene takes place in a futuristic control room or spacecraft interior, featuring typical sci-fi elements like control panels with blinking lights and a sterile, technological aesthetic.

One actor wears an elaborate costume with ornate metallic detailing and a high collar design that …

@blakes7bot@mas.torpidity.net
2025-12-14 13:19:35

Series D, Episode 11 - Orbit
SERVALAN: Don't concern yourself, Egrorian. I encourage ambition.
EGRORIAN: I never conspired against you, I swear it! Orac, acknowledge my instructions. [Orac buzzes, but says nothing.] I don't understand.
https://blake.torpidity.net/m/411/363 B7B3…

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction production, likely from the late 1970s or early 1980s based on the aesthetic and production design. The setting features a sleek, futuristic interior with geometric white panels and distinctive angular ceiling architecture characteristic of classic sci-fi television sets.

Three actors are engaged in what appears to be a tense dramatic scene. On the left, a woman with short dark hair wears an elegant blac…

@blakes7bot@mas.torpidity.net
2025-10-13 12:11:01

Series B, Episode 10 - Voice from the Past
AVON: I'm sorry to have to inform you that he is himself all right.
[End of episode. Roll credits.]
https://blake.torpidity.net/m/210/623 B7B3

Claude Sonnet 4.0 describes the image as: "This image shows two characters in what appears to be the interior of a spacecraft or space station, with characteristic futuristic wall paneling visible in the background. Both men are wearing what looks like military or rebel-style clothing typical of the series' aesthetic. The lighting and set design have the distinctive look of British science fiction television from the late 1970s. The scene appears to be taking place during a moment of dialogue o…

@blakes7bot@mas.torpidity.net
2025-11-13 19:24:01

Series B, Episode 02 - Shadow
BLAKE: There's no reason why they should.
[Space City. Chairman is seen on communications screen]
ENFORCER: They'll be making planetfall anytime now.
CHAIRMAN: Excellent. Are all Largo's addicts so available?
https://blake.torpidity.net/m/202/444

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s. The image shows what looks like the interior of a spacecraft or futuristic setting, with the characteristic design elements typical of the show's production. The scene appears to involve multiple characters in what seems to be a dramatic moment, with the lighting and composition suggesting this is from a key plot point in an episode. The produ…

@blakes7bot@mas.torpidity.net
2025-11-12 16:26:37

Series A, Episode 11 - Bounty
CALLY: But the elections were rigged.
TYCE: It was still failure.
BLAKE: [To Cally] That's something you should understand.
TYCE: I thought I could help him.
BLAKE: He must come with us, by force if necessary.
https://blake.torpidity.net/m/111/225

Claude Sonnet 4.0 describes the image as: "This image appears to be from a classic British science fiction television series, likely from the late 1970s or early 1980s based on the production quality and costume design. The scene shows three characters in what appears to be a spaceship or futuristic facility interior, with industrial gray walls visible in the background.

The woman on the left wears a distinctive red velvet tunic with white cord trim and a black turtleneck underneath, styled wi…

@blakes7bot@mas.torpidity.net
2025-11-11 16:09:46

Series A, Episode 09 - Project Avalon
TRAVIS: Ohh?
SERVALAN: Oh, so far I have resisted that pressure. But now, I need your reassurance that my confidence has not been misplaced.
TRAVIS: I think Project Avalon will silence the critics.
https://blake.torpidity.net/m/109/174 B7B4

Claude 3.7 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in what looks like a minimalist, futuristic interior space with plain gray walls and metallic fixtures. The setting has a sterile, institutional quality typical of 1970s-80s sci-fi design.

In the foreground, a woman wearing a white garment with dark trim is engaged in conversation with a man in a black leather jacket. Between them appears to be some kind of white …

@blakes7bot@mas.torpidity.net
2025-12-11 22:14:34

Series A, Episode 06 - Seek-Locate-Destroy
BLAKE: [To Avon] Now do you know what you're looking for?
AVON: [Shortly] Yes. [Moves off towards the equipment.]
BLAKE: [To Gan] All the equipment here?
GAN: All here.
https://blake.torpidity.net/m/106/52 B7B6

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s or early 1980s. The image shows two men in futuristic military-style clothing examining what appears to be a tactical display or map on a table. The setting looks like the interior of a spacecraft, with typical sci-fi production design elements visible in the background including control panels and metallic surfaces. The lighting and film quality…

@blakes7bot@mas.torpidity.net
2025-12-10 13:23:07

Series B, Episode 05 - Pressure Point
MUTOID: They have not had time to get far.
TRAVIS: Couple of miles at the most, and without their teleport they're earthbound now.
MUTOID: I will call security.
TRAVIS: No!
https://blake.torpidity.net/m/205/416 B7B3

Claude Sonnet 3.7 describes the image as: "The image shows a dark scene from what appears to be a period film or television production. Three figures are visible in dim lighting, wearing what looks like medieval or Renaissance-style dark clothing with some leather elements and distinctive design features. The scene has a somber, dramatic atmosphere with the characters positioned close together in what might be a dungeon or castle interior.

The lighting is very low-key and atmospheric, creating…

@blakes7bot@mas.torpidity.net
2025-12-09 19:10:55

Series A, Episode 13 - Orac
JENNA: Modest, isn't he?
ORAC: Modesty would be dishonesty.
VILA: What's wrong with being dishonest?
ORAC: Is that a question?
VILA: Yes.
https://blake.torpidity.net/m/113/440 B7B5

Claude Sonnet 4 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978-1981. The setting shows what looks like a futuristic spacecraft interior with characteristic metallic walls and surfaces typical of the show's production design. The person in the image is wearing a distinctive red outfit with metallic trim and a decorative chain necklace, which fits the show's aesthetic. The lighting and image quality are consi…

@blakes7bot@mas.torpidity.net
2025-10-10 06:06:15

#Blakes7 Series B, Episode 12 - The Keeper
JENNA: If he's wise, he does.
VILA: And if he's not, he's dead.
BLAKE: All right, put us down Cally.
[They transfer to Goth, landing in a wooded gorge.]
https://bl…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, showing crew members gathered around what looks like a control console or computer interface. The setting has the characteristic futuristic interior design of the series, with metallic surfaces and technological equipment visible in the background. The characters appear to be examining or discussing something displayed on a screen or panel, which shows a grid of what might be dat…

@blakes7bot@mas.torpidity.net
2025-10-09 15:20:06

Series C, Episode 05 - The Harvest of Kairos
SHAD: Get hold of Command.
DASTOR: [On screen] Command. Yes?
SHAD: It's the harvest, sir. It's been good. Very good.
DASTOR: [On screen] And?
SHAD: Well, we're loaded and ready for lift-off, but, er...
https://blake.torpidity.net/m/305/201

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like a spacecraft or space station interior. The person is wearing what appears to be a dark helmet or headgear and some kind of uniform or protective clothing. The setting has the distinctive look of a sci-fi production from what seems to be the late 1970s or early 1980s, with characteristic lighting and set design of that era. The background shows var…

@blakes7bot@mas.torpidity.net
2025-10-07 21:15:17

Series D, Episode 03 - Traitor
VILA: He's not the man for the job. Tarrant has about as much subtlety as a Tarzian Warg Strangler. All I'm saying is Tarrant's going to walk straight into trouble and get himself killed or captured. If he's dead he can't talk. But if the Federation find out we're hanging around, we won't stand a chance. Not in this ship. At least in the Liberator we could always outrun them.
AVON: Vila, if the Federation do have some ne…

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be the interior of a spacecraft or space station. The setting features a futuristic, sterile environment with white and metallic surfaces typical of science fiction television production design from the late 1970s or early 1980s.

One character is standing and wearing an elaborate black costume with ornate detailing, silver or metallic embellishments, and what appears to be a formal, almost ceremonial …

@blakes7bot@mas.torpidity.net
2025-11-07 16:16:32

Series C, Episode 04 - Dawn of the Gods
DAYNA: Orac with delusions of grandeur, Zen unable to control the ship. I'd say we've a lot of little problems on our hands.
AVON: Course deflection is zero zero five. Speed Standard by five and increasing. I'd say we have one large problem on our hands.
https://blake.torpidit…

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard the Liberator, the advanced alien spacecraft that serves as the main setting for much of the series. The interior shows the characteristic white and geometric design of the ship's living areas or flight deck. Three crew members are present in what appears to be a tense or serious moment. One character is seated wearing earth-toned clothing, while another stands behind in dark attire. A third crew member can be seen i…

@blakes7bot@mas.torpidity.net
2025-10-08 09:21:30

Series D, Episode 02 - Power
TARRANT: Well, that's what your Seska friend did with the hatches. Perhaps she can show us how it's done.
DAYNA: Tarrant, it's serious.
TARRANT: I'm being serious.
[Control room. Tarrant enters, followed by the other two.]
https://blake.torpidity.net/m/402/252

Claude Sonnet 4.0 describes the image as: "This scene shows three crew members in what appears to be a corridor or passageway aboard their spacecraft. The setting features the series' characteristic clean, futuristic interior design with white walls and geometric lighting panels in the ceiling. The characters are wearing the show's distinctive costume designs - form-fitting outfits in different color schemes that were typical of late 1970s science fiction television. One person wears a teal and…

@blakes7bot@mas.torpidity.net
2025-10-07 09:06:38

Series B, Episode 04 - Horizon
BLAKE: Where in Zone Nine?
ZEN: The freighter is on course for the only habitable planet in Zone Nine.
BLAKE: Which is?
ZEN: Code-named Horizon.
BLAKE: "Horizon"?
AVON: Code-named by whom?
https://blake.torpidity.net/m/204/34

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series filmed in the late 1970s or early 1980s. The setting appears to be the interior of a spacecraft or space station with a distinctive futuristic design featuring hexagonal wall patterns and tiered levels.

In the foreground, there's a person wearing a brown jacket over light-colored clothing, standing near what looks like cream-colored seating. In the background, two other people are visible on e…

@blakes7bot@mas.torpidity.net
2025-10-05 12:22:41

Series C, Episode 09 - Sarcophagus
TARRANT: Wait a minute, Orac-
ORAC: Disconnect. [The glasses tumble off the tray which begins to swoop around in the air.]
DAYNA: I don't believe that.
VILA: Try and convince me, will you? Please?
https://blake.torpidity.net/m/309/228 …

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a futuristic spaceship interior, with characteristic sci-fi design elements including hexagonal wall panels and advanced-looking control surfaces. The setting features sleek, technological architecture typical of space-based science fiction productions from this era.

The scene shows someone in a distinctive costume - a grey and red outfit that appears to be some kind of uniform or specialized clothin…

@blakes7bot@mas.torpidity.net
2025-10-28 10:20:43

Series A, Episode 05 - The Web
BLAKE: Blake.
[Flight deck of the Liberator.]
CALLY: Cally.
BLAKE: [V.O.] Tell Avon I need two fully charged flutonic power cells.
CALLY: I will tell him.
[In the laboratory complex.]
https://blake.torpidity.net/m/105/365 B7B2

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, based on the production style and set design.

The scene shows a person with curly hair wearing a dark outfit with what looks like some kind of decorative or functional arm detail. They appear to be in a futuristic spacecraft or space station interior with distinctive angular design elements. In the foreground, there are what look like control panels or equi…

@blakes7bot@mas.torpidity.net
2025-10-26 13:10:20

Series C, Episode 02 - Powerplay
TARRANT: Yes?
AVON: [Indicating Harmon] Him.
HARMON: Why, you ly...
TARRANT: Easy Harmon.
HARMON: They were my friends.
TARRANT: Let him finish.
https://blake.torpidity.net/m/302/371 B7B3

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator, with its characteristic white and metallic interior design. Three crew members are engaged in what seems to be a tense discussion or confrontation in a corridor or command area of the ship. The characters are wearing the dark, fitted uniforms typical of the series, with visible insignia patches. The lighting and set design create the futuristic, somewhat sterile atmosphere characte…

@blakes7bot@mas.torpidity.net
2025-12-03 13:11:37

Series A, Episode 12 - Deliverance
BLAKE: They should have found her by now.
CALLY: They will. It's just a matter of time. They'll find her. [Blake picks up Maryatt's ID and looks through it.]
BLAKE: What about him?
https://blake.torpidity.net/m/112/134 B7B3

Claude Haiku 4.5 describes the image as: "# Image Description

This image shows a scene set in what appears to be a spaceship interior, characterized by the distinctive futuristic set design typical of 1970s science fiction television. The background features sleek, metallic paneling with horizontal lines and a modern architectural aesthetic.

The actor depicted is wearing a layered outfit consisting of a dark olive or brown tunic-style garment with a black leather jacket over it. The jacket fe…

@blakes7bot@mas.torpidity.net
2025-12-03 22:19:39

Series A, Episode 04 - Time Squad
JENNA: Gan, the aliens have linked their ship to our power source. I'm getting a very heavy power loss. I'll have to disconnect. You'll be all right, won't you?
GAN: [Nods] Yes.
https://blake.torpidity.net/m/104/454 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in a futuristic spacecraft interior. The scene depicts two characters in what looks like a command or recreational area of the vessel.

The setting features distinctive retro-futuristic design elements typical of 1970s sci-fi television, including geometric wall panels with hexagonal shapes and horizontal striping. The color palette consists of muted tones—gr…

@blakes7bot@mas.torpidity.net
2025-12-02 16:16:00

Series D, Episode 01 - Rescue
TARRANT: Seven glasses.
SOOLIN: I'm sorry?
TARRANT: You've laid out seven glasses. One too many.
VILA: Not to worry. I'll drink the extra one.
DAYNA: You know if Cally had escaped with us, there wouldn't be an extra one.
https://blake.torpidity.net/m/401/332

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a scene set in what appears to be a futuristic spacecraft interior, characterized by beige and tan walls with metallic fixtures and ventilation panels typical of 1980s science fiction production design. The setting suggests a command or operations area.

Five individuals are present in the scene, engaged in what appears to be an intense conversation or confrontation. The person on the far left wears a tan/beige t…

@blakes7bot@mas.torpidity.net
2025-10-02 18:19:38

Series A, Episode 02 - Space Fall
BLAKE: Check the outer hatch in case someone decides to try and join us.
RAIKER: I want a boarding crew kitted out and ready to follow me over.
[Technician nods.]
[Switch to Blake, trying to push/pull the hatch closed.]
https://blake.torpidity.net/m/102/651

Claude 3.7 describes the image as: "This appears to be a scene from a vintage science fiction television production from the late 1970s or early 1980s. The image shows a futuristic spacecraft interior with a distinctive hexagonal design aesthetic typical of BBC sci-fi productions of that era.

The setting features angular control panels and a stylized spacecraft bridge with geometric lighting fixtures. Several people are visible in what appears to be a command center or flight deck of a spacec…

@blakes7bot@mas.torpidity.net
2025-11-03 07:02:13

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: What do you think?
MAX: It's all been according to the rules.
https://blake.torpidity.net/m/312/161 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two people in what looks like a spacecraft or futuristic vehicle interior. The lighting is dramatic and moody, with both figures wearing light-colored clothing. The setting has the characteristic look of 1970s/80s sci-fi television production design, with angular surfaces and technical equipment visible in the background. The scene appears tense or dramatic based on the …

@blakes7bot@mas.torpidity.net
2025-11-30 13:41:30

Series C, Episode 12 - Death-Watch
AVON: We are short of time, Orac.
VILA: I'll say we are. It's not hanging about this time. [Screen display: 2. WAIT blinks out and is replaced by:]
[Computer display: 2. ARBITERS TAKE POSITION AND INDICATE READINESS]
https://blake.torpidity.net/m/312/544

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," likely from the late 1970s or early 1980s. The setting is the interior of what looks like a spaceship or futuristic facility, with characteristic sci-fi design elements including angular architecture and metallic surfaces visible in the background.

Four actors are seated in a comfortable lounge area with cream-colored furniture arranged around a distinctive glass …

@blakes7bot@mas.torpidity.net
2025-09-29 06:03:43

#Blakes7 Series B, Episode 03 - Weapon
JENNA: Maybe IMIPAK is another Orac. If we captured it perhaps we could breed from them.
BLAKE: What a disgusting idea.
JENNA: [Smiles] Well, despite Orac's lucky eavesdropping, we're not much wiser, are we?

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a spacecraft interior with distinctive futuristic design elements typical of classic science fiction television from the late 1970s/early 1980s.

The scene features two individuals in conversation - a person with blonde feathered hair wearing a navy blue outfit with decorative gold accents on the shoulders, and another person with curly dark hair wearing a brown jacket over darker clothing.

The spacecraft s…

@blakes7bot@mas.torpidity.net
2025-10-30 13:24:54

Series D, Episode 08 - Games
GERREN: Told you, there was no time. Besides, from what I've heard, she might be more than a match for you.
AVON: Well now. Just who are they sending?
https://blake.torpidity.net/m/408/87 B7B3

Claude Sonnet 4.0 describes the image as: "This image shows a character in what appears to be a futuristic military or space-faring uniform, featuring a high collar with metallic detailing. The costume design reflects the science fiction aesthetic typical of late 1970s British television production. The setting appears to be an interior spaceship or facility environment with blurred background elements. The uniform's sleek, authoritarian styling with its reflective collar elements suggests this…

@blakes7bot@mas.torpidity.net
2025-11-29 07:12:09

#Blakes7 Series D, Episode 02 - Power
KATE: Stop it, Pella! [Kate rushes at Pella, who shoots her dead. Pella enters the launch silo and the door closes before the others can rush in. Avon takes the crystal from Kate's neckband.]
[Inside silo. The Scorpio's turntable begins to turn and rise.]

Claude Sonnet 3.7 describes the image as: "This image appears to be a scene from the science fiction series "Blake's 7," showing three characters in distinctive costume design typical of the show's futuristic aesthetic.

The scene features three people standing together in what looks like a spacecraft or space station interior with neutral-colored walls. On the left is a person wearing a white and gray outfit with geometric patterns and a metallic collar. In the center is someone with blonde h…

@blakes7bot@mas.torpidity.net
2025-11-28 13:21:59

Series A, Episode 11 - Bounty
JENNA: It could be an injured pilot.
AVON: It could be a trap.
GAN: It's not a very good one, then. We're suspicious of it already.
AVON: The test is not whether you are suspicious but whether you are caught.
https://blake.torpidity.net/m/111/65

Claude Sonnet 4.5 describes the image as: "This image captures a scene from the classic British science fiction television series "Blake's 7," which aired from 1978 to 1981. The setting appears to be aboard the Liberator spacecraft, characterized by its distinctive angular, modernist interior design with clean lines and geometric shapes visible in the background.

Sally Knyvette portrays Jenna Stannis, a smuggler and pilot who becomes part of the rebel crew. She wears a black outfit adorned wit…

@blakes7bot@mas.torpidity.net
2025-10-28 13:23:03

Series B, Episode 12 - The Keeper
ZEN: Main detectors report Federation pursuit ship, bearing one three two, course two seven six, leaving the planet and entering orbit.
AVON: Put it on the main screen.
ZEN: Affirmative. [pursuit ship appears on screen]
https://blake.torpidity.net/m/212/31…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing the interior of what looks like a spacecraft or control room. The setting features futuristic control panels with various buttons, switches, and displays typical of 1970s-80s sci-fi production design. There are comfortable-looking seats and the overall aesthetic has that distinctive retro-futuristic appearance common to British science fiction shows of that era. The lighting…

@blakes7bot@mas.torpidity.net
2025-09-27 15:24:20

Series C, Episode 07 - Children of Auron
C.A. TWO: Unlike the youngsters. So what do we do?
C.A. ONE: Evacuation.
FRANTON: It's probably Auron's only chance now.
C.A. ONE: Why aren't you at the replication plant?
FRANTON: Off shift, unfortunately.
https://blake.torpidity.net/m/307/129

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely showing crew members in their typical gray uniforms with distinctive insignia. The setting has the characteristic futuristic interior design of the series, with geometric patterns visible in the background and what appears to be control panels or technical equipment. The two figures are positioned near what looks like ship's equipment, suggesting this takes place in a working area of the vessel…

@blakes7bot@mas.torpidity.net
2025-10-27 19:11:42

Series D, Episode 10 - Gold
TARRANT: Yes, they're clear all right. Aren't they, Avon. We've just risked our lives, for nothing.
SOOLIN: Not for nothing, Tarrant. We risked our lives to make Servalan rich.
https://blake.torpidity.net/m/410/433 B7B5

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator or Scorpio based on the futuristic interior design with metallic walls and technical equipment visible in the background. The setting has the characteristic sterile, high-tech aesthetic typical of the series' spaceship environments.

In the foreground, a character wearing distinctive black leather clothing with decorative studs and buckles is prominently featured. This appears to …

@blakes7bot@mas.torpidity.net
2025-09-28 18:18:29

Series D, Episode 05 - Animals
ARDUS: I, I cannot say, Commissioner.
SERVALAN: Very well, I await your information.
ARDUS: I think it would be improper of me to release it unless authorised by the High Council.
https://blake.torpidity.net/m/405/196 B7B5

Claude 3.7 describes the image as: "This image appears to be a still from a science fiction television series from the late 1970s or early 1980s. The scene shows two people in a dramatic interaction. On the left is an older person with white hair wearing distinctive blue-tinted glasses and a gray and dark outfit with a high collar. Standing nearby is a person in a striking black feathered or textured costume with a v-neck design.

The setting appears to be an interior room with light-colored cu…

@blakes7bot@mas.torpidity.net
2025-09-26 21:12:20

Series C, Episode 07 - Children of Auron
VILA: Um, welcome aboard.
DERAL: Sit down. [points gun at Vila]
VILA: Over here? [sits at teleport console]
DERAL: Mnn hmm.
DAYNA: [Enters with gun on Deral] Keep still! [takes his gun]
https://blake.torpidity.net/m/307/453 B7B…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two people in what looks like a futuristic spacecraft or space station interior. The setting has the characteristic design elements of 1970s-80s sci-fi productions, with angular walls, distinctive lighting, and technical panels visible in the background.

One person is wearing dark clothing and appears to be holding something small, while the other is wearing what lo…

@blakes7bot@mas.torpidity.net
2025-10-27 16:09:10

Series C, Episode 09 - Sarcophagus
CALLY: I'd like a straight answer.
AVON: Try a straight question.
https://blake.torpidity.net/m/309/163 B7B4

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard the Liberator spacecraft, showing three crew members in what looks like a tense discussion or confrontation. The setting is the ship's flight deck or control room, characterized by its distinctive futuristic interior design with curved walls and control panels visible in the background.

The woman on the left has curly dark hair and is wearing a white top with a dark outer garment. She appears to be gesturing as sh…

@blakes7bot@mas.torpidity.net
2025-09-27 06:15:43

#Blakes7 Series B, Episode 03 - Weapon
VILA: Why didn't you suggest it to us?
CALLY: Because I knew how you'd react.
AVON: Auron may be different, Cally, but on Earth it is considered ill-mannered to kill your friends while committing suicide.

Claude 3.7 describes the image as: "This image shows a person with short hair wearing a dark, high-collared uniform in what appears to be a futuristic sci-fi setting. The person has a somewhat concerned or serious expression, and is positioned against a gray/metallic background that suggests the interior of a spacecraft or space station.

The costume design is characteristic of 1970s-80s British science fiction television, with its minimalist styling and dark colors. The setting has the distin…

@blakes7bot@mas.torpidity.net
2025-10-27 07:01:29

#Blakes7 Series C, Episode 03 - Volcano
CALLY: Avon, repeat that. Message indistinct. Repeat that.
VILA: Communications blind spot. Or maybe he landed in the volcano.
CALLY: No, I think he's all right.
https://blake.to…

Claude Sonnet 4.0 describes the image as: "I can see this is a black and white image showing someone at what appears to be a control console or technical workstation. The person is leaning over the console, which has various buttons, switches, and control panels typical of science fiction television production design from the late 1970s or early 1980s. The setting appears to be some kind of spacecraft or high-tech facility interior, with geometric wall panels visible in the background. The ligh…

Tootfinder

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