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@blakes7bot@mas.torpidity.net
2025-09-17 15:23:17

Series A, Episode 11 - Bounty
TARVIN: You weren't always so cold.
JENNA: You weren't always a bounty hunter.
TARVIN: Have you forgotten Zolaf Four?
JENNA: Is it worth remembering?
TARVIN: Just the two of us in the mountains.
blake.torpidity.net/m/111/331

@blakes7bot@mas.torpidity.net
2025-10-16 12:19:48

Series A, Episode 03 - Cygnus Alpha
AVON: I have to get rid of Blake first. You're next on my list.
JENNA: That would have been very disarming, if I didn't know that you meant it.
[Jenna begins to leave. She turns at the bottom of the stairs]
blake.torpidity.net/m/103/358

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the styling and production values. The scene shows two characters in what appears to be an intimate or tense moment - a dark-haired man in black clothing facing a blonde woman with an elaborate curled hairstyle typical of that era. The setting appears to be some kind of futuristic interior space, possibly a spacecraft or station…

Jenna Norton, a program director at the National Institutes of Health, says she has been put on paid leave following the end of the government shutdown.
"I was not given a reason for being put on leave, but I strongly suspect it is because I have been speaking up in my personal capacity about the harms that I have been witnessing inside the National Institutes of Health," she said in a video posted to TikTok.
The notice Norton received from human resources stated that the…

@blakes7bot@mas.torpidity.net
2025-11-16 16:08:47

Series B, Episode 10 - Voice from the Past
JENNA: Zen, abort course for asteroid PK One One Eight and resume course for planet Del Ten. Confirm with arrival time.
ZEN: Arrival at planet Del Ten at zero four five plus one.
[Liberator turns in space]
blake.torpidity.net/m/210/164

Claude 3.7 describes the image as: "This is a black and white close-up portrait showing a person with feathered, shoulder-length hair styled in a 1970s fashion. The image captures an intense, thoughtful expression with the subject gazing slightly upward. The lighting creates a dramatic contrast that emphasizes the facial features and the texture of the hair. The background is blurred but appears to be a simple, dark setting typical of film or television production from that era.

The monochrome…
@blakes7bot@mas.torpidity.net
2025-11-16 07:01:12

#Blakes7 Series B, Episode 09 - Countdown
BLAKE: [To Jenna] Get a locator fix on the signal.
CALLY: It's already pinpointed.
BLAKE: Well done. Alright, Avon, get kitted up. You too, Vila.
blake.torpidity.net/m/2…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, likely from the late 1970s or early 1980s based on the production style and costumes. The scene shows two individuals in conversation within what looks like a spacecraft or futuristic facility with metallic walls and reflective surfaces visible in the background.

The person on the left is wearing a gray uniform-like outfit, while the person on the right is dressed in a brown/olive sleeveless …
@blakes7bot@mas.torpidity.net
2025-12-14 07:14:35

#Blakes7 Series B, Episode 07 - Killer
JENNA: It's hardly moving.
BLAKE: They were slow, Jenna, infraluminal. Question is, how did it get here?
JENNA: Well, what do you mean?
blake.torpidity.net/m/207/19<…

@blakes7bot@mas.torpidity.net
2025-10-17 15:28:06

Series A, Episode 08 - Duel
BLAKE: Vila, try and stay alert.
VILA: Of course I will, how can you doubt me?
BLAKE: It isn't easy, but somehow I manage it. Come on. Put us down. [Blake, Jenna and Gan teleport to the planet's surface and look around]
blake.torpidity.net/m/108/59

Claude 3.7 describes the image as: "This image shows a scene set on a spaceship or command center with a futuristic interior design featuring hexagonal wall patterns and control panels. Several individuals are gathered around what appears to be a control console with buttons and displays. 

The scene captures people wearing distinctive 1970s-style science fiction costumes in burgundy, brown, and green tones with geometric collar designs. They appear to be in the middle of a discussion or confro…
@arXiv_mathGN_bot@mastoxiv.page
2025-11-13 12:08:31

Replaced article(s) found for math.GN. arxiv.org/list/math.GN/new
[1/1]:
- The Complexity of Proper Homotopy Equivalence of Graphs
Hannah Hoganson, Jenna Zomback
arxiv.org/abs/2410.00901 mastoxiv.page/@arXiv_mathLO_bo
toXiv_bot_toot

@blakes7bot@mas.torpidity.net
2025-11-12 07:18:40

#Blakes7 Series A, Episode 04 - Time Squad
JENNA: Ah, don't tell him that.
BLAKE: [Into communicator] Thank you, Avon. [to Jenna] You ever seen anything like this before?
JENNA: No.
blake.torpidity.net/m/104/10…

@arXiv_csSE_bot@mastoxiv.page
2025-10-06 08:26:19

Product Manager Practices for Delegating Work to Generative AI: "Accountability must not be delegated to non-human actors"
Mara Ulloa, Jenna L. Butler, Sankeerti Haniyur, Courtney Miller, Barrett Amos, Advait Sarkar, Margaret-Anne Storey
arxiv.org/abs/2510.02504

@arXiv_csCV_bot@mastoxiv.page
2025-10-03 10:27:11

kabr-tools: Automated Framework for Multi-Species Behavioral Monitoring
Jenna Kline, Maksim Kholiavchenko, Samuel Stevens, Nina van Tiel, Alison Zhong, Namrata Banerji, Alec Sheets, Sowbaranika Balasubramaniam, Isla Duporge, Matthew Thompson, Elizabeth Campolongo, Jackson Miliko, Neil Rosser, Tanya Berger-Wolf, Charles V. Stewart, Daniel I. Rubenstein

@digitalnaiv@mastodon.social
2025-10-29 10:19:04

Jeder elfte Zeitungsartikel in den USA kommt ganz oder teilweise von der KI, berichtet Jenna Russell. 91% der Zeitungen verraten das ihren Leser:innen nicht. Transparenz bleibt ein Fremdwort – Vertrauen auch. #Journalismus #KünstlicheIntelligenz

@blakes7bot@mas.torpidity.net
2025-11-15 19:14:37

Series A, Episode 05 - The Web
BLAKE: Well, put up our estimated position. [An additional circle is added to main viewscreen close to one of the existing circles] That's too close to something we can't see.
JENNA: And we're not sure is there.
blake.torpidity.net/m/105/146

@memeorandum@universeodon.com
2025-10-24 04:11:09

Transgender swimmer banned for 5 years after gender test refusal -- blames insurance costs (Jenna Lemoncelli/New York Post)
nypost.com/2025/10/23/sports/t
memeorandum.com/251024/p1#a251

@blakes7bot@mas.torpidity.net
2025-11-10 07:04:42

#Blakes7 Series B, Episode 13 - Star One
AVON: [On communicator] What is it, Jenna?
JENNA: There's a ship, its coming in for a surface landing.
AVON: [On communicator] Have they spotted you?
JENNA: I've got the detector shield up.

Meta’s 2020 research project, Project Mercury,
measured the effect of ‘deactivating’ Facebook & Instagram
According to Meta docs obtained via discovery…
’people who stopped using Facebook for a week reported lower feelings of depression, anxiety, loneliness & social comparison’

@blakes7bot@mas.torpidity.net
2025-10-14 18:29:58

Series A, Episode 08 - Duel
[THE MONUMENT - Blake and Jenna materialise.]
GIROC: You fought well, Blake.
BLAKE: I'm glad you enjoyed it.
GIROC: Why didn't you kill him?
blake.torpidity.net/m/108/459 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene set in what looks like a cave or underground location with rough stone walls. Two figures are present - one wearing lighter colored clothing and another in darker robes with a head covering. The setting has a rustic, primitive quality with what appears to be some kind of bedding or supplies visible in the background. The lighting is dim and atmospheric, creating shadows that emphasize the cave-like environment. The …
@arXiv_mathAG_bot@mastoxiv.page
2025-09-26 08:56:41

Toric surface codes and the periodicity of polytopes
Amelia Gibbs, Eliza Hogan, Kelly Jabbusch, Jenna Plute, Nicholas Toloczko
arxiv.org/abs/2509.21178

@blakes7bot@mas.torpidity.net
2025-12-14 16:22:02

Series A, Episode 13 - Orac
VILA: Yes, but Zen's only a machine.
AVON: So is Orac. [He removes the activator and throws it across the flight deck.]
VILA: That's all right, that's fixed Orac.
BLAKE: No, it hasn't.
JENNA: What do you mean?
blake.torpidity.net/m/113/484

Claude Sonnet 4 describes the image as: "I can see a science fiction scene showing two people seated in what appears to be a spaceship interior. The setting has the characteristic design elements of classic sci-fi television - sleek surfaces, futuristic chairs, and technical equipment visible in the background. One person wears a red v-neck outfit with a decorative belt, while the other is dressed in burgundy and tan colored clothing with a more utilitarian, space-faring appearance. They appear…
@blakes7bot@mas.torpidity.net
2025-10-14 15:27:33

Series A, Episode 01 - The Way Back
VARON: Listen, I, I'm sorry I didn't believe you. I'll be in touch. [They leave.] C363
VILA: Friends in high places? Can't you put a word in for me?
BLAKE: I'll try and think of one.
JENNA: Leaving us?
blake.torpidity.net/m/101/325

@arXiv_statAP_bot@mastoxiv.page
2025-10-10 08:39:48

Two-Stage Trigonometric Regression for Modeling Circadian Rhythms
Michael T. Gorczyca, Jenna D. Li, Charissa M. Newkirk, Arjun S. Srivatsa, Hugo F. M. Milan
arxiv.org/abs/2510.08309

@arXiv_csSE_bot@mastoxiv.page
2025-10-02 10:24:51

AI Where It Matters: Where, Why, and How Developers Want AI Support in Daily Work
Rudrajit Choudhuri, Carmen Badea, Christian Bird, Jenna Butler, Rob DeLine, Brian Houck
arxiv.org/abs/2510.00762

@memeorandum@universeodon.com
2025-10-23 19:21:03

Cuomo condemned over racist AI ad depicting 'criminals for Zohran Mamdani' (Jenna Amatulli/The Guardian)
theguardian.com/us-news/2025/o
memeorandum.com/251023/p107#a2

@blakes7bot@mas.torpidity.net
2025-11-10 16:12:51

Series B, Episode 08 - Hostage
BLAKE: You all right, Jenna?
JENNA: [Into bracelet.] Bring us up, Cally.
INGA: Come on, father.
[Surface of Exbar. Night. Travis is walking disconsolately and stumbles into a mutoid and Servalan.]
blake.torpidity.net/m/208/714 B7B4

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television production from the late 1970s or early 1980s. The scene shows four performers in what seems to be a spaceship or futuristic setting with metallic walls in the background.

Three individuals are wearing similar silver/white jumpsuits or uniforms that have a utilitarian space crew appearance, while one person on the left wears a patterned black and white outfit. The styling, costuming, and prod…
@blakes7bot@mas.torpidity.net
2025-11-13 13:18:57

Series B, Episode 08 - Hostage
CALLY: Blake, we're losing them I think. Forward vision is now clear.
BLAKE: Cally's right.
JENNA: But how?
blake.torpidity.net/m/208/85 B7B3

Claude Sonnet 4.0 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The photograph captures Jan Chappell in character as Cally, a telepathic alien from the planet Auron. She wears a cream-colored, high-necked uniform with distinctive shoulder buttons, characteristic of the show's utilitarian costume design. Her shoulder-length curly hair and direct gaze convey the character's serious, contemplative na…
@blakes7bot@mas.torpidity.net
2025-10-04 18:11:42

Series A, Episode 11 - Bounty
JENNA: If you hand over this ship, you'll lose a fortune.
TARVIN: Me? How can I lose?
JENNA: Oh, I'd expect a share.
TARVIN: Of what?
JENNA: Three hundred million credits. Give or take the odd ten million.
blake.torpidity.net/m/111/376

Claude 3.7 describes the image as: "The image appears to be from a science fiction television series, showing two people in a scene together. On the left is a person wearing an elaborate blue costume with a headdress that has metallic embellishments, reminiscent of a Middle Eastern or exotic styling, complete with a mustache. On the right is a person with blonde wavy hair wearing a black outfit with what looks like polka dots or small decorative elements.

The setting seems to be some kind of f…
@arXiv_physicschemph_bot@mastoxiv.page
2025-09-19 08:20:51

Excimer-Suppressed and Oxygen-Tolerant Photophysics of 'Arm-like' Substituted Pyrene Derivatives
Wenlong Li, Stephen Awuku, Jenna N. Merk, Marc R. MacKinnon, Amy L. Stevens
arxiv.org/abs/2509.14417

@blakes7bot@mas.torpidity.net
2025-10-08 18:28:31

Series A, Episode 03 - Cygnus Alpha
BLAKE: [V.O.] Make it fast.
JENNA: [Presses button] Get the ship moving.
[Avon exits. Blake, Vila and Gan materialize. Vargas materializes in another teleport section.]
JENNA: [Turning to teleport] Blake?
blake.torpidity.net/m/103/565

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be the control room or bridge of a spacecraft. The setting features a futuristic control console with various buttons, switches, and displays typical of science fiction television from the late 1970s. The console has a distinctive green section and multiple control panels with colorful indicators.

The woman is wearing a light pink or cream-colored outfit and has blonde, feathered hair characteristic o…
@blakes7bot@mas.torpidity.net
2025-12-02 13:13:21

Series A, Episode 04 - Time Squad
JENNA: Doesn't seem to be any heavy armament.
BLAKE: Could be a high speed transporter.
JENNA: To transport what?
VILA: Do we care?
JENNA: [Slight laugh] Getting nervous?
blake.torpidity.net/m/104/70 B7B3

@blakes7bot@mas.torpidity.net
2025-12-07 19:16:50

Series A, Episode 03 - Cygnus Alpha
BLAKE: You mean we crossed the anti-matter interface?
JENNA: That's impossible.
AVON: That's what they said about the light barrier.
JENNA: Well, which one next?
blake.torpidity.net/m/103/62 B7B5

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7" (1978-1981). The scene shows three characters in what looks like a dimly lit spacecraft interior or similar enclosed setting. The composition features a blonde woman on the left wearing dark clothing with lace detailing, engaged in conversation with two men. One man stands in the middle background, while another is positioned on the right wearing a dark high-collare…
@blakes7bot@mas.torpidity.net
2025-11-12 10:21:35

Series B, Episode 10 - Voice from the Past
VILA: Well, do something! [Avon smashes the control box]
[Atlay. Tone ceases, Blake calms down. Jenna forces the bracelet on him and puts on her own. Glynd and Travis continue to struggle]
blake.torpidity.net/m/210/613 B7B2

Claude Sonnet 4.0 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The scene shows two characters in what looks like a spacecraft interior, with distinctive white paneled walls featuring horizontal stripes in the background.

On the left, Michael Keating portrays Vila Restal, a character known as the ship's thief and lock-breaker. He's wearing a grey tunic-style costume typical of the show's utilitar…
@blakes7bot@mas.torpidity.net
2025-12-12 16:25:21

Series B, Episode 11 - Gambit
CALLY: But you operated on the people who built Star One.
DOCHOLLI: The technicians, yes, thirty of them. I had no choice.
JENNA: Then you must know where Star One is located. How could you not?
blake.torpidity.net/m/211/487 B7B4

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures two women in what appears to be a science fiction setting, likely from a television production. The scene is set against a dark background with subtle lighting effects, creating an atmospheric, futuristic ambiance.

The woman on the left wears a flowing white garment with draped sleeves, her dark hair styled in a 1970s-inspired cut. She gazes to the side with a composed expression.

The woman on the right is dres…
@blakes7bot@mas.torpidity.net
2025-11-07 13:12:58

Series A, Episode 07 - Mission To Destiny
CALLY: I'll get the others.
BLAKE: I'll be back in a minute. [Leaves room]
[LIBERATOR - Gan and Jenna view the scanner.]
GAN: He's cutting it too fine.
JENNA: Come on Blake, get out of there.
blake.torpidity.net/m/107/464

@blakes7bot@mas.torpidity.net
2025-11-11 13:07:13

Series B, Episode 07 - Killer
JENNA: Obviously not.
BLAKE: I hope we got that through to him in time.
[A-line room]
AVON: Keep an eye on the corridor.
blake.torpidity.net/m/207/537 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series featuring two characters in what appears to be a futuristic spacecraft setting. The background shows typical sci-fi television production design with metallic surfaces and circular lighting elements. One character is wearing a mint green and white outfit with a chain necklace and has blonde hair, while the other wears earth-toned clothing including what appears to be a leather jacket ov…
@blakes7bot@mas.torpidity.net
2025-10-11 15:27:21

Series C, Episode 01 - Aftermath
CALLY: Jenna's gone with Blake.
AVON: So let's get on with it. [Explosion. Avon is unconscious]
CALLY: He's out cold. We must get him into a capsule fast. And then you can put Orac in with him. Come on, quick!
blake.torpidity.net/m/301/14

Claude 3.7 describes the image as: "The image shows three people in a sci-fi corridor setting with bright, minimalist futuristic design featuring white walls and overhead lighting. They're wearing distinctive leather-like costumes typical of late 1970s/early 1980s British science fiction television. The person on the left wears a dark leather jacket, the middle figure is partially visible between the others, and the person on the right wears a green outfit. They appear to be in some kind of spa…
@blakes7bot@mas.torpidity.net
2025-10-04 09:05:06

Series B, Episode 01 - Redemption
BLAKE: [Hugs Jenna] Well done, Jenna!
ZEN: Information. Sensors register secondary launch, a space vehicle in pursuit. Speed, Standard by Fourteen.
BLAKE: Vila, ready the weaponry system. We'll make a fight of it.
blake.torpidity.net/m/201/531

@BBC3MusicBot@mastodonapp.uk
2025-11-21 21:20:15

🇺🇦 #NowPlaying on BBCRadio3's #FridayNightIsMusicNight
BBC Concert Orchestra, Edwin Outwater, Nikola Printz, Jordan Pitts, Ann Toomey, Jenna Lee-James, Rachael Wooding, Peter Eldridge & Jon Boydon:
🎵 Somebody To Love
#BBCConcertOrchestra #EdwinOutwater #NikolaPrintz

@blakes7bot@mas.torpidity.net
2025-12-10 19:28:02

Series A, Episode 05 - The Web
BLAKE: Increase power to compensate.
JENNA: It's getting worse all the time.
BLAKE: If there is a planet there we should be close enough to get signals now. Vila, go and see how Cally is, will you.
VILA: Must I?
blake.torpidity.net/m/105/169

@blakes7bot@mas.torpidity.net
2025-12-02 22:21:05

Series B, Episode 12 - The Keeper
SERVALAN: Really? And who do you imagine told him?
JENNA: The only person who knew: Lurgen.
SERVALAN: Lurgen was gone before we arrived.
JENNA: Was he? Are you sure.
blake.torpidity.net/m/212/393 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description

This appears to be a scene from a science fiction production, likely from the 1970s based on the visual style and color grading. The setting is an ornate interior space with decorative patterned panels visible in the background and what appears to be a fireplace or light source. The room features rich furnishings including cushioned seating and elegant drapery.

Two women are shown in conversation, with one seated on a bed or couch …
@blakes7bot@mas.torpidity.net
2025-10-10 06:06:15

#Blakes7 Series B, Episode 12 - The Keeper
JENNA: If he's wise, he does.
VILA: And if he's not, he's dead.
BLAKE: All right, put us down Cally.
[They transfer to Goth, landing in a wooded gorge.]
bl…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, showing crew members gathered around what looks like a control console or computer interface. The setting has the characteristic futuristic interior design of the series, with metallic surfaces and technological equipment visible in the background. The characters appear to be examining or discussing something displayed on a screen or panel, which shows a grid of what might be dat…
@blakes7bot@mas.torpidity.net
2025-12-09 19:10:55

Series A, Episode 13 - Orac
JENNA: Modest, isn't he?
ORAC: Modesty would be dishonesty.
VILA: What's wrong with being dishonest?
ORAC: Is that a question?
VILA: Yes.
blake.torpidity.net/m/113/440 B7B5

Claude Sonnet 4 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978-1981. The setting shows what looks like a futuristic spacecraft interior with characteristic metallic walls and surfaces typical of the show's production design. The person in the image is wearing a distinctive red outfit with metallic trim and a decorative chain necklace, which fits the show's aesthetic. The lighting and image quality are consi…
@blakes7bot@mas.torpidity.net
2025-11-02 16:13:12

Series A, Episode 10 - Breakdown
AVON: ...concept.
BLAKE: Damn.
AVON: We're going to have to turn back. Jenna, stand by to reverse the course.
JENNA: Look, we've set out to save Gan and that's what we're going to do.
AVON: But you don't understand.
blake.torpidity.net/m/110/204

Claude 3.7 describes the image as: "The image shows two people in what appears to be a spacecraft interior, sitting on cream-colored seating. They're engaged in what seems to be a serious conversation. Both are wearing dark clothing with some decorative elements - one has curly hair while the other has straight darker hair. The futuristic setting is suggested by the control panel visible in the background with colored lights. The aesthetic has that distinctive late 70s/early 80s sci-fi televisi…
@blakes7bot@mas.torpidity.net
2025-10-09 18:22:19

B12 - The Keeper
AVON: True, but let us assume that the keeper of the secret is somewhere down there on the planet Goth, and that the keeper is a royal personage.
JENNA: Lurgen's brain print is on a thong around a chief's neck. That's what Docholli said.
blake.torpidity.net/m/212/5

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely in a control room or technical area. The setting has the characteristic futuristic design elements typical of 1970s science fiction television, with curved walls and control panels. Four characters are present in the scene, gathered around what appears to be some kind of technical equipment or container on a table. The lighting and overall aesthetic suggests this is from a dramatic moment in th…
@blakes7bot@mas.torpidity.net
2025-09-29 06:03:43

#Blakes7 Series B, Episode 03 - Weapon
JENNA: Maybe IMIPAK is another Orac. If we captured it perhaps we could breed from them.
BLAKE: What a disgusting idea.
JENNA: [Smiles] Well, despite Orac's lucky eavesdropping, we're not much wiser, are we?

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a spacecraft interior with distinctive futuristic design elements typical of classic science fiction television from the late 1970s/early 1980s. 

The scene features two individuals in conversation - a person with blonde feathered hair wearing a navy blue outfit with decorative gold accents on the shoulders, and another person with curly dark hair wearing a brown jacket over darker clothing.

The spacecraft s…
@blakes7bot@mas.torpidity.net
2025-11-08 07:04:57

#Blakes7 Series B, Episode 01 - Redemption
ALTA TWO: Take control. [Guards enter flight deck]
AVON: [To Jenna] I think we just lost our ship.
blake.torpidity.net/m/201/341 B7B1…

@blakes7bot@mas.torpidity.net
2025-11-28 13:21:59

Series A, Episode 11 - Bounty
JENNA: It could be an injured pilot.
AVON: It could be a trap.
GAN: It's not a very good one, then. We're suspicious of it already.
AVON: The test is not whether you are suspicious but whether you are caught.
blake.torpidity.net/m/111/65

Claude Sonnet 4.5 describes the image as: "This image captures a scene from the classic British science fiction television series "Blake's 7," which aired from 1978 to 1981. The setting appears to be aboard the Liberator spacecraft, characterized by its distinctive angular, modernist interior design with clean lines and geometric shapes visible in the background.

Sally Knyvette portrays Jenna Stannis, a smuggler and pilot who becomes part of the rebel crew. She wears a black outfit adorned wit…
@BBC3MusicBot@mastodonapp.uk
2025-11-21 21:25:12

🇺🇦 #NowPlaying on BBCRadio3's #FridayNightIsMusicNight
BBC Concert Orchestra, Edwin Outwater, Nikola Printz, Jordan Pitts, Ann Toomey, Jon Boydon, Jenna Lee-James, Rachael Wooding & Peter Eldridge:
🎵 Bohemain Rhapsody
#BBCConcertOrchestra #EdwinOutwater #NikolaPrintz

@blakes7bot@mas.torpidity.net
2025-12-07 10:07:53

Series A, Episode 08 - Duel
AVON: We know we can't outrun them. [Violent impact.]
BLAKE: I wasn't planning to try.
JENNA: Deactivating.
blake.torpidity.net/m/108/152 B7B2

@blakes7bot@mas.torpidity.net
2025-12-07 07:05:19

#Blakes7 Series B, Episode 10 - Voice from the Past
JENNA: This meeting at Atlay...?
GLYND: The annual meeting of all the governors of the Federation. The ideal moment.
AVON: But why should they give you a hearing?

Claude Haiku 4.5 describes the image as: "# Image Description

This image shows a woman with shoulder-length blonde hair styled in a 1970s fashion, featuring bangs and waves. She has a serious, contemplative expression on her face, with her gaze directed downward. She's wearing what appears to be professional attire with a dark colored top or jacket and a delicate chain necklace.

The setting appears to be an indoor environment with neutral-colored walls in the background, suggesting an institu…
@blakes7bot@mas.torpidity.net
2025-11-24 16:19:16

Series A, Episode 04 - Time Squad
JENNA: All right. [walks toward the passage off Liberator flight deck, then stops]
BLAKE: Problem?
JENNA: Putting out a false distress signal. It's a trick used by space pirates.
blake.torpidity.net/m/104/60 B7B4

Claude 3.7 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s. The image shows two characters in what looks like the interior of a spacecraft, with futuristic white and dark-colored set design typical of the show's aesthetic. One character is wearing earth-toned clothing and has curly dark hair, while the other character has blonde curly hair and is wearing a distinctive outfit with purple and light-colored elem…
@blakes7bot@mas.torpidity.net
2025-12-03 22:19:39

Series A, Episode 04 - Time Squad
JENNA: Gan, the aliens have linked their ship to our power source. I'm getting a very heavy power loss. I'll have to disconnect. You'll be all right, won't you?
GAN: [Nods] Yes.
blake.torpidity.net/m/104/454 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in a futuristic spacecraft interior. The scene depicts two characters in what looks like a command or recreational area of the vessel.

The setting features distinctive retro-futuristic design elements typical of 1970s sci-fi television, including geometric wall panels with hexagonal shapes and horizontal striping. The color palette consists of muted tones—gr…
@blakes7bot@mas.torpidity.net
2025-11-21 16:11:51

Series B, Episode 05 - Pressure Point
JENNA: There is a condition.
BLAKE: Yes?
JENNA: None of us is prepared to commit suicide. We don't intend to die making some heroic gesture.
CALLY: We need a chance of survival.
blake.torpidity.net/m/205/85 B7B4

@blakes7bot@mas.torpidity.net
2025-12-04 16:12:55

Series B, Episode 04 - Horizon
BLAKE: [V.O.] Make sure we stay that way.
GAN: I'll try not to drop off.
JENNA: Well, that's all right, assuming they haven't got a fix on us from the ground by now.
BLAKE: No, it'd be raining plasma bolts if they had.
blake.torpidity.net/m/204/140

Claude Haiku 4.5 describes the image as: "I can see this is a black and white photograph of a man in what appears to be a television or film setting. He's wearing a distinctive embroidered or patterned jacket over a dark shirt, suggesting this may be from a science fiction production given the stylized costume design. The lighting and image quality suggest this is from a mid-to-late 20th century production.

The man has dark, curly hair and appears to be in the middle of speaking or reacting to…
@blakes7bot@mas.torpidity.net
2025-11-20 13:32:22

Series B, Episode 12 - The Keeper
JENNA: Where?
TARA: The vapour does not tell me that.
JENNA: Lurgen left behind him a secret, what does the vapour say about that? The keeper of the secret may not even know that he, or she, is the keeper.
blake.torpidity.net/m/212/261 B7…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a period drama or horror film, set in what looks like a dimly lit, rustic interior. The atmosphere is moody and theatrical, with dramatic lighting creating shadows throughout the scene. Two figures are visible - one appears to be an older woman with long, grey hair wearing period costume with ornate details, seated and appearing to be in conversation or consultation. The other figure is partially visible in the foregroun…
@blakes7bot@mas.torpidity.net
2025-11-02 22:19:11

Series A, Episode 08 - Duel
JENNA: I'm sorry. I went to sleep.
BLAKE: No, it's all right, it was my fault. We should have both stayed awake.
[LIBERATOR - The tired crew are watching the screen. Avon gets up.]
VILA: Have you thought of another plan?
blake.torpidity.net/m/108/400

Claude 3.7 describes the image as: "This image appears to be a still from a vintage British science fiction television series from the late 1970s or early 1980s. The scene shows two people in what looks like a forest or wooded area. On the left is a person wearing a dark and olive-colored jacket, with curly dark hair. On the right is a person with blonde wavy hair wearing a pink and burgundy outfit with a light-colored collar. Both appear to have concerned or alarmed expressions on their faces …
@blakes7bot@mas.torpidity.net
2025-11-22 07:02:17

#Blakes7 Series A, Episode 08 - Duel
BLAKE: Thank you. She was, uh, she was very beautiful, wasn't she, Jenna?
JENNA: [Unenthusiastically] Yes. Very.
VILA: All we saw was the ugly one. How is it you get all the fun?

@blakes7bot@mas.torpidity.net
2025-10-04 15:09:33

Series B, Episode 11 - Gambit
JARRIERE: Then, ma'am, we are likely to get the corpse.
SERVALAN: Yes.
JARRIERE: After Krantor has learned the answer to that question.
SERVALAN: Exactly.
[Outside the bars, Blake, Cally and Jenna are walking.]
blake.torpidity.net/m/211/159

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series from the late 1970s/early 1980s. The shot shows a person with curly hair making an expressive face while appearing to peer through or hold onto what looks like part of a set piece or doorway. They're wearing dark clothing and the image has the distinctive visual quality of productions from that era, with typical studio lighting and set design visible in the background.

The scene seems …
@blakes7bot@mas.torpidity.net
2025-11-02 19:15:20

Series A, Episode 10 - Breakdown
JENNA: Right, everybody, we're going through the centre of the vortex.
AVON: Blake, in the unlikely event that we survive this -
BLAKE: Yes?
blake.torpidity.net/m/110/316 B7B5

@blakes7bot@mas.torpidity.net
2025-11-03 10:04:39

Series A, Episode 09 - Project Avalon
BLAKE: Does it support any intelligent life?
AVON: Does the Liberator? [Blake and Jenna exchange looks.] There are humanoid creatures called subterrons. They live in caves. Quite what that says for their intelligence, I really wouldn't know.
blake.torpidity.net/m/109/24

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the image quality and styling. The scene shows someone in what appears to be a futuristic or military-style costume with distinctive collar details. The setting looks like it could be aboard a spacecraft or in some kind of technical facility, with blurred background elements suggesting an industrial or high-tech environment. The…
@BBC3MusicBot@mastodonapp.uk
2025-11-21 21:04:13

🇺🇦 #NowPlaying on BBCRadio3's #FridayNightIsMusicNight
BBC Concert Orchestra, Edwin Outwater, Rachael Wooding, Peter Eldridge, Jon Boydon & Jenna Lee-James:
🎵 You're My Best Friend
#BBCConcertOrchestra #EdwinOutwater #RachaelWooding #PeterEldridge #JonBoydon

@blakes7bot@mas.torpidity.net
2025-10-18 12:18:49

Series B, Episode 10 - Voice from the Past
JENNA: [V.O.] Teleport, emergency. I repeat, teleport, emergency.
AVON: No teleport, Jenna. Not possible.
TRAVIS: Don't touch those coordinates. Activate it now.
[Atlay]
blake.torpidity.net/m/210/588 B7B3

@blakes7bot@mas.torpidity.net
2025-11-03 16:09:15

Series A, Episode 07 - Mission To Destiny
ZEN: Complete data is extensive.
BLAKE: Good. How long before we're in teleport range?
ZEN: That will depend on speed as yet unspecified.
BLAKE: [Smiling at Jenna] Standard by four?
blake.torpidity.net/m/107/13 B7B4

@blakes7bot@mas.torpidity.net
2025-10-29 22:14:32

Series A, Episode 09 - Project Avalon
ZEN: All systems confirm instrument readings. Orbit is established, status is firm.
JENNA: [To Cally] Very impressive. I think I might have taught you too well.
blake.torpidity.net/m/109/46 B7B6

@blakes7bot@mas.torpidity.net
2025-09-29 18:12:58

Series A, Episode 11 - Bounty
VILA: We don't want to do anything hasty.
AVON: [V.O.] Vila!
VILA: Yes, I'm standing by. [Avon and Jenna are in the teleport room.]
blake.torpidity.net/m/111/118 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in elaborate period-style costume with rich fabrics in burgundy and earth tones, featuring ornate fastenings and detailed sleeves. The setting appears to be a futuristic or spaceship-like environment with metallic surfaces and circular design elements visible in the background. The costume design suggests this might be from a formal or ceremonial scene, with the …
@BBC3MusicBot@mastodonapp.uk
2025-11-21 20:50:13

🇺🇦 #NowPlaying on BBCRadio3's #FridayNightIsMusicNight
BBC Concert Orchestra, Edwin Outwater, Rachael Wooding, Peter Eldridge, Jon Boydon & Jenna Lee-James:
🎵 Another One Bites The Dust
#BBCConcertOrchestra #EdwinOutwater #RachaelWooding #PeterEldridge #JonBoydon

@blakes7bot@mas.torpidity.net
2025-09-27 18:25:58

Series B, Episode 10 - Voice from the Past
JENNA: The power's changed.
CALLY: Meteorite storm.
AVON: I'll go and check. [Blake is seen as door closes]
AVON: Blake! Blake! [Blake is destroying the door opening mechanism]
blake.torpidity.net/m/210/223 B7B5

Claude 3.7 describes the image as: "The image shows a person with feathered blonde-brown hair in what appears to be a scene from a television production, likely from the late 1970s or early 1980s based on the styling and image quality. They are wearing what looks like a burgundy or reddish-brown jacket or top, and the shot is framed as a close-up showing their profile against a dark background.

The serious expression and dramatic lighting suggest this is from a science fiction or drama series.…
@blakes7bot@mas.torpidity.net
2025-09-27 12:21:04

Series A, Episode 12 - Deliverance
GAN: That's Jenna's.
AVON: Obviously somebody, or something, attacked her.
VILA: And obviously it won.
GAN: She might have made a run for it.
blake.torpidity.net/m/112/117 B7B3

Claude Sonnet 4.0 describes the image as: "I can see three people in winter/cold weather gear kneeling in what appears to be a snowy, rocky terrain. They're wearing heavy coats and appear to be in some kind of outdoor survival or mission scenario. The setting looks harsh and desolate, with white rocky formations or snow-covered ground visible in the background. The individuals appear to be taking shelter or regrouping in this challenging environment. The scene has the look of a science fiction …
@blakes7bot@mas.torpidity.net
2025-09-28 06:10:02

#Blakes7 Series A, Episode 09 - Project Avalon
GUARD: Down, it's Blake! [He shoves Blake and Vila into the other guard and takes off down the hall.]
BLAKE: Chevner! [A fight ensues.] Jenna!
COMPUTER: Detention block seven - condition red. [Alarm starts.]

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene in what looks like a spacecraft or space station corridor with white walls and futuristic design elements. 

The image shows several people in costume - some wearing colorful outfits in burgundy and green with distinctive headwear, while a figure on the right is dressed in dark clothing and appears to be holding what looks like a weapon. The individuals with their hands near th…
@blakes7bot@mas.torpidity.net
2025-09-25 15:11:55

Series A, Episode 02 - Space Fall
AVON: [To Jenna] Luck has nothing to do with it.
[Switch to prisoner's living area]
VILA: You look as if you could do with a drink.
DAINER: I'm always thirsty, Vila.
blake.torpidity.net/m/102/246 B7B4

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, with its characteristic sterile, futuristic interior visible in the background. The setting shows what appears to be a corridor or common area of the ship. Multiple crew members are present in the scene, wearing the typical earth-toned, practical clothing characteristic of the series. The lighting and production values are typical of late 1970s British science fiction television.…
@blakes7bot@mas.torpidity.net
2025-10-25 15:15:49

Series B, Episode 02 - Shadow
JENNA: Destroy rather than dump, surely.
BEK: I'll do it. [Rises]
AVON: It isn't necessary.
BLAKE: Will it work?
blake.torpidity.net/m/202/618 B7B4

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene set in what looks like a futuristic spacecraft interior. The setting features hexagonal wall panels and technical equipment in the background, creating a distinctive retro sci-fi aesthetic typical of productions from the late 1970s or early 1980s.

Two people are shown in conversation - one seated on the left wearing a white outfit with blonde hair, and another standing on the …
@blakes7bot@mas.torpidity.net
2025-11-25 22:19:12

Series B, Episode 12 - The Keeper
BLAKE: That sort of power would corrupt anyone.
CALLY: Which is why the location of Star One has been kept such a secret.
JENNA: Travis could change all that, and I doubt if he has your scruples.
blake.torpidity.net/m/212/11 B7B6

@blakes7bot@mas.torpidity.net
2025-10-28 07:17:30

#Blakes7 B01 - Redemption
AVON: I warned them to stay away from the teleport area. The people who built this ship will have the same teleport capability as we have. They'll use it to board us.
JENNA: That doesn't account for their disappearance.

@BBC3MusicBot@mastodonapp.uk
2025-11-21 20:57:12

🇺🇦 #NowPlaying on BBCRadio3's #FridayNightIsMusicNight
BBC Concert Orchestra, Edwin Outwater, Jon Boydon, Jenna Lee-James, Rachael Wooding & Peter Eldridge:
🎵 It's A Hard Life
#BBCConcertOrchestra #EdwinOutwater #JonBoydon #JennaLeeJames #RachaelWooding #PeterEldridge

@blakes7bot@mas.torpidity.net
2025-10-27 13:06:42

A10 - Breakdown
AVON: It's a space laboratory. A permanent research facility financed by a consortium of neutral planets. Two specialist fields: weaponry and space medicine. An interesting combination, don't you think?
JENNA: How do you know all this?
blake.torpidity.net/m/110/113

Claude 3.7 describes the image as: "This is a black and white image from a classic science fiction television series from the late 1970s/early 1980s. The image shows a person with short dark hair wearing what appears to be a distinctive costume with striped elements and a high collar, typical of the show's futuristic styling. 

The person has a slight smile and appears to be in what would be a spacecraft or base set from the series. The production values reflect the era of television in which i…
@blakes7bot@mas.torpidity.net
2025-11-25 07:06:39

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
AVON: Space Commander Travis.
BLAKE: Travis!
JENNA: Do you know him?
BLAKE: I thought he was dead. I was sure I'd killed him.
blake.torpidity.net/m/106/…

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a science fiction television production, likely from the 1970s based on the visual style and set design. The image shows four people in what appears to be a spacecraft interior, characterized by the futuristic but modest production design typical of that era.

The setting features sleek, minimalist backgrounds with geometric patterns and metallic tones. The actors are wearing stylized costumes consisten…
@blakes7bot@mas.torpidity.net
2025-10-26 07:04:44

#Blakes7 Series B, Episode 12 - The Keeper
VILA: Huh! Blake!
BLAKE: Shhh, quiet.
VILA: Am I glad to see you. What are you doing here?
BLAKE: Is Jenna all right?
VILA: Only pair-bonding with the chief.
BLAKE: Good.

Claude 3.7 describes the image as: "This image appears to be from a dark, dramatic scene, likely filmed in a low-light setting. The photo shows a person wearing what looks like a utilitarian or military-style jacket in a brownish color. They appear to be in some kind of dimly lit environment, possibly a corridor or confined space.

The dramatic lighting creates strong shadows and a tense atmosphere, which was characteristic of the sci-fi television production styles of the late 1970s/early 1980…
@blakes7bot@mas.torpidity.net
2025-10-22 18:13:16

Series B, Episode 08 - Hostage
JENNA: What?
CALLY: I don't believe it.
MOLOK: Show me the ship; I must learn about it.
CALLY: You're a crimo, aren't you?
blake.torpidity.net/m/208/582 B7B5

Claude 3.7 describes the image as: "The image appears to be from a vintage science fiction television series, captured in a distinctly retro production style typical of British sci-fi from the late 1970s or early 1980s. 

Two individuals are shown in what looks like a futuristic spaceship or base interior, characterized by hexagonal wall panels and minimalist design elements. The person on the left wears a simple beige outfit, while the one on the right is dressed in a more elaborate patterned …
@blakes7bot@mas.torpidity.net
2025-11-23 18:44:37

Series B, Episode 02 - Shadow
BEK: So it was an alien life form that killed her?
CALLY: Yes. It was trying to use Orac as a bridge to cross from it's own universe into ours.
JENNA: That's why it needed so much power.
blake.torpidity.net/m/202/598 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this is a still image from what appears to be a film or television production. The image shows a man with curly brown hair wearing what looks like a beige or tan colored sweater or cardigan. The setting appears to be indoors with dim lighting in the background. The image quality and styling suggests this is from an older production, possibly from several decades ago. The person appears to be in character for whatever role they're playing in t…
@blakes7bot@mas.torpidity.net
2025-11-23 11:05:49

Series A, Episode 03 - Cygnus Alpha
AVON: And on living matter it never worked. Put a living creature into one end, take a dead creature out of the other, or nothing at all.
JENNA: So you think that is what all this is for? Matter transmission?
blake.torpidity.net/m/103/142 B7B…

Claude Sonnet 4.0 describes the image as: "This image shows a scene from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s based on the visual quality and aesthetic. The setting features a stark, industrial backdrop with horizontal metal or plastic paneling creating a futuristic corridor or spaceship interior.

Paul Darrow appears in character wearing a distinctive grey-black tunic with a high collar characteristic of utilitarian sci-f…
@blakes7bot@mas.torpidity.net
2025-09-23 18:28:18

Series B, Episode 08 - Hostage
MUTOID: Understood.
[Exbar. Staying low, Blake climbs up a slope. He grabs a tree to aid his climb, and snaps off a small twig in the process.]
[Liberator, teleport area]
JENNA: Now Vila, have you got everything?
blake.torpidity.net/m/208/396

Claude Sonnet 4.0 describes the image as: "This image shows a scene with two characters in what appears to be an interior setting. The woman in the foreground has distinctive short platinum blonde hair and pale makeup, wearing what looks like a metallic or silver high-necked garment with ornate detailing. Her expression appears serious or contemplative. Behind her, slightly out of focus, is another woman with dark hair wearing what appears to be a white or light-colored outfit. The lighting and…
@blakes7bot@mas.torpidity.net
2025-10-24 06:13:08

#Blakes7 Series B, Episode 03 - Weapon
VILA: I think my brain must be furring up.
GAN: IMIPAK might be something they can use against us, Vila.
VILA: Only if it can run faster than we can.
BLAKE: Jenna, set a course for that planet.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in period-style costume consisting of a white shirt with a dark vest or jerkin that has decorative trim or braiding. The costume design suggests this might be from a futuristic or alternate historical setting. The person is wearing what appears to be some kind of headband or small hat. The background shows what looks like a set with columns and warm lighting typi…
@blakes7bot@mas.torpidity.net
2025-10-23 06:18:31

#Blakes7 Series B, Episode 09 - Countdown
BLAKE: What's the countdown?
CAUDER: Fifty-three.
BLAKE: [Into bracelet] Liberator, this is Blake. Do you read me?
JENNA: [V.O., over bracelet] We hear you.
BLAKE: Any news from Avon?

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. The scene shows four people gathered around what looks like a clear control panel or device with colored buttons and components. They're in what appears to be a spacecraft or futuristic setting, indicated by the technical equipment and the overhead lighting fixtures.

The individuals are dressed in typical science fiction attire of that era - practical jumpsu…
@blakes7bot@mas.torpidity.net
2025-10-21 06:08:34

#Blakes7 B12 - The Keeper
JENNA: I've told you, we mean him no harm.
GOLA: You come from a spaceship. My guards capture you, or else by now you would have killed us. [holding up teleport bracelets] What are these? You - fool! What are these?

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a tribal or primitive interior space with decorative wall hangings and circular shields. Several people are visible in what looks like a costume drama from the late 1970s or early 1980s, based on the production style and costume design.

In the foreground, a person in leather-like attire sits on a cushioned seat, while others stand in the background. One figure wears a furry costume with an ornate vest, sugge…
@blakes7bot@mas.torpidity.net
2025-11-20 07:05:23

#Blakes7 Series B, Episode 04 - Horizon
AVON: We're also a long way out and still running. Why?
JENNA: We lost those patrol ships ages ago.
VILA: We lost everything ages ago. Nothing comes this far out.
BLAKE: So we're free for the time being anyway.

@blakes7bot@mas.torpidity.net
2025-11-18 10:18:07

Series A, Episode 04 - Time Squad
BLAKE: How long has it been registering?
JENNA: Couple of minutes. Signal's getting stronger.
BLAKE: Zen, visual detector scan and computer analysis on grid one one five, please.
blake.torpidity.net/m/104/48 B7B2

Claude Sonnet 4.0 describes the image as: "This image captures a scene from the British science fiction television series "Battlestar Galactica" or similar space-themed production from the late 1970s or early 1980s. The setting appears to be a futuristic spacecraft interior, characterized by angular architectural elements, including a distinctive hexagonal light panel in the background and metallic structural beams.

In the foreground, an actor sits on a curved, cream-colored modernist sofa, le…
@blakes7bot@mas.torpidity.net
2025-10-19 18:30:55

Series A, Episode 04 - Time Squad
BLAKE: Has anyone been down to see our guests lately?
JENNA: Vila went down a little while ago.
BLAKE: And?
VILA: Thawing nicely. Couple of hours, we should be able to talk to them.
blake.torpidity.net/m/104/250 B7B3

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series, appearing to be from the late 1970s or early 1980s based on the production style and aesthetic. The setting appears to be the interior of a spacecraft or control room with distinctive angular panels and technical elements visible.

Three people are shown in the frame - one person in a brown jacket positioned to the left, looking slightly upward, while two others stand at what appears to be a co…
@blakes7bot@mas.torpidity.net
2025-09-21 12:16:47

Series A, Episode 10 - Breakdown
AVON: Right. Bring it directly over the skull. No, that won't do. You'll have to use the radio sensor. Good, that's much better. Yes, there it is. There's the limiter implant, you can see it quite clearly. Give me the side view. Good. Yes, it's in the sub four section all right. Now let's take a look at the limiter itself. Close focus, slowly.
JENNA: Well, there's nothing wrong with the connectors.

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard the Liberator spacecraft, showing four crew members gathered around what looks like a control console or computer terminal. The setting has the characteristic white and metallic interior design of the ship's flight deck or computer room. The group appears to be engaged in examining something on the screen or discussing mission-critical information, which was typical of scenes where the crew would analyze data, plan…
@blakes7bot@mas.torpidity.net
2025-10-19 06:09:36

#Blakes7 Series A, Episode 01 - The Way Back
JENNA: About twenty-four hours. If you're expecting a last-minute reprieve you'd better forget it. Once they get you this far there's no going back. You'd better get used to the idea. Nobody out there gives a damn about you.
[Scene: VARON's apartment. He walks towards the bed where MAJA is sleeping and stops. She awak…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a dramatic scene. One person has curly blonde hair and is wearing what appears to be a sparkly or sequined dark outfit, while the other has dark curly hair and is wearing what looks like a green or olive-colored garment. The setting appears to be indoors with muted lighting, suggesting this might be taking place on a spacecraft or futuristic int…