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@blakes7bot@mas.torpidity.net
2025-06-10 15:19:30

Series A, Episode 09 - Project Avalon
AVALON: Who betrayed us?
TRAVIS: [To mutoids] Take her.
MUTOID: [Indicating homing beacon] Shall I smash it?
TRAVIS: No. Give Blake his homing beacon - make it easier for him. Finish it.
blake.torpidity.net/m/109/37 B7…

Claude 3.7 describes the image as: "The image shows a dark, atmospheric scene featuring a figure in what appears to be a black leather outfit with some kind of eye patch or facial covering. They are partially illuminated against a very dark background, creating a dramatic, shadowy effect. The costume includes what looks like fur trim visible in the lower right portion of the frame. This appears to be from a science fiction production, with the styling and costume design suggesting a dystopian …

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@arXiv_statME_bot@mastoxiv.page
2025-09-10 10:14:01

Sequential Test for Practical Significance: Truncated Mixture Sequential Probability Ratio Test
Kyu Min Shim
arxiv.org/abs/2509.07892 arxiv…

Sequential Test for Practical Significance: Truncated Mixture Sequential Probability Ratio Test
We present a sequential testing method to identify a practically significant effect. We build on the existing mixture sequential probability ratio test (mSPRT) that can sequentially test for a non-zero treatment effect by using a truncated mixing distribution to differentiate between effects that are large enough to merit a real world action versus that are non-zero but too small to merit a real world action. We verify the Type-I error control of our method theoretically and empirically. We als…

@Mediagazer@mstdn.social
2025-09-08 19:20:45

The BBC announces an all-female presenting team for MasterChef, after previous judges Gregg Wallace and John Torode were fired over Banijay's misconduct report (Michael Savage/The Guardian)
theguardian.com/tv-and-radio/2…

BBC announces all-female MasterChef presenting team after sacking of Wallace and Torode
Grace Dent will host alongside chef Anna Haugh, who stood in for Gregg Wallace in final episodes of current season

@blakes7bot@mas.torpidity.net
2025-09-08 21:14:55

Series D, Episode 03 - Traitor
TARRANT: [OOV] Tarrant to Scorpio. We're ready for teleport.
VILA: About time.
AVON: Stand by for teleport. Slave where are those cruisers now?
SLAVE: Sector Twelve, Master. You outmanoeuvred them with consumate skill.
blake.torpidity.net/m/403/490

Claude 3.7 describes the image as: "The image shows a person in a distinctive costume from what appears to be a science fiction television production from the late 1970s or early 1980s. The individual is wearing a striking black leather outfit with metallic embellishments, studded details, and contrasting white panels. They have dark hair and are shown in what looks like a futuristic interior setting with light-colored walls and some technological elements visible in the background. The costum…
@blakes7bot@mas.torpidity.net
2025-06-10 12:16:55

Series C, Episode 07 - Children of Auron
AVON: I wonder why.
FRANTON: [Through door] Because of these. They're implanted with her cells.
TARRANT: Servalan's?
AVON: Her surrogate womb.
TARRANT: Birth by proxy.
blake.torpidity.net/m/307/526 B7…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-10 18:21:41

Series B, Episode 03 - Weapon
CLONE 2: Is there anything for us here?
RASHEL: Yes. We're free.
CLONE 2: Can we survive - alone?
blake.torpidity.net/m/203/532 B7B5

Claude Sonnet 4.0 describes the image as: "This appears to be a tense scene set in what looks like a spacecraft or space station corridor. The setting has the characteristic sterile, industrial aesthetic typical of science fiction productions from this era, with gray walls and functional lighting. In the scene, there are three figures - one person wearing a distinctive olive-green uniform with a belt and equipment, suggesting they may be a guard or security officer. They appear to be confronti…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-10 09:14:56

Series A, Episode 05 - The Web
GEELA: [Touches Avon's hand with her weapon. She releases his hand.] Minimum power. A full charge would cut you in half.
NOVARA: Understand. Your lives are totally unimportant to us.
BLAKE: All right.
blake.torpidity.net/m/105/484…

Claude 3.7 describes the image as: "The image shows a close-up of a person with dark, short hair wearing what appears to be a gray or silver jacket with a high collar. They have an intense or concerned expression on their face. The lighting gives the scene a somewhat dark, muted tone with greenish hues in the background. This appears to be from a science fiction television production from the late 1970s or early 1980s, based on the visual style and filming quality. The setting seems to be some…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-09 06:12:38

#Blakes7 Series D, Episode 04 - Stardrive
PLAXTON: What's the matter with your main drive?
TARRANT: It's a museum piece.
PLAXTON: Standard fiber optic control connections?
AVON: Very standard.
blake.t…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set on the flight deck or bridge of the Liberator spacecraft. The futuristic set features the characteristic curved control console with its distinctive ribbed design and multiple monitor screens. Several crew members are positioned around the bridge - some seated at the control stations while others stand nearby. The setting has the typical gray and metallic color scheme of the ship's interior, with the multi-level bridge de…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-10 06:12:50

#Blakes7 Series A, Episode 04 - Time Squad
AVON: Good. Moving to line up. Right lateral, minimum power.
VILA: Too much. You're overshooting.
AVON: Left lateral. That's enough. Hold.
VILA: Square on.

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator, given the futuristic interior with curved walls and control panels visible in the background. The setting has the characteristic sleek, technological aesthetic of the series with muted lighting creating a serious atmosphere. Two crew members are shown in what appears to be a tense or contemplative moment. One character is wearing the distinctive brown and beige Federation uniform …

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-09-09 18:30:00

Series A, Episode 05 - The Web
JENNA: Look.
[Main viewscreen shows the web dissolving.]
GAN: He did it. We're free.
JENNA: Not yet.
blake.torpidity.net/m/105/503 B7B5

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series, appearing to be from the late 1970s or early 1980s based on the production style. Three people are standing together in what looks like a futuristic spacecraft or control room, with dramatic lighting and technical elements visible in the background. The trio is dressed in distinctive retro sci-fi costumes - the person on the left wears a patterned vest-like garment with earthy tones, the middl…