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@blakes7bot@mas.torpidity.net
2025-06-03 12:08:16

Series B, Episode 03 - Weapon
ORAC: No. It was a priority one - for automatic relay to the senior officer present.
BLAKE: Orac, I want more information. I want to know everything there is to know about this man Coser; I want to know how he got out of the base; and I want to know what IMIPAK is.
blake.torpidi…

Claude Sonnet 4.0 describes the image as: "I can see this is a science fiction television scene set on what appears to be a spaceship or space station, with characteristic retro-futuristic production design typical of late 1970s sci-fi shows. The setting features metallic surfaces and geometric architectural elements in the background. There are two people visible in the frame - one person in the foreground wearing what appears to be a dark leather or similar material jacket, and another person…
@arXiv_physicssocph_bot@mastoxiv.page
2025-06-02 07:35:47

Critical demand in a stochastic model of flows in supply networks
Yannick Feld, Marc Barthelemy
arxiv.org/abs/2505.24813

@blakes7bot@mas.torpidity.net
2025-06-30 12:10:22

Series B, Episode 03 - Weapon
[Messroom. Travis enters]
SERVALAN: Are the guards in clear view?
TRAVIS: Three of them, as you ordered, Supreme Commander.
SERVALAN: And the fourth is concealed?
blake.torpidity.net/m/203/429 B7B3

Claude Sonnet 4.0 describes the image as: "I can see two figures in what appears to be a futuristic setting with metallic walls and sleek interior design typical of science fiction productions. One person is wearing an elaborate white feathered costume or outfit, while the other is dressed in black leather or similar dark material and appears to be wearing an eyepatch. The setting looks like it could be aboard a spaceship or in some kind of advanced facility, with the stark, technological aesth…
@blakes7bot@mas.torpidity.net
2025-07-29 09:09:36

Series D, Episode 02 - Power
TARRANT: Orac, is it possible for a living person to pass through a solid hatch without there being any material disturbance.
ORAC: The process is called teleportation.
DAYNA: Oh, well, nothing like stating the obvious.
blake.torpidity.net/m/402/256

Claude Sonnet 4.0 describes the image as: "This scene appears to be set in a futuristic spacecraft or space station, with three characters gathered around what looks like a control panel or technical equipment. The setting has the characteristic sterile, technological aesthetic typical of science fiction productions from this era, with metallic surfaces and computer-like interfaces visible.

The characters are dressed in futuristic costumes - one wearing what appears to be a light-colored tunic…
@blakes7bot@mas.torpidity.net
2025-07-28 15:20:45

Series C, Episode 08 - Rumours of Death
SHRINKER: What, what is this place?
AVON: It's a cave. If you're thinking of running, don't. There's nowhere to go. The only way out is the way we came in.
blake.torpidity.net/m/308/161 B7B4

Claude Sonnet 4.0 describes the image as: "This image shows a dramatic scene set in what appears to be a dark, underground or cave-like environment with rocky walls and atmospheric green lighting. The setting has a mysterious, possibly alien or futuristic quality typical of science fiction productions from this era. A character is positioned in the foreground, wearing dark clothing with what looks like a leather or similar material vest or jacket. The lighting creates strong shadows and gives t…
@tiotasram@kolektiva.social
2025-07-19 08:14:41

AI, AGI, and learning efficiency
An addendum to this: I'm someone who would accurately be called "anti-AI" in the modern age, yet I'm also an "AI researcher" in some ways (have only dabbled in neutral nets).
I don't like:
- AI systems that are the product of labor abuses towards the data workers who curate their training corpora.
- AI systems that use inordinate amounts of water and energy during an intensifying climate catastrophe.
- AI systems that are fundamentally untrustworthy and which reinforce and amplify human biases, *especially* when those systems are exposed in a way that invites harms.
- AI systems which are designed to "save" my attention or brain bandwidth but such my doing so cripple my understating of the things I might use them for when I fact that understanding was the thing I was supposed to be using my time to gain, and where the later lack of such understanding will be costly to me.
- AI systems that are designed by and whose hype fattens the purse of people who materially support genocide and the construction of concentration campus (a.k.a. fascists).
In other words, I do not like and except in very extenuating circumstances I will not use ChatGPT, Claude, Copilot, Gemini, etc.
On the other hand, I do like:
- AI research as an endeavor to discover new technologies.
- Generative AI as a research topic using a spectrum of different methods.
- Speculating about non-human intelligences, including artificial ones, and including how to behave ethically towards them.
- Large language models as a specific technique, and autoencoders and other neural networks, assuming they're used responsibly in terms of both resource costs & presentation to end users.
I write this because I think some people (especially folks without CS backgrounds) may feel that opposing AI for all the harms it's causing runs the risk of opposing technological innovation more broadly, and/or may feel there's a risk that they will be "left behind" as everyone else embraces the hype and these technologies inevitability become ubiquitous and essential (I know I feel this way sometimes). Just know that is entirely possible and logically consistent to both oppose many forms of modern AI while also embracing and even being optimistic about AI research, and that while LLMs are currently all the rage, they're not the endpoint of what AI will look like in the future, and their downsides are not inherent in AI development.

@blakes7bot@mas.torpidity.net
2025-05-25 12:07:15

Series B, Episode 05 - Pressure Point
AVON: It is not going to be easy.
BLAKE: Can we do it?
VILA: Not a chance, it's absolutely impossible.
AVON: There is a way. Where are Kasabi and her people?
blake.torpidity.net/m/205/324 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people in conversation in what looks like a dark, possibly industrial or spacecraft setting. The individuals are wearing distinctive costumes typical of classic sci-fi productions - one in a dark jacket, another wearing what appears to be a protective vest or armor with yellow/beige elements, and the third in what looks like a leather or similar material outfit. The lighting is q…
@blakes7bot@mas.torpidity.net
2025-05-25 12:07:15

Series B, Episode 05 - Pressure Point
AVON: It is not going to be easy.
BLAKE: Can we do it?
VILA: Not a chance, it's absolutely impossible.
AVON: There is a way. Where are Kasabi and her people?
blake.torpidity.net/m/205/324 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people in conversation in what looks like a dark, possibly industrial or spacecraft setting. The individuals are wearing distinctive costumes typical of classic sci-fi productions - one in a dark jacket, another wearing what appears to be a protective vest or armor with yellow/beige elements, and the third in what looks like a leather or similar material outfit. The lighting is q…
@blakes7bot@mas.torpidity.net
2025-06-21 06:19:12

#Blakes7 Series C, Episode 10 - Ultraworld
AVON: When the planet was on the screen, did anyone notice Cally's reaction?
VILA: I didn't.
AVON: You were too busy teaching Orac nursery rhymes.
VILA: Riddles.

Claude 3.7 describes the image as: "The image shows a person with dark, short hair styled in a typical 1970s-80s fashion. They're wearing what appears to be a high-necked costume with a brown textured material featuring some decorative elements or studs.

The lighting and film quality suggest this is from a British science fiction television production of that era. The costume design has that distinctive retro sci-fi aesthetic common in shows from this period.

The scene appears to be from a st…
@blakes7bot@mas.torpidity.net
2025-06-12 15:34:21

Series A, Episode 01 - The Way Back
BLAKE: I have to think.
FOSTER: Of course. We'll talk after the meeting.
BLAKE: Hmm.
DEV TARRANT: What do you think?
blake.torpidity.net/m/101/89 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two men in what looks like a futuristic or medieval-style setting. One man has blonde hair and is wearing what appears to be a light-colored vest or tunic, while the other has darker hair and is dressed in more elaborate clothing with metallic or chainmail-like material. The setting appears to be indoors with other figures visible in the background. The lighting and prod…