Tootfinder

Opt-in global Mastodon full text search. Join the index!

No exact results. Similar results found.
@BBC3MusicBot@mastodonapp.uk
2025-10-17 23:13:36

🇺🇦 #NowPlaying on BBCRadio3's #RoundMidnight
Arnaud Dolmen:
🎵 Tonbé Lévé
#ArnaudDolmen
open.spotify.com/track/5O6oyRa

@samir@functional.computer
2025-08-15 20:35:05

Right now it does do a limited form of isolation by putting everything in a temp directory, but of course this just makes sure you declare your header files. It doesn’t do anything to stop you referencing stuff by absolute path, or using the wrong compiler version, or depending on the system time, or hitting the network, or…

@leftsidestory@mstdn.social
2025-09-10 00:30:00

On The Road - To Xi’An/Urban Tomb 🪦
在路上 - 去西安/城市坟茔 🪦
📷 Pentax MX
🎞️Lucky SHD 400
#filmphotography #Photography #blackandwhite

Lucky Lucky SHD 400 (FF)

English Alt Text:
A black-and-white photo of a quiet park. A gravel path runs through the center, bordered by grass and trees. On the left, a person is slightly bent forward, possibly walking or interacting with something on the ground. The trees have white markings on their trunks. The right side is more open, with fewer trees and a bush in the foreground. The lighting is dim, suggesting early morning or evening. The scene feels peaceful yet mysterious, with the lone …
Lucky Lucky SHD 400 (FF)

English Alt Text:
A black-and-white photo of a wooden boardwalk stretching straight into the distance. Tall trees with white-painted trunks line both sides. The path is surrounded by grass and small plants. The symmetry and perspective create a calming, meditative mood. The setting appears natural and serene.

中文替代文本:
这是一张黑白照片,画面是一条笔直延伸的木质栈道。两侧是高大的树木,树干底部涂有白漆。栈道周围是草地和低矮植物。画面具有强烈的对称感和透视效果,营造出宁静、冥想的氛围。整体环境自然、安详。
Lucky Lucky SHD 400 (FF)

English Alt Text:
A black-and-white photo of a gentle hill with a row of trees along the top. A paved path leads up from the foreground, flanked by low rope barriers. On the far right of the hill stands a tall pole or monument with a figure or object atop. The sky is overcast, adding a somber tone. The composition is minimalist, emphasizing depth and contrast.

中文替代文本:
这是一张黑白照片,画面是一座缓坡,坡顶排列着一排树木。前景中有一条铺设的小路通向山丘,两侧是低矮的绳索围栏。山丘右侧矗立着一根高杆或纪念碑,顶端有一个物体或雕像。天空阴沉,营造出肃穆氛围。画面构图简洁,…
Lucky Lucky SHD 400 (FF)

English Alt Text:
A grainy black-and-white photo of a large open space. A paved path leads to a rectangular platform in the middle. Two trees stand on the right. In the distance, a city skyline with high-rise buildings looms under a cloudy sky. The image has a moody, dramatic feel due to low light and texture. It evokes solitude and contemplation.

中文替代文本:
这是一张颗粒感强烈的黑白照片,展示一个宽阔的空地。铺设的小路通向中间的一个矩形平台。右侧有两棵树。远处是高楼林立的城市天际线,天空阴云密布。由于光线昏暗和画面质感,整体氛围显得沉郁而富有戏剧性,令人感受到孤独与沉思。
@arXiv_csCL_bot@mastoxiv.page
2025-10-15 10:36:31

Fine-grained Analysis of Brain-LLM Alignment through Input Attribution
Michela Proietti, Roberto Capobianco, Mariya Toneva
arxiv.org/abs/2510.12355

@ruth_mottram@fediscience.org
2025-09-07 08:56:49

Now having a debate about whether. Kim Larsen's version of Kringsat av Fjender counts as "positive" and indeed "European"...
what do you think? On Qobuz:
#DancingWithTheEuropeans 🇬🇧 that @qobuz brought to my attention today -> surely there are some slightly more uplifting variants? We have a continent wide music contest every year after all!
Husband suggest Joost's Europapa 🇳🇱or perhaps TransEurope Express 🇩🇪 and kids came up with From Paris to Berlin by Infernal  🇩🇰, but pretty sure there are other options.
Will make a playlist for a party with this as theme so #Fedibrain - what would you add?

@mgorny@social.treehouse.systems
2025-10-02 19:43:19

"""
[…] Paradoxically, the more a population grew, the more precious it became, as it offered a supply of cheap labour, and by lowering costs allowed a greater expansion of production and trade. In this infinitely open labour market, the ‘fundamental price’, which for Turgot meant a subsistence level for workers, and the price determined by supply and demand ended up as the same thing. A country was all the more commercially competitive for having at its disposal the virtual wealth that a large population represented.
Confinement was therefore a clumsy error, and an economic one at that: there was no sense in trying to suppress poverty by taking it out of the economic circuit and providing for a poor population by charitable means. To do that was merely to hide poverty, and suppress an important section of the population, which was always a given wealth. Rather than helping the poor escape their provisionally indigent situation, charity condemned them to it, and dangerously so, by putting a brake on the labour market in a period of crisis. What was required was to palliate the high cost of products with cheaper labour, and to make up for their scarcity by a new industrial and agricultural effort. The only reasonable remedy was to reinsert the population in the circuit of production, being sure to place labour in areas where manpower was most scarce. The use of paupers, vagabonds, exiles and émigrés of any description was one of the secrets of wealth in the competition between nations. […]
Confinement was to be criticised because of the effects it had on the labour market, but also because like all other traditional forms of charity, it constituted a dangerous form of finance. As had been the case in the Middle Ages, the classical era had constantly attempted to look after the needs of the poor by a system of foundations. This implied that a section of the land capital and revenues were out of circulation. In a definitive manner too, as the concern was to avoid the commercialisation of assistance to the poor, so judicial measures had been taken to ensure that this wealth never went back into circulation. But as time passed, their usefulness diminished: the economic situation changed, and so did the nature of poverty.
«Society does not always have the same needs. The nature and distribution of property, the divisions between the different orders of the people, opinions, customs, the occupations of the majority of the population, the climate itself, diseases and all the other accidents of human life are in constant change. New needs come into being, and old ones disappear.» [Turgot, Encyclopédie]
The definitive character of a foundation was in contradiction with the variable and changing nature of the accidental needs to which it was designed to respond. The wealth that it immobilised was never put back into circulation, but more wealth was to be created as new needs appeared. The result was that the proportion of funds and revenues removed from circulation constantly increased, while that of production fell in consequence. The only possible result was increased poverty, and a need for more foundations. The process could continue indefinitely, and the fear was that one day ‘the ever increasing number of foundations might absorb all private funds and all private property’. When closely examined, classical forms of assistance were a cause of poverty, bringing a progressive immobilisation that was like the slow death of productive wealth:
«If all the men who have ever lived had been given a tomb, sooner or later some of those sterile monuments would have been dug up in order to find land to cultivate, and it would have become necessary to stir the ashes of the dead in order to feed the living.» [Turgot, Lettre Š Trudaine sur le Limousin]
"""
(Michel Foucault, History of Madness)

@NFL@darktundra.xyz
2025-09-12 10:31:44

The Packers may be an early Super Bowl contender, plus more Pulse bets nytimes.com/athletic/6620642/2

@arXiv_csNE_bot@mastoxiv.page
2025-08-15 07:35:02

Empirical Investigation into Configuring Echo State Networks for Representative Benchmark Problem Domains
Brooke R. Weborg, Gursel Serpen
arxiv.org/abs/2508.10887

@peterhoneyman@a2mi.social
2025-09-05 03:41:52

Late February in my (first) freshman year and I am literally flunking out of the University of Michigan’s Residential College because I hated it so I set up a cot in some high school friends' dorm room across campus and didn’t attend any classes so why not hitchhike to Boulder and back over the week-long winter break. Here we are with our thumbs out, beginning our trip on State St. in front of the Michigan Union.
People, Nebraska is fucking cold in February.

This is a black and white photograph from the 1970s showing three young people on a college campus. Two people on the left are hitchhiking, with one holding a sign that reads "PIKES PEAK OR BUST!" - a reference to the famous mountain in Colorado. The person [it me] holding the sign has their thumb out in the classic hitchhiking gesture. A third person stands to the right, and all three are dressed in typical 1970s casual wear including jackets and jeans.

In the background, you can see campus-s…
@NFL@darktundra.xyz
2025-09-12 15:41:36

Inside the Lines Bucs vs Texans picks: Back Baker Mayfield and Tampa Bay on Monday Night Football

cbssports.com/betting/news/ins