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@detondev@social.linux.pizza
2025-09-14 18:52:20

Maybe dressing as a futuristic space explorer while still on earth would fix me

plasticky sci fi anime ass heels
@blakes7bot@mas.torpidity.net
2025-09-13 09:21:13

Series D, Episode 08 - Games
VILA: [V.O.] Belkov's living quarters.
TARRANT: We'll be right there.
blake.torpidity.net/m/408/409 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring three characters in what appears to be a futuristic or sci-fi setting with dark atmospheric lighting. The characters are wearing distinctive costumes - one person is dressed in form-fitting attire with metallic armor-like details and decorative elements, another is wearing a gray tunic-style outfit, and the third is in dark clothing with yellow/orange trim or sash details. The lighting and staging suggests this is fr…
@heiseonline@social.heise.de
2025-07-09 10:23:00

Smarte Kontaktlinse: Start-up Xpanceo erhält 250 Millionen US-Dollar
Xpanceo will die Sci-Fi-Vision smarter Kontaktlinsen Wirklichkeit werden lassen. Doch der Weg dorthin ist steinig und Skepsis angebracht.

@gray17@mastodon.social
2025-08-08 08:18:56

probing gpt5 (free)
- image of a toaster lying on its side - complete fail
- image of a cereal box fully obscuring a toaster - partial success (no toaster, but no toaster shadow)
- list sci-fi novels with furries - 2/10, the rest hallucinated, or not sci-fi, or not novels, or not furry
- refine to sci-fi only, novels only - 3/10, the rest hallucinated
- remove hallucinations from list - "✅ Verified Sci-Fi Novels with Furry Characters or Species" list is 4/6…

@blakes7bot@mas.torpidity.net
2025-07-13 21:18:51

Series B, Episode 05 - Pressure Point
JENNA: You're suggesting that we go into the Forbidden Zone and attack Control?
BLAKE: Yes, that is what I am suggesting.
CALLY: Do we know where this computer complex is?
JENNA: Most Earth people have heard of it.
blake.torpidity.net/m/205/49

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two women in what looks like a futuristic setting with a distinctive sci-fi interior backdrop. One woman has shorter dark hair and is wearing a blue outfit, while the other has blonde hair styled in a 1970s fashion and is wearing a dark outfit with decorative elements. The setting appears to be inside a spacecraft or futuristic facility, with characteristic retro-futuristic …
@mlawton@mstdn.social
2025-09-09 23:39:03

Finished "Automatic Noodle" by Annalee Newitz, a novella comfortably ensconced in the "cozy sci-fi" category. Becky Chambers fan? This one is probably a pretty safe bet!
A group of food service robots facing an uncertain future in the aftermath of a war decides to give it a go in their own restaurant. Only they aren't technically able to own one and they face some adversity that requires them to pull together.
3.5/5 stars, rounded up ⭐ ⭐ ⭐ ⭐

@macandi@social.heise.de
2025-07-30 11:00:00

Pluribus: Apple-Serie von "Breaking Bad"-Macher mit Sci-Fi-Setting
Nach "Silo" und bald "Neuromancer" kommt demnächst "Pluribus". In der Thrillerreihe von Vince Gilligan geht es um nicht weniger als die Zukunft des Planeten.

@blakes7bot@mas.torpidity.net
2025-08-13 09:19:30

Series A, Episode 10 - Breakdown
KAYN: That's where the fault was, in the limiter, there. And there it is repaired. If you survive, so should he.
BLAKE: Is there any way we can thank you?
KAYN: You could try getting caught.
blake.torpidity.net/m/110/552 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing three people in what looks like a futuristic spacecraft or station interior. The setting has characteristic sci-fi design elements including curved walls with horizontal ribbing and control panels with various displays and controls. One person is wearing what appears to be a light-colored uniform or outfit, while the others are in darker clothing. They appear to be engaged i…
@thomasfuchs@hachyderm.io
2025-07-09 13:27:54

No, computers won’t replace humans to write code for themselves.
Please stop with this nonsense.
What we will see though is tremendous losses in productivity as deskilled programmers will get less and less education and practice—and take longer and longer to make broken AI-generated code work. Meanwhile, AI models will regress from eating their own generated shit when being trained on.
Eventually AI companies will finally run out of investors to scam—and when they disappear or get so expensive they become unaffordable, “prompt engineers” will be asked to not use AI anymore.
What’s gonna happen then?
We’re losing a whole generation of programmers to this while thought leaders in our field are talking about “inevitability” and are jerking off to sci-fi-nostalgia-fueled fantasies of AGI.

@jorgecandeias@mastodon.social
2025-07-10 15:37:16

Here's a great one (and I had never seen his photo before... not the thing that interests me the most; just a curiosity)
c.im/@newghoststories/11482964

@blakes7bot@mas.torpidity.net
2025-07-14 18:32:54

Series C, Episode 03 - Volcano
[Mori and a trooper enter flight deck, holding guns on Avon.]
MORI: Wrong. If they did that they would destroy the ship, and we don't want that, do we Avon. That battle command is coming in to corner you and if you don't let him I'm gonna kill you.
blake.torpidity.net/m/303/427…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene set inside what looks like a spacecraft or futuristic control room. The image has the distinct visual style of older British sci-fi productions, with a somewhat minimalist set design featuring hexagonal lighting panels and metallic elements.

In the scene, several people are visible in what appears to be a tense moment. There's someone in dark clothing on the right side, while …
@Techmeme@techhub.social
2025-09-07 14:01:07

PitchBook: VCs have invested $5B in humanoid robotics startups since the beginning of 2024, as years of steady progress and GenAI triggers an investment frenzy (Washington Post)

@blakes7bot@mas.torpidity.net
2025-07-13 18:16:48

Series B, Episode 02 - Shadow
AVON: The explosion in the planet's atmosphere would have provided the rest.
BLAKE: Yes, I hadn't thought of that.
blake.torpidity.net/m/202/602 B7B5

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. The scene shows three people dressed in similar white outfits with belts in what looks like a desert or rocky terrain setting. The costumes have a distinctive retro sci-fi aesthetic typical of productions from that era.

The group appears to be in some kind of tense situation, possibly on an alien planet or remote location. One person on the left is examining…
@davidaugust@mastodon.online
2025-09-05 19:26:02

AI enhanced psychosis is not a great thing.
AI Psychosis sounds like a sci-fi problem, but it is real, and present tense.
Turns out AIs like ChatGPT, and their propensity to lie and their lack of actual intelligence, comes with costs.
cnn.com/2025/09/05/tech/ai-spa

@blakes7bot@mas.torpidity.net
2025-09-14 06:00:48

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: He's not my type.
VILA: You can't afford to be choosy now!
JENNA: Why else would I be talking to you?
VILA: Thanks!
JENNA: Pleasure.
JENNA: [To Avon] What've you got there?

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spacecraft or futuristic facility interior, with metallic walls and institutional lighting typical of science fiction productions from this era. The scene shows several characters in conversation, with costumes reflecting the show's distinctive late 1970s sci-fi aesthetic. The characters are wearing a mix of practical spacefaring garments and more elaborate period-appropriate clothing. The lighting an…
@heiseonline@social.heise.de
2025-06-30 06:21:00

"The Alters": Spieler finden KI-Antworten in Texten und Übersetzungen
Das Sci-Fi-Spiel "The Alters" wird von Spielern und Kritikern gefeiert. Doch ein Detail sorgt für Ärger: Der Einsatz von KI wurde nicht offengelegt.

@macandi@social.heise.de
2025-07-04 08:46:00

Apples "Neuromancer"-Verfilmung: Produktion hat begonnen
Per Teaser teilt Apple mit, dass die neue TV -Show mit Material der Sci-Fi-Legende William Gibson kommt. Zehn Folgen "Neuromancer" sind in Arbeit.

@blakes7bot@mas.torpidity.net
2025-07-14 15:30:46

Series B, Episode 13 - Star One
ZEN: Confirmed, battle computers are online.
JENNA: Give me maximum available range on the detectors.
[Scene - inside Star One]
CALLY: What do you think is going on?
blake.torpidity.net/m/213/357 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this is an image from a television production, likely from the late 1970s or early 1980s based on the styling and image quality. The scene shows a blonde woman in what appears to be a metallic or shimmery outfit, with the characteristic feathered hairstyle of that era. The setting appears to be a futuristic or sci-fi environment, with blurred circular elements visible in the background that could be part of a spaceship or technological settin…
@blakes7bot@mas.torpidity.net
2025-08-14 09:14:10

Series A, Episode 10 - Breakdown
BLAKE: [V.O.]Have you done it, Avon?
AVON: Soon.
BLAKE: [V.O.]How soon?
AVON: I can talk or I can work, but I can't do both.
BLAKE: [V.O.]We're running out of time, Avon.
[Flight deck]
blake.torpidity.net/m/110/225

Claude 3.7 describes the image as: "The image shows someone in a futuristic costume with a high collar and distinctive black and silver/gray design. They appear to be in what looks like a control room or technical area with numerous buttons, lights, and control panels visible in the background. The setting has a classic science fiction aesthetic with its utilitarian control panels featuring colored buttons and indicators.

The costume design is characteristic of vintage sci-fi television produc…
@detondev@social.linux.pizza
2025-08-08 06:00:30

alright im going through my old files again and rediscovered a shitty unfinished sci-fi epic poem thing i was writing sometime when i was 14/15/idfk. all i remember about it is that it was gonna keep doing this countdown and changing structure accordingly for a really long time, i was thinking of depicting the character finding love in an ethereal sorta way for the ending, and it was gonna incorporate a enochian number square for some reason.

SIXTEEN CYCLES AGO,

a smouldering sunset steps away stops scorching her scattered populace, of scar ed, smoke-cycling children trapped in a limbo they weren't old enough to understand.

SIXTEEN CYCLES AGO, the sky dances from gold to muddy grime in lockstep with their lover, and none on Upkeak's face bend in the slightest sur as i kneel, rifle over roof's edge, poised for his arrival.

SIXTEEN CYCLES AGO, his carrier cuts through the congregating crust in the clouds, almost doing Sky a favor t…
fuck my life i missed the mark FIFTEEN TIMES IN A ROW

fuck this air tripped brain through breath FIFTEEN TIMES IN A ROW

fuck they saw me one pair of eyes FIFTEEN TIMES IN A ROW

fuck these legs fourteen cycles forward FIFTEEN TIMES IN A ROW

fuck the height from building to building FIFTEEN TIMES IN A ROW

fuck

fuck

fuck

fuck

fuck FIFTEEN TIMES-

~!@#$%^&*()_+
fuck my life shitty glass smashed sixteen scattered shards FIFTEEN TIMES

fuck this air pulsing pounding head pulsing pounding heart IN A ROW

fuck they saw me mental specter vanishes forced second guesses FIFTEEN TIMES

fuck my legs covered in cuts beautiful blood IN A ROW

fuck the height of my ambition fuck my life again FIFTEEN TIMES

fuck fuck fuck fuck fuck fuck fuck fuck fuck fuck IN A ROW

*click*
burning light FIFTEEN ROWS IN A TIME

angel light ROW ROW ROW ROW ROW

can't leave IN A FIFTEEN TIMES ROW

angel carry ROW ROW ROW ROW ROW

burning light ROW ROW ROW

ROW

ROW

ROW

ROW

ROW

ROW

ROW

ROW

ROW

ROW

ROW

ROW

...

..

..

...
@aardrian@toot.cafe
2025-09-01 02:41:26

Just finished “For All Mankind” season 3 and consider it the weakest season yet. With the exception of a couple episodes, it felt like a weird soap opera. Even the sciencey bits of the show seemed to gloss over or deus ex machina challenges (or physics). Debating if I’m tapping out of yet another AppleTV sci-fi show.

@jake4480@c.im
2025-08-01 17:22:37

For the first time this year, I've been trying out keeping a basic list in a spreadsheet of TV and movie premieres (and I started a new tab for ones coming out next year, too) -- just to keep up with things. This is the last half of the 2025 now, so here's everything I have from yesterday til the end of the year.
I won't necessarily watch ALL of this, but it's things I might be interested in, and I find that it's helped to have a basic guide as to what comes out wh…

A list of everything coming out from now til the end of 2025 that I'm personally interested in, TV shows and movies - mostly comedy, sci-fi, horror, music-related, cartoons, etc
@azonenberg@ioc.exchange
2025-07-31 02:59:17

I have vague memories of reading years ago about a weapon called a "photic driver" consisting of an LED or strobe or laser array flashing in patterns deliberately crafted to induce photosensitive seizures and disorientation (not just a conventional dazzler intended primarily to interfere with the target's vision).
I have no idea if it was a failed CIA project, a sci-fi plot element, something some military or police department actually fielded, etc.
Anybody ever hea…

@mlawton@mstdn.social
2025-08-08 21:46:24

Finished “Of Monsters and Mainframes” by Barbara Truelove.
Demeter is a ship AI blamed for the continued deaths of her passengers being ferried to and from Alpha Centauri. But something paranormal is happening and this quirky story becomes a mashup of sci-fi & vampires, werewolves, and aliens.
4.5 stars rounded up for being fun ⭐️⭐️⭐️⭐️⭐️

@digitalnaiv@mastodon.social
2025-06-29 09:30:15

#Deepfakes sind längst kein Sci-Fi mehr: Jeder, der ein Selfie ins Netz stellt, liefert Rohmaterial für KI-Manipulationen. Die Folgen? Vertrauensverlust, Rufschäden, Markenkrisen – und Plattformen wie Meta schauen zu, solange die Werbeeinnahmen stimmen. Lina Knees, #Handelsblatt

@Mediagazer@mstdn.social
2025-07-29 16:50:45

Runway and Luma AI say they are talking to robotics and self-driving car companies about their video models and expect these revenue sources to eclipse studios (Rocket Drew/The Information)
theinformation.com/articles/ru

@Tuxramus@social.linux.pizza
2025-08-01 21:41:54

Get ready for some major sci-fi flora! On today's "3D Printing Adventures Penguin Style!", we're turning an AT-AT into a humble pot plant. Because even Imperial walkers need a little green in their lives. Tune in for the shenanigans! #ATAT #StarWarsGardening

Turns out life doesn’t just imitate art
— sometimes it borrows the script, reboots it with National Guard checkpoints and streams it live from Los Angeles.
Case in point:
A Day Without a Mexican,
the cheeky 2004 sci-fi satire from Mexican filmmakers Sergio Arau and Yareli Arizmendi,
in which California wakes up to find every person of Latino descent has vanished into a mysterious haze,
leaving Angelenos panicking over who’s going to mow the lawns and run …

@compfu@mograph.social
2025-06-29 05:57:03

Trigger-happy female axolotls - is this a new sci-fi trope in the making? In Disney‘s recent live-action Lilo and Stitch there’s one that would be happ to blow up earth.
And a while ago I noticed one in Amazon‘s episodic „Secret Level“ that could also be described as trigger-happy: mograph.social/@comp…

@gwire@mastodon.social
2025-07-01 13:53:00

Is The Running Man (2025) the first movie to use the new development at Battersea as a sci-fi future city?

@heiseonline@social.heise.de
2025-07-22 13:31:00

"Hellraiser Revival": Horror wird auf PC, Xbox und Playstation spielbar
Sci-Fi und Horror: "Hellraiser" wird zum Videospiel. "Clive Barker’s Hellraiser: Revival" soll von den ersten beiden Filmen inspiriert sein.

@blakes7bot@mas.torpidity.net
2025-09-12 15:10:22

Series A, Episode 02 - Space Fall
LEYLAN: Yes.
BLAKE: These are mine. You will hand over all your weapons to my men. Whilst we hold the computer, the ship is helpless. It will remain that way until you agree. You will then fly this ship to the nearest habitable planet where the prisoners will disembark. Any attempt by your men to break into this room and we'll destroy the computer. Totally. That's all.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft or space station setting. The environment has the characteristic utilitarian, high-tech aesthetic typical of sci-fi productions from that era, with control panels and metallic surfaces visible in the background.

One person has curly blonde hair and is wearing what appears to be a dark, sequined or textured outfit. The ot…
@midtsveen@social.linux.pizza
2025-06-17 19:40:38

"In a dystopian 1970s America, a fascist government is at war with Mexico. An underground revolutionary is tortured by government agents, so radicals take action through guerrilla warfare, but victory may not come easy for them."
The more you know!
imdb.com/title/tt0064465/

@katrinakatrinka@infosec.exchange
2025-08-21 16:50:04

If you're looking for a fun, good book to read, I've got one for you. I especially recommend it if you like sci-fi, classic pulp/movie monsters, and AI interacting with confusing humans. Add in queer themes of found family, self-identity, and acceptance, and it's a real winner.
Of Monsters and Mainframes by Barbara Truelove

@fgraver@hcommons.social
2025-06-22 09:20:22

Even Elysium’s director thinks his film is a mess – but a decade on, it deserves a second chance theguardian.com/film/2025/jun/

@blakes7bot@mas.torpidity.net
2025-09-12 12:08:21

Series C, Episode 10 - Ultraworld
AVON: What for? They could take us out quite easily with their technology.
TARRANT: Damn their technology. Is that all you care about? What about Cally? How did she come to be here? Why are they holding her?
blake.torpidity.net/m/310/249 B7B3…

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction setting, with a muted, industrial-looking background. They're wearing what looks like a brown costume with some reflective or shiny elements, possibly part of a uniform or specialized outfit typical of vintage sci-fi productions. The lighting and film quality suggest this is from a television production from the 1970s or early 1980s era, which is characteristic of classic British science fiction…
@Techmeme@techhub.social
2025-07-29 18:15:59

Runway and Luma AI say they are talking to robotics and self-driving car companies about their video models and expect these revenue sources to eclipse studios (Rocket Drew/The Information)
theinformation.com/articles/ru

@pgcd@mastodon.online
2025-08-19 20:03:17

I can't overestimate the impact this song had on me when I heard it. I was 12, obsessed with sci-fi and these weirdos pop up in the most boring, normalized italian music show (Sanremo) to play a kind of music I had never heard before (and rarely after).
Still sublime after all these years.
youtu.be/aexf…

@vosje62@mastodon.nl
2025-07-17 22:57:29

For All Time (2000-10-18 Time Travel, 1890s, Romance) : Internet Archive
archive.org/details/for-all-ti (2000, 1u29)
Maffe Sci-Fi die gedeeltelijk in het heden (2000) speelt en gedeeltelijk in …

@blakes7bot@mas.torpidity.net
2025-07-12 12:19:29

Series B, Episode 05 - Pressure Point
KASABI: You think so?
SERVALAN: Oh, yes, we think so.
TRAVIS: You could spare yourself a lot of pain.
KASABI: No doubt.
TRAVIS: You are a very intelligent woman.
blake.torpidity.net/m/205/152 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing what looks like a medical or laboratory setting. There's a person in what appears to be a green/olive colored uniform or medical garment, and another figure in white (possibly medical attire) in the background. The setting has a clinical, futuristic appearance with clean white surfaces and lighting typical of sci-fi medical facilities. However, I cannot identify the spec…
@izzychambers@vivaldi.net
2025-07-17 18:16:07

@… Is that a paper or a summary of his next sci-fi novel?

@blakes7bot@mas.torpidity.net
2025-07-09 15:19:16

Series D, Episode 11 - Orbit
SOOLIN: Yes. Not too easy, at this range.
TARRANT: Yeah, well don't lose him. We need to get a precise fix on Egrorian's base.
DAYNA: Why? You think we might have to drop in on him?
blake.torpidity.net/m/411/92 B7B4

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a futuristic or sci-fi environment with metallic walls and technical equipment. Two people are examining or working with a large mechanical structure that has a ribbed or segmented design. One person with blonde hair is leaning over the structure while another person in a gray uniform-like outfit with a belt is standing and handling part of the mechanism.

The setting has the distinctive retro sci-fi aestheti…
@midtsveen@social.linux.pizza
2025-06-17 19:36:20

ICE
The ultimate disaster...
The world is covered in ice
#FUCKICE

@blakes7bot@mas.torpidity.net
2025-08-11 15:14:17

B06 - Trial
BLAKE: I never doubted it for a moment. [To Avon] Is something wrong?
AVON: It just occurred to me, that as the description of a highly sophisticated technological achievement, "Avon's gadget works," seems to lack a certain style.
blake.torpidity.net/m/206/472

Claude 3.7 describes the image as: "This image shows a scene from a classic science fiction television series, set in what appears to be a spacecraft or control room with angular walls and a futuristic design typical of late 1970s/early 1980s British sci-fi production.

Two performers are pictured: one standing on the left wearing a olive-green/brown uniform with a vest-like outer layer, with curly hair and a contemplative expression; and another seated on the right wearing a gray high-collared…
@gwire@mastodon.social
2025-07-27 10:41:36

Just found out they're doing a third season of The Capture, the 2019 series where the sci-fi twist was that states are able to use computers to fake surveillance footage of crimes for use in prosecutions.

@blakes7bot@mas.torpidity.net
2025-09-11 12:12:51

Series D, Episode 02 - Power
TARRANT: Let's go.
[Hillside. Avon runs along.]
[Corridor near door of landing silo. Vila finishes using the lance while still holding the timer and turns to face the others.]
blake.torpidity.net/m/402/476 B7B3

Claude 3.7 describes the image as: "The image shows a person with curly brown hair wearing a distinctive costume that features a high collar with white trim and a blue and white paneled design. This appears to be from a science fiction television production from the late 1970s or early 1980s based on the visual style and production quality. 

The costume has a futuristic appearance typical of space-based sci-fi shows of that era, with clean lines and color blocking. The background appears to be…
@compfu@mograph.social
2025-07-23 17:53:43

Finished reading "The Steerswoman" by Rosemary Kirstein. It's a great little fantasy novel. I'd call it "hard sci-fi" if it was set in space. Is there a term for medieval stories that don't get too magical?
The hero of this story is a member of a special guild that is all about preserving and acquiring knowledge. Sworn to speak the truth. Much of the story is her drawing conclusions about the world she inhabits. There are swords and scheming wizards. On t…

@blakes7bot@mas.torpidity.net
2025-08-11 18:16:30

Series A, Episode 10 - Breakdown
JENNA: Lateral one-eighty.
ZEN: Lateral one eighty.
BLAKE: I'll handle this Jenna. You can help Gan.
FARREN: [Into com unit] They'll take no further action without orders from me!
blake.torpidity.net/m/110/558 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing a scene set in what looks like a spacecraft or futuristic control room. There's a person with blonde hair wearing a black outfit with metallic studs or decorative elements, seated at what appears to be a control console or computer terminal. The background shows a starfield or space scene, creating an atmospheric sci-fi setting. The production values and visual style suggest…
@gray17@mastodon.social
2025-06-15 18:38:27

The Soul (緝魂) (2021) is a bleak near-future sci-fi-ish mystery.
In the year 2031, the CEO of a Taiwanese biomedical corporation is found bludgeoned to death in his bedroom, with an occult symbol carved into the door. The obvious culprit is the estranged son, upset that dad had something to do with mom's death.
The prosecutor Wen-chao is not so sure. Wen-chao suspects the CEO's second wife, who seems harmless but might be possessed by the vengeful spirit of the first wife.…

@blakes7bot@mas.torpidity.net
2025-09-10 18:23:45

Series A, Episode 05 - The Web
JENNA: [Joins Blake. Cally moves to the console and begins altering settings] Navigation computers can't cope with a change of course. We're running blind.
CALLY: [Gan enters stealthily from other passageway]. Don't move.
blake.torpidity.net/m/105/77

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series, showing a person with curly brown hair wearing a distinctive green/olive colored outfit with a metallic or satin-like finish. The costume has a futuristic design typical of 1970s-80s sci-fi productions, with a v-neck and collar styling. The setting appears to be inside a spacecraft or space station, with angular metallic walls and geometric patterns visible in the background. The light…
@blakes7bot@mas.torpidity.net
2025-09-06 06:03:13

#Blakes7 Series C, Episode 10 - Ultraworld
CALLY: [V.O. faintly] Calling Liberator.
AVON: Be quiet, Vila.
CALLY: [V.O. signal is distorted and weak] I don't know where I am.
VILA: That's Cally's voice.

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set aboard a spacecraft. The image features several people gathered around what appears to be a control panel or table in a futuristic command center environment. The set design has hexagonal lighting panels and metallic walls typical of sci-fi productions from this era.

The individuals are wearing distinctive 1970s/80s-style sci-fi costumes - one in a brown outfit with decorative elements, a…
@gwire@mastodon.social
2025-06-23 18:09:56

I hope Foundation gets a fourth season. The first season was pretty enough, but the second season really got into its stride.
gizmodo.com/murderbot-season-2

@compfu@mograph.social
2025-06-22 07:16:17

I liked "Lost In Starlight", the Korean animated movie on Netflix! Feels like its plot hits the same emotional beats as "Your Name" (but not its twist!). Beautiful backgrounds, a lot of those rotating CG camera shots. Faces are a bit wobbly, mouths look "weird" at times. But that creates a unique style that makes it distinct from Japanese Anime. Nice ballads on the sound track 🎶
I'm not a fan of sci-fi that overuses floating holographic displays. But t…

@blakes7bot@mas.torpidity.net
2025-07-09 18:22:05

Series B, Episode 02 - Shadow
CALLY: Scan.
ZEN: Gun ship. It is manoeuvering for attack position.
CALLY: Warn them off.
ZEN: Warning ignored.
CALLY: Compute coordinates, range blasters.
ZEN: Blasters ranged.
blake.torpidity.net/m/202/277 B7B5

Claude 3.7 describes the image as: "The image shows a person with short brown hair wearing a white garment with a decorative pattern at the neckline. They appear to be in what looks like a futuristic or sci-fi setting, with geometric shapes and angled panels visible in the background, which has a warm orange/pink tone.

The style of the costume and set design is characteristic of British television science fiction from the late 1970s to early 1980s, with its distinctive aesthetic and production…
@blakes7bot@mas.torpidity.net
2025-08-09 09:19:00

Series A, Episode 09 - Project Avalon
BLAKE: [V.O.] Can you identify it?
GAN: Well, the detectors read it as a military command cruiser and the trajectory suggested it could have come from Federation space headquarters.
blake.torpidity.net/m/109/143 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a spacecraft or futuristic interior setting with metallic/technological surfaces in the background. The scene has the characteristic lighting and production design typical of British sci-fi shows from that era. However, I cannot identify specific individuals in the image or confirm details about particular actors or characters without being able to verify who…
@blakes7bot@mas.torpidity.net
2025-07-09 12:17:07

Series B, Episode 02 - Shadow
CALLY: [V.O.] Blake.
BLAKE: Yes, Cally.
CALLY: Has anyone found Orac yet?
BLAKE: [V.O.] No, I think we'll have to wait for Vila.
CALLY: Well, there may not be time for that.
blake.torpidity.net/m/202/349 B7B3

Claude 3.7 describes the image as: "The image shows a person with curly dark hair wearing what appears to be a green or olive-colored jacket with a distinctive collar. The background is blurred but suggests an indoor setting with warm, muted tones. The lighting and film quality have a distinctive vintage television production style that was common in British sci-fi programs from the late 1970s/early 1980s.

The person has a serious, contemplative expression and appears to be in a dramatic scene…
@blakes7bot@mas.torpidity.net
2025-09-09 18:30:00

Series A, Episode 05 - The Web
JENNA: Look.
[Main viewscreen shows the web dissolving.]
GAN: He did it. We're free.
JENNA: Not yet.
blake.torpidity.net/m/105/503 B7B5

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series, appearing to be from the late 1970s or early 1980s based on the production style. Three people are standing together in what looks like a futuristic spacecraft or control room, with dramatic lighting and technical elements visible in the background.

The trio is dressed in distinctive retro sci-fi costumes - the person on the left wears a patterned vest-like garment with earthy tones, the middl…
@blakes7bot@mas.torpidity.net
2025-08-09 12:21:15

Series B, Episode 03 - Weapon
AVON: Auron may be different, Cally, but on Earth it is considered ill-mannered to kill your friends while committing suicide.
GAN: Why that base, Cally?
blake.torpidity.net/m/203/31 B7B3

Claude 3.7 describes the image as: "The image shows a person in what appears to be a scene from a television production, likely from the late 1970s or early 1980s based on the visual style and quality. They are wearing a black turtleneck sweater and have short dark hair. The background is minimalist and gray, with what looks like stairs or stepped architecture visible behind them.

The lighting and cinematography have that distinctive quality common in British sci-fi television productions of t…
@blakes7bot@mas.torpidity.net
2025-07-08 12:24:41

Series B, Episode 01 - Redemption
[Flight deck]
BLAKE: Orac, why won't you give us the background to that prediction?
ORAC: Because that would invalidate the prediction.
blake.torpidity.net/m/201/6 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing a futuristic interior setting with sleek, metallic surfaces and dramatic lighting typical of sci-fi productions from that era. The scene takes place in what looks like a spacecraft or space station, with curved walls and technological elements visible in the background. The lighting creates an atmospheric, somewhat moody environment with blue and amber tones. The setting sug…
@blakes7bot@mas.torpidity.net
2025-09-08 09:05:34

Series D, Episode 09 - Sand
TARRANT: No?
SERVALAN: [Pulls the end of his gun to her forehead] At a distance of one inch, the shot should be even more efficient.
blake.torpidity.net/m/409/165 B7B2

Claude 3.7 describes the image as: "The image shows a tense scene from a television series with a dramatic confrontation. One person with short dark hair and elegant makeup is wearing what appears to be formal attire with jewelry, including earrings. They are facing another person with curly hair wearing what looks like a grayish-green jacket, who is holding what appears to be a weapon or device.

The setting features light-colored curtains or fabric in the background, giving it a retro sci-fi …
@blakes7bot@mas.torpidity.net
2025-09-07 15:36:35

Series D, Episode 02 - Power
PELLA: [Having entered unnoticed] Yes, Avon, why?
AVON: I didn't.
PELLA: Your finger was on the trigger. YOU killed him.
AVON: I didn't, Pella. But YOU did, didn't you?
blake.torpidity.net/m/402/392 B7B4

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. It shows a person wearing a distinctive costume featuring a black leather jacket with studded shoulders and white accent panels. The costume has a somewhat militaristic or futuristic design typical of sci-fi productions from that era.

The person is wearing a dark shirt underneath the elaborate jacket and has a serious, intense expression. The setting appears…
@blakes7bot@mas.torpidity.net
2025-08-07 21:18:29

Series B, Episode 05 - Pressure Point
TRAVIS: What's the matter with you, Servalan? [Jenna and Veron emerge into sight behind her in the doorway. Both are armed.]
JENNA: She's nervous.
BLAKE: Jenna!
blake.torpidity.net/m/205/516 B7B6

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series set in a sterile, white-walled futuristic environment. Several characters are gathered in what looks like a spaceship or space station corridor, with a doorway or window showing a purple/violet glow in the background. The characters are wearing various costumes typical of 1970s/80s sci-fi productions - including dark leather or fabric outfits and more casual clothing. The setting and c…
@blakes7bot@mas.torpidity.net
2025-08-05 15:24:47

Series D, Episode 09 - Sand
CHASGO: Suddenly, I think we must have hit some kind of multi-gravitational field. Instruments are going mad. Investigator, you and the others better get strapped in. S'gonna be a hell of a bumpy ride down.
[In Xenon Base, Vila slams his glass down on the table in front of him.]
blake.torp…

Claude 3.7 describes the image as: "The image shows two individuals in a science fiction setting, wearing distinctive costume uniforms with black sparkly material, white shoulder pads, and red accents. They appear to be operating some kind of control panel or spacecraft console with various buttons and instruments. The costume design has a retro futuristic aesthetic typical of classic British sci-fi productions from the late 1970s/early 1980s. 

The setting appears to be some sort of command ce…
@blakes7bot@mas.torpidity.net
2025-08-04 15:49:01

Series B, Episode 08 - Hostage
JENNA: But you've been against it all until now.
AVON: I know, but I'm still going down. Vila?
JENNA: [To Cally] You know what all this is about, don't you?
CALLY: [Nodding] I think I can guess.
blake.torpidity.net/m/208/319

Claude 3.7 describes the image as: "The image shows two people sitting together in what appears to be a sci-fi television setting from the late 1970s or early 1980s. On the left is a person with blonde, feathered hair wearing a patterned black and white top with a pearl necklace. On the right is someone with curly brown hair dressed in a light-colored, possibly cream or beige outfit.

The scene appears to be set inside a spacecraft or futuristic setting, with neutral-toned seating visible behin…
@blakes7bot@mas.torpidity.net
2025-07-04 06:02:50

#Blakes7 Series D, Episode 01 - Rescue
SLAVE: Yes, Master.
DORIAN: Analyze exterior disturbance.
SLAVE: It is an earthquake, Master.
AVON: Cause?
[Slave does not answer. Avon points his gun at Dorian.]
DORIAN: Cause?

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft or control room. The set features metallic walls, technical panels with green lighting, and distinctive retro sci-fi design elements typical of television productions from the late 1970s or early 1980s.

One person wears a gray uniform with rolled-up sleeves, while the other is dressed in a black outfit with studded or decorated sle…
@blakes7bot@mas.torpidity.net
2025-08-08 09:04:29

Series C, Episode 10 - Ultraworld
[INTERIOR. Liberator flight deck]
DAYNA: What did you feel like, Avon?
AVON: [Distracted] What?
DAYNA: Being an entry in an encyclopedia.
TARRANT: Oh, he wouldn't mind so long as they filed him under genius.
blake.torpidity.net/m/310/681

Claude 3.7 describes the image as: "This image shows a scene from a sci-fi television series set in what appears to be a spacecraft control room or command center. The futuristic set features distinctive ribbed wall panels and technical equipment typical of 1970s/80s British television science fiction production design.

Four performers are shown in the spacecraft interior, seated in what looks like a command area. One person wearing a brown leather-like outfit with buckles sits prominently in …
@blakes7bot@mas.torpidity.net
2025-07-03 06:06:18

#Blakes7 Series C, Episode 05 - The Harvest of Kairos
AVON: So?
TARRANT: So what do we do before they blow us out of the galaxy?
AVON: We attack.
TARRANT: Attack? We have nothing to attack with.
AVON: Then bluff it. Tell them to surrender.

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television production, showing a control room or spacecraft bridge setting. Several individuals are gathered around what looks like technical equipment or control panels. The scene has the distinctive aesthetic of classic sci-fi from the late 1970s or early 1980s, with retro-futuristic technology featuring blinking lights and circuit boards visible in the foreground.

The setting appears to be a technica…
@blakes7bot@mas.torpidity.net
2025-07-03 21:19:07

Series B, Episode 05 - Pressure Point
BLAKE: I'd rather not try. But if I have to, I will not be alone. I've already contacted a Resistance leader.
[Wooded area near the Forbidden Zone]
VERON: No sign of them?
blake.torpidity.net/m/205/62 B7B6

Claude 3.7 describes the image as: "This image appears to be a close-up shot from a television drama, likely from the late 1970s or early 1980s based on the filming style and visual quality. The image features a person with curly dark hair against a black background, creating a dramatic portrait with strong contrast. Their expression appears serious or contemplative, with a hint of intensity in their gaze.

The lighting technique is characteristic of sci-fi television productions from that era,…
@blakes7bot@mas.torpidity.net
2025-08-02 09:08:16

Series D, Episode 04 - Stardrive
AVON: [To Plaxton, indicating a seat] There. [To Tarrant and Vila] Secure that and let's get the hell out of here.
VILA: [To Tarrant] Put it on the back of the counter. [They do so, and hurry to their seats.]
blake.torpidity.net/m/404/401 B7…

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a futuristic control room or command center. Several people are gathered around a console with technical equipment. The setting features a clean, minimalist aesthetic typical of sci-fi productions from this era, with white walls, tiled flooring, and computer panels.

The individuals are wearing distinctive costumes - one in a black outfit with decorative elements stan…
@blakes7bot@mas.torpidity.net
2025-07-02 15:20:08

Series C, Episode 02 - Powerplay
TARRANT: He isn't.
AVON: So when I refuse to answer his questions we'll get into the dreary process of subjecting me to extreme pain and suffering.
TARRANT: Barbaric, but frequently effective.
blake.torpidity.net/m/302/361

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, showing two people in conversation in what looks like a spacecraft interior. The scene features two performers in dark clothing against a gray/metallic background, creating the futuristic aesthetic typical of sci-fi productions from that era. 

The person on the left has straight, darker hair and is shown in profile, while the person on the right has curly ha…
@blakes7bot@mas.torpidity.net
2025-07-01 09:43:17

Series B, Episode 03 - Weapon
GAN: That doesn't sound very promising. Someone must have made an attack on the base.
VILA: Who'd be stupid enough to do that?
AVON: [Snaps his fingers] Justify "stupid."
blake.torpidity.net/m/203/112 B7B2

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction television series from the late 1970s or early 1980s. They are wearing a dark, possibly black outfit with a high collar that has a distinctive retro sci-fi style. The person has short brown hair with sideburns, characteristic of that era's fashion.

The setting appears to be some kind of spacecraft or futuristic installation with horizontal lines visible in the background. The lighting and film …
@blakes7bot@mas.torpidity.net
2025-09-01 09:13:56

Series B, Episode 07 - Killer
BLAKE: What's happened?
BELLFRIAR: Well, it's standard drill with a space death. The autopsy's carried out in a sealed mortuary in case there are any alien micro-organisms around. Are you all set, Dr. Wiler?
blake.torpidity.net/m/207/286

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a science fiction setting with futuristic interior design featuring white and geometric wall patterns. There are two figures in the scene - one person with curly dark hair wearing what appears to be a light-colored outfit, and another figure in white clothing. The setting has the distinctive clean, minimalist aesthetic typical of sci-fi productions from this era, with sleek walls and modern-looking control panels or equipme…
@blakes7bot@mas.torpidity.net
2025-07-01 18:49:55

Series D, Episode 10 - Gold
KEILLER: Your friend, Vila, he wants no part in this?
SOOLIN: He doesn't trust you, Keiller. He thinks it's a trap.
KEILLER: Suspicious.
AVON: And frequently right. How much further?
blake.torpidity.net/m/410/99 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone wearing an elaborate red costume with a distinctive scaled or textured pattern and gold collar details. The costume design suggests this is from a futuristic or fantasy setting, with the ornate styling typical of ceremonial or high-ranking character attire in classic sci-fi productions. The lighting and image quality are characteristic of television productions f…
@blakes7bot@mas.torpidity.net
2025-08-30 09:06:30

Series A, Episode 02 - Space Fall
BLAKE: Spread out and find the armoury. Jenna?
JENNA: What?
BLAKE: Let's find the computer room.
[Switch to Raiker and Artix]
RAIKER: All the doors are open!
blake.torpidity.net/m/102/316 B7B2

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a sci-fi television program from the late 1970s or early 1980s, based on the production quality and styling. The scene depicts a tense moment with several people in what looks like a corridor or interior room with gray walls.

In the foreground, there's an interaction where one person in a light-colored vest is restraining or holding someone in a dark blue outfit. Several others stand in the background observing…
@blakes7bot@mas.torpidity.net
2025-06-29 15:19:25

Series A, Episode 07 - Mission To Destiny
AVON: The murderer had to cover up, and quickly. Dortmunn was killed. I think the plan was to put his body into the life rocket and launch it into space. That way, it would appear obvious that Dortmunn was guilty.
SONHEIM: So why didn't it happen?
blake.torpidity…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spaceship or futuristic facility interior. The setting features typical sci-fi television production design with metallic walls, control panels, and utilitarian furnishing. Several characters are gathered in what appears to be a meeting or briefing scene. The costumes are characteristic of late 1970s/early 1980s science fiction television, with some characters wearing practical military-style clothing…
@blakes7bot@mas.torpidity.net
2025-08-29 15:17:57

Series C, Episode 02 - Powerplay
TARRANT: It was an even bet.
AVON: Quite.
TARRANT: I still don't know who the girl is, though.
AVON: Her name is Dayna, she's not one of us. Where is she, by the way?
TARRANT: Do you care?
blake.torpidity.net/m/302/352

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be a futuristic or sci-fi setting with metallic/technological backgrounds typical of space-based television productions. One man is shown in profile on the left, while the other faces more toward the camera on the right, wearing what looks like a dark high-collared garment. The lighting and production values suggest this is from a British science fiction series from the late 1970s or early 1980s. The scene appears t…
@blakes7bot@mas.torpidity.net
2025-07-30 12:07:16

Series B, Episode 02 - Shadow
GAN: The manual controls won't respond.
VILA: Do something, Gan.
GAN: Something is draining off the power. [Lights dim]
VILA: Orac, it has to be Orac.
blake.torpidity.net/m/202/565 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, showing a person in a light-colored uniform or jumpsuit inside what seems to be a spacecraft or futuristic control room. They are working with what looks like technical equipment or control panels, typical of retro sci-fi production design. The interior has the distinctive aesthetic of television productions from that era, with somewhat minimalist set design …
@blakes7bot@mas.torpidity.net
2025-06-28 09:22:09

Series C, Episode 01 - Aftermath
AVON: That's about all. Keep feeding reports through Orac.
ZEN: Information. A space vehicle has been registering on the detectors. Visual scan now indicates that it is approaching the Liberator. Present status suggests the vehicle will attempt docking beside port entry.

Claude 3.7 describes the image as: "This image shows a scene set in a futuristic spacecraft or space station interior with metallic walls and sci-fi styling typical of late 1970s/early 1980s British television production. 

The person in the image is wearing a dark outfit with a distinctive collar and appears to be in what looks like a control room or laboratory setting. In the foreground, there's a clear container or box with visible electronic components inside, suggesting some kind of techno…
@blakes7bot@mas.torpidity.net
2025-08-30 15:11:03

Series A, Episode 08 - Duel
BLAKE: Right, wake me when you're tired.
[Up a different tree: Travis and Mutoid]
TRAVIS: Tell me something, do you remember who you were?
MUTOID: I don't understand the question, Commander.
blake.torpidity.net/m/108/375 B7B4

Claude 3.7 describes the image as: "The image shows a dramatic portrait shot from what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the filming style and aesthetic. The scene is very dark, with dramatic side lighting that creates strong shadows against a black background.

The person in the image appears to be wearing what looks like a high-collared jacket or uniform, typical of sci-fi costume design from that era. The lighting techni…
@blakes7bot@mas.torpidity.net
2025-06-29 12:17:12

Series A, Episode 05 - The Web
AVON: Yes.
BLAKE: [V.O.] I need you on the flight deck.
AVON: I'm busy
BLAKE: [V.O.] Now, Avon.
[Flight deck of the Liberator.]
BLAKE: Zen, how are the repairs going?
blake.torpidity.net/m/105/20 B7B3

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, featuring a person in a dark uniform with padded shoulders working at what appears to be a control console or technical station. The individual is operating some kind of electronic equipment in what looks like a spacecraft or futuristic control room.

The set design has the distinctive aesthetic of late 1970s/early 1980s British sci-fi, with angular white walls, geometric patterns, and a clean…
@blakes7bot@mas.torpidity.net
2025-07-28 09:15:50

Series D, Episode 05 - Animals
SOOLIN: Or boozed up.
VILA: Would you settle for fed up? It's somebody else's turn.
AVON: Try and do it right this time, Vila.
VILA: A glass of wine when I come up or I don't do it at all.
AVON: Half a glass.
blake.torpidity.net/m/405/262

Claude 3.7 describes the image as: "This image shows a scene with two people in what appears to be a futuristic spaceship or station interior. They're wearing distinctive sci-fi costumes typical of late 1970s/early 1980s British television production. 

The person on the left wears a stylized outfit with green and white vertical stripes and a turtleneck, complemented by curly hair. The person on the right has blonde hair in a ponytail and wears a gray uniform with similar design elements and a …
@blakes7bot@mas.torpidity.net
2025-08-27 09:17:04

C07 - Children of Auron
DERAL: [Talks over Servalan. Then thinks better of it.] You'll get your or-
SERVALAN: Yes. With full quarantine precautions. Say we're afraid of cross infection. Under the circumstances, they shouldn't find that hard to believe.
blake.torpidity.net/m/307/204

Claude 3.7 describes the image as: "The image shows a dark, futuristic interior setting with a distinctly retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s. 

In the foreground is a person with short dark hair wearing a distinctive high collar or choker and elegant attire. Behind them stands another figure in a dark uniform or outfit that appears military or authoritarian in style.

The scene appears to be taking place in some kind of control room …
@blakes7bot@mas.torpidity.net
2025-08-28 12:22:34

Series B, Episode 04 - Horizon
CALLY: And we thought we were tired before.
VILA: I'll tell you this, though: it beats work.
[End of episode. Roll credits.]
blake.torpidity.net/m/204/667 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is an image featuring someone in what appears to be a futuristic costume with a distinctive green and cream colored outfit with metallic trim. The setting has dramatic lighting with reddish tones in the background, creating a moody sci-fi atmosphere typical of 1970s/1980s television production. The styling includes a short, curled hairstyle characteristic of that era's television aesthetic. The costume design suggests this is from a spac…
@blakes7bot@mas.torpidity.net
2025-08-27 18:24:21

Series D, Episode 13 - Blake
BLAKE: Chalk up another one to law and order.
DEVA: Smuggler, do you think?
BLAKE: Something like that. Do you know it's getting so you can't make a dishonest living on this planet anymore?
blake.torpidity.net/m/413/247 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set on what appears to be a spaceship bridge or control room, with characteristic sci-fi production design featuring control panels, lighting, and futuristic set pieces typical of late 1970s British television. The setting shows sophisticated electronic equipment and displays. One person is seated at what looks like a control console or computer terminal, wearing a light-colored outfit with distinctive black trim details. Anot…
@blakes7bot@mas.torpidity.net
2025-06-27 18:14:22

Series D, Episode 10 - Gold
SOOLIN: This is a pleasure cruiser. It's got no armour.
KEILLER: I told you, it's incognito. Listen, every so often they send up a highly armed ship with security written all over it, bristling with guards. And every so often someone attacks it and gets killed. Which is crazy. Because that ship's carrying fruit. We carry gold with hardly any guards.

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series featuring a woman with styled blonde hair and what appears to be futuristic or military-style clothing with metallic elements. The setting appears to be indoors, possibly on a spacecraft or in a futuristic facility, with dramatic lighting typical of 1970s-80s sci-fi productions. The character appears to be in a serious or contemplative moment, and the costume design and production value…
@blakes7bot@mas.torpidity.net
2025-07-27 06:19:01

#Blakes7 Series D, Episode 06 - Headhunter
VILA: The interceptors!
MULLER: Send it back. That box must go back! [Throws Tarrant to floor.]
VILA: Slave, set a course for base. Maximum power. Go! Go! [Tarrant shoulders Muller away from the box.]

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a spacecraft or space station interior. The setting features metallic walls and control panels typical of retro sci-fi production design.

The scene includes three figures: two people in standard clothing appropriate for the show's futuristic setting, and between them is a distinctive alien or masked character wearing a dark purple/blue outfit with red and white accen…
@blakes7bot@mas.torpidity.net
2025-08-26 12:26:10

Series B, Episode 02 - Shadow
BLAKE: Don't tell me you agree with Gan.
AVON: No, no, no, I'm just...interested. It seems to me that we have identified the source of that threat rather easily.
BLAKE: So why haven't they?
AVON: Exactly.
blake.torpidity.net/m/202/405

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be a futuristic or sci-fi setting with metallic walls and atmospheric lighting in the background. One man is wearing a dark green or olive-colored shirt, while the other is dressed in a distinctive silver metallic garment with a black collar or turtleneck underneath. The scene appears to be taking place in some kind of spaceship or advanced facility interior. The lighting and set design have the characteristic look …
@blakes7bot@mas.torpidity.net
2025-06-26 18:22:45

Series C, Episode 10 - Ultraworld
TARRANT: And because they said it we're supposed to believe them.
AVON: What else are we to believe? I told you they could take us out like that. [snaps fingers] Why should they bother to lie?
[Tarrant exits]
blake.torpidity.net/m/310/256

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series showing two characters in what looks like a spacecraft or futuristic setting. One character is wearing a green uniform or jacket and is shown from behind, while the other character faces toward the camera wearing what appears to be a brown leather outfit with metallic studs or decorative elements. The setting has the characteristic look of 1970s/80s sci-fi production design, with white…
@blakes7bot@mas.torpidity.net
2025-08-26 15:28:19

Series C, Episode 01 - Aftermath
LAUREN: That's the north shore.
MELLANBY: Nothing there. Try the west. Nothing there either.
DAYNA: [Enters] What's happening, father?
blake.torpidity.net/m/301/264 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a futuristic spacecraft interior or control room setting. The scene features several people gathered around what appears to be a control console or table with some kind of device on it. The set design has that distinctive late 1970s/early 1980s sci-fi aesthetic with white and metallic surfaces, and there are some lighting effects visible in the background. Th…
@blakes7bot@mas.torpidity.net
2025-08-25 06:14:01

#Blakes7 Series A, Episode 12 - Deliverance
TRAVIS: It was Maryatt.
SERVALAN: Does it matter?
TRAVIS: No... No. Only Blake matters now.
SERVALAN: And Orac.
TRAVIS: Right.
blake.torpidity.net/m/112/281…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a futuristic interior setting with distinctive geometric wall patterns. There's a person in dark, military-style clothing standing, and another figure seated or reclining. The set design has a sleek, spaceship-like aesthetic typical of classic sci-fi shows, with clean lines and metallic surfaces. The lighting and production values suggest this is from a Briti…
@blakes7bot@mas.torpidity.net
2025-08-24 06:20:18

#Blakes7 Series B, Episode 13 - Star One
VILA: [On communicator] What about the teleport?
JENNA: I'll put Orac on it.
VILA: [On communicator] He's not as quick as we are.
JENNA: We'll have to live with that.

Claude Sonnet 4.0 describes the image as: "This black and white image shows a scene from what appears to be a science fiction television series, likely from the late 1970s or early 1980s based on the styling and production quality. The setting appears to be inside a spacecraft or futuristic facility, with characteristic curved walls and technical details visible in the background that are typical of sci-fi productions from that era.

The scene captures a dramatic moment, with the lighting and c…
@blakes7bot@mas.torpidity.net
2025-06-23 06:05:23

#Blakes7 Series A, Episode 03 - Cygnus Alpha
ZEN: Confirmed.
JENNA: [Looks at controls] That's done it. It seems we're on course now.
blake.torpidity.net/m/103/90

Claude 3.7 describes the image as: "The image appears to be a still from a vintage science fiction television production, likely from the late 1970s or early 1980s based on the visual style and aesthetic. 

It shows a person with curly blonde hair wearing an elegant dark outfit with decorative beaded or embellished details around the neckline. The costume has a distinctive retro-futuristic design that was characteristic of sci-fi productions from that era.

The scene has dramatic lighting with …
@blakes7bot@mas.torpidity.net
2025-08-23 06:05:23

#Blakes7 Series C, Episode 02 - Powerplay
DAYNA: Do what? Avon, why do you keep everything to yourself? Why so secretive?
AVON: Perhaps I'm shy. [Goes to leave] Anybody comes through this door, kill them. Anybody that isn't me, that is.

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like a futuristic spacecraft or base interior. The setting features sleek, metallic walls with a distinctive angular design typical of sci-fi productions from that era.

One character is wearing an elegant white flowing garment with decorative trim, suggesting a formal or ceremonial outfit. The other character is dressed in what appears to be a mil…
@blakes7bot@mas.torpidity.net
2025-06-22 12:16:55

Series A, Episode 06 - Seek-Locate-Destroy
RONTANE: With respect, Supreme Commander, we are aware of the facts. They are simply that with all the resources that the Federation can call upon, this one vulnerable, lucky man is still free to cause havoc.
SERVALAN: You have some criticism of my handling of this matter, Secretary Rontane?

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a man in what appears to be a futuristic black and white uniform or outfit with a high collar. The setting has a distinctive geometric patterned ceiling or wall in the background, giving it a sci-fi institutional feel typical of the series' aesthetic. The lighting and production values are characteristic of British television from the late 1970s/early 1980s. The uniform suggests this character holds some kind of offi…
@blakes7bot@mas.torpidity.net
2025-08-23 18:14:27

Series C, Episode 09 - Sarcophagus
TARRANT: Well, that's impossible, Zen. Even if someone had teleport facility, there's nothing and nowhere they could have come from, is there?
ZEN: There is an intruder aboard.
DAYNA: Well, how? And where? Zen?
blake.torpidity.net/m/309/241

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene set in what looks like a spacecraft or control room. Three people are gathered around what appears to be a transparent tactical table or control console. 

The individuals are wearing distinctive costume styling typical of classic sci-fi productions, with the person on the left wearing a gray and red uniform with shoulder details. The person in the middle wears a simple gray ou…
@blakes7bot@mas.torpidity.net
2025-07-22 18:40:26

Series B, Episode 01 - Redemption
CALLY: In range.
BLAKE: Force wall.
AVON: [Tries to activate force wall but it just burbles] Primary malfunction. Force wall won't activate.
BLAKE: Leave it. Hit it, Jenna, all the power we've got. Hang on!
blake.torpidity.net/m/201/113

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set on what appears to be a spaceship bridge or control room. Several people are positioned at different levels of a futuristic set with distinctive 1970s/80s sci-fi aesthetics. The design features cream-colored consoles with ribbed sections and a multi-tiered layout with angular panels and geometric structures.

The people are arranged on different levels of the set, with some standing at upp…
@blakes7bot@mas.torpidity.net
2025-08-21 15:14:30

Series C, Episode 05 - The Harvest of Kairos
DAYNA: Negative scan.
TARRANT: Weapon systems?
DAYNA: Mobilized.
TARRANT: Energy banks?
CALLY: Fully charged.
TARRANT: Time?
blake.torpidity.net/m/305/184 B7B4

Claude 3.7 describes the image as: "The image shows a person with curly dark hair wearing a distinctive costume that features a cream/white striped garment with a brown vest or outer layer. The costume has a somewhat retro sci-fi appearance typical of British television productions from the late 1970s to early 1980s.

The setting appears to be a spaceship or futuristic interior with soft lighting and muted colors in the background. The production style has that characteristic look of television…
@blakes7bot@mas.torpidity.net
2025-08-22 21:21:21

Series D, Episode 07 - Assassin
AVON: Don't worry, I'll cover you. [Tarrant charges to the rescue as Avon picks up a gun. Piri watches the fight in horror as Tarrant gets the worst of it. Avon stands by calmly until he gets the chance to shove the gun in Cancer's face]
AVON: As I was saying, we all have to learn to live with disappointment.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a futuristic medical or technical facility. The scene shows someone lying on what appears to be an examination table or medical bed, with another person standing over them in dark clothing. There's a third figure visible in the background. The setting has the characteristic look of 1970s/80s sci-fi production design, with white and metallic surfaces, control …
@blakes7bot@mas.torpidity.net
2025-06-21 06:19:12

#Blakes7 Series C, Episode 10 - Ultraworld
AVON: When the planet was on the screen, did anyone notice Cally's reaction?
VILA: I didn't.
AVON: You were too busy teaching Orac nursery rhymes.
VILA: Riddles.

Claude 3.7 describes the image as: "The image shows a person with dark, short hair styled in a typical 1970s-80s fashion. They're wearing what appears to be a high-necked costume with a brown textured material featuring some decorative elements or studs.

The lighting and film quality suggest this is from a British science fiction television production of that era. The costume design has that distinctive retro sci-fi aesthetic common in shows from this period.

The scene appears to be from a st…
@blakes7bot@mas.torpidity.net
2025-08-21 21:18:47

Series C, Episode 02 - Powerplay
CALLY: More survivors from the battle?
NURSE: Just one, apparently. We picked up a voice signal a couple of hours ago. We're homing in on it now. It will be a quick touchdown and immediate lift-off. The local inhabitants are hostile, apparently. Ah, let's see how your burns are healing.

Claude 3.7 describes the image as: "The image shows a person wearing what appears to be a uniform with a distinctive green and white cap. They have light curly hair and are wearing a dark blue top with green accents around the collar. The background appears to be a futuristic or sci-fi setting with geometric wall panels.

This appears to be from a classic British science fiction television series from the late 1970s/early 1980s. The costume design is characteristic of that era's vision of futur…