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@kurtsh@mastodon.social
2025-11-13 06:10:05

Battlestar Galactica is one of my all-time favorite sci-fi TV series ever, along with:
▫️Twilight Zone
▫️Firefly
▫️Star Trek: Strange New Worlds
▫️Mr. Robot
▫️The Expanse
▫️Star Wars: Andor
▫️Fallout
▶️ The Controversy of BATTLESTAR GALACTICA (2003)
youtub…

@blakes7bot@mas.torpidity.net
2025-09-13 09:21:13

Series D, Episode 08 - Games
VILA: [V.O.] Belkov's living quarters.
TARRANT: We'll be right there.
blake.torpidity.net/m/408/409 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring three characters in what appears to be a futuristic or sci-fi setting with dark atmospheric lighting. The characters are wearing distinctive costumes - one person is dressed in form-fitting attire with metallic armor-like details and decorative elements, another is wearing a gray tunic-style outfit, and the third is in dark clothing with yellow/orange trim or sash details. The lighting and staging suggests this is fr…
@UP8@mastodon.social
2025-10-05 15:54:43

Fourth Power’s sci-fi thermal batteries could be cheaper than pricey natural gas power plants
techcrunch.com/2025/09/16/four

@mlawton@mstdn.social
2025-09-09 23:39:03

Finished "Automatic Noodle" by Annalee Newitz, a novella comfortably ensconced in the "cozy sci-fi" category. Becky Chambers fan? This one is probably a pretty safe bet!
A group of food service robots facing an uncertain future in the aftermath of a war decides to give it a go in their own restaurant. Only they aren't technically able to own one and they face some adversity that requires them to pull together.
3.5/5 stars, rounded up ⭐ ⭐ ⭐ ⭐

@heiseonline@social.heise.de
2025-09-25 08:51:00

"Deus Ex Remastered": Sci-Fi-Klassiker kehrt mit modernisierter Grafik zurück
Aspyr bringt den Cyberpunk-Klassiker "Deus Ex" 25 Jahre nach Veröffentlichung mit modernisierter Grafik und angepasster Steuerung zurück.

@tiotasram@kolektiva.social
2025-10-11 11:44:24

Day 18: Mark Oshiro
Having just learned that Oshiro is nonbinary, they're an instant include on this list. In veering extremely heavily towards YA, and losing a spot that would have gone to an absolutely legendary mangaka, anime writer, or feminist philosopher, but "Anger is A Gift" and "Each of us a Desert" are just that good, and I'm trying to steer a bit towards towards lesser-known authors I respect.
I already mentioned "Anger is a Gift" above, but to recap, it's a painful, vivid, and beautifully honest story of queer love, loss, and protest against an oppressive system. CW for racist police murder, intergenerational trauma, and police brutality against highschool students. It's a book a lot of Americans could benefit from reading right now, and while it's fiction, it's not fantasy or sci-fi. Besides the themes and politics, the writing is just really solid, with delicate characterization and tight-plotted developments that are beautifully paced.
To me "Each of us a Desert" is maybe even more beautiful, and Oshiro leaps into a magnificent fantasy world that's richly original in its desolation, dark history, lonely characters, and mythical magic. Particularly the clearly-not-just-superscription but ambiguously-important/powerful magical elements of Oshiro's worldbuilding are a rare contrast to the usual magic-is-real-here's-how-it-works fare, and pulling that off a all as they do is a testament to their craft. The prose is wonderful, probably especially so if you speak Spanish, but I enjoyed it immensely despite only knowing a few words here and there. The rich interiority of the characters, their conflicts both with each other and within themselves, and the juxtaposition of all that against origins in cult-like ignorance allows for the delivery of a lot of wisdom and complex truths.
Between these two books, so different and yet each so powerful, Oshiro has demonstrated incredible craft and also a wide range of styles, so I'm definitely excited to read more of their work and to recommend them to others.
I'm also glad to have finally put a nonbinary author on this list; the others I had in mind won't make it at this point because there's too much genre overlap, although I'll include them in my didn't-make-it list at the end. I've now got just 2 slots left and have counted up 14 more authors that absolutely need to be mentioned, so we'll see what happens.
#20AuthorsNoMen

@blakes7bot@mas.torpidity.net
2025-09-12 15:10:22

Series A, Episode 02 - Space Fall
LEYLAN: Yes.
BLAKE: These are mine. You will hand over all your weapons to my men. Whilst we hold the computer, the ship is helpless. It will remain that way until you agree. You will then fly this ship to the nearest habitable planet where the prisoners will disembark. Any attempt by your men to break into this room and we'll destroy the computer. Totally. That's all.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft or space station setting. The environment has the characteristic utilitarian, high-tech aesthetic typical of sci-fi productions from that era, with control panels and metallic surfaces visible in the background.

One person has curly blonde hair and is wearing what appears to be a dark, sequined or textured outfit. The ot…
@davidaugust@mastodon.online
2025-11-06 21:00:53

Seems worth posting this again:
#tech #ethics #DataEthics

Screenshot of a post by Alex Blechman @AlexBlechman: 

Sci-Fi Author: In my book I invented the Torment Nexus as a cautionary tale 

Tech Company: At long last, we have created the Torment Nexus from classic sci-fi novel Don't Create The Torment Nexus 

Nov 8, 2021 · 10:49 PM UTC
@iam_jfnklstrm@social.linux.pizza
2025-11-10 07:50:41

@… draw for me A surreal concept art of a human brain transforming into a digital archive, with neural pathways turning into glowing fiber-optic cables, and tiny floating folders and documents orbiting around it, vibrant colors, sci-fi style, hyper-realistic.

@blakes7bot@mas.torpidity.net
2025-09-12 12:08:21

Series C, Episode 10 - Ultraworld
AVON: What for? They could take us out quite easily with their technology.
TARRANT: Damn their technology. Is that all you care about? What about Cally? How did she come to be here? Why are they holding her?
blake.torpidity.net/m/310/249 B7B3…

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction setting, with a muted, industrial-looking background. They're wearing what looks like a brown costume with some reflective or shiny elements, possibly part of a uniform or specialized outfit typical of vintage sci-fi productions. The lighting and film quality suggest this is from a television production from the 1970s or early 1980s era, which is characteristic of classic British science fiction…
@Techmeme@techhub.social
2025-09-07 14:01:07

PitchBook: VCs have invested $5B in humanoid robotics startups since the beginning of 2024, as years of steady progress and GenAI triggers an investment frenzy (Washington Post)

@chpietsch@fedifreu.de
2025-09-28 15:50:58

Ein Sci-Fi-Hörspiel aus dem Jahr 1986, das #Palantir #Gotham beschreibt? Wie kann das sein, und warum heißt dieses System im Hörspiel Donald? Vielen Dank an den WDR5, der das Werk heute gesendet hat!
Bernhard Pfletschinger: Der Dissident
Hier steht es ein Jahr lang zum Download…

@heiseonline@social.heise.de
2025-09-30 10:22:00

Die besten VR-Spiele im Oktober 2025: "Star Wars", "Reach", "Memoreum" und mehr
Von Sci-Fi-Horror im Weltraum über Star Wars im Wohnzimmer bis zu poetischen Pixel-Traumwelten: Der VR-Oktober hat es in sich.

@karlauerbach@sfba.social
2025-10-04 14:30:57

Overall the media consolidation described below is beyond four alarm fire levels.
E. Musk is dangerous to society, but Musk acts like an addled kid who read too much bad Sci-fi. Ellison doesn't have those positive qualities - he is much like the killer car, Christine, in the Steven King novel.
My first experience with Ellison's Oracle was back around 1980 or '81 when Oracle people came to our company and more than asked, they ordered us, to make sure that their produ…

@blakes7bot@mas.torpidity.net
2025-10-11 15:27:21

Series C, Episode 01 - Aftermath
CALLY: Jenna's gone with Blake.
AVON: So let's get on with it. [Explosion. Avon is unconscious]
CALLY: He's out cold. We must get him into a capsule fast. And then you can put Orac in with him. Come on, quick!
blake.torpidity.net/m/301/14

Claude 3.7 describes the image as: "The image shows three people in a sci-fi corridor setting with bright, minimalist futuristic design featuring white walls and overhead lighting. They're wearing distinctive leather-like costumes typical of late 1970s/early 1980s British science fiction television. The person on the left wears a dark leather jacket, the middle figure is partially visible between the others, and the person on the right wears a green outfit. They appear to be in some kind of spa…
@light@noc.social
2025-11-07 20:32:36

smbc-comics.com/comic/fringe
There should be Great Ice Ball exploration sci-fi.

@davidaugust@mastodon.online
2025-09-05 19:26:02

AI enhanced psychosis is not a great thing.
AI Psychosis sounds like a sci-fi problem, but it is real, and present tense.
Turns out AIs like ChatGPT, and their propensity to lie and their lack of actual intelligence, comes with costs.
cnn.com/2025/09/05/tech/ai-spa

@blakes7bot@mas.torpidity.net
2025-11-11 13:07:13

Series B, Episode 07 - Killer
JENNA: Obviously not.
BLAKE: I hope we got that through to him in time.
[A-line room]
AVON: Keep an eye on the corridor.
blake.torpidity.net/m/207/537 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series featuring two characters in what appears to be a futuristic spacecraft setting. The background shows typical sci-fi television production design with metallic surfaces and circular lighting elements. One character is wearing a mint green and white outfit with a chain necklace and has blonde hair, while the other wears earth-toned clothing including what appears to be a leather jacket ov…
@compfu@mograph.social
2025-09-23 18:58:46

Watched "Mars Express" for the second time because I noticed that I had bought it last year on Prime. I liked it just as much as the first time I saw it.
It has a nice "Ghost in the Shell" vibe going on but it's less philosophical. It makes up for it with great animation and smooth camera moves as well as lots of imaginative sci-fi tech. An exceptional non-Japanese gem in the animated sci-fi genre!

@blakes7bot@mas.torpidity.net
2025-11-11 16:09:46

Series A, Episode 09 - Project Avalon
TRAVIS: Ohh?
SERVALAN: Oh, so far I have resisted that pressure. But now, I need your reassurance that my confidence has not been misplaced.
TRAVIS: I think Project Avalon will silence the critics.
blake.torpidity.net/m/109/174 B7B4…

Claude 3.7 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in what looks like a minimalist, futuristic interior space with plain gray walls and metallic fixtures. The setting has a sterile, institutional quality typical of 1970s-80s sci-fi design.

In the foreground, a woman wearing a white garment with dark trim is engaged in conversation with a man in a black leather jacket. Between them appears to be some kind of white …
@UP8@mastodon.social
2025-10-21 01:38:12

😱 Sci-fi Meets Eldritch Horror in Deck Builder Chaos Zero Nightmare
animenewsnetwork.com/conventio

@blakes7bot@mas.torpidity.net
2025-10-11 12:25:17

Series A, Episode 06 - Seek-Locate-Destroy
AVON: Too close. Another few seconds we'd have all been blown up.
VILA: Well, it wasn't my fault.
AVON: Well, whose fault was it? I thought you were supposed to guard the corridor.
blake.torpidity.net/m/106/116 B7B3

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series from the late 1970s or early 1980s. It shows three people in a futuristic spacecraft setting, wearing distinctive space-age costumes with metallic and colored accents typical of the era's sci-fi aesthetic.

In the foreground, a woman with blonde curly hair is examining what appears to be some kind of electronic device or control panel. She's wearing a pinkish-lavender outfit. Two men in…
@alexanderadam@ruby.social
2025-09-24 08:44:55

I can't believe that this is what we came to.
Did any of the sci-fi authors anticipate what we arrived to?
#claude_code #claude4 #llm

A Reddit user writing:

I just treat claude code like a child.

"Claude, did you make poopoo your pants?"

"No."

"Claude, are you sure? Check your .md files"

"You're absolutely right, I did poopoo my pants"



Another user answering:

"I can't use PowerShell"

"Yes you can"

"You're absolutely right, I can use PowerShell!" starts to use PowerShell

I can't believe I had to motivate Claude to believe in itself so that it could use it.
@stefanlaser@social.tchncs.de
2025-09-24 06:21:35

Our #prediction series is announced, Mattering Press 2025 👋.
There is power in prediction. In the first volume of the Predictions series, a set of #sts authors makes a case for engaging with practices and cultures of prediction. From speculative ethnography to sci-fi.

@tiotasram@kolektiva.social
2025-10-27 03:00:46

Day 30: Elizabeth Moon
This last spot (somehow 32 days after my last post, but oh well) was a tough decision, but Moon brings us full circle back to fantasy/sci-fi, and also back to books I enjoyed as a teenager. Her politics don't really match up to Le Guin or Jemisin, but her military experience make for books that are much more interesting than standard fantasy fare in terms of their battles & outcomes (something "A Song of Ice and Fire" achieved by cribbing from history but couldn't extrapolate nearly as well). I liked (and still mostly like) her (unironically) strong female protagonists, even if her (especially more recent) forays into "good king" territory leave something to be desired. Still, in Paksenarion the way we get to see the world from a foot-soldier's perspective before transitioning into something more is pretty special and very rare in fantasy (I love the elven ruins scene as Paks travels over the mountains as an inflection point). Battles are won or lost on tactics, shifting politics, and logistics moreso than some epic magical gimmick, which is a wonderful departure from the fantasy norm.
Her work does come with a content warning for rape, although she addresses it with more nuance and respect than any male SF/F author of her generation. Ex-evangelicals might also find her stuff hard to read, as while she's against conservative Christianity, she's very much still a Christian and that makes its way into her writing. Even if her (not bad but not radical enough) politics lead her writing into less-satisfying places at times, part of my respect for her comes from following her on Twitter for a while, where she was a pretty decent human being...
Overall, Paksenarrion is my favorite of her works, although I've enjoyed some of her sci-fi too and read the follow-up series. While it inherits some of Tolkien's baggage, Moon's ability to deeply humanize her hero and depict a believable balance between magic being real but not the answer to all problems is great.
I've reached 30 at this point, and while I've got more authors on my shortlist, I think I'll end things out tomorrow with a dump of also-rans rather than continuing to write up one per day. I may even include a man or two in that group (probably with at least non-{white cishet} perspective). Honestly, doing this challenge I first thought that sexism might have made it difficult, but here at the end I'm realizing that ironically, the misogyny that holds non-man authors to a higher standard means that (given plenty have still made it through) it's hard to think of male authors who compare with this group.
Looking back on the mostly-male authors of SF/F in my teenage years, for example, I'm now struggling to think of a single one whose work I'd recommend to my kids (having cheated and checked one of my old lists, Pratchett, Jaques, and Asimov qualify but they're outnumbered by those I'm now actively ashamed to admit I enjoyed). If I were given a choice between reading only non-men or non-woman authors for the rest of my life (yes I'm giving myself enby authors as a freebie; they're generally great) I'd very easily choose non-men. I think the only place where (to my knowledge) not enough non-men authors have been allowed through to outshine the fields of male mediocrity yet is in videogames sadly. I have a very long list of beloved games and did include some game designers here, but I'm hard-pressed to think of many other non-man game designers I'd include in the genuinely respect column (I'll include at least two tomorrow but might cheat a bit).
TL;DR: this was fun and you should do it too.
#30AuthorsNoMen

@inthehands@hachyderm.io
2025-10-20 21:31:16

I have to say, I really feel for the folks at Apple who have to keep churning out large-scale look-and-feel changes to differentiate every new version of the OS. It’s hard to constantly generate visibly new stuff when you already did a good job many versions ago, hard not to succumb to the temptation to make your product look like one of those UIs from a sci-fi movie that UI experts use in class as a case study in things that are cool-looking but actually a bad idea.

@blakes7bot@mas.torpidity.net
2025-09-11 12:12:51

Series D, Episode 02 - Power
TARRANT: Let's go.
[Hillside. Avon runs along.]
[Corridor near door of landing silo. Vila finishes using the lance while still holding the timer and turns to face the others.]
blake.torpidity.net/m/402/476 B7B3

Claude 3.7 describes the image as: "The image shows a person with curly brown hair wearing a distinctive costume that features a high collar with white trim and a blue and white paneled design. This appears to be from a science fiction television production from the late 1970s or early 1980s based on the visual style and production quality. 

The costume has a futuristic appearance typical of space-based sci-fi shows of that era, with clean lines and color blocking. The background appears to be…
@cellfourteen@social.petertoushkov.eu
2025-10-25 10:17:07

Arriving at Act I, The Alters is quite engaging. It's a video game, in case you are reaching for your favourite search engine. So far, the sci-fi aspect has that structured feeling of the Eastern European/Soviet branch of the genre, mixed up with the post-Soviet era shift of values and cultural trends -- still kind of bland, but looking at the Western guilty thrill of the dystopian. It's a damn good, well-made game. I hope it holds up in that way until the end.

The Alters cover art, showing the main protagonist and his many different clones whimsically looking at the camera.
@katrinakatrinka@infosec.exchange
2025-08-21 16:50:04

If you're looking for a fun, good book to read, I've got one for you. I especially recommend it if you like sci-fi, classic pulp/movie monsters, and AI interacting with confusing humans. Add in queer themes of found family, self-identity, and acceptance, and it's a real winner.
Of Monsters and Mainframes by Barbara Truelove

@blakes7bot@mas.torpidity.net
2025-11-11 07:02:02

#Blakes7 Series D, Episode 08 - Games
AVON: Who does?
SLAVE: I fear I am unable to identify them Master. I regret this failure most bitterly.
AVON: Orac?
blake.torpidity.net/m/408/117

Claude 3.7 describes the image as: "This image shows a droid or robot character from the science fiction television series. The machine has a distinctive spherical, segmented design with metallic sections separated by gold trim bands. It appears to have a control panel with small red lights visible in its midsection. The robot is positioned in what looks like a technical corridor or facility with textured green wall panels visible on either side, creating a classic retro sci-fi aesthetic. The s…
@pgcd@mastodon.online
2025-08-19 20:03:17

I can't overestimate the impact this song had on me when I heard it. I was 12, obsessed with sci-fi and these weirdos pop up in the most boring, normalized italian music show (Sanremo) to play a kind of music I had never heard before (and rarely after).
Still sublime after all these years.
youtu.be/aexf…

@arXiv_condmatmtrlsci_bot@mastoxiv.page
2025-09-17 11:44:18

Crosslisted article(s) found for cond-mat.mtrl-sci. arxiv.org/list/cond-mat.mtrl-s
[1/1]:
- Unsupervised Atomic Data Mining via Multi-Kernel Graph Autoencoders for Machine Learning Force Fi...
Hong Sun, Joshua A. Vita, Amit Samanta, Vincenzo Lordi

@blakes7bot@mas.torpidity.net
2025-09-10 18:23:45

Series A, Episode 05 - The Web
JENNA: [Joins Blake. Cally moves to the console and begins altering settings] Navigation computers can't cope with a change of course. We're running blind.
CALLY: [Gan enters stealthily from other passageway]. Don't move.
blake.torpidity.net/m/105/77

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series, showing a person with curly brown hair wearing a distinctive green/olive colored outfit with a metallic or satin-like finish. The costume has a futuristic design typical of 1970s-80s sci-fi productions, with a v-neck and collar styling. The setting appears to be inside a spacecraft or space station, with angular metallic walls and geometric patterns visible in the background. The light…
@blakes7bot@mas.torpidity.net
2025-11-10 13:10:23

Series B, Episode 04 - Horizon
[Teleport section]
AVON: [Snapping on a bracelet] What do these detectors look like?
ORAC: Logic would suggest they are camouflaged - in plants.
blake.torpidity.net/m/204/536 B7B3

Claude 3.7 describes the image as: "This image shows a person in a distinctive silver/metallic costume with a black turtleneck underneath, standing in what appears to be a futuristic set design. The individual is positioned at what looks like a control panel or console with transparent elements. The costume has a retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s.

The setting features angular architectural elements with geometric shapes and panels …
@blakes7bot@mas.torpidity.net
2025-10-10 18:15:08

Series A, Episode 01 - The Way Back
P.A.: [V.O.] Security clear on cell unit M-three for Justice Department access.
VARON: I'm Tel Varon, Justice Department. I've been assigned to defend you.
BLAKE: I don't need a defence. I'm going to plead guilty.
blake.torpidity.net/m/101/157

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing a scene in what looks like a sterile, white institutional setting. In the foreground, there's a person in dark clothing reading or examining some papers at what appears to be a desk or table. In the background, there are figures in what look like military or security uniforms. The setting has a clinical, authoritarian atmosphere typical of dystopian sci-fi productions from t…
@blakes7bot@mas.torpidity.net
2025-09-06 06:03:13

#Blakes7 Series C, Episode 10 - Ultraworld
CALLY: [V.O. faintly] Calling Liberator.
AVON: Be quiet, Vila.
CALLY: [V.O. signal is distorted and weak] I don't know where I am.
VILA: That's Cally's voice.

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set aboard a spacecraft. The image features several people gathered around what appears to be a control panel or table in a futuristic command center environment. The set design has hexagonal lighting panels and metallic walls typical of sci-fi productions from this era.

The individuals are wearing distinctive 1970s/80s-style sci-fi costumes - one in a brown outfit with decorative elements, a…
@tiotasram@kolektiva.social
2025-10-27 00:02:59

Just finished "Low Orbit" by Kazimir Lee.
It's an excellent graphic novel about a queer Malaysian immigrant kid in small-town Maine, the unexpected friends she makes, and the science fiction author who happens to be her landlord. It reminded me a bit of the also excellent "Navigating With You" because of its interwoven fictional sci-fi novel (with really good writing!). CW as predictable for queer family trauma, although it doesn't get too bad and has a happy ending.
#AmReading #ReadingNow

@blakes7bot@mas.torpidity.net
2025-10-09 12:17:57

Series C, Episode 05 - The Harvest of Kairos
DAYNA: What Kairopan? I haven't got any.
JARVIK: You must have touched some. It can smell it on you. Don't tell me you threw it away.
blake.torpidity.net/m/305/534 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people standing in a field near a building. They're wearing distinctive futuristic costumes - one in a dark outfit with light-colored boots, and two others in light-colored tunics with embellishments and boots, suggesting a sci-fi or fantasy setting.

In the foreground, there's a partial view of what looks like someone's hand or arm in a reddish/brown leather glove or sleeve. The…
@blakes7bot@mas.torpidity.net
2025-10-09 15:20:06

Series C, Episode 05 - The Harvest of Kairos
SHAD: Get hold of Command.
DASTOR: [On screen] Command. Yes?
SHAD: It's the harvest, sir. It's been good. Very good.
DASTOR: [On screen] And?
SHAD: Well, we're loaded and ready for lift-off, but, er...
blake.torpidity.net/m/305/201

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like a spacecraft or space station interior. The person is wearing what appears to be a dark helmet or headgear and some kind of uniform or protective clothing. The setting has the distinctive look of a sci-fi production from what seems to be the late 1970s or early 1980s, with characteristic lighting and set design of that era. The background shows var…
@blakes7bot@mas.torpidity.net
2025-11-09 07:06:06

#Blakes7 Series D, Episode 13 - Blake
AVON: This won't hold it for long.
TARRANT: Have we shaken any of them off?
SOOLIN: [Looking at monitor] Not exactly.
VILA: Not remotely. There's four more coming on zero two three.

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction television production from the late 1970s or early 1980s, based on the filming style and costume design. 

The individual is wearing a distinctive black leather outfit with metallic studs or embellishments, which is characteristic of the futuristic, somewhat dystopian aesthetic common in British sci-fi of that era. 

The costume has a militaristic or authoritarian quality, with structured should…
@blakes7bot@mas.torpidity.net
2025-11-09 22:21:11

Series C, Episode 10 - Ultraworld
[Ultra 2 Negative response.]
ULTRA 1: Operate primary fail-safe terminals.
ULTRA 3: Confirmed.
[Tarrant retrieves the memory tubes and leaves the control room.]
blake.torpidity.net/m/310/592 B7B6

Claude Sonnet 4.0 describes the image as: "This image shows a character with distinctive pale, greyish makeup and golden-colored eyes, wearing what appears to be a metallic or silver-colored garment. The character has a bald head and an otherworldly appearance that suggests they are an alien or artificially enhanced being. The background features warm orange and reddish lighting, creating a dramatic sci-fi atmosphere typical of the series. The makeup and costume design emphasize the character's…
@blakes7bot@mas.torpidity.net
2025-09-09 18:30:00

Series A, Episode 05 - The Web
JENNA: Look.
[Main viewscreen shows the web dissolving.]
GAN: He did it. We're free.
JENNA: Not yet.
blake.torpidity.net/m/105/503 B7B5

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series, appearing to be from the late 1970s or early 1980s based on the production style. Three people are standing together in what looks like a futuristic spacecraft or control room, with dramatic lighting and technical elements visible in the background.

The trio is dressed in distinctive retro sci-fi costumes - the person on the left wears a patterned vest-like garment with earthy tones, the middl…
@blakes7bot@mas.torpidity.net
2025-11-08 13:11:20

Series D, Episode 04 - Stardrive
VILA: [All "drunk mannerisms" vanishing instantly] Drunk? Who's drunk?
DAYNA: You are.
VILA: Show me how to get drunk on plain water and I won't waste time.
DAYNA: Well, then why pretend?
blake.torpidity.net/m/404/72

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene on what looks like a spacecraft or futuristic setting. Several people are visible in the frame, wearing distinctive uniform-like costumes that have a retro-futuristic design typical of older sci-fi productions. In the foreground, there's what appears to be translucent or transparent mechanical equipment with ridged patterns, possibly part of the ship's control systems or techno…
@blakes7bot@mas.torpidity.net
2025-11-08 10:08:16

Series D, Episode 02 - Power
GUNN SAR: All right, woman, you just made a very big mistake.
[Corridor in Hommik dwelling. Kate grabs Nina, covering her mouth. She lets go when they recognize each other.]
KATE: Nina!
blake.torpidity.net/m/402/414 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing a person with long blonde hair and facial hair in what looks like a dramatic scene. However, I cannot identify who this specific person is or provide details about their character or role in the series. The lighting and production style suggests this is from a classic sci-fi show, likely from the late 1970s or early 1980s based on the visual aesthetic. The person appears…
@blakes7bot@mas.torpidity.net
2025-09-08 09:05:34

Series D, Episode 09 - Sand
TARRANT: No?
SERVALAN: [Pulls the end of his gun to her forehead] At a distance of one inch, the shot should be even more efficient.
blake.torpidity.net/m/409/165 B7B2

Claude 3.7 describes the image as: "The image shows a tense scene from a television series with a dramatic confrontation. One person with short dark hair and elegant makeup is wearing what appears to be formal attire with jewelry, including earrings. They are facing another person with curly hair wearing what looks like a grayish-green jacket, who is holding what appears to be a weapon or device.

The setting features light-colored curtains or fabric in the background, giving it a retro sci-fi …
@blakes7bot@mas.torpidity.net
2025-11-01 07:09:47

#Blakes7 Series C, Episode 06 - City at the Edge of the World
KERRIL: What are you staring at?
VILA: I'm not staring.
KERRIL: We've been on the move a lot.
VILA: Yes.
KERRIL: It's the first chance I've had to, well, get cleaned up.

Claude 3.7 describes the image as: "The image shows a scene set in what appears to be a futuristic or sci-fi environment with metallic walls and geometric patterns. Two people are visible in the frame - one wearing a light green sleeveless dress with blonde hair on the left, and another in a light gray wraparound tunic with matching pants and tan boots on the right.

The setting has a distinctive retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s. T…
@blakes7bot@mas.torpidity.net
2025-10-07 12:08:48

Series A, Episode 10 - Breakdown
BLAKE: The way we're using power, it'll be sooner.
CALLY: What will happen to the ship?
AVON: The forces inside that will not merely destroy us, they will annihilate us.
blake.torpidity.net/m/110/310 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like the interior of a spacecraft or futuristic facility. The setting has a distinctly retro-futuristic aesthetic typical of British sci-fi productions from the late 1970s or early 1980s.

The scene shows two people seated together - one wearing a flowing green/gray draped garment, and another in what appears to be a dark vest or tunic-style outfit…
@blakes7bot@mas.torpidity.net
2025-09-07 15:36:35

Series D, Episode 02 - Power
PELLA: [Having entered unnoticed] Yes, Avon, why?
AVON: I didn't.
PELLA: Your finger was on the trigger. YOU killed him.
AVON: I didn't, Pella. But YOU did, didn't you?
blake.torpidity.net/m/402/392 B7B4

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. It shows a person wearing a distinctive costume featuring a black leather jacket with studded shoulders and white accent panels. The costume has a somewhat militaristic or futuristic design typical of sci-fi productions from that era.

The person is wearing a dark shirt underneath the elaborate jacket and has a serious, intense expression. The setting appears…
@blakes7bot@mas.torpidity.net
2025-10-07 15:10:53

Series D, Episode 10 - Gold
AVON: But I shouldn't imagine it's much use to you now. You'll just have to confess and pay up.
TARRANT: [Into comm.] We're ready, Vila.
KEILLER: Avon, what about me?
blake.torpidity.net/m/410/406 B7B4

Claude 3.7 describes the image as: "The image shows a person with curly dark hair in what appears to be an outdoor, rugged landscape setting. They're wearing what looks like a gray uniform or jacket with metallic accents, typical of science fiction costume design from the late 1970s or early 1980s. The individual is holding what appears to be a prop weapon, possibly a futuristic gun or blaster.

The scene has a distinctly retro sci-fi aesthetic with a barren, possibly quarry-like landscape in t…
@blakes7bot@mas.torpidity.net
2025-09-30 12:44:32

Series D, Episode 09 - Sand
DAYNA: Oh, I trust you, Avon.
AVON: I must be slipping.
SLAVE: Yes indeed, I think I must be too, Master.
AVON: What?
SLAVE: Er, slipping, Master.
AVON: Soolin, take over.
blake.torpidity.net/m/409/78 B7B3

Claude 3.7 describes the image as: "The image shows a person with short dark hair and elegant earrings, looking to the side with an expressive gaze. They're wearing what appears to be a distinctive gold-colored high collar or neck piece with decorative elements, possibly part of a futuristic or sci-fi costume. The styling has a distinct retro sci-fi aesthetic characteristic of British television productions from the late 1970s or early 1980s.

The background is muted and dark, creating contrast…
@blakes7bot@mas.torpidity.net
2025-11-06 16:15:06

Series B, Episode 05 - Pressure Point
TRAVIS: [To mutoids] Get after them!
SERVALAN: [Slaps Travis] You hesitated. My life was at risk and you hesitated. [Tries slapping him again, but he catches her hand]
[Blake and crew hurry through the red corridors.]
blake.torpidity.net/m/205/527

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic sci-fi setting with distinctive lighting and architectural elements typical of the series. One person is wearing an elegant white dress with decorative details, while the other is dressed in dark leather or similar material with sunglasses, creating a striking contrast between their costumes. The scene has a dramatic, tense quality to it, with the lighting creating an otherworldly atmosphere. The …
@blakes7bot@mas.torpidity.net
2025-10-06 18:18:21

Series A, Episode 05 - The Web
NOVARA: Flutonic power cells. As you can see from the registers one of them is totally exhausted. The other almost so.
BLAKE: And you have no means of recharging them.
blake.torpidity.net/m/105/349 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series, showing someone wearing what appears to be a light-colored, military or utilitarian-style jacket or uniform. The setting has the distinctive look of late 1970s/early 1980s television production, with characteristic lighting and background colors typical of that era's sci-fi shows. The person appears to be in some kind of indoor setting, possibly aboard a spacecraft or in a futuristic f…
@blakes7bot@mas.torpidity.net
2025-11-06 22:20:02

Series A, Episode 12 - Deliverance
TRAVIS: It begins to look that way. [Pauses]
SERVALAN: What's the matter?
TRAVIS: Maryatt.
SERVALAN: What about him?
TRAVIS: His disappearance - there may be questions.
blake.torpidity.net/m/112/271 B7B6

Claude 3.7 describes the image as: "The image shows a person in a black leather jacket standing in what appears to be an interior setting with a distinctive textured wall featuring a diamond pattern in the background. The individual is turned slightly, looking over their shoulder, and appears to be holding something small in their hands. The setting has a somewhat institutional or utilitarian appearance with simple walls and minimal decoration, which is characteristic of the retro sci-fi aesthe…
@blakes7bot@mas.torpidity.net
2025-10-05 09:19:19

Series B, Episode 04 - Horizon
CALLY: [V.O.] Right.
AVON: Orac, have you obtained any further information on the planet Horizon?
ORAC: No.
AVON: Why not?
ORAC: Is that a serious question?
AVON: No.
blake.torpidity.net/m/204/406 B7B2

Claude 3.7 describes the image as: "This image shows a futuristic sci-fi control room or laboratory setting. A person is seated at what appears to be a control station, wearing a distinctive silver/white jacket with dark pants. The metallic, reflective fabric of the outfit suggests a futuristic or space-age aesthetic typical of science fiction productions from the late 1970s or early 1980s.

In the foreground, there's a transparent console or equipment case containing various tubes, wires, and …
@blakes7bot@mas.torpidity.net
2025-10-05 12:22:41

Series C, Episode 09 - Sarcophagus
TARRANT: Wait a minute, Orac-
ORAC: Disconnect. [The glasses tumble off the tray which begins to swoop around in the air.]
DAYNA: I don't believe that.
VILA: Try and convince me, will you? Please?
blake.torpidity.net/m/309/228

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a futuristic spaceship interior, with characteristic sci-fi design elements including hexagonal wall panels and advanced-looking control surfaces. The setting features sleek, technological architecture typical of space-based science fiction productions from this era.

The scene shows someone in a distinctive costume - a grey and red outfit that appears to be some kind of uniform or specialized clothin…
@blakes7bot@mas.torpidity.net
2025-11-05 19:23:10

Series C, Episode 05 - The Harvest of Kairos
JARVIK: You don't think they have enough problems as it is?
SERVALAN: Oh, I'm sure they have. You may take a small party with you to make the numbers equal.
blake.torpidity.net/m/305/477 B7B5

Claude 3.7 describes the image as: "The image shows two people in what appears to be a futuristic spaceship or station interior. One person with very short dark hair is wearing a light-colored patterned outfit and is looking up with a smile at the other person, who is wearing a distinctive blue padded vest or jacket with gray sections. 

The setting has a clean, minimalist sci-fi aesthetic typical of classic British television productions, with rounded wall fixtures and technical-looking panels…
@blakes7bot@mas.torpidity.net
2025-11-05 16:20:48

Series A, Episode 11 - Bounty
VILA: Nobody could open it.
AVON: I thought you could open anything, that's always been one of your more modest claims.
VILA: I could open that door in two minutes.
blake.torpidity.net/m/111/400 B7B4

Claude Sonnet 4.0 describes the image as: "This image shows a scene from what appears to be a science fiction television production, featuring a character in distinctive futuristic costume. The person is wearing a striking black outfit with metallic silver trim arranged in V-shaped patterns across the chest and shoulders. The costume has a high collar and appears to be made of leather or similar material, giving it a sleek, space-age appearance typical of 1970s-80s sci-fi productions.

The sett…
@blakes7bot@mas.torpidity.net
2025-11-04 16:26:09

A05 - The Web
SAYMON: None. If our life support should fail, they would simply wither away. Thanks to you and your energy cells that will not occur.
BLAKE: So that all I have spoken to them about, all they have told me, that was you talking not them.
blake.torpidity.net/m/105/440

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a science fiction scene featuring what looks like a transparent cylindrical chamber or containment unit with a reddish tint. There appears to be a figure visible within the chamber, though the image quality and lighting make details difficult to discern clearly. The setting has a futuristic, clinical appearance typical of sci-fi television production design from this era, with metallic elements visible at the top of the cha…
@blakes7bot@mas.torpidity.net
2025-11-04 07:19:02

#Blakes7 Series B, Episode 07 - Killer
BLAKE: The service history of that ship you've got in the landing bay. I sent you a warning about it earlier.
BELLFRIAR: Where did this come from?
BLAKE: Central Registry.
BELLFRIAR: Seven hundred years old?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The scene shows someone in what appears to be a futuristic white outfit or uniform, sitting in what looks like a spaceship or futuristic setting. The lighting and set design have that distinctive look characteristic of British sci-fi productions from that era, with clean, minimalist aesthe…
@blakes7bot@mas.torpidity.net
2025-11-03 07:02:13

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: What do you think?
MAX: It's all been according to the rules.
blake.torpidity.net/m/312/161 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two people in what looks like a spacecraft or futuristic vehicle interior. The lighting is dramatic and moody, with both figures wearing light-colored clothing. The setting has the characteristic look of 1970s/80s sci-fi television production design, with angular surfaces and technical equipment visible in the background. The scene appears tense or dramatic based on the …
@blakes7bot@mas.torpidity.net
2025-10-02 18:19:38

Series A, Episode 02 - Space Fall
BLAKE: Check the outer hatch in case someone decides to try and join us.
RAIKER: I want a boarding crew kitted out and ready to follow me over.
[Technician nods.]
[Switch to Blake, trying to push/pull the hatch closed.]
blake.torpidity.net/m/102/651

Claude 3.7 describes the image as: "This appears to be a scene from a vintage science fiction television production from the late 1970s or early 1980s. The image shows a futuristic spacecraft interior with a distinctive hexagonal design aesthetic typical of BBC sci-fi productions of that era. 

The setting features angular control panels and a stylized spacecraft bridge with geometric lighting fixtures. Several people are visible in what appears to be a command center or flight deck of a spacec…
@blakes7bot@mas.torpidity.net
2025-11-02 16:13:12

Series A, Episode 10 - Breakdown
AVON: ...concept.
BLAKE: Damn.
AVON: We're going to have to turn back. Jenna, stand by to reverse the course.
JENNA: Look, we've set out to save Gan and that's what we're going to do.
AVON: But you don't understand.
blake.torpidity.net/m/110/204

Claude 3.7 describes the image as: "The image shows two people in what appears to be a spacecraft interior, sitting on cream-colored seating. They're engaged in what seems to be a serious conversation. Both are wearing dark clothing with some decorative elements - one has curly hair while the other has straight darker hair. The futuristic setting is suggested by the control panel visible in the background with colored lights. The aesthetic has that distinctive late 70s/early 80s sci-fi televisi…
@blakes7bot@mas.torpidity.net
2025-10-01 12:38:33

Series B, Episode 01 - Redemption
CALLY: Treatment unit. He tried to reconnect one of the servo links and it burned his hand.
BLAKE: Right, sit down. [All but Vila sit at a small table to the left of flight consoles] No one is to attempt to repair any equipment till the computers are back under our control.
blake.torpi…

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction TV series, showing a scene in what looks like a spacecraft or futuristic control room. The setting features technical equipment and utilitarian design elements typical of sci-fi productions from the late 1970s or early 1980s.

The scene captures three individuals in conversation. On the right is a person wearing a distinctive black leather outfit with decorative studs or buttons along the sleeves. In the…
@blakes7bot@mas.torpidity.net
2025-10-01 15:40:54

Series C, Episode 08 - Rumours of Death
SULA: Then stop talking like a fool. Do you seriously imagine I have any personal regard for that woman? Doesn't it occur to you that I might hate her more than any of you precisely because I do know her?
HOB: So let's cut her throat and be done with it.
blake.torpidity.n…

Claude 3.7 describes the image as: "This image shows a scene from what appears to be a vintage television production, likely from the late 1970s or early 1980s based on the visual style and production quality. 

The person in the image has short, light brown hair and is wearing a gray high-collared outfit, which fits with the futuristic or sci-fi aesthetic common in productions of that era. Their expression appears concerned or intense, suggesting this might be from a dramatic scene.

The backg…
@blakes7bot@mas.torpidity.net
2025-09-01 09:13:56

Series B, Episode 07 - Killer
BLAKE: What's happened?
BELLFRIAR: Well, it's standard drill with a space death. The autopsy's carried out in a sealed mortuary in case there are any alien micro-organisms around. Are you all set, Dr. Wiler?
blake.torpidity.net/m/207/286

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a science fiction setting with futuristic interior design featuring white and geometric wall patterns. There are two figures in the scene - one person with curly dark hair wearing what appears to be a light-colored outfit, and another figure in white clothing. The setting has the distinctive clean, minimalist aesthetic typical of sci-fi productions from this era, with sleek walls and modern-looking control panels or equipme…
@blakes7bot@mas.torpidity.net
2025-10-01 09:15:40

Series D, Episode 11 - Orbit
VILA: You really think things through, don't you, Avon? If we do need it, we won't have time to get it.
AVON: Well then, let's hope we don't need it. [Smiles]
[Scene: Scorpio]
blake.torpidity.net/m/411/84 B7B2

Claude 3.7 describes the image as: "The image shows a person in a scene that appears to be from a science fiction production. They're wearing what looks like a light-colored outfit with a distinctive collar. The background features what appears to be technical equipment or control panels with lights and switches, suggesting a spacecraft or futuristic setting.

The lighting creates a dramatic mood, typical of sci-fi productions from the late 1970s or early 1980s, giving the scene a vintage quali…
@blakes7bot@mas.torpidity.net
2025-08-30 09:06:30

Series A, Episode 02 - Space Fall
BLAKE: Spread out and find the armoury. Jenna?
JENNA: What?
BLAKE: Let's find the computer room.
[Switch to Raiker and Artix]
RAIKER: All the doors are open!
blake.torpidity.net/m/102/316 B7B2

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a sci-fi television program from the late 1970s or early 1980s, based on the production quality and styling. The scene depicts a tense moment with several people in what looks like a corridor or interior room with gray walls.

In the foreground, there's an interaction where one person in a light-colored vest is restraining or holding someone in a dark blue outfit. Several others stand in the background observing…
@blakes7bot@mas.torpidity.net
2025-09-29 21:15:00

Series D, Episode 01 - Rescue
TARRANT: [Enters] You all right?
DORIAN: How many more of you are there?
AVON: [Enters, weapon levelled at Dorian] Just one. Stand still. Drop the gun. Now move away from it. Slowly.
blake.torpidity.net/m/401/114 B7B6

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, captured in a winter setting with snow on the ground. Four people are standing in conversation, wearing distinctive futuristic costumes that suggest a space or sci-fi theme. The costumes include dark leather-like materials and unique styling typical of 1970s/80s television productions. The scene takes place in a sparse outdoor location with bare trees and shrubs in the background, creating a s…
@blakes7bot@mas.torpidity.net
2025-10-30 19:30:36

Series C, Episode 13 - Terminal
ZEN: Confirmed.
[Teleport room. All but Avon are present. Avon enters.]
AVON: You can take the watch now, Vila.
VILA: Wonderful. I've been looking forward to that.
TARRANT: Where are we going, Avon?
blake.torpidity.net/m/313/86

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a spaceship or control room. The setting has distinctive angular walls with reddish-brown paneling and hexagonal design elements typical of 1970s/80s sci-fi productions.

In the scene, a person wearing a dark leather outfit stands at what looks like a control console with various technical equipment. The futuristic control panel contains box-like devices with displays…
@blakes7bot@mas.torpidity.net
2025-08-29 15:17:57

Series C, Episode 02 - Powerplay
TARRANT: It was an even bet.
AVON: Quite.
TARRANT: I still don't know who the girl is, though.
AVON: Her name is Dayna, she's not one of us. Where is she, by the way?
TARRANT: Do you care?
blake.torpidity.net/m/302/352

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be a futuristic or sci-fi setting with metallic/technological backgrounds typical of space-based television productions. One man is shown in profile on the left, while the other faces more toward the camera on the right, wearing what looks like a dark high-collared garment. The lighting and production values suggest this is from a British science fiction series from the late 1970s or early 1980s. The scene appears t…
@blakes7bot@mas.torpidity.net
2025-10-30 10:22:30

Series B, Episode 01 - Redemption
BLAKE: It's all right, Vila. I think we've lost them.
VILA: How'd you know?
BLAKE: We're still here. Cut the auxiliaries. Get back to primary drive. [To Avon] Are you all right?
blake.torpidity.net/m/201/124 B7B2

Claude 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s, based on the visual style and production quality. The setting appears to be the bridge or control room of a spacecraft, with futuristic control panels and a distinctive angular design aesthetic typical of sci-fi productions from that era.

Several people are visible in the control room, wearing costume garments that suggest a unified st…
@blakes7bot@mas.torpidity.net
2025-08-30 15:11:03

Series A, Episode 08 - Duel
BLAKE: Right, wake me when you're tired.
[Up a different tree: Travis and Mutoid]
TRAVIS: Tell me something, do you remember who you were?
MUTOID: I don't understand the question, Commander.
blake.torpidity.net/m/108/375 B7B4

Claude 3.7 describes the image as: "The image shows a dramatic portrait shot from what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the filming style and aesthetic. The scene is very dark, with dramatic side lighting that creates strong shadows against a black background.

The person in the image appears to be wearing what looks like a high-collared jacket or uniform, typical of sci-fi costume design from that era. The lighting techni…
@blakes7bot@mas.torpidity.net
2025-09-28 09:11:58

Series C, Episode 13 - Terminal
TARRANT: Avon, where is the ship headed?
AVON: To tell you the truth, I haven't the faintest idea.
[Flight deck. Tarrant, Vila, Dayna, Cally enter.]
blake.torpidity.net/m/313/94 B7B2

Claude 3.7 describes the image as: "This image shows a character in what appears to be a science fiction setting, wearing a distinctive black and silver costume with a high collar. The person has short brown hair and is looking slightly to the side against a background with horizontal lines or panels. The costume has a sleek, futuristic appearance typical of classic sci-fi television from the late 1970s or early 1980s. The styling, set design, and costume suggest this is from a British science …
@blakes7bot@mas.torpidity.net
2025-09-27 06:15:43

#Blakes7 Series B, Episode 03 - Weapon
VILA: Why didn't you suggest it to us?
CALLY: Because I knew how you'd react.
AVON: Auron may be different, Cally, but on Earth it is considered ill-mannered to kill your friends while committing suicide.

Claude 3.7 describes the image as: "This image shows a person with short hair wearing a dark, high-collared uniform in what appears to be a futuristic sci-fi setting. The person has a somewhat concerned or serious expression, and is positioned against a gray/metallic background that suggests the interior of a spacecraft or space station. 

The costume design is characteristic of 1970s-80s British science fiction television, with its minimalist styling and dark colors. The setting has the distin…
@blakes7bot@mas.torpidity.net
2025-10-28 13:23:03

Series B, Episode 12 - The Keeper
ZEN: Main detectors report Federation pursuit ship, bearing one three two, course two seven six, leaving the planet and entering orbit.
AVON: Put it on the main screen.
ZEN: Affirmative. [pursuit ship appears on screen]
blake.torpidity.net/m/212/31

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing the interior of what looks like a spacecraft or control room. The setting features futuristic control panels with various buttons, switches, and displays typical of 1970s-80s sci-fi production design. There are comfortable-looking seats and the overall aesthetic has that distinctive retro-futuristic appearance common to British science fiction shows of that era. The lighting…
@blakes7bot@mas.torpidity.net
2025-08-28 12:22:34

Series B, Episode 04 - Horizon
CALLY: And we thought we were tired before.
VILA: I'll tell you this, though: it beats work.
[End of episode. Roll credits.]
blake.torpidity.net/m/204/667 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is an image featuring someone in what appears to be a futuristic costume with a distinctive green and cream colored outfit with metallic trim. The setting has dramatic lighting with reddish tones in the background, creating a moody sci-fi atmosphere typical of 1970s/1980s television production. The styling includes a short, curled hairstyle characteristic of that era's television aesthetic. The costume design suggests this is from a spac…
@blakes7bot@mas.torpidity.net
2025-08-27 09:17:04

C07 - Children of Auron
DERAL: [Talks over Servalan. Then thinks better of it.] You'll get your or-
SERVALAN: Yes. With full quarantine precautions. Say we're afraid of cross infection. Under the circumstances, they shouldn't find that hard to believe.
blake.torpidity.net/m/307/204

Claude 3.7 describes the image as: "The image shows a dark, futuristic interior setting with a distinctly retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s. 

In the foreground is a person with short dark hair wearing a distinctive high collar or choker and elegant attire. Behind them stands another figure in a dark uniform or outfit that appears military or authoritarian in style.

The scene appears to be taking place in some kind of control room …
@blakes7bot@mas.torpidity.net
2025-10-28 19:28:12

Series A, Episode 13 - Orac
BLAKE: All right, put us down.
[Scene: The planet's surface. Blake and Cally land near the obelisk.]
BLAKE: Some sort of obelisk, I suppose.
CALLY: Well, what should we do now?
blake.torpidity.net/m/113/170 B7B5

Claude 3.7 describes the image as: "The image appears to be from a classic science fiction television series from the late 1970s/early 1980s era, showing a person with curly dark hair wearing what looks like a light-colored vest or jacket over a darker garment. The background is dark, suggesting a spacecraft or futuristic setting typical of space-based sci-fi productions from that time period.

The styling, costume design, and filming quality are characteristic of British television productions…
@blakes7bot@mas.torpidity.net
2025-08-27 18:24:21

Series D, Episode 13 - Blake
BLAKE: Chalk up another one to law and order.
DEVA: Smuggler, do you think?
BLAKE: Something like that. Do you know it's getting so you can't make a dishonest living on this planet anymore?
blake.torpidity.net/m/413/247 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set on what appears to be a spaceship bridge or control room, with characteristic sci-fi production design featuring control panels, lighting, and futuristic set pieces typical of late 1970s British television. The setting shows sophisticated electronic equipment and displays. One person is seated at what looks like a control console or computer terminal, wearing a light-colored outfit with distinctive black trim details. Anot…
@blakes7bot@mas.torpidity.net
2025-09-26 12:05:21

Series D, Episode 11 - Orbit
AVON: Orac mark two. Just a replica I made a few months back. Contingency planning, Vila, and the contingency arose.
VILA: But the thing worked!
blake.torpidity.net/m/411/372 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a futuristic control room or technical facility, with characteristic sci-fi styling including metallic surfaces and electronic equipment in the background. Two characters are present - one wearing light-colored clothing in the background, and another in the foreground wearing a distinctive black leather outfit with decorative studs or embellishments. The character in black appears to be operating or e…
@blakes7bot@mas.torpidity.net
2025-08-26 12:26:10

Series B, Episode 02 - Shadow
BLAKE: Don't tell me you agree with Gan.
AVON: No, no, no, I'm just...interested. It seems to me that we have identified the source of that threat rather easily.
BLAKE: So why haven't they?
AVON: Exactly.
blake.torpidity.net/m/202/405

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be a futuristic or sci-fi setting with metallic walls and atmospheric lighting in the background. One man is wearing a dark green or olive-colored shirt, while the other is dressed in a distinctive silver metallic garment with a black collar or turtleneck underneath. The scene appears to be taking place in some kind of spaceship or advanced facility interior. The lighting and set design have the characteristic look …
@blakes7bot@mas.torpidity.net
2025-09-26 21:12:20

Series C, Episode 07 - Children of Auron
VILA: Um, welcome aboard.
DERAL: Sit down. [points gun at Vila]
VILA: Over here? [sits at teleport console]
DERAL: Mnn hmm.
DAYNA: [Enters with gun on Deral] Keep still! [takes his gun]
blake.torpidity.net/m/307/453 B7B…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two people in what looks like a futuristic spacecraft or space station interior. The setting has the characteristic design elements of 1970s-80s sci-fi productions, with angular walls, distinctive lighting, and technical panels visible in the background.

One person is wearing dark clothing and appears to be holding something small, while the other is wearing what lo…
@blakes7bot@mas.torpidity.net
2025-09-26 09:03:01

Series B, Episode 04 - Horizon
[Teleport section. Avon is seated at the console]
BLAKE: Have you got the coordinates yet?
AVON: It takes time.
BLAKE: There may not BE much time.
AVON: Then stop distracting me.
[Rack room]
blake.torpidity.net/m/204/602 B7B2…

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic medical or technical facility setting. One person is standing, wearing white robes or garments, while another is lying down on what looks like a medical bed or examination table, wearing light-colored clothing. The background shows typical sci-fi television production design with control panels, screens, and technological equipment typical of the era. The setting has a clinical, sterile appearance…
@blakes7bot@mas.torpidity.net
2025-08-26 15:28:19

Series C, Episode 01 - Aftermath
LAUREN: That's the north shore.
MELLANBY: Nothing there. Try the west. Nothing there either.
DAYNA: [Enters] What's happening, father?
blake.torpidity.net/m/301/264 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a futuristic spacecraft interior or control room setting. The scene features several people gathered around what appears to be a control console or table with some kind of device on it. The set design has that distinctive late 1970s/early 1980s sci-fi aesthetic with white and metallic surfaces, and there are some lighting effects visible in the background. Th…
@blakes7bot@mas.torpidity.net
2025-10-26 07:04:44

#Blakes7 Series B, Episode 12 - The Keeper
VILA: Huh! Blake!
BLAKE: Shhh, quiet.
VILA: Am I glad to see you. What are you doing here?
BLAKE: Is Jenna all right?
VILA: Only pair-bonding with the chief.
BLAKE: Good.

Claude 3.7 describes the image as: "This image appears to be from a dark, dramatic scene, likely filmed in a low-light setting. The photo shows a person wearing what looks like a utilitarian or military-style jacket in a brownish color. They appear to be in some kind of dimly lit environment, possibly a corridor or confined space.

The dramatic lighting creates strong shadows and a tense atmosphere, which was characteristic of the sci-fi television production styles of the late 1970s/early 1980…
@blakes7bot@mas.torpidity.net
2025-10-25 09:10:59

Series C, Episode 03 - Volcano
ZEN: That information is not available.
VILA: Very helpful.
CALLY: Avon, those Federation assessment teams were always followed up by invasion and colonization.
AVON: Usually.
blake.torpidity.net/m/303/60 B7B2

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing three characters in what looks like a spaceship interior or futuristic setting. The scene has the distinctive visual style of late 1970s/early 1980s British sci-fi television, with metallic set pieces and atmospheric lighting in the background.

The three individuals are dressed in period-appropriate futuristic costumes - one in a light-colored tunic-style garment, another in …
@blakes7bot@mas.torpidity.net
2025-09-24 18:21:13

Series D, Episode 04 - Stardrive
AVON: About two billion tons, I would say.
TARRANT: Range one hundred thousand and closing.
DAYNA: Well, then I say the whole scheme's crazy.
AVON: Why?
blake.torpidity.net/m/404/9 B7B5

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene in what looks like a futuristic control room or spacecraft interior. 

The image features two people in distinctive retro-futuristic costumes typical of classic sci-fi productions. On the left is a person with curly dark hair wearing a high-collared outfit with blue and white accents. On the right is a person with blonde hair pulled back, dressed in a gray uniform-like garment.…
@blakes7bot@mas.torpidity.net
2025-10-25 15:15:49

Series B, Episode 02 - Shadow
JENNA: Destroy rather than dump, surely.
BEK: I'll do it. [Rises]
AVON: It isn't necessary.
BLAKE: Will it work?
blake.torpidity.net/m/202/618 B7B4

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene set in what looks like a futuristic spacecraft interior. The setting features hexagonal wall panels and technical equipment in the background, creating a distinctive retro sci-fi aesthetic typical of productions from the late 1970s or early 1980s.

Two people are shown in conversation - one seated on the left wearing a white outfit with blonde hair, and another standing on the …
@blakes7bot@mas.torpidity.net
2025-08-25 06:14:01

#Blakes7 Series A, Episode 12 - Deliverance
TRAVIS: It was Maryatt.
SERVALAN: Does it matter?
TRAVIS: No... No. Only Blake matters now.
SERVALAN: And Orac.
TRAVIS: Right.
blake.torpidity.net/m/112/281…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a futuristic interior setting with distinctive geometric wall patterns. There's a person in dark, military-style clothing standing, and another figure seated or reclining. The set design has a sleek, spaceship-like aesthetic typical of classic sci-fi shows, with clean lines and metallic surfaces. The lighting and production values suggest this is from a Briti…
@blakes7bot@mas.torpidity.net
2025-08-24 06:20:18

#Blakes7 Series B, Episode 13 - Star One
VILA: [On communicator] What about the teleport?
JENNA: I'll put Orac on it.
VILA: [On communicator] He's not as quick as we are.
JENNA: We'll have to live with that.

Claude Sonnet 4.0 describes the image as: "This black and white image shows a scene from what appears to be a science fiction television series, likely from the late 1970s or early 1980s based on the styling and production quality. The setting appears to be inside a spacecraft or futuristic facility, with characteristic curved walls and technical details visible in the background that are typical of sci-fi productions from that era.

The scene captures a dramatic moment, with the lighting and c…
@blakes7bot@mas.torpidity.net
2025-08-23 06:05:23

#Blakes7 Series C, Episode 02 - Powerplay
DAYNA: Do what? Avon, why do you keep everything to yourself? Why so secretive?
AVON: Perhaps I'm shy. [Goes to leave] Anybody comes through this door, kill them. Anybody that isn't me, that is.

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like a futuristic spacecraft or base interior. The setting features sleek, metallic walls with a distinctive angular design typical of sci-fi productions from that era.

One character is wearing an elegant white flowing garment with decorative trim, suggesting a formal or ceremonial outfit. The other character is dressed in what appears to be a mil…
@blakes7bot@mas.torpidity.net
2025-09-22 15:11:48

Series C, Episode 11 - Moloch
TARRANT: It knows too much about me. [Scene shifts to the computer room, where Avon and Dayna, hands bound, are being interrogated by Grose and Lector. Two stormtroopers are at the back of the room.]
GROSE: [O.O.V.] It isn't the information we want, as such. It's the fun of extracting it. We can be very crude like that, can't we, Lector?

Claude Sonnet 4.0 describes the image as: "I can see this is a close-up shot of a man with dark hair and intense eyes, appearing to be in dramatic lighting typical of science fiction television from the late 1970s or early 1980s. The image has the distinctive look and production quality characteristic of British sci-fi television from that era. The lighting and cinematography create a moody, serious atmosphere. However, I cannot identify who this specific actor is based on their appearance alon…
@blakes7bot@mas.torpidity.net
2025-10-22 18:13:16

Series B, Episode 08 - Hostage
JENNA: What?
CALLY: I don't believe it.
MOLOK: Show me the ship; I must learn about it.
CALLY: You're a crimo, aren't you?
blake.torpidity.net/m/208/582 B7B5

Claude 3.7 describes the image as: "The image appears to be from a vintage science fiction television series, captured in a distinctly retro production style typical of British sci-fi from the late 1970s or early 1980s. 

Two individuals are shown in what looks like a futuristic spaceship or base interior, characterized by hexagonal wall panels and minimalist design elements. The person on the left wears a simple beige outfit, while the one on the right is dressed in a more elaborate patterned …
@blakes7bot@mas.torpidity.net
2025-08-23 18:14:27

Series C, Episode 09 - Sarcophagus
TARRANT: Well, that's impossible, Zen. Even if someone had teleport facility, there's nothing and nowhere they could have come from, is there?
ZEN: There is an intruder aboard.
DAYNA: Well, how? And where? Zen?
blake.torpidity.net/m/309/241

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene set in what looks like a spacecraft or control room. Three people are gathered around what appears to be a transparent tactical table or control console. 

The individuals are wearing distinctive costume styling typical of classic sci-fi productions, with the person on the left wearing a gray and red uniform with shoulder details. The person in the middle wears a simple gray ou…
@blakes7bot@mas.torpidity.net
2025-09-21 18:21:12

Series D, Episode 01 - Rescue
DORIAN: Relax. Your problems are over. [Draws a hand gun. Scene - Planet Terminal. Exterior. Avon is crouched next to Tarrant. Tarrant sits drinking from a canteen.]
AVON: Pass out again and I'll leave you, Tarrant.
blake.torpidity.net/m/401/105

Claude 3.7 describes the image as: "This image appears to be from a retro science fiction television show, showing two people in distinctive costume design typical of late 1970s/early 1980s sci-fi aesthetic. They're wearing elaborate outfits featuring decorative studs and patterns - one in a predominantly red outfit with silver accents, and the other in black with white patterned detailing. They appear to be in a winter setting with bare trees in the background and what looks like snow on the g…