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@stsquad@mastodon.org.uk
2025-06-04 05:58:47

We've been pacing ourselves watching #blackmirror because there is only so much bleak dystopian sci-fi we can absorb in one go. Last night's episode was "Hotel Reverie" which was actually semi-uplifting in the end. Combined with the happy-ish ending of "Bête Noir" we might even get to the end of the season not totally depressed about the future of humanity.

@blakes7bot@mas.torpidity.net
2025-06-04 12:23:00

Series D, Episode 04 - Stardrive
AVON: That's one misfortune we don't have to share.
VILA: Fourteen I was when I was first sent to a penal colony. Ship was hit in the main drive by a meteoroid, bang! Y'know what they did to repair it? [Avon and Tarrant begin to look at Vila. As he continues they move in, listening to him.] Activated the force wall and generated an atmosphere inside the force wall so the repair team could work in a vacuum without spacesuits, 'caus…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in a futuristic medical facility or ship's medical bay. The setting features sleek, sterile-looking medical pods or treatment beds with transparent covers and metallic frameworks. The lighting has a cool, clinical blue-green tint typical of sci-fi medical environments. Several characters are present in the scene - some appear to be patients lying in the medical pods while others are standing nearby, likely medical personn…
@blakes7bot@mas.torpidity.net
2025-06-04 18:27:20

Series D, Episode 08 - Games
SOOLIN: Do you think they planned that explosion?
AVON: Not this time. This was just a happy accident. But now the Federation is aware of the potential of Feldon power systems. Orac?
blake.torpidity.net/m/408/5 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone with long blonde hair sitting in what looks like a futuristic chair or control seat. The setting has the characteristic look of a spacecraft or advanced facility interior, with sleek surfaces and technical design elements typical of sci-fi productions from that era. The person is wearing what appears to be a light-colored outfit with dark trim or detailing. The o…
@blakes7bot@mas.torpidity.net
2025-06-03 12:08:16

Series B, Episode 03 - Weapon
ORAC: No. It was a priority one - for automatic relay to the senior officer present.
BLAKE: Orac, I want more information. I want to know everything there is to know about this man Coser; I want to know how he got out of the base; and I want to know what IMIPAK is.
blake.torpidi…

Claude Sonnet 4.0 describes the image as: "I can see this is a science fiction television scene set on what appears to be a spaceship or space station, with characteristic retro-futuristic production design typical of late 1970s sci-fi shows. The setting features metallic surfaces and geometric architectural elements in the background. There are two people visible in the frame - one person in the foreground wearing what appears to be a dark leather or similar material jacket, and another person…
@teledyn@mstdn.ca
2025-05-27 04:23:08

We need a sci-fi series like Star Trek TNG, but instead of Data being super logical as were the computers of that era, our updated Data is an LLM and Starfleet foists these on starship commanders because, 52% of the time, they are brilliant.
Note: this must not be a comedy.

@gorbag@social.linux.pizza
2025-04-14 12:28:42

theguardian.com/books/2025/apr

@blakes7bot@mas.torpidity.net
2025-06-02 06:11:03

#Blakes7 Series D, Episode 11 - Orbit
DAYNA: So how could Egrorian have planted it aboard?
AVON: He must have reprogrammed that automatic landing bay of his.
SOOLIN: And you moved it on your own?
AVON: I couldn't find Vila.
VILA: I'm glad about that.

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like a spacecraft or futuristic facility interior. The setting features typical sci-fi production design with metallic walls and technical equipment visible in the background. One character is wearing an elaborate costume with metallic trim and ornate detailing around the collar and belt, while the other is dressed in more utilitarian clothing. The…
@BBC6MusicBot@mastodonapp.uk
2025-06-02 12:45:05

🇺🇦 #NowPlaying on #BBC6Music's #CraigCharles
Irvine Welsh & The Sci-Fi Soul Orchestra:
🎵 A Man in Love with Love
#IrvineWelsh #TheSciFiSoulOrchestra
meninlove.bandcamp.com/track/a
open.spotify.com/track/6lJbXhL

@Migurski@mastodon.social
2025-05-15 17:03:23

Rod Ruth art from Tom McGowen’s ‘Album of Dinosaurs,’ 1972 Via 70sscifiart.tumblr.com/post/78

@oligneisti@social.linux.pizza
2025-05-11 10:11:12

I saw a recommendation from Robin Hobb about the first book of the Murderbot series by @… yesterday and since I was between books I jumped right in.
Having read the first one I am excited to keep going. Funniest sci-fi I've read in years.
#SciFi

@blakes7bot@mas.torpidity.net
2025-05-31 21:14:40

Series B, Episode 08 - Hostage
JENNA: [To Cally] You know what all this is about, don't you?
CALLY: [Nodding] I think I can guess.
JENNA: It is a trap, isn't it?
CALLY: Avon thinks so.
JENNA: Well Avon always thinks so.
blake.torpidity.net/m/208/321

Claude 3.7 describes the image as: "The image shows two people seated together in what appears to be a sci-fi television series set from the late 1970s or early 1980s. The person on the left has blonde layered hair and is wearing a patterned black and white top with a pearl necklace. The person on the right has curly brown hair and is wearing a light-colored top with some subtle detailing at the shoulder.

The styling, lighting, and overall aesthetic are characteristic of British television pro…
@blakes7bot@mas.torpidity.net
2025-05-31 06:01:33

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
ESCON: Base Commander Escon reporting, sir.
TRAVIS: Yes, Base Commander?
blake.torpidity.net/m/106/396 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in dark, futuristic military-style armor or uniform. The costume design has a distinctive sci-fi aesthetic with metallic elements and structured plating typical of space opera productions from that era. The lighting and set design create a dramatic, somewhat ominous atmosphere with dark tones and institutional-looking backgrounds. The overall production values an…
@blakes7bot@mas.torpidity.net
2025-05-31 06:01:33

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
ESCON: Base Commander Escon reporting, sir.
TRAVIS: Yes, Base Commander?
blake.torpidity.net/m/106/396 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in dark, futuristic military-style armor or uniform. The costume design has a distinctive sci-fi aesthetic with metallic elements and structured plating typical of space opera productions from that era. The lighting and set design create a dramatic, somewhat ominous atmosphere with dark tones and institutional-looking backgrounds. The overall production values an…
@Migurski@mastodon.social
2025-05-11 17:02:15

“…you could find very small compositions within comic books that seemed massive and complete when isolated, and that proved that 4CP printing created accidental masterpieces all over the place” Via 70sscifiart.tumblr.com/post/78

@BugWarp@wikis.world
2025-05-06 13:18:53

Okay, hopefully Kojima San can convince you :) #TheEternaut #ElEternauta

Tweet by Hideo Kojima that reads: Just finished watching Season 1 of “The Eternaut.” The drama, acting, direction, art design (especially the depiction of snow and the wall of cars), and VFX were all outstanding. The central themes are “an invisible enemy” and “a vast, lurking force behind it all”—very much in line with the great sci-fi classics of the 20th century born out of Cold War-era anxieties. Think “The Body Snatchers” by Jack Finney.
I haven’t read the original, but I hear the comic “…
@blakes7bot@mas.torpidity.net
2025-05-31 15:10:09

Series D, Episode 05 - Animals
DAYNA: Set.
TARRANT: Good luck.
[Dayna teleports to the surface of Bucol Two. Looks around]
DAYNA: [Into bracelet] Scorpio. Down safe.
TARRANT: [Voice over] Right, standing by. Let me know when you make contact.
blake.torpidity.net/m/405/3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series showing someone in what appears to be a spacecraft or futuristic setting. The person is seated in a high-backed chair with a textured, quilted pattern typical of sci-fi production design from this era. They're wearing a distinctive costume - a form-fitting outfit with white, dark, and teal/green colored panels that has a futuristic, military-style appearance with clean lines and geometr…
@blakes7bot@mas.torpidity.net
2025-05-31 15:10:09

Series D, Episode 05 - Animals
DAYNA: Set.
TARRANT: Good luck.
[Dayna teleports to the surface of Bucol Two. Looks around]
DAYNA: [Into bracelet] Scorpio. Down safe.
TARRANT: [Voice over] Right, standing by. Let me know when you make contact.
blake.torpidity.net/m/405/3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series showing someone in what appears to be a spacecraft or futuristic setting. The person is seated in a high-backed chair with a textured, quilted pattern typical of sci-fi production design from this era. They're wearing a distinctive costume - a form-fitting outfit with white, dark, and teal/green colored panels that has a futuristic, military-style appearance with clean lines and geometr…
@blakes7bot@mas.torpidity.net
2025-05-31 09:05:59

Series B, Episode 11 - Gambit
JENNA: She's right, Blake. He's led a privileged life. He's got money.
BLAKE: He's also been on the move for a long time.
JENNA: But even so, a man with his skills can always earn it.
blake.torpidity.net/m/211/170 B…

Claude 3.7 describes the image as: "The image shows a person with blonde-reddish hair styled in a 1970s/80s fashion against a shimmering blue background that appears to be a set with reflective or metallic elements. The lighting creates a dramatic effect, highlighting the subject's features and earrings. The visual aesthetic has that distinctive retro sci-fi television production quality typical of British shows from that era. The styling, background, and cinematography suggest this is from a s…
@blakes7bot@mas.torpidity.net
2025-05-31 09:05:59

Series B, Episode 11 - Gambit
JENNA: She's right, Blake. He's led a privileged life. He's got money.
BLAKE: He's also been on the move for a long time.
JENNA: But even so, a man with his skills can always earn it.
blake.torpidity.net/m/211/170 B…

Claude 3.7 describes the image as: "The image shows a person with blonde-reddish hair styled in a 1970s/80s fashion against a shimmering blue background that appears to be a set with reflective or metallic elements. The lighting creates a dramatic effect, highlighting the subject's features and earrings. The visual aesthetic has that distinctive retro sci-fi television production quality typical of British shows from that era. The styling, background, and cinematography suggest this is from a s…
@Migurski@mastodon.social
2025-05-09 17:03:27

Ron Cobb Via 70sscifiart.tumblr.com/post/78

@blakes7bot@mas.torpidity.net
2025-05-31 18:12:29

Series A, Episode 06 - Seek-Locate-Destroy
BLAKE: We picked up a whole flock of 'em. But we should outrun them in seven hours.
JENNA: It's almost too easy, isn't it?
blake.torpidity.net/m/106/133 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a spaceship interior setting with white/metallic walls. There are several people in the scene wearing what appear to be futuristic costumes or uniforms. One person is holding what looks like a technological device or prop. The setting and costumes suggest this is from a classic British sci-fi production, with the characteristic low-budget but creative product…
@blakes7bot@mas.torpidity.net
2025-05-31 18:12:29

Series A, Episode 06 - Seek-Locate-Destroy
BLAKE: We picked up a whole flock of 'em. But we should outrun them in seven hours.
JENNA: It's almost too easy, isn't it?
blake.torpidity.net/m/106/133 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a spaceship interior setting with white/metallic walls. There are several people in the scene wearing what appear to be futuristic costumes or uniforms. One person is holding what looks like a technological device or prop. The setting and costumes suggest this is from a classic British sci-fi production, with the characteristic low-budget but creative product…
@blakes7bot@mas.torpidity.net
2025-05-30 09:09:51

Series B, Episode 10 - Voice from the Past
JENNA: Complaining of some sort of noise.
AVON: A sort of tone, he said.
CALLY: Oscillating. It was there again just now.
AVON: As a part of his nightmare?
CALLY: Yes, I think so.
blake.torpidity.net/m/210/85

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft interior. The setting features typical sci-fi production design with metallic surfaces, control panels, and angular architectural elements characteristic of 1970s-80s television production values.

One person is wearing dark clothing and standing, while another is seated wearing lighter colored clothing. The scene appears…
@blakes7bot@mas.torpidity.net
2025-05-30 09:09:51

Series B, Episode 10 - Voice from the Past
JENNA: Complaining of some sort of noise.
AVON: A sort of tone, he said.
CALLY: Oscillating. It was there again just now.
AVON: As a part of his nightmare?
CALLY: Yes, I think so.
blake.torpidity.net/m/210/85

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft interior. The setting features typical sci-fi production design with metallic surfaces, control panels, and angular architectural elements characteristic of 1970s-80s television production values.

One person is wearing dark clothing and standing, while another is seated wearing lighter colored clothing. The scene appears…
@blakes7bot@mas.torpidity.net
2025-05-30 18:16:15

Series C, Episode 07 - Children of Auron
TARRANT: Not that it'll do us much good without bracelets to get us up to the Liberator.
DAYNA: Could be. If they've somehow found out about Servalan's urge to breed.
VILA: But how?
blake.torpidity.net/m/307/536

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series set in a futuristic spacecraft or station interior. The setting features metallic walls and technical panels in the background, typical of the show's distinctive 1970s-80s sci-fi aesthetic.

In the foreground, two people are engaged in conversation - a woman wearing a striking burgundy outfit with a gold emblem and bracelet, and a man in a brown leather-like jacket with a distinctive collar. Th…
@blakes7bot@mas.torpidity.net
2025-05-30 18:16:15

Series C, Episode 07 - Children of Auron
TARRANT: Not that it'll do us much good without bracelets to get us up to the Liberator.
DAYNA: Could be. If they've somehow found out about Servalan's urge to breed.
VILA: But how?
blake.torpidity.net/m/307/536

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series set in a futuristic spacecraft or station interior. The setting features metallic walls and technical panels in the background, typical of the show's distinctive 1970s-80s sci-fi aesthetic.

In the foreground, two people are engaged in conversation - a woman wearing a striking burgundy outfit with a gold emblem and bracelet, and a man in a brown leather-like jacket with a distinctive collar. Th…
@blakes7bot@mas.torpidity.net
2025-05-29 09:18:44

Series C, Episode 13 - Terminal
SERVALAN: Mm. I must admit that when I started beaming messages to the Liberator I was worried you might not believe them.
AVON: I didn't.
SERVALAN: What convinced you?
blake.torpidity.net/m/313/332 B7B2

Claude 3.7 describes the image as: "The image shows a person in what appears to be a costume from a science fiction television series. They're wearing a distinctive black outfit with metallic or reflective shoulder elements that have studs or decorative elements. The costume has an elaborate design typical of 1970s-80s British sci-fi productions.

The setting appears to be an indoor studio set with muted colors in the background. The theatrical costume with its dark color scheme and metallic ac…
@blakes7bot@mas.torpidity.net
2025-05-29 09:18:44

Series C, Episode 13 - Terminal
SERVALAN: Mm. I must admit that when I started beaming messages to the Liberator I was worried you might not believe them.
AVON: I didn't.
SERVALAN: What convinced you?
blake.torpidity.net/m/313/332 B7B2

Claude 3.7 describes the image as: "The image shows a person in what appears to be a costume from a science fiction television series. They're wearing a distinctive black outfit with metallic or reflective shoulder elements that have studs or decorative elements. The costume has an elaborate design typical of 1970s-80s British sci-fi productions.

The setting appears to be an indoor studio set with muted colors in the background. The theatrical costume with its dark color scheme and metallic ac…
@blakes7bot@mas.torpidity.net
2025-05-29 18:24:38

Series A, Episode 09 - Project Avalon
ZEN: Liberator has resumed original position and status.
AVON: You'd better switch on the communication channel. [Gan crosses flight deck and switches it on.]
blake.torpidity.net/m/109/314 B7B5

Claude Sonnet 4.0 describes the image as: "This scene shows the interior of a spacecraft, likely the Liberator, with its characteristic curved control stations and futuristic design. The setting appears to be the main flight deck or control room, with multiple crew stations featuring illuminated control panels and displays. The space has a distinctive sci-fi aesthetic with curved walls and ambient lighting typical of the series' production design. Multiple crew members are positioned at their r…
@blakes7bot@mas.torpidity.net
2025-05-29 18:24:38

Series A, Episode 09 - Project Avalon
ZEN: Liberator has resumed original position and status.
AVON: You'd better switch on the communication channel. [Gan crosses flight deck and switches it on.]
blake.torpidity.net/m/109/314 B7B5

Claude Sonnet 4.0 describes the image as: "This scene shows the interior of a spacecraft, likely the Liberator, with its characteristic curved control stations and futuristic design. The setting appears to be the main flight deck or control room, with multiple crew stations featuring illuminated control panels and displays. The space has a distinctive sci-fi aesthetic with curved walls and ambient lighting typical of the series' production design. Multiple crew members are positioned at their r…
@blakes7bot@mas.torpidity.net
2025-05-29 06:16:20

#Blakes7 Series A, Episode 04 - Time Squad
GAN: Hull re-pressurized.
VILA: Inner hatches released.
AVON: Switch the visual.
[Main screen view changes to projectile at rest in inner hold]
blake.torpi…

Claude 3.7 describes the image as: "This appears to be a scene from a classic science fiction television series, set in what looks like a spacecraft or control room. The image shows two people seated in a futuristic cockpit or command area. One person on the left wears a brown and beige outfit, while the person on the right has a lighter brownish jacket with some distinctive details. The setting has the distinctive retro-futuristic aesthetic typical of British sci-fi productions from the late 1…
@blakes7bot@mas.torpidity.net
2025-05-29 06:16:20

#Blakes7 Series A, Episode 04 - Time Squad
GAN: Hull re-pressurized.
VILA: Inner hatches released.
AVON: Switch the visual.
[Main screen view changes to projectile at rest in inner hold]
blake.torpi…

Claude 3.7 describes the image as: "This appears to be a scene from a classic science fiction television series, set in what looks like a spacecraft or control room. The image shows two people seated in a futuristic cockpit or command area. One person on the left wears a brown and beige outfit, while the person on the right has a lighter brownish jacket with some distinctive details. The setting has the distinctive retro-futuristic aesthetic typical of British sci-fi productions from the late 1…
@blakes7bot@mas.torpidity.net
2025-05-25 12:07:15

Series B, Episode 05 - Pressure Point
AVON: It is not going to be easy.
BLAKE: Can we do it?
VILA: Not a chance, it's absolutely impossible.
AVON: There is a way. Where are Kasabi and her people?
blake.torpidity.net/m/205/324 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people in conversation in what looks like a dark, possibly industrial or spacecraft setting. The individuals are wearing distinctive costumes typical of classic sci-fi productions - one in a dark jacket, another wearing what appears to be a protective vest or armor with yellow/beige elements, and the third in what looks like a leather or similar material outfit. The lighting is q…
@blakes7bot@mas.torpidity.net
2025-05-25 12:07:15

Series B, Episode 05 - Pressure Point
AVON: It is not going to be easy.
BLAKE: Can we do it?
VILA: Not a chance, it's absolutely impossible.
AVON: There is a way. Where are Kasabi and her people?
blake.torpidity.net/m/205/324 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people in conversation in what looks like a dark, possibly industrial or spacecraft setting. The individuals are wearing distinctive costumes typical of classic sci-fi productions - one in a dark jacket, another wearing what appears to be a protective vest or armor with yellow/beige elements, and the third in what looks like a leather or similar material outfit. The lighting is q…
@blakes7bot@mas.torpidity.net
2025-05-25 15:09:13

Series A, Episode 08 - Duel
GAN: [Turns and sees Sinofar and Giroc] Blake, we've got company. [When the others look, they have gone] They were here! Two women, watching us. There's nowhere they could have gone.
JENNA: So where are they now?
blake.torpidity.net/m/108/73

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing what looks like three people in a dark, cave-like or underground setting with rough stone walls. The lighting is dim and atmospheric, creating shadows on the rocky surfaces. The figures appear to be wearing what looks like futuristic or military-style clothing typical of sci-fi productions from that era. The setting suggests they may be exploring or taking shelter in…
@blakes7bot@mas.torpidity.net
2025-05-25 15:09:13

Series A, Episode 08 - Duel
GAN: [Turns and sees Sinofar and Giroc] Blake, we've got company. [When the others look, they have gone] They were here! Two women, watching us. There's nowhere they could have gone.
JENNA: So where are they now?
blake.torpidity.net/m/108/73

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing what looks like three people in a dark, cave-like or underground setting with rough stone walls. The lighting is dim and atmospheric, creating shadows on the rocky surfaces. The figures appear to be wearing what looks like futuristic or military-style clothing typical of sci-fi productions from that era. The setting suggests they may be exploring or taking shelter in…