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@blakes7bot@mas.torpidity.net
2025-12-30 13:37:17

Series B, Episode 02 - Shadow
CALLY: I want you back here. Get ready to teleport.
VILA: Wasting your time, Cally. I'm not wearing a bracelet. I'm not going to be snatched away in the middle of...in the middle of anything. Sightseeing. And you should see some of the sights I'm seeing. No. Perhaps you shouldn't.

Claude Sonnet 3.7 describes the image as: "The image appears to be a still from a television series, showing a person in a distinctive white outfit with a floral or patterned panel down the front. They're standing in what looks like a futuristic or sci-fi setting, with angular walls and panels visible in the background. The interior space has a geometric design with light panels contrasting against darker structural elements.

The costume has a 1970s-80s sci-fi aesthetic, with a cream-colored f…
@jake4480@c.im
2025-12-28 01:30:44

Gillian Anderson photographed by David LaChapelle for Allure Magazine (the first three) and Mark Seliger for US Magazine (the last one), both 1997.
#90s #GillianAnderson #scifi

Gillian Anderson in a black dress, huge eyes behind her, surreal
Gillian Anderson in a red dress, she's on a table & aliens are around her her, sci-fi
Gillian Anderson laying down in a sci-fi landscape, holding a toy rocket above her
Gillian Anderson looking like an old fashioned housewife cleaning, holding up a vacuum, looking surprised
Content warning: AGI pontification

If AGI fails to happen, then humanity stays relevant.
If AGI happens and proceeds to superintelligence that invents all the sci-fi things, then maybe it invents a way for humans to enhance their intelligence, and humanity (or what once was humanity) stays relevant that way.
The worst case for humanity (or at least for people like me!) might actually be if progress stalls right after AGI. Smart enough to replace people en masse, not smart enough to solve the hard problems.

@aral@mastodon.ar.al
2025-12-26 20:59:06

Yes, please, let’s emulate what the US does. Because who doesn’t want to experience a dystopian sci-fi future first-hand?

@blakes7bot@mas.torpidity.net
2026-01-30 13:52:44

Series D, Episode 12 - Warlord
SERVALAN: What if Avon heard?
ZUKAN: He's been on Betafarl for three hours. He'll have left Scorpio by now.
[Sandpit on Betafarl. Nothing else is in sight.]
SOOLIN: Here?
blake.torpidity.net/m/412/322 B7B3

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction television production, likely from the 1970s or 1980s based on the aesthetic and production values. The setting is a futuristic spacecraft interior with characteristic sci-fi design elements including control panels with various buttons and displays, metallic surfaces, and a window showing stars and what appears to be another spacecraft in the background.

The scene shows three people in what appears to b…
@LillyHerself@Mastodon.social
2025-12-24 23:52:49

Something to look forward to in the new year! #Newromancer
cbr.com/apple-tv-neuromancer-c

@digitalnaiv@mastodon.social
2026-01-27 15:00:49

Dass KI-Modelle bei Kreativitätstests dem „Durchschnittsmenschen“ Paroli bieten, ist kein Sci-Fi mehr, sondern Forschungsergebnis – GPT-4 & Co. lagen im Mittel über den Teilnehmenden. Doch die wirklich originellen Köpfe bleiben menschlich, betont Manon Bischoff (Spektrum) #KI #Kreativität

@hex@kolektiva.social
2025-11-27 22:32:54

I was just thinking about how the fact that #Musk named his AI "Grok" is evidence that he "reads sci-fi" in the same way he "plays video games." Like, he claims to do it but when it comes time to show the evidence it's clear he does not actually "grok" it.
Like... To grok something is to have a layer deeper than simply knowledge, but mathematically encoding statistical relationships between words is pretty obviously not even understanding much less qualifying as "groking" it. In the book, the ability to grok something is also the ability to annihilate that thing with a thought. Just pretending that an LLM actually *was* something that could become AGI (which it's not), this name would imply the AI would have the power to annihilate reality. That's bad. That's a bad name for an AI.
And why would a greedy fascist name something of his after something an anarchist communist space Jesus taught to the hippie cult he started? There are so many layers of facepalm to this. It's some kind of php-esque fractal of incompetence.
Like, there's no reason to talk about this but my brain does this to me sometimes and now it's your problem.

@blakes7bot@mas.torpidity.net
2025-11-30 13:41:30

Series C, Episode 12 - Death-Watch
AVON: We are short of time, Orac.
VILA: I'll say we are. It's not hanging about this time. [Screen display: 2. WAIT blinks out and is replaced by:]
[Computer display: 2. ARBITERS TAKE POSITION AND INDICATE READINESS]
blake.torpidity.net/m/312/544

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," likely from the late 1970s or early 1980s. The setting is the interior of what looks like a spaceship or futuristic facility, with characteristic sci-fi design elements including angular architecture and metallic surfaces visible in the background.

Four actors are seated in a comfortable lounge area with cream-colored furniture arranged around a distinctive glass …
@cheryanne@aus.social
2025-11-27 08:13:33

Still catching up on Star Trek: Strange New Worlds
#StarTrek #StrangeNewWorlds

@compfu@mograph.social
2025-12-27 21:48:58

There are at least two instances of Space Battleship Yamato (anime and live-action) and they both feel kinda goofy: a ship-shaped spaceship. I thought that this was some Japanese thing -- paying homage to a heroic part of their history. I recently saw a documentary about the real battleship Yamato and oh boy... what a mess. Are there any Japanese amongst my followers who can tell me if these sci-fi versions are about paying homage? Because to me it feels a bit like historic revisionism.

@bourgwick@heads.social
2025-12-25 03:58:28

nearing the conclusion of an epic mass market sci-fi paperback & my nose is tragically just slightly too stuffed to smell it. #books

@blakes7bot@mas.torpidity.net
2025-12-30 10:19:17

Series D, Episode 02 - Power
VILA: Oh yes. I just don't know what it's for.
PELLA: And they didn't teach this in, ah, Academy? [laughs] There's a switch. When the door is closed, every forty-eight hours Dorian must say a code word to reset the timing.
blake.torpidity.net/m/402/150

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, showing two characters in what looks like a spaceship or futuristic facility corridor. The setting features distinctive metallic ventilation panels and neutral-toned walls typical of 1970s-80s sci-fi aesthetics.

On the left stands a character wearing an elegant flowing cream-colored robe or gown with draped fabric and a decorative collar piece. The styling inclu…
@blakes7bot@mas.torpidity.net
2025-11-29 10:14:47

Series C, Episode 06 - City at the Edge of the World
KERRIL: Sorry, Vila, it's all my fault.
VILA: No, you were right. Bayban would never have let me out without finishing the job.
KERRIL: How long do you think the air will last?
blake.torpidity.net/m/306/402 B7B2

Claude Sonnet 4 describes the image as: "This image shows two people in an intimate embrace in what appears to be a futuristic or science fiction setting. The scene has a distinctive 1970s or early 1980s aesthetic, with soft lighting and a technological backdrop featuring geometric patterns. Both individuals are wearing light-colored, flowing garments that complement the sci-fi atmosphere. The woman has blonde feathered hair typical of that era and is wearing earrings, while the man has darker …
@blakes7bot@mas.torpidity.net
2025-11-30 10:30:05

Series D, Episode 01 - Rescue
TARRANT: All right, I'll keep it a secret.
[They resume their descent.]
TARRANT: Look, we must be at least four levels below the landing silo by now.
DAYNA: At least.
blake.torpidity.net/m/401/395 B7B2

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the 1980s based on the visual style and production quality. The scene shows two characters in what appears to be a spacecraft or futuristic facility, with metallic structural elements and technological equipment visible in the background. The lighting creates a dramatic atmosphere typical of sci-fi productions of that era.

One character is positioned lower in the frame, w…
@jake4480@c.im
2026-01-12 19:37:59

The 1990 Total Recall is one of my favorite movies, and I didn't know David Cronenberg was the original director for it and created the character of Kuato and all the mutants (although it makes perfect sense). The puppet itself was created by Rob Bottin.
How Kuato the mutant was created for Total Recall without any CGI:

@benb@osintua.eu
2025-12-20 01:15:22

This isn’t SCI-FI – it’s SMART WEAPONS hunting Russia’s army: benborges.xyz/2025/12/20/this-

@castarco@hachyderm.io
2025-11-16 12:05:17
Content warning: "long" rant about american sci-fi tv series and "neuro-archy"

I have the distinct impression that we could use most American "sci-fi" TV series (which seem to have a kink for post-apocalyptical scenographies) as a diagnostic tool for the autism spectrum.
For a moment, let's leave aside the tons of right-wing propaganda "hidden" in plain sight, and their excessive reliance on boring & worn out tropes (religious & cultish bullshit, irrational lack of communication & excess of anti-social behaviour, all vs all, ultra-low-iq characters*, psychotic & irrationally treacherous characters*, ultra-inconsistent character development used to justify "unexpected" plot twists, rampant anti-intellectualism...).
What could be used as a diagnosis tool is the incredible amount of strong inconsistencies that we can find in them**. It throws me out of the story every single time; and I suspect that it takes a certain kind of "uncommon personality" to feel that way about it, because otherwise these series wouldn't be so popular without real widespread criticism beyond cliches like "too slow", "it loses steam towards the end of the season", etc.
Many of those plots start in a gold mine of potentially powerful ideas... yet they consistently provide us with dirt & clay instead, while side-lining the "good stuff" as if it was too complicated for the populace.
Do you feel strongly about it? Do you feel like you can't verbalize it without being criticised as "too negative", or "too picky", or an "unbearable snob"? Do you wonder why it seems like nobody around shares your discomfort with these stories?
* : I feel this is a bit like the chicken & egg problem. Has the media conditioned part of American society to behave like dumb psychopaths as if it was something "natural", or is the media reflecting what was already there? Also, could we use other societies as models for these stories... just for a change? Please?
** : Just a tiny example: a "brilliant" engineer who builds a bridge out of fence parts and who doesn't bother to perform the most basic tests before trying it in a real setting and suffer the consequences: the bridge failing and her falling into the void. Bonus points for anyone who knows what I'm talking about.

@stefan@gardenstate.social
2025-12-07 15:42:54

The Future of Sci-Fi and Fantasy Panel Highlights | DSNX25 – Dragonsteel Books share.google/siJXiuu0PyZOEb3lW

@Mediagazer@mstdn.social
2025-12-11 19:41:05

A Manhattan jury finds director Carl Rinsch guilty on all seven counts of defrauding Netflix of $11M when making sci-fi show White Horse (Jacob Shamsian/Business Insider)
businessinsider.com/netflix-di

@blakes7bot@mas.torpidity.net
2025-11-30 19:47:00

Series A, Episode 02 - Space Fall
LEYLAN: And the prisoners?
DAINER: We've killed six.
LEYLAN: Six?
DAINER: [Glancing at body] Seven. In the course of quelling a riot and protecting the ship, sir.
LEYLAN: Very well. Carry on.
blake.torpidity.net/m/102/373

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s or 1980s based on the visual style and production quality. The scene shows two figures in matching blue uniforms with distinctive red trim, suggesting they're part of the same organization or crew. The setting appears to be inside a spacecraft or futuristic facility, with sleek, minimalist design elements typical of sci-fi productions of that era.

The uniforms a…
@davidaugust@mastodon.online
2025-11-06 21:00:53

Seems worth posting this again:
#tech #ethics #DataEthics

Screenshot of a post by Alex Blechman @AlexBlechman: 

Sci-Fi Author: In my book I invented the Torment Nexus as a cautionary tale 

Tech Company: At long last, we have created the Torment Nexus from classic sci-fi novel Don't Create The Torment Nexus 

Nov 8, 2021 · 10:49 PM UTC
@seedling@dice.camp
2025-12-18 16:49:09

Cool list of sci Fi trinkets
#otherPeoplesBlogs

@chrislowles@mastodon.social
2025-11-23 12:34:33

sci-fi horror movie where whenever someone says that the ceasefire in gaza is holding is warped there star trek style to see what the fuck is going on

@cellfourteen@social.petertoushkov.eu
2025-11-20 06:20:38

Stargate: New series info and how to watch on Prime Video
aboutamazon.com/news/entertain

@fgraver@hcommons.social
2025-12-18 15:36:06

Good People Also Get What’s Coming to Them: Revisiting The Twilight Zone’s Christmas Episodes reactormag.com/revisiting-the-

@kurtsh@mastodon.social
2026-01-17 07:54:51

My hero, Patton Oswalt, talks about 10 classic movies - the very best & the very worst.
▶️ Patton Oswalt Critiques Sci-Fi Films (Top 5 & Bottom 5) | GQ
youtube.com/watch?v=ifRzEiNJ10

@theodric@social.linux.pizza
2025-11-20 08:53:25

I'm giving 70% odds of this being unwatchable slop unconcerned with storytelling, as is usual in sci-fi/fantasy these days ign.com/articles/amazon-announ

@mlawton@mstdn.social
2025-11-18 03:14:36

Finished "Exiles" by Mason Coile, the nom de plume for Andrew Pyper who, sadly, passed away earlier this year.
A crew of three humans is enroute to Mars to help build a future human colony when the robots sent ahead of them to assemble their base and help them land go dark. Figuring out what has happened slowly transitions this story from sci-fi to horror and it's a great blend.
4.5 stars, rounded up to 5 ⭐⭐⭐⭐⭐

@Jackobli@mastodon.social
2025-11-16 18:32:23

Ein schwarzer Pilz, der unter radioaktiver Strahlung schneller wächst. Könnte im Weltraum nützlich sein. 🤨
Warum tönt das für mich eher nach einem guten Start in einen Sci-Fi-/Horrorthriller?
srf.ch/wissen/forschung/aus-ts

‪@todbot@mastodon.social‬
2025-12-10 00:45:45

@… looks very sci-fi

@blakes7bot@mas.torpidity.net
2026-01-29 11:52:07

Series A, Episode 01 - The Way Back
MAJA: What?
GLYND: [In his office. He speaks into phone] Link me with Dr. Havant, Central Clinic.
HAVANT: [V.O. over comm] Doctor Havant.
blake.torpidity.net/m/101/356 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This image shows two actors in what appears to be a sci-fi setting, likely from a television production. They are positioned in an indoor corridor or hallway with pale green-tinted walls and neutral lighting typical of a spaceship or futuristic facility interior.

The actor on the right wears a distinctive red and black uniform with a high collar, characteristic of Starfleet-style costumes. He has dark hair and is looking toward his…
@tiotasram@kolektiva.social
2026-01-15 02:32:28

Just finished "Far Sector" written by N. K. Jemisin and illustrated by Jamal Campbell. I don't normally go for Marvel/DC comics stuff and this was a good reminder why. Jemisin's authorship was the draw for me here, as well as some curiosity about what I might be missing out on by avoiding the classic comics lineage. I won't go into too much detail about particulars, but suffice to say it ends up feeling to me line a very neoliberal story dressed up in a veneer of radicalism, which is not what I'd expected of Jemisin. Particularly in light of current events, the "good cops" aspects of the storyline ring truly hollow. There's still a lot of neat parts, but I guess I also wound up disappointed by the sci-fi aspects in a lot off ways. I truly think Jemisin is capable of better than this, based on her other (excellent) work.
#AmReading #ReadingNow

@tante@tldr.nettime.org
2025-12-02 13:00:05

"So what if, right, what if, we put the data centres in … space!
This idea has a lot of appeal if you’ve read too much sci-fi, and it sounds obvious if you don’t know any practical details."
(Original title: AI data centres — in SPACE! Why DCs in space can’t work)

@blakes7bot@mas.torpidity.net
2026-01-29 21:23:40

Series C, Episode 06 - City at the Edge of the World
KERRIL: So what is it?
VILA: Eh? Oh, it's just a simple forcefield.
KERRIL: I was right about you, another Sherm, all mouth. This is a solid block, little man.
blake.torpidity.net/m/306/263 B7B5

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production design. The setting is a futuristic spacecraft or station interior, characterized by industrial metallic pipes, utilitarian wall panels, and a functional, somewhat austere aesthetic typical of the era's sci-fi productions.

The scene shows two characters in a serious moment of dialogue or contemplatio…
@iam_jfnklstrm@social.linux.pizza
2025-11-10 07:50:41

@… draw for me A surreal concept art of a human brain transforming into a digital archive, with neural pathways turning into glowing fiber-optic cables, and tiny floating folders and documents orbiting around it, vibrant colors, sci-fi style, hyper-realistic.

@fanf@mendeddrum.org
2025-12-01 09:42:01

from my link log —
The disappearance and return to print of John M. Ford.
slate.com/culture/2019/11/john
saved 2019-11-16

@compfu@mograph.social
2026-01-18 22:30:38

I'm rewatching Firefly (on Disney ).
The CGI is obviously lacking modern lighting techniques and often feels soft, the compositing has clipped highlights due to the lack of a modern linear and color-managed workflow. But that's to be expected. The show came out more than 20 years ago!
What matters more is the story and its vibe. I remember it as one of the most beloved sci-fi shows back then, in good company with

@kurtsh@mastodon.social
2025-11-13 06:10:05

Battlestar Galactica is one of my all-time favorite sci-fi TV series ever, along with:
▫️Twilight Zone
▫️Firefly
▫️Star Trek: Strange New Worlds
▫️Mr. Robot
▫️The Expanse
▫️Star Wars: Andor
▫️Fallout
▶️ The Controversy of BATTLESTAR GALACTICA (2003)
youtub…

@blakes7bot@mas.torpidity.net
2026-01-28 07:52:56

#Blakes7 Series C, Episode 04 - Dawn of the Gods
DAYNA: Zen, put up the radiation flare shields.
ZEN: Confirmed. Radiation flare shields in position. Neutron blasters cleared for firing. [Cally appears]
blake.torpidity.n…

Claude Sonnet 4.5 describes the image as: "This image captures a scene from what appears to be a science fiction television production, likely from the 1980s based on the visual style and set design. The setting features a futuristic control panel or console with sleek, curved metallic elements in the background, characteristic of sci-fi aesthetics of that era.

The actress Josette Simon is shown in profile, wearing a striking teal-colored sleeveless dress with a V-neck design and a decorative …
@stefan@gardenstate.social
2025-12-07 15:46:06

New Indie Game Announced for 2026 Is Perfect for Fans of Hardcore Science Fiction share.google/2rOZ8cIjRyn3A7m91

@digitalnaiv@mastodon.social
2025-12-09 10:19:01

Forscher zeigen: KIs können Menschen – unbemerkt – von politischen Meinungen überzeugen. Ein Algorithmus, der dich „sanft“ in Richtung einer Wahlentscheidung schiebt. Kein Sci-Fi, sondern Gegenwart. Die Demokratie steht auf Debug. #zeitonline #KI

@theodric@social.linux.pizza
2026-01-13 23:16:24

This is some 100% sci-fi shit right here: the U.S. government bought a device on the black market, and is studying it to try and understand how it works. The device apparently makes people sick using radio spectrum emissions.
From CNN:
"The Defense Department has spent more than a year testing a device purchased in an undercover operation that some investigators think could be the cause of a series of mysterious ailments impacting US spies, diplomats and troops that are coll…

@Mediagazer@mstdn.social
2025-12-03 11:01:42

A US federal trial of Carl Rinsch, accused of swindling Netflix out of millions when making sci-fi series White Horse, begins with an ex-Netflix exec testifying (Antonio Ferme/Variety)
variety.com/2025/tv/news/carl-

@blakes7bot@mas.torpidity.net
2025-12-26 10:07:45

Series C, Episode 13 - Terminal
ZEN: Emergence from matter belt in thirty-nine point zero one seconds.
TARRANT: Any damage yet?
ZEN: Hull sensors appear temporarily impaired. All other systems continue on full function.
blake.torpidity.net/m/313/139 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a scene from what appears to be a science fiction television production, set in a futuristic spacecraft interior. The setting features distinctive angular architectural elements with metallic striping on the walls, creating a sleek, modernist aesthetic typical of 1980s sci-fi design.

The character on the left wears an elaborate burgundy uniform with a distinctive studded shoulder cape, suggesting a high-ranking …
@kurtsh@mastodon.social
2026-01-10 23:41:43

One of the GREAT original movies created around the "Halo" universe from Microsoft Studios, now FREE to view - all 1hr 31min.
▶️ Halo 4: Forward Unto Dawn | FULL MOVIE | Video Game Sci-Fi Action Adventure Microsoft
youtube.com/watch?v=AZj3Is6Upn

@compfu@mograph.social
2025-12-09 17:59:03

A list of sci-fi movies ordered by the year they were set in (not when they were made). Those years that are now in the past are marked in blue!
#SciFi rheinneckar.social/@splitmind/

@blakes7bot@mas.torpidity.net
2025-12-25 16:17:26

Series D, Episode 12 - Warlord
TARRANT: Extent of damage, Orac? [pause, no response] Orac?
[Crew room. Tarrant enters and looks at Orac beneath the beam.]
[Shot of Zukan's ship in space, approaching another space ship.]
blake.torpidity.net/m/412/270 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, showing a scene set in what looks like a spacecraft or futuristic facility interior. The setting features technical panels and equipment typical of sci-fi set design from the late 1970s or early 1980s.

The scene depicts four individuals in costume around what appears to be a control station or work area. The costumes are characteristic of space opera productions of that era, featur…
@jake4480@c.im
2025-12-31 18:04:26

These were my favorite movies of 2025. Pretty much all horror, sci-fi, comedy. There's still a couple I need to see from this year (Cold Storage!) but these are all my favorites as of now.
#2025Films

@kurtsh@mastodon.social
2026-01-10 23:56:02

The Halo: Fall of Reach animated movie is available for FREE & tells the origins of the SPARTAN II program & the fall of a planet to the alien Covenant. (1hr 4m)
▶️ Halo: The Fall Of Reach | FULL MOVIE | Video Game Sci-Fi Action Animation
youtube.com/watch?v=o8DAeQt0jH

@blakes7bot@mas.torpidity.net
2026-01-25 13:58:36

Series A, Episode 04 - Time Squad
BLAKE: [To Jenna] Put Zen on constant scan. I want to know immediately if those Federation ships come into this system.
JENNA: Of course. [goes to teleport controls]
blake.torpidity.net/m/104/263 B7B3

Claude Sonnet 4 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7" from the late 1970s/early 1980s. The scene is set in what looks like a futuristic spacecraft interior with metallic steps and control panels. The setting has the characteristic low-budget but imaginative production design typical of British sci-fi from that era.

The scene shows three characters in a tense moment on what appears to be the flight deck or control area o…
@compfu@mograph.social
2025-12-09 21:01:58

RE: social.wildeboer.net/@jwildebo
The sci-fi novel "The Truth Machine" describes a future where people can wear a ring that shows whether the person they are talking to is lying. This changes society on a fun…

@blakes7bot@mas.torpidity.net
2025-11-24 13:16:48

Series C, Episode 13 - Terminal
ZEN: The information you require has been stored via a coded route, and retrieval is not possible without the correct security command sequence.
CALLY: And that sequence is known only to Avon, I imagine.
ZEN: Confirmed.
blake.torpidity.net/m/313/100

Claude 3.7 describes the image as: "# Blake's 7 - Observation Dome Scene

This image depicts a scene from the science fiction series Blake's 7, showing four characters standing in what appears to be a spacecraft's observation dome or bridge area. The setting features futuristic architecture with metallic walls and a large viewing screen displaying what looks like a planetary body or celestial object.

The characters are dressed in the distinctive costume design of the 1970s-80s sci-fi series, w…
@blakes7bot@mas.torpidity.net
2026-01-23 16:30:23

Series D, Episode 05 - Animals
DAYNA: Right, out.
SLAVE: I'm sorry to bother you, sir.
TARRANT: Yes, what is it?
SLAVE: I had detected federation pursuit ships.
TARRANT: Dayna, respond please. Dayna, can you hear me?. Slave, check for malfunction.
blake.torpidity.net/m/405/8

Claude Sonnet 4 describes the image as: "This image shows a professional headshot or scene featuring someone in what appears to be a futuristic or science fiction setting. The person is wearing a distinctive uniform with a high collar that has white and burgundy trim details, suggesting this is from a sci-fi television production. The uniform has a sleek, military or space-service aesthetic typical of science fiction shows. The background appears to be an indoor setting with some greenery visib…
@blakes7bot@mas.torpidity.net
2025-11-23 10:44:02

Series C, Episode 05 - The Harvest of Kairos
AVON: Cally. [Grasps her by the arms]
TARRANT: [Enters] Is this the time or the place? That thing has warped your reason, Avon. It's even warped your notorious instinct for looking after number one. We are in danger, can't you understand that?
blake.torpidity.net/m/3…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and set design. The setting features a futuristic interior with distinctive green lighting and sleek, modernist architecture typical of sci-fi productions of that era.

Three actors are positioned in what appears to be a tense dramatic moment. The scene takes place on a multi-level set with steps and geometric des…
@blakes7bot@mas.torpidity.net
2025-11-22 19:13:28

Series D, Episode 05 - Animals
JUSTIN: They'll come in when they're hungry enough. All except Og.
DAYNA: Why won't he?
blake.torpidity.net/m/405/229 B7B5

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television production, likely from the 1980s based on the aesthetic and production values. The setting is a futuristic medical facility or laboratory, characterized by clean white surfaces, advanced-looking equipment, and sterile lighting typical of sci-fi productions from that era.

The scene shows two characters in what appears to be a medical or scientific consultation. One character is seated, weari…
@blakes7bot@mas.torpidity.net
2025-12-22 19:34:42

Series C, Episode 01 - Aftermath
AVON: Are you all right?
DAYNA: Yes.
AVON: When we first met, you said there was no pleasure without danger. Do you still feel that way?
DAYNA: I think I can do without excitement for a little while.
blake.torpidity.net/m/301/520 B7B…

Claude Sonnet 4 describes the image as: "This image appears to be from a British science fiction television production, likely from the 1970s or 1980s based on the visual style and costume design. The scene shows two characters in what appears to be a futuristic or space-based setting. One character is wearing a distinctive metallic or silver-colored outfit with a high collar and geometric design elements typical of sci-fi costume design from that era. The other character is wearing what appear…
@blakes7bot@mas.torpidity.net
2026-01-21 10:33:22

Series C, Episode 03 - Volcano
VILA: Because we can't.
[Flight deck]
AVON: Zen, flight status?
ZEN: The energy banks still require two minutes before power will be available to make navigation speed.
AVON: We'll be dead by then
blake.torpidity.net/m/303/622

Claude Sonnet 4.5 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7." The setting is inside what looks like a spaceship interior, with characteristic 1970s/80s sci-fi production design visible in the background, including control panels and curved architectural elements.

Four characters are gathered in conversation. On the left is a figure in a blue-grey uniform with curly hair. Next to them stands someone wearing an elaborate bro…
@blakes7bot@mas.torpidity.net
2025-11-21 19:14:55

Series D, Episode 06 - Headhunter
AVON: Where is Orac?
SOOLIN: Behind a panel in section four.
AVON: We have to get Orac outside.
TARRANT: Why risk it?
blake.torpidity.net/m/406/498 B7B5

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7" from the late 1970s/early 1980s. The scene shows a group of people in futuristic costumes standing in what looks like a spacecraft or space station interior with gray walls and utilitarian design.

The costumes feature distinctive styling typical of sci-fi productions of that era - including a character in black leather with silver accents holding what appears to b…
@blakes7bot@mas.torpidity.net
2025-12-22 07:24:31

#Blakes7 Series A, Episode 05 - The Web
BLAKE: I've never seen anything like it before.
NOVARA: Our mission has specialized in tissue creation and regenerative processes.
GEELA: Among other things.
[They all sit down.]
<…

Claude Sonnet 4 describes the image as: "This image appears to be from a television production, showing three actors in what looks like a futuristic or science fiction setting. The scene takes place in what appears to be a spacecraft or advanced facility interior, with metallic walls and modern furnishings visible in the background.

The actors are wearing distinctive costumes that suggest this is from a sci-fi drama - one character wears an elaborate metallic or shimmery garment, while another…
@blakes7bot@mas.torpidity.net
2026-01-20 22:36:41

Series A, Episode 03 - Cygnus Alpha
BLAKE: And we can't hold out much longer. That's certain.
VILA: And they'll be getting reinforcements.
blake.torpidity.net/m/103/547 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, showing three men in what looks like an underground or industrial setting with dark, weathered walls in the background. The lighting is dim and atmospheric, creating a tense mood typical of dramatic sci-fi programming.

The three actors are positioned closely together, engaged in what appears to be an intense conversation or confrontation. Their costumes consist …
@blakes7bot@mas.torpidity.net
2026-01-20 19:45:56

Series D, Episode 07 - Assassin
DAYNA: Well, aren't you going to tell us what happened? Vila's very worried. He wants to know what became of that sweet little girl.
SOOLIN: Vila, all sweet things have one thing in common: a tendency to make you sick.
blake.torpidity.net/m/407/540

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978-1981. The scene is set in what looks like a futuristic spacecraft interior with distinctive ribbed metallic walls and sleek, modernist design elements typical of the show's aesthetic.

The setting features the characteristic production design of the series, with its clean lines and utilitarian sci-fi environment. In the background, you can see…
@blakes7bot@mas.torpidity.net
2026-01-19 13:25:55

Series A, Episode 02 - Space Fall
DAINER: Now, that's better.
VILA: Not bad, is it, eh? One for you -
NOVA: [To Blake] How will we know when he's made it?
BLAKE: The lights on the scanner - when that goes off we're on our way.
VILA: - one for me.
blake.torpidity.net/m/102/259

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7" (1978-1981). The scene shows three characters in what appears to be a corridor or interior space of a spacecraft, characterized by typical BBC sci-fi set design of that era with grey walls and industrial-looking panels.

Two actors are visible in period-appropriate costumes consisting of earth-toned tunics and practical garments typical of the show's aesthetic. One …
@blakes7bot@mas.torpidity.net
2025-11-19 19:33:09

Series A, Episode 01 - The Way Back
P.A.: The President will be answering questions about new population control *?measures
RAVELLA: All our food and drink is treated with suppressants. Going without for a day and a half, they should be wearing off.
blake.torpidity.net/m/101/9 B7…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the aesthetic and production values. The scene takes place in what looks like a futuristic, sterile interior setting with white/gray geometric walls and angular architectural elements typical of sci-fi set design from that era.

Two actors are shown in what appears to be an intense dramatic moment. One person on the left has sho…
@blakes7bot@mas.torpidity.net
2025-12-17 16:08:51

Series A, Episode 02 - Space Fall
VILA: I got confused.
DAINER: [To the prisoners there] Hands on your heads. Now move. Single file.
LEYLAN: [To Raiker] They're still in there?
RAIKER: Yes, sir.
blake.torpidity.net/m/102/353 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the video quality and production style. The scene shows several people with their hands raised in what appears to be a gesture of surrender or greeting. 

The setting is minimalist, with plain gray walls creating a stark, institutional atmosphere typical of sci-fi sets from this era. The actors are wearing casual, tunic-style costum…
@blakes7bot@mas.torpidity.net
2026-01-02 13:10:03

Series D, Episode 03 - Traitor
QUUTE: A one in a thousand chance, General. The operator happened to pick it up while running a routine line-scan.
GENERAL: And what was this data it was taking from the terminal?
blake.torpidity.net/m/403/316 B7B3

Claude Sonnet 3.7 describes the image as: "This image is from a sci-fi television production, likely from the British series "Red Dwarf" or a similar science fiction show from that era. It shows a scene with characters wearing distinctive dark armored or military-style uniforms with textured surfaces and red accents.

The setting appears to be a spacecraft or space station interior, with control panels visible in the foreground and characteristic sci-fi design elements including wall panels and…
@blakes7bot@mas.torpidity.net
2026-01-15 13:12:08

Series C, Episode 12 - Death-Watch
VILA: [Pulls Orac's key] They don't write poetry like that anymore. What this electronic pain is trying to say is-
TARRANT: -is that unless we get a break, there's going to be a fatal foul-up.
VILA: Right.
blake.torpidity.net/m/312/52

Claude Haiku 4.5 describes the image as: "# Scene from a Sci-Fi Production

This image captures a scene set inside what appears to be a spaceship or futuristic vessel. Four individuals are seated together in what looks like a common area or control room, with curved architectural elements and control panels visible in the background. The setting suggests this is from a science fiction television production, likely from the 1980s based on the visual style and costume design.

The group appears t…
@blakes7bot@mas.torpidity.net
2026-01-17 07:23:02

#Blakes7 Series D, Episode 12 - Warlord
DAYNA: Don't, Tarrant.
ZEEONA: Why hurt him for speaking the truth? [tries to lead him away] Come on.
AVON: [V.O.] Scorpio to base. Scorpio to base. Come in base. [They all rush back to the comm room.]

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction television production, likely from the 1980s based on the visual style and production values. The setting is clearly a futuristic spacecraft or space station interior, with characteristic sci-fi elements like computer terminals, metallic surfaces, and technical equipment visible in the background.

The scene shows three characters in what appears to be a tense or dramatic moment. One figure is wearing a l…
@blakes7bot@mas.torpidity.net
2025-11-16 10:03:42

Series D, Episode 04 - Stardrive
AVON: We'll take it with us. [As Tarrant enters, Atlan trips him, grabs Soolin and uses her as a shield as he backs towards the door. He shoves her away and runs off.]
DAYNA: The door control. [Runs after Atlan.]
blake.torpidity.net/m/404/382

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction series "Blake's 7." The scene takes place in what looks like a futuristic spacecraft interior with white walls, translucent panels, and a minimalist design aesthetic typical of sci-fi productions from that era.

Three people are shown in distinctive costume designs that reflect the show's characteristic styling. On the left, a person wears a two-tone outfit with a chevron pattern. In the center…
@blakes7bot@mas.torpidity.net
2025-11-01 07:09:47

#Blakes7 Series C, Episode 06 - City at the Edge of the World
KERRIL: What are you staring at?
VILA: I'm not staring.
KERRIL: We've been on the move a lot.
VILA: Yes.
KERRIL: It's the first chance I've had to, well, get cleaned up.

Claude 3.7 describes the image as: "The image shows a scene set in what appears to be a futuristic or sci-fi environment with metallic walls and geometric patterns. Two people are visible in the frame - one wearing a light green sleeveless dress with blonde hair on the left, and another in a light gray wraparound tunic with matching pants and tan boots on the right.

The setting has a distinctive retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s. T…
@blakes7bot@mas.torpidity.net
2025-12-14 16:22:02

Series A, Episode 13 - Orac
VILA: Yes, but Zen's only a machine.
AVON: So is Orac. [He removes the activator and throws it across the flight deck.]
VILA: That's all right, that's fixed Orac.
BLAKE: No, it hasn't.
JENNA: What do you mean?
blake.torpidity.net/m/113/484

Claude Sonnet 4 describes the image as: "I can see a science fiction scene showing two people seated in what appears to be a spaceship interior. The setting has the characteristic design elements of classic sci-fi television - sleek surfaces, futuristic chairs, and technical equipment visible in the background. One person wears a red v-neck outfit with a decorative belt, while the other is dressed in burgundy and tan colored clothing with a more utilitarian, space-faring appearance. They appear…
@blakes7bot@mas.torpidity.net
2025-11-15 07:04:41

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
SERVALAN: Very well, Councillor Bercol. You may tell the President that I am appointing a Space Commander to take absolute control of this matter. He will be exclusively concerned to seek, locate, and destroy Blake.
BERCOL: Oh, excellent, excellent.

Claude 3.7 describes the image as: "The image shows a person with short dark hair in what appears to be a scene from a television production. They are wearing an elegant white outfit with a decorative crystal or beaded collar that has a distinct vintage sci-fi or fantasy aesthetic. The individual has a contemplative or mid-conversation expression and is seated against what looks like a light-colored sofa or seating area.

The setting appears to be from a classic television production, likely fr…
@blakes7bot@mas.torpidity.net
2025-12-13 17:08:04

Series D, Episode 02 - Power
VILA: Not too close. The gap is all connected with the thickness of the door. So what's the difference between Seskas and Hommiks?
PELLA: How do you know how thick it is?
VILA: By the stress pattern.
blake.torpidity.net/m/402/132 B7B4

Claude Haiku 4.5 describes the image as: "# Scene Description

This image shows two figures in what appears to be a sci-fi setting, likely from a television production. The male character on the left wears a grey and gold uniform typical of 1970s space opera costumes, complete with practical pockets and fitted design. He's holding what appears to be a futuristic rifle with blue and black coloring.

The female character on the right wears a flowing, draped cream or beige garment with elegant ple…
@blakes7bot@mas.torpidity.net
2025-12-14 13:19:35

Series D, Episode 11 - Orbit
SERVALAN: Don't concern yourself, Egrorian. I encourage ambition.
EGRORIAN: I never conspired against you, I swear it! Orac, acknowledge my instructions. [Orac buzzes, but says nothing.] I don't understand.
blake.torpidity.net/m/411/363 B7B3…

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction production, likely from the late 1970s or early 1980s based on the aesthetic and production design. The setting features a sleek, futuristic interior with geometric white panels and distinctive angular ceiling architecture characteristic of classic sci-fi television sets.

Three actors are engaged in what appears to be a tense dramatic scene. On the left, a woman with short dark hair wears an elegant blac…
@blakes7bot@mas.torpidity.net
2026-01-14 16:19:54

Series A, Episode 02 - Space Fall
JENNA: Why indeed?
[Whispers something to Raiker]
[Raiker slaps her across the face]
RAIKER: You'll come round! I can be VERY persuasive!
[Avon takes a note from his top pocket]
[Jenna walks back to Vila, Avon & Nova]
blake.torpidity.net/m/102/78

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The setting appears to be an industrial or spaceship interior, with metallic surfaces and utilitarian design elements visible in the background.

The scene features distinctive period styling typical of that era's sci-fi productions, with futuristic costume design inc…
@blakes7bot@mas.torpidity.net
2026-01-12 16:29:26

Series C, Episode 05 - The Harvest of Kairos
SERVALAN: GREATER?
[Landing module]
AVON: Self-defence. Some animals bristle out their fur to frighten their enemies. But that doesn't count for much in the dark.
VILA: So what does Sopron do?
blake.torpidity.net/m/305/601

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a moment from what appears to be a science fiction television production, set in a futuristic control room or spacecraft interior. The backdrop features the distinctive geometric design typical of 1970s sci-fi sets, with angular panels in teal and neutral tones.

The scene shows two characters in costume. On the left is a character wearing an elaborate white ensemble featuring an impressive sculptural shoulder pi…
@blakes7bot@mas.torpidity.net
2026-01-12 19:31:51

Series B, Episode 01 - Redemption
AVON: What the hell is going on?
BLAKE: Zen, report.
ZEN: Aft hull sensors register two strikes by medium-range neutron blasters.
AVON: Where are they coming from?
blake.torpidity.net/m/201/40 B7B5

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, showing two men in conversation. The figure on the left wears a distinctive black leather jacket adorned with metal studs and rivets, which appears to be a futuristic costume design. The lighting is dramatic, with blue-tinted atmospheric lighting visible in the background, suggesting an interior spacecraft or sci-fi setting.

The scene captures an intimate moment…
@blakes7bot@mas.torpidity.net
2025-11-11 13:07:13

Series B, Episode 07 - Killer
JENNA: Obviously not.
BLAKE: I hope we got that through to him in time.
[A-line room]
AVON: Keep an eye on the corridor.
blake.torpidity.net/m/207/537 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series featuring two characters in what appears to be a futuristic spacecraft setting. The background shows typical sci-fi television production design with metallic surfaces and circular lighting elements. One character is wearing a mint green and white outfit with a chain necklace and has blonde hair, while the other wears earth-toned clothing including what appears to be a leather jacket ov…
@blakes7bot@mas.torpidity.net
2026-01-11 13:21:24

Series C, Episode 07 - Children of Auron
VILA: And Cally?
AVON: She'll be all right, she's sleeping. Zen, course.
ZEN: Course zero three two zero for the planet Kaarn.
AVON: Kaarn?
blake.torpidity.net/m/307/596 B7B3

Claude Haiku 4.5 describes the image as: "# Scene Description

This image shows two men in what appears to be a futuristic spacecraft or space station interior. The setting features metallic walls with illuminated panels in the background, creating a sci-fi atmosphere typical of 1970s-80s television production design.

The man on the left wears a dark jacket and appears to be engaged in a tense physical confrontation with the man on the right, who is dressed in a black leather jacket. Their bod…
@blakes7bot@mas.torpidity.net
2025-12-11 13:06:58

Series D, Episode 13 - Blake
TARRANT: That isn't the plan anymore, though, is it Avon?
AVON: I think we can do better.
VILA: Does that mean safer?
AVON: In the end, winning is the only safety.
VILA: It doesn't mean safer. I didn't think it would.
blake.torpidity.net/m/413/16

Claude Sonnet 3.7 describes the image as: "The image shows a scene from what appears to be the science fiction TV series "Blake's 7." The setting is a futuristic spacecraft interior with metallic walls and control panels. 

Several people are visible in the scene, dressed in characteristic 1970s/80s sci-fi costumes. In the foreground, two individuals wearing gray uniforms appear to be in conversation, with one seated near what looks like a control panel. In the background, several other crew me…
@blakes7bot@mas.torpidity.net
2025-11-11 16:09:46

Series A, Episode 09 - Project Avalon
TRAVIS: Ohh?
SERVALAN: Oh, so far I have resisted that pressure. But now, I need your reassurance that my confidence has not been misplaced.
TRAVIS: I think Project Avalon will silence the critics.
blake.torpidity.net/m/109/174 B7B4

Claude 3.7 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in what looks like a minimalist, futuristic interior space with plain gray walls and metallic fixtures. The setting has a sterile, institutional quality typical of 1970s-80s sci-fi design.

In the foreground, a woman wearing a white garment with dark trim is engaged in conversation with a man in a black leather jacket. Between them appears to be some kind of white …
@blakes7bot@mas.torpidity.net
2025-12-11 22:14:34

Series A, Episode 06 - Seek-Locate-Destroy
BLAKE: [To Avon] Now do you know what you're looking for?
AVON: [Shortly] Yes. [Moves off towards the equipment.]
BLAKE: [To Gan] All the equipment here?
GAN: All here.
blake.torpidity.net/m/106/52 B7B6

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s or early 1980s. The image shows two men in futuristic military-style clothing examining what appears to be a tactical display or map on a table. The setting looks like the interior of a spacecraft, with typical sci-fi production design elements visible in the background including control panels and metallic surfaces. The lighting and film quality…
@blakes7bot@mas.torpidity.net
2026-01-10 19:25:08

Series B, Episode 13 - Star One
CALLY: Are we fanatics?
BLAKE: Does it matter?
CALLY: Many, many people will die without Star One.
BLAKE: I know.
CALLY: Are you sure that what we're going to do is justified?
blake.torpidity.net/m/213/77 B7B5

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a science fiction television production, set within a spaceship interior. The setting features a sleek, futuristic design with cream-colored seating, dark control panels, and ambient lighting typical of 1970s-80s sci-fi aesthetics. The architectural elements include geometric shapes and a modernist bridge or upper structure visible in the background.

In the foreground, a woman with curly blonde hair si…
@blakes7bot@mas.torpidity.net
2025-11-10 13:10:23

Series B, Episode 04 - Horizon
[Teleport section]
AVON: [Snapping on a bracelet] What do these detectors look like?
ORAC: Logic would suggest they are camouflaged - in plants.
blake.torpidity.net/m/204/536 B7B3

Claude 3.7 describes the image as: "This image shows a person in a distinctive silver/metallic costume with a black turtleneck underneath, standing in what appears to be a futuristic set design. The individual is positioned at what looks like a control panel or console with transparent elements. The costume has a retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s.

The setting features angular architectural elements with geometric shapes and panels …
@blakes7bot@mas.torpidity.net
2025-11-11 07:02:02

#Blakes7 Series D, Episode 08 - Games
AVON: Who does?
SLAVE: I fear I am unable to identify them Master. I regret this failure most bitterly.
AVON: Orac?
blake.torpidity.net/m/408/117

Claude 3.7 describes the image as: "This image shows a droid or robot character from the science fiction television series. The machine has a distinctive spherical, segmented design with metallic sections separated by gold trim bands. It appears to have a control panel with small red lights visible in its midsection. The robot is positioned in what looks like a technical corridor or facility with textured green wall panels visible on either side, creating a classic retro sci-fi aesthetic. The s…
@blakes7bot@mas.torpidity.net
2025-12-10 07:17:55

#Blakes7 Series D, Episode 12 - Warlord
DAYNA: [Into comm] All launch checks complete.
AVON: [V.O.] Green on all systems.
VILA: [Into comm] Betafarl has just confirmed full clearance on your flight plan.
blake.torp…

Claude Sonnet 4 describes the image as: "This image shows two actors in what appears to be a science fiction television production, likely from the late 1970s or 1980s based on the visual style and set design. The scene takes place in a futuristic control room or spacecraft interior, featuring typical sci-fi elements like control panels with blinking lights and a sterile, technological aesthetic.

One actor wears an elaborate costume with ornate metallic detailing and a high collar design that …
@blakes7bot@mas.torpidity.net
2025-12-09 10:03:30

Series C, Episode 13 - Terminal
TARRANT: Let's see if we can't find a way off this planet. There's a lot to do.
[Tarrant, Cally, Dayna, and Vila exit one by one. Avon turns to go, and smiles as he too exits.]
[End of episode. Roll credits.]
blake.torpidity.net/m/313/441

Claude Sonnet 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction TV series, likely "Blake's 7" based on the distinctive costumes and setting. Several people are gathered in what looks like a spacecraft or space station interior. The individuals are wearing characteristic sci-fi costumes from the late 1970s/early 1980s era of television production.

The person in the center is wearing a red neckerchief/cravat with a light-colored outfit, while others a…
@blakes7bot@mas.torpidity.net
2025-11-09 22:21:11

Series C, Episode 10 - Ultraworld
[Ultra 2 Negative response.]
ULTRA 1: Operate primary fail-safe terminals.
ULTRA 3: Confirmed.
[Tarrant retrieves the memory tubes and leaves the control room.]
blake.torpidity.net/m/310/592 B7B6

Claude Sonnet 4.0 describes the image as: "This image shows a character with distinctive pale, greyish makeup and golden-colored eyes, wearing what appears to be a metallic or silver-colored garment. The character has a bald head and an otherworldly appearance that suggests they are an alien or artificially enhanced being. The background features warm orange and reddish lighting, creating a dramatic sci-fi atmosphere typical of the series. The makeup and costume design emphasize the character's…
@blakes7bot@mas.torpidity.net
2025-11-08 13:11:20

Series D, Episode 04 - Stardrive
VILA: [All "drunk mannerisms" vanishing instantly] Drunk? Who's drunk?
DAYNA: You are.
VILA: Show me how to get drunk on plain water and I won't waste time.
DAYNA: Well, then why pretend?
blake.torpidity.net/m/404/72

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene on what looks like a spacecraft or futuristic setting. Several people are visible in the frame, wearing distinctive uniform-like costumes that have a retro-futuristic design typical of older sci-fi productions. In the foreground, there's what appears to be translucent or transparent mechanical equipment with ridged patterns, possibly part of the ship's control systems or techno…
@blakes7bot@mas.torpidity.net
2025-11-06 16:15:06

Series B, Episode 05 - Pressure Point
TRAVIS: [To mutoids] Get after them!
SERVALAN: [Slaps Travis] You hesitated. My life was at risk and you hesitated. [Tries slapping him again, but he catches her hand]
[Blake and crew hurry through the red corridors.]
blake.torpidity.net/m/205/527

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic sci-fi setting with distinctive lighting and architectural elements typical of the series. One person is wearing an elegant white dress with decorative details, while the other is dressed in dark leather or similar material with sunglasses, creating a striking contrast between their costumes. The scene has a dramatic, tense quality to it, with the lighting creating an otherworldly atmosphere. The …
@blakes7bot@mas.torpidity.net
2025-11-08 10:08:16

Series D, Episode 02 - Power
GUNN SAR: All right, woman, you just made a very big mistake.
[Corridor in Hommik dwelling. Kate grabs Nina, covering her mouth. She lets go when they recognize each other.]
KATE: Nina!
blake.torpidity.net/m/402/414 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing a person with long blonde hair and facial hair in what looks like a dramatic scene. However, I cannot identify who this specific person is or provide details about their character or role in the series. The lighting and production style suggests this is from a classic sci-fi show, likely from the late 1970s or early 1980s based on the visual aesthetic. The person appears…
@blakes7bot@mas.torpidity.net
2025-11-09 07:06:06

#Blakes7 Series D, Episode 13 - Blake
AVON: This won't hold it for long.
TARRANT: Have we shaken any of them off?
SOOLIN: [Looking at monitor] Not exactly.
VILA: Not remotely. There's four more coming on zero two three.

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction television production from the late 1970s or early 1980s, based on the filming style and costume design. 

The individual is wearing a distinctive black leather outfit with metallic studs or embellishments, which is characteristic of the futuristic, somewhat dystopian aesthetic common in British sci-fi of that era. 

The costume has a militaristic or authoritarian quality, with structured should…
@blakes7bot@mas.torpidity.net
2026-01-07 10:06:50

Series C, Episode 06 - City at the Edge of the World
VILA: Well, if we don't move around too much ...
KERRIL: It hardly seems worth trying to stay alive a few minutes longer. [removes gunbelt]
blake.torpidity.net/m/306/405 B7B2

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction television production, likely from the late 1970s or early 1980s based on the styling and video quality. The setting features a futuristic interior with geometric patterned walls or screens in the background, creating a distinctly sci-fi atmosphere with cool lighting tones.

Two characters are shown in an intimate moment, with their arms around each other in what appears to be an emotional or romantic sce…
@blakes7bot@mas.torpidity.net
2025-12-06 10:08:28

Series D, Episode 03 - Traitor
AVON: Ah well. Tarrant is brave; young; handsome. [Chuckles] There are three good reasons for anyone not to like him.
SOOLIN: He has a point all the same.
AVON: About Tarrant?
blake.torpidity.net/m/403/109 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in a futuristic spacecraft interior. The setting features metallic cylindrical columns and modern technological elements typical of 1980s sci-fi aesthetic, with sleek gray and silver tones throughout.

Two characters are shown in conversation within this high-tech environment. The character on the left wears a distinctive black jacket adorned with elaborate s…
@blakes7bot@mas.torpidity.net
2025-12-04 10:07:38

Series B, Episode 04 - Horizon
RO: [Enters] Kommissar.
KOMMISSAR: Ro. It has been too long.
RO: An unlooked for pleasure. I welcome your return to my planet.
KOMMISSAR: I would've come sooner - pressure of office.
blake.torpidity.net/m/204/244 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This appears to be a scene from Star Trek: The Next Generation, set in what looks like a Romulan vessel or similar sci-fi environment. The setting features dark, industrial architecture with large carved or textured panels in the background, creating an imposing alien atmosphere with purple and red lighting tones.

The man on the left wears a burgundy Starfleet uniform, characteristic of Starfleet officers from the TNG era. He appea…
@blakes7bot@mas.torpidity.net
2025-11-06 22:20:02

Series A, Episode 12 - Deliverance
TRAVIS: It begins to look that way. [Pauses]
SERVALAN: What's the matter?
TRAVIS: Maryatt.
SERVALAN: What about him?
TRAVIS: His disappearance - there may be questions.
blake.torpidity.net/m/112/271 B7B6

Claude 3.7 describes the image as: "The image shows a person in a black leather jacket standing in what appears to be an interior setting with a distinctive textured wall featuring a diamond pattern in the background. The individual is turned slightly, looking over their shoulder, and appears to be holding something small in their hands. The setting has a somewhat institutional or utilitarian appearance with simple walls and minimal decoration, which is characteristic of the retro sci-fi aesthe…
@blakes7bot@mas.torpidity.net
2025-12-05 19:17:54

Series D, Episode 06 - Headhunter
VILA: I am!
SOOLIN: I know.
VILA: Where's Orac? He can run a scan first.
SOOLIN: 'Fraid not, sorry.
AVON: [Who has entered unnoticed and is leaning casually against the doorway.] Why not?
SOOLIN: Orac's in hiding.
blake.torpidity.net/m/406/444

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, set in a futuristic interior space with white/gray walls, ventilation grates, and industrial-style lighting. The setting has a distinctly spaceship or space station aesthetic typical of sci-fi shows from the late 1970s or early 1980s.

Two actors are positioned in the scene - a man on the left wearing a light-colored military or utility-style jacket, and a woman on …
@blakes7bot@mas.torpidity.net
2026-01-05 16:21:41

Series B, Episode 08 - Hostage
MOLOK: Wait. Over there. Quick.
MOLOK: You are Cally.
CALLY: Yes.
JENNA: What's happened to our friends?
MOLOK: They're dead.
JENNA: What?
blake.torpidity.net/m/208/577 B7B4

Claude Sonnet 4 describes the image as: "This image shows two women in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the styling and video quality. The setting is clearly a futuristic spacecraft or space station interior, characterized by distinctive hexagonal wall panels and sleek, angular design elements typical of sci-fi productions of that era.

The woman on the left wears a simple, elegant cream-colored outfit with clean line…
@blakes7bot@mas.torpidity.net
2026-01-05 16:21:41

Series B, Episode 08 - Hostage
MOLOK: Wait. Over there. Quick.
MOLOK: You are Cally.
CALLY: Yes.
JENNA: What's happened to our friends?
MOLOK: They're dead.
JENNA: What?
blake.torpidity.net/m/208/577 B7B4

Claude Sonnet 4 describes the image as: "This image shows two women in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the styling and video quality. The setting is clearly a futuristic spacecraft or space station interior, characterized by distinctive hexagonal wall panels and sleek, angular design elements typical of sci-fi productions of that era.

The woman on the left wears a simple, elegant cream-colored outfit with clean line…