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@tiotasram@kolektiva.social
2025-10-13 06:16:23

Just finished "Beasts Made of Night" by Tochi Onyebuchi...
Indirect CW for fantasy police state violence.
So I very much enjoyed Onyebuchi's "Riot Baby," and when I grabbed this at the library, I was certain it would be excellent. But having finished it, I'm not sure I like it that much overall?
The first maybe third is excellent, including the world-building, which is fascinating. I feel like Onyebuchi must have played "Shadow of the Colossus" at some point. Onyebuchi certainly does know how to make me care for his characters.
Some spoilers from here on out...
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I felt like it stumbles towards the middle, with Bo's reactions neither making sense in the immediate context, nor in retrospect by the end when we've learned more. Things are a bit floaty in the middle with an unclear picture of what exactly is going on politics-wise and what the motivations are. Here I think there were some nuances that didn't make it to the page, or perhaps I'm just a bit thick and not getting stuff I should be? More is of course revealed by the end, but I still wasn't satisfied with the explanations of things. For example, (spoilers) I don't feel I understand clearly what kind of power the army of aki was supposed to represent within the city? Perhaps necessary to wield the threat of offensive inisisia use? In that case, a single scene somewhere of Izu's faction deploying that tactic would have been helpful I think.
Then towards the end, for me things really started to jumble, with unclear motivations, revelations that didn't feel well-paced or -structured, and a finale where both the action & collapsing concerns felt stilted and disjointed. Particularly the mechanics/ethics of the most important death that set the finale in motion bothered me, and the unexplained mechanism by which that led to what came next? I can read a couple of possible interesting morals into the whole denouement, but didn't feel that any of them were sufficiently explored. Especially if we're supposed to see some personal failing in the protagonist's actions, I don't think it's made clear enough what that is, since I feel his reasons to reject each faction are pretty solid, and if we're meant to either pity or abjure his indecision, I don't think the message lands clearly enough.
There *is* a sequel, which honestly I wasn't sure of after the last page, and which I now very interested in. Beasts is Onyebuchi's debut, which maybe makes sense of me feeling that Riot Baby didn't have the same plotting issues. It also maybe means that Onyebuchi couldn't be sure a sequel would make it to publication in terms of setting up the ending.
Overall I really enjoyed at least 80% of this, but was expecting even better (especially politically) given Onyebuchi's other work, and I didn't feel like I found it.
#AmReading

@mcdanlj@social.makerforums.info
2026-01-13 03:00:34

I bought a pair of 25' Intellitron stainless steel whip antennas from GigaParts while they were on sale ("two is one and one is none" and the second one tipped me me into "free shipping" making its marginal cost pretty low). On removing them from the packages, however, loose roll pins fell out, and the bases fell off the antennas. Both of them.
A roll pin is an inappropriate fastener to use to connect two concentric thin-walled tubes, so this is a design failure. And the roll pins are …

A view into the bottom end of a whip antenna, showing yellow metal tabs for better electrical connections between the concentric sleeves, stops preventing collapsing the antenna too far, and a set of holes. An out-of-focus roll pin is in the background.
close-up view of roll pin. Only one end is tapered, and the pin is not straight.
External view of base sleeve that fell off the whip. It has flat sides where the holes for the roll pin go, and is tapered from the base where a 3/8-24 threaded stud is visible towards the open end at the lower left.
@ErikJonker@mastodon.social
2026-01-12 15:15:55

"Strip away the rhetoric and what remains is simple: there is no military option that delivers what Trump has promised. The symbolic strike is too weak to matter. Decapitation risks installing a junta. The sustained campaign courts state collapse and regional conflagration"
time.com/7345293/…

@leftsidestory@mstdn.social
2025-10-13 00:30:01

Moody Urbanity - Oracles III 🈳
情绪化城市 - 谕 III 🈳
📷 Nikon FE
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:
A narrow alleyway between two aged buildings is viewed through vertical black bars in the foreground. The concrete path is cracked and stained. The walls are peeling, with exposed pipes and wires overhead. A barred window sits on the left wall. The alley leads into a darker area, evoking mystery. Sunlight casts sharp shadows, and the black-and-white palette emphasizes texture and decay.

中文替代文字:
透过前景中的黑色栏杆,可见两栋老旧建筑之间的狭窄小巷。混凝土地面布满裂痕与污渍,墙面斑驳脱落,上方管线交错。左侧…
Ilford HP5 Plus 400 (FF)

English Alt Text:
Two blurred figures on bicycles or scooters speed past in the foreground, capturing motion. Behind them, a quiet urban wall features a handicapped-accessible sign, a bench with a small paper, and a covered object—possibly a scooter. Tree shadows fall across the wall. The contrast between movement and stillness is heightened by the monochrome tones.

中文替代文字:
前景中两位骑行者模糊掠过,展现速度与动感。背景是一面城市墙壁,设有残障通道标志、长椅和一张小纸条,旁边覆盖着一件物品,可能是电动车。树影洒落墙面,黑白色调强化了动与静的对比。
Ilford HP5 Plus 400 (FF)

English Alt Text:
A group of identical bicycles with front baskets are parked neatly on a sidewalk beneath dense tree cover. The scene is shaded, creating a quiet, contemplative mood. These bikes appear to be part of a public bike-sharing system. In the background, a person walks through a tree-lined opening, suggesting a path or park entrance. The black-and-white tone adds a nostalgic, documentary feel to this urban moment.

中文替代文字:
一群带有前篮的共享单车整齐地停放在人行道上,头顶是茂密的树冠,营造出安…
Ilford HP5 Plus 400 (FF)

English Alt Text:
Railway tracks cross a paved area in the foreground. Two people sit near a tree—one on a chair, the other beside a small stand with a signboard. A bench behind them holds large bags, possibly recyclables. A building with windows and an open garage is in the background. Bollards line the area, and tree shade softens the scene. The monochrome effect adds depth and quietness.

中文替代文字:
前景中铁轨穿过铺设区域。两人坐在树旁,一人坐椅上,另一人靠近带招牌的小摊。后方长椅上堆放着大袋子,可能是可回收物。背景是有窗户和敞开车库的建…

A drastic rise in the reported death toll came as Iranian authorities intensified their crackdown on the protests, now in their second week.
Rights groups were struggling to reach contacts within Iran due to a complete internet shutdown in the country, and warned that the death toll was likely to climb even further.
The brutal crackdown has raised the likelihood of US intervention, with Trump saying he would “rescue” protesters if the Iranian government killed them.
He rei…

@aardrian@toot.cafe
2025-12-12 22:25:14

The Smashing Magazine comment form is still broken, so I’m memorializing the comment I _wanted_ to leave about CSS carousels:
adrianroselli.com/2025/05/my-r (anchor)
Includes quote fr…

@arXiv_csCL_bot@mastoxiv.page
2025-10-13 10:43:30

Mind-Paced Speaking: A Dual-Brain Approach to Real-Time Reasoning in Spoken Language Models
Donghang Wu (Tony), Haoyang Zhang (Tony), Jun Chen (Tony), Xiangyu (Tony), Zhang, Hexin Liu, Eng Siong Chng, Fei Tian, Xuerui Yang, Xiangyu Zhang, Daxin Jiang, Gang Yu
arxiv.org/abs/2510.09592

@pavelasamsonov@mastodon.social
2026-01-12 15:06:50

If you're in #tech and struggling to figure out what your career look like now — this piece is my answer. You've heard "it's here to stay" or "it's better than nothing."
Reject these frames.
Look at the system being built around you. Manufacturing validation for "inevitable" success. Rewriting our roles from human-centered creative to featu…

@tiotasram@kolektiva.social
2025-12-13 00:30:41

Just finished "The Raven Boys," a graphic novel adaptation of a novel by Maggie Stiefvater (adaptation written by Stephanie Williams and illustrated by Sas Milledge).
I haven't read the original novel, and because of that, this version felt way too dense, having to fit huge amounts of important details into not enough pages. The illustrations are gorgeous and the writing is fine; the setting and plot have some pretty interesting aspects... It's just too hard to follow a lot of the threads, or things we're supposed to care about aren't given the time/space to feel important.
The other thing that I didn't like: one of the central characters is rich, and we see this reflected in several ways, but we're clearly expected to ignore/excuse the class differences within the cast because he's a good guy. At this point in my life, I'm simply no longer interested in stories about good rich guys very much. It's become clear to me how in real life, we constantly get the perspectives of the rich, and rarely if ever hear the perspectives of the poor (same applies across racial and gender gradients, among others). Why then in fiction should I get more of the same, spending my mental bandwidth building empathy for yet another dilettante who somehow has a heart of gold? I'm tired of that.
#AmReading #ReadingNow

@tiotasram@kolektiva.social
2025-10-13 07:16:11

Day 20: bell hooks.
Despite having decided to continue to 30, number 20 feels important, and hooks gets the spot in part because I haven't yet included a non-fiction feminist author, which feels like an obvious thing to include on such a list. The one category of author being bumped out of the first 20 here is anime writers, but I'll follow up with one of them, along with more academics and mangaka who I've been itching to include.
In any case, hooks is absolutely legendary as a feminist writer for good reason, and as a teacher I've especially appreciated her writing on pedagogy like "Teaching to Transgress: Education as the Practice of Freedom" and "Teaching Critical Thinking: Practical Wisdom". These have challenged me to teach at a higher level, and while I'm not sure I've completely succeeded, they're important to me. They also pair well with Paolo Friere's "Pedagogy of the Oppressed", but hooks always seems to be focused on very practical advice and it's incredibly direct in her writing, even though her advice isn't always straightforward to implement. In fact, that's one of the things I value about her writing: when the truth is complicated or the real work is messy interpersonal relationships that need to be negotiated with each student, she's not afraid to say so and give good advice for navigating those waters instead of trying to dispense simple-seeming platitudes or formulas for success that paper over the deeper issues. Her concern has always been truth, rather than simplicity or audience comfort and the popularity it might seem to entail, which I think is part of why her legacy endures so well.
#20AuthorsNoMen
#30AuthorsNoMen