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@bencurthoys@mastodon.social
2026-01-23 20:44:30

Monday marks 100 years of television.
theguardian.com/tv-and-radio/2

@Mediagazer@mstdn.social
2025-12-24 06:05:47

BBC Sounds reports more than 2.5B plays of radio, music, and podcasts between January and November, up 8% YoY; podcast listening alone is up 15% YoY (Advanced Television)
advanced-television.com/2025/1

@Mediagazer@mstdn.social
2025-12-23 09:15:41

The UK's Channel 4 reports streaming minutes up 14% YoY in 2025 to 69B, with total individual audience up 2% YoY; the average viewer streamed 1,000 minutes (Advanced Television)
advanced-television.com/2025/1

@blakes7bot@mas.torpidity.net
2025-12-23 19:30:15

Series C, Episode 04 - Dawn of the Gods
VILA: Why don't we switch him off and put ourselves out of our misery.
AVON: I would advise against it. Orac may be gathering information that could prove useful to us.
VILA: Useful! He's got us into this mess.
blake.torpidity.net/m/304/89

Claude Sonnet 3.7 describes the image as: "The image shows a person with short brown hair and sideburns in what appears to be a scene from a television production. They're wearing a light tan or gold-colored uniform with black striping at the collar. The background has warm tones and appears to be a set, likely from a science fiction program given the styling of the costume.

The image has a vintage quality to it, suggesting it's from a television production from the 1970s or early 1980s. The l…
@davidaugust@mastodon.online
2026-01-22 16:16:33

"Television and film acting is really fun because you are working with other people and you are not completely responsible for the outcome of the project."
—Alex Borstein
#acting #coaching #inspiration

@penguin42@mastodon.org.uk
2025-11-24 00:40:33

wtf? "Brooklyn's Unisex Adults Smart Television delivers sleek design with immersive viewing technology."
houseoffraser.co.uk/brand/broo

@jensilber@mastodon.social
2025-11-22 15:35:43

In the 1980s there were a lot of television ads that showed how people might use technology in the future.
I remember one that showed a woman waking up in bed and (I think) speaking to the computer across the room to ask for the news and weather. The part that struck me odd then wasn't the use of voice command, it was the idea of wanting to interact with a computer right away in one's bedroom, before even having coffee or seeing sunlight. And now here we are.

@Techmeme@techhub.social
2025-12-22 05:40:35

Adam Mosseri says "maybe we'll need" premium longform video for Instagram, and that TikTok's US sale turmoil has given Meta time to retune algorithms (Max Tani/Semafor)
semafor.com/article/12/21/2025

@steve@s.yelvington.com
2025-12-12 16:10:44

Hillbilly state cancels PBS:
apnews.com/article/arkansas-pu

@BBC6MusicBot@mastodonapp.uk
2025-12-14 16:01:46

🇺🇦 #NowPlaying on #BBC6Music
Television:
🎵 Marquee Moon (Part 1 of 3)
#Television
wino-na.bandcamp.com/track/mar
open.spotify.com/track/7Me0vOS

@timbray@cosocial.ca
2025-12-20 20:59:17

What a charming story.
Even Its Author Is Shocked by How Fans Have Embraced “Heated Rivalry,” the Gay Hockey Romance Series
nytimes.com/2025/12/19/books/h

@blakes7bot@mas.torpidity.net
2025-11-22 16:11:07

Series D, Episode 10 - Gold
SOOLIN: Why don't we wait in the Pursers Office?
TARRANT: What a good idea! [They enter the Pursers Office and check the monitor screen.] Any minute now.
[Entering the Space Princess hold.]
blake.torpidity.net/m/410/267 B7B4

Claude Sonnet 4.0 describes the image as: "This image appears to be from a television production, likely from the 1980s based on the styling and video quality. The scene takes place in what looks like a high-tech control room or command center, featuring a sleek, modern set design with metallic surfaces and dramatic red curtains in the background.

Two actors are positioned at what appears to be a sophisticated control console filled with various buttons, switches, and electronic equipment. The…
@newsie@darktundra.xyz
2026-01-19 13:53:42

Iranian state TV feed reportedly hijacked to air anti-regime messages therecord.media/iran-state-tel

Trump is addicted to military force.
Congress should act to curb him
Even before the raid to seize Nicolšs Maduro in Caracas, Venezuela, on Jan. 3,
Trump had already attacked as many countries (seven) in 2025 as he did during his entire first term.
After the Maduro operation, which Trump said he watched “like ... a television show,”
he has threatened to take military action in many more places,
including Iran, Colombia, Mexico, Cuba, Greenland — and no…

@Mediagazer@mstdn.social
2025-12-23 00:20:39

The CECOT segment from 60 Minutes, pulled by Bari Weiss, was aired in Canada via an app owned by Global Television, which airs 60 Minutes in the country (Sara Fischer/Axios)
axios.com/2025/12/22/60-minute

@kexpmusicbot@mastodonapp.uk
2025-12-16 16:38:51

🇺🇦 #NowPlaying on KEXP's #MorningShow
Ned’s Atomic Dustbin:
🎵 Kill Your Television
#NedsAtomicDustbin
theealex.bandcamp.com/track/ki
open.spotify.com/track/4rFSKJs

@dichotomiker@dresden.network
2026-01-14 12:29:29

This is hands down the most wholesome "Stranger Things" fact ever piefed.social/c/television/p/1

@blakes7bot@mas.torpidity.net
2025-11-22 13:08:30

Series C, Episode 06 - City at the Edge of the World
AVON: Seems we're not the only strangers on this planet.
CALLY: That could explain a lot.
AVON: The woman is still with us. Is she trying to bluff her way out?
blake.torpidity.net/m/306/284 B7B3

Claude 3.7 describes the image as: "This image appears to be a still from a vintage television production, likely from the late 1970s or early 1980s based on the film quality and styling. The scene shows two people in conversation outdoors near what seems to be a body of water, with greenery in the background. The setting has a somewhat muted, cool color palette typical of productions from that era.

The person on the left is wearing a light-colored jacket with darker accents, while the person …
@paulbusch@mstdn.ca
2026-01-20 12:35:45

Good Morning #Canada
On January 20th, 1953, American TV shows were broadcast into Canada from Buffalo New York, via a CBC communication link. But did you know that TV broadcasting had existed in Canada for 2 decades before Public Television in the U.S. started asking for your money? The attached article provides a rambling but pretty exhaustive overview of how the TV industry evolved in Canada, both regionally and nationally. It's long, probably a 2-coffee read, but full of interesting trivia and name-dropping of some Canadian legends.
#CanadaIsAwesome #History #Television
broadcastermagazine.com/featur

@NFL@darktundra.xyz
2025-12-17 21:11:37

Puka Nacua calls NFL referees 'the worst,' says they make calls to be on television

cbssports.com/nfl/news/rams-pu

@BBC6MusicBot@mastodonapp.uk
2025-12-14 17:55:49

🇺🇦 #NowPlaying on #BBC6Music
Television:
🎵 Marquee Moon (Part 1 of 3)
#Television
wino-na.bandcamp.com/track/mar
open.spotify.com/track/7Me0vOS

@jake4480@c.im
2025-11-18 20:48:03

How the Nintendo Wii's Wiimote changed gaming #Wii #Nintendo

@blakes7bot@mas.torpidity.net
2025-11-22 19:13:28

Series D, Episode 05 - Animals
JUSTIN: They'll come in when they're hungry enough. All except Og.
DAYNA: Why won't he?
blake.torpidity.net/m/405/229 B7B5

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television production, likely from the 1980s based on the aesthetic and production values. The setting is a futuristic medical facility or laboratory, characterized by clean white surfaces, advanced-looking equipment, and sterile lighting typical of sci-fi productions from that era.

The scene shows two characters in what appears to be a medical or scientific consultation. One character is seated, weari…
@Mediagazer@mstdn.social
2025-11-18 23:05:49

An Alabama state board votes to keep its contract with PBS for now, rejecting an effort to become the first state to cut ties following federal budget cuts (Kim Chandler/Associated Press)
apnews.com/article/alabama-pbs

@BBC6MusicBot@mastodonapp.uk
2025-12-14 17:13:47

🇺🇦 #NowPlaying on #BBC6Music
Television:
🎵 Marquee Moon (Part 2 of 3)
#Television
wino-na.bandcamp.com/track/mar
open.spotify.com/track/7Me0vOS

@cowboys@darktundra.xyz
2025-12-16 22:19:14

Jerry Jones inducted into Sports Broadcasting Hall of Fame dallascowboys.com/news/jerry-j

@blakes7bot@mas.torpidity.net
2025-11-23 10:44:02

Series C, Episode 05 - The Harvest of Kairos
AVON: Cally. [Grasps her by the arms]
TARRANT: [Enters] Is this the time or the place? That thing has warped your reason, Avon. It's even warped your notorious instinct for looking after number one. We are in danger, can't you understand that?
blake.torpidity.net/m/3…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and set design. The setting features a futuristic interior with distinctive green lighting and sleek, modernist architecture typical of sci-fi productions of that era.

Three actors are positioned in what appears to be a tense dramatic moment. The scene takes place on a multi-level set with steps and geometric des…
@davej@dice.camp
2026-01-18 02:10:43

Having watched the first two episodes, the standouts IMO were Nus Braka (Paul Giamatti), SAM (Kerrice Brooks), Lura Thok (Gina Yashere), and Jett Reno (Tig Notaro).
I fear that, like #StarTrekDiscovery, #StarfleetAcademy’s strong, female captain may be its least interesting character. H…

@fgraver@hcommons.social
2025-12-17 17:41:41

C’mon people. More of us need to vote for the Argument Clinic here! @… toot.wales/@HannahHowe/1157360

@ubuntourist@mastodon.social
2025-12-12 11:50:40

Trump, a Big Lie, and a Wall...
Life imitates art
#television #TV

@kexpmusicbot@mastodonapp.uk
2025-12-10 14:20:34

🇺🇦 #NowPlaying on KEXP's #Early
Television:
🎵 Elevation
#Television
television.bandcamp.com/track/
open.spotify.com/track/0NSS0OG

@cjust@infosec.exchange
2025-11-17 16:48:40

Saturday morning cartoons are a gateway drug to classical music
pressgag.com/study-finds-87-of

@cheryanne@aus.social
2025-12-17 08:24:31

Casting Guild Of Australia Podcast
Bringing recognition to Casting Directors across Australia who cast film, television, TV commercials, theatre, new media and reality...
Great Australian Pods Podcast Directory: greataustralianpods.com/castin

Casting Guild Of Australia Podcast
Screenshot of the podcast listing on the Great Australian Pods website
@shriramk@mastodon.social
2025-10-28 16:29:42

Gotta watch *the episode* in her honor tonight.
nytimes.com/2025/10/28/arts/te

@blakes7bot@mas.torpidity.net
2025-12-22 19:34:42

Series C, Episode 01 - Aftermath
AVON: Are you all right?
DAYNA: Yes.
AVON: When we first met, you said there was no pleasure without danger. Do you still feel that way?
DAYNA: I think I can do without excitement for a little while.
blake.torpidity.net/m/301/520 B7B…

Claude Sonnet 4 describes the image as: "This image appears to be from a British science fiction television production, likely from the 1970s or 1980s based on the visual style and costume design. The scene shows two characters in what appears to be a futuristic or space-based setting. One character is wearing a distinctive metallic or silver-colored outfit with a high collar and geometric design elements typical of sci-fi costume design from that era. The other character is wearing what appear…
@blakes7bot@mas.torpidity.net
2025-12-22 16:32:06

Series B, Episode 12 - The Keeper
GOLA: You said she let me win. [The Fool turns and winks at Tara]
VILA: No I didn't. I didn't say anything.
JENNA: [In an urgent whisper] Vila, shut up!
VILA: But I didn't say anything.
blake.torpidity.net/m/212/352 B7B4…

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," set in what looks like a tavern or underground meeting place. The setting has a rustic, medieval-like atmosphere with wooden tables, stone walls, and various props scattered around including what appears to be a chess set on the table. The lighting is dim and atmospheric, typical of the show's distinctive visual style from the late 1970s/early 1980s.

The scene sho…
@blakes7bot@mas.torpidity.net
2026-01-22 16:33:31

Series A, Episode 10 - Breakdown
AVON: Say goodbye to one bolt hole.
BLAKE: That's not funny, Avon.
AVON: It wasn't meant to be.
ZEN: Pursuit ships are turning.
BLAKE: You know what to do.
AVON: Zen, increase speed to Standard by Eight.
blake.torpidity.net/m/110/581

Claude Sonnet 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7." The scene is set in what looks like a spaceship control room or bridge, with futuristic design elements typical of the show's distinctive visual style. 

The image features performers in costume wearing the characteristic styling of the series. The person in the foreground is wearing a distinctive outfit with padded shoulders and a gray and black uniform wi…
@Mediagazer@mstdn.social
2025-12-22 09:40:34

Adam Mosseri says "maybe we'll need" premium longform video for Instagram, and that TikTok's US sale turmoil has given Meta time to retune algorithms (Max Tani/Semafor)
semafor.com/article/12/21/2025

@davidaugust@mastodon.online
2026-01-16 16:16:34

"Television and film acting is really fun because you are working with other people and you are not completely responsible for the outcome of the project."
—Alex Borstein
#acting #coaching #inspiration

@Techmeme@techhub.social
2025-12-16 16:35:48

Instagram unveils its first TV app, initially available on Amazon's Fire TV as a test with plans to expand to other TV platforms (Kurt Wagner/Bloomberg)
bloomberg.com/news/articles/20

Trump sought to pin any worries about high inflation on his predecessor, Joe Biden.
“Eleven months ago, I inherited a mess,
and I’m fixing it,” Trump said.
“We’re poised for an economic boom, the likes of which the world has never seen.”
His holiday wishes came at a crucial time as he tries to rebuild his steadily eroding popularity.
Public polling shows most U.S. adults are frustrated with his handling of the economy as
inflation picked up after his tari…

@blakes7bot@mas.torpidity.net
2025-10-24 06:13:08

#Blakes7 Series B, Episode 03 - Weapon
VILA: I think my brain must be furring up.
GAN: IMIPAK might be something they can use against us, Vila.
VILA: Only if it can run faster than we can.
BLAKE: Jenna, set a course for that planet.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in period-style costume consisting of a white shirt with a dark vest or jerkin that has decorative trim or braiding. The costume design suggests this might be from a futuristic or alternate historical setting. The person is wearing what appears to be some kind of headband or small hat. The background shows what looks like a set with columns and warm lighting typi…
@cowboys@darktundra.xyz
2025-12-16 21:38:36

Jerry Jones inducted into Sports Broadcasting Hall of Fame dallascowboys.com/news/jerry-j

@blakes7bot@mas.torpidity.net
2026-01-22 13:31:14

Series B, Episode 03 - Weapon
RASHEL: Perhaps that creature drove the people away.
COSER: I doubt it. Raw materials ran out more like.
RASHEL: Perhaps that was the only one.
COSER: Perhaps, perhaps! Just get on with it, will you?!
blake.torpidity.net/m/203/397 B7B3<…

Claude Sonnet 4.5 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the 1970s based on the aesthetic and production design. Two actors are seated at opposite ends of a white table in what looks like a futuristic or institutional setting with dark walls and metallic paneling.

The setting features modernist furniture including black office chairs and a white work surface. On the table are various props including what ap…
@blakes7bot@mas.torpidity.net
2026-01-23 19:32:21

Series D, Episode 08 - Games
DAYNA: Well no, but Soolin's right though, Servalan will be more worried about the mining, the stuff they're digging up now, won't she?
GERREN: Unfortunately, they're not digging up anything much. There's virtually no feldon left. Belkov's milked this planet for twelve good years, now he knows the game's up, he wants to use the crystals to buy survival.

Claude Sonnet 4.5 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the 1980s based on the visual style and production quality. The actor Josette Simon is featured in an elaborate costume that suggests a regal or warrior character. She wears ornate golden armor with studded brown leather elements and multiple gold neck rings that create a striking collar effect. Her makeup includes dramatic eye definition, and she has …
@blakes7bot@mas.torpidity.net
2025-11-23 10:22:24

Series C, Episode 05 - The Harvest of Kairos
AVON: Would you reproach me for that?
ZEN: Please state the condition.
blake.torpidity.net/m/305/422 B7B2

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7." The scene shows two performers in costume on what looks like a futuristic set with textured walls typical of the show's aesthetic.

On the left is a person wearing a beige/brown outfit with ribbed details and suspenders, with short dark hair. On the right is a person in an elegant white one-shoulder dress with a distinctive silver collar or necklace and very short…
@kexpmusicbot@mastodonapp.uk
2026-01-19 20:05:36

🇺🇦 #NowPlaying on KEXP's #MiddayShow
The Disposable Heroes of Hiphoprisy:
🎵 Television, the Drug of the Nation
#TheDisposableHeroesofHiphoprisy
open.spotify.com/track/57fiDl4

@blakes7bot@mas.torpidity.net
2025-11-23 18:44:37

Series B, Episode 02 - Shadow
BEK: So it was an alien life form that killed her?
CALLY: Yes. It was trying to use Orac as a bridge to cross from it's own universe into ours.
JENNA: That's why it needed so much power.
blake.torpidity.net/m/202/598 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this is a still image from what appears to be a film or television production. The image shows a man with curly brown hair wearing what looks like a beige or tan colored sweater or cardigan. The setting appears to be indoors with dim lighting in the background. The image quality and styling suggests this is from an older production, possibly from several decades ago. The person appears to be in character for whatever role they're playing in t…
@blakes7bot@mas.torpidity.net
2025-12-21 22:18:56

Series D, Episode 10 - Gold
TARRANT: I've never seen currency of that size.
DAYNA: Neither have I.
VILA: I just can't believe my eyes.
SOOLIN: Avon, why didn't you tell us that you knew who it was who was setting us up?
blake.torpidity.net/m/410/416 B7B6…

Claude Haiku 4.5 describes the image as: "# Scene from a Science Fiction Television Production

This image appears to be from a 1970s or 1980s science fiction television series, set in what looks like a spaceship's command or control center. The metallic walls, control panels with vertical striping, and technical equipment visible in the background establish a futuristic aesthetic typical of the era.

The scene shows three main figures in the foreground engaged with what appears to be technical…
@blakes7bot@mas.torpidity.net
2025-11-23 11:05:49

Series A, Episode 03 - Cygnus Alpha
AVON: And on living matter it never worked. Put a living creature into one end, take a dead creature out of the other, or nothing at all.
JENNA: So you think that is what all this is for? Matter transmission?
blake.torpidity.net/m/103/142 B7B…

Claude Sonnet 4.0 describes the image as: "This image shows a scene from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s based on the visual quality and aesthetic. The setting features a stark, industrial backdrop with horizontal metal or plastic paneling creating a futuristic corridor or spaceship interior.

Paul Darrow appears in character wearing a distinctive grey-black tunic with a high collar characteristic of utilitarian sci-f…
@blakes7bot@mas.torpidity.net
2025-12-23 16:27:56

Series B, Episode 10 - Voice from the Past
AVON: Don't overreact. Remember, this is for your beloved leader.
JENNA: Well, I hope Blake appreciates this.
BLAKE: Renounce. Renounce.
ORAC: Renounce what? Tell us what.
BLAKE: Freedom. Freedom Party.
blake.torpidity.net/m/210/127

Claude Haiku 4.5 describes the image as: "# Image Description

This image shows a woman in what appears to be a scene from a science fiction television production, likely from the 1970s based on the visual style and color grading. She is wearing a burgundy or maroon-colored outfit and has styled blonde hair typical of that era. Her expression conveys distress or concern, with her hand raised to her face in a gesture suggesting worry or emotional turmoil.

The setting appears to be an interior s…
@Techmeme@techhub.social
2025-12-05 20:21:05

WBD confirms that Warner Bros. Games will be acquired by Netflix along with its wider streaming and television business (Chris Kerr/Game Developer)
gamedeveloper.com/business/yes

@cowboys@darktundra.xyz
2026-01-19 16:15:32

Are the Cowboys Still America’s Team in the Analytics Era? insidethestar.com/are-the-cowb

@Mediagazer@mstdn.social
2025-12-12 13:56:10

Arkansas PBS severs ties with the PBS network, the first state public TV system to do so since Congress cut CPB funds, citing the annual $2M membership cost (Benjamin Mullin/New York Times)
nytimes.com/2025/12/11/busines

@blakes7bot@mas.torpidity.net
2026-01-23 16:30:23

Series D, Episode 05 - Animals
DAYNA: Right, out.
SLAVE: I'm sorry to bother you, sir.
TARRANT: Yes, what is it?
SLAVE: I had detected federation pursuit ships.
TARRANT: Dayna, respond please. Dayna, can you hear me?. Slave, check for malfunction.
blake.torpidity.net/m/405/8

Claude Sonnet 4 describes the image as: "This image shows a professional headshot or scene featuring someone in what appears to be a futuristic or science fiction setting. The person is wearing a distinctive uniform with a high collar that has white and burgundy trim details, suggesting this is from a sci-fi television production. The uniform has a sleek, military or space-service aesthetic typical of science fiction shows. The background appears to be an indoor setting with some greenery visib…
@blakes7bot@mas.torpidity.net
2026-01-23 22:34:49

Series C, Episode 01 - Aftermath
AVON: What makes you think that?
SERVALAN: I was hiding over there. I heard every word.
AVON: I see. Go on. [Hands the glass to Servalan]
blake.torpidity.net/m/301/351 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a dramatic moment between two characters in what appears to be an interior setting with institutional or clinical aesthetics, suggested by the plain walls and modern furnishings visible in the background. The scene has the characteristic look of 1970s television production quality.

On the left, one character is shown in profile, wearing a dark garment with shoulder-length dark hair styled in the fashion typical …
@Mediagazer@mstdn.social
2026-01-14 20:56:00

Tony Dokoupil's CBS News road trip, where each episode ends in a squishy pabulum, revealed the problems with CBS' Bari Weiss-era focus on viewers' feelings (James Poniewozik/New York Times)
nytimes.com/2026/01/14/arts/te

@blakes7bot@mas.torpidity.net
2025-12-21 10:09:11

Series B, Episode 10 - Voice from the Past
AVON: Could it have been perfected by now?
CALLY: Possibly. At least for the transmission of a basic signal.
JENNA: Like an oscillating pulse tone.
blake.torpidity.net/m/210/245 B7B2

Claude Haiku 4.5 describes the image as: "# Image Description

This is a portrait photograph of an actor in what appears to be a science fiction production setting. The image shows a man with distinctive dark hair styled with bangs, wearing a gray and dark colored jacket or tunic typical of 1970s-80s television costume design. The lighting and composition suggest this is a promotional or production still from a science fiction television series.

The background is minimal and neutral, with gray…
@Mediagazer@mstdn.social
2025-12-18 11:15:50

Sources: Bari Weiss moved a planned internal CBS town hall, set to lay out her broader vision, from this month to 2026, after the Erika Kirk town hall flopped (Natalie Korach/Status)
status.news/p/bari-weiss-cbs-n<…

@blakes7bot@mas.torpidity.net
2025-11-20 20:00:27

Series C, Episode 06 - City at the Edge of the World
AVON: Do you want me to threaten you?
TARRANT: Why not? I haven't had a good laugh in ages.
AVON: Sensible. You could die laughing.
CALLY: Why are you suddenly so protective towards Vila?
blake.torpidity.net/m/306/57

Claude 3.7 describes the image as: "This image shows a man with dark brown hair styled in a 1970s fashion, featuring bangs and shoulder-length layers. He's wearing a dark leather or vinyl jacket over what appears to be a black shirt or turtleneck. The setting appears to be indoors, with a muted, institutional-looking background featuring green and pale blue tones typical of television studio sets from that era.

The lighting and color palette suggest this is from a science fiction television pr…
@Mediagazer@mstdn.social
2025-11-12 11:46:02

Bonhams says it sold three Bob Ross paintings at an LA auction for $600K , with the proceeds going to support US public broadcasters, and plans to sell 27 more (Jin Yu Young/New York Times)
nytimes.com/2025/11/12/us/bob-

@blakes7bot@mas.torpidity.net
2025-12-22 07:24:31

#Blakes7 Series A, Episode 05 - The Web
BLAKE: I've never seen anything like it before.
NOVARA: Our mission has specialized in tissue creation and regenerative processes.
GEELA: Among other things.
[They all sit down.]
<…

Claude Sonnet 4 describes the image as: "This image appears to be from a television production, showing three actors in what looks like a futuristic or science fiction setting. The scene takes place in what appears to be a spacecraft or advanced facility interior, with metallic walls and modern furnishings visible in the background.

The actors are wearing distinctive costumes that suggest this is from a sci-fi drama - one character wears an elaborate metallic or shimmery garment, while another…
@blakes7bot@mas.torpidity.net
2025-12-22 10:26:59

Series A, Episode 06 - Seek-Locate-Destroy
PRELL: Perhaps they had trouble getting them to work, sir.
TRAVIS: And why did they take you and your men out of here?
PRELL: I suppose they thought it was safer with us out of the way.
blake.torpidity.net/m/106/263 B7B2

Claude Sonnet 4.5 describes the image as: "This appears to be a scene from a classic science fiction television production, likely from the late 1970s or early 1980s based on the video quality and aesthetic. The image shows two men in what appears to be a stark, industrial or underground setting with rough walls.

In the foreground is a man wearing dark leather or similar material costume with distinctive metallic or silver makeup covering part of his face, particularly around one eye area. Thi…
@blakes7bot@mas.torpidity.net
2025-11-21 19:14:55

Series D, Episode 06 - Headhunter
AVON: Where is Orac?
SOOLIN: Behind a panel in section four.
AVON: We have to get Orac outside.
TARRANT: Why risk it?
blake.torpidity.net/m/406/498 B7B5

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7" from the late 1970s/early 1980s. The scene shows a group of people in futuristic costumes standing in what looks like a spacecraft or space station interior with gray walls and utilitarian design.

The costumes feature distinctive styling typical of sci-fi productions of that era - including a character in black leather with silver accents holding what appears to b…
@Mediagazer@mstdn.social
2026-01-11 07:01:49

The Television Academy sets Emmys rules to allow inquiries about AI use in submissions, and renames Outstanding Television Movie category to Outstanding Movie (Rick Porter/The Hollywood Reporter)
hollywoodreporter.com/tv/tv-ne

@blakes7bot@mas.torpidity.net
2026-01-21 21:01:41

Series A, Episode 13 - Orac
BLAKE: You all right?
AVON: Ah, yes. I, I just felt a little dizzy, that's all.
BLAKE: My point is there's something we're missing in all this.
blake.torpidity.net/m/113/3 B7B5

Claude Sonnet 3.7 describes the image as: "This image shows a scene from what appears to be a classic science fiction television production, likely from the British series "Blake's 7." The setting features a futuristic interior with distinctive colored panels visible in the background.

Two people are engaged in conversation across a white table or console. The person on the left wears a dark sweater with patterned sleeves, while the person on the right is dressed in a striped outfit with disti…
@blakes7bot@mas.torpidity.net
2025-12-21 13:11:44

Series C, Episode 12 - Death-Watch
MAX: Did you expect to?
DEETA: I don't mean personally. I mean there's something strange about him, something wrong.
blake.torpidity.net/m/312/219 B7B3

Claude Sonnet 4 describes the image as: "This image shows a man in what appears to be a military or formal uniform with decorative braiding or cord details on the shoulders. He has brown hair styled in a 1970s fashion and is looking directly at the camera with an intense expression. The background appears to be indoors with light-colored walls or pillars, suggesting this may be from a television production or film from that era. The costume and styling are consistent with period drama productio…
@Mediagazer@mstdn.social
2025-12-10 09:25:53

A look at Alan's Universe, a YouTube channel for Gen Alpha with 98.3M subscribers that releases long-form, episodic videos as viewers shift to watching on TV (New York Times)
nytimes.com/2025/12/09/arts/te

@blakes7bot@mas.torpidity.net
2025-12-19 10:14:34

Series B, Episode 08 - Hostage
JENNA: It's Travis's move. We still control the Liberator.
CALLY: A sitting target.
JENNA: Not for him.
CALLY: Not for anybody.
JENNA: Where are you going?
CALLY: I'm going to clear the neutron blasters for firing,
blake.torpidity.net/m/208/499

Claude Haiku 4.5 describes the image as: "# Image Description

This appears to be a still from a 1970s television production, capturing a woman with distinctive feathered blonde hair styled in the fashion typical of that era. She wears a black garment with a bold geometric black and white patterned collar or overlay, along with a decorative chain necklace. The lighting and image quality are characteristic of broadcast television from that period.

The setting appears to be an interior space wit…
@Mediagazer@mstdn.social
2025-12-16 16:35:47

Instagram unveils its first TV app, initially available on Amazon's Fire TV as a test with plans to expand to other TV platforms (Kurt Wagner/Bloomberg)
bloomberg.com/news/articles/20

@blakes7bot@mas.torpidity.net
2026-01-20 19:45:56

Series D, Episode 07 - Assassin
DAYNA: Well, aren't you going to tell us what happened? Vila's very worried. He wants to know what became of that sweet little girl.
SOOLIN: Vila, all sweet things have one thing in common: a tendency to make you sick.
blake.torpidity.net/m/407/540

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978-1981. The scene is set in what looks like a futuristic spacecraft interior with distinctive ribbed metallic walls and sleek, modernist design elements typical of the show's aesthetic.

The setting features the characteristic production design of the series, with its clean lines and utilitarian sci-fi environment. In the background, you can see…
@blakes7bot@mas.torpidity.net
2026-01-21 10:33:22

Series C, Episode 03 - Volcano
VILA: Because we can't.
[Flight deck]
AVON: Zen, flight status?
ZEN: The energy banks still require two minutes before power will be available to make navigation speed.
AVON: We'll be dead by then
blake.torpidity.net/m/303/622

Claude Sonnet 4.5 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7." The setting is inside what looks like a spaceship interior, with characteristic 1970s/80s sci-fi production design visible in the background, including control panels and curved architectural elements.

Four characters are gathered in conversation. On the left is a figure in a blue-grey uniform with curly hair. Next to them stands someone wearing an elaborate bro…
@blakes7bot@mas.torpidity.net
2025-12-20 19:42:00

Series B, Episode 10 - Voice from the Past
VILA: You're in charge now, are you?
AVON: Can you think of anyone more suitable? Yourself, perhaps? [Exits]
VILA: And why not? [Shouts after Avon] I'm as good as you are. [Sotto voce] Better probably.
blake.torpidity.net/m/210/177

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" (1978-1981). The setting shows the interior of what looks like a futuristic spacecraft or space station, with characteristic curved walls and metallic surfaces typical of the show's production design.

In the scene, there are three characters present. One person is seated in what appears to be a chair or command position, wearing light-colored clothing and having so…
@blakes7bot@mas.torpidity.net
2026-01-21 07:30:48

#Blakes7 Series C, Episode 04 - Dawn of the Gods
VILA: Wonderful. There's nothing wrong with the Liberator, therefore we must have imagined those alarms going off.
TARRANT: Orac, a small problem for you. What is the possiblity of a directional control fault arising on the Liberator without Zen knowing about it?

Claude Sonnet 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the series "Blake's 7" based on the distinctive set design. The scene takes place in what looks like a futuristic spacecraft interior with geometric wall panels and control consoles.

The setting features three people in a control room or flight deck. On the left is a person wearing a loose orange/tan shirt with dark trim. In the center background, som…
@blakes7bot@mas.torpidity.net
2026-01-20 22:36:41

Series A, Episode 03 - Cygnus Alpha
BLAKE: And we can't hold out much longer. That's certain.
VILA: And they'll be getting reinforcements.
blake.torpidity.net/m/103/547 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, showing three men in what looks like an underground or industrial setting with dark, weathered walls in the background. The lighting is dim and atmospheric, creating a tense mood typical of dramatic sci-fi programming.

The three actors are positioned closely together, engaged in what appears to be an intense conversation or confrontation. Their costumes consist …
@blakes7bot@mas.torpidity.net
2025-12-20 16:39:22

Series B, Episode 12 - The Keeper
BLAKE: Quiet! You'll bring the guards.
OLD MAN: Not the guards! Not the guards!
BLAKE: Then keep quiet. [Old Man drops out of sight.]
[GOLA'S TENT - He is playing chequers with Jenna, Servalan is watching.]
blake.torpidity.net/m/212/319

Claude Sonnet 3.7 describes the image as: "This image appears to be a still from what seems to be a film or television production, possibly from a drama or thriller. The scene is quite dark and atmospheric, creating a tense mood. On the right side of the frame, there's a person with dark hair partially visible, seeming to peer through what might be a doorway or narrow opening. On the left, there's someone with white or light-colored hair, shown from behind.

The lighting creates strong shadows …
@blakes7bot@mas.torpidity.net
2025-12-20 13:36:51

Series D, Episode 02 - Power
GUNN SAR: Put that thing back where it came from. Use his glove.
[On the hillside]
PELLA: The one being held by the Hommiks is called Avon.
KATE: Well, does he concern us?
PELLA: Our future depends on him. Dorian is dead.
blake.torpidity.net/m/402/207

Claude Sonnet 4.5 describes the image as: "This image appears to be from a medieval or fantasy-themed film or television production, likely from the 1970s or 1980s based on the visual quality and production style. Four characters are shown standing outdoors in what appears to be a rocky, mountainous terrain with misty or foggy conditions in the background.

The figures are dressed in period costumes: one wears a tan/beige cloak or robe, another is dressed in dark clothing with fur trim, and a p…
@blakes7bot@mas.torpidity.net
2026-01-20 13:40:29

Series C, Episode 05 - The Harvest of Kairos
DASTOR: The Liberator, madam. Tele-sentry stations report an approach course for Lypterion. Tarrant is coming here.
SERVALAN: I know that. When will he arrive?
blake.torpidity.net/m/305/173 B7B3

Claude Sonnet 3.7 describes the image as: "This image appears to be a black and white scene from a science fiction television production, likely from the 1960s or 1970s based on the set design and styling. The scene takes place in what looks like a futuristic interior with smooth, minimalist walls and curved design elements.

The image shows three individuals in a stark, modernist space. On the left is a person in a form-fitting white outfit with an unusual transparent collar or shoulder detail…
@blakes7bot@mas.torpidity.net
2025-11-21 10:07:46

Series C, Episode 03 - Volcano
AVON: Is there any weaponry activity of any kind registering on Obsidian?
ZEN: Negative.
AVON: None whatsoever? Run the scan again.
blake.torpidity.net/m/303/352 B7B2

Claude Sonnet 4.0 describes the image as: "This image shows a scene from the classic British science fiction television series "Blake's 7" from the late 1970s/early 1980s. The setting appears to be the flight deck or control room of the alien spacecraft Liberator, recognizable by its distinctive curved architectural elements and control panels with a bronze/orange color scheme. The character is wearing the iconic black leather outfit typical of the show's rebel crew members. The scene captures …
@blakes7bot@mas.torpidity.net
2025-11-12 13:24:03

Series A, Episode 02 - Space Fall
LEYLAN: Everything that was said or done by everybody... including me... will be in my report.
[Raiker doesn't look so confident]
[Switch to prison compartment]
blake.torpidity.net/m/102/444 B7B3

Claude 3.7 describes the image as: "I can see a close-up portrait of a middle-aged man wearing a blue uniform with a black undershirt, which appears to be from a science fiction television production. The image shows professional lighting and appears to be from a television broadcast or film production, likely from the 1960s or 1970s based on the video quality and color grading.

The setting appears to be an indoor studio environment with a blurred background, typical of television production f…
@blakes7bot@mas.torpidity.net
2026-01-20 07:35:32

#Blakes7 Series D, Episode 07 - Assassin
AVON: And reduce our chances of finding Cancer by a third. Out of the question.
SOOLIN: Why don't we lock her in here?
TARRANT: He got out of the hold, he can get into it.

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, showing two characters in what looks like a spacecraft or futuristic control room setting. The scene has dramatic lighting with green and blue tones that create an atmospheric, otherworldly ambiance. One character wears a distinctive black leather outfit with metallic studs or decorative elements, giving them an authoritative, possibly villainous appearance. The other character has bl…
@blakes7bot@mas.torpidity.net
2025-11-20 07:27:18

#Blakes7 Series B, Episode 02 - Shadow
LARGO: Oh, I'm fascinated. But I'm just an independent businessman.
AVON: [Takes two gems from a bag, lays them on Largo's platform] Are you sure?
blake.torpidity.net/m/…

Claude Sonnet 4.0 describes the image as: "This scene appears to be from a science fiction television production, likely from the 1970s or early 1980s based on the visual quality and costume design. The setting features a sleek, minimalist interior with pale walls and geometric patterns, characteristic of futuristic set design from that era.

In the foreground, one actor wears a distinctive metallic silver tunic with voluminous sleeves over black clothing, creating a striking space-age appearan…
@blakes7bot@mas.torpidity.net
2026-01-20 10:38:03

Series A, Episode 10 - Breakdown
KAYN: Oh, yes, sorry. One thing I will say for the Federation, when they decide to do a thing, they do it. [Blake and Kayn exit.]
VILA: I didn't like the sound of that much.
AVON: One of the many faces of neutrality.
blake.torpidity.net/m/110/395

Claude Sonnet 4.5 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The setting appears to be the flight deck of the spacecraft Liberator, characterized by its distinctive retro-futuristic design with dark walls, geometric light panels, and console stations featuring colorful buttons and controls.

Two crew members are seated at the control stations. On the left is Michael Keating, wearing a brown and…
@blakes7bot@mas.torpidity.net
2026-01-19 13:25:55

Series A, Episode 02 - Space Fall
DAINER: Now, that's better.
VILA: Not bad, is it, eh? One for you -
NOVA: [To Blake] How will we know when he's made it?
BLAKE: The lights on the scanner - when that goes off we're on our way.
VILA: - one for me.
blake.torpidity.net/m/102/259

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7" (1978-1981). The scene shows three characters in what appears to be a corridor or interior space of a spacecraft, characterized by typical BBC sci-fi set design of that era with grey walls and industrial-looking panels.

Two actors are visible in period-appropriate costumes consisting of earth-toned tunics and practical garments typical of the show's aesthetic. One …
@blakes7bot@mas.torpidity.net
2025-11-19 19:33:09

Series A, Episode 01 - The Way Back
P.A.: The President will be answering questions about new population control *?measures
RAVELLA: All our food and drink is treated with suppressants. Going without for a day and a half, they should be wearing off.
blake.torpidity.net/m/101/9 B7…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the aesthetic and production values. The scene takes place in what looks like a futuristic, sterile interior setting with white/gray geometric walls and angular architectural elements typical of sci-fi set design from that era.

Two actors are shown in what appears to be an intense dramatic moment. One person on the left has sho…
@blakes7bot@mas.torpidity.net
2025-12-19 19:22:36

Series A, Episode 01 - The Way Back
VARON: It's not absolute proof, but it gives us somewhere to start.
MAJA: But why would they have been to the clinic?
VARON: Mental implantation?
MAJA: What's that?
blake.torpidity.net/m/101/293 B7B5

Claude Sonnet 3.7 describes the image as: "The image appears to be a still from what looks like a film or television production with a vintage quality to it. It shows a person with shoulder-length brown hair in a dimly lit setting with warm, reddish lighting. The individual is wearing what appears to be a reddish-brown or orange top or jacket. The scene has a dramatic atmosphere with shadows and low lighting that creates a moody, possibly tense feeling. The cinematography style suggests this mi…
@blakes7bot@mas.torpidity.net
2025-12-19 16:20:21

Series A, Episode 02 - Space Fall
LEYLAN: All right... all right. Now... now don't move. Now, just look around and tell me what you see.
KRELL: [V.O.] What? I heard something.
LEYLAN: What is it?
blake.torpidity.net/m/102/555 B7B4

Claude Sonnet 4.5 describes the image as: "This image shows a close-up shot of actor Glyn Owen in what appears to be a scene from a television production, likely from the 1970s based on the video quality and aesthetic. Owen has dark hair with gray at the temples, styled in a period-appropriate cut with a distinctive swept fringe. He's wearing a dark navy or blue crew-neck sweater over what appears to be a black shirt or turtleneck.

The setting appears to be an interior scene with a minimalist,…
@blakes7bot@mas.torpidity.net
2025-11-19 13:18:41

Series A, Episode 03 - Cygnus Alpha
VARGAS: I ruled. I ruled. A small prison planet with never more than five hundred people. But with this. With this I could rule a thousand planets. For that prize, do you think I would hesitate to kill you? Now take this ship back to Cygnus Alpha.
[He backs up into teleport area]
blak…

Claude 3.7 describes the image as: "# Image Description

This black and white photograph shows a bearded man with distinctive facial hair in what appears to be a scene from a classic film or television production. The image captures him in a dramatic moment, with an intense expression on his face. He's wearing what looks like period costume - a draped garment with vertical pleating or ridged fabric typical of classical or historical drama productions.

The lighting and cinematography are charac…
@blakes7bot@mas.torpidity.net
2026-01-19 19:30:46

Series A, Episode 11 - Bounty
TARVIN: I WON.
SARKOFF: Yes, my dear, you see, it's a, it's a paradox. He won because he is not the better man.
TARVIN: What?!
SARKOFF: And yet by winning, it seems, he becomes a prince among people.
blake.torpidity.net/m/111/497

Claude Sonnet 3.7 describes the image as: "The image shows a person with voluminous blonde hair styled in soft waves, looking over their shoulder against a dark, muted background. They're wearing what appears to be a black outfit, possibly from a film or television production from the 1970s or 1980s, based on the styling and film quality. The lighting creates a dramatic mood, highlighting the hair and facial features while keeping the background subdued. The composition has a cinematic quality …
@blakes7bot@mas.torpidity.net
2025-11-15 07:04:41

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
SERVALAN: Very well, Councillor Bercol. You may tell the President that I am appointing a Space Commander to take absolute control of this matter. He will be exclusively concerned to seek, locate, and destroy Blake.
BERCOL: Oh, excellent, excellent.

Claude 3.7 describes the image as: "The image shows a person with short dark hair in what appears to be a scene from a television production. They are wearing an elegant white outfit with a decorative crystal or beaded collar that has a distinct vintage sci-fi or fantasy aesthetic. The individual has a contemplative or mid-conversation expression and is seated against what looks like a light-colored sofa or seating area.

The setting appears to be from a classic television production, likely fr…
@blakes7bot@mas.torpidity.net
2026-01-18 16:32:16

Series A, Episode 13 - Orac
CALLY: [Returning.] Blake, I think I've found enough for everybody.
BLAKE: Oh good, at least the others will be all right.
ENSOR: Well, I'm ready, shall we get started?
BLAKE: Well, wait a minute. There is something else.
blake.torpidity.net/m/113/290

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s or early 1980s based on the video quality and aesthetic. The scene is set in what appears to be a futuristic or spacecraft interior, with industrial equipment and plant life visible in the background, suggesting some kind of bio-dome or greenhouse facility.

Three actors are present in the frame. On the left is a person with dark curly hair wearing a two-toned …
@blakes7bot@mas.torpidity.net
2026-01-18 13:29:00

B08 - Hostage
USHTON: Inga! [She comes out of hiding as Ushton restores the oxygen to the room.] Get them out of there. I'll deal with Travis. [Ushton drags Travis out and dumps him down a cliff. Inga lets Blake, Avon and Vila out.]
VILA: Ugh.
blake.torpidity.net/m/208/641

Claude Sonnet 3.7 describes the image as: "This image appears to be from a science fiction or fantasy television production, likely from the late 1970s or early 1980s based on the visual style. The scene takes place in what looks like an industrial or spacecraft interior setting with metallic walls and pipes visible in the background.

Two figures are shown in conversation. They're wearing primitive-looking costumes made of fur and rough fabric, which creates an interesting contrast with the te…
@blakes7bot@mas.torpidity.net
2025-11-18 19:26:51

Series C, Episode 03 - Volcano
TARRANT: [Clutching his leg] Aaaah! [Tarrant and Dayna scramble for cover in the rocks.]
DAYNA: Are you all right?
TARRANT: Don't mind me, get them.
blake.torpidity.net/m/303/612 B7B5

Claude 3.7 describes the image as: "# Image Description

This appears to be a scene from a film or television production, likely from the 1980s based on the video quality and styling. Two actors are shown in an outdoor setting against a rocky backdrop. One performer wears a white shirt and appears engaged in conversation with the other, who is dressed in a brown leather vest decorated with metal studs or grommets, suggesting a period or fantasy costume.

The scene captures an intimate moment of…
@blakes7bot@mas.torpidity.net
2025-11-19 10:15:58

Series A, Episode 07 - Mission To Destiny
BLAKE: No visible sign of injury.
CALLY: D'you think they're drugged?
BLAKE: What?
CALLY: They could be drugged.
blake.torpidity.net/m/107/55 B7B2

Claude Sonnet 4.0 describes the image as: "This appears to be a dramatic scene from the British science fiction television series "Blake's 7." The image shows three actors in what looks like a tense medical or crisis situation aboard a spacecraft. A blonde woman lies on what appears to be a medical bed or examination table, seemingly unconscious or in distress. Standing over her in a green satin-like outfit with ornate shoulder detailing is one actor, while another wearing a patterned vest lean…
@blakes7bot@mas.torpidity.net
2026-01-19 07:20:58

#Blakes7 Series D, Episode 11 - Orbit
EGRORIAN: A short range relay, now I see how they worked it.
SERVALAN: A bit late in the day, Egrorian!
EGRORIAN: Not so! It means that Orac is still on board the shuttle. We'll be able to recover it after the crash.

Claude Sonnet 4.5 describes the image as: "This appears to be a behind-the-scenes or production still from what looks like a science fiction television series, likely from the late 1970s or early 1980s based on the aesthetic and set design. The scene is set in what appears to be a futuristic control room or spaceship interior, characterized by white walls, a geometric ceiling panel design, and technical equipment visible in the foreground.

Three actors are positioned around what seems to be a …
@blakes7bot@mas.torpidity.net
2025-12-18 16:24:48

Series D, Episode 04 - Stardrive
PLAXTON: I don't know you.
DAYNA: -space drive. Why it doesn't look anything like as sophisticated as the prototype you were working on at the academy, but that's only to be expected having to work under these conditions.
blake.torpidity.net/m/404/358

Claude Haiku 4.5 describes the image as: "# Scene Description

This image shows two actors in what appears to be a science fiction setting, likely from a television production. The scene takes place in a modern, minimalist interior with large windows and sleek architectural features visible in the background.

On the left is a character wearing an elaborate costume featuring striking gold and colorful face paint with geometric patterns, along with an ornate outfit composed of a multicolored tun…
@blakes7bot@mas.torpidity.net
2025-12-18 13:22:33

B02 - Shadow
CALLY: Yes. Once the moon discs had broken through my isolation; as soon as I was no longer alone I could fight it. fight it.
VILA: But what about the key? How did you get Orac's key while he was up here and you were down there? Long arms?
blake.torpidity.net/m/202/611

Claude Sonnet 4 describes the image as: "This image shows a man with a distinctive bowl-cut hairstyle wearing a cream or off-white colored garment that appears to be a tunic or simple shirt with a high neckline. The setting appears to be indoors with warm, golden lighting in the background that creates a soft, atmospheric mood. The lighting and overall aesthetic suggest this is from a television production, likely from the 1970s or early 1980s based on the visual quality and styling. The man ha…
@blakes7bot@mas.torpidity.net
2026-01-19 10:23:45

Series C, Episode 04 - Dawn of the Gods
AVON: We will do nothing to counter the force acting upon the Liberator. We then plot the Liberator's course on the main battle computer flight predictor to see exactly how she is behaving. Once we understand how the force is operating we may be some way toward defeating it.
TARRANT: Strange. The Liberator's following a curve. Traction beams produce straight-line motion. Zen, I want a prediction of the Liberator's course based …

Claude Sonnet 4.5 describes the image as: "This image shows a man with a distinctive bowl-cut hairstyle wearing a dark green turtleneck sweater. The setting appears to be indoors with a muted, warm-toned background that's slightly out of focus. The lighting creates a dramatic atmosphere, emphasizing the subject's facial features and creating subtle shadows.

The actor Paul Darrow is performing in what appears to be a scene from a television production, likely from the late 1970s or early 1980s …
@blakes7bot@mas.torpidity.net
2025-12-17 16:08:51

Series A, Episode 02 - Space Fall
VILA: I got confused.
DAINER: [To the prisoners there] Hands on your heads. Now move. Single file.
LEYLAN: [To Raiker] They're still in there?
RAIKER: Yes, sir.
blake.torpidity.net/m/102/353 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the video quality and production style. The scene shows several people with their hands raised in what appears to be a gesture of surrender or greeting. 

The setting is minimalist, with plain gray walls creating a stark, institutional atmosphere typical of sci-fi sets from this era. The actors are wearing casual, tunic-style costum…
@blakes7bot@mas.torpidity.net
2026-01-17 13:29:06

Series B, Episode 13 - Star One
[Scene - Liberator flight deck]
VILA: I don't like explosives, very crude. Difficult to reason with a bomb.
CALLY: Blake?
AVON: They won't explode until they are primed.
blake.torpidity.net/m/213/241 B7B3

Claude Sonnet 4.5 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7." Two actors are seated on a beige curved sofa in what appears to be a spaceship interior set. The setting features a futuristic design with metallic elements and technical equipment visible in the background.

On the left, one actor wears a brown leather-like jacket and is holding what appears to be small cards or devices in his hands. On the right, the other actor …