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@blakes7bot@mas.torpidity.net
2025-06-07 09:09:56

Series A, Episode 02 - Space Fall
LEYLAN: We might save the other three.
RAIKER: Right. At least we'll have tried.
LEYLAN: Right. Get them equipped and bring 'em down here...
[Artix studies the controls, and heads for the communicator.]
blake.torpidity.net/m/102/565

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The image shows a person in what appears to be a dark-colored garment, photographed in what looks like a futuristic or institutional setting with metallic or technological elements visible in the blurred background. The lighting and cinematography are characteristic of British television …

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-07 06:07:23

#Blakes7 Series B, Episode 04 - Horizon
BLAKE: Look at me, Jenna. Concentrate. The whole idea is - is to disorientate you.
JENNA: It doesn't seem to help.
BLAKE: When they ask questions, pretend you're dizzy.
JENNA: I AM dizzy.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing a person in what looks like a white or light-colored shirt or jacket against a dark background with green geometric framing elements. The lighting and visual style is characteristic of 1970s or early 1980s British television production. The setting appears to be some kind of interior space, possibly a spacecraft or futuristic facility, with the distinctive green-tinted g…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-05 09:27:31

Series A, Episode 01 - The Way Back
ARBITER: Who speaks for the Federation?
MORAG: I do.
ARBITER: Who speaks for the accused?
VARON: I do.
blake.torpidity.net/m/101/204 B7B2

Claude 3.7 describes the image as: "The image shows a person in what appears to be a formal setting, possibly from a science fiction television production from the late 1970s or early 1980s based on the visual quality and styling. The individual is wearing a distinctive burgundy vest or sleeveless garment over a lighter colored top, and is seated in what looks like an official capacity, possibly at some kind of control panel or council table. They appear to be in a white or light-colored chai…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-05 06:12:33

#Blakes7 Series A, Episode 05 - The Web
BLAKE: Perhaps.
NOVARA: In that case, we apologize.
BLAKE: You communicated with us through another member of my crew.
blake.torpidity.net/m/105/331

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a man with dark curly hair wearing what appears to be a light-colored, futuristic-style jacket or uniform. The lighting and composition suggest this is from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The setting appears to be indoors, possibly on a spacecraft or futuristic facility set. The character appears to be in conversation…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-02 09:13:08

Series D, Episode 06 - Headhunter
TARRANT: That didn't take them long. Here put this on. [Hands Muller a teleport bracelet then talks to Vila over his own.] Vila, you ready for our guest?
VILA: [V.O over comm.] Let's get on with it. [Door opens. Tarrant hides behind door. Enter Technician.]
blake.torp…

Claude 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s, based on the visual style and production quality. The person in the frame is wearing a distinctive futuristic costume with a gray and teal vest-like garment over a dark jacket, with a white turtleneck underneath. They have curly dark hair and are standing in what looks like a spacecraft or space station interior with metallic walls an…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-31 09:05:59

Series B, Episode 11 - Gambit
JENNA: She's right, Blake. He's led a privileged life. He's got money.
BLAKE: He's also been on the move for a long time.
JENNA: But even so, a man with his skills can always earn it.
blake.torpidity.net/m/211/170 B…

Claude 3.7 describes the image as: "The image shows a person with blonde-reddish hair styled in a 1970s/80s fashion against a shimmering blue background that appears to be a set with reflective or metallic elements. The lighting creates a dramatic effect, highlighting the subject's features and earrings. The visual aesthetic has that distinctive retro sci-fi television production quality typical of British shows from that era. The styling, background, and cinematography suggest this is from a s…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-31 09:05:59

Series B, Episode 11 - Gambit
JENNA: She's right, Blake. He's led a privileged life. He's got money.
BLAKE: He's also been on the move for a long time.
JENNA: But even so, a man with his skills can always earn it.
blake.torpidity.net/m/211/170 B…

Claude 3.7 describes the image as: "The image shows a person with blonde-reddish hair styled in a 1970s/80s fashion against a shimmering blue background that appears to be a set with reflective or metallic elements. The lighting creates a dramatic effect, highlighting the subject's features and earrings. The visual aesthetic has that distinctive retro sci-fi television production quality typical of British shows from that era. The styling, background, and cinematography suggest this is from a s…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-30 12:11:45

Series A, Episode 01 - The Way Back
VARON: He works in the Outer Worlds most of the time. He's in Security.
BLAKE: He's a murderer.
VARON: Then he'll come to trial like everyone else in this cover-up.
BLAKE: And what about me?
blake.torpidity.net/m/101/317

Claude 3.7 describes the image as: "The image shows a person behind what appears to be prison bars or some type of confinement. They have curly dark hair and are wearing what looks like an olive or greenish shirt. The scene has a dramatic quality with the bars creating a stark visual separation between the subject and the viewer. The lighting creates shadows that emphasize the confined setting, giving the image a tense, dramatic atmosphere typical of classic science fiction television productio…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-30 12:11:45

Series A, Episode 01 - The Way Back
VARON: He works in the Outer Worlds most of the time. He's in Security.
BLAKE: He's a murderer.
VARON: Then he'll come to trial like everyone else in this cover-up.
BLAKE: And what about me?
blake.torpidity.net/m/101/317

Claude 3.7 describes the image as: "The image shows a person behind what appears to be prison bars or some type of confinement. They have curly dark hair and are wearing what looks like an olive or greenish shirt. The scene has a dramatic quality with the bars creating a stark visual separation between the subject and the viewer. The lighting creates shadows that emphasize the confined setting, giving the image a tense, dramatic atmosphere typical of classic science fiction television productio…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-29 06:16:20

#Blakes7 Series A, Episode 04 - Time Squad
GAN: Hull re-pressurized.
VILA: Inner hatches released.
AVON: Switch the visual.
[Main screen view changes to projectile at rest in inner hold]
blake.torpi…

Claude 3.7 describes the image as: "This appears to be a scene from a classic science fiction television series, set in what looks like a spacecraft or control room. The image shows two people seated in a futuristic cockpit or command area. One person on the left wears a brown and beige outfit, while the person on the right has a lighter brownish jacket with some distinctive details. The setting has the distinctive retro-futuristic aesthetic typical of British sci-fi productions from the late 1…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.