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@mgorny@social.treehouse.systems
2026-07-18 16:41:50

Let's get this straight: anything created with "AI" is #slop.
It doesn't have to be vibe-coded. It doesn't have to be horrible code. It doesn't matter that you've spent hours perfecting the prompt. It doesn't matter that ten people have spent a week reviewing it in detail.
As long as an "AI" took part in writing it, it's slop. It's an unethical technology, and anything created with it is tainted. It's an inhuman technology, and you're supporting it. You're being disrespectful to your users and contributors. You're putting your own convenience over humanity. You're aiding the worst murderous assholes in the history of humanity. And what's perhaps worst, you quite likely believe that you are making a net positive contribution, that you're helping people, while you're actually disrespecting and harming them.
#NoAI #NoLLM

@hex@kolektiva.social
2026-09-19 17:49:05

Honestly, I really like writing code. As I'm writing, I think about ways to put things together, ways things could change. I run across awkwardness that reveals internal design problems. Just sitting and writing code puts my mind in a really calm and creative place.
An LLM just slams out code. A lot of the time it's garbage, but it's never creative. It's never making something beautiful or challenging. And if you're using an LLM to generate code you're missing that.
Now, there's plenty of boiler-plate code that can be automated effectively. But even automating that that is suppressing a signal.
Code doesn't exist to make computers go. It exists to communicate what the computer is doing. If you just want to make a computer go, you write assembly (or perl, I guess). But if you want to communicate ideas then you use a language that facilitates that.
Programming is a creative process, and statistics aren't creative.
I've been on medical leave for a while and I'm finally getting back to getting my feet under me (which is also why I haven't written human language stuff in a while). Last week I spent a bunch of time coding and I didn't realize how much I missed it, or how much I got out of it.

@ErikJonker@mastodon.social
2026-07-15 06:47:08

For me this age of AI is the time we should appreciate less polished handwritten texts for their authenticity. I see this happening during selection of job applications.
theguardian.com/books/ng-inter

@vosje62@mastodon.nl
2026-09-19 10:55:45

RE: writing.exchange/@paulk/117297
😅😅😅
In a short while it can promiss you those things.

@jake4480@c.im
2026-08-14 17:40:29

'ShieldFont is an open-source project that offers a practical opt-out from unauthorized AI training and disrupts what is collected when that choice is ignored. It swaps 45.8% of content words (around 24.4% of all words) in a page’s source code for other (partially) random words, while the font restores the original text on screen. Readers see the work as intended; mass scrapers collect an altered version.'
(Unfortunately, it's an accessibility nightmare, but I just like to …

@arXiv_csHC_bot@mastoxiv.page
2026-08-12 08:20:44

Narrative Keyframing for Generative Creative Writing
Chao Zhang, Abe Davis
arxiv.org/abs/2608.10337 arxiv.org/pdf/2608.10337 arxiv.org/html/2608.10337
arXiv:2608.10337v1 Announce Type: new
Abstract: We introduce narrative keyframing, an interaction technique for AI-assisted creative writing that lets writers specify different types of narrative constraints at selected moments in a story, then use AI to generate intervening prose. Inspired by the use of keyframing in animation, narrative keyframing offers a flexible way to connect story planning with adaptive control over generated text. We explore three types of keyframes: plot keyframes define significant events in a story, character keyframes represent how individual characters change over the narrative, and perspective keyframes capture how individual characters experience different events through first-person narratives. Plot and character keyframes offer a flexible way to adapt the type of high-level conditioning explored in previous AI writing tools to more customizable, iterative, and fine-scale control, while perspective keyframes add a new way to control characterization and focalization by using first-person narratives as an intermediary. Through a user study, we show that narrative keyframing supports a more controllable, transparent, and engaging way to use generative AI in creative writing.
toXiv_bot_toot

@thomasfuchs@hachyderm.io
2026-08-17 12:49:12

RE: hachyderm.io/@thomasfuchs/1170
I stand by my paraphrasing.
Writing isn’t just the act of putting words of an initial draft down.
Writing is deliberately chosen communication with other human beings (can even be yourself).
It includes research, outlining, drafting, editing, proofreading and revising. Just putting words down while stochastic algorithms simulate the other activities is meaningless.

@markhburton@mstdn.social
2026-07-09 17:17:12

Immersing myself for the last 10 days in the ecological economics of waste.
I can only conclude that the enormous, enormous, enormous problem can't be solved while matetial growth and capitalism persist.
That's difficult as I'm writing a book about practical policies!

@fell@ma.fellr.net
2026-07-01 20:07:54

I finally went ahead and migrated my Mastodon to NixOS so I can finally update it again. Same for Synapse.
This took a while. Writing NixOS configs is just as time consuming as writing configuration the first time, but now I hopefully have a long-lived solution. 🙏🏻

@metacurity@infosec.exchange
2026-08-17 14:14:45

According to Wiz, while writing production code on June 18th, Copilot Autofix introduced a workflow injection vulnerability in one of Snowflake’s public repositories.
wiz.io/blog/red-agent-snowflak

@sherold@mastodon.online
2026-08-04 08:34:03

I would like to share with you my little appreciation for clouds. ☁️
Maybe you'll love it, too.
#blog

@azonenberg@ioc.exchange
2026-08-03 05:19:36

Nothing like making a pass through every feature of a tool writing documentation to find bugs, lol.
I've lost count of how many filters I've found breakage in while preparing example screenshots for the v0.2 manual.

@lpryszcz@genomic.social
2026-09-06 11:52:10

"Conversations became focused on how to integrate AI into the software that the customers used. I was watching it spread like a virus throughout that organization, while I continued programming away as I had for the decades before, writing tests and building features, and largely enjoying the work.
...
I didn't, and I still don't, see the need for working faster. I really like what Cal Newport encourages in his book Slow Productivity: work at a natural pace."

@tiotasram@kolektiva.social
2026-08-16 23:32:08

Just finished reading "The Beast Player" by Nahoko Uehashi. I had already watched the anime, but it had been so king I didn't remember all the details. While the anime was great, the book is even better, and it's going to be high on my list of things to recommend to my children when they're old enough to read for fun.
The neurodivergent representation is cool, as is the deep central question of interspecies bonds and the political possibilities and dangers they entail. Uehashi handles the exploration of that question well in my judgment, including appropriate ambiguity without muddying moral clarity. Elin is a truly fantastic protagonist, not without flaws but nevertheless a excellent role model and a very sympathetic figure without being pitiful.
One thing I really love about Uehashi's writing is that she's not shy about using interior narration to tell the reader directly what a variety of characters are feeling, but when she does this she focuses on human contradictions, quirks, and weaknesses that make those characters feel much richer, and that remind the reader of all the ways our weird and sometimes contradictory or inexplicable quirks guide our actions just as much as both logical thought and predictable/expected feelings. None of the characters is an unerring source of wisdom, with every grand principle presented shown to have its weaknesses and biases, and even the wisest characters making mistakes and learning from them.
Overall, a wonderful book, and having also seen the "Seirei no Moribito" anime but not read the books, I'm excited to dig into more of Uehashi's extensive catalog.
#AmReading #ReadingNow #Bookstodon

@totientfunction@mathstodon.xyz
2026-07-26 12:16:46

I wandered around the botanical garden in Kraków for 3 hours last Friday, and the plants there were amazing 💚! While writing the alt texts, I learned that one of the plants is a "red hot cat tail" ❤️ and one is a kind of "foxtail fern" 🧡.
#flowers #plants

A red hot cat tail (acalypha hispida), with many long, pinkish-red bushy flowers hanging down. The plant also has big green leaves.
A zebra plant (goeppertia zebrina), with many striped leaves, that are very bright light green striped with very dark green sections in between, creating a beautiful contrast.
Pretty pink water lilies in dark brown water. The lily pads in different sizes are partially covering each other. In the middle is a nicely visible flower with multiple layers of pink petals surrounding the orange stamens. There are a few more (partially) visible flowers in the upper right.
A foxtail fern (asparagus densiflorus Meyerii), with many long, bushy, light green "tails" meandering outwards in all directions.
@hex@kolektiva.social
2026-07-02 21:34:04

The thing about training an #LLM on human culture and then renting that culture back isn't that it's "Intellectual Property Theft." There's nothing wrong with sharing. There is something wrong with framing LLMs as piracy. That's a completely different concept.
When a powerful group of people takes the writing, the art, the music, various parts of a culture and then make some bland reproduction that lacks all the meaning and essence in the original, then those powerful people profit off that mess while the people who made the original stuff are erased, marginalized, and made to suffer, there is a different term for that.
The term everyone is looking for is "appropriation."
I'm not saying this is the same as other forms of cultural appropriation, but there are definitely enough shared elements that we should revisit that conversation. Perhaps some folks who thought the idea was silly when the idea first came up may feel differently now.

@tiotasram@kolektiva.social
2026-09-15 07:31:34
Content warning: Short story; cozy-ish science fiction?

Wish inspiration hadn't struck right at 1 a.m. when I have to teach tomorrow, but we'll see if I can get back to sleep now that I'm done with a draft of this story. Glad to have my first entry in my "incredulous young historians of the future" series actually written instead of just imagined. There are surely some typos ahead...
#SciFi #Writing #Technology #ShortStory
"The Age of Progress", a short story by Tiota Sram.
"Your assignment", said the teacher, "is to describe why the progressive vision of technology that gives us the name 'Age of Progress' today failed, and why it was actually a pessimistic view of technology. Your study guides have links to a few sources, but as usual you should synthesize information from at least two knowledge systems, and one of those shouldn't be family-based."
"Ugh", said Ye'xik, "this is gonna be tricky. Wasn't the whole problem with the Age of Progress that they were too optimistic about technology?"
"Well, they did talk a lot about the end of the world and extinction, and I did almost happen, right?" said Finan.
"Yeah, that's gotta count as pessimism, doesn't it?" Gedi chimed in.
"Well..." said Hallavia, with their usual deliberate tone, "I think it's not that simple, or at least it doesn't have to be."
The four of them were walking outside to have lunch, pondering the new assignment from this cycle's history and culture teacher. A brief silence fell as they pondered the Age of Progress.
"Maybe we should look at it through another history system?" offered Finan. "I mean, we've been learning about knowledge systems and lenses, and the 'Ages' lens of just one perspective with its own distortions, right?"
"My mab is working with my omeh on an oral history right now", said Gedi, "maybe I can use that as my second knowledge system? I'll see what they have to say about it!"
"We shouldn't all use the same knowledge systems though", said Ye'xik. "I think there's a bit of a thesis/antithesis thing going on here too? Like we were learning in ideas class?"
"Wait, I missed ideas last week", said Gedi, what's an antithesis?"
"It's just an opposite, really", said Ye'xik. "You take the thesis statement and construct any statement that contradicts it. The two form a pair, and then you can try to find a synthesis that combines both ideas."
"I didn't really get that part", Finan interrupted, "like, if they're contradictory, how could they be expressed together? Wouldn't you need to pick one that's true?... wait I guess maybe if you mixed different knowledge systems? But then would they really be contradictory?"
The group fell silent for a moment in thought.
Hallavi spoke up: "Incommensurate isn't the same as contradictory, I think. That's what it would be if you had two truths from different knowledge systems that didn't fit. Plus... not all knowledge systems have a concept of truth, or of contradiction?"
The group pondered this for a bit more.
"I think maybe there's lots of ways to be contradictory, even in a very logic-hungry knowledge system", said Gedi. "Then if your thesis and antithesis contradict in one way, you could find another sort out 'axis' in which they don't, and state your synthesis from there?"
"Oh, that makes sense", said Ye'xik.
"Anyways what were you saying about the Age of Progress, Ye'xik?" said Gedi.
"Wait", interrupted Hallavi, "Did that mashes sense to you, Finan?"
Finan had been silent, looking down at their feet, but replied "Oh yeah, thanks for checking Hallavi! I think I got the part about synthesis now, thanks Gedi. I was just thinking about optimism and pessimism more. Is that where you were going with this, Ye'xik?"
"Haha, yeah Finan, you got it", said Ye'xik. "Since optimism and pessimism can be opposites, does the teacher actually want us to form a synthesis of them?"
"Oh..." muttered Gedi, "that's a good idea."
"I think..." began Hallavi, pausing to collect their thoughts, "I think the teacher would have told us that, though. Obviously it's not a wrong way to approach this assignment because it incorporates pessimism, but teachers usually aren't too tricky. I think it's okay to be literal about the pessimism thing. And I think I have an idea..."
When Hallavi remained silent for a moment, Ye'xik opened their mouth to speak, but then looked at Hallavi and closed it again. Finan and Gedi were looking at Hallavi too. They pushed through the doors out to the meadow, and settled in their usual place to sit, pulling lunches out of their bags. Hallavi finally spoke up while the others were chewing: "The Age of Progress lasted from the Enlightenment to the Dim Times, and they believed that technology would always get better, no matter what. That's the progressive vision of technology our teacher was talking about. They thought it could solve any problem, and they wouldn't have to worry about weapons or extinctions or the climate or pollution or any of that stuff, because technology would eventually come up with a solution. They looked at the technology that solved problems like diseases or overcame engineering challenges and extrapolated too broadly, basically. That's the idea they had?"
The other three were all nodding their heads, knowing Hallavi needed room to think and put words together.
Hallavi continued: "So it seems like it's optimistic, because they thought it could do anything. But they were thinking about technology like I just talked about it: like an 'it' that could 'do'. That's not what we've been learning in our technology class. Invention is a social phenomenon, and technologies have both material and social bases, not to mention communities of practice and knowledge maintenance. So I think the idea of technological progress divorced from social participation is pessimistic, because it mythologizes technology in a way that makes it seem uncontrollable."
"Huh" said Gedi and Finan while at the same time Ye'xik said "mhmm".
Hallavi looked up shyly at the rest of them, but they were all looking back with admiration.
"I think you're right, Hallavi", said Ye'xik. "Or at least, that's probably what the teacher wanted us to puzzle out. Good thing they asked us to include two knowledge systems so we can each have our own perspectives to contribute, otherwise you'd go first and our presentations would all just be 'What Hallavi said'".
Hallavi blushed but Finan laughed "Hah! You're right and that Ye'xik."
Gedi was looking at their sandwich with some intensity. They looked at Hallavi then back at their sandwich. "It's like they thought they were strapped to an out-of-control rocket, when you put it that way", they said. "It must have been scary, really, to believe that technology was almost an entity, changing in an inevitable way. That word 'inevitable' really takes all the human agency out of it, doesn't it. And even though they kept saying that technology would inevitably solve problems, look at what the technologies they invented actually did!"
Finan shuddered. He added, "Really, it was their dominators who were saying it was inevitable wasn't it? Back then it wasn't like today where historians travel and sample all kinds of ideas, so the primary sources we're reading are almost all from dominators, right?"
Ye'xik responded "Yeah, I keep forgetting to account for that. It was such a weird and horrible time, it's kinda hard to believe everything we read and hear sometimes."
Gedi picked up the thread again "That makes it worse, right? All those dominators saying the stuff they're doing is inevitable, and lying to everyone's faces about it being progress and wonderful stuff, meanwhile two thirds of it is the most awful stuff there's ever been, I mean they could have literally killed everyone and ruined the whole planet, and they almost did."
"They did actually crush a lot of cultures beyond recognition so the survivors had to rebuild with only weak ties to their old traditions", said Hallavi with a quiet intensity.
They all were silent for a moment, pondering the horrors of a bygone age.
Finan broke the silence: "That's a terrible kind of pessimism, to believe that technologcal 'progress' is inevitable, at a time when most people are dominators somewhere in a hierarchy and the ones on top constantly talk about how technologies like medicines will 'save' the world while mostly inventing new technologies of violence. Everyone must have understood what they really meant based on the technologies they were actually developing and investing into. I think I still don't understand how the Age of Progress and the Dim Times could even happen".
"Yeah, and the pessimism is only part of our assignment", signed Ye'xik. "We still have to describe why the progressive vision failed, although I think maybe you just did a lot of that, Finan".
A gloom descended briefly, until Gedi said "Well, this assignment is supposed to take a week or two, right? Thanks to Hallavi we've already cracked the crux, I think, so we don't need to ruminate too much right this moment about ancient history, and we know things turned out okay in the end. Let's finish lunch and go climb a tree!"

@metacurity@infosec.exchange
2026-08-24 11:53:56

I watched this yesterday and found his take on how AI is taking the joy out of software development while resulting in more kludgy code quite interesting.
I imagine the same thing is happening with other skills, including professional writing.
youtube.com/watch?v=2ZU3j4GQ4K8