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@roland@devdilettante.com
2025-11-12 15:37:02

"Iyengar told me she isn’t worried about Musk ruining D&D.
Musk is welcome to waste his money on “trying to make everyone play the version of D&D that he thinks should exist in the world,” Iyengar said. “That’s never been how that works. Everyone will play it how they want, or they’ll play something else.”

@UP8@mastodon.social
2025-09-12 02:13:52

One last running photo for today -- I'll post a few more of my best tomorrow and hopefully a link to my Behance with more, counting down 25 1/2 hours to Caturday
#photo #photography #running

Man with black curly hair is flying with both feet off the ground and his left thumb (your right up) while a volunteer in shorts and a white sweatshirt looks off the left of the frame and a barely visible volunteer holds a red flag to stop a black car by a safety cone.
@Sustainable2050@mastodon.energy
2025-10-08 19:39:47

Big news for the energy transition!
And a nice little 'told you so' moment for yours truly :)
In the first half of this year, renewables produced more electricity globally than coal, for the first time.
And 2025 is the date I predicted for this to happen, back in 2016, in a blog post for Ecofys! The score was 23%-40% at the time, with most of the renewables share still coming from hydro, and the prediction was less than obvious.

Graph showing global electricity from renewables vs coal for H1 of 2019 through 2025, in TWh. Moving from 3400 vs 4500 TWh in 2019 to 5100 vs 4900 TWh in 2025: lines crossing.
My Ecofys blog post of 12 December 2016:
When will renewables overtake coal in generated electricity?

ending in:

The resulting share of renewables in 2015 global electricity production was 23%, according to IEA. For coal this was around 40%. IEA expects the share of renewables to grow at almost 1 percentage point per year, to 28% by 2021, and IEA has a track record of being on the conservative side here. Due to falling costs of wind and solar, and more ambitious policies following the Paris A…
@arXiv_astrophGA_bot@mastoxiv.page
2025-09-12 09:21:39

LMC : Large-scale mapping of [CII] and [OIII] in the LMC molecular ridge, I. Dataset and line ratio analyses
C. Fischer, S. C. Madden, A. Krabbe, F. L. Polles, D. Fadda, E. Tarantino, F. Galliano, C. -H. R. Chen, N. Abel, A. Beck, L. Belloir, F. Bigiel, A. Bolatto, M. Chevance, S. Colditz, N. Fischer, A. Green, A. Hughes, R. Indebetouw, C. Iserlohe, M. Ka\'zmierczak-Barthel, R. Klein, A. Lambert-Huyghe, V. Lebouteiller, E. Mikheeva, A. Poglitsch, L. Ramambason, W. Reach, M. Rubio, …

@mgorny@social.treehouse.systems
2025-09-05 13:15:19

"""
In melancholy, the spirits are carried away by an agitation, but a weak agitation that lacks power or violence, a sort of impotent upset that follows neither a particular path nor the aperta opercula [open ways], but traverses the cerebral matter constantly creating new pores. Yet the spirits do not wander far on the new paths they create, and their agitation dies down rapidly, as their strength is quickly spent and motion comes to a halt: ‘non longe perveniunt’ [they do not reach far]. A trouble of this nature, common to all delirium, does not have the power to produce on the surface of the body the violent movements or the cries to be observed in mania and frenzy. Melancholy never attains frenzy; it is a madness always at the limits of its own impotence. That paradox is explained by the secret alterations in the spirits. Ordinarily, they travel with the speed and instantaneous transparency of rays of light, but in melancholy they become weighed down with night, becoming ‘obscure, thick and dark’, and the images of things that they bring before consciousness are ‘in a shadow, or covered with darkness’. As a result they move more slowly, and are more like a dark, chemical vapour than pure light. This chemical vapour is acid in nature, rather than sulphurous or alcoholic, for in acid vapours the particles are mobile and incapable of repose, but their activity is weak and without consequence. When they are distilled, all that remains in the still is a kind of insipid phlegm. Acid vapours, therefore, are taken to have the same properties as melancholy, whereas alcoholic vapours, which are always ready to burst into flames, are more related to frenzy, and sulphurous vapours bring on mania, as they are agitated by continuous, violent movement. If the ‘formal reason and causes’ of melancholy were to be sought, it made sense to look for them in the vapours that rose up from the blood to the head, and which had degenerated into ‘an acetous or sharp distillation’. A cursory glance seems to indicate that a melancholy of spirits and a whole chemistry of humours lies behind Willis’ analyses, but in fact his guiding principle mostly reflects the immediate qualities of the melancholic illness: an impotent disorder, and the shadow that comes over the spirit with an acrid acidity that slowly corrodes the heart and the mind. The chemistry of acids is not an explanation of the symptoms, but a qualitative option: a whole phenomenology of melancholic experience.
"""
(Michel Foucault, History of Madness)

@leftsidestory@mstdn.social
2025-10-10 00:30:07

Moody Urbanity - UP ⬆️
情绪化城市 - 上面 ⬆️
📷 Nikon FE
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photo of a wide city street flanked by buildings on both sides. On the left, a modern multi-story building features curved, layered architecture. On the right, a tall rectangular building has a more traditional design. The street includes crosswalks, traffic lanes, and a few vehicles, including a car and motorcycles. Trees line the road, and the top of the image is framed by silhouetted branches and leaves. Streetlights and traffic s…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white image of a large industrial building with corrugated metal siding. Several flags mounted on poles flutter in the wind in front of the building. Chinese characters are visible on the upper facade and above the entrance, though partially obscured. The sky is clear, and the lighting suggests daytime. The image has a documentary feel, emphasizing the structure’s utilitarian design and the presence of national or institutional identity th…
Ilford HP5 Plus 400 (FF)
English Alt Text:
A black-and-white photograph capturing a dramatic sky filled with textured clouds. On the left, partially hidden by dense tree foliage, are several multi-story buildings with rectangular windows—likely residential. Trees frame both sides of the image, creating a natural border. The sky dominates the scene with varying shades of gray, suggesting depth and movement. The grainy texture and lighting evoke a vintage, film-like aesthetic. The image feels int…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photo of a high-rise building under construction. The structure is mostly complete, with its framework and exterior visible. Multiple tower cranes surround the building, indicating active construction. The sky is partly cloudy, and the image has a grainy texture that adds to its industrial and dramatic tone. The scene conveys the scale and complexity of urban development, with towering machinery and architectural ambition.

中文替代文字:
这…
@randy_@social.linux.pizza
2025-09-10 21:47:14

Day 6 - Shakespeare had taste.
I have a feeling that my butt is stronger and more forgiving than I thought. I really expected to be crawling like those naked snails, but I guess I learned something new about my body.
HelsingŸr is home to Kronborg Slot, the castle that Shakespeare used in Hamlet. Not only that, it was also very important for payments to enter the Baltic Sea. Today, you can walk around the castle, drink coffee, or even visit some local art studios, such as those fe…

A modern interior space featuring a stylish chair and a small round table. There are large glass walls showcasing a view of a dock with boats, while sunlight creates dynamic shadows on the wooden floor. The backdrop includes a brick building, highlighting a blend of contemporary
A harbor scene featuring a wave-washed concrete pier with a warning sign about yacht sizes. In the background is a historic castle, while the ocean stretches into the distance under a blue sky with scattered clouds.
A historic castle with various towers is visible against a clear blue sky, surrounded by grassy hills and a rocky foreground.
A black and white image of a turbulent sea with visible waves under a cloudy sky. A lighthouse sits on a pier in the foreground, with a distant shoreline visible in the background. The scene conveys a dramatic and moody atmosphere.
@arXiv_quantph_bot@mastoxiv.page
2025-09-12 09:52:29

Quantum Dynamics and Elementary Excitations in Superfluid He4 Films at Low Temperatures
Vladimir I. Kruglov, Houria Triki
arxiv.org/abs/2509.09137

@hacksilon@infosec.exchange
2025-10-10 12:58:26

Interesting thread to get a first-hand account on the current state of LLMs for assisting US tax filings, even in complex situations. tl;dr: Very helpful for a sophisticated user that can check the output.
Another point towards my very narrow defense of LLMs, i.e., feel free to dislike LLMs for many good reasons, but please don't call them useless.