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@midtsveen@social.linux.pizza
2025-12-06 16:12:58

It’s amazing how you can make #FreeTube so simple and distraction-free!
#FreeSoftware

A desktop screenshot of the FreeTube application in dark mode, showing the “Subscriptions” feed. Several video entries are listed vertically, each with a blurred thumbnail, a “WATCHED” label, titles such as “Everything in relation to everything else,” “Are Raccoons Being Domesticated?”, “What these Popular Chrome Extensions are Really Doing?”, and “Surviving 9 to 5 in Your 30s,” along with creator names and upload times. The left sidebar displays icons for feed, subscriptions, history, settings…
@midtsveen@social.linux.pizza
2025-12-05 21:10:32

New #BandcampFriday purchase, Void Ecstasy by Nostalghia was available for free, but I paid $5 to support the artist and add it to my collection.
bandcamp.com/pmarg

A digital receipt showing the purchase of the album “Void Ecstasy” by Nostalghia. The album cover is displayed on the left, and on the right, the receipt lists the item as a digital album (streaming and download), with a subtotal of $0.00 and an additional contribution of $5.00, for a total of $5.00. The payment date is December 5, 2025, and the payer’s name is blurred. Options to download the album or resend the receipt appear on the right.
@arXiv_mathDS_bot@mastoxiv.page
2025-10-07 08:01:58

Integrable Billiards and Related Topics
Misha Bialy, Andrey E. Mironov
arxiv.org/abs/2510.03790 arxiv.org/pdf/2510.03790

@leftsidestory@mstdn.social
2025-10-13 00:30:01

Moody Urbanity - Oracles III 🈳
情绪化城市 - 谕 III 🈳
📷 Nikon FE
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:
A narrow alleyway between two aged buildings is viewed through vertical black bars in the foreground. The concrete path is cracked and stained. The walls are peeling, with exposed pipes and wires overhead. A barred window sits on the left wall. The alley leads into a darker area, evoking mystery. Sunlight casts sharp shadows, and the black-and-white palette emphasizes texture and decay.

中文替代文字:
透过前景中的黑色栏杆,可见两栋老旧建筑之间的狭窄小巷。混凝土地面布满裂痕与污渍,墙面斑驳脱落,上方管线交错。左侧…
Ilford HP5 Plus 400 (FF)

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Two blurred figures on bicycles or scooters speed past in the foreground, capturing motion. Behind them, a quiet urban wall features a handicapped-accessible sign, a bench with a small paper, and a covered object—possibly a scooter. Tree shadows fall across the wall. The contrast between movement and stillness is heightened by the monochrome tones.

中文替代文字:
前景中两位骑行者模糊掠过,展现速度与动感。背景是一面城市墙壁,设有残障通道标志、长椅和一张小纸条,旁边覆盖着一件物品,可能是电动车。树影洒落墙面,黑白色调强化了动与静的对比。
Ilford HP5 Plus 400 (FF)

English Alt Text:
A group of identical bicycles with front baskets are parked neatly on a sidewalk beneath dense tree cover. The scene is shaded, creating a quiet, contemplative mood. These bikes appear to be part of a public bike-sharing system. In the background, a person walks through a tree-lined opening, suggesting a path or park entrance. The black-and-white tone adds a nostalgic, documentary feel to this urban moment.

中文替代文字:
一群带有前篮的共享单车整齐地停放在人行道上,头顶是茂密的树冠,营造出安…
Ilford HP5 Plus 400 (FF)

English Alt Text:
Railway tracks cross a paved area in the foreground. Two people sit near a tree—one on a chair, the other beside a small stand with a signboard. A bench behind them holds large bags, possibly recyclables. A building with windows and an open garage is in the background. Bollards line the area, and tree shade softens the scene. The monochrome effect adds depth and quietness.

中文替代文字:
前景中铁轨穿过铺设区域。两人坐在树旁,一人坐椅上,另一人靠近带招牌的小摊。后方长椅上堆放着大袋子,可能是可回收物。背景是有窗户和敞开车库的建…
@arXiv_mathSG_bot@mastoxiv.page
2025-11-11 16:45:37

Replaced article(s) found for math.SG. arxiv.org/list/math.SG/new
[1/1]:
- Reduction of Cosymplectic groupoids by cosymplectic moment maps
Daniel L\'opez Garcia, Nicolas Martinez Alba
arxiv.org/abs/2403.03178 mastoxiv.page/@arXiv_mathSG_bo
- Algebraic Lagrangian cobordisms, flux and the Lagrangian Ceresa cycle
Alexia Corradini
arxiv.org/abs/2501.12850 mastoxiv.page/@arXiv_mathSG_bo
- Systolic $S^1$-index and characterization of non-smooth Zoll convex bodies
Stefan Matijevi\'c
arxiv.org/abs/2501.13856 mastoxiv.page/@arXiv_mathSG_bo
- Infinite-dimensional Lagrange-Dirac systems with boundary energy flow I: Foundations
Fran\c{c}ois Gay-Balmaz, \'Alvaro Rodr\'iguez Abella, Hiroaki Yoshimura
arxiv.org/abs/2501.17551 mastoxiv.page/@arXiv_mathSG_bo
- The Simplicity of the Group of Weakly Hamiltonian Diffeomorphisms on Cosymplectic Manifolds
S. Tchuiaga, P. Bikorimana
arxiv.org/abs/2503.10224 mastoxiv.page/@arXiv_mathSG_bo
- Regular semisimple Hessenberg varieties with cohomology rings generated in degree two
Mikiya Masuda, Takashi Sato
arxiv.org/abs/2301.03762 mastoxiv.page/@arXiv_mathAG_bo
- Billiards and Hofer's Geometry
Mark Berezovik, Konstantin Kliakhandler, Yaron Ostrover, Leonid Polterovich
arxiv.org/abs/2507.04767 mastoxiv.page/@arXiv_mathDS_bo
- Geometric, topological and dynamical properties of conformally symplectic systems, normally hyper...
Marian Gidea, Rafael de la Llave, Tere M-Seara
arxiv.org/abs/2508.14794 mastoxiv.page/@arXiv_mathDS_bo
toXiv_bot_toot

@hex@kolektiva.social
2025-11-16 07:08:26

There's a word at the beginning and end of Dawn of Everything that feels self-referential right now: Kairos.
> We began this book with a quote which refers to the Greek notion of kairos as one of those occasional moments in a society’s history when its frames of reference undergo a shift – a metamorphosis of the fundamental principles and symbols, when the lines between myth and history, science and magic become blurred – and, therefore, real change is possible. Philosophers sometimes like to speak of ‘the Event’ – a political revolution, a scientific discovery, an artistic masterpiece – that is, a breakthrough which reveals aspects of reality that had previously been unimaginable but, once seen, can never be unseen. If so, kairos is the kind of time in which Events are prone to happen.
> Societies around the world appear to be cascading towards such a point. This is particularly true of those which, since the First World War, have been in the habit of calling themselves ‘Western’. On the one hand, fundamental breakthroughs in the physical sciences, or even artistic expression, no longer seem to occur with anything like the regularity people came to expect in the late nineteenth and early twentieth centuries. Yet at the same time, our scientific means of understanding the past, not just our species’ past but that of our planet, has been advancing with dizzying speed. Scientists in 2020 are not (as readers of mid-twentieth-century science fiction might have hoped) encountering alien civilizations in distant star systems; but they are encountering radically different forms of society under their own feet, some forgotten and newly rediscovered, others more familiar, but now understood in entirely new ways.
Reading this as I write something very inspired by this work feels especially serendipitous, especially at this time. When they wrote the book, I think that kairos felt more serendipitous itself. But as the frequency of opportunity increases, the veil between realities feels more malleable... that perhaps we can poke a finger through and open a portal to a completely different future than the one we've felt locked into for such a long time.
anarchoccultism.org/building-z

@arXiv_astrophCO_bot@mastoxiv.page
2025-10-13 09:30:40

Euclid preparation. Cosmology Likelihood for Observables in Euclid (CLOE). 5. Extensions beyond the standard modelling of theoretical probes and systematic effects
Collaboration, Goh, Nouri-Zonoz, Pamuk, Ballardini, Bose, Ca\~nas-Herrera, Casas, Franco-Abell\'an, Ili\'c, Keil, Kunz, Le Brun, Lepori, Martinelli, Sakr, Sorrenti, Teixeira, Tutusaus, Blot, Bonici, Bonvin, Camera, Cardone, Carrilho, Di Domizio, Durrer, Farrens, Beauchamps, Joudaki, Moretti, Pezzotta, S\'anchez, …

@midtsveen@social.linux.pizza
2025-11-16 13:03:14

One should not sympathize with or idolize anyone, but this person radicalized my views deeply; I cannot speak for others.
Anarchism and Anarcho-syndicalism
marxists.org/reference/archive

A sepia-toned portrait of an older man with wavy hair, a full mustache, and a pointed beard. He wears round glasses and a dark suit with a tie, looking slightly past the camera with a serious expression. The background is softly blurred.
@arXiv_mathDS_bot@mastoxiv.page
2025-10-15 08:31:52

Outer length billiards on polygons
Lael Edwards-Costa
arxiv.org/abs/2510.11869 arxiv.org/pdf/2510.11869

@arXiv_mathDS_bot@mastoxiv.page
2025-10-10 09:27:39

Outer length billiards on a large scale
Peter Albers, Lael Edwards-Costa, Serge Tabachnikov
arxiv.org/abs/2510.08370 arxiv.org/pdf/2510.083…