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@adulau@infosec.exchange
2026-01-23 20:40:59

The last 5 days have been a bit wild for the GCVE.eu initiative.
What started as steady work suddenly picked up real momentum:
The public GCVE.eu database instance - db.gcve.eu/ - caught the attention of the media, sparking discussions well beyond our usual circles
We publishe…

Vulnerability-Lookup
Vulnerability-Lookup - Fast vulnerability lookup correlation from different sources.

@davej@dice.camp
2026-01-23 01:07:43
Content warning: CW: auspol, social media ban.

In case you were curious how the #SocialMediaBan is progressing: sbs.com.au/news/the-feed/artic

'Left out and ostracised': The social media ban's uneven execution — and other effects
It's been six weeks since Australians under 16 were banned from most social media platforms. What impact has the ban had?

@blakes7bot@mas.torpidity.net
2025-11-21 19:14:55

Series D, Episode 06 - Headhunter
AVON: Where is Orac?
SOOLIN: Behind a panel in section four.
AVON: We have to get Orac outside.
TARRANT: Why risk it?
blake.torpidity.net/m/406/498 B7B5

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7" from the late 1970s/early 1980s. The scene shows a group of people in futuristic costumes standing in what looks like a spacecraft or space station interior with gray walls and utilitarian design. The costumes feature distinctive styling typical of sci-fi productions of that era - including a character in black leather with silver accents holding what appears to b…
@blakes7bot@mas.torpidity.net
2025-11-21 13:10:01

Series B, Episode 04 - Horizon
AVON: Has anybody else picked it up?
ZEN: Negative. [More beeps come in]
AVON: Decode.
blake.torpidity.net/m/204/530 B7B3

Claude 3.7 describes the image as: "# Scene Description This image shows a figure in a silvery, flowing tunic-style garment seated at what appears to be a control console or command station. The setting features a futuristic interior with dark, metallic walls and atmospheric lighting in warm tones. Behind the figure is a sleek panel with horizontal lines characteristic of science fiction production design from the 1970s-1980s era. The character displayed a composed, serious demeanor while sea…
@davej@dice.camp
2025-11-20 11:58:46

This week’s #ThursdayFiveList is all about #Children, courtesy of @…:
1. Almost Vinyl, “That's a Fucking Ugly Baby”—

Painting of a young boy in t-shirt and shorts standing on a doorstep, squinting coolly at the viewer beneath an expansive forehead. Beside him, the lifelike doll of a girl rests against the doorframe, clutching what appears to be a bottle with wires protruding from the top. The door behind them consists of glass panes, behind which a dozen disembodied hands can be seen. At the door’s top, directly above the boy, the moon reflects from a glass pane, dark but for a sliver of light on its bottom s…
@Techmeme@techhub.social
2026-01-13 11:35:53

Warhammer maker Games Workshop says it banned its staff from using AI in its content or designs and it is taking a "very cautious" approach to protect its IP (Philip Stafford/Financial Times)
ft.com/content/82bf41f4-7020-4…

@blakes7bot@mas.torpidity.net
2026-01-19 07:20:58

#Blakes7 Series D, Episode 11 - Orbit
EGRORIAN: A short range relay, now I see how they worked it.
SERVALAN: A bit late in the day, Egrorian!
EGRORIAN: Not so! It means that Orac is still on board the shuttle. We'll be able to recover it after the crash.

Claude Sonnet 4.5 describes the image as: "This appears to be a behind-the-scenes or production still from what looks like a science fiction television series, likely from the late 1970s or early 1980s based on the aesthetic and set design. The scene is set in what appears to be a futuristic control room or spaceship interior, characterized by white walls, a geometric ceiling panel design, and technical equipment visible in the foreground. Three actors are positioned around what seems to be a …
@blakes7bot@mas.torpidity.net
2025-11-18 13:21:40

Series D, Episode 13 - Blake
VILA: I asked where Tarrant was.
AVON: Still, that's no longer a problem. [nudges one of the bounty hunters with his foot] We just inherited a flyer.
blake.torpidity.net/m/413/348 B7B3

Claude 3.7 describes the image as: "# Black and White Scene Analysis This black and white image appears to be from a science fiction production, showing two figures in an ornate, elaborate setting. The man on the left wears a distinctive black outfit adorned with studded details and decorative elements, while another figure stands to his right in a more utilitarian brown/gray uniform. The background features intricate decorative patterns and geometric designs that suggest an alien or futuristi…
@blakes7bot@mas.torpidity.net
2025-12-14 19:24:23

Series A, Episode 13 - Orac
CALLY: We should keep on moving, they could be right behind us.
BLAKE: Yes, without weapons we don't stand a chance. Look, you keep going. I'm going to stay here and try and bring the roof down - block them off.
blake.torpidity.net/m/113/347 …

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s based on the visual quality and costume design. The scene takes place in what looks like a dark, cave-like or underground setting with rough stone walls visible in the background. Three figures are present in the frame, wearing distinctive futuristic uniforms characterized by two-tone color schemes with V-shaped chevron designs on the chest. The person on the …
@blakes7bot@mas.torpidity.net
2025-11-12 16:26:37

Series A, Episode 11 - Bounty
CALLY: But the elections were rigged.
TYCE: It was still failure.
BLAKE: [To Cally] That's something you should understand.
TYCE: I thought I could help him.
BLAKE: He must come with us, by force if necessary.
blake.torpidity.net/m/111/225

Claude Sonnet 4.0 describes the image as: "This image appears to be from a classic British science fiction television series, likely from the late 1970s or early 1980s based on the production quality and costume design. The scene shows three characters in what appears to be a spaceship or futuristic facility interior, with industrial gray walls visible in the background. The woman on the left wears a distinctive red velvet tunic with white cord trim and a black turtleneck underneath, styled wi…