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@blakes7bot@mas.torpidity.net
2025-12-31 13:14:15

Series D, Episode 10 - Gold
KEILLER: We've got to get back up.
AVON: No! Down.
KEILLER: But now...
SOOLIN: Tarrant and Dayna are up there, they'll cover for us.
KEILLER: But, how'd they get there, I don't understand?
blake.torpidity.net/m/410/107

Claude Sonnet 3.7 describes the image as: "This image appears to be from a science fiction TV show, likely from the late 1970s or early 1980s based on the production style and costuming. The scene shows three performers in what looks like a confrontation on a spaceship or futuristic set.

On the left is a person wearing a black costume with silver detailing that has a military or authoritarian style. In the center stands someone with blonde hair styled in an elaborate updo, wearing what appears…
@blakes7bot@mas.torpidity.net
2026-01-01 19:17:50

C07 - Children of Auron
DAYNA: Relax! Orac did a grand therapy job on their traffic controller.
TARRANT: [Through door] Franton. Zelda. You'll have to evacuate with us. They'll be here soon, Zelda, and it won't just be bugs they're bringing.
blake.torpidity.net/m/307/559

Claude Sonnet 4.5 describes the image as: "This image captures a tense dramatic moment featuring three actors in what appears to be a scene from a television production, likely from the late 1970s or early 1980s based on the film quality and styling. The setting is intimate and claustrophobic, with muted olive-green walls creating an oppressive atmosphere.

On the left stands Josette Simon, wearing a striking red and black costume with shoulder detailing, her gaze directed intensely at the othe…
@blakes7bot@mas.torpidity.net
2026-01-31 19:52:49

Series C, Episode 05 - The Harvest of Kairos
AVON: [Just arriving] Down! [They shoot guards]
TARRANT: Thanks.
AVON: They were an obvious possibility, Tarrant.
TARRANT: We'll get this one. Cally, Dayna, go and prepare to disengage.
[Space Command]
blake.torpidity.net/m/305/368

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, showing three men in a futuristic corridor setting. The scene features utilitarian, industrial design elements typical of 1970s-80s sci-fi aesthetics, with grey walls and functional architecture.

In the foreground, two men are engaged in conversation. The person on the left wears a tactical-style vest in beige/tan tones with visible straps and pouches, paired with a dark turtleneck…
@blakes7bot@mas.torpidity.net
2025-12-01 07:12:09

#Blakes7 Series A, Episode 05 - The Web
AVON: Neither can we.
BLAKE: I'll bear that in mind. [Tosses empty box away.]
AVON: Don't worry. I'll remind you.
[Novara and Geela approach. Blake and Avon rise. Avon draws his weapon.]

Claude Sonnet 4.5 describes the image as: "This image shows a scene filmed in a wooded outdoor setting with bare trees visible in the soft-focused background. The cinematography has a slightly muted, cool color palette typical of British television productions from the 1970s-80s era.

Paul Darrow appears in character wearing a distinctive costume featuring a light gray or silver padded vest or armor piece with prominent shoulder sections over a black underlayer. The costume has a science fictio…
@blakes7bot@mas.torpidity.net
2026-02-01 10:34:20

Series C, Episode 12 - Death-Watch
DAYNA: I felt something. At least, I think I did.
AVON: Yes?
DAYNA: It's difficult to pin down. It's as though we were waiting.
blake.torpidity.net/m/312/473 B7B2

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," set aboard the spacecraft Liberator. Five crew members are gathered in the ship's main lounge area, seated on the characteristic beige/cream colored seating. They're positioned around what appears to be a transparent container or device on the central table. The setting features the show's distinctive futuristic interior design with metallic surfaces and ambient li…
@blakes7bot@mas.torpidity.net
2026-01-31 10:25:27

Series C, Episode 04 - Dawn of the Gods
ORAC: The chances are that had the game continued as it should have done, I would have won control of the galaxy on a probability of ten thousand four hundred and fifty to one.
TARRANT: Orac, it was only a game.
blake.torpidity.net/m/304/19

Claude Sonnet 3.7 describes the image as: "The image shows hands interacting with a transparent acrylic or plastic device that appears to be some kind of experimental apparatus or musical instrument. The hands, wearing a light green or mint-colored sleeve, are manipulating controls or components inside the clear box, which contains various tubes, wires, and electronic elements. Some small red lights are visible inside the device. The apparatus has multiple cylindrical components arranged inside…
@blakes7bot@mas.torpidity.net
2025-11-30 16:44:15

Series A, Episode 10 - Breakdown
VILA: You're back, are you?
ZEN: Status is firm. All systems are functioning normally.
BLAKE: Where were you when we needed you? [to Avon] What did they say?
blake.torpidity.net/m/110/341 B7B4

@blakes7bot@mas.torpidity.net
2025-11-01 13:14:47

Series C, Episode 11 - Moloch
DAYNA: Wait, I'm coming with you.
[Scene shifts back to Tarrant. One of the guards sprints toward him; the other removes a small card from their weapon, and studies it thoughtfully.]
blake.torpidity.net/m/311/308 B7B3

@blakes7bot@mas.torpidity.net
2025-12-30 13:37:17

Series B, Episode 02 - Shadow
CALLY: I want you back here. Get ready to teleport.
VILA: Wasting your time, Cally. I'm not wearing a bracelet. I'm not going to be snatched away in the middle of...in the middle of anything. Sightseeing. And you should see some of the sights I'm seeing. No. Perhaps you shouldn't.

Claude Sonnet 3.7 describes the image as: "The image appears to be a still from a television series, showing a person in a distinctive white outfit with a floral or patterned panel down the front. They're standing in what looks like a futuristic or sci-fi setting, with angular walls and panels visible in the background. The interior space has a geometric design with light panels contrasting against darker structural elements.

The costume has a 1970s-80s sci-fi aesthetic, with a cream-colored f…
@blakes7bot@mas.torpidity.net
2025-12-29 13:22:18

Series B, Episode 03 - Weapon
FEN: You're a sad man, Travis. Life must have reverence.
TRAVIS: Now. I want the other one.
FEN: No.
TRAVIS: Get the other one.
FEN: You know better than this.
TRAVIS: Do I?
blake.torpidity.net/m/203/5 B7B3

Claude Haiku 4.5 describes the image as: "I can describe what I see in the image, but I'm not able to identify specific individuals based on their appearance.

The image shows a man in profile view against a neutral gray and white background. He has dark hair styled in a distinctive swept-back manner and wears a black eye patch over his left eye. He's dressed in an ornate black quilted or textured garment with ribbed patterns. The lighting is professional and even, suggesting this is from a tel…