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@inthehands@hachyderm.io
2025-10-19 17:05:23

I’ve been really interested in both aspects of this post:
1. ICE right-wing fringe groups conspicuously steered clear of protests yesterday in a way that suggests that orders went out (whose?) and/or (I’m guessing “and”) that there’s a sense from those people that they don’t have public support and don’t have free license to instigate violence.
2. Police went out of their way to put on a friendly face. I’ve been getting vibes that some local police resent ICE — “this is OUR turf, beating up Black and brown people was OUR job” — and, contrary to what we and the regime might expect, ICE isn’t always getting free support by default from that quarter.
Caveats: No solid conclusions here, just reading vibes. And even if it is actually true for now, all of this can shift on a dime. Still, sure is notable. fed.brid.gy/r/https://bsky.app

Department of Homeland Security agents arrested 70 New Yorkers outside 26 Federal Plaza on Thursday afternoon,
with an additional 12 elected officials arrested upstairs,
after they had attempted to enter the building to assess the living conditions of immigrants detained there.
Some of the electeds had made it past the doors, and came upstairs
— only to be handcuffed moments later. 
Among the officials arrested include New York City Comptroller Brad Lander,

@leftsidestory@mstdn.social
2025-10-19 00:30:00

Moody Urbanity - Odes III 🎵
情绪化城市 - 颂 III 🎵
📷 Zeiss Super Ikonta 533/16
🎞️ Ilford HP5 Plus, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (6x6)

English Alt Text:
A modern public art installation in an urban plaza. A circular bench made of metal tubes surrounds a tree. Suspended cables support the tree from a circular frame above. Integrated into the bench is a life-sized metallic statue of a seated human figure, blending seamlessly with the structure. Surrounding the installation are glass-covered buildings, pedestrians, and similarly supported trees. The design merges functionality, sculpture, and nature in …
Ilford HP5 Plus 400 (6x6)

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A black-and-white photograph of a cityscape featuring mid-20th century architecture. The central building is a multi-story hotel with the sign “THE RITZ-CARLTON” on top. It has rectangular windows and a flat roof. In the foreground, leafy trees partially obscure the buildings. A detailed statue of a bird—possibly an eagle or hawk—stands on a pedestal, wings tucked, facing forward. The sky is clear, and the image has a grainy texture, suggesting it is…
Ilford HP5 Plus 400 (6x6)

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A monochrome photograph of a city scene with architectural contrasts. On the right, a tall building with a glass facade and grid-like pattern rises prominently. In the background, a mid-rise structure features a smokestack or chimney. A tree in the lower left corner partially obscures another building. The sky above has a textured overlay, possibly due to photographic effects. The image evokes a sense of industrial modernism and urban layering.

中文替代…
Ilford HP5 Plus 400 (6x6)

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A vibrant urban street scene with multiple lanes of traffic. Cars and taxis move along a wide road lined with trees. Modern high-rise buildings with glass facades tower in the background. A large blue road sign in the foreground displays directions in Chinese and English, including “JIANGUO Rd” and “TONGHUIHE North Rd,” with arrows indicating lane usage. The sky is clear, and the city appears active and well-organized. The image captures the energy o…
@scott@carfree.city
2025-09-18 22:37:35

This reporting doesn't make clear the resolution is nonbinding: the departments are free to blow off not just the "deadlines" but the requested actions as well.
It does signal priorities the supervisors may go on to weigh at budget time, when evaluating mayoral appointees that need confirmation, or negotiating with Lurie about legislation he wants passed. But it may be a weak signal because supes who signed onto this did so knowing it was nonbinding.

The crowd is taking a knee in the street outside of the Broadview Detention Center with their fists up to honor Silverio Villegas-Gonzšles, the man ICE killed last week, victims of police violence, and the people being killed in Palestine.
fed.brid.gy/r/https://bs…

@theodric@social.linux.pizza
2025-11-18 17:40:46

Did you choose your major poorly in college, and are so obsessed with being in London that you are willing to accept a sub-living wage to reside there? Or is your partner well enough paid to maintain you, but you don't want to be bored at home? Are you independently wealthy, perhaps? Please consider subsidizing the British State with your labor in exchange for a token sum of £38k per year.

@arXiv_astrophIM_bot@mastoxiv.page
2025-08-20 08:41:10

Evolution of JWST Contingency Payload Operations for Mitigating NIRSpec Micro-shutter Array Electrical Shorts
Katie Bechtold, Torsten B\"oker, David E. Franz, Dennis Garland, Maurice te Plate, Timothy D. Rawle, Christopher Q. Trinh, Rai Wu, Peter Zeidler
arxiv.org/abs/2508.13351

@andres4ny@social.ridetrans.it
2025-10-17 19:22:30

More local cops arresting federal agents please? fed.brid.gy/r/https://bsky.app
(PS still true that ACAB)

@mgorny@social.treehouse.systems
2025-10-02 17:42:42

"""
Traditional politics of assistance and the repression of unemployment were now called into question. The need for reform became urgent.
Poverty was gradually separated from the old moral confusions. Economic crises had shown that unemployment could not be confused with indolence, as indigence and enforced idleness spread throughout the countryside, to precisely the places that had previously been considered home to the purest and most immediate forms of moral life. This demonstrated that poverty did not solely fall under the order of the fault: ‘Begging is the fruit of poverty, which in turn is the consequence of accidents in the production of the earth or in the output of factories, of a rise in the price of basic foodstuffs, or of growth of the population, etc.’ Indigence became a matter of economics.
But it was not contingent, nor was it destined to be suppressed forever. There would always be a certain quantity of poverty that could never be effaced, a sort of fatal indigence that would accompany all forms of society until the end of time, even in places where all the idle were employed: ‘The only paupers in a well governed state must be those born in indigence, or those who fall into it by accident.’ This backdrop of poverty was somehow inalienable: whether by birth or accident, it formed an inevitable part of society. The state of lack was so firmly entrenched in the destiny of man and the structure of society that for a long time the idea of a state without paupers remained inconceivable: in the thought of philosophers, property, work and indigence were terms linked right up until the nineteenth century.
This portion of poverty was necessary because it could not be suppressed; but it was equally necessary in that it made wealth possible. Because they worked but consumed little, a class of people in need allowed a nation to become rich, to release the value of its fields, colonies and mines, making products that could be sold throughout the world. An impoverished people, in short, was a people that had no poor. Indigence became an indispensable element in the state. It hid the secret but most real life of society. The poor were the seat and the glory of nations. And their noble misery, for which there was no cure, was to be exalted:
«My intention is solely to invite the authorities to turn part of their vigilant attention to considering the portion of the People who suffer … the assistance that we owe them is linked to the honour and prosperity of the Empire, of which the Poor are the firmest bulwark, for no sovereign can maintain and extend his domain without favouring the population, and cultivating the Land, Commerce and the Arts; and the Poor are the necessary agents for the great powers that reveal the true force of a People.»
What we see here is a moral rehabilitation of the figure of the Pauper, bringing about the fundamental economic and social reintegration of his person. Paupers had no place in a mercantilist economy, as they were neither producers nor consumers, and they were idle, vagabond or unemployed, deserving nothing better than confinement, a measure that extracted and exiled them from society. But with the arrival of the industrial economy and its thirst for manpower, paupers were once again a part of the body of the nation.
"""
(Michel Foucault, History of Madness)

@leftsidestory@mstdn.social
2025-10-17 02:24:17

Moody Urbanity - Odes 🎶
情绪化城市 - 颂 🎶
📷 Zeiss Super Ikonta 533/16
🎞️ Ilford HP5 Plus, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (6x6)

English Alt Text:
A black and white photo captures a city street running beneath a low overpass with a clearance sign reading “2.5m.” Two people ride bicycles or electric scooters—one holds an umbrella while moving. A car travels alongside them. The overpass has a stone wall and metal railings. In the distance, tall buildings and construction cranes suggest ongoing urban development. The monochrome tone adds a timeless, documentary feel. The scene reflects everyday ci…
Ilford HP5 Plus 400 (6x6)

English Alt Text:
A contemplative black and white image shows a person standing at a crosswalk beneath an overpass. The person faces away from the camera, hands clasped behind their back, wearing a jacket. Shadows from the bridge create dramatic contrast on the pavement. In the background, several pedestrians and cars move through the urban setting. The photo evokes solitude and reflection, with strong light and shadow interplay.

中文替代文字:
这张黑白照片展现了一位行人站在高架桥下的斑马线上,背对镜头…
Ilford HP5 Plus 400 (6x6)

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A black and white photo of a modern building interior with a high, angled glass ceiling supported by geometric beams. Natural light floods the space. On a mezzanine level, people sit at round tables, possibly in a café or lounge. The word “PURE” is visible on the right wall. Through the large windows, tall buildings suggest an urban setting. The architectural design and relaxed atmosphere contrast with the city outside.

中文替代文字:
这张黑白照片展示了一座现代建筑的内部,高耸…
Ilford HP5 Plus 400 (6x6)

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A black and white photo of a quiet bus stop beside a multi-lane road. The bus stop sign features Chinese characters and an information board mounted on a tall pole. A white metal fence lines the road, with trees and a wall in the background. No vehicles or people are visible. Sunlight casts shadows on the sidewalk, adding depth. The grainy texture and monochrome palette give the image a nostalgic, historical feel.

中文替代文字:
这是一张黑白照片,描绘了一个安静的公交车站,位于多车道…