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@aral@mastodon.ar.al
2026-02-10 07:38:02

PS. With all the Discord stuff, in case you wonder why you never see me promoting Matrix, it’s not because it’s a usability nightmare (which it is) but because it’s made by the kind of people who’d be happy to call ICE a customer.
The “F” in FOSS doesn’t stand for fascism.
@…

Element (@element@mastodon.matrix.org)
@amatecha@merveilles.town @matrix @liaizon@wake.st https://element.io/blog/the-online-safety-bill-an-attack-on-encryption gives an idea of our position. And no, there are no backdoors. Yes, we fund Matrix dev by selling encrypted messaging to governments, which includes police: if you don’t like that then please feel free to use a different app.

@blakes7bot@mas.torpidity.net
2026-01-16 19:35:03

Series D, Episode 12 - Warlord
CHALSA: All right, all right, I agree. I accept. [Avon looks about at the others. Boorva nods. Avon gives a sickeningly sweet smile.]
AVON: Then are we all friends here, with one common enemy?
blake.torpidity.net/m/412/81 B7B5

Claude Sonnet 3.7 describes the image as: "This image shows a person with brown hair styled in a 1970s-80s fashion, wearing what appears to be a dark outfit with some decorative elements or embellishments visible at the shoulder. They have a distinctive slight smirk or knowing smile on their face against a neutral background. The styling, costume, and filming quality suggest this is from a television production from that era. The dark costume with decorative elements could indicate this is fr…
@blakes7bot@mas.torpidity.net
2026-01-14 16:19:54

Series A, Episode 02 - Space Fall
JENNA: Why indeed?
[Whispers something to Raiker]
[Raiker slaps her across the face]
RAIKER: You'll come round! I can be VERY persuasive!
[Avon takes a note from his top pocket]
[Jenna walks back to Vila, Avon & Nova]
blake.torpidity.net/m/102/78

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The setting appears to be an industrial or spaceship interior, with metallic surfaces and utilitarian design elements visible in the background. The scene features distinctive period styling typical of that era's sci-fi productions, with futuristic costume design inc…
@leftsidestory@mstdn.social
2025-12-31 00:30:02

Monumental III 🪦
纪念 III 🪦
📷 Nikon F4E
🎞️ ERA 100, expired 1993
#filmphotography #Photography #blackandwhite

ERA 100 (FF) English Alt Text: A black-and-white photo of an interior brick corner with three walls. The left and right walls are made of dark bricks, while the center wall is white. Each wall has a pattern of missing bricks, forming small rectangular openings. Sunlight streams through these gaps, casting geometric shadows on the tiled floor. A prominent triangle of light appears on the floor, emphasizing the interplay between architecture and natural light. The image evokes a sense of quiet a…
ERA 100 (FF) English Alt Text: A black-and-white urban scene featuring a classical-style statue of a woman standing on a shell, reminiscent of Botticelli’s “The Birth of Venus.” The statue is placed in front of a building with two large windows. In the center, a tall utility pole is cluttered with electrical boxes, cables, and meters. One box has two circular elements that resemble eyes, giving it a face-like appearance. To the right, a brick wall with metal pipes and a fence adds to the indus…
ERA 100 (FF) English Alt Text: A black-and-white photo of two wooden chairs placed side by side on a paved sidewalk. A small wooden table sits between them. In front of the table, a concrete barrier with a vertical metal pole obstructs access. Behind the setup is a brick wall and stone steps leading to a building entrance. The scene suggests a tension between invitation and restriction—comfortable seating is offered, yet access is blocked. The composition explores themes of urban design, acces…
ERA 100 (FF) English Alt Text: A black-and-white image showing a section of a brick wall with several bricks intentionally left out, creating small rectangular openings. To the left, a perforated metal panel stands beside a broomstick. In the background, trees and bright daylight are visible. The design of the wall blends solid structure with open space, possibly for ventilation or aesthetic effect. The image balances nature and architecture, with light filtering through the gaps to create a s…