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@leftsidestory@mstdn.social
2026-05-09 00:30:06

Urban Illusions and Fallacies - A Day In The Park VII ⛲️
城市的幻影和谬误 - 公园的一天 VII ⛲️
📷 Pentax MX
🎞️ ERA 100, expired 1993
If you like my work, Support by buying me a coffee or a roll of film from PayPal paypal.com/paypalme/ydcdingsite

ERA 100 (FF) English A black-and-white photograph of a paved plaza with a circular planter. The shadows of bare tree branches are cast sharply across the light-colored tiles, creating a dynamic pattern. In the background, two people sit on a bench near a tree, partially obscured by the shadows. 中文 一张黑白照片，画面是一个铺砌的广场，中间有一个圆形的花坛。光秃秃的树枝影子清晰地投射在浅色的地砖上，形成动态的图案。背景中，两个人坐在长椅上，靠近一棵树，部分被影子遮挡。
ERA 100 (FF) English A black-and-white photograph of tall, leafless trees against a bright, overcast sky. The trees have thick trunks and sprawling branches, with some smaller branches visible. The sky is mostly clear, with a soft gradient from light to slightly darker shades of gray. 中文 一张黑白照片，画面中是高大的光秃秃的树木，背景是明亮的阴天天空。树木树干粗壮，枝干四处延伸，部分细小的树枝清晰可见。天空大部分晴朗，从浅灰色到稍深的灰色呈现柔和的梯度。
ERA 100 (FF) English A black-and-white photograph of leafless trees against a pale, overcast sky. The branches are thin and bare, creating a delicate, intricate pattern with the light. The background is a uniform light gray, emphasizing the stark silhouettes of the trees. 中文 一张黑白照片，画面中是光秃秃的树木，背景是苍白的阴天天空。树枝细长且光秃，因为光影形成精致复杂的图案。背景是均匀的浅灰色，突显出树木的轮廓。
ERA 100 (FF) English A black-and-white photograph of the upper section of a traditional East Asian building. The image captures the ornate, curved eaves of the roof, which are layered and intricately designed. In the background, a modern building stands. The sky above is bright and featureless, providing a stark contrast to the dark, detailed roof structure. 中文 一张黑白照片，拍摄的是一座传统东亚建筑的上部。画面展现了屋顶精美的弯曲屋檐，层次分明，设计精细。背景中一栋现代建筑。上方的天空明亮且无特色，与深色、细节丰富的屋顶结构形成鲜明对比。
@kexpmusicbot@mastodonapp.uk
2026-05-08 14:43:14

🇺🇦 #NowPlaying on KEXP's #MorningShow
Luna:
🎵 Sideshow by the Seashore
#Luna
open.spotify.com/track/1QCspFw

@waidler@bayerwald.social
2026-03-09 10:45:06

In einer ARD‑Wahlanalyse zur Landtagswahl Baden‑Württemberg 2026 kam es zu einem Schlagabtausch zwischen Alice Weidel (AfD) und SPD‑Generalsekretär Tim Klüssendorf.
Weidel kritisierte die SPD scharf („komplett unseriöse Haushalts- und Wirtschaftspolitik“).
Klüssendorf widersprach und unterbrach sie.
Daraufhin setzte Weidel den Satz: „Ich habe Sie noch nie gesehen.“
Die Aussage sollte Klüssendorf delegitimieren – als wäre er politisch unbedeutend oder nicht auf Augenh…

@krone@frawas.de
2026-05-05 13:06:51

Im Visier der Justiz - Vilimsky verliert politischen Schutz in Brüssel #News #Nachrichten

Im Visier der Justiz - Vilimsky verliert politischen Schutz in Brüssel
Der Rechtsausschuss des EU-Parlaments hat am Dienstag die Aufhebung der Immunität von FPÖ-Delegationsleiter Harald Vilimsky mit deutlicher Mehrheit ...

@sonnets@bots.krohsnest.com
2026-04-29 11:25:10

Sonnet 008 - VIII
Music to hear, why hear'st thou music sadly?
Sweets with sweets war not, joy delights in joy:
Why lov'st thou that which thou receiv'st not gladly,
Or else receiv'st with pleasure thine annoy?
If the true concord of well-tuned sounds,
By unions married, do offend thine ear,
They do but sweetly chide thee, who confounds
In singleness the parts that thou shouldst bear.
Mark how one string, sweet husband to …

@scott@carfree.city
2026-05-28 22:08:26

I love my cat, but she really has no grasp of academic Marxism. Words like dialectical and conjuncture mean nothing to her.

A cat with a white belly, paws, and lower face, with dark gray and brown fur on the top of her head, sits on a hardwood floor in a ray of light.
@pixelcode@social.tchncs.de
2026-05-28 11:18:41

You might be delighted to learn about German antifascists' love for humorous #antifa slogans. My attempt at translating some:
“Twitter down, but popular: Mastodon for Antifa”
(pronunciation: 'un-tea fuh, stress on 1st syllable)
“High up there, but popular: aircraft pilots' Antifa”
“Masked and vaxxed, but popular: Covid-19 Antifa”
“Long ago, but popular: B…

Antifa logo with the slogan: “Always late, but popular: German Railway Antifa”
An underpass. While the bridge looks a bit old, it is marked clearly with the traffic sign “no vehicles taller than 2.5 metres”. A tall trailer pulled by a car got stuck in the underpass. On the trailer, the slogan “The homeland needs you” is printed, as well as the logo of the German Fascist Party (AfD). On top of the photo, an Antifa logo is placed which features the slogan: “Brittle, old and popular: underpasses Antifa”.
Antifa-themed logo with a red and a black crucifix and the slogan: “Village church, but popular: Roman-Cath'lic Antifa”
Antifa-themed logo with the silhouette of the famous German poet Goethe, in black and in red. The slogan on the outline reads: “Rhythm bad, but popular: unpoetic Anifa”.
@detondev@social.linux.pizza
2026-05-03 19:27:10

we also talked to an old lady who's important to the church but just hadn't really went over to us yet. she grew up in philly some typa african american puerto rican, moved to puerto rico eventually, then came back later. her whole thing was that american churches are slowly dying, she didn't know true worship till puerto rico, and she wanted to get everybody to perform on stage sometimes, including us, believing god would bring any missing music ability and didnt want professional sound anyway. she sung all this information to us rather than speaking it, which was ofc delightful. she bonded with mom over homeschooling as she had to do that to teach her kids both english and spanish in puerto rico.
as we left she suddenly pointed at me and told my mom "make this one hug me, he's the one of you i always watch move around. i don't know, there's just something about him!" so i hugged her, and then as we went home, my family revived an old joke. when i was a kid, there were quite a few times when random strangers in turkey would come up and hand me money, sometimes crossing streets and chasing us down to do so, so my family joked about using me as a missions org mascot, raising tons of money via most randos finding me a particularly cute kid (or being drawn to intangible aura, as the joke seemingly shifted to in lieu of me not being a cute little kid anymore)

@mikebabyak@musicians.today
2026-03-24 03:55:15

Record all mastered! On to licensing covers, getting ISRCs, finishing artwork and liner notes, credits, making sure nobody's left off the acknowledgements. Did all the recording and mixing in-house, but still lots of other expenses, so doing a kickstarter to recover what we can. Final decision is to call it "Dulcetta." Sweet little coda. Been a long journey w the #leukemia inter…

three honey jars, one in front two behind on either side. three different shades of honey color. Middle jar has printed on front a honey dipper above the word DULCETTA and a music symbol for a coda below.
@inthehands@hachyderm.io
2026-05-22 16:05:14

One last example:
The first LLM code example that really made my eyes pop was early after the release of GPT, when somebody got it to combine Breakout with Conway’s Game of Life (a truly delightful idea). It worked!
Funny thing: the Breakout code and the Life code had a •completely• different style and flavor. Red flag. In about 15 minutes of web searching, I was able to find one of the projects (can’t remember if it was the Breakout or the Life half) which it had copied wholesale, with just a few variable renames. And the other half? It was in Python, but it used dictionaries where it really should have used objects — tons of `thing["prop"]` where it should have said `thing.prop`, and lots of other un-Pythonic stuff besides. It was a machine translate of code from another language, very likely Javascript.
The entire thing was a plagiarized Breakout and a plagiarized Game of Life, one transpiled, and all stuck together in a single run loop. To be fair, figuring out how to (1) run both halves of the logic from a single loop and (2) count the Life cells as Breakout bricks is work I'd cheer on from a second-semester intro CS student! It's not, however, quite what's being sold by these companies.
6/