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@leftsidestory@mstdn.social
2026-01-10 00:30:02

Urban Texture IV 🧩
城市质地 IV 🧩
📷 Zeiss IKON Super Ikonta 533/16
🎞️ Lucky SHD 400
#filmphotography #Photography #blackandwhite

Lucky SHD 400 (6x6)

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A dramatic black-and-white photo of tall modern apartment buildings forming a semi-enclosed courtyard. The buildings feature repetitive patterns of windows and balconies, with vertical and horizontal lines creating a geometric rhythm. The central building has a darker facade with a vertical strip of windows, possibly indicating a stairwell. The photo is taken from a low angle, emphasizing the towering height and density of the structures. The monochrome pa…
Lucky SHD 400 (6x6)

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A black-and-white street scene featuring a white directional arrow painted on the asphalt, pointing straight ahead. In the center, a small circular traffic island with a flower bed adds a touch of nature. To the right, a cyclist rides past a modern building with large support columns and an overhanging structure. Trees and distant buildings line the background. The composition blends urban architecture with subtle natural elements, evoking a quiet, reflect…
Lucky SHD 400 (6x6)

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A narrow alleyway bordered by a concrete wall on one side and dense foliage on the other. In the center, several white bicycles are piled haphazardly, some overturned or leaning against each other. These bikes appear to be part of a shared bike system, identifiable by uniform frames and QR code labels. The scene is cluttered and chaotic, suggesting abandonment or improper parking. The black-and-white tone adds a somber, gritty atmosphere, emphasizing urban…
Lucky SHD 400 (6x6)

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A quiet urban street scene in black and white. A row of large, empty concrete planters lines the sidewalk, creating a strong sense of depth and perspective. On the left, a building with multiple windows stretches into the distance, and a lone person walks away from the camera. On the right, evenly spaced trees add contrast to the geometric shapes of the planters. The street is calm, with no visible traffic, and the composition emphasizes symmetry and solit…
@sean@scoat.es
2026-02-04 22:15:20

Remember when you could move your mouse pointer and click on something without fear that part in the UI would update dynamically (because it's super slow), making the elements jump around, and you didn't constantly risk clicking the wrong thing?
That was cool.

@fanf@mendeddrum.org
2025-12-14 09:42:03

from my link log —
An array index points between elements.
blog.nelhage.com/2015/08/indic
saved 2025-12-13

Summary:
A colossal ancient impact may have reshaped the Moon far more deeply than scientists once realized.
By analyzing rare lunar rocks brought back by China’s Chang’e-6 mission from the Moon’s largest crater,
researchers found unusual chemical fingerprints pointing to extreme heat and material loss caused by a giant impact.
The collision likely stripped away volatile elements,
reshaped volcanic activity,
and left a lasting chemical signature deep belo…

@leftsidestory@mstdn.social
2026-02-03 00:30:02

Different Corners IV ▶️
不同的角落 IV ▶️
📷 ZEISS IKON Super Ikonta 533/16
🎞️ Lucky SHD 400
#filmphotography #Photography #blackandwhite

Lucky SHD 400 (6x6)

Lucky SHD 400 (6x6)

English Alt Text:
An abstract black-and-white double exposure photograph blending two scenes. The first layer shows trees reflected in calm water, evoking a peaceful natural setting. The second layer overlays a tabletop with various objects, possibly food items or small tools, and a bucket with faint text. The fusion of nature and human-made elements creates a surreal, dreamlike composition. The textures and tones merge softly, inviting interpretation a…
Lucky SHD 400 (6x6)

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A black-and-white photograph of a futuristic high-rise building. The central tower features a cylindrical shape that narrows into a pointed spire, resembling a rocket or needle. The facade is patterned with alternating horizontal stripes in light and dark tones, giving it a sleek, modern appearance. Windows are arranged in a uniform grid across the surface. To the left, another building with balconies is partially visible. A traffic light pole stands in th…
Lucky SHD 400 (6x6)

English Alt Text:
An abstract black-and-white double exposure photograph blending two scenes. The first layer shows trees reflected in calm water, evoking a peaceful natural setting. The second layer overlays a tabletop with various objects, possibly food items or small tools, and a bucket with faint text. The fusion of nature and human-made elements creates a surreal, dreamlike composition. The textures and tones merge softly, inviting interpretation and emotional response…
@hex@kolektiva.social
2026-02-21 22:08:39

One more thought...
One of the more toxic elements of the whole "manosphere" thing relative to dating is the application of game theory to relationships. They've got people trying to "maximize their dating potential" or whatever, trying to find the "most attractive march" (which is it's own fucked up thing I'm not even going to dig in to). But that whole mindset is basically going to always leave you miserable.
Oh, you're single? You need a partner. Oh you have a partner? Could you get a "better" one?
It turns relationships into the endless pointless grind of capitalism. Fuck that. None of that shit makes sense. No matter how "well" you do in that game, you always feel like a loser. Everyone does. Fuck that game. Quit.
The constant desire makes you miserable and your misery makes you unlikable. When you let go of it, you leave room to experience what is instead of constantly imagining what could be.
You will always be able to imagine a better "could be" than what is now. By comparing your situation now to that "could be" you will always see your situation as bad because it's worse than your yardstick.
Is your situation good for you? Is it serving you? It can be good and it can also be possible to make it better. When was the last time you just experience your life instead of trying to strategize your way into "something better."
Throw away the yardstick. Something something Buddha.
Edit: all this is of course aside from the whole objectification thing, which is it's own whole set of fucked up. But yeah... All that shit is real bad news.

@blakes7bot@mas.torpidity.net
2025-12-26 10:07:45

Series C, Episode 13 - Terminal
ZEN: Emergence from matter belt in thirty-nine point zero one seconds.
TARRANT: Any damage yet?
ZEN: Hull sensors appear temporarily impaired. All other systems continue on full function.
blake.torpidity.net/m/313/139 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a scene from what appears to be a science fiction television production, set in a futuristic spacecraft interior. The setting features distinctive angular architectural elements with metallic striping on the walls, creating a sleek, modernist aesthetic typical of 1980s sci-fi design.

The character on the left wears an elaborate burgundy uniform with a distinctive studded shoulder cape, suggesting a high-ranking …
@tiotasram@kolektiva.social
2026-01-19 13:58:09

Yesterday I finished "The Other Side of Tomorrow" written by Tina Cho and illustrated by Deb JJ Lee. Lee's "In Limbo" was an excellent graphic memoir, and this similarly has wonderful art, although I didn't make the connection until checking the authors after reading to the end.
This book is a realistic fictional account of two childrens' escape from North Korea via China, Laos, and ultimately Thailand where they could declare themselves refugees at a US embassy and get sponsored to live in America. Along the way they're helped by various members of the Asian Underground Railroad. I'll avoid spoilers but yet definitely encounter difficulties along the way.
The ending definitely hits different now (while also accentuating my disgust with the current US regime). Like "Libertad" that I also finished recently, the "escape to the US at the end" plot line is going to become less prevalent going forward, although Libertad involved a good measure of complexity around that point.
I was a bit disappointed in one of the later plot points where a different and more-real-world-probable turn of events could have served as a better message for society, with the "lucky" outcome as written reinforcing regressive notions of family, and as an ex-Christian the Christian elements of the story made me feel a way. I'm an agnostic, not an atheist though, and can respect the idea that those willing to risk torture and death for their faith have every right to stand by it and take inspiration from it. Most (very valid) critiques of big western Church institutions just don't apply to underground churches in northern China who are helping people escape the horrors of deep fascism.
Overall a really good book.
#AmReading #ReadingNow

@grumpybozo@toad.social
2025-12-24 17:59:16

It’s apparent to anyone with a bit of education in technological history that this sort of thing must be possible. We have waste streams with higher concentrations of key elements than the "ore" we derive them from.
This is part of why I religiously recycle plastics even though right now they don’t really get recycled. At some point, the piles of unrecycled plastics will be a better raw material for new plastics than the dregs of petroleum we have left.

Until recently, I resisted using the F-word to describe President Trump.
For one thing, there were too many elements of classical fascism that didn’t seem to fit.
For another, the term has been overused to the point of meaninglessness, especially by left-leaning types who call you a fascist if you oppose abortion or affirmative action.
For yet another, the term is hazily defined, even by its adherents.
From the beginning, fascism has been an incoherent doctrine, and ev…