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@blakes7bot@mas.torpidity.net
2025-12-26 10:07:45

Series C, Episode 13 - Terminal
ZEN: Emergence from matter belt in thirty-nine point zero one seconds.
TARRANT: Any damage yet?
ZEN: Hull sensors appear temporarily impaired. All other systems continue on full function.
blake.torpidity.net/m/313/139 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a scene from what appears to be a science fiction television production, set in a futuristic spacecraft interior. The setting features distinctive angular architectural elements with metallic striping on the walls, creating a sleek, modernist aesthetic typical of 1980s sci-fi design.

The character on the left wears an elaborate burgundy uniform with a distinctive studded shoulder cape, suggesting a high-ranking …
@leftsidestory@mstdn.social
2026-01-26 01:23:42

Some City Some Nature IV 🏙️🪾
一些城一些自然 IV🏙️🪾
📷 Zeiss IKON Super Ikonta 533/16
🎞️ Lucky SHD 400 (6x6)
#filmphotography #Photography #blackandwhite

Lucky SHD 400 (6x6)

English Alt Text: A black and white image of a road intersection in a rural area. Directional arrows are painted on the road surface. Trees and bushes line the road, with mountains in the background. A utility pole and power lines cross the scene. A road sign in Chinese reads “Scenic Area Traffic,” “Please follow instructions,” and “Entrance,” with an arrow pointing left. The scene is quiet and orderly.

中文替代文本:
这是一张黑白照片,显示一个乡村地区的道路交叉口。路面上有指示交通方向的箭头。道路两旁是树木和灌木,背景中可见山脉。电线杆和电…
Lucky SHD 400 (6x6)
English Alt Text: A large quantity of corn cobs is densely stacked inside a metal and wire mesh enclosure. The corn fills the space from bottom to top, suggesting post-harvest storage. Vertical metal bars and wire mesh form the walls, while a roof overhead shields the contents. The enclosure appears to be part of a rural or industrial agricultural facility. The corn is dry and uniform in size, indicating it may be stored for drying or processing. No people or machinery are v…
Lucky SHD 400 (6x6)

English Alt Text: A black and white photo of large rectangular concrete slabs stacked outdoors in neat piles. Each slab is separated by cylindrical spacers. One stack has dried plant debris on top. Trees and utility wires are visible in the background. The image emphasizes texture and contrast between industrial materials and natural elements. No people or vehicles are present.

中文替代文本:
这是一张黑白照片,展示户外整齐堆放的大型矩形混凝土板。每块板之间用圆柱形垫片分隔。一堆板上覆盖着干枯的植物残骸。背景中可见树木和电线。画面突出了工业材料与自然元素之间的质感和对…
Lucky SHD 400 (6x6)

English Alt Text: A black and white photo of a quiet rural road curving gently through dense vegetation. Utility poles with overhead power lines line the road, creating geometric contrast with the natural surroundings. In the distance, rugged mountains rise under a clear sky. The road disappears into the horizon, evoking a sense of solitude and depth. No vehicles or people are present.

中文替代文本:
这是一张黑白照片,展示一条宁静的乡村道路在茂密植被中缓缓弯曲。道路两旁有电线杆和高架电线,与自然景观形成几何对比。远处是崎岖的山脉,天空晴朗。道路延伸至远方,营…
@grumpybozo@toad.social
2025-12-24 17:59:16

It’s apparent to anyone with a bit of education in technological history that this sort of thing must be possible. We have waste streams with higher concentrations of key elements than the "ore" we derive them from.
This is part of why I religiously recycle plastics even though right now they don’t really get recycled. At some point, the piles of unrecycled plastics will be a better raw material for new plastics than the dregs of petroleum we have left.

@fanf@mendeddrum.org
2025-12-14 09:42:03

from my link log —
An array index points between elements.
blog.nelhage.com/2015/08/indic
saved 2025-12-13

@hex@kolektiva.social
2026-02-21 22:08:39

One more thought...
One of the more toxic elements of the whole "manosphere" thing relative to dating is the application of game theory to relationships. They've got people trying to "maximize their dating potential" or whatever, trying to find the "most attractive march" (which is it's own fucked up thing I'm not even going to dig in to). But that whole mindset is basically going to always leave you miserable.
Oh, you're single? You need a partner. Oh you have a partner? Could you get a "better" one?
It turns relationships into the endless pointless grind of capitalism. Fuck that. None of that shit makes sense. No matter how "well" you do in that game, you always feel like a loser. Everyone does. Fuck that game. Quit.
The constant desire makes you miserable and your misery makes you unlikable. When you let go of it, you leave room to experience what is instead of constantly imagining what could be.
You will always be able to imagine a better "could be" than what is now. By comparing your situation now to that "could be" you will always see your situation as bad because it's worse than your yardstick.
Is your situation good for you? Is it serving you? It can be good and it can also be possible to make it better. When was the last time you just experience your life instead of trying to strategize your way into "something better."
Throw away the yardstick. Something something Buddha.
Edit: all this is of course aside from the whole objectification thing, which is it's own whole set of fucked up. But yeah... All that shit is real bad news.

Summary:
A colossal ancient impact may have reshaped the Moon far more deeply than scientists once realized.
By analyzing rare lunar rocks brought back by China’s Chang’e-6 mission from the Moon’s largest crater,
researchers found unusual chemical fingerprints pointing to extreme heat and material loss caused by a giant impact.
The collision likely stripped away volatile elements,
reshaped volcanic activity,
and left a lasting chemical signature deep belo…

@tiotasram@kolektiva.social
2026-01-19 13:58:09

Yesterday I finished "The Other Side of Tomorrow" written by Tina Cho and illustrated by Deb JJ Lee. Lee's "In Limbo" was an excellent graphic memoir, and this similarly has wonderful art, although I didn't make the connection until checking the authors after reading to the end.
This book is a realistic fictional account of two childrens' escape from North Korea via China, Laos, and ultimately Thailand where they could declare themselves refugees at a US embassy and get sponsored to live in America. Along the way they're helped by various members of the Asian Underground Railroad. I'll avoid spoilers but yet definitely encounter difficulties along the way.
The ending definitely hits different now (while also accentuating my disgust with the current US regime). Like "Libertad" that I also finished recently, the "escape to the US at the end" plot line is going to become less prevalent going forward, although Libertad involved a good measure of complexity around that point.
I was a bit disappointed in one of the later plot points where a different and more-real-world-probable turn of events could have served as a better message for society, with the "lucky" outcome as written reinforcing regressive notions of family, and as an ex-Christian the Christian elements of the story made me feel a way. I'm an agnostic, not an atheist though, and can respect the idea that those willing to risk torture and death for their faith have every right to stand by it and take inspiration from it. Most (very valid) critiques of big western Church institutions just don't apply to underground churches in northern China who are helping people escape the horrors of deep fascism.
Overall a really good book.
#AmReading #ReadingNow

@sean@scoat.es
2026-02-04 22:15:20

Remember when you could move your mouse pointer and click on something without fear that part in the UI would update dynamically (because it's super slow), making the elements jump around, and you didn't constantly risk clicking the wrong thing?
That was cool.

@blakes7bot@mas.torpidity.net
2025-12-10 13:23:07

Series B, Episode 05 - Pressure Point
MUTOID: They have not had time to get far.
TRAVIS: Couple of miles at the most, and without their teleport they're earthbound now.
MUTOID: I will call security.
TRAVIS: No!
blake.torpidity.net/m/205/416 B7B3

Claude Sonnet 3.7 describes the image as: "The image shows a dark scene from what appears to be a period film or television production. Three figures are visible in dim lighting, wearing what looks like medieval or Renaissance-style dark clothing with some leather elements and distinctive design features. The scene has a somber, dramatic atmosphere with the characters positioned close together in what might be a dungeon or castle interior.

The lighting is very low-key and atmospheric, creating…
@leftsidestory@mstdn.social
2026-02-03 00:30:02

Different Corners IV ▶️
不同的角落 IV ▶️
📷 ZEISS IKON Super Ikonta 533/16
🎞️ Lucky SHD 400
#filmphotography #Photography #blackandwhite

Lucky SHD 400 (6x6)

Lucky SHD 400 (6x6)

English Alt Text:
An abstract black-and-white double exposure photograph blending two scenes. The first layer shows trees reflected in calm water, evoking a peaceful natural setting. The second layer overlays a tabletop with various objects, possibly food items or small tools, and a bucket with faint text. The fusion of nature and human-made elements creates a surreal, dreamlike composition. The textures and tones merge softly, inviting interpretation a…
Lucky SHD 400 (6x6)

English Alt Text:
A black-and-white photograph of a futuristic high-rise building. The central tower features a cylindrical shape that narrows into a pointed spire, resembling a rocket or needle. The facade is patterned with alternating horizontal stripes in light and dark tones, giving it a sleek, modern appearance. Windows are arranged in a uniform grid across the surface. To the left, another building with balconies is partially visible. A traffic light pole stands in th…
Lucky SHD 400 (6x6)

English Alt Text:
An abstract black-and-white double exposure photograph blending two scenes. The first layer shows trees reflected in calm water, evoking a peaceful natural setting. The second layer overlays a tabletop with various objects, possibly food items or small tools, and a bucket with faint text. The fusion of nature and human-made elements creates a surreal, dreamlike composition. The textures and tones merge softly, inviting interpretation and emotional response…