Tootfinder

@cheryanne@aus.social
2025-12-17 05:33:31

Inside Interior Design
Design secrets over coffee...
Great Australian Pods Podcast Directory: #AusPods

Inside Interior Design
Screenshot of the podcast listing on the Great Australian Pods website

@blakes7bot@mas.torpidity.net
2026-01-17 13:29:06

Series B, Episode 13 - Star One
[Scene - Liberator flight deck]
VILA: I don't like explosives, very crude. Difficult to reason with a bomb.
CALLY: Blake?
AVON: They won't explode until they are primed.
https://blake.torpidity.net/m/213/241 B7B3

Claude Sonnet 4.5 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7." Two actors are seated on a beige curved sofa in what appears to be a spaceship interior set. The setting features a futuristic design with metallic elements and technical equipment visible in the background.

On the left, one actor wears a brown leather-like jacket and is holding what appears to be small cards or devices in his hands. On the right, the other actor …

@leftsidestory@mstdn.social
2025-12-18 00:30:00

Metropolitana VII - Markings 💮
城 VII - 印记 💮
📷 Pentax MX
🎞️ Ilford Pan 100
#filmphotography #Photography #blackandwhite

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white image of a vertical measurement gauge beside a road. The gauge is marked from 30 to 100 in increments of 10, with smaller divisions in between. It stands in front of a metal railing. In the background are trees, a white car, a bus, and a multi-story building. The gauge likely measures water levels or clearance height. The urban setting contrasts with the utilitarian design of the gauge.
中文替代文字：
这是一张黑白照片，展示一条道路旁的垂直测量尺。尺上标有从30到100的数字，每隔10…

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white street scene showing a sidewalk with shadow patterns cast by a fence or railing. Several scooters and bicycles are parked along the right side. A few pedestrians walk in the distance. A car drives on the road in the background. A metal plate embedded in the sidewalk displays partially legible numbers: "182 303 427." The image captures urban life with strong contrasts and geometric shadows.
中文替代文字：
这是一张黑白街景照片，画面中人行道上有栏杆投下的阴影图案。右侧停放着几辆电动车…

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photo of a concrete wall in the foreground, with buildings visible above it. One building has a chimney; another is modern with many windows. A streetlight rises above the wall. The sky is filled with wispy clouds and two overhead utility wires stretch across the image. In the bottom right corner, a triangular traffic sign with an upward arrow indicates a one-way direction. The image contrasts industrial and residential elements with dram…

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photo of a multi-tiered circular shelf filled with bottles of alcoholic beverages. Brands like Martini, Aperol, and Luxardo Limoncello are visible. The shelf has metal railings and is part of a modern interior space. Behind it, a wall features illustrated graphics of bar stools and signage reading "Martini." To the left, a large arched window lets in natural light. Outside the window, a poster with a stylized face and the text "007" is pa…

@blakes7bot@mas.torpidity.net
2026-01-17 16:32:32

D05 - Animals
CAPTAIN: One of our pursuit units engaged an unidentified planet hopper. They refused to obey a stand and be searched order and the pursuit commander opened fire.
SERVALAN: Why all the interest? What's one civilian cargo ship more or less?
https://blake.torpidity.net/m/405/97

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction production, likely from the 1970s or 1980s based on the aesthetic and production values. The setting appears to be an interior space with warm lighting and geometric design elements visible in the background, including what looks like a grid pattern with illuminated squares.

Two figures are visible in the scene, both wearing distinctive dark costumes that suggest this is from a dramatic …

@poppastring@dotnet.social
2025-12-15 18:00:46

The photography is by Arch-Exist.

A modern architectural structure with a sweeping arched roof and expansive glass facade, perched on a scenic hillside surrounded by greenery. The building features a curved outdoor deck supported by cylindrical columns and tiered wooden seating inside, where people are gathered in a relaxed, open setting.

An elevated wooden observation deck with a curved design, nestled into a lush green hillside. A person stands on the platform, gazing out over the dense vegetation, while the structure blends seamlessly with the natural surroundings.

A contemporary interior space with a sweeping arched wooden ceiling and floor-to-ceiling windows overlooking the ocean. The room features tiered seating with sculptural wooden tables and chairs arranged in a semi-circle, while sunlight casts dramatic shadows across the curved surfaces. Outside, a wooden deck extends toward the water, where two people enjoy the coastal view.

@leftsidestory@mstdn.social
2026-01-16 00:30:00

Gloom & Bloom III ☁️🌺
黑暗绽放 III ☁️ 🌺
📷 Zeiss IKON Super Ikonta 533/16
🎞️ Lucky SHD 400
#filmphotography #Photography #blackandwhite

Lucky SHD 400 (6x6)

English Alt Text:
A black and white image of sculptural chairs arranged around a round table in an outdoor setting. The chairs have intertwining backrests and elongated legs, creating a radial, abstract pattern. Some are stacked or angled outward. The floor is tiled, and a vertical slatted fence forms the background. The composition emphasizes geometry and artistic design, with high contrast between the furniture and surroundings.
中文替代文字：
这是一张黑白照片，展示一组雕塑感十足的椅子围绕圆桌摆放在户外环境中。椅…

Lucky SHD 400 (6x6)

English Alt Text:
A black and white photo showing a worn tiled floor with streaks and discoloration. At the top of the image, a white chair with a woven seat and backrest sits beside two round tables with metal legs. The setting appears to be a patio or semi-outdoor café area. The contrast between the aged flooring and clean furniture creates a visually textured composition.
中文替代文字：
这是一张黑白照片，展示一块磨损的瓷砖地面，有划痕和变色痕迹。画面上方是一把白色椅子，座面和靠背为编织材质，旁边是两张金属腿圆桌。场景似乎是露台或半户外咖啡区。老旧地面与整洁家具之间的对…

Lucky SHD 400 (6x6)

English Alt Text:
A black and white photo of a staircase descending into a building interior. At the top, two directional signs on the floor point forward. The left sign reads “Garment Pattern Making” in Chinese; the right says “SGBI作,” a mix of English and Chinese. At the bottom of the stairs, a caution sign warns “Slippery Floor” in Chinese. Glass panels line the left side. The scene suggests a creative or educational space with safety signage.
中文替代文字：
这是一张黑白照片，展示一段通往室内的楼…

Lucky SHD 400 (6x6)

English Alt Text:
A black and white photo of an urban interior space, possibly an art studio. A simple black chair sits against a wall. To its right leans a textured canvas with abstract paint and plaster. Behind them, large glass windows are covered in graffiti—words like “Seven,” stylized eyes, hearts, and hands. A sign on the window reads “UZE Studio” in English and Chinese, with a QR code. The floor is worn and stained. On a raised platform to the right, black plastic b…

@blakes7bot@mas.torpidity.net
2025-12-15 19:18:48

Series D, Episode 01 - Rescue
[Interior Xenon base lounge. Soolin sets out glasses on a tray. She stops, regards the tray and then takes another glass from the shelf. She begins to pour wine into the glasses. Dorian leads the group into the lounge. Dorian grabs her and kisses her.]
SOOLIN: Are you all right?
https://blake.torpi…

Claude Haiku 4.5 describes the image as: "# Scene from Blake's 7

This image depicts a scene set aboard a spacecraft, featuring a futuristic interior with sleek, minimalist design elements including curved seating, paneled walls, and potted plants. The setting appears to be a command center or common area with a distinctly 1980s science fiction aesthetic.

The scene shows a group of characters in various costumes gathered in conversation. Some wear distinctive black and metallic uniforms typica…

@catsalad@infosec.exchange
2025-11-19 22:48:00

❌ Interior Design
👉 Ulterior Design

@blakes7bot@mas.torpidity.net
2026-01-14 16:19:54

Series A, Episode 02 - Space Fall
JENNA: Why indeed?
[Whispers something to Raiker]
[Raiker slaps her across the face]
RAIKER: You'll come round! I can be VERY persuasive!
[Avon takes a note from his top pocket]
[Jenna walks back to Vila, Avon & Nova]
https://blake.torpidity.net/m/102/78

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The setting appears to be an industrial or spaceship interior, with metallic surfaces and utilitarian design elements visible in the background.

The scene features distinctive period styling typical of that era's sci-fi productions, with futuristic costume design inc…

@blakes7bot@mas.torpidity.net
2026-01-16 07:23:28

#Blakes7 Series B, Episode 09 - Countdown
AVON: I doubt it. [Turns and leaves]
[Blake smiles]
[End of episode. Roll credits.]
https://blake.torpidity.net/m/209/537 B7B1

Claude Haiku 4.5 describes the image as: "# Science Fiction Scene

This image captures two men in what appears to be a spacecraft interior, characterized by futuristic geometric ceiling panels that emit bright white light. The setting suggests a science fiction production from the 1970s or 1980s, with its distinctive design aesthetic featuring angular architectural elements typical of that era's space opera aesthetics.

Both individuals are dressed in quilted, form-fitting tunics—one in olive/t…

@leftsidestory@mstdn.social
2026-01-15 00:30:00

Gloom & Bloom II ☁️🌺
黑暗绽放 II ☁️ 🌺
📷 Zeiss IKON Super Ikonta 533/16
🎞️ Lucky SHD 400
#filmphotography #Photography #blackandwhite

Lucky SHD 400 (6x6)

English Alt Text:
A black-and-white photo taken from above shows a narrow alley with a brick floor and wall. A person stands near a bench, looking down at their hands. Above them, several rows of rectangular cloth flags—resembling Tibetan prayer flags—are strung diagonally across the space. The flags add a sense of movement and cultural texture. The scene feels quiet and introspective, with the solitary figure framed by the geometric lines of the alley and the soft flutter …

Lucky SHD 400 (6x6)

English Alt Text:
A monochrome photo of an urban workspace featuring two sculpted busts placed near a wall with horizontal slats. One bust wears a hat and is more defined; the other is smaller and abstract. In front of them lie spray paint cans, a brick, and scattered tools. The gritty textures and industrial backdrop suggest a creative or artistic environment, blending sculpture with street art elements.
中文替代文字：
这是一张黑白照片，展示一个城市工作空间。两尊雕塑胸像摆放在带有横向通风板的墙边，一尊戴帽子，轮廓清晰，另一尊较小，形态抽象…

Lucky SHD 400 (6x6)

English Alt Text:
A black-and-white photograph of a modern architectural space with clean lines and geometric forms. The left side features tall glass panels with vertical divisions; the right includes a stained concrete structure and tiled pavement. A white column separates the sections. The interplay of light and shadow emphasizes the minimalist design and quiet elegance of the space.
中文替代文字：
这是一张黑白照片，描绘一个现代建筑空间，线条简洁，几何感强。左侧是带有垂直分隔的大型玻璃板，右侧有一块带有污渍的混凝土结构和铺有瓷砖的地面。中间由一根白色柱子分…

Lucky SHD 400 (6x6)

English Alt Text:
A close-up black-and-white image of a slightly open door with a chain lock and a key inserted. Attached to the keychain is a rectangular sign with Japanese text reading “休憩中,” meaning “On break.” The interior behind the door is dimly lit, suggesting a pause in activity. The textures of the metal lock, door surface, and shadows evoke a sense of stillness and temporary closure.
中文替代文字：
这是一张黑白特写照片，显示一扇微微打开的门，门上有链条锁，钥匙插在锁孔中。钥匙链上挂着一个矩形牌子，上面写着日文“休憩中”，意思是“休息中”。门后…

@blakes7bot@mas.torpidity.net
2025-12-15 16:16:17

Series D, Episode 05 - Animals
JUSTIN: Probably by the cliff.
[Servalan's ship is on planet's surface. Servalan to three troopers]
https://blake.torpidity.net/m/405/271 B7B4

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a science fiction television production, likely from the 1980s based on the visual style and costume design. The setting is a stark, minimalist interior space with pale walls and simple furnishings, suggesting a futuristic or institutional environment.

Two actors are featured in the frame. On the left is a woman wearing a dark and white striped uniform that appears to be a space-themed or military-styl…

@blakes7bot@mas.torpidity.net
2025-11-16 10:03:42

Series D, Episode 04 - Stardrive
AVON: We'll take it with us. [As Tarrant enters, Atlan trips him, grabs Soolin and uses her as a shield as he backs towards the door. He shoves her away and runs off.]
DAYNA: The door control. [Runs after Atlan.]
https://blake.torpidity.net/m/404/382

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction series "Blake's 7." The scene takes place in what looks like a futuristic spacecraft interior with white walls, translucent panels, and a minimalist design aesthetic typical of sci-fi productions from that era.

Three people are shown in distinctive costume designs that reflect the show's characteristic styling. On the left, a person wears a two-tone outfit with a chevron pattern. In the center…

@peterhoneyman@a2mi.social
2025-12-26 22:21:12

i gave my son-in-law a battery daddy (fully populated), a scrub daddy set, and a gift certificate to fat daddy
#BatteryDaddy #ScrubDaddy #FatDaddy

This photo shows an organized battery storage case displayed on a colorful Persian rug with red, black, and cream patterns. The bright red storage organizer is meticulously arranged with various types of batteries:

Battery Organization:

The center features a frame of blue cylindrical batteries (AA and AAA batteries) arranged in neat rows around the perimeter

Various sizes of button cell and coin batteries are systematically placed in the corners and sides - these appear as silver/metallic ci…

This photo shows the storefront of "Fat Daddy's Hot Chicken & Waffles," a restaurant located in Ann Arbor.

Building and Location:
The restaurant occupies a ground-floor retail space with contemporary architecture featuring a cream/beige upper facade and brown brick accent column. Large floor-to-ceiling black-framed glass windows and doors provide visibility into the interior. The building has additional floors above with red brick exterior and blue-tinted windows.

Signage and Branding:
A prom…

@blakes7bot@mas.torpidity.net
2025-12-14 16:22:02

Series A, Episode 13 - Orac
VILA: Yes, but Zen's only a machine.
AVON: So is Orac. [He removes the activator and throws it across the flight deck.]
VILA: That's all right, that's fixed Orac.
BLAKE: No, it hasn't.
JENNA: What do you mean?
https://blake.torpidity.net/m/113/484

Claude Sonnet 4 describes the image as: "I can see a science fiction scene showing two people seated in what appears to be a spaceship interior. The setting has the characteristic design elements of classic sci-fi television - sleek surfaces, futuristic chairs, and technical equipment visible in the background. One person wears a red v-neck outfit with a decorative belt, while the other is dressed in burgundy and tan colored clothing with a more utilitarian, space-faring appearance. They appear…

@blakes7bot@mas.torpidity.net
2025-12-14 13:19:35

Series D, Episode 11 - Orbit
SERVALAN: Don't concern yourself, Egrorian. I encourage ambition.
EGRORIAN: I never conspired against you, I swear it! Orac, acknowledge my instructions. [Orac buzzes, but says nothing.] I don't understand.
https://blake.torpidity.net/m/411/363 B7B3…

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction production, likely from the late 1970s or early 1980s based on the aesthetic and production design. The setting features a sleek, futuristic interior with geometric white panels and distinctive angular ceiling architecture characteristic of classic sci-fi television sets.

Three actors are engaged in what appears to be a tense dramatic scene. On the left, a woman with short dark hair wears an elegant blac…

@blakes7bot@mas.torpidity.net
2026-01-15 07:07:24

#Blakes7 Series D, Episode 09 - Sand
SERVALAN: No.
TARRANT: [He holsters his gun.] It's fairly standard equipment. If there's power for the life supports, there will be for these. [Servalan activates the base computer.] Ah!
https://

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," which aired from 1978-1981. The image shows two characters in what appears to be a futuristic spacecraft interior or space station setting. The scene has the distinctive green-tinted lighting and industrial aesthetic typical of the show's production design.

One character is wearing an elegant black sequined or beaded dress in a classical style, while the other is …

@blakes7bot@mas.torpidity.net
2025-11-13 19:24:01

Series B, Episode 02 - Shadow
BLAKE: There's no reason why they should.
[Space City. Chairman is seen on communications screen]
ENFORCER: They'll be making planetfall anytime now.
CHAIRMAN: Excellent. Are all Largo's addicts so available?
https://blake.torpidity.net/m/202/444

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s. The image shows what looks like the interior of a spacecraft or futuristic setting, with the characteristic design elements typical of the show's production. The scene appears to involve multiple characters in what seems to be a dramatic moment, with the lighting and composition suggesting this is from a key plot point in an episode. The produ…

@blakes7bot@mas.torpidity.net
2026-01-13 16:24:11

Series B, Episode 06 - Trial
BLAKE: Servalan's headquarters.
[Hearing room]
SAMOR: You may begin.
https://blake.torpidity.net/m/206/447 B7B4

Claude Sonnet 4 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7" from the late 1970s. The scene shows what appears to be the interior of a spacecraft, likely the Liberator, with its characteristic futuristic set design featuring curved walls and control panels visible in the background. The lighting and production values are typical of BBC science fiction programming from that era. The setting suggests this is from one of t…

@leftsidestory@mstdn.social
2025-12-31 00:30:02

Monumental III 🪦
纪念 III 🪦
📷 Nikon F4E
🎞️ ERA 100, expired 1993
#filmphotography #Photography #blackandwhite

ERA 100 (FF)

English Alt Text:
A black-and-white photo of an interior brick corner with three walls. The left and right walls are made of dark bricks, while the center wall is white. Each wall has a pattern of missing bricks, forming small rectangular openings. Sunlight streams through these gaps, casting geometric shadows on the tiled floor. A prominent triangle of light appears on the floor, emphasizing the interplay between architecture and natural light. The image evokes a sense of quiet a…

ERA 100 (FF)

English Alt Text:
A black-and-white urban scene featuring a classical-style statue of a woman standing on a shell, reminiscent of Botticelli’s “The Birth of Venus.” The statue is placed in front of a building with two large windows. In the center, a tall utility pole is cluttered with electrical boxes, cables, and meters. One box has two circular elements that resemble eyes, giving it a face-like appearance. To the right, a brick wall with metal pipes and a fence adds to the indus…

ERA 100 (FF)

English Alt Text:
A black-and-white photo of two wooden chairs placed side by side on a paved sidewalk. A small wooden table sits between them. In front of the table, a concrete barrier with a vertical metal pole obstructs access. Behind the setup is a brick wall and stone steps leading to a building entrance. The scene suggests a tension between invitation and restriction—comfortable seating is offered, yet access is blocked. The composition explores themes of urban design, acces…

ERA 100 (FF)

English Alt Text:
A black-and-white image showing a section of a brick wall with several bricks intentionally left out, creating small rectangular openings. To the left, a perforated metal panel stands beside a broomstick. In the background, trees and bright daylight are visible. The design of the wall blends solid structure with open space, possibly for ventilation or aesthetic effect. The image balances nature and architecture, with light filtering through the gaps to create a s…

@blakes7bot@mas.torpidity.net
2026-01-12 16:29:26

Series C, Episode 05 - The Harvest of Kairos
SERVALAN: GREATER?
[Landing module]
AVON: Self-defence. Some animals bristle out their fur to frighten their enemies. But that doesn't count for much in the dark.
VILA: So what does Sopron do?
https://blake.torpidity.net/m/305/601…

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a moment from what appears to be a science fiction television production, set in a futuristic control room or spacecraft interior. The backdrop features the distinctive geometric design typical of 1970s sci-fi sets, with angular panels in teal and neutral tones.

The scene shows two characters in costume. On the left is a character wearing an elaborate white ensemble featuring an impressive sculptural shoulder pi…

@blakes7bot@mas.torpidity.net
2025-11-12 16:26:37

Series A, Episode 11 - Bounty
CALLY: But the elections were rigged.
TYCE: It was still failure.
BLAKE: [To Cally] That's something you should understand.
TYCE: I thought I could help him.
BLAKE: He must come with us, by force if necessary.
https://blake.torpidity.net/m/111/225

Claude Sonnet 4.0 describes the image as: "This image appears to be from a classic British science fiction television series, likely from the late 1970s or early 1980s based on the production quality and costume design. The scene shows three characters in what appears to be a spaceship or futuristic facility interior, with industrial gray walls visible in the background.

The woman on the left wears a distinctive red velvet tunic with white cord trim and a black turtleneck underneath, styled wi…

@blakes7bot@mas.torpidity.net
2025-12-10 07:17:55

#Blakes7 Series D, Episode 12 - Warlord
DAYNA: [Into comm] All launch checks complete.
AVON: [V.O.] Green on all systems.
VILA: [Into comm] Betafarl has just confirmed full clearance on your flight plan.
https://blake.torp…

Claude Sonnet 4 describes the image as: "This image shows two actors in what appears to be a science fiction television production, likely from the late 1970s or 1980s based on the visual style and set design. The scene takes place in a futuristic control room or spacecraft interior, featuring typical sci-fi elements like control panels with blinking lights and a sterile, technological aesthetic.

One actor wears an elaborate costume with ornate metallic detailing and a high collar design that …

@blakes7bot@mas.torpidity.net
2026-01-12 19:31:51

Series B, Episode 01 - Redemption
AVON: What the hell is going on?
BLAKE: Zen, report.
ZEN: Aft hull sensors register two strikes by medium-range neutron blasters.
AVON: Where are they coming from?
https://blake.torpidity.net/m/201/40 B7B5

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, showing two men in conversation. The figure on the left wears a distinctive black leather jacket adorned with metal studs and rivets, which appears to be a futuristic costume design. The lighting is dramatic, with blue-tinted atmospheric lighting visible in the background, suggesting an interior spacecraft or sci-fi setting.

The scene captures an intimate moment…

@blakes7bot@mas.torpidity.net
2026-01-11 13:21:24

Series C, Episode 07 - Children of Auron
VILA: And Cally?
AVON: She'll be all right, she's sleeping. Zen, course.
ZEN: Course zero three two zero for the planet Kaarn.
AVON: Kaarn?
https://blake.torpidity.net/m/307/596 B7B3

Claude Haiku 4.5 describes the image as: "# Scene Description

This image shows two men in what appears to be a futuristic spacecraft or space station interior. The setting features metallic walls with illuminated panels in the background, creating a sci-fi atmosphere typical of 1970s-80s television production design.

The man on the left wears a dark jacket and appears to be engaged in a tense physical confrontation with the man on the right, who is dressed in a black leather jacket. Their bod…

@blakes7bot@mas.torpidity.net
2025-11-11 16:09:46

Series A, Episode 09 - Project Avalon
TRAVIS: Ohh?
SERVALAN: Oh, so far I have resisted that pressure. But now, I need your reassurance that my confidence has not been misplaced.
TRAVIS: I think Project Avalon will silence the critics.
https://blake.torpidity.net/m/109/174 B7B4

Claude 3.7 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in what looks like a minimalist, futuristic interior space with plain gray walls and metallic fixtures. The setting has a sterile, institutional quality typical of 1970s-80s sci-fi design.

In the foreground, a woman wearing a white garment with dark trim is engaged in conversation with a man in a black leather jacket. Between them appears to be some kind of white …

@leftsidestory@mstdn.social
2025-10-27 00:30:02

Moody Urbanity - Metro Consistency 🪅
情绪化城市 - 都市质地 🪅
📷 Pentax MX
🎞️ Orwo Wolfen P400
#filmphotography #Photography #blackandwhite

ORWO P400 (FF)

English Alt Text: A dimly lit tunnel filled with rows of parked bicycles. The tunnel’s interior is dark, with light pouring in from the far exit, creating a dramatic contrast. A person is silhouetted against the light, walking or cycling toward the exit. Outside, a car is visible on the road, along with greenery and a stone wall. The image captures an urban scene emphasizing bicycle use and the interplay of light and shadow.

中文替代文字：
一个昏暗的隧道里停满了自行车，排列整齐。隧道尽头透进明亮的光线，形成强烈的明暗对比。一名行…

ORWO P400 (FF)

English Alt Text: A grainy black and white image of a pond covered with lily pads. In the center, a single white water lily blooms, standing out against the dark water and dense foliage. The water appears slightly murky, and the texture suggests film grain or high ISO photography. The composition emphasizes tranquility and the beauty of a solitary flower.

中文替代文字：
一张黑白颗粒感照片，画面是布满睡莲叶的池塘。中央有一朵盛开的白色睡莲，在昏暗的水面和密集的叶片中格外醒目。水质略显浑浊，图像质感显示出胶片颗粒或高感光度拍摄的效果。画面传达出宁静氛围和孤花之美。

ORWO P400 (FF)

English Alt Text: A black and white photo showing a quiet pond with wooden posts emerging from the water. A wooden walkway crosses the pond, partially hidden by tall grasses. Two small human figures are visible on the walkway. Behind the pond is a dense line of trees, and in the far background, tall apartment buildings rise above the treetops. The image contrasts natural serenity with urban development.

中文替代文字：
这是一张黑白照片，画面中是一个宁静的池塘，水面上有几根木桩。一条木质步道横跨池塘，被高高的芦苇部分遮挡。步道上有两个人影。池塘后方是一…

ORWO P400 (FF)

English Alt Text: An outdoor art installation featuring curved metal rods forming a tunnel-like structure. The rods are arranged in a rhythmic, undulating pattern. The ground is paved with irregular tiles, adding texture. Trees and buildings are visible in the background, suggesting a park or plaza setting. The structure invites pedestrian interaction and showcases modern urban design.

中文替代文字：
一个户外艺术装置，由弯曲的金属杆构成隧道状结构。金属杆排列有节奏感，形成波浪般的视觉效果。地面铺有不规则的瓷砖，增添质感。背景中可见树木和建筑，表明此处位于公园或广场。此…

@blakes7bot@mas.torpidity.net
2025-12-11 22:14:34

Series A, Episode 06 - Seek-Locate-Destroy
BLAKE: [To Avon] Now do you know what you're looking for?
AVON: [Shortly] Yes. [Moves off towards the equipment.]
BLAKE: [To Gan] All the equipment here?
GAN: All here.
https://blake.torpidity.net/m/106/52 B7B6

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s or early 1980s. The image shows two men in futuristic military-style clothing examining what appears to be a tactical display or map on a table. The setting looks like the interior of a spacecraft, with typical sci-fi production design elements visible in the background including control panels and metallic surfaces. The lighting and film quality…

@blakes7bot@mas.torpidity.net
2026-01-10 19:25:08

Series B, Episode 13 - Star One
CALLY: Are we fanatics?
BLAKE: Does it matter?
CALLY: Many, many people will die without Star One.
BLAKE: I know.
CALLY: Are you sure that what we're going to do is justified?
https://blake.torpidity.net/m/213/77 B7B5

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a science fiction television production, set within a spaceship interior. The setting features a sleek, futuristic design with cream-colored seating, dark control panels, and ambient lighting typical of 1970s-80s sci-fi aesthetics. The architectural elements include geometric shapes and a modernist bridge or upper structure visible in the background.

In the foreground, a woman with curly blonde hair si…

@blakes7bot@mas.torpidity.net
2026-01-10 16:22:36

Series D, Episode 02 - Power
VILA: Outside.
PELLA: Are the others looking for him?
VILA: Yes, we think he may have had an accident. [pause] How do you know about the others?
https://blake.torpidity.net/m/402/109 B7B4

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a scene set in what appears to be a spacecraft corridor or futuristic interior. The setting features metallic paneling, ventilation grilles, and institutional-style walls typical of science fiction production design. A wall-mounted clock and various technical fixtures are visible, emphasizing the technological environment.

In the scene, two actors are engaged in an interaction. One actor is positioned on the flo…

@blakes7bot@mas.torpidity.net
2026-01-11 07:16:14

#Blakes7 Series B, Episode 04 - Horizon
RO: Let her go.
KOMMISSAR: She's no good to you, Ro. None at all. You must be rid of her. She should not have been brought back to the palace.
RO: You are, I think, mistaken, Kommissar. She means us no harm.

Claude Sonnet 4.5 describes the image as: "This image appears to be from a classic science fiction television production, likely from the 1970s or 1980s based on the video quality and costume design. The scene is dimly lit with dramatic lighting that creates a tense, confrontational atmosphere.

The setting appears to be an ornate interior space with decorative elements visible in the background, suggesting a formal or ceremonial location. The characters are wearing elaborate burgundy and dark-…

@blakes7bot@mas.torpidity.net
2025-12-10 13:23:07

Series B, Episode 05 - Pressure Point
MUTOID: They have not had time to get far.
TRAVIS: Couple of miles at the most, and without their teleport they're earthbound now.
MUTOID: I will call security.
TRAVIS: No!
https://blake.torpidity.net/m/205/416 B7B3

Claude Sonnet 3.7 describes the image as: "The image shows a dark scene from what appears to be a period film or television production. Three figures are visible in dim lighting, wearing what looks like medieval or Renaissance-style dark clothing with some leather elements and distinctive design features. The scene has a somber, dramatic atmosphere with the characters positioned close together in what might be a dungeon or castle interior.

The lighting is very low-key and atmospheric, creating…

@leftsidestory@mstdn.social
2025-12-22 01:13:13

Urban Domicile 🏠
城市聚落 🏠
📷 Pentax MX
🎞️ Ilford Pan 100
#filmphotography #Photography #blackandwhite

Ilford Pan 100 (FF)

English Alt Text:
A decorative chandelier hangs from the ceiling, featuring multiple curved arms that each hold a light bulb shaped like a candle flame. The chandelier is adorned with flower-shaped glass ornaments and dangling crystal-like beads, creating an elegant and vintage aesthetic. The lights are turned on, casting a warm glow that highlights the intricate details of the design. The overall atmosphere is refined and classic, suitable for a formal interior setting.

中…

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photograph shows a statue placed indoors near the corner of two walls. The statue depicts a serene figure, possibly a deity, seated on an elephant. The figure wears detailed clothing and jewelry and holds an object in one hand. A strong shadow of the statue is cast on the wall behind it, adding depth to the image. A plastic container sits nearby. The composition emphasizes spiritual calm and artistic detail.

中文替代文字：
这是一张黑白照片，展示了一尊室内角落的雕像…

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photo captures a mirror reflecting a room. In the reflection, a chair, a pair of shoes on the floor, and a window with vertical blinds or bars are visible. To the left of the mirror, a hanging object resembling a fly-whisk with soft bristles is seen. The composition uses reflection to create a layered visual effect, blending real and mirrored elements in a quiet, introspective setting.

中文替代文字：
这是一张黑白照片，镜子反射出一个房间的景象。镜中可见一把椅子、地上的一双鞋，以及带有垂直…

Ilford Pan 100 (FF)

English Alt Text:
A collection of ceramic or clay teapots and cups is arranged on a wooden floor. The items are placed in a semi-organized manner on the right side of the image. The wood grain is visible, and the lighting creates a contrast between the bright left side and the shadowed right side. The scene evokes a sense of tradition and quiet reflection, possibly related to tea culture or artistic display.

中文替代文字：
一组陶瓷或陶土制成的茶壶和茶杯摆放在木地板上，集中在画面右侧，排列略显有序。木地板纹理清晰，光线使左侧明亮而右侧阴…

@blakes7bot@mas.torpidity.net
2026-01-09 16:27:36

Series C, Episode 09 - Sarcophagus
TARRANT: I bet you are.
DAYNA: Cally!
TARRANT: She's in some sort of coma. Describe what attacked you.
DAYNA: Well, that's the point. It was Cally. But not Cally.
https://blake.torpidity.net/m/309/272 B7B4

Claude Haiku 4.5 describes the image as: "# Scene Description

This appears to be a dramatic scene set in a futuristic spacecraft interior, characterized by the distinctive production design typical of 1980s science fiction television. The setting features angular walls, metallic surfaces, and distinctive colored lighting that creates an otherworldly atmosphere.

The scene depicts an intense moment of conflict or crisis. One character lies on the floor in a vulnerable position, while another ch…

@blakes7bot@mas.torpidity.net
2025-12-09 19:10:55

Series A, Episode 13 - Orac
JENNA: Modest, isn't he?
ORAC: Modesty would be dishonesty.
VILA: What's wrong with being dishonest?
ORAC: Is that a question?
VILA: Yes.
https://blake.torpidity.net/m/113/440 B7B5

Claude Sonnet 4 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978-1981. The setting shows what looks like a futuristic spacecraft interior with characteristic metallic walls and surfaces typical of the show's production design. The person in the image is wearing a distinctive red outfit with metallic trim and a decorative chain necklace, which fits the show's aesthetic. The lighting and image quality are consi…

@blakes7bot@mas.torpidity.net
2026-01-04 13:22:50

Series D, Episode 08 - Games
GAMBIT: Yes, Belkov.
BELKOV: [O.M.S.] Position please.
GAMBIT: Your orbit is stable, you are approaching optimum departure co-ordinates.
BELKOV: [O.M.S.] Fine. Sever guidance links, give me automatic control.
https://blake.torpidity.net/m/408/503

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the 1970s or 1980s based on the visual style and film quality. The setting is clearly a futuristic spacecraft or space station, with characteristic sci-fi interior design elements including control panels, screens, and technological equipment visible in the background. The lighting and set design have that distinctive retro-futuristic aesthetic common to…

@blakes7bot@mas.torpidity.net
2025-11-07 16:16:32

Series C, Episode 04 - Dawn of the Gods
DAYNA: Orac with delusions of grandeur, Zen unable to control the ship. I'd say we've a lot of little problems on our hands.
AVON: Course deflection is zero zero five. Speed Standard by five and increasing. I'd say we have one large problem on our hands.
https://blake.torpidit…

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard the Liberator, the advanced alien spacecraft that serves as the main setting for much of the series. The interior shows the characteristic white and geometric design of the ship's living areas or flight deck. Three crew members are present in what appears to be a tense or serious moment. One character is seated wearing earth-toned clothing, while another stands behind in dark attire. A third crew member can be seen i…

@blakes7bot@mas.torpidity.net
2026-01-06 07:09:10

#Blakes7 Series C, Episode 13 - Terminal
SERVALAN: I don't think there's anything I've missed. There's a light beam voice link directed at the Liberator. You'll contact the ship. Tarrant, Cally and Dayna will teleport to this location. Vila will stay on board to operate the teleport to bring me up. You have my word that he will be teleported down to you immediately I…

Claude Sonnet 4 describes the image as: "I can see this is an image from what appears to be a science fiction production, likely from the late 1970s or early 1980s based on the production style and costume design. The scene shows someone in an elaborate futuristic costume featuring metallic spikes or thorns on the shoulder area, creating a dramatic and intimidating appearance. The setting appears to be an interior space with warm, golden lighting and architectural elements visible in the backgr…

@blakes7bot@mas.torpidity.net
2026-01-05 16:21:41

Series B, Episode 08 - Hostage
MOLOK: Wait. Over there. Quick.
MOLOK: You are Cally.
CALLY: Yes.
JENNA: What's happened to our friends?
MOLOK: They're dead.
JENNA: What?
https://blake.torpidity.net/m/208/577 B7B4

Claude Sonnet 4 describes the image as: "This image shows two women in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the styling and video quality. The setting is clearly a futuristic spacecraft or space station interior, characterized by distinctive hexagonal wall panels and sleek, angular design elements typical of sci-fi productions of that era.

The woman on the left wears a simple, elegant cream-colored outfit with clean line…

@blakes7bot@mas.torpidity.net
2026-01-05 16:21:41

@blakes7bot@mas.torpidity.net
2025-12-03 13:11:37

Series A, Episode 12 - Deliverance
BLAKE: They should have found her by now.
CALLY: They will. It's just a matter of time. They'll find her. [Blake picks up Maryatt's ID and looks through it.]
BLAKE: What about him?
https://blake.torpidity.net/m/112/134 B7B3

Claude Haiku 4.5 describes the image as: "# Image Description

This image shows a scene set in what appears to be a spaceship interior, characterized by the distinctive futuristic set design typical of 1970s science fiction television. The background features sleek, metallic paneling with horizontal lines and a modern architectural aesthetic.

The actor depicted is wearing a layered outfit consisting of a dark olive or brown tunic-style garment with a black leather jacket over it. The jacket fe…

@blakes7bot@mas.torpidity.net
2025-12-03 22:19:39

Series A, Episode 04 - Time Squad
JENNA: Gan, the aliens have linked their ship to our power source. I'm getting a very heavy power loss. I'll have to disconnect. You'll be all right, won't you?
GAN: [Nods] Yes.
https://blake.torpidity.net/m/104/454 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in a futuristic spacecraft interior. The scene depicts two characters in what looks like a command or recreational area of the vessel.

The setting features distinctive retro-futuristic design elements typical of 1970s sci-fi television, including geometric wall panels with hexagonal shapes and horizontal striping. The color palette consists of muted tones—gr…

@blakes7bot@mas.torpidity.net
2025-10-28 10:20:43

Series A, Episode 05 - The Web
BLAKE: Blake.
[Flight deck of the Liberator.]
CALLY: Cally.
BLAKE: [V.O.] Tell Avon I need two fully charged flutonic power cells.
CALLY: I will tell him.
[In the laboratory complex.]
https://blake.torpidity.net/m/105/365 B7B2

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, based on the production style and set design.

The scene shows a person with curly hair wearing a dark outfit with what looks like some kind of decorative or functional arm detail. They appear to be in a futuristic spacecraft or space station interior with distinctive angular design elements. In the foreground, there are what look like control panels or equi…

@blakes7bot@mas.torpidity.net
2025-10-26 13:10:20

Series C, Episode 02 - Powerplay
TARRANT: Yes?
AVON: [Indicating Harmon] Him.
HARMON: Why, you ly...
TARRANT: Easy Harmon.
HARMON: They were my friends.
TARRANT: Let him finish.
https://blake.torpidity.net/m/302/371 B7B3

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator, with its characteristic white and metallic interior design. Three crew members are engaged in what seems to be a tense discussion or confrontation in a corridor or command area of the ship. The characters are wearing the dark, fitted uniforms typical of the series, with visible insignia patches. The lighting and set design create the futuristic, somewhat sterile atmosphere characte…

@blakes7bot@mas.torpidity.net
2025-12-26 19:15:11

Series C, Episode 11 - Moloch
TARRANT: [O.O.V.] Get it! [Before anyone can do so, an energy blast flares up around the bracelet.]
VILA: Who did that?
DORAN: [Staring at the bracelet] Um....
https://blake.torpidity.net/m/311/542 B7B5

Claude Haiku 4.5 describes the image as: "# Scene from Blake's 7

This image captures a moment from the science fiction television series "Blake's 7," set in a spaceship interior with distinctive red-toned walls and futuristic design elements. The scene shows several crew members gathered in what appears to be a command or control area, with a console visible in the foreground.

The actors are dressed in the show's characteristic costume design, featuring form-fitting synthetic materials and me…

@blakes7bot@mas.torpidity.net
2025-12-02 16:16:00

Series D, Episode 01 - Rescue
TARRANT: Seven glasses.
SOOLIN: I'm sorry?
TARRANT: You've laid out seven glasses. One too many.
VILA: Not to worry. I'll drink the extra one.
DAYNA: You know if Cally had escaped with us, there wouldn't be an extra one.
https://blake.torpidity.net/m/401/332

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a scene set in what appears to be a futuristic spacecraft interior, characterized by beige and tan walls with metallic fixtures and ventilation panels typical of 1980s science fiction production design. The setting suggests a command or operations area.

Five individuals are present in the scene, engaged in what appears to be an intense conversation or confrontation. The person on the far left wears a tan/beige t…

@blakes7bot@mas.torpidity.net
2025-11-25 07:06:39

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
AVON: Space Commander Travis.
BLAKE: Travis!
JENNA: Do you know him?
BLAKE: I thought he was dead. I was sure I'd killed him.
https://blake.torpidity.net/m/106/…

@blakes7bot@mas.torpidity.net
2025-11-03 07:02:13

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: What do you think?
MAX: It's all been according to the rules.
https://blake.torpidity.net/m/312/161 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two people in what looks like a spacecraft or futuristic vehicle interior. The lighting is dramatic and moody, with both figures wearing light-colored clothing. The setting has the characteristic look of 1970s/80s sci-fi television production design, with angular surfaces and technical equipment visible in the background. The scene appears tense or dramatic based on the …

@blakes7bot@mas.torpidity.net
2026-01-02 13:10:03

Series D, Episode 03 - Traitor
QUUTE: A one in a thousand chance, General. The operator happened to pick it up while running a routine line-scan.
GENERAL: And what was this data it was taking from the terminal?
https://blake.torpidity.net/m/403/316 B7B3

Claude Sonnet 3.7 describes the image as: "This image is from a sci-fi television production, likely from the British series "Red Dwarf" or a similar science fiction show from that era. It shows a scene with characters wearing distinctive dark armored or military-style uniforms with textured surfaces and red accents.

The setting appears to be a spacecraft or space station interior, with control panels visible in the foreground and characteristic sci-fi design elements including wall panels and…

@blakes7bot@mas.torpidity.net
2025-11-30 13:41:30

Series C, Episode 12 - Death-Watch
AVON: We are short of time, Orac.
VILA: I'll say we are. It's not hanging about this time. [Screen display: 2. WAIT blinks out and is replaced by:]
[Computer display: 2. ARBITERS TAKE POSITION AND INDICATE READINESS]
https://blake.torpidity.net/m/312/544

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," likely from the late 1970s or early 1980s. The setting is the interior of what looks like a spaceship or futuristic facility, with characteristic sci-fi design elements including angular architecture and metallic surfaces visible in the background.

Four actors are seated in a comfortable lounge area with cream-colored furniture arranged around a distinctive glass …

@blakes7bot@mas.torpidity.net
2025-10-30 13:24:54

Series D, Episode 08 - Games
GERREN: Told you, there was no time. Besides, from what I've heard, she might be more than a match for you.
AVON: Well now. Just who are they sending?
https://blake.torpidity.net/m/408/87 B7B3

Claude Sonnet 4.0 describes the image as: "This image shows a character in what appears to be a futuristic military or space-faring uniform, featuring a high collar with metallic detailing. The costume design reflects the science fiction aesthetic typical of late 1970s British television production. The setting appears to be an interior spaceship or facility environment with blurred background elements. The uniform's sleek, authoritarian styling with its reflective collar elements suggests this…

@blakes7bot@mas.torpidity.net
2025-11-20 07:27:18

#Blakes7 Series B, Episode 02 - Shadow
LARGO: Oh, I'm fascinated. But I'm just an independent businessman.
AVON: [Takes two gems from a bag, lays them on Largo's platform] Are you sure?
https://blake.torpidity.net/m/…

Claude Sonnet 4.0 describes the image as: "This scene appears to be from a science fiction television production, likely from the 1970s or early 1980s based on the visual quality and costume design. The setting features a sleek, minimalist interior with pale walls and geometric patterns, characteristic of futuristic set design from that era.

In the foreground, one actor wears a distinctive metallic silver tunic with voluminous sleeves over black clothing, creating a striking space-age appearan…

@blakes7bot@mas.torpidity.net
2025-12-30 13:37:17

Series B, Episode 02 - Shadow
CALLY: I want you back here. Get ready to teleport.
VILA: Wasting your time, Cally. I'm not wearing a bracelet. I'm not going to be snatched away in the middle of...in the middle of anything. Sightseeing. And you should see some of the sights I'm seeing. No. Perhaps you shouldn't.
https://

Claude Sonnet 3.7 describes the image as: "The image appears to be a still from a television series, showing a person in a distinctive white outfit with a floral or patterned panel down the front. They're standing in what looks like a futuristic or sci-fi setting, with angular walls and panels visible in the background. The interior space has a geometric design with light panels contrasting against darker structural elements.

The costume has a 1970s-80s sci-fi aesthetic, with a cream-colored f…

@blakes7bot@mas.torpidity.net
2025-11-29 07:12:09

#Blakes7 Series D, Episode 02 - Power
KATE: Stop it, Pella! [Kate rushes at Pella, who shoots her dead. Pella enters the launch silo and the door closes before the others can rush in. Avon takes the crystal from Kate's neckband.]
[Inside silo. The Scorpio's turntable begins to turn and rise.]

Claude Sonnet 3.7 describes the image as: "This image appears to be a scene from the science fiction series "Blake's 7," showing three characters in distinctive costume design typical of the show's futuristic aesthetic.

The scene features three people standing together in what looks like a spacecraft or space station interior with neutral-colored walls. On the left is a person wearing a white and gray outfit with geometric patterns and a metallic collar. In the center is someone with blonde h…

@blakes7bot@mas.torpidity.net
2025-12-30 07:14:00

#Blakes7 Series A, Episode 11 - Bounty
GAN: Bounty hunters. They're going to sell us to the Federation.
BLAKE: But how did they get on board?
AVON: Gan?
VILA: It wasn't Gan's fault.
GAN: They used me and a voice synthesizer. It was very well planned.

Claude Sonnet 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7," showing a group of characters gathered in what looks like the interior of a spacecraft or control room. The scene has the distinctive visual style of late 1970s/early 1980s British television production, with somewhat muted lighting and practical set design.

The image captures what seems to be a tense moment or discussion, with several people gathered arou…

@blakes7bot@mas.torpidity.net
2025-11-28 13:21:59

Series A, Episode 11 - Bounty
JENNA: It could be an injured pilot.
AVON: It could be a trap.
GAN: It's not a very good one, then. We're suspicious of it already.
AVON: The test is not whether you are suspicious but whether you are caught.
https://blake.torpidity.net/m/111/65

Claude Sonnet 4.5 describes the image as: "This image captures a scene from the classic British science fiction television series "Blake's 7," which aired from 1978 to 1981. The setting appears to be aboard the Liberator spacecraft, characterized by its distinctive angular, modernist interior design with clean lines and geometric shapes visible in the background.

Sally Knyvette portrays Jenna Stannis, a smuggler and pilot who becomes part of the rebel crew. She wears a black outfit adorned wit…

@blakes7bot@mas.torpidity.net
2025-10-28 13:23:03

Series B, Episode 12 - The Keeper
ZEN: Main detectors report Federation pursuit ship, bearing one three two, course two seven six, leaving the planet and entering orbit.
AVON: Put it on the main screen.
ZEN: Affirmative. [pursuit ship appears on screen]
https://blake.torpidity.net/m/212/31…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing the interior of what looks like a spacecraft or control room. The setting features futuristic control panels with various buttons, switches, and displays typical of 1970s-80s sci-fi production design. There are comfortable-looking seats and the overall aesthetic has that distinctive retro-futuristic appearance common to British science fiction shows of that era. The lighting…

@blakes7bot@mas.torpidity.net
2025-10-27 19:11:42

Series D, Episode 10 - Gold
TARRANT: Yes, they're clear all right. Aren't they, Avon. We've just risked our lives, for nothing.
SOOLIN: Not for nothing, Tarrant. We risked our lives to make Servalan rich.
https://blake.torpidity.net/m/410/433 B7B5

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator or Scorpio based on the futuristic interior design with metallic walls and technical equipment visible in the background. The setting has the characteristic sterile, high-tech aesthetic typical of the series' spaceship environments.

In the foreground, a character wearing distinctive black leather clothing with decorative studs and buckles is prominently featured. This appears to …

@blakes7bot@mas.torpidity.net
2025-10-27 16:09:10

Series C, Episode 09 - Sarcophagus
CALLY: I'd like a straight answer.
AVON: Try a straight question.
https://blake.torpidity.net/m/309/163 B7B4

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard the Liberator spacecraft, showing three crew members in what looks like a tense discussion or confrontation. The setting is the ship's flight deck or control room, characterized by its distinctive futuristic interior design with curved walls and control panels visible in the background.

The woman on the left has curly dark hair and is wearing a white top with a dark outer garment. She appears to be gesturing as sh…

@blakes7bot@mas.torpidity.net
2025-12-26 16:12:51

Series D, Episode 03 - Traitor
DAYNA: I didn't know Helots were originally from Earth.
VILA: Everyone came from Earth originally. That's a well-known fact.
SOOLIN: It's a well-known opinion, actually.
TARRANT: Most well known facts are.
https://blake.torpidity.net/m/403/96<…

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7." The setting shows a futuristic spacecraft interior with metallic, ribbed walls and angular architecture typical of the show's distinctive production design. Several crew members are positioned around what appears to be the ship's command center or medical bay area. The scene has the characteristic low-budget but imaginative aesthetic that "Blake's 7" was known for,…

@blakes7bot@mas.torpidity.net
2025-10-25 21:20:43

Series D, Episode 11 - Orbit
SERVALAN: I hope so, Egrorian. I've waited a long time for this.
EGRORIAN: His death is a mathematical certainty. The product of a simple equation.
https://blake.torpidity.net/m/411/202 B7B6

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene set in a futuristic, sterile-looking interior space with white walls and minimalist design elements.

The scene features two individuals in conversation. On the left is a person with very short dark hair wearing an elegant black one-shoulder dress and statement jewelry with a distinctive necklace. On the right is an older individual in a light gray or beige coat or lab coat.

…

@blakes7bot@mas.torpidity.net
2025-10-27 07:01:29

#Blakes7 Series C, Episode 03 - Volcano
CALLY: Avon, repeat that. Message indistinct. Repeat that.
VILA: Communications blind spot. Or maybe he landed in the volcano.
CALLY: No, I think he's all right.
https://blake.to…

Claude Sonnet 4.0 describes the image as: "I can see this is a black and white image showing someone at what appears to be a control console or technical workstation. The person is leaning over the console, which has various buttons, switches, and control panels typical of science fiction television production design from the late 1970s or early 1980s. The setting appears to be some kind of spacecraft or high-tech facility interior, with geometric wall panels visible in the background. The ligh…

@blakes7bot@mas.torpidity.net
2025-12-25 16:17:26

Series D, Episode 12 - Warlord
TARRANT: Extent of damage, Orac? [pause, no response] Orac?
[Crew room. Tarrant enters and looks at Orac beneath the beam.]
[Shot of Zukan's ship in space, approaching another space ship.]
https://blake.torpidity.net/m/412/270 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, showing a scene set in what looks like a spacecraft or futuristic facility interior. The setting features technical panels and equipment typical of sci-fi set design from the late 1970s or early 1980s.

The scene depicts four individuals in costume around what appears to be a control station or work area. The costumes are characteristic of space opera productions of that era, featur…

@blakes7bot@mas.torpidity.net
2025-11-24 16:19:16

Series A, Episode 04 - Time Squad
JENNA: All right. [walks toward the passage off Liberator flight deck, then stops]
BLAKE: Problem?
JENNA: Putting out a false distress signal. It's a trick used by space pirates.
https://blake.torpidity.net/m/104/60 B7B4

Claude 3.7 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s. The image shows two characters in what looks like the interior of a spacecraft, with futuristic white and dark-colored set design typical of the show's aesthetic. One character is wearing earth-toned clothing and has curly dark hair, while the other character has blonde curly hair and is wearing a distinctive outfit with purple and light-colored elem…

@blakes7bot@mas.torpidity.net
2025-12-26 10:07:45

Series C, Episode 13 - Terminal
ZEN: Emergence from matter belt in thirty-nine point zero one seconds.
TARRANT: Any damage yet?
ZEN: Hull sensors appear temporarily impaired. All other systems continue on full function.
https://blake.torpidity.net/m/313/139 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a scene from what appears to be a science fiction television production, set in a futuristic spacecraft interior. The setting features distinctive angular architectural elements with metallic striping on the walls, creating a sleek, modernist aesthetic typical of 1980s sci-fi design.

The character on the left wears an elaborate burgundy uniform with a distinctive studded shoulder cape, suggesting a high-ranking …

@blakes7bot@mas.torpidity.net
2025-11-24 07:11:59

#Blakes7 Series D, Episode 05 - Animals
AVON: Right. How's our armament situation?
SOOLIN: Good as it'll ever be. We couldn't hold off a Federation patrol with it, but we knew that already.
https://blake.torpidity.ne…

@blakes7bot@mas.torpidity.net
2025-12-24 16:22:06

Series A, Episode 06 - Seek-Locate-Destroy
AVON: As soon as I get this linked into our communications set-up, we should be able to read every message that the Federation puts out.
JENNA: Any sign of the interceptors?
https://blake.torpidity.net/m/106/131 B7B4

Claude Haiku 4.5 describes the image as: "# Scene from Blake's 7

This image captures a tense moment from the science fiction series *Blake's 7*, showing four cast members in what appears to be an interior spacecraft or space station setting. The scene takes place in a utilitarian corridor or control room, identifiable by the metallic walls and industrial design typical of the show's aesthetic.

The four actors are engaged in what seems to be a dramatic confrontation or discussion. One cast mem…

@blakes7bot@mas.torpidity.net
2025-12-24 19:24:37

Series B, Episode 04 - Horizon
AVON: The magnetic barrier must have triggered automatically. The freighter was impervious to it, therefore its fuselage must've been demagnetized. Ours hasn't. If it hadn't been for the force wall, we would be a cloud of agitated atoms.
VILA: I wish I was a cloud of agitated atoms!
https://

@blakes7bot@mas.torpidity.net
2025-11-23 10:44:02

Series C, Episode 05 - The Harvest of Kairos
AVON: Cally. [Grasps her by the arms]
TARRANT: [Enters] Is this the time or the place? That thing has warped your reason, Avon. It's even warped your notorious instinct for looking after number one. We are in danger, can't you understand that?
https://blake.torpidity.net/m/3…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and set design. The setting features a futuristic interior with distinctive green lighting and sleek, modernist architecture typical of sci-fi productions of that era.

Three actors are positioned in what appears to be a tense dramatic moment. The scene takes place on a multi-level set with steps and geometric des…

@blakes7bot@mas.torpidity.net
2025-10-23 18:28:11

Series C, Episode 12 - Death-Watch
VILA: A few hours ago. We've plenty of time to get to the combat grounds.
TARRANT: Zen. [Looks at Avon] Yes?
AVON: Why not?
https://blake.torpidity.net/m/312/71 B7B5

@blakes7bot@mas.torpidity.net
2025-10-21 18:17:39

A04 - Time Squad
BLAKE: Zen, three sixty degree survey. Put etheric detector beams on maximum. Report any space vehicles within range. Vila, put visual survey on the screen.
ZEN: Negative on all systems. There are no space vehicles within detector range.
https://blake.torpidity.net/m/104/10…

Claude Sonnet 4.0 describes the image as: "This image shows a scene from inside a spacecraft, with futuristic interior design elements visible in the background. The character appears to be in a contemplative or brooding pose, wearing what looks like a distinctive costume with earth-toned colors and geometric patterns typical of science fiction television from this era. The setting suggests this is taking place aboard one of the main vessels featured in the series, with the sleek, angular archi…

@blakes7bot@mas.torpidity.net
2025-11-21 19:14:55

Series D, Episode 06 - Headhunter
AVON: Where is Orac?
SOOLIN: Behind a panel in section four.
AVON: We have to get Orac outside.
TARRANT: Why risk it?
https://blake.torpidity.net/m/406/498 B7B5

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7" from the late 1970s/early 1980s. The scene shows a group of people in futuristic costumes standing in what looks like a spacecraft or space station interior with gray walls and utilitarian design.

The costumes feature distinctive styling typical of sci-fi productions of that era - including a character in black leather with silver accents holding what appears to b…

@blakes7bot@mas.torpidity.net
2025-11-21 13:10:01

Series B, Episode 04 - Horizon
AVON: Has anybody else picked it up?
ZEN: Negative. [More beeps come in]
AVON: Decode.
https://blake.torpidity.net/m/204/530 B7B3

Claude 3.7 describes the image as: "# Scene Description

This image shows a figure in a silvery, flowing tunic-style garment seated at what appears to be a control console or command station. The setting features a futuristic interior with dark, metallic walls and atmospheric lighting in warm tones. Behind the figure is a sleek panel with horizontal lines characteristic of science fiction production design from the 1970s-1980s era.

The character displayed a composed, serious demeanor while sea…

@blakes7bot@mas.torpidity.net
2025-10-22 18:13:16

Series B, Episode 08 - Hostage
JENNA: What?
CALLY: I don't believe it.
MOLOK: Show me the ship; I must learn about it.
CALLY: You're a crimo, aren't you?
https://blake.torpidity.net/m/208/582 B7B5

Claude 3.7 describes the image as: "The image appears to be from a vintage science fiction television series, captured in a distinctly retro production style typical of British sci-fi from the late 1970s or early 1980s.

Two individuals are shown in what looks like a futuristic spaceship or base interior, characterized by hexagonal wall panels and minimalist design elements. The person on the left wears a simple beige outfit, while the one on the right is dressed in a more elaborate patterned …

@blakes7bot@mas.torpidity.net
2025-10-22 06:03:57

#Blakes7 Series C, Episode 10 - Ultraworld
AVON: They've presented no threat so far.
TARRANT: Maybe they're biding their time.
AVON: What for? They could take us out quite easily with their technology.
https://blak…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator or Scorpio, featuring three crew members in a tense moment. The setting shows the characteristic metallic interior design with geometric patterns typical of the series' futuristic aesthetic. The characters are wearing their distinctive costumes - one in a dark outfit with military-style detailing, another in the iconic studded leather jacket, and a third in red and black. The ligh…

@blakes7bot@mas.torpidity.net
2025-10-21 06:08:34

#Blakes7 B12 - The Keeper
JENNA: I've told you, we mean him no harm.
GOLA: You come from a spaceship. My guards capture you, or else by now you would have killed us. [holding up teleport bracelets] What are these? You - fool! What are these?
http…

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a tribal or primitive interior space with decorative wall hangings and circular shields. Several people are visible in what looks like a costume drama from the late 1970s or early 1980s, based on the production style and costume design.

In the foreground, a person in leather-like attire sits on a cushioned seat, while others stand in the background. One figure wears a furry costume with an ornate vest, sugge…

@blakes7bot@mas.torpidity.net
2025-11-20 10:29:46

Series A, Episode 13 - Orac
BLAKE: Zen, surface conditions?
ZEN: Tolerable. The land masses are arid and support only primitive plant life. Nine tenths of the planet is covered by water which is highly acidic. The level of the oceans is constantly rising and they now virtually cover all traces of the cities built by early civilizations.
https://

Claude 3.7 describes the image as: "This image shows a scene from what appears to be the classic British science fiction series "Blake's 7." The setting is the interior of a spacecraft, likely the flight deck of the Liberator, with its distinctive control panels and futuristic design elements.

The scene depicts two people in the ship's control room - one wearing dark clothing with a green garment, and another in a red outfit. They appear to be operating or examining the ship's controls. The s…

@blakes7bot@mas.torpidity.net
2025-12-20 19:42:00

Series B, Episode 10 - Voice from the Past
VILA: You're in charge now, are you?
AVON: Can you think of anyone more suitable? Yourself, perhaps? [Exits]
VILA: And why not? [Shouts after Avon] I'm as good as you are. [Sotto voce] Better probably.
https://blake.torpidity.net/m/210/177<…

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" (1978-1981). The setting shows the interior of what looks like a futuristic spacecraft or space station, with characteristic curved walls and metallic surfaces typical of the show's production design.

In the scene, there are three characters present. One person is seated in what appears to be a chair or command position, wearing light-colored clothing and having so…

@blakes7bot@mas.torpidity.net
2025-11-19 19:33:09

Series A, Episode 01 - The Way Back
P.A.: The President will be answering questions about new population control *?measures
RAVELLA: All our food and drink is treated with suppressants. Going without for a day and a half, they should be wearing off.
https://blake.torpidity.net/m/101/9 B7…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the aesthetic and production values. The scene takes place in what looks like a futuristic, sterile interior setting with white/gray geometric walls and angular architectural elements typical of sci-fi set design from that era.

Two actors are shown in what appears to be an intense dramatic moment. One person on the left has sho…

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