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@blakes7bot@mas.torpidity.net
2025-06-11 09:14:27

Series C, Episode 04 - Dawn of the Gods
AVON: Our hero lives.
TARRANT: At least he didn't try to get into a spacesuit.
AVON: I look upon self-interest as my great strength. Vila.
TARRANT: One day, Avon, I may have to kill you.
blake.torpidity.net/m/304/107

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s, based on the visual style and production quality. The setting looks like the interior of a spacecraft or space station with curved walls and minimalist design elements typical of sci-fi of that era. Two people are visible in the frame - one person in a light-colored shirt standing and gesturing to another person wearing dark clothing w…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-08 21:13:37

Series A, Episode 13 - Orac
CALLY: I'm sure.
[Scene: Gan is in a cabin. We see him listen to the following conversation over the intercom.]
BLAKE: [O.S.] Our only hope is if they have a supply on Aristo.
VILA: [O.S.] But if they don't?
blake.torpidity.net/m/113/60

Claude Sonnet 4.0 describes the image as: "This image shows a scene set aboard a futuristic spacecraft, with the characteristic sleek, technological interior design featuring metallic surfaces and angular lighting elements typical of science fiction television from this era. The setting appears to be part of the ship's main areas, with the distinctive architectural elements and color scheme that creates an advanced, sterile atmosphere. The lighting and set design emphasize the high-tech environ…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-11 06:05:53

#Blakes7 Series D, Episode 02 - Power
VILA: No. Must be brain warp. Think I'll just go off and die somewhere. [starts to exit]
TARRANT: Vila.
VILA: What?
TARRANT: The door.
VILA: Which door?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like futuristic costume design typical of late 1970s/early 1980s British sci-fi productions. The person is wearing what appears to be a light-colored outfit with darker trim or detailing, and the lighting and film quality are characteristic of that era's television production values. The setting appears to be an interior space, possibly a spacecraft or …

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-29 18:24:38

Series A, Episode 09 - Project Avalon
ZEN: Liberator has resumed original position and status.
AVON: You'd better switch on the communication channel. [Gan crosses flight deck and switches it on.]
blake.torpidity.net/m/109/314 B7B5

Claude Sonnet 4.0 describes the image as: "This scene shows the interior of a spacecraft, likely the Liberator, with its characteristic curved control stations and futuristic design. The setting appears to be the main flight deck or control room, with multiple crew stations featuring illuminated control panels and displays. The space has a distinctive sci-fi aesthetic with curved walls and ambient lighting typical of the series' production design. Multiple crew members are positioned at their r…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-29 18:24:38

Series A, Episode 09 - Project Avalon
ZEN: Liberator has resumed original position and status.
AVON: You'd better switch on the communication channel. [Gan crosses flight deck and switches it on.]
blake.torpidity.net/m/109/314 B7B5

Claude Sonnet 4.0 describes the image as: "This scene shows the interior of a spacecraft, likely the Liberator, with its characteristic curved control stations and futuristic design. The setting appears to be the main flight deck or control room, with multiple crew stations featuring illuminated control panels and displays. The space has a distinctive sci-fi aesthetic with curved walls and ambient lighting typical of the series' production design. Multiple crew members are positioned at their r…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-04 18:27:20

Series D, Episode 08 - Games
SOOLIN: Do you think they planned that explosion?
AVON: Not this time. This was just a happy accident. But now the Federation is aware of the potential of Feldon power systems. Orac?
blake.torpidity.net/m/408/5 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone with long blonde hair sitting in what looks like a futuristic chair or control seat. The setting has the characteristic look of a spacecraft or advanced facility interior, with sleek surfaces and technical design elements typical of sci-fi productions from that era. The person is wearing what appears to be a light-colored outfit with dark trim or detailing. The o…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-03 15:11:00

Series D, Episode 01 - Rescue
DORIAN: Exactly.
AVON: You really are insane, aren't you?
DORIAN: By now I probably would be.
AVON: If it wasn't for this mysterious room.
DORIAN: And what it contains.
SOOLIN: [Enters] And what might that be, Dorian?
blake.torpidity.net/m/401/467…

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be a luxurious, futuristic interior with sleek white and beige furnishings. The setting features modern curved seating, clean architectural lines, and glass elements that create an upscale, sophisticated atmosphere. The room has a spacious, open design with multiple levels connected by stairs, and decorative plants that add life to the sterile environment. The scene shows three characters in what appears to be…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-02 15:17:20

Series C, Episode 04 - Dawn of the Gods
AVON: Orac has a weakness: a thirst for knowledge. Infallibility depends upon your point of view.
TARRANT: How about testing his infallibility in the recycling machine?
blake.torpidity.net/m/304/31 B7B4

Claude Sonnet 4.0 describes the image as: "This image shows a scene with dramatic lighting and shadows cast across a futuristic interior setting. The character is wearing a dark, high-collared outfit typical of the series' distinctive costume design. The background features the show's characteristic sterile, technological aesthetic with clean lines and geometric patterns. The lighting creates an atmospheric effect with strong contrasts between light and shadow, emphasizing the serious, tense mo…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-02 06:11:03

#Blakes7 Series D, Episode 11 - Orbit
DAYNA: So how could Egrorian have planted it aboard?
AVON: He must have reprogrammed that automatic landing bay of his.
SOOLIN: And you moved it on your own?
AVON: I couldn't find Vila.
VILA: I'm glad about that.

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like a spacecraft or futuristic facility interior. The setting features typical sci-fi production design with metallic walls and technical equipment visible in the background. One character is wearing an elaborate costume with metallic trim and ornate detailing around the collar and belt, while the other is dressed in more utilitarian clothing. The…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-26 12:22:04

Series C, Episode 05 - The Harvest of Kairos
VILA: We got it, we got it!
TARRANT: Yes, I know, only I was saving that trick for when they both attacked at once.
VILA: There's only two left now; no trouble.
blake.torpidity.net/m/305/300 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, showing the characteristic futuristic interior design with metallic surfaces and angular architecture typical of the series. The setting has a multi-level bridge or control room layout with various crew positions. Four characters are visible in the scene, positioned at different levels of the ship's interior. The lighting creates a dramatic atmosphere with warm tones in the background contrasting with…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-26 12:22:04

Series C, Episode 05 - The Harvest of Kairos
VILA: We got it, we got it!
TARRANT: Yes, I know, only I was saving that trick for when they both attacked at once.
VILA: There's only two left now; no trouble.
blake.torpidity.net/m/305/300 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, showing the characteristic futuristic interior design with metallic surfaces and angular architecture typical of the series. The setting has a multi-level bridge or control room layout with various crew positions. Four characters are visible in the scene, positioned at different levels of the ship's interior. The lighting creates a dramatic atmosphere with warm tones in the background contrasting with…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-25 18:11:15

Series A, Episode 12 - Deliverance
JENNA: Basic respirator, that's about all. [Blake enters.]
BLAKE: The coordinates place both capsules within one square mile. [Hands Cally the coordinates.] We're going to put you down in the centre of the search area.
blake.torpidity.net/m/112/59

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive burgundy and pink outfit with a fur-trimmed hood. The setting appears to be aboard a spacecraft, with the characteristic angular wall panels and lighting typical of the series' production design. The costume suggests this might be from an episode involving cold environments or disguises, as the hooded garment appears practical for harsh conditions. The interior set design shows the s…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-25 18:11:15

Series A, Episode 12 - Deliverance
JENNA: Basic respirator, that's about all. [Blake enters.]
BLAKE: The coordinates place both capsules within one square mile. [Hands Cally the coordinates.] We're going to put you down in the centre of the search area.
blake.torpidity.net/m/112/59

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive burgundy and pink outfit with a fur-trimmed hood. The setting appears to be aboard a spacecraft, with the characteristic angular wall panels and lighting typical of the series' production design. The costume suggests this might be from an episode involving cold environments or disguises, as the hooded garment appears practical for harsh conditions. The interior set design shows the s…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-30 09:09:51

Series B, Episode 10 - Voice from the Past
JENNA: Complaining of some sort of noise.
AVON: A sort of tone, he said.
CALLY: Oscillating. It was there again just now.
AVON: As a part of his nightmare?
CALLY: Yes, I think so.
blake.torpidity.net/m/210/85

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft interior. The setting features typical sci-fi production design with metallic surfaces, control panels, and angular architectural elements characteristic of 1970s-80s television production values. One person is wearing dark clothing and standing, while another is seated wearing lighter colored clothing. The scene appears…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-30 09:09:51

Series B, Episode 10 - Voice from the Past
JENNA: Complaining of some sort of noise.
AVON: A sort of tone, he said.
CALLY: Oscillating. It was there again just now.
AVON: As a part of his nightmare?
CALLY: Yes, I think so.
blake.torpidity.net/m/210/85

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft interior. The setting features typical sci-fi production design with metallic surfaces, control panels, and angular architectural elements characteristic of 1970s-80s television production values. One person is wearing dark clothing and standing, while another is seated wearing lighter colored clothing. The scene appears…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-30 21:18:06

Series D, Episode 02 - Power
TARRANT: Why?
AVON: Because that was my instruction.
DAYNA: You told Orac not to crack the code?
TARRANT: Why do that?
blake.torpidity.net/m/402/505 B7B6

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be an interior setting, likely aboard a spacecraft or space station based on the utilitarian wall panels and ventilation visible in the background. The man on the left wears a distinctive white and gray uniform with geometric trim and piping, featuring a high collar - typical of the series' futuristic costume design. The man on the right is dressed in a more casual gray jumpsuit or work outfit. Both ap…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-30 21:18:06

Series D, Episode 02 - Power
TARRANT: Why?
AVON: Because that was my instruction.
DAYNA: You told Orac not to crack the code?
TARRANT: Why do that?
blake.torpidity.net/m/402/505 B7B6

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be an interior setting, likely aboard a spacecraft or space station based on the utilitarian wall panels and ventilation visible in the background. The man on the left wears a distinctive white and gray uniform with geometric trim and piping, featuring a high collar - typical of the series' futuristic costume design. The man on the right is dressed in a more casual gray jumpsuit or work outfit. Both ap…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-24 21:19:56

Series A, Episode 12 - Deliverance
VILA: But did they do it?
AVON: "And the way was found." Does it go on?
MEEGAT: Deliverance was prepared. And Kashell the Wise was satisfied that it was good.
blake.torpidity.net/m/112/357 B7B6

Claude Sonnet 4.0 describes the image as: "I can see three people in what appears to be a science fiction setting, likely from a TV show or film. They're wearing distinctive costumes - one person is in a metallic silver outfit, another in a brown/tan colored garment, and the third in a red outfit with fur trim. The setting appears to be some kind of spaceship interior or futuristic facility, with metal paneling visible in the background. The costumes and production design suggest this is from a…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-24 21:19:56

Series A, Episode 12 - Deliverance
VILA: But did they do it?
AVON: "And the way was found." Does it go on?
MEEGAT: Deliverance was prepared. And Kashell the Wise was satisfied that it was good.
blake.torpidity.net/m/112/357 B7B6

Claude Sonnet 4.0 describes the image as: "I can see three people in what appears to be a science fiction setting, likely from a TV show or film. They're wearing distinctive costumes - one person is in a metallic silver outfit, another in a brown/tan colored garment, and the third in a red outfit with fur trim. The setting appears to be some kind of spaceship interior or futuristic facility, with metal paneling visible in the background. The costumes and production design suggest this is from a…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.