Tootfinder

@blakes7bot@mas.torpidity.net
2025-08-13 09:19:30

Series A, Episode 10 - Breakdown
KAYN: That's where the fault was, in the limiter, there. And there it is repaired. If you survive, so should he.
BLAKE: Is there any way we can thank you?
KAYN: You could try getting caught.
https://blake.torpidity.net/m/110/552 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing three people in what looks like a futuristic spacecraft or station interior. The setting has characteristic sci-fi design elements including curved walls with horizontal ribbing and control panels with various displays and controls. One person is wearing what appears to be a light-colored uniform or outfit, while the others are in darker clothing. They appear to be engaged i…

@arXiv_csAI_bot@mastoxiv.page
2025-07-11 09:42:01

PlanQA: A Benchmark for Spatial Reasoning in LLMs using Structured Representations
Fedor Rodionov, Abdelrahman Eldesokey, Michael Birsak, John Femiani, Bernard Ghanem, Peter Wonka
https://arxiv.org/abs/2507.07644

PlanQA: A Benchmark for Spatial Reasoning in LLMs using Structured Representations
We introduce PlanQA, a diagnostic benchmark for evaluating geometric and spatial reasoning in large-language models (LLMs). PlanQA is grounded in structured representations of indoor scenes, such as kitchens, living rooms, and bedrooms, encoded in a symbolic format (e.g., JSON, XML layouts). The benchmark includes diverse question types that test not only metric and topological reasoning (e.g., distance, visibility, shortest paths) but also interior design constraints such as affordance, cleara…

@blakes7bot@mas.torpidity.net
2025-07-10 18:15:20

Series B, Episode 07 - Killer
GAMBRILL: They just started to act strangely, vague, wandering about, then they went into convulsions. They're in the sick bay now.
BELLFRIAR: That could be a space contamination, you'd better get me the sick bay at once.
https://blake.torpidity.net/m/207/365…

Claude Sonnet 4.0 describes the image as: "I can see two figures in what appears to be a futuristic interior setting with clean, white and beige walls typical of science fiction production design. One person is wearing a distinctive all-white outfit with puffy, padded segments and a high collar that gives it an almost ceremonial or protective appearance. The other figure is dressed in white with some dark trim details. The lighting and set design create a sterile, high-tech atmosphere character…

@cdarwin@c.im
2025-06-27 18:36:53

The design of the museum has morphed over the years, from a dark, curvaceous amoeba-like form that echoed the nearby La Brea Tar Pits to a design that retains the curves up top but shifts to rectilinear glass on the galleries level below
After five years of construction, so much debate about its scale, design and ambitions, the Los Angeles County Museum of Art held its first event Thursday night inside the Peter Zumthor-designed building

LACMA opens its new building for a sneak peak: Photos from the first preview
Los Angeles County Museum of Art's long-awaited David Geffen Galleries building opens for a sneak peak Thursday -- the first look inside the raw, empty interior of architect Peter Zumthor's poured concrete creation.

@blakes7bot@mas.torpidity.net
2025-08-11 12:12:01

A10 - Breakdown
BLAKE: Jenna? [Gan throws Jenna to the floor] Jenna. Jenna! [Gan drags Jenna to front of flight deck]
BLAKE: Gan! Gan, it's me, Blake. Gan, listen to me. [Gan attacks Blake. Avon, Cally, and Vila run in. Avon and Vila pull Gan off Blake]
https://blake.torpidity.net/m/110/9

Claude 3.7 describes the image as: "The image shows a person in a dark outfit standing in what appears to be a futuristic corridor or spacecraft interior. They're wearing a black garment with some detailed embroidery or pattern on the sleeve, and appear to be in the middle of a conversation or dramatic moment.

The setting features distinctive architectural elements typical of science fiction productions from the late 1970s/early 1980s, with geometric white wall panels and hexagonal design elem…

@arXiv_mathNA_bot@mastoxiv.page
2025-07-09 09:02:22

A generalized Hessian-based error estimator for an IPDG formulation of the biharmonic problem in two dimensions
Th\'eophile Chaumont-Frelet, Joscha Gedicke, Lorenzo Mascotto
https://arxiv.org/abs/2507.05776

A generalized Hessian-based error estimator for an IPDG formulation of the biharmonic problem in two dimensions
We consider a two dimensional biharmonic problem and its discretization by means of a symmetric interior penalty discontinuous Galerkin method. Based on the ``div-div'' complex, a novel split of an error measure based on a generalized Hessian into two terms measuring the conformity and nonconformity of the scheme is proven. This splitting is the departing point for the design of a new reliable and efficient error estimator, which does not involve any DG stabilization. Such an error estimator ca…

@blakes7bot@mas.torpidity.net
2025-06-11 09:14:27

Series C, Episode 04 - Dawn of the Gods
AVON: Our hero lives.
TARRANT: At least he didn't try to get into a spacesuit.
AVON: I look upon self-interest as my great strength. Vila.
TARRANT: One day, Avon, I may have to kill you.
https://blake.torpidity.net/m/304/107

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s, based on the visual style and production quality.

The setting looks like the interior of a spacecraft or space station with curved walls and minimalist design elements typical of sci-fi of that era. Two people are visible in the frame - one person in a light-colored shirt standing and gesturing to another person wearing dark clothing w…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@Techmeme@techhub.social
2025-07-24 09:16:02

Pinterest is increasingly filled with AI interior design images, often featuring unrealistic or impossible details, complicating users' search for inspiration (Bethan Staton/Financial Times)
https://www.ft.com/content/6e3e4f8e-1d7f-4d30-bdc3-94c828d60b40

@arXiv_csHC_bot@mastoxiv.page
2025-06-19 08:20:24

Insights Informed Generative AI for Design: Incorporating Real-world Data for Text-to-Image Output
Richa Gupta, Alexander Htet Kyaw
https://arxiv.org/abs/2506.15008

Insights Informed Generative AI for Design: Incorporating Real-world Data for Text-to-Image Output
Generative AI, specifically text-to-image models, have revolutionized interior architectural design by enabling the rapid translation of conceptual ideas into visual representations from simple text prompts. While generative AI can produce visually appealing images they often lack actionable data for designers In this work, we propose a novel pipeline that integrates DALL-E 3 with a materials dataset to enrich AI-generated designs with sustainability metrics and material usage insights. After t…

@blakes7bot@mas.torpidity.net
2025-06-11 06:05:53

#Blakes7 Series D, Episode 02 - Power
VILA: No. Must be brain warp. Think I'll just go off and die somewhere. [starts to exit]
TARRANT: Vila.
VILA: What?
TARRANT: The door.
VILA: Which door?
https://

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like futuristic costume design typical of late 1970s/early 1980s British sci-fi productions. The person is wearing what appears to be a light-colored outfit with darker trim or detailing, and the lighting and film quality are characteristic of that era's television production values. The setting appears to be an interior space, possibly a spacecraft or …

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-08 21:13:37

Series A, Episode 13 - Orac
CALLY: I'm sure.
[Scene: Gan is in a cabin. We see him listen to the following conversation over the intercom.]
BLAKE: [O.S.] Our only hope is if they have a supply on Aristo.
VILA: [O.S.] But if they don't?
https://blake.torpidity.net/m/113/60

Claude Sonnet 4.0 describes the image as: "This image shows a scene set aboard a futuristic spacecraft, with the characteristic sleek, technological interior design featuring metallic surfaces and angular lighting elements typical of science fiction television from this era. The setting appears to be part of the ship's main areas, with the distinctive architectural elements and color scheme that creates an advanced, sterile atmosphere. The lighting and set design emphasize the high-tech environ…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-09 09:19:00

Series A, Episode 09 - Project Avalon
BLAKE: [V.O.] Can you identify it?
GAN: Well, the detectors read it as a military command cruiser and the trajectory suggested it could have come from Federation space headquarters.
https://blake.torpidity.net/m/109/143 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a spacecraft or futuristic interior setting with metallic/technological surfaces in the background. The scene has the characteristic lighting and production design typical of British sci-fi shows from that era. However, I cannot identify specific individuals in the image or confirm details about particular actors or characters without being able to verify who…

@bobmueller@mastodon.world
2025-07-14 15:45:00

How cool is this? #music #art
https://www.instagram.com/reel/DL3CAxCPgxy/?igsh=MTJ…

Interior Design & Architecture on Instagram: "Step into a world where sound floats, time slows down, and art breathes on its own. In the heart of the Bourse de Commerce, artist Céleste Boursier-Mougenot invites us to experience clinamen—an immersive aquatic installation where porcelain bowls drift gently in an 18-meter pool, creating an ever-changing, accidental symphony without human touch. Inspired by the Epicurean theory of atoms veering off course, this piece blurs the boundaries between matter and meaning, silence and sound, presence and perception. It’s not just art—it’s a living poem in motion. Let yourself be still. Listen deeply. 📍Bourse de Commerce - Pinault Collection 📷 @elisabarg @boursedecommerce @celesteboursiermougenot"
126K likes, 377 comments - d.signers on July 8, 2025: "Step into a world where sound floats, time slows down, and art breathes on its own. In the heart of the Bourse de Commerce, artist Céleste Boursier-Mougenot invites us to experience clinamen—an immersive aquatic installation where porcelain bowls drift gently in an 18-meter pool, creating an ever-changing, accidental symphony without human touch. Inspired by the Epicurean theory of atoms veering off course, this piece blurs the bounda…

@blakes7bot@mas.torpidity.net
2025-07-08 18:28:43

Series C, Episode 03 - Volcano
CALLY: [V.O. telepathy] Avon, listen. The enemy are on board. Avon.
AVON: Are they maintaining formation?
ZEN: Affirmative.
AVON: When will they be in range?
ZEN: They have been in range for one minute, eight seconds.
https://blake.torpidity.net/m/303/413

Claude Sonnet 4.0 describes the image as: "This image shows a scene set within what appears to be a spacecraft interior, characterized by the distinctive futuristic design elements typical of science fiction television from the late 1970s. The setting features curved metallic walls with circular details and technological panels, creating an appropriately sterile and advanced atmosphere.

The person in the scene is wearing a black leather outfit that has a sleek, military-style appearance fittin…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-09 06:12:38

#Blakes7 Series D, Episode 04 - Stardrive
PLAXTON: What's the matter with your main drive?
TARRANT: It's a museum piece.
PLAXTON: Standard fiber optic control connections?
AVON: Very standard.
https://blake.t…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set on the flight deck or bridge of the Liberator spacecraft. The futuristic set features the characteristic curved control console with its distinctive ribbed design and multiple monitor screens. Several crew members are positioned around the bridge - some seated at the control stations while others stand nearby. The setting has the typical gray and metallic color scheme of the ship's interior, with the multi-level bridge de…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-07 09:09:29

Series A, Episode 09 - Project Avalon
JENNA: Well, yes, I've only met her once, but, yes, that's her.
AVON: Then it must be Chevner.
GAN: Chevner. How do you think he'll do it?
https://blake.torpidity.net/m/109/349 B7B2

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be the interior of a spacecraft, likely the Liberator. The setting has a distinctive futuristic design with curved walls and lighting typical of the show's aesthetic. One character wears dark leather-style clothing and holds what appears to be a weapon, while the other is dressed in a black outfit with fur trim around the collar. They appear to be having a conversation while seated on what looks like a…

@blakes7bot@mas.torpidity.net
2025-07-07 15:34:10

Series B, Episode 09 - Countdown
AVON: Approximately six million. It was colonized in the last century of the Old Calendar. At first they resisted political affiliation, but then they joined the Federation, and they have remained unswervingly loyal.
VILA: Then they're not likely to welcome us with open arms.
https://

Claude Sonnet 4.0 describes the image as: "I can see two actors in what appears to be a futuristic spacecraft interior setting. The scene shows them in conversation, with one wearing earth-toned clothing and the other in a distinctive red leather outfit. The background features sleek, metallic surfaces with horizontal lines typical of science fiction set design from the late 1970s. The lighting and production values are characteristic of British television from that era. The actors appear to be…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-07 12:11:56

Series A, Episode 07 - Mission To Destiny
BLAKE: It's effective, though. [Avon disconnects the cylinder]
AVON: Look at the gauge. The cylinder is almost empty.
https://blake.torpidity.net/m/107/75 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, showing two crew members in a technical or engineering area. The setting features the show's characteristic futuristic interior design with metallic surfaces and technological equipment. One character is leaning over what appears to be some kind of control panel or technical apparatus, while another stands nearby observing. Both are wearing the dark, military-style clothing typic…

@blakes7bot@mas.torpidity.net
2025-07-08 06:20:19

#Blakes7 Series D, Episode 11 - Orbit
VILA: Hideaway? Avon, if I got my hands on that kind of money, I'd have gone somewhere I could enjoy it. What is the point of having money if you have to exist on a hole like that!
AVON: You are forgetting, there is a big difference between you and Egrorian. HE has a brain.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, based on the production style and visual effects. The scene shows a person in a light-colored tunic-style costume sitting in what looks like a spacecraft or space station interior.

Behind them is a curved window or viewing screen displaying what appears to be a planet or moon against the darkness of space. The set design features white paneled walls typical…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-07 12:16:05

Series B, Episode 01 - Redemption
ALTA TWO: Sustained. Level five. [Guard uses prod on Blake again] Release. You were warned. A third time and I will command destruction level. Move.
[Exterior shot of Spaceworld]
[Jenna and Avon in a cell]
https://blake.torpidity.net/m/201/386

Claude Sonnet 4.0 describes the image as: "I can see this is a science fiction scene featuring a person in futuristic costume and makeup. The character appears to be wearing a metallic silver and light blue outfit with distinctive shoulder pieces, and has a metallic disc or emblem on their forehead. The setting looks like the interior of a spacecraft or futuristic facility, with control panels and technological equipment visible in the background. The lighting and production design are characte…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-08-08 09:04:29

Series C, Episode 10 - Ultraworld
[INTERIOR. Liberator flight deck]
DAYNA: What did you feel like, Avon?
AVON: [Distracted] What?
DAYNA: Being an entry in an encyclopedia.
TARRANT: Oh, he wouldn't mind so long as they filed him under genius.
https://blake.torpidity.net/m/310/681

Claude 3.7 describes the image as: "This image shows a scene from a sci-fi television series set in what appears to be a spacecraft control room or command center. The futuristic set features distinctive ribbed wall panels and technical equipment typical of 1970s/80s British television science fiction production design.

Four performers are shown in the spacecraft interior, seated in what looks like a command area. One person wearing a brown leather-like outfit with buckles sits prominently in …

@blakes7bot@mas.torpidity.net
2025-08-03 09:03:51

Series C, Episode 04 - Dawn of the Gods
ZEN: Confirmed. [Oppressive noise. The crew all sink to their knees, hands over ears.]
ZEN: Information. Ship's velocity now in excess of design limitations. Force wall collapse imminent. [Distortion effect. Dayna, Vila, Cally unconcious. Avon struggles towards the seating. Tarrant rouses and crawls towards Avon. Avon removes spacesuit from storage compartment, starts to pull it on.]

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, featuring the characteristic futuristic interior design with metallic surfaces and geometric panels. The setting shows what looks like a control room or bridge area with technological equipment visible in the background.

In the foreground, one character wears a distinctive light-colored outfit with decorative fastenings or toggles. In the background, three other characters are positioned together - o…

@blakes7bot@mas.torpidity.net
2025-08-08 15:08:40

Series D, Episode 05 - Animals
TARRANT: Dayna.
SLAVE: Sir, I would draw your attention to Federation ships in line astern approaching on bearing one six zero.
TARRANT: That's a bit sudden, isn't it?
SLAVE: Plasma bolts released and running.
https://blake.torpidity.net/m/405/15

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character in a distinctive white and teal colored futuristic uniform with high collar details, characteristic of the show's sleek costume design. The setting appears to be aboard a spacecraft, with the typical metallic interior and curved architectural elements visible in the background. The lighting creates the moody, dramatic atmosphere the series was known for. The uniform's design reflects the show's aesthetic …

@blakes7bot@mas.torpidity.net
2025-08-09 15:27:18

Series D, Episode 11 - Orbit
EGRORIAN: Apparently not. Can I offer you some refreshment? Everything here is reconstituted, of course, but it remains palatable.
AVON: We came here to talk, Egrorian.
https://blake.torpidity.net/m/411/118 B7B4

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a futuristic medical or laboratory facility with a clean, white interior design. Two people in gray uniform-like clothing are engaged in conversation across a white counter or examination table. One person on the left has a distinctive pink decoration or antenna on their head, while the person on the right has a more authoritative stance.

The clinical setting includes glass shelving with medical equipment, b…

@blakes7bot@mas.torpidity.net
2025-08-02 06:05:46

#Blakes7 Series A, Episode 07 - Mission To Destiny
GROVANE: Well, I didn't see Mandrian die either, but I know he's dead.
AVON: I've just spent the last ten minutes in the filter plant looking for something that should be there but isn't. The cable that was damaged carries a high energy charge. In order to cut it, he would need a laser knife or an insulated saw. Ne…

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in conversation aboard a spacecraft. The setting appears to be inside a futuristic vessel with characteristic white and metallic interior design elements visible in the background, including circular porthole-like features. One character is wearing a dark leather outfit with decorative studs or metallic elements, while the other is dressed in what appears to be a reddish garment. The lighting and production design are ty…

@blakes7bot@mas.torpidity.net
2025-08-04 12:46:48

Series A, Episode 08 - Duel
JENNA: Deactivating.
BLAKE: Now, this is the pursuit ship that's done all the firing. That'll be low on power now, so it won't be a problem.
CALLY: So we can ignore it.
https://blake.torpidity.net/m/108/154 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, showing three crew members in what looks like the flight deck or control area. The setting has the characteristic futuristic interior design with curved walls and technological elements typical of the series. One person is wearing a green outfit and appears to be resting or unconscious, while another crew member in reddish/purple clothing looks on with concern. A third figure can…

@blakes7bot@mas.torpidity.net
2025-06-04 18:27:20

Series D, Episode 08 - Games
SOOLIN: Do you think they planned that explosion?
AVON: Not this time. This was just a happy accident. But now the Federation is aware of the potential of Feldon power systems. Orac?
https://blake.torpidity.net/m/408/5 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone with long blonde hair sitting in what looks like a futuristic chair or control seat. The setting has the characteristic look of a spacecraft or advanced facility interior, with sleek surfaces and technical design elements typical of sci-fi productions from that era. The person is wearing what appears to be a light-colored outfit with dark trim or detailing. The o…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-30 12:07:16

Series B, Episode 02 - Shadow
GAN: The manual controls won't respond.
VILA: Do something, Gan.
GAN: Something is draining off the power. [Lights dim]
VILA: Orac, it has to be Orac.
https://blake.torpidity.net/m/202/565 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, showing a person in a light-colored uniform or jumpsuit inside what seems to be a spacecraft or futuristic control room. They are working with what looks like technical equipment or control panels, typical of retro sci-fi production design. The interior has the distinctive aesthetic of television productions from that era, with somewhat minimalist set design …

@blakes7bot@mas.torpidity.net
2025-05-29 18:24:38

Series A, Episode 09 - Project Avalon
ZEN: Liberator has resumed original position and status.
AVON: You'd better switch on the communication channel. [Gan crosses flight deck and switches it on.]
https://blake.torpidity.net/m/109/314 B7B5

Claude Sonnet 4.0 describes the image as: "This scene shows the interior of a spacecraft, likely the Liberator, with its characteristic curved control stations and futuristic design. The setting appears to be the main flight deck or control room, with multiple crew stations featuring illuminated control panels and displays. The space has a distinctive sci-fi aesthetic with curved walls and ambient lighting typical of the series' production design. Multiple crew members are positioned at their r…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-29 18:24:38

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-03 15:11:00

Series D, Episode 01 - Rescue
DORIAN: Exactly.
AVON: You really are insane, aren't you?
DORIAN: By now I probably would be.
AVON: If it wasn't for this mysterious room.
DORIAN: And what it contains.
SOOLIN: [Enters] And what might that be, Dorian?
https://blake.torpidity.net/m/401/467…

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be a luxurious, futuristic interior with sleek white and beige furnishings. The setting features modern curved seating, clean architectural lines, and glass elements that create an upscale, sophisticated atmosphere. The room has a spacious, open design with multiple levels connected by stairs, and decorative plants that add life to the sterile environment.

The scene shows three characters in what appears to be…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-03 18:16:58

Series D, Episode 09 - Sand
SOOLIN: Keller was right again.
AVON: Vila, try and bring Tarrant back up.
VILA: [He tries.] Nonoperational.
AVON: Well now, none of us is going to faint with amazement at that. Are we?
SOOLIN: What's the next move?
https://blake.torpidity.net/m/409/147

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a futuristic spacecraft interior with distinctive seating. The scene features three people in a spaceship setting with padded, textured gray chairs.

In the foreground, someone in a light-colored outfit sits in one of the chairs. Standing behind is a person wearing a striking black costume with a white decorative collar design and a belt. In the background, another figure with lighter…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-02 15:17:20

Series C, Episode 04 - Dawn of the Gods
AVON: Orac has a weakness: a thirst for knowledge. Infallibility depends upon your point of view.
TARRANT: How about testing his infallibility in the recycling machine?
https://blake.torpidity.net/m/304/31 B7B4

Claude Sonnet 4.0 describes the image as: "This image shows a scene with dramatic lighting and shadows cast across a futuristic interior setting. The character is wearing a dark, high-collared outfit typical of the series' distinctive costume design. The background features the show's characteristic sterile, technological aesthetic with clean lines and geometric patterns. The lighting creates an atmospheric effect with strong contrasts between light and shadow, emphasizing the serious, tense mo…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-27 09:08:51

Series B, Episode 05 - Pressure Point
CALLY: I'd prefer that to being here.
VILA: You're welcome to take my place when the time comes.
AVON: If it comes.
CALLY: What do you mean?
AVON: Something's not right.
https://blake.torpidity.net/m/205/245…

Claude Sonnet 4.0 describes the image as: "This image shows a character in what appears to be a futuristic uniform or costume, featuring dark colored fabric with distinctive yellow/gold shoulder accents or trim. The setting has a utilitarian, spaceship-like interior with curved walls and surfaces typical of science fiction television production design from this era. The lighting creates dramatic shadows and highlights that emphasize the futuristic atmosphere. The costume design suggests this is…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-26 12:22:04

Series C, Episode 05 - The Harvest of Kairos
VILA: We got it, we got it!
TARRANT: Yes, I know, only I was saving that trick for when they both attacked at once.
VILA: There's only two left now; no trouble.
https://blake.torpidity.net/m/305/300 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, showing the characteristic futuristic interior design with metallic surfaces and angular architecture typical of the series. The setting has a multi-level bridge or control room layout with various crew positions. Four characters are visible in the scene, positioned at different levels of the ship's interior. The lighting creates a dramatic atmosphere with warm tones in the background contrasting with…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-26 12:22:04

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-01 15:47:33

Series A, Episode 05 - The Web
BLAKE: Cut in the auxiliaries.
JENNA: That's helped at bit. We're now up to standard by one and one half and building but slowly.
BLAKE: Vila.
VILA: Yes.
BLAKE: It's time to use the neutron blasters.
https://blake.torpidity.net/m/105/246

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from inside a spacecraft, showing the futuristic interior with curved walls, metallic surfaces, and distinctive hexagonal lighting panels. The setting has the characteristic high-tech aesthetic of the series, with angular architectural elements and a sterile, functional design typical of the spaceship environments. The scene shows what appears to be crew members in their typical attire - practical, utilitarian clothing suitab…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-02 06:11:03

#Blakes7 Series D, Episode 11 - Orbit
DAYNA: So how could Egrorian have planted it aboard?
AVON: He must have reprogrammed that automatic landing bay of his.
SOOLIN: And you moved it on your own?
AVON: I couldn't find Vila.
VILA: I'm glad about that.

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like a spacecraft or futuristic facility interior. The setting features typical sci-fi production design with metallic walls and technical equipment visible in the background. One character is wearing an elaborate costume with metallic trim and ornate detailing around the collar and belt, while the other is dressed in more utilitarian clothing. The…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-30 12:10:22

Series B, Episode 03 - Weapon
[Messroom. Travis enters]
SERVALAN: Are the guards in clear view?
TRAVIS: Three of them, as you ordered, Supreme Commander.
SERVALAN: And the fourth is concealed?
https://blake.torpidity.net/m/203/429 B7B3

Claude Sonnet 4.0 describes the image as: "I can see two figures in what appears to be a futuristic setting with metallic walls and sleek interior design typical of science fiction productions. One person is wearing an elaborate white feathered costume or outfit, while the other is dressed in black leather or similar dark material and appears to be wearing an eyepatch. The setting looks like it could be aboard a spaceship or in some kind of advanced facility, with the stark, technological aesth…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-24 15:12:54

Series C, Episode 05 - The Harvest of Kairos
DAYNA: On interlock?
TARRANT: No, overlap. Ask Cally, she'll put you right.
VILA: Anything I should do?
https://blake.torpidity.net/m/305/239 B7B4

Claude Sonnet 4.0 describes the image as: "This scene takes place in the interior of a spacecraft, showing the characteristic futuristic set design with white and metallic surfaces, hexagonal windows, and clean geometric lines. The setting appears to be a control room or bridge area with various technical stations and equipment visible. One person is seated at what appears to be a control console or workstation, wearing light-colored clothing typical of the series' costume design. Another figur…

@blakes7bot@mas.torpidity.net
2025-06-30 09:08:22

Series D, Episode 01 - Rescue
AVON: [Steps in front of the others] Who was the first, Dorian?
DORIAN: [Troubled] My partner. We entered this place together. Like you, he could never leave it.
https://blake.torpidity.net/m/401/511 B7B2

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator or Scorpio, with the characteristic dark, high-tech interior typical of the series. The lighting creates a moody atmosphere with the crew gathered in what looks like the main control area or flight deck. The setting suggests this is during a tense moment or important discussion, with the characters positioned around the ship's central console area. The production design shows the …

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-25 18:11:15

Series A, Episode 12 - Deliverance
JENNA: Basic respirator, that's about all. [Blake enters.]
BLAKE: The coordinates place both capsules within one square mile. [Hands Cally the coordinates.] We're going to put you down in the centre of the search area.
https://blake.torpidity.net/m/112/59

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive burgundy and pink outfit with a fur-trimmed hood. The setting appears to be aboard a spacecraft, with the characteristic angular wall panels and lighting typical of the series' production design. The costume suggests this might be from an episode involving cold environments or disguises, as the hooded garment appears practical for harsh conditions. The interior set design shows the s…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-25 18:11:15

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-29 15:19:25

Series A, Episode 07 - Mission To Destiny
AVON: The murderer had to cover up, and quickly. Dortmunn was killed. I think the plan was to put his body into the life rocket and launch it into space. That way, it would appear obvious that Dortmunn was guilty.
SONHEIM: So why didn't it happen?
https://blake.torpidity…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spaceship or futuristic facility interior. The setting features typical sci-fi television production design with metallic walls, control panels, and utilitarian furnishing. Several characters are gathered in what appears to be a meeting or briefing scene. The costumes are characteristic of late 1970s/early 1980s science fiction television, with some characters wearing practical military-style clothing…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-30 09:09:51

Series B, Episode 10 - Voice from the Past
JENNA: Complaining of some sort of noise.
AVON: A sort of tone, he said.
CALLY: Oscillating. It was there again just now.
AVON: As a part of his nightmare?
CALLY: Yes, I think so.
https://blake.torpidity.net/m/210/85

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft interior. The setting features typical sci-fi production design with metallic surfaces, control panels, and angular architectural elements characteristic of 1970s-80s television production values.

One person is wearing dark clothing and standing, while another is seated wearing lighter colored clothing. The scene appears…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-30 09:09:51

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-30 21:18:06

Series D, Episode 02 - Power
TARRANT: Why?
AVON: Because that was my instruction.
DAYNA: You told Orac not to crack the code?
TARRANT: Why do that?
https://blake.torpidity.net/m/402/505 B7B6

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be an interior setting, likely aboard a spacecraft or space station based on the utilitarian wall panels and ventilation visible in the background. The man on the left wears a distinctive white and gray uniform with geometric trim and piping, featuring a high collar - typical of the series' futuristic costume design. The man on the right is dressed in a more casual gray jumpsuit or work outfit. Both ap…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-30 21:18:06

Series D, Episode 02 - Power
TARRANT: Why?
AVON: Because that was my instruction.
DAYNA: You told Orac not to crack the code?
TARRANT: Why do that?
https://blake.torpidity.net/m/402/505 B7B6

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-30 18:12:09

Series C, Episode 07 - Children of Auron
DAYNA: Why? [more bombs]
FRANTON: Zelda!
SERVALAN: No closer. Cease firing.
GINKA: Firing ceased.
SERVALAN: Take in a ground force. You command.
GINKA: But Madam-!
https://blake.torpidity.net/m/307/515 B7B5

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series, featuring two characters in a futuristic setting. On the left is a person wearing a burgundy outfit with an off-shoulder design and a decorative brooch or insignia. On the right is someone in a brown/tan uniform with distinctive fasteners. The scene appears to be taking place in what looks like a spacecraft or space station interior, with technical panels visible in the background.

The styling…

@blakes7bot@mas.torpidity.net
2025-06-22 06:12:33

#Blakes7 Series D, Episode 06 - Headhunter
TARRANT: [V.O. over comm.] Muller can't.
AVON: Well, we'll give him a refund on his ticket. Just get that ship back, Tarrant. We'll worry about the details then. Out!
https://

Claude Sonnet 4.0 describes the image as: "This image shows a scene from inside a spacecraft, featuring futuristic interior design with metallic surfaces and technological elements typical of science fiction television from the late 1970s. The character is wearing a distinctive black leather outfit with metallic studs and white trim details, which was characteristic of the show's costume design. The setting appears to be aboard the Liberator, the main spacecraft used by the rebel crew. The slee…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-28 12:24:38

Series B, Episode 02 - Shadow
ORAC: The bridge is complete.
VILA: What? What did he say?
GAN: Something's wrong.
VILA: No, that wasn't it.
ZEN: Information. Liberator is losing power from all systems. Orbital maintenance is threatened.
https://blake.torpidity.net/m/202/555

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-27 12:10:32

Series A, Episode 02 - Space Fall
BLAKE: Oh yes. He's also made it clear that summary execution's one of our options. We chose the other.
LEYLAN: Well if you're successful, I promise that I'll get your sentences quashed.
AVON: And if we're not?
https://blake.torpidity.net/m/102/576

Claude Sonnet 4.0 describes the image as: "This appears to be a tense confrontation scene set in what looks like a spacecraft corridor or control room. The setting has the characteristic sterile, metallic interior design typical of space-based science fiction productions of the era. Several characters are wearing what appear to be communication devices or restraints with metallic chest pieces and coiled cables. The scene suggests a dramatic moment where characters are likely being held captive …

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-28 09:15:50

Series D, Episode 05 - Animals
SOOLIN: Or boozed up.
VILA: Would you settle for fed up? It's somebody else's turn.
AVON: Try and do it right this time, Vila.
VILA: A glass of wine when I come up or I don't do it at all.
AVON: Half a glass.
https://blake.torpidity.net/m/405/262

Claude 3.7 describes the image as: "This image shows a scene with two people in what appears to be a futuristic spaceship or station interior. They're wearing distinctive sci-fi costumes typical of late 1970s/early 1980s British television production.

The person on the left wears a stylized outfit with green and white vertical stripes and a turtleneck, complemented by curly hair. The person on the right has blonde hair in a ponytail and wears a gray uniform with similar design elements and a …

@blakes7bot@mas.torpidity.net
2025-07-27 06:19:01

#Blakes7 Series D, Episode 06 - Headhunter
VILA: The interceptors!
MULLER: Send it back. That box must go back! [Throws Tarrant to floor.]
VILA: Slave, set a course for base. Maximum power. Go! Go! [Tarrant shoulders Muller away from the box.]
h…

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a spacecraft or space station interior. The setting features metallic walls and control panels typical of retro sci-fi production design.

The scene includes three figures: two people in standard clothing appropriate for the show's futuristic setting, and between them is a distinctive alien or masked character wearing a dark purple/blue outfit with red and white accen…

@blakes7bot@mas.torpidity.net
2025-05-24 21:19:56

Series A, Episode 12 - Deliverance
VILA: But did they do it?
AVON: "And the way was found." Does it go on?
MEEGAT: Deliverance was prepared. And Kashell the Wise was satisfied that it was good.
https://blake.torpidity.net/m/112/357 B7B6

Claude Sonnet 4.0 describes the image as: "I can see three people in what appears to be a science fiction setting, likely from a TV show or film. They're wearing distinctive costumes - one person is in a metallic silver outfit, another in a brown/tan colored garment, and the third in a red outfit with fur trim. The setting appears to be some kind of spaceship interior or futuristic facility, with metal paneling visible in the background. The costumes and production design suggest this is from a…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-05-24 21:19:56

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-06-21 18:27:54

Series B, Episode 08 - Hostage
ZEN: Fifteen minutes.
JENNA: How long before her detectors pick us up?
ZEN: Twelve minutes.
JENNA: We can't go down, if that's all the time we've got.
https://blake.torpidity.net/m/208/625 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a spacecraft interior, with characteristic futuristic design elements including curved walls and sleek surfaces. Two women are present in the scene - one wearing a light-colored, flowing garment with a belt, and another in a patterned outfit. The setting has the distinctive aesthetic of late 1970s science fiction television, with clean lines and a sterile, high-tech atmosphere. The scene appears to be…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-20 12:08:27

Series C, Episode 02 - Powerplay
TARRANT: Not for more than an hour. There's nothing on this heading except the planet Chenga. That's got to be where we're going.
KLEGG: Chenga? Never heard of it.
https://blake.torpidity.net/m/302/299 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like the interior of a spacecraft or futuristic facility. The scene shows several people in dark military or uniform-style clothing in what appears to be a control room or command center setting. The production design has the characteristic look of late 1970s/early 1980s British science fiction television, with metallic surfaces and angular architectural elements.…

@blakes7bot@mas.torpidity.net
2025-07-20 15:10:05

Series C, Episode 09 - Sarcophagus
TARRANT: She's in some sort of coma. Describe what attacked you.
DAYNA: Well, that's the point. It was Cally. But not Cally.
https://blake.torpidity.net/m/309/274 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene in a futuristic setting. The image shows figures in what appears to be a spacecraft or space station interior, with characteristic lighting and set design typical of classic sci-fi productions. There appears to be someone lying on the floor while another figure kneels nearby, suggesting this may be from an intense or dramatic moment in the ep…

@blakes7bot@mas.torpidity.net
2025-06-18 15:22:16

Series B, Episode 01 - Redemption
VILA: Maximum. Can we hold together at that speed?
AVON: We won't have to.
VILA: What do you mean?
BLAKE: Running at full power will drain the energy banks in - what?
AVON: Two hours at the most.
https://blake.torpidity.net/m/201/133

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard the Liberator spacecraft, showing the main flight deck or control room area. The setting features the distinctive futuristic interior design with clean lines, hexagonal viewports, and control consoles typical of the series' aesthetic. Three crew members are present in the scene, positioned around the ship's control stations. The lighting and staging suggests this is during a moment of tension or concentration, poss…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-17 18:12:19

Series A, Episode 04 - Time Squad
BLAKE: Oh, what do you say to that Zen?
ZEN: Please state course and speed.
BLAKE: Very diplomatic. Set a course for Centero, speed standard by two.
ZEN: Confirmed.
[End of episode. Roll credits.]
https://blake.torpidity.net/m/104/504 …

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set aboard what appears to be a spacecraft, with the characteristic futuristic interior design typical of science fiction television from this era. The image shows two figures - one prominently in the foreground wearing a distinctive brown and beige uniform with geometric patterns, and another figure visible in the background. The setting appears to be the main area or control room of the ship, with the typical technological b…

@blakes7bot@mas.torpidity.net
2025-07-17 12:08:24

Series A, Episode 02 - Space Fall
[Switch to flight deck of Liberator. Blake enters rubbing his shoulder.]
AVON: What happened?
BLAKE: Slight disagreement with Raiker. And then the hatch closed.
JENNA: We're on our way.
https://blake.torpidity.net/m/102/663 B7B3

Claude 3.7 describes the image as: "This appears to be a still from a classic science fiction television series from the late 1970s/early 1980s. The image shows what appears to be the interior of a spacecraft or control room with a futuristic hexagonal design aesthetic typical of British sci-fi productions of that era.

The scene captures several performers in costume on what looks like a spaceship bridge or command center. The person on the right is wearing a light-colored outfit with dark tri…

@blakes7bot@mas.torpidity.net
2025-07-18 12:22:27

Series D, Episode 02 - Power
VILA: What happened to the transceiver?
ORAC: It is no longer functioning.
TARRANT: Yes, but why?
ORAC: There is a seventy two percent probability that it was damaged by a hostile agency.
https://blake.torpidity.net/m/402/34 B7B3

Claude 3.7 describes the image as: "The image shows three people in a sci-fi setting, looking at what appears to be some kind of control panel or electronic device. They're wearing distinctive futuristic costumes typical of classic British science fiction television from the late 1970s/early 1980s.

The setting appears to be the interior of a spacecraft or space station, with utilitarian design elements visible in the background. The three individuals are examining something on a transparent o…

@blakes7bot@mas.torpidity.net
2025-06-16 18:12:51

Series D, Episode 11 - Orbit
VILA: I'm not the type for this sort of thing, Avon.
AVON: Why not?
VILA: This Egrorian, you said he was some kind of genius.
AVON: They said he was supposed to be some time back.
https://blake.torpidity.net/m/411/62 B7B5

Claude Sonnet 4.0 describes the image as: "This scene takes place aboard the Liberator, the main spacecraft used by the rebel crew. The setting appears to be the ship's flight deck or a similar interior area, characterized by the distinctive white and metallic design elements typical of the series' futuristic aesthetic.

In the image, we can see crew members in their characteristic costumes - one person wearing the familiar light-colored leather outfit, while another is dressed in the black lea…

Blakes7Bot | Search
Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

@blakes7bot@mas.torpidity.net
2025-07-18 15:24:44

Series D, Episode 10 - Gold
TARRANT: Avon! Soolin!
DAYNA: [Pointing at Keiller.] Tarrant!
TARRANT: Keiller, what happened? He's out cold. [Dayna looks through a door. To Dayna: ] What is it?
DAYNA: Two bodies, I think. The radiation hasn't left much.
https://blake.torpidity.net/m/410/134

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a science fiction setting with futuristic costumes and lighting. However, I cannot identify who these specific individuals are based on their appearance alone. The scene appears to be from a television production, with dramatic lighting and what looks like a spacecraft or futuristic interior setting in the background. The costumes and production design suggest this is from a science fiction series, with the ch…

@blakes7bot@mas.torpidity.net
2025-07-16 21:20:46

Series D, Episode 08 - Games
AVON: We don't have half an hour!
VILA: I know that, but unless you can cut off one of Belkov's fingers for me - just a minute? [He bends down and grabs Tarrant's foot]
TARRANT: Vila, what are you doing?
https://blake.torpidity.net/m/408/480…

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be a futuristic spacecraft or space station interior, characterized by the distinctive metallic walls and technological panels typical of the series' production design. The setting has a sterile, high-tech aesthetic with geometric patterns and industrial lighting.

In the scene, three characters are positioned in what appears to be a corridor or operational area. One figure stands to the left observing the inte…

@blakes7bot@mas.torpidity.net
2025-07-15 09:19:30

Series A, Episode 10 - Breakdown
RENOR: Sorry, professor. [to Cally] Hello! This place is full of pretty girls.
KAYN: Prepare for immediate surgery, please.
RENOR: Right.
JENNA: I'll get out of your way.
KAYN: Won't need you either, Cally.
https://blake.torpidity.net/m/110/456

Claude 3.7 describes the image as: "This appears to be a scene from a science fiction television series from the late 1970s or early 1980s, based on the production style and costumes. The image shows several people in a futuristic-looking corridor or spacecraft interior with clean white walls and minimalist design.

The scene features individuals in distinctive costume styles - one wearing a dark outfit with a white collar, another in a draped gray garment with a belt, someone in a white turtle…

@blakes7bot@mas.torpidity.net
2025-07-15 06:17:26

#Blakes7 Series B, Episode 03 - Weapon
JENNA: We're below horizon now.
GAN: Then she's lost!
AVON: Only us. She got what she really wanted.
VILA: I thought that was us.
https://blake.torpidity.net/m/203/510…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard the Liberator, the advanced alien spacecraft that serves as the crew's base of operations. The setting shows the ship's distinctive flight deck with its characteristic hexagonal viewports and sleek, futuristic interior design. The scene captures what appears to be a tense moment during their ongoing struggle against the totalitarian Federation. The high-tech control panels and the ship's sophisticated architecture …

@blakes7bot@mas.torpidity.net
2025-06-20 21:15:53

Series A, Episode 13 - Orac
BLAKE: No, we'd end up looking for each other as well as Orac and Ensor. Come on.
[Scene: Travis and Servalan still in the tunnels.]
TRAVIS: Let's check the map.
SERVALAN: We're almost there.
https://blake.torpidity.net/m/113/241

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic or sci-fi setting, likely aboard a spacecraft or space facility based on the sterile, metallic interior visible in the background. They're wearing matching green and white/silver colored outfits that have a utilitarian, space-age design - possibly uniforms or protective gear. Both individuals have dark, curly hair typical of late 1970s styling. The woman appears concerned or apprehensive, while th…

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Companion site to the Blakes7Bot Twitter, Mastodon, and Bluesky accounts. Automated lines of Blakes 7 dialog. Includes a script search facility.

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