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@fortune@social.linux.pizza
2026-02-11 10:00:02

The girl who swears no one has ever made love to her has a right to swear.
-- Sophia Loren

@relcfp@mastodon.social
2025-12-10 16:05:55

Jewish Life in Contemporary sub-saharan Africa
ift.tt/oKFgwBI
Mining the Logs: Sources on Blue Humor URL …
via Input 4 RELCFP ift.tt/NqhLuyk

@paulwermer@sfba.social
2026-01-09 15:04:41

"The reason for the carnage? The plant life was overgrown and limiting visibility for drivers, DPW says."
Looking at the photo of median, it's pretty clear that DPW assumes people are driving Go-Karts, not cars. Just one example of why the proposed Street Tree legislation allowing "the Director" to make non-appealable decisions re street trees is based on false assumptions of infallibility.
An artist spent a decade beautifying her Divisadero block. The …

@PaulWermer@sfba.social
2026-01-09 15:04:41

"The reason for the carnage? The plant life was overgrown and limiting visibility for drivers, DPW says."
Looking at the photo of median, it's pretty clear that DPW assumes people are driving Go-Karts, not cars. Just one example of why the proposed Street Tree legislation allowing "the Director" to make non-appealable decisions re street trees is based on false assumptions of infallibility.
An artist spent a decade beautifying her Divisadero block. The …

@kexpmusicbot@mastodonapp.uk
2025-12-07 19:05:23

🇺🇦 #NowPlaying on KEXP's #Roadhouse
Eddie Floyd:
🎵 I've Never Found a Girl (to Love Me Like You Do)
#EddieFloyd
eddiefloyd.bandcamp.com/track/
open.spotify.com/track/6MwBM0E

@leftsidestory@mstdn.social
2026-01-06 00:30:01

Un Momento III 🕰️
一瞬 III 🕰️
📷 Nikon F4E
🎞️ ERA 100, expired 1993
#filmphotography #Photography #blackandwhite

ERA 100 (FF)

English Alt Text:
A black-and-white photo of a city bus parked on a street. In front of the bus is a metal rolling staircase or platform with handrails, likely used for maintenance or boarding. The bus has Chinese characters "北京公交" (Beijing Public Transport) and the number "263400" printed on its side. The background features a modern glass building with reflections. The composition highlights urban infrastructure and public transportation.
中文替代文字:
这是一张黑白照片,展示了一辆停在街边的城市公交车。公交车前方有一…
ERA 100 (FF)

English Alt Text:
A black-and-white photo of the front of a school bus. The bus has a large, rectangular grille with a circular emblem at its center. Two side mirrors extend outward from the front, and the windshield reflects trees and surroundings. A bold number "4" is displayed in the top left corner of the windshield, possibly indicating the bus route. The hood features partially visible stylized text or graphics. Behind the bus is a gated fence with a sign that includes the le…
ERA 100 (FF)

English Alt Text:
A black-and-white image of a storefront labeled "LE LABO." Above the sign are industrial-style light fixtures. In front of the store is a construction lift platform labeled "SUNWARD SWSL1412HD," suggesting maintenance or installation work. A smaller, partially obscured "LE LABO" sign is visible to the left. The building exterior features clean lines and shadows, with a mix of modern and utilitarian architectural elements. The photo captures urban texture and cont…
ERA 100 (FF)

English Alt Text:
A black-and-white photo of an indoor space, possibly a parking garage or corridor. A "Do Not Enter" traffic sign is mounted on the wall. A fluorescent light fixture and a ventilation grille are also visible. To the right, a fire safety sign in Chinese and English reads: "HYDRANT / EXTINGUISH / CALL 119." The image emphasizes geometric shapes, stark lighting, and utilitarian design.
中文替代文字:
这是一张黑白照片,拍摄于室内空间,可能是停车场或建筑走廊。墙上安装有一个“禁止进入”的交通标志。画面中还可见荧光灯和通风格栅。右侧有一个消防安全标志…
@tiotasram@kolektiva.social
2025-11-29 11:40:52

Just finished "It's Lonely at the Center of the Earth" by Zoe Thorogood.
CW: Frank/graphic discussion of suicide and depression (not in this post but in the book).
It feels a bit wrong to simply give it my review here as I would another graphic memoir, because it's much more personal and less consensual than the usual. It feels less like Thorogood has invited us into her life than like she was forced to put her life on display in order to survive, and while I selfishly like to read into the book that she benefited in some way from the process, she's honest about how tenuous and sometimes false that claim can be. Knowing what I've learned from this book about Thorogood's life and demons, I don't want her to feel the mortification of being perceived by me, and so perhaps the best thing I could do is to simply unread the book and pull it back out of my memories.
I did not find Thorogood's life relatable, nor pitiable (although my instinct bends in that direction), but instead sacred and unknowable. I suspect that her writing and drawing has helped others in similar circumstances, but she leaves me with no illusion that this fact brings her any form of peace or joy. I wonder what she would feel reading "Lab Girl" or "The Deep Dark," but she has been honest enough to convey that such speculation on my part is a bit intrusive.
I guess the one other thing I have to say: Zoe Thorogood has through artistic perseverance developed an awe-inspiring mastery of the comic medium, from panel composition, through to page layout and writing. This book wields both Truth and Beauty.
#AmReading #ReadingNow

@relcfp@mastodon.social
2025-12-07 09:43:13

Jewish Life in Contemporary sub-saharan Africa networks.h-net.org/group/annou

@relcfp@mastodon.social
2025-12-08 06:10:43

Jewish Life in Contemporary sub-saharan Africa
ift.tt/GRFYglH
Mining the Logs: Sources on Blue Humor URL …
via Input 4 RELCFP ift.tt/lbe1X72

@relcfp@mastodon.social
2025-12-07 06:05:20

Jewish Life in Contemporary sub-saharan Africa
ift.tt/si4jxLt
Mining the Logs: Sources on Blue Humor URL …
via Input 4 RELCFP ift.tt/RMxCNZh