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@anneroth@systemli.social
2025-12-19 16:18:12

In acht Tagen spreche ich im #39C3 Sendezentrum im c’t uplink Podcast mit @… und anderen Gästen über #DigitaleSouveränität.
Habt Ihr dazu in letzter Z…

@funkvolk@mastodon.social
2025-11-19 16:20:12

"97 Prozent wünschen sich, dass eine Politik des Gehörtwerdens auch in Zukunft im Land umgesetzt wird. Studienleiter und Kommunikationswissenschaftler Frank Brettschneider von der Universität Hohenheim bezeichnet die hohe Zustimmung als erstaunlich. Es sei selten, dass eine politische Maßnahme so positiv und auch parteilagerübergreifend positiv bewertet werde."
@…

@hex@kolektiva.social
2025-11-16 07:08:26

There's a word at the beginning and end of Dawn of Everything that feels self-referential right now: Kairos.
> We began this book with a quote which refers to the Greek notion of kairos as one of those occasional moments in a society’s history when its frames of reference undergo a shift – a metamorphosis of the fundamental principles and symbols, when the lines between myth and history, science and magic become blurred – and, therefore, real change is possible. Philosophers sometimes like to speak of ‘the Event’ – a political revolution, a scientific discovery, an artistic masterpiece – that is, a breakthrough which reveals aspects of reality that had previously been unimaginable but, once seen, can never be unseen. If so, kairos is the kind of time in which Events are prone to happen.
> Societies around the world appear to be cascading towards such a point. This is particularly true of those which, since the First World War, have been in the habit of calling themselves ‘Western’. On the one hand, fundamental breakthroughs in the physical sciences, or even artistic expression, no longer seem to occur with anything like the regularity people came to expect in the late nineteenth and early twentieth centuries. Yet at the same time, our scientific means of understanding the past, not just our species’ past but that of our planet, has been advancing with dizzying speed. Scientists in 2020 are not (as readers of mid-twentieth-century science fiction might have hoped) encountering alien civilizations in distant star systems; but they are encountering radically different forms of society under their own feet, some forgotten and newly rediscovered, others more familiar, but now understood in entirely new ways.
Reading this as I write something very inspired by this work feels especially serendipitous, especially at this time. When they wrote the book, I think that kairos felt more serendipitous itself. But as the frequency of opportunity increases, the veil between realities feels more malleable... that perhaps we can poke a finger through and open a portal to a completely different future than the one we've felt locked into for such a long time.
anarchoccultism.org/building-z

@_tillwe_@mastodon.social
2025-12-16 16:30:12

Letzter Stuttgarttag für dieses Jahr zu Ende.

Zwei Gänse sitzen jeweils auf einem Portal. Oben drüber sind im dämmerungsblauen Himmel die Spuren des Krähenschwarms zu sehen.
@awinkler@openbiblio.social
2025-12-14 19:58:38

@… s Datenatlas-Gutachten (doi.org/10.5281/zenodo.17780441) ist auch mit der Brille der Kulturerbedigitalisierung interessant. Nicht nur wg. der Auffrischung der Gru…

@tinoeberl@mastodon.online
2025-12-13 09:10:42

Mit dem neuen #EinfachMachen-Portal bietet die #Bundesregierung Bürgern und Unternehmen die Möglichkeit, übermäßige #Bürokratie direkt zu melden.
Anliegen können thematisch e…

@arXiv_mathOC_bot@mastoxiv.page
2025-10-15 09:36:42

Learning Mean-Field Games through Mean-Field Actor-Critic Flow
Mo Zhou, Haosheng Zhou, Ruimeng Hu
arxiv.org/abs/2510.12180 arxiv.org/pdf/25…

@mgorny@pol.social
2025-10-10 17:26:45

Ciekawostka: jak w Portalu Pasażera #PLK wyszukacie połączenia Zgorzelec – Wrocław Główny na sobotę rano, to zaproponuje wam przesiadkę w Węglińcu. Z elementem: "Postój tylko dla wysiadających, brak możliwości rozpoczęcia podróży na tym przystanku osobowym."
#PKP

Widok na proponowane połączenie Zgorzelec – Wrocław Główny. Aplikacja proponuje przejazd pociągiem Goerlitz – Zielona Góra Główna z przesiadką w Węglińcu na "POCIĄG DO KULTURY" Berlin Lichtenberg – Wrocław Główny. Pod nazwą stacji Węgliniec jest ikonka w kształcie odwróconego T na niebieskim tle. Po najechaniu na nią kursorem pojawia się podpowiedź: "Postrój tylko dla wysiadających, brak możliwości rozpoczęcia podróży na tym przystanku osobowym."
@tiotasram@kolektiva.social
2025-10-30 09:09:31

Okay, here's the promised follow-up with more authors I respect who didn't make it onto this list. I won't do deep dives but I'll list at least one work per author:
YA novelists:
- Randi Pink ("Girls Like Us")
- Louisa Onomé ("Twice as Perfect")
- Emery Lee ("Meet Cute Diary")
- Robin Benway ("Far from the Tree")
- Angela Velez ("Lulu and Milagro's Search for Clarity")
Children's book authors:
- Jacqueline Davies ("Bubbles Up")
- Freya Hartas ("Slow Down in the Park")
Novelists:
- Rimma Onoseta ("How You Grow Wings")
Graphic novelists:
- Linda Medley ("Castle Waiting")
- 🖋️Magsalene Visaggio 🖌️Paulina Ganucheau ("Girlmode")
- Ursula Vernon ("Digger")
- SJ Sindu ("Tall Water" w/ Dion MBD)
- Hope Larson ("Be That Way"; "Salt Magic" w/ Rebecca Mock)
- Lily Williams Karen Schneemann ("Go With the Flow")
- Maia Kobabe ("Gender Queer")
- Kay O'Neill ("Tea Dragon Society")
- Marjane Satrapi ("Persepolis")
Mangaka:
- Kaoru Mori ("Young Bride's Stories")
- Ryoko Kui ("Delicious in Dungeon")
- Natsuki Takaya ("Fruits Basket")
Anime writers/directors and/or Japanese light/fantasy/SF novelists:
- Nahoko Uehashi ("Moribito")
- Sayo Yamamoto ("Michiko & Hatchin"; "Yuri!!! On Ice")
- Mari Okada ("Ano Hana: The Flower we Saw That Day"; "Toradora!")
Game designers/programmers:
(Upon review I was pretty remiss in skipping over a few of these people, some of whom I wasn't aware of but most of whom I just didn't remember when writing my short list. Subconscious misogyny in action. Short & Thorson probably would have squeezed out some of the YA authors I included, although I have no real regrets.)
- Junko Kawano ("Suikoden")
- Elizabeth LaPensée ("When Rivers Were Trails")
- Momo Pixel ("Hair Nah")
- Zoë Quinn ("Depression Quest"; narrative designer on "Solar Ash")
- Kellee Santiago ("Cloud"; "Flower")
- Tanya X. Short ("Moon Hunters")
- Kim Swift ("Portal")
- Maddy Thorson ("Celeste")
- Andi McClure @… ("Jumpman")
Note: I haven't included composers or artists here, but there's a deep bench.
Games journalists/steamers:
- Tanya DePass @… (#/INeedDiverseGames; twitch streams)
- Anita Sarkeesian (Feminist Frequency)
Game/play scholars:
- Mary Flanagan ("Critical Play")
- Tracy Fullerton ("Game Design Workshop")
- Brenda Laurel ("Toward the Design of a Computer-Based Interactive Fantasy System")
- Janet Murray ("Hamlet on the Holodeck"l
- Susana Tosca ("A Pragmatics of Links")
- Jichen Zhu ("Agency Play: Dimensions of Agency for Interactive Narrative Design")
- Magy Seif El Nasr ("Design patterns to guide player movement in 3D games")
- Kate Compton ("Causal Creators"; also "Spore")
P.S. upon consideration I've decided not to include any authors who are men in this coda.
There are definitely others who probably deserve to be here that I'm forgetting...
#GsmeDesign #Authors

@arXiv_csCR_bot@mastoxiv.page
2025-10-14 11:44:28

SecureWebArena: A Holistic Security Evaluation Benchmark for LVLM-based Web Agents
Zonghao Ying, Yangguang Shao, Jianle Gan, Gan Xu, Junjie Shen, Wenxin Zhang, Quanchen Zou, Junzheng Shi, Zhenfei Yin, Mingchuan Zhang, Aishan Liu, Xianglong Liu
arxiv.org/abs/2510.10073