Just finished "Salvage" by Renée Nault. I'm a sucker for romances in general and for characters like these, so I enjoyed it a lot, even though I wish works like this would actually address the structural issues they bring up more thoroughly. I tend to think about the messages of a work in terms of counterfactuals. For example, how would this story play out of Paolo hadn't been a good artist, or hadn't been so likeable, etc.
Also: how do the wealth differences play out in the end? Paolo & his family might escape poverty by association, but where I their community does these line get drawn and the rest get left behind? The natural true "good ending" for all these cross-class romances is an anarchist revolution, but so rarely do we get to see that... The alternative is to believe that only some of the lower class deserve being saved because of their virtues, which ends up being a toxic and regressive message.
To be fair, I think Nault pulls off an above-average landing for this trope, and her illustrations of the lower-class communities and their own richness are hopeful. I just always find myself wanting more.
All of that aside, Nault's art is truly wonderful, especially her use of color and the way she uses it consistently to emphasize thematic elements. It's a really beautiful graphic novel.
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