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@tiotasram@kolektiva.social
2025-08-30 01:40:19

Just finished "Concrete Rose" by Angie Thomas (I haven't yet read "The Hate U Give" but that's now high on my list of things to find). It's excellent, and in particular, an excellent treatise on positive masculinity in fiction form. It's not a super easy book to read emotionally, but is excellently written and deeply immersive. I don't have the perspective to know how it might land among teens like those it portrays, but I have a feeling it's true enough to life, and it held a lot of great wisdom for me.
CW for the book include murder, hard drugs, and parental abandonment.
I caught myself in a racist/classist habit of thought while reading that others night appreciate hearing about: early on I was mentally comparing it to "All my Rage" by Sabaa Tahir and wondering if/when we'd see the human cost of the drug dealing to the junkies, thinking that it would weaken the book not to include that angle. Why is that racist/classist? Because I'm always expecting books with hard drug dealers in them to show the ugly side of their business since it's been drilled into me that they're evil for the harm they cause, yet I never expect the same of characters who are bankers, financial analysts, health insurance claims adjudicators, police officers, etc. (Okay, maybe I do now look for that in police narratives). The point is, our society includes many people who as part of their jobs directly immiserate others, so why and I only concerned about that misery being brought up when it's drug dealers?
#AmReading

@simon_brooke@mastodon.scot
2025-08-29 08:15:38

@… with a profile name like that, I just have to follow you!
journeyman.cc/blog/posts-outpu

@arXiv_physicsinsdet_bot@mastoxiv.page
2025-08-29 08:24:01

Mineral Detection of Neutrinos and Dark Matter 2025 Proceedings
Shigenobu Hirose, Patrick Stengel, Natsue Abe, Daniel Ang, Lorenzo Apollonio, Gabriela R. Araujo, Yoshihiro Asahara, Laura Baudis, Pranshu Bhaumik, Nathaniel Bowden, Joseph Bramante, Lorenzo Caccianiga, Mason Camp, Qing Chang, Jordan Chapman, Reza Ebadi, Alexey Elykov, Anna Erickson, Valentin Fondement, Katherine Freese, Shota Futamura, Claudio Galelli, Andrew Gilpin, Takeshi Hanyu, Noriko Hasebe, Adam A. Hecht, Samuel C. …

@arXiv_csCL_bot@mastoxiv.page
2025-07-29 08:40:31

MCIF: Multimodal Crosslingual Instruction-Following Benchmark from Scientific Talks
Sara Papi, Maike Z\"ufle, Marco Gaido, Beatrice Savoldi, Danni Liu, Ioannis Douros, Luisa Bentivogli, Jan Niehues
arxiv.org/abs/2507.19634

@leftsidestory@mstdn.social
2025-09-26 00:30:02

Foggy fog 🌫️
雾雾的雾 🌫️
📷 Pentax MX
🎞️ Ilford HP5 Plus, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photo of outdoor furniture arranged in neat stacks. On the left, two tall columns of plastic stools are nested together, each stool featuring small ventilation holes on top. On the right, a stack of plastic chairs with curved backrests and metal legs leans slightly. The chairs are also nested, forming a compact tower. The ground is paved, and a metal rod lies nearby. In the upper left corner, wooden steps suggest proximity to a build…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photo of a city street scene. In the foreground, a circular traffic sign displays the number “50,” indicating a speed limit of 50 km/h. Below it, a rectangular sign with Chinese characters reads “Shuangjing Bridge – Jingguang Bridge.” The signs are mounted on a pole near a leafy tree. In the background, cars and a motorcycle move along a wide road flanked by buildings, including a high-rise and a long residential block. The grainy te…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A monochrome photo of a city skyline shrouded in smog or fog. Several tall buildings are visible, including a striking skyscraper shaped like a twisted column. A green traffic light glows in the foreground, mounted on a pole near streetlights and an overpass. The air appears thick, reducing visibility and softening the outlines of buildings. The image evokes urban density and environmental tension, with a quiet, surreal mood.

中文替代文本:
这是一张黑白城市天际线照片,画面…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photo taken from inside a tunnel or underpass, looking out onto a busy urban road. Several people ride scooters or motorcycles, while one person walks along the sidewalk. The road continues under a series of elevated structures supported by thick columns. In the distance, a bus and a car are visible. The tunnel’s shadow frames the scene, creating strong contrasts between light and dark. The photo captures a moment of city life in mot…
@arXiv_astrophGA_bot@mastoxiv.page
2025-08-28 08:08:31

The mass of the Milky Way from outer halo stars measured by DESI DR1
Gustavo E. Medina, Ting S. Li, Gwendolyn M. Eadie, Alexander H. Riley, Monica Valluri, Nabeel Rehemtulla, Jiaxin Han, Wenting Wang, Amanda Bystr\"om, Leandro Beraldo e Silva, S. E. Koposov, N. R. Sandford, R. G. Carlberg, M. Lambert, O. Y. Gnedin, A. P. Cooper, J. Garc\'ia-Bellido, N. Kizhuprakkat, B. A. Weaver, J. Aguilar, S. Ahlen, A. Anand, D. Bianchi, D. Brooks, T. Claybaugh, A. Cuceu, A. de la Macorra, P…

@compfu@mograph.social
2025-09-24 21:38:09

At some point, DOPs should stop going for even shallower depth of field or even weirder anamorphic lens distortion. I'm feeling like an old guy complaining about how "you can't see anything on the screen! It's too dark". Only I'm like "nothing is in focus anymore you doofuses!"
Yes, this is a subtoot about #Brick on

Outdoor scene from the German Netflix movie Brick. Medium closeup shot of a bearded white guy with a shirt and tie who is standing in the street facing the camera. Two other actors, a brunette woman on the left and a man on the right are with their backs to the camera. Due to the shallow depth of field and motion blur even the actor who should be in focus is slightly out of focus. The street background is very out of focus as are the backs of the other to actors.
@tiotasram@kolektiva.social
2025-09-26 17:02:50

Day 3: Octavia Butler.
Incredibly dark, graphic, and disturbing near-future science fiction, which has proved absolutely prophetic. In the 1990's she was writing about a charismatic Conservative Christian and white nationalist president elected in 2024, and the horrors his paramilitary followers would unleash, including forced labor & indoctrination camps. Did I mention those books include ebikes & pseudo-cellphones too? Characters fleeing north from a disastrous social collapse in Loss Angeles? This is "The Parable of the Sower" and "The Parable of the Talents" and the later was tragically rushed to an end because of Butler's declining health.
Her work deals unflinchingly with racism and the darker parts of society, and to those who might say "her depiction of social collapse is overblown," I'd say that while it's not literally the world we live in, it's *effectively* the world that the poorest of us live in. If you're a homeless undocumented latinx person in LA right now, I'm not sure how meaningfully different your world is from the one she depicts.
Her work comes with a strong content warning for lots of things, including racial violence, sexual abuse and slavery, including of children, animal harm, etc., so it's not for everyone. Reading it in 2023 was certainly an incredible trip. Her politics are really cool though; with explicit pro-LGBTQ themes and tinges of what might today be considered #SolarPunk.
#20WomenAuthors

@Nathan@social.lostinok.com
2025-07-27 21:33:22

A sad passing of a pillar of my sense of humor. My father gave me a copy of That Was the Year That Was when I was about 10 years old and it tickled me in a way that little has since, save maybe Monty Python. May you rest in peace with no pigeons to be found. 🐦

@arXiv_condmatquantgas_bot@mastoxiv.page
2025-06-30 09:11:00

Signatures of rigidity and second sound in dipolar supersolids
G. A. Bougas, T. Bland, H. R. Sadeghpour, S. I. Mistakidis
arxiv.org/abs/2506.22290