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@arXiv_physicsoptics_bot@mastoxiv.page
2025-08-01 09:15:31

Conical diffraction of the synchrotron beam to probe the efficiency and morphology of blazed gratings
K. V. Nikolaev, L. I. Goray, P. S. Savchenkov, A. V. Rogachev, A. A. Chouprik, T. N. Berezovskaya, D. V. Mokhov, S. A. Garakhin, N. I. Chkhalo, A. D. Buravleuv, S. N. Yakunin
arxiv.org/abs/2507.23513

@arXiv_mathAP_bot@mastoxiv.page
2025-09-01 08:15:23

Pattern formation and nonlinear waves close to a 1:1 resonant Turing and Turing--Hopf instability
Bastian Hilder, Christian Kuehn
arxiv.org/abs/2508.21183

@tiotasram@kolektiva.social
2025-07-22 00:03:45

Overly academic/distanced ethical discussions
Had a weird interaction with @/brainwane@social.coop just now. I misinterpreted one of their posts quoting someone else and I think the combination of that plus an interaction pattern where I'd assume their stance on something and respond critically to that ended up with me getting blocked. I don't have hard feelings exactly, and this post is only partly about this particular person, but I noticed something interesting by the end of the conversation that had been bothering me. They repeatedly criticized me for assuming what their position was, but never actually stated their position. They didn't say: "I'm bothered you assumed my position was X, it's actually Y." They just said "I'm bothered you assumed my position was X, please don't assume my position!" I get that it's annoying to have people respond to a straw man version of your argument, but when I in response asked some direct questions about what their position was, they gave some non-answers and then blocked me. It's entirely possible it's a coincidence, and they just happened to run out of patience on that iteration, but it makes me take their critique of my interactions a bit less seriously. I suspect that they just didn't want to hear what I was saying, while at the same time they wanted to feel as if they were someone who values public critique and open discussion of tricky issues (if anyone reading this post also followed our interaction and has a different opinion of my behavior, I'd be glad to hear it; it's possible In effectively being an asshole here and it would be useful to hear that if so).
In any case, the fact that at the end of the entire discussion, I'm realizing I still don't actually know their position on whether they think the AI use case in question is worthwhile feels odd. They praised the system on several occasions, albeit noting some drawbacks while doing so. They said that the system was possibly changing their anti-AI stance, but then got mad at me for assuming this meant that they thought this use-case was justified. Maybe they just haven't made up their mind yet but didn't want to say that?
Interestingly, in one of their own blog posts that got linked in the discussion, they discuss a different AI system, and despite listing a bunch of concrete harms, conclude that it's okay to use it. That's fine; I don't think *every* use of AI is wrong on balance, but what bothered me was that their post dismissed a number of real ethical issues by saying essentially "I haven't seen calls for a boycott over this issue, so it's not a reason to stop use." That's an extremely socially conformist version of ethics that doesn't sit well with me. The discussion also ended up linking this post: chelseatroy.com/2024/08/28/doe which bothered me in a related way. In it, Troy describes classroom teaching techniques for introducing and helping students explore the ethics of AI, and they seem mostly great. They avoid prescribing any particular correct stance, which is important when teaching given the power relationship, and they help students understand the limitations of their perspectives regarding global impacts, which is great. But the overall conclusion of the post is that "nobody is qualified to really judge global impacts, so we should focus on ways to improve outcomes instead of trying to judge them." This bothers me because we actually do have a responsibility to make decisive ethical judgments despite limitations of our perspectives. If we never commit to any ethical judgment against a technology because we think our perspective is too limited to know the true impacts (which I'll concede it invariably is) then we'll have to accept every technology without objection, limiting ourselves to trying to improve their impacts without opposing them. Given who currently controls most of the resources that go into exploration for new technologies, this stance is too permissive. Perhaps if our objection to a technology was absolute and instantly effective, I'd buy the argument that objecting without a deep global view of the long-term risks is dangerous. As things stand, I think that objecting to the development/use of certain technologies in certain contexts is necessary, and although there's a lot of uncertainly, I expect strongly enough that the overall outcomes of objection will be positive that I think it's a good thing to do.
The deeper point here I guess is that this kind of "things are too complicated, let's have a nuanced discussion where we don't come to any conclusions because we see a lot of unknowns along with definite harms" really bothers me.

@leftsidestory@mstdn.social
2025-08-30 00:30:00

On The Road - Train to Xi’An 🚞
在路上 - 去西安的火车 🚞
📷 Minolta Hi-Matic AF
🎞️Kentmere Pan 200
#filmphotography #Photography #blackandwhite

Kentmere Pan 200 (FF)

English Alt Text:
Black and white photo of a person standing in a narrow train corridor, wearing a face mask and looking at a smartphone. The person is dressed in a light shirt and dark pants. The corridor has metallic walls and doors, creating a confined indoor atmosphere.

中文替代文字:
黑白照片,一人站在狭窄的列车走廊中,戴着口罩,低头看手机。此人穿着浅色衬衫和深色裤子。走廊两侧是金属墙和门,营造出封闭的室内环境。
Kentmere Pan 200 (FF)

English Alt Text:
Black and white image of a person seated on a fold-down wall seat in a narrow train corridor. The person faces away from the camera, looking toward the end of the hallway. The corridor has patterned carpet, windows on the left, and doors on the right.

中文替代文字:
黑白图像,一人坐在列车走廊中靠墙的折叠座椅上,背对镜头,望向走廊尽头。地板铺有图案地毯,左侧是窗户,右侧是车厢门。
Kentmere Pan 200 (FF)

English Alt Text:
Black and white photo taken from a seated passenger’s perspective inside a train. The view looks down the aisle, showing overhead lights and luggage compartments. Several passengers are visible, including a man standing in the aisle wearing a light shirt. Seat headrests have white covers with Chinese text. The image has light leaks on both edges, creating a faded effect.

中文替代文字:
黑白照片,从乘客座位视角拍摄,展示列车过道景象。画面中有顶部灯光和行李架,几位乘客可见,其中一名男子穿浅色衬衫站在过道中。座椅头枕上覆盖着印有中文的白…
Kentmere Pan 200 (FF)

English Alt Text:
Interior of a modern passenger train with rows of seats covered in white cloth headrests printed with Chinese text. Several passengers are seated, and one person stands in the aisle using a mobile device. Overhead compartments and a sign in Chinese are visible above the door at the end of the car.

中文替代文字:
现代客运列车内部,座位排成一列,头枕上覆盖着印有中文的白色布套。几位乘客坐着,一人站在过道中使用手机。车厢顶部有行李架,车门上方有中文标识。
@arXiv_physicsfludyn_bot@mastoxiv.page
2025-07-01 11:13:23

Patterning surface textured plates with a viscoplastic fluid
Vanessa R. Kern, P{\aa}l E. S. Olsen, Marcel Moura, Andreas Carlson
arxiv.org/abs/2506.23746

@arXiv_csDC_bot@mastoxiv.page
2025-07-01 09:56:13

QPART: Adaptive Model Quantization and Dynamic Workload Balancing for Accuracy-aware Edge Inference
Xiangchen Li, Saeid Ghafouri, Bo Ji, Hans Vandierendonck, Deepu John, Dimitrios S. Nikolopoulos
arxiv.org/abs/2506.23934

@arXiv_eessSP_bot@mastoxiv.page
2025-09-01 08:52:22

A Single Subject Machine Learning Based Classification of Motor Imagery EEGs
Dario Sanalitro, Marco Finocchiaro, Pasquale Memmolo, Emanuela Cutuli, Maide Bucolo
arxiv.org/abs/2508.21724

@arXiv_csDS_bot@mastoxiv.page
2025-09-01 07:42:12

$\Delta$-Motif: Subgraph Isomorphism at Scale via Data-Centric
Yulun Wang, Esteban Ginez, Jamie Friel, Yuval Baum, Jin-Sung Kim, Alex Shih, Oded Green
arxiv.org/abs/2508.21287

@peterhoneyman@a2mi.social
2025-07-27 17:53:11

Last week, I finished a book that I really liked but the one I followed up with was a letdown so I reckoned I would finally read Elana Ferrante’s “My Brilliant Friend,” which everyone says is so great and it’s on my shelf anyway, bu then I found this old edition of GB Shaw plays and I’m reading that instead, Pygmalion first. It’s very funny — I laughed out loud in Act V. Also — spoiler alert! — it has a better ending than the 1964 film (which I love anyway!).

This photo shows the cover of a vintage hardcover book titled “Four Plays by Bernard Shaw.” The cover is a textured reddish-brown cloth with a black rectangular label centered near the top. The title and author’s name are stamped in gold lettering on the label:

FOUR  
PLAYS BY  
BERNARD  
SHAW

A gold-inked rectangular border surrounds the black label, and at the bottom right of the border is a small, stylized design that resembles a publisher’s colophon. The cover shows some wear, indicating …
Title page: 

FOUR PLAYS BY

BERNARD SHAW

CANDIDA
CAESAR AND CLEOPATRA
PYGMALION
HEARTBREAK HOUSE

INTRODUCTION BY
LOUIS KRONENBERGER

THE MODERN LIBRARY • NEW YORK
Copyright page:

CANDIDA: Copyright, 1898, by George Bernard Shaw
Renewal Copyright, 1926, by George Bernard Shaw

CESAR AND CLEOPATRA: Copyright, 1900, by Herbert S. Stone & Co.
Renewal Copyright, 1928, by George Bernard Shaw

PYGMALION: Copyright, 1913, by George Bernard Shaw
Renewal Copyright, 1941, by George Bernard Shaw

HEARTBREAK HOUSE: Copyright, 1919, by George Bernard Shaw
Renewal Copyright, 1947, by George Bernard Shaw

Copyright, 1953, by Random House, Inc.

All rights fully protect…
@inthehands@hachyderm.io
2025-08-28 18:11:43

More quotable quotes from Krugman:
❝Market pricing almost never takes into account the possibility of huge, disruptive events, even when the strong possibility of such events should be obvious. The usual pattern, instead, is one of market complacency until the last possible moment. That is, markets act as if everything is normal until it’s blindingly obvious that it isn’t.❞
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