 @mgorny@social.treehouse.systems
 @mgorny@social.treehouse.systemsAn approximate history of my amateur phone photography:
1. Really poor photos. Unsavory interest in (low resolution) panoramas.
2. Photos get a little better. Sometimes they're HDRs (I suspect the camera app was set to "auto").
3. A new phone. Higher resolution and a gyroscope.
4. Switching to LineageOS, and therefore to #OpenCamera. HDR enabled unconditionally.
5. HDR does not always come great (compared to the stock Motorola app that doesn't work anymore). I enable saving component photos, so I could try getting a better quality combination using the PC. I never manage that.
6. I start experimenting with exposure correction (combined with HDR). Sometimes I do multiple photos with different "Eves" to choose the best one.
7. A new phone. Finally, given even the gyroscope was failing already.
8. I learn that Pixels have "HDR " that gets activated when you do standard mode photos. For a while I do both standard and HDR photos; also I compare the middle component image with the standard mode image. [https://opencamera.sourceforge.io/help.html#faq]
9. Before I reach any final conclusions, I read "What is HDR, anyway?" I disable HDR entirely, instead I save standard mode (i.e. HDR )   raw images (which presumably aren't affected by HDR ) [https://www.lux.camera/what-is-hdr/]. Not that I ever managed to get anything good out of raws.
10. I discover that I can switch the lens. Today I've made my first photos, switching lens to get optical zoom 💪.
 @tiotasram@kolektiva.social
 @tiotasram@kolektiva.socialDay 6: Kamome Shirahama
Before I wander much father afield, I'd be remiss not to include at least one Mangaka (I've got 8 on my planning list; if you think Manga is pushing it just wait until you see what the next few days have in store).
I'm currently following "Witch Hat Atelier," and it's absolutely amazing in several dimensions: first class world-building, deep philosophical themes, nuanced   diverse cast, tightly-constructed interwoven plots, deep mysteries that keep everything churning and show up in unexpected places, absolutely stellar art both in terms of in-panel depictions and page layouts (some are Watchmen-quality), especially if you are sartorially inclined, and general kindness of its core messages. This is a series I wish every programmer would read, because it includes excellent advice about software design in multiple ways (did I mention there's an intricate and logical magic system within which the main character innovates in legible-to-the-reader-as-innovation ways?). Also, I bet I would have enjoyed this just a much as a 10-year-old as I'm enjoying it in my 30's, which is something that takes well-honed skill to pull off.
Shirahama is a master of her craft, and I'm honestly kinda surprised to see Witch Hat is only her second series. Definitely thinking how I can get my hands on her earlier work in English.
#20AuthorsNoMen
 @simon_brooke@mastodon.scot
 @simon_brooke@mastodon.scot@… with a profile name like that, I just have to follow you!
https://www.journeyman.cc/blog/posts-output/2025-07-02-flying-ou…
 @hynek@mastodon.social
 @hynek@mastodon.socialLong but very good:
"An essay on wank"
It names and identifies one of my least favorite genre of posts – finally I have a proper term for it!
I'm sure I've been guilty of it too in the past, so it's useful for self-regulation, too.
https://deadsimpletech.com/blog/essay_
 @fgraver@hcommons.social
 @fgraver@hcommons.socialLike just about everyone else I know, I seem to spend a lot of time thinking, reading, and talking about #AI. And, given that I work in fine arts education, it's inevitable I think about how AI affects the arts, and how the arts affect AI.
As part of my work in  #ArtsPedagogy, I'm visi…
 @inthehands@hachyderm.io
 @inthehands@hachyderm.io@… I really thought I was already following you?! Oh well, retry, rebort, and refail!
 @tiotasram@kolektiva.social
 @tiotasram@kolektiva.socialOkay, here's the promised follow-up with more authors I respect who didn't make it onto this list. I won't do deep dives but I'll list at least one work per author:
YA novelists:
- Randi Pink ("Girls Like Us")
- Louisa Onomé ("Twice as Perfect")
- Emery Lee ("Meet Cute Diary")
- Robin Benway ("Far from the Tree")
- Angela Velez ("Lulu and Milagro's Search for Clarity")
Children's book authors:
- Jacqueline Davies ("Bubbles Up")
- Freya Hartas ("Slow Down in the Park")
Novelists:
- Rimma Onoseta ("How You Grow Wings")
Graphic novelists:
- Linda Medley ("Castle Waiting")
- 🖋️Magsalene Visaggio   🖌️Paulina Ganucheau ("Girlmode")
- Ursula Vernon ("Digger")
- SJ Sindu ("Tall Water" w/ Dion MBD)
- Hope Larson ("Be That Way"; "Salt Magic" w/ Rebecca Mock)
- Lily Williams   Karen Schneemann ("Go With the Flow")
- Maia Kobabe ("Gender Queer")
- Kay O'Neill ("Tea Dragon Society")
- Marjane Satrapi ("Persepolis")
Mangaka:
- Kaoru Mori ("Young Bride's Stories")
- Ryoko Kui ("Delicious in Dungeon")
- Natsuki Takaya ("Fruits Basket")
Anime writers/directors and/or Japanese light/fantasy/SF novelists:
- Nahoko Uehashi ("Moribito")
- Sayo Yamamoto ("Michiko & Hatchin"; "Yuri!!! On Ice")
- Mari Okada ("Ano Hana: The Flower we Saw That Day"; "Toradora!")
Game designers/programmers:
(Upon review I was pretty remiss in skipping over a few of these people, some of whom I wasn't aware of but most of whom I just didn't remember when writing my short list. Subconscious misogyny in action. Short & Thorson probably would have squeezed out some of the YA authors I included, although I have no real regrets.)
- Junko Kawano ("Suikoden")
- Elizabeth LaPensée ("When Rivers Were Trails")
- Momo Pixel ("Hair Nah")
- Zoë Quinn ("Depression Quest"; narrative designer on "Solar Ash")
- Kellee Santiago ("Cloud"; "Flower")
- Tanya X. Short ("Moon Hunters")
- Kim Swift ("Portal")
- Maddy Thorson ("Celeste")
- Andi McClure @… ("Jumpman")
Note: I haven't included composers or artists here, but there's a deep bench.
Games journalists/steamers:
- Tanya DePass @…  (#/INeedDiverseGames; twitch streams)
- Anita Sarkeesian (Feminist Frequency)
Game/play scholars:
- Mary Flanagan ("Critical Play")
- Tracy Fullerton ("Game Design Workshop")
- Brenda Laurel ("Toward the Design of a Computer-Based Interactive Fantasy System")
- Janet Murray ("Hamlet on the Holodeck"l
- Susana Tosca ("A Pragmatics of Links")
- Jichen Zhu ("Agency Play: Dimensions of Agency for Interactive Narrative Design")
- Magy Seif El Nasr ("Design patterns to guide player movement in 3D games")
- Kate Compton ("Causal Creators"; also "Spore")
P.S. upon consideration I've decided not to include any authors who are men in this coda.
There are definitely others who probably deserve to be here that I'm forgetting...
#GsmeDesign #Authors
 @tiotasram@kolektiva.social
 @tiotasram@kolektiva.socialJust finished "Concrete Rose" by Angie Thomas (I haven't yet read "The Hate U Give" but that's now high on my list of things to find). It's excellent, and in particular, an excellent treatise on positive masculinity in fiction form. It's not a super easy book to read emotionally, but is excellently written and deeply immersive. I don't have the perspective to know how it might land among teens like those it portrays, but I have a feeling it's true enough to life, and it held a lot of great wisdom for me.
CW for the book include murder, hard drugs, and parental abandonment.
I caught myself in a racist/classist habit of thought while reading that others night appreciate hearing about: early on I was mentally comparing it to "All my Rage" by Sabaa Tahir and wondering if/when we'd see the human cost of the drug dealing to the junkies, thinking that it would weaken the book not to include that angle. Why is that racist/classist? Because I'm always expecting books with hard drug dealers in them to show the ugly side of their business since it's been drilled into me that they're evil for the harm they cause, yet I never expect the same of characters who are bankers, financial analysts, health insurance claims adjudicators, police officers, etc. (Okay, maybe I do now look for that in police narratives). The point is, our society includes many people who as part of their jobs directly immiserate others, so why and I only concerned about that misery being brought up when it's drug dealers?
#AmReading
 @mgorny@social.treehouse.systems
 @mgorny@social.treehouse.systemsReally silly dream
I had a really silly #dream recently. I dreamt that my CFL broke. Or more specifically, it kept trying to turn out, successive parts of it were lighting up, then it all went off and tried again. And it looked like it had a bunch of cuts across it, and around these cuts little thunder sparks started appearing, like some kind of STALKER-like anomaly.
I finally flipped the switch, but the anomaly remained, and I wanted to get rid of it in case the sparks could jump onto my hardware and damage something. So I threw a metal bowl towards it, supposing the thunder would jump onto it. While it was flying near the anomaly, it slowed down and started turning back like a boomerang. On top of that, pieces of cat food (don't ask me why I threw a full bowl) were getting out of it and staying in the air levitating. When the bowl reached the floor and started turning again, Mr Ek came close to it and started levitating himself; he was sitting a few centimeters above the floor.
In the middle of all this, I've figured out I should record it. I took a bunch of photos with my phone, before I managed to switch to recording video.
Once I've recorded the fascinating flying bowls and levitating cat food, I needed to go back to discharging the thing. I threw a second metal bowl, and that one started levitating as well. I've figured out that's stupid, and I've found some big ass hammer with a metal end and a wooden handle. I held the end near the lamp to charge it, then tried to find something to discharge it to. I've tried some small stuff like the door handle, but obviously that wasn't sufficient. Finally, I've figured out to use the electricity box, since it is grounded. I held the hammer to it, watching sparks light the semi-darkness; I've recorded that as well.
And that's how much of it I remember.