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@blakes7bot@mas.torpidity.net
2026-01-28 17:41:04

Series C, Episode 07 - Children of Auron
AVON: So. Those little monsters give us a breather.
TARRANT: Not that it'll do us much good without bracelets to get us up to the Liberator.
blake.torpidity.net/m/307/535 B7B4

Claude Sonnet 4.5 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The image shows two characters in what appears to be a dimly lit, confined interior space, likely aboard a spacecraft or station. The lighting creates a tense, dramatic atmosphere with shadows falling across their faces.

The character on the left wears dark clothing with what appears to be a ribbed or textured collar detail. The ch…
@blakes7bot@mas.torpidity.net
2026-01-30 10:30:27

Series D, Episode 05 - Animals
SLAVE: Oh, er...
TARRANT: Come on, come on!
SLAVE: Try zero seven two.
TARRANT: Zero seven two it is. [Explosions on the flight deck, Tarrant is dazed]
blake.torpidity.net/m/405/26 B7B2

Claude Sonnet 4 describes the image as: "This image shows the interior of what appears to be a spacecraft or space station, featuring a distinctive retro-futuristic design typical of classic science fiction films. The setting has a predominantly green color scheme with curved walls and ceiling panels. The space contains various technological elements including control panels, screens, and what looks like a spherical pod or chamber in the center. The architecture has a utilitarian, industrial fe…
@blakes7bot@mas.torpidity.net
2025-12-30 10:19:17

Series D, Episode 02 - Power
VILA: Oh yes. I just don't know what it's for.
PELLA: And they didn't teach this in, ah, Academy? [laughs] There's a switch. When the door is closed, every forty-eight hours Dorian must say a code word to reset the timing.
blake.torpidity.net/m/402/150

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, showing two characters in what looks like a spaceship or futuristic facility corridor. The setting features distinctive metallic ventilation panels and neutral-toned walls typical of 1970s-80s sci-fi aesthetics.

On the left stands a character wearing an elegant flowing cream-colored robe or gown with draped fabric and a decorative collar piece. The styling inclu…
@arXiv_physicsfludyn_bot@mastoxiv.page
2026-02-26 09:01:51

Large eddy simulation of turbulent swirl-stabilized flames using the front propagation formulation: impact of the resolved flame thickness
Ruochen Guo, Yunde Su, Yuewen Jiang
arxiv.org/abs/2602.21940 arxiv.org/pdf/2602.21940 arxiv.org/html/2602.21940
arXiv:2602.21940v1 Announce Type: new
Abstract: This work extends the front propagation formulation (FPF) combustion model to large eddy simulation (LES) of swirl-stabilized turbulent premixed flames and investigates the effects of resolved flame thickness on the predicted flame dynamics. The FPF method is designed to mitigate the spurious propagation of under-resolved flames while preserving the reaction characteristics of filtered flame fronts. In this study, the model is extended to account for non-adiabatic effects and is coupled with an improved sub-filter flame speed estimation that resolves the inconsistency arising from heat-release effects on local sub-filter turbulence. The performance of the extended FPF method is validated by LES of the TECFLAM swirl-stabilized burner, where the results agree well with experimental measurements. The simulations reveal that the stretching of vortical structures in the outer shear layer leads to the formation of trapped flame pockets, which are identified as the physical mechanism responsible for the secondary temperature peaks observed in the experiment. The prediction of this phenomenon is shown to be strongly dependent on the resolved flame thickness, when the filter size is used for modeling sub-filter flame wrinklings. Without proper modeling of the chemical steepening effects, the thickness of the resolved flame brush is over-predicted, causing the flame consumption rate to be under-estimated. Consequently, the flame brush detaches from the outer shear layer, resulting in a failure to capture the flame pockets and the associated secondary temperature peaks.
toXiv_bot_toot

@blakes7bot@mas.torpidity.net
2026-02-27 07:25:30

#Blakes7 Series C, Episode 04 - Dawn of the Gods
THAARN: It's too dangerous. Cally.
CALLY: Then I will never be able to trust you. [draws handgun]
THAARN: Very well. You see, your feelings are no different. [Cally shoots randomly around her]

GPT 4.1 Mini describes the image as: "The image shows a woman with short, curly brown hair, wearing a light gray cardigan with black patterns over a black top. She is seated or standing against a dark background featuring some artistic, indistinct floral or abstract designs, giving the scene a somewhat introspective or somber mood. The lighting is soft but focused on her face, highlighting her expression, which appears thoughtful or contemplative, and directed slightly upwards or away from the …
@crell@phpc.social
2026-03-13 16:38:45

Oh good. TurboTax is now using a chatbot as part of their filing process, and letting it determine if your filing is accurate.
... I expect a lot more audits in the near future. *sigh*
#AI #LLM #FuckAI

@blakes7bot@mas.torpidity.net
2026-03-25 13:33:02

Series D, Episode 08 - Games
BELKOV: And I'm the only one who can get them for you. It is a game Commissioner, and I hold the winning hand.
SERVALAN: No hand is a winning hand until it's played, Belkov. You should know that.
[Scorpio]
blake.torpidity.net/m/408/99 B7…

Claude Sonnet 4.6 describes the image as: "This image is from the classic BBC Television series **Blake's 7**. The scene takes place in a cave-like setting with rough stone walls, suggesting an underground or alien environment.

In the scene, a woman in a sleek black dress stands at the center, her hands clasped in front of her. She appears composed yet somewhat tense, as she is clearly being confronted or held under guard. Two figures dressed in dark, militaristic uniforms flank the scene — on…
@blakes7bot@mas.torpidity.net
2026-01-27 11:40:08

Series B, Episode 10 - Voice from the Past
[Corridor just outside Conference Room]
GLYND: How are you feeling?
BLAKE: Excited.
GLYND: Not without cause.
LE GRAND: Your finest hour.
BLAKE: Good luck
blake.torpidity.net/m/210/567 B7B2

Claude Sonnet 3.7 describes the image as: "The image appears to be a still from a film or television production with a dramatic, noir-like quality. It shows two figures from behind, facing what appears to be a large screen or projection. The two figures are wearing light-colored clothing and stand in silhouette.

In the center of the image, a pair of eyes is visible against a dark background, creating an eerie, watchful presence. The composition creates a sense of tension, with the two figures …
@blakes7bot@mas.torpidity.net
2026-01-13 07:17:00

#Blakes7 Series D, Episode 05 - Animals
SLAVE: I can find no trace of one, sir.
[On planet's surface, Dayna looks around and sees an animal following her]
TARRANT: Dayna.
blake.torpidity.net/m/405/13

@blakes7bot@mas.torpidity.net
2026-03-16 13:28:24

Series A, Episode 10 - Breakdown
JENNA: [V.O.]I think she's holding. We're levelling off.
BLAKE: [V.O.]Keep it steady.
CALLY: How are you feeling?
GAN: Tired. Very tired. What's been happening?
blake.torpidity.net/m/110/263 B7B3