Tootfinder

Ik heb geen woorden en zou willen dat iedereen deze film ziet.
Put Your Soul on Your Hand and Walk’
https://cineville.nl/films/put-your-soul-on-your-hand-and-walk

Put Your Soul on Your Hand and Walk
200 dagen videobelt Sepideh Farsi met fotojournalist Fatma in Gaza-stad. Vanuit Fatma’s woning ontvouwt zich een zeldzaam perspectief op een onmenselijk bestaan.

Car culture at its absolute worst meets an unjust legal system. Parents lose a son and are then convicted of a felony because they let him walk across the street. Gift link https://www.nytimes.com/2025/08/06/opinion

Opinion | They Let Their Children Cross the Street and Now They’re Felons
They went to jail when their boy was killed. Why don’t road planners bear some guilt?

One reason why we chose #Baiersbronn for our last vacation was the #Landesgartenschau (#Garden show?).
It would have been a gem for flower and garden

Moody Urbanity - Somewhere 🔲
情绪化城市 - 某处 🔲
📷 Nikon FE
🎞️ Lucky SHD 400
#filmphotography #Photography #blackandwhite

"""
In melancholy, the spirits are carried away by an agitation, but a weak agitation that lacks power or violence, a sort of impotent upset that follows neither a particular path nor the aperta opercula [open ways], but traverses the cerebral matter constantly creating new pores. Yet the spirits do not wander far on the new paths they create, and their agitation dies down rapidly, as their strength is quickly spent and motion comes to a halt: ‘non longe perveniunt’ [they do not reach far]. A trouble of this nature, common to all delirium, does not have the power to produce on the surface of the body the violent movements or the cries to be observed in mania and frenzy. Melancholy never attains frenzy; it is a madness always at the limits of its own impotence. That paradox is explained by the secret alterations in the spirits. Ordinarily, they travel with the speed and instantaneous transparency of rays of light, but in melancholy they become weighed down with night, becoming ‘obscure, thick and dark’, and the images of things that they bring before consciousness are ‘in a shadow, or covered with darkness’. As a result they move more slowly, and are more like a dark, chemical vapour than pure light. This chemical vapour is acid in nature, rather than sulphurous or alcoholic, for in acid vapours the particles are mobile and incapable of repose, but their activity is weak and without consequence. When they are distilled, all that remains in the still is a kind of insipid phlegm. Acid vapours, therefore, are taken to have the same properties as melancholy, whereas alcoholic vapours, which are always ready to burst into flames, are more related to frenzy, and sulphurous vapours bring on mania, as they are agitated by continuous, violent movement. If the ‘formal reason and causes’ of melancholy were to be sought, it made sense to look for them in the vapours that rose up from the blood to the head, and which had degenerated into ‘an acetous or sharp distillation’. A cursory glance seems to indicate that a melancholy of spirits and a whole chemistry of humours lies behind Willis’ analyses, but in fact his guiding principle mostly reflects the immediate qualities of the melancholic illness: an impotent disorder, and the shadow that comes over the spirit with an acrid acidity that slowly corrodes the heart and the mind. The chemistry of acids is not an explanation of the symptoms, but a qualitative option: a whole phenomenology of melancholic experience.
"""
(Michel Foucault, History of Madness)

Non-self-adjoint sixth-order eigenvalue problems arising from clamped elastic thin films on closed domains
N C Papanicolaou, I C Christov
https://arxiv.org/abs/2508.01952 https:…

Non-self-adjoint sixth-order eigenvalue problems arising from clamped elastic thin films on closed domains
Sixth-order boundary value problems (BVPs) arise in thin-film flows with a surface that has elastic bending resistance. We consider the case in which the elastic interface is clamped at the lateral walls of a closed trough and thus encloses a finite amount of fluid. For a slender film undergoing infinitesimal deformations, the displacement of the elastic surface from its initial equilibrium position obeys a sixth-order (in space) initial boundary value problem (IBVP). To solve this IBVP, we con…

Car culture at its absolute worst meets an unjust legal system. Parents lose a son and are then convicted of a felony because they let him walk across the street. Gift link https://www.nytimes.com/2025/08/06/opinion

Opinion | They Let Their Children Cross the Street and Now They’re Felons
They went to jail when their boy was killed. Why don’t road planners bear some guilt?

Scale dependence of segregation patterns in the filling of silos
Shivakumar Athani, Benjy Marks, Fran\c{c}ois Guillard, Alistair Gillespie, Itai Einav
https://arxiv.org/abs/2508.00318

Scale dependence of segregation patterns in the filling of silos
Size segregation in granular flows is a well-known phenomenon: laboratory experiments consistently show that large particles migrate toward silo walls during filling, while smaller particles concentrate near the center. Paradoxically, field observations in large-scale industrial silos often report the opposite pattern, challenging these findings. We demarcate these patterns through a systematic experimental study spanning a range of dimensionless numbers relevant to bidisperse granular flows in…

Having a real calm day today with a leisure walk.
(REALLY Calm this time)
#badtölz #tölzerland #bayern

Moody Urbanity - Nowhere 🔲
情绪化城市 - 无处 🔲
📷 Nikon FE
🎞️ Lucky SHD 400
#filmphotography #Photography #blackandwhite