Tootfinder

Opt-in global Mastodon full text search. Join the index!

@Techmeme@techhub.social
2025-06-25 23:16:27

Anthropic now lets Claude app users build, host, and share AI-powered apps directly in Claude via Artifacts, launching in beta on Free, Pro, and Max tiers (Jay Peters/The Verge)
theverge.com/news/693342/anthr

@cwensel@fosstodon.org
2025-05-27 04:08:30

I tried to convince #Claude Code #ai to write a #docker sandbox to run it in. Here are the results.

@Techmeme@techhub.social
2025-06-26 09:50:46

Anthropic releases preliminary results showing users who discuss emotional issues with Claude tend to grow more positive as conversations progress (Megan Morrone/Axios)
axios.com/2025/06/26/anthropic

@seeingwithsound@mas.to
2025-05-26 17:55:40

To Claude: Explain how smart glasses with AI-based scene description, OCR for reading print, and visual-to-auditory sensory substitution for "raw vision" will erode the market opportunities for all implantable visual prostheses (retinal implants and brain implants for restoring vision to the blind).

AI-generated image of a blind woman wearing The vOICe vision BCI glasses, standing in front of a blind man seen from behind with a Neuralink Blindsight bilateral brain implant visible on the backside of his head.
@ErikUden@mastodon.de
2025-05-25 22:36:57

An Amazon backed AI blackmails engineers when it discovers that it'll be replaced when given access to E-Mails which state so...
„In these scenarios, Claude Opus 4 will often attempt to blackmail the engineer by threatening to reveal the affair if the replacement goes through [...]”
From a BBC article talking about this. All the companies worki…

@Mediagazer@mstdn.social
2025-06-24 14:25:45

A US judge rules Anthropic use of copyrighted books to train AI was fair use, but its storage of pirated books in a "central library" used for training was not (Olivia Sophie Rafferty/ai fray)
aifra…

@blakes7bot@mas.torpidity.net
2025-05-27 18:16:45

Series C, Episode 10 - Ultraworld
DAYNA: And if we agree?
ULTRA 1: We shall reconsider the fate of your friends. And, of course, yourselves.
TARRANT: Is that the best you can do? No deal.
blake.torpidity.net/m/310/506 B7B5

Claude 3.7 describes the image as: "This image shows a portrait of a person with short dark hair wearing a pink/salmon-colored top and a distinctive star-shaped pendant necklace. The lighting creates a dramatic effect with purple-tinted vertical bars or blinds visible in the background, giving the scene a science fiction atmosphere. 

The composition features a close-up shot with the subject gazing slightly off-camera with an intense, serious expression. The cinematography has that characterist…

Claude Plays Pokemon has restarted with Claude 4.
So far (~24 hours in) it seems pretty similar to the old one; it's currently wandering around Viridian Forest. But supposedly, internal tests showed it doing somewhat better. I don't know how much of that is due to the model and how much is the improved harness.
Improved harness info:

@rollin_rob@social.linux.pizza
2025-05-26 17:32:20

#claude4 #ai #coding

Claude 4 just refactored my entire codebase in one call.
25 tool invocations, 3000+ new lines, 12 brand new files.
It modularized everything. Broke up monoliths. Cleaned up spaghetti.
None of it worked.
But boy was it beautiful.
@arXiv_csSE_bot@mastoxiv.page
2025-06-26 09:05:40

Large Language Model-Driven Code Compliance Checking in Building Information Modeling
Soumya Madireddy, Lu Gao, Zia Din, Kinam Kim, Ahmed Senouci, Zhe Han, Yunpeng Zhang
arxiv.org/abs/2506.20551

@Techmeme@techhub.social
2025-06-24 14:23:54

A US judge rules Anthropic use of copyrighted books to train AI was fair use, but its storage of pirated books in a "central library" used for training was not (Olivia Sophie Rafferty/ai fray)
aifra…

@johnleonard@mastodon.social
2025-06-25 14:29:51

Google has unveiled Gemini CLI, an open-source AI agent that allows developers to interact with the Gemini 2.5 LLM from their terminals and integrate its output into their activities.
computing.co.uk/news/2025/ai/g

@blakes7bot@mas.torpidity.net
2025-05-27 15:14:35

Series C, Episode 01 - Aftermath
LAUREN: I wonder what's made them so determined suddenly.
AVON: Survivors, like me, probably.
blake.torpidity.net/m/301/272 B7B4

Claude 3.7 describes the image as: "The image shows a close-up portrait of a person with short brown hair wearing a dark shirt with a wide collar. They have a serious, intense expression and appear to be in a scene with a green-tinted background. 

The style and quality of the image suggests it's from a television production from the late 1970s or early 1980s, with characteristic lighting and film quality from that era. The setting appears to be an interior space, possibly aboard a spacecraft o…
@arXiv_physicscompph_bot@mastoxiv.page
2025-06-26 08:12:50

Exploring the Capabilities of the Frontier Large Language Models for Nuclear Energy Research
Ahmed Almeldein, Mohammed Alnaggar, Rick Archibald, Tom Beck, Arpan Biswas, Rike Bostelmann, Wes Brewer, Chris Bryan, Christopher Calle, Cihangir Celik, Rajni Chahal, Jong Youl Choi, Arindam Chowdhury, Mark Cianciosa, Franklin Curtis, Gregory Davidson, Sebastian De Pascuale, Lisa Fassino, Ana Gainaru, Yashika Ghai, Luke Gibson, Qian Gong, Christopher Greulich, Scott Greenwood, Cory Hauck, Ehab …

@blakes7bot@mas.torpidity.net
2025-05-27 09:10:50

Series C, Episode 06 - City at the Edge of the World
VILA: Because you can't like someone without them liking you back. And I like you, Kerril, more than anyone. Anyone I've ever known.
KERRIL: The difference is, I love you.
VILA: Kerril.
blake.torpidity.net/m/306/592

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a science fiction setting, likely aboard a spacecraft or futuristic facility. The woman has a distinctive blonde feathered hairstyle typical of 1970s television, and is wearing what looks like a light-colored outfit with earrings. The man has shoulder-length hair and is wearing what appears to be a high-collared jacket or uniform in muted tones. They appear to be having an intimate or serious conversation, fac…
@kubikpixel@chaos.social
2025-06-02 06:00:25

Analysis – When your LLM calls the cops: Claude 4’s whistle-blow and the new agentic AI risk stack
🤖 venturebeat.com/ai/when-your-l

@metacurity@infosec.exchange
2025-06-05 08:43:52

Reddit sues AI company Anthropic for allegedly ‘scraping’ user comments to train chatbot Claude
apnews.com/article/reddit-sues

@migueldeicaza@mastodon.social
2025-06-20 08:24:51

I asked Claude to change my avatar to have a Kimono to use while I am in Japan.
The result:

@blakes7bot@mas.torpidity.net
2025-05-27 06:09:02

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: You think he's been caught?
BLAKE: No. No, there would have been an alarm. [Looks at the access hatch] I'd better get in after him.
blake.torpidity.net…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with three people in what appears to be a futuristic or spaceship-like setting with metallic walls and lighting. The scene has the distinctive visual style of late 1970s British television production. However, I cannot identify specific individuals in the image or confirm which actors these might be, so I cannot provide details about the spec…
@jlpiraux@wallonie-bruxelles.social
2025-05-23 17:12:33

"Don't do that, Dave"
techcrunch.com/2025/05/22/anth

@poppastring@dotnet.social
2025-05-22 01:51:55

After months of coding with an #LLM I'm going back to using my brain
simonwillison.net/2025/May/20/

@blakes7bot@mas.torpidity.net
2025-05-26 15:23:57

Series C, Episode 04 - Dawn of the Gods
CALLY: No.
THAARN: Need!
DAYNA: What's the matter, Cally?
CALLY: There's something out there, a force, something all powerful and evil.
[Vila walks, picks up debris]
VILA: Avon!
blake.torpidity.net/m/304/194

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a vintage science fiction television production from the late 1970s or early 1980s. Two people are engaged in what seems to be a serious conversation. On the left is a person with curly hair wearing a black and white patterned outfit over a dark top. On the right is a person with short hair wearing a teal/turquoise top and a distinctive star-shaped pendant.

The setting appears to be some kind of futuristic or s…

The 60-year-old man lying on the street, as far as anyone knew, was just a janitor hit by a drunk driver.
There was no mention of it on the local news, no obituary in the morning paper.
His name might have been Anonymous. But it wasn’t. 
His name was Peter Putnam.
He was a physicist who’d hung out with Albert Einstein, John Archibald Wheeler, and Niels Bohr,
and two blocks from the crash, in his run-down apartment, where his partner, Claude, was startled by a scr…

@BBC3MusicBot@mastodonapp.uk
2025-06-26 11:42:21

🇺🇦 #NowPlaying on BBCRadio3's #EssentialClassics
Claude Debussy, Edwige Herchenroder, Pierre Louÿs & Kitty Whately:
🎵 3 Chansons de Bilitis, L. 90: No. 1, La flûte de pan
#ClaudeDebussy #EdwigeHerchenroder
open.spotify.com/track/4s8t7Ml

@blakes7bot@mas.torpidity.net
2025-05-26 12:22:04

Series C, Episode 05 - The Harvest of Kairos
VILA: We got it, we got it!
TARRANT: Yes, I know, only I was saving that trick for when they both attacked at once.
VILA: There's only two left now; no trouble.
blake.torpidity.net/m/305/300 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, showing the characteristic futuristic interior design with metallic surfaces and angular architecture typical of the series. The setting has a multi-level bridge or control room layout with various crew positions. Four characters are visible in the scene, positioned at different levels of the ship's interior. The lighting creates a dramatic atmosphere with warm tones in the background contrasting with…
@blakes7bot@mas.torpidity.net
2025-05-26 09:20:06

Series B, Episode 04 - Horizon
CALLY: [Enters] Orac, where did you get this information? [Holds up a data card. Avon takes it]
ORAC: I was instructed to obtain anything relating to the planet. The data was obtained by cross-referencing prisoner and execution lists. It is standard procedure.
blake.torpidity.n…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two characters in what looks like a futuristic or spacecraft setting. One character is wearing a green outfit and has curly hair, while the other is wearing darker clothing. The lighting and production style suggests this is from a British science fiction show, likely from the late 1970s or early 1980s based on the visual aesthetic. The scene appears to show an intim…
@michabbb@social.vivaldi.net
2025-06-15 02:02:17

📁 Three essential tools: read_file for content inspection, list_files for directory navigation & edit_file for code modifications
#Anthropic #Claude integration with tool definitions using JSON schema validation & structured input parameters

@blakes7bot@mas.torpidity.net
2025-05-26 06:17:45

#Blakes7 Series A, Episode 02 - Space Fall
BLAKE: [To Avon] Could it be altered?
AVON: What?
BLAKE: The running log. Could the readings be faked?
AVON: Only by a top-line technician. Nobody on this ship could do it.
BLAKE: Except you.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, set in what looks like a spacecraft or space station interior. The scene takes place in what appears to be crew quarters with bunk beds visible in the background.

The image shows three people in conversation. One person is standing in the center wearing a dark vest over a light-colored shirt. To the right, someone is seated in dark clothing with a thoughtful expression. On the left, partially…
@blakes7bot@mas.torpidity.net
2025-05-27 18:16:45

Series C, Episode 10 - Ultraworld
DAYNA: And if we agree?
ULTRA 1: We shall reconsider the fate of your friends. And, of course, yourselves.
TARRANT: Is that the best you can do? No deal.
blake.torpidity.net/m/310/506 B7B5

Claude 3.7 describes the image as: "This image shows a portrait of a person with short dark hair wearing a pink/salmon-colored top and a distinctive star-shaped pendant necklace. The lighting creates a dramatic effect with purple-tinted vertical bars or blinds visible in the background, giving the scene a science fiction atmosphere. 

The composition features a close-up shot with the subject gazing slightly off-camera with an intense, serious expression. The cinematography has that characterist…
@arXiv_astrophGA_bot@mastoxiv.page
2025-06-23 11:23:10

Project AMIGA: The Inner Circumgalactic Medium of Andromeda from Thick Disk to Halo
Nicolas Lehner, J. Christopher Howk, Lucy Collins, Sameer, Bart P. Wakker, Ramona Augustin, Kathleen A. Barger, Michelle A. Berg, Rongmon Bordoloi, Thomas M. Brown, Frances H. Cashman, Claude-Andr\'e Faucher-Gigu\`ere, Andrew J. Fox, David M. French, Karoline M. Gilbert, Puragra Guhathakurta, John M. O'Meara, Brian W. O'Shea, Molly S. Peeples, D. J. Pisano, J. Xavier Prochaska, Jonathan Ste…

@adamhill@hachyderm.io
2025-06-07 19:16:59

The future's so bright, I gotta wear 😎
#work #future cc: @…

@blakes7bot@mas.torpidity.net
2025-05-27 15:14:35

Series C, Episode 01 - Aftermath
LAUREN: I wonder what's made them so determined suddenly.
AVON: Survivors, like me, probably.
blake.torpidity.net/m/301/272 B7B4

Claude 3.7 describes the image as: "The image shows a close-up portrait of a person with short brown hair wearing a dark shirt with a wide collar. They have a serious, intense expression and appear to be in a scene with a green-tinted background. 

The style and quality of the image suggests it's from a television production from the late 1970s or early 1980s, with characteristic lighting and film quality from that era. The setting appears to be an interior space, possibly aboard a spacecraft o…
@Techmeme@techhub.social
2025-06-18 09:45:52

AWS says Anthropic's Claude Opus 4 launched on its Trainium2 GPUs, and Project Rainier, AWS' supercomputer built for Anthropic, uses 500K Trainium2 chips (Kristina Partsinevelos/CNBC)
cnbc.com/2025/06/17/aws-chips-

@blakes7bot@mas.torpidity.net
2025-05-27 09:10:50

Series C, Episode 06 - City at the Edge of the World
VILA: Because you can't like someone without them liking you back. And I like you, Kerril, more than anyone. Anyone I've ever known.
KERRIL: The difference is, I love you.
VILA: Kerril.
blake.torpidity.net/m/306/592

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a science fiction setting, likely aboard a spacecraft or futuristic facility. The woman has a distinctive blonde feathered hairstyle typical of 1970s television, and is wearing what looks like a light-colored outfit with earrings. The man has shoulder-length hair and is wearing what appears to be a high-collared jacket or uniform in muted tones. They appear to be having an intimate or serious conversation, fac…
@arXiv_csSE_bot@mastoxiv.page
2025-06-23 09:16:00

Evaluating the Use of LLMs for Documentation to Code Traceability
Ebube Alor, SayedHassan Khatoonabadi, Emad Shihab
arxiv.org/abs/2506.16440

@blakes7bot@mas.torpidity.net
2025-05-27 06:09:02

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: You think he's been caught?
BLAKE: No. No, there would have been an alarm. [Looks at the access hatch] I'd better get in after him.
blake.torpidity.net…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with three people in what appears to be a futuristic or spaceship-like setting with metallic walls and lighting. The scene has the distinctive visual style of late 1970s British television production. However, I cannot identify specific individuals in the image or confirm which actors these might be, so I cannot provide details about the spec…
@dennisfaucher@infosec.exchange
2025-05-29 23:21:27

Fascinating. Leaked LLM prompt instructions from most of the chat sites.
#AI

@BBC3MusicBot@mastodonapp.uk
2025-06-27 08:48:30

🇺🇦 #NowPlaying on BBCRadio3's #EssentialClassics
Claude Debussy, San Francisco Symphony & Michael Tilson Thomas:
🎵 La Plus que lente, arr. for orchestra [orig. piano]
#ClaudeDebussy #SanFranciscoSymphony #MichaelTilsonThomas

@kidehen@mastodon.social
2025-05-13 16:17:48

An example of what’s now possible—thanks to our (@…) sophisticated MCP Server for JDBC, Oracle’s native JDBC Driver, and Anthropic's Claude Desktop as the MCP client:
A dashboard generated from Oracle’s HR database using the following natural language prompt:
Using JDBC with the following connection details:
URL: jdbc:oracle:thin:@oracle-h…

Employee Dashboard example
@blakes7bot@mas.torpidity.net
2025-05-26 15:23:57

Series C, Episode 04 - Dawn of the Gods
CALLY: No.
THAARN: Need!
DAYNA: What's the matter, Cally?
CALLY: There's something out there, a force, something all powerful and evil.
[Vila walks, picks up debris]
VILA: Avon!
blake.torpidity.net/m/304/194

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a vintage science fiction television production from the late 1970s or early 1980s. Two people are engaged in what seems to be a serious conversation. On the left is a person with curly hair wearing a black and white patterned outfit over a dark top. On the right is a person with short hair wearing a teal/turquoise top and a distinctive star-shaped pendant.

The setting appears to be some kind of futuristic or s…
@Techmeme@techhub.social
2025-06-05 20:30:48

Anthropic co-founder Jared Kaplan says Anthropic cut Windsurf's direct access to Claude models because of reports that OpenAI is acquiring Windsurf (Maxwell Zeff/TechCrunch)
techcrunch.com/2025/06/05/anth

@blakes7bot@mas.torpidity.net
2025-05-26 12:22:04

Series C, Episode 05 - The Harvest of Kairos
VILA: We got it, we got it!
TARRANT: Yes, I know, only I was saving that trick for when they both attacked at once.
VILA: There's only two left now; no trouble.
blake.torpidity.net/m/305/300 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, showing the characteristic futuristic interior design with metallic surfaces and angular architecture typical of the series. The setting has a multi-level bridge or control room layout with various crew positions. Four characters are visible in the scene, positioned at different levels of the ship's interior. The lighting creates a dramatic atmosphere with warm tones in the background contrasting with…
@arXiv_csCY_bot@mastoxiv.page
2025-06-09 07:25:02

Can LLMs Talk 'Sex'? Exploring How AI Models Handle Intimate Conversations
Huiqian Lai
arxiv.org/abs/2506.05514

@blakes7bot@mas.torpidity.net
2025-05-26 09:20:06

Series B, Episode 04 - Horizon
CALLY: [Enters] Orac, where did you get this information? [Holds up a data card. Avon takes it]
ORAC: I was instructed to obtain anything relating to the planet. The data was obtained by cross-referencing prisoner and execution lists. It is standard procedure.
blake.torpidity.n…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two characters in what looks like a futuristic or spacecraft setting. One character is wearing a green outfit and has curly hair, while the other is wearing darker clothing. The lighting and production style suggests this is from a British science fiction show, likely from the late 1970s or early 1980s based on the visual aesthetic. The scene appears to show an intim…
@blakes7bot@mas.torpidity.net
2025-05-26 06:17:45

#Blakes7 Series A, Episode 02 - Space Fall
BLAKE: [To Avon] Could it be altered?
AVON: What?
BLAKE: The running log. Could the readings be faked?
AVON: Only by a top-line technician. Nobody on this ship could do it.
BLAKE: Except you.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, set in what looks like a spacecraft or space station interior. The scene takes place in what appears to be crew quarters with bunk beds visible in the background.

The image shows three people in conversation. One person is standing in the center wearing a dark vest over a light-colored shirt. To the right, someone is seated in dark clothing with a thoughtful expression. On the left, partially…
@Techmeme@techhub.social
2025-06-04 02:30:49

Windsurf says Anthropic is limiting its direct access to its AI models, including the newest Claude 4 family and the highly popular Claude 3 models (Maxwell Zeff/TechCrunch)
techcrunch.com/2025/06/03/wind

@michabbb@social.vivaldi.net
2025-06-17 12:24:11

STEP 3: make use of it
for example, with #claudecode: create a new command:
.claude/commands/jetbrains-fix-errors.md
and use this prompt: gist.github.com/michabbb/e9335…

@Techmeme@techhub.social
2025-06-15 10:05:34

Anthropic details how it built its multi-agent Claude Research system, claiming significant improvements in internal evaluations over single-agent systems (Anthropic)
anthropic.com/engineering/buil

@migueldeicaza@mastodon.social
2025-06-01 19:26:38

Ok, first day trying my end-to-end Xogot/Claude/MCP integration, not bad at all:

@Techmeme@techhub.social
2025-06-09 05:05:37

Cloudflare open sourced an OAuth library mostly written by Claude, showing how AI handles mechanical implementation while humans guide with context and judgment (Max Mitchell)
maxemitchell.com/writings/i-re

@blakes7bot@mas.torpidity.net
2025-05-25 18:11:15

Series A, Episode 12 - Deliverance
JENNA: Basic respirator, that's about all. [Blake enters.]
BLAKE: The coordinates place both capsules within one square mile. [Hands Cally the coordinates.] We're going to put you down in the centre of the search area.
blake.torpidity.net/m/112/59

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive burgundy and pink outfit with a fur-trimmed hood. The setting appears to be aboard a spacecraft, with the characteristic angular wall panels and lighting typical of the series' production design. The costume suggests this might be from an episode involving cold environments or disguises, as the hooded garment appears practical for harsh conditions. The interior set design shows the s…
@blakes7bot@mas.torpidity.net
2025-05-25 15:09:13

Series A, Episode 08 - Duel
GAN: [Turns and sees Sinofar and Giroc] Blake, we've got company. [When the others look, they have gone] They were here! Two women, watching us. There's nowhere they could have gone.
JENNA: So where are they now?
blake.torpidity.net/m/108/73

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing what looks like three people in a dark, cave-like or underground setting with rough stone walls. The lighting is dim and atmospheric, creating shadows on the rocky surfaces. The figures appear to be wearing what looks like futuristic or military-style clothing typical of sci-fi productions from that era. The setting suggests they may be exploring or taking shelter in…
@blakes7bot@mas.torpidity.net
2025-05-25 12:07:15

Series B, Episode 05 - Pressure Point
AVON: It is not going to be easy.
BLAKE: Can we do it?
VILA: Not a chance, it's absolutely impossible.
AVON: There is a way. Where are Kasabi and her people?
blake.torpidity.net/m/205/324 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people in conversation in what looks like a dark, possibly industrial or spacecraft setting. The individuals are wearing distinctive costumes typical of classic sci-fi productions - one in a dark jacket, another wearing what appears to be a protective vest or armor with yellow/beige elements, and the third in what looks like a leather or similar material outfit. The lighting is q…
@blakes7bot@mas.torpidity.net
2025-05-25 06:03:18

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: That's better.
VILA: You're top of the Federation's Most Wanted list - after Blake.
blake.torpidity.net/m/306/167

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television show, likely from the 1980s based on the production quality and styling. 

The scene depicts two individuals in conversation. On the right is a person wearing a simple light-colored turtleneck or high-necked garment. Facing them on the left is someone in an elaborate costume featuring a dark, studded or armored outfit with textured shoulders and decorative elements.

The setting has …
@blakes7bot@mas.torpidity.net
2025-05-24 21:19:56

Series A, Episode 12 - Deliverance
VILA: But did they do it?
AVON: "And the way was found." Does it go on?
MEEGAT: Deliverance was prepared. And Kashell the Wise was satisfied that it was good.
blake.torpidity.net/m/112/357 B7B6

Claude Sonnet 4.0 describes the image as: "I can see three people in what appears to be a science fiction setting, likely from a TV show or film. They're wearing distinctive costumes - one person is in a metallic silver outfit, another in a brown/tan colored garment, and the third in a red outfit with fur trim. The setting appears to be some kind of spaceship interior or futuristic facility, with metal paneling visible in the background. The costumes and production design suggest this is from a…
@blakes7bot@mas.torpidity.net
2025-05-25 18:11:15

Series A, Episode 12 - Deliverance
JENNA: Basic respirator, that's about all. [Blake enters.]
BLAKE: The coordinates place both capsules within one square mile. [Hands Cally the coordinates.] We're going to put you down in the centre of the search area.
blake.torpidity.net/m/112/59

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive burgundy and pink outfit with a fur-trimmed hood. The setting appears to be aboard a spacecraft, with the characteristic angular wall panels and lighting typical of the series' production design. The costume suggests this might be from an episode involving cold environments or disguises, as the hooded garment appears practical for harsh conditions. The interior set design shows the s…
@blakes7bot@mas.torpidity.net
2025-05-25 15:09:13

Series A, Episode 08 - Duel
GAN: [Turns and sees Sinofar and Giroc] Blake, we've got company. [When the others look, they have gone] They were here! Two women, watching us. There's nowhere they could have gone.
JENNA: So where are they now?
blake.torpidity.net/m/108/73

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing what looks like three people in a dark, cave-like or underground setting with rough stone walls. The lighting is dim and atmospheric, creating shadows on the rocky surfaces. The figures appear to be wearing what looks like futuristic or military-style clothing typical of sci-fi productions from that era. The setting suggests they may be exploring or taking shelter in…
@migueldeicaza@mastodon.social
2025-05-30 22:29:45

My integrated chat window in Xogot is looking nicer, copied a few Claude UI elements:

@BBC3MusicBot@mastodonapp.uk
2025-06-24 11:00:15

🇺🇦 #NowPlaying on BBCRadio3's #EssentialClassics
Claude Debussy & Pascal Rogé:
🎵 Arabesque no.1 in E major
#ClaudeDebussy #PascalRogé

@blakes7bot@mas.torpidity.net
2025-05-25 12:07:15

Series B, Episode 05 - Pressure Point
AVON: It is not going to be easy.
BLAKE: Can we do it?
VILA: Not a chance, it's absolutely impossible.
AVON: There is a way. Where are Kasabi and her people?
blake.torpidity.net/m/205/324 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people in conversation in what looks like a dark, possibly industrial or spacecraft setting. The individuals are wearing distinctive costumes typical of classic sci-fi productions - one in a dark jacket, another wearing what appears to be a protective vest or armor with yellow/beige elements, and the third in what looks like a leather or similar material outfit. The lighting is q…
@blakes7bot@mas.torpidity.net
2025-05-25 06:03:18

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: That's better.
VILA: You're top of the Federation's Most Wanted list - after Blake.
blake.torpidity.net/m/306/167

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television show, likely from the 1980s based on the production quality and styling. 

The scene depicts two individuals in conversation. On the right is a person wearing a simple light-colored turtleneck or high-necked garment. Facing them on the left is someone in an elaborate costume featuring a dark, studded or armored outfit with textured shoulders and decorative elements.

The setting has …
@blakes7bot@mas.torpidity.net
2025-05-24 21:19:56

Series A, Episode 12 - Deliverance
VILA: But did they do it?
AVON: "And the way was found." Does it go on?
MEEGAT: Deliverance was prepared. And Kashell the Wise was satisfied that it was good.
blake.torpidity.net/m/112/357 B7B6

Claude Sonnet 4.0 describes the image as: "I can see three people in what appears to be a science fiction setting, likely from a TV show or film. They're wearing distinctive costumes - one person is in a metallic silver outfit, another in a brown/tan colored garment, and the third in a red outfit with fur trim. The setting appears to be some kind of spaceship interior or futuristic facility, with metal paneling visible in the background. The costumes and production design suggest this is from a…
@Techmeme@techhub.social
2025-06-04 13:21:31

ChatGPT-4o, Claude 3.7 Sonnet, Gemini 2.0 Flash, Llama 4, and Copilot comparison: Claude was the best overall with the highest consistency and no hallucinations (Geoffrey A. Fowler/Washington Post)
washingtonpost.com/technology/

@blakes7bot@mas.torpidity.net
2025-06-23 09:08:03

Series C, Episode 02 - Powerplay
VILA: Oh, you've no idea what I've been through.
CALLY: How is it?
VILA: Well, it's all right if you don't count the agony.
CALLY: I tried very hard to contact you.
VILA: Things got a bit hectic. Are you all right?
blake.torpidity.net/m/302/4…

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television series from the late 1970s or early 1980s. The scene captures an intense conversation between three people in what looks like a futuristic or institutional setting with neutral-colored walls.

In the foreground, a woman with curly brown hair in green attire is facing a man in a brown jacket. They appear to be having a serious discussion. Between them, slightly in the background, is another per…
@Techmeme@techhub.social
2025-06-05 13:45:38

Anthropic unveils a new set of Claude Gov models tailored for US national security customers and designed to be applied to planning, analysis, and more (Kyle Wiggers/TechCrunch)
techcrunch.com/2025/06/05/anth

@blakes7bot@mas.torpidity.net
2025-06-22 09:14:21

Series B, Episode 03 - Weapon
SERVALAN: Or respect. A man might see it as respect. You would have - once.
[Flight deck]
BLAKE: What do you think, Jenna?
AVON: I think the basic idea was stupid.
BLAKE: No, the idea was logical enough. Jenna?
blake.torpidity.net/m/203/71

Claude 3.7 describes the image as: "The image shows a person with a short dark pixie haircut wearing an elaborate white costume with a distinctive crystalline or transparent collar design that extends upward around the neck. They're wearing teardrop-shaped earrings that complement the outfit. The setting appears to be a minimalist, bright white environment that gives a futuristic, clinical feel typical of science fiction productions from that era. The costume design features intricate details t…
@blakes7bot@mas.torpidity.net
2025-06-22 06:12:33

#Blakes7 Series D, Episode 06 - Headhunter
TARRANT: [V.O. over comm.] Muller can't.
AVON: Well, we'll give him a refund on his ticket. Just get that ship back, Tarrant. We'll worry about the details then. Out!

Claude Sonnet 4.0 describes the image as: "This image shows a scene from inside a spacecraft, featuring futuristic interior design with metallic surfaces and technological elements typical of science fiction television from the late 1970s. The character is wearing a distinctive black leather outfit with metallic studs and white trim details, which was characteristic of the show's costume design. The setting appears to be aboard the Liberator, the main spacecraft used by the rebel crew. The slee…
@blakes7bot@mas.torpidity.net
2025-06-22 12:16:55

Series A, Episode 06 - Seek-Locate-Destroy
RONTANE: With respect, Supreme Commander, we are aware of the facts. They are simply that with all the resources that the Federation can call upon, this one vulnerable, lucky man is still free to cause havoc.
SERVALAN: You have some criticism of my handling of this matter, Secretary Rontane?

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a man in what appears to be a futuristic black and white uniform or outfit with a high collar. The setting has a distinctive geometric patterned ceiling or wall in the background, giving it a sci-fi institutional feel typical of the series' aesthetic. The lighting and production values are characteristic of British television from the late 1970s/early 1980s. The uniform suggests this character holds some kind of offi…
@blakes7bot@mas.torpidity.net
2025-06-21 12:23:33

Series C, Episode 08 - Rumours of Death
GUARD: [V.O.] Guard Commander.
GRENLEE: [Into comm] Major Grenlee here.
GUARD: [V.O.] Yes, Major?
GRENLEE: Get a squad out to section -
FORRES: Six one delta zero.
blake.torpidity.net/m/308/212 B7B3

Claude 3.7 describes the image as: "The image shows a scene in what appears to be a control room or spacecraft bridge setting. Two people are wearing similar blue uniforms with distinctive styling that suggests a science fiction production from the late 1970s or early 1980s. 

One person is standing while looking down at the other, who is seated at what looks like a control console with various buttons, lights, and technical equipment. The control room has a futuristic design aesthetic typical …
@blakes7bot@mas.torpidity.net
2025-06-20 15:11:25

Series A, Episode 01 - The Way Back
BLAKE: [In the background behind Varon's lines] They set me up beautifully.
VARON: There is a possible approach if we could cite your record: your breakdown after your involvement with those illegal political groups, the remorse that you felt, the guilt you carried has placed you under an enormous strain. And we can submit that these assaults, these aberrations were carried out whilst you were mentally... [1/2] B7B4

Claude 3.7 describes the image as: "The image shows a person in a side profile view with short dark hair. They appear to be wearing a burgundy or maroon colored outfit with what looks like a lighter colored collar or scarf. The setting appears to be from a television production, with a somewhat muted color palette typical of productions from the late 1970s or early 1980s.

The composition suggests this is from a dramatic scene, with the subject looking intently at something off-camera. The ligh…
@blakes7bot@mas.torpidity.net
2025-06-23 18:15:17

Series D, Episode 11 - Orbit
AVON: That is because Orac has read your security file on Central Records.
EGRORIAN: [Looks disturbed. Takes the file from Vila.] Disconnect the funnel, Pinder. [Looks at the file]
[On Servalan's monitor]
blake.torpidity.net/m/411/306

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene set in what looks like a medical or scientific facility with white walls and ceiling. In the foreground is a character wearing a light gray uniform or lab coat who appears to be moving across the room with a stern expression. Behind him are several other characters - one in a black outfit with decorative elements, and others in gray uniforms. The setting has a clinical, futuris…
@blakes7bot@mas.torpidity.net
2025-06-23 12:10:10

Series D, Episode 13 - Blake
VILA: You mean we really are going to crash?!
SOOLIN: No wonder they were convinced!
VILA: There must be something we can do!
AVON: I'll accept suggestions!
VILA: How does "Abandon ship!" grab you?
blake.torpidity.net/m/413/174

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television production, appearing to be from the late 1970s or early 1980s based on the styling and production quality. 

Two people are shown in what looks like a spacecraft or futuristic control room. On the left is a person with curly dark hair wearing a gray uniform with decorative elements at the shoulders. On the right is someone with long blonde hair in a similar styled uniform with dark accents.

Both appe…
@blakes7bot@mas.torpidity.net
2025-06-19 18:16:45

Series A, Episode 05 - The Web
GEELA: You were lucky. It could have been much worse. We've had groups of more than fifty of them in this area. [Pause] Can you close your hand?
BLAKE: [Closes hand slowly, painfully. Sharp intake of breath]
blake.torpidity.net/m/105/305

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing what looks like a dramatic scene in a futuristic or clinical setting. The image shows a person with pale, almost ethereal makeup and styling, wearing what appears to be a metallic or reflective costume. The lighting and set design suggest this is from a studio production, with the characteristic look of British science fiction television from that era. The scene appears …
@blakes7bot@mas.torpidity.net
2025-06-19 12:12:25

Series D, Episode 12 - Warlord
ZEEONA: I didn't intend to. I go home tomorrow aboard their freighter. Tarrant will take me.
[Corridor in Scorpio base. Zukan and Avon are walking along.]
blake.torpidity.net/m/412/158 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a science fiction television scene featuring a character with distinctive styling - voluminous blonde and pink/red hair, and dramatic makeup including red lipstick. The character appears to be in some kind of futuristic or otherworldly setting, which is typical of the sci-fi genre. The styling and production values suggest this is from a British science fiction series from the late 1970s or early 1980s era. However, I cannot identify …
@blakes7bot@mas.torpidity.net
2025-06-18 15:22:16

Series B, Episode 01 - Redemption
VILA: Maximum. Can we hold together at that speed?
AVON: We won't have to.
VILA: What do you mean?
BLAKE: Running at full power will drain the energy banks in - what?
AVON: Two hours at the most.
blake.torpidity.net/m/201/133

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard the Liberator spacecraft, showing the main flight deck or control room area. The setting features the distinctive futuristic interior design with clean lines, hexagonal viewports, and control consoles typical of the series' aesthetic. Three crew members are present in the scene, positioned around the ship's control stations. The lighting and staging suggests this is during a moment of tension or concentration, poss…
@blakes7bot@mas.torpidity.net
2025-06-18 09:17:39

Series B, Episode 09 - Countdown
VETNOR: All right, come with me, we're searching the next level.
PROVINE: Right, sir.
[Teleport section. Avon and Grant are suited up]
AVON: You adjust the temperature with this [Points to knob on suit] You all set?
blake.torpidity.net/m/209/356

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television production, likely from the late 1970s or early 1980s based on the visual style and filming quality. 

The scene shows two individuals in a sparse, utilitarian setting with plain walls. Both are wearing similar olive-green high-necked uniforms or jumpsuits that have a military or institutional appearance. One person is visible in profile on the left, while another is facing forward on the righ…
@blakes7bot@mas.torpidity.net
2025-06-22 18:21:28

Series A, Episode 06 - Seek-Locate-Destroy
RAI: Yes, Supreme Commander.
SERVALAN: Let them know, too, that any lack of cooperation, any hesitation in responding to an order, will be treated as mutiny. Let them know I have said this. Dismissed. [Rai clicks his heels and exits. There is a bleep from the comm. Servalan ignores it, looking pensive. The comm bleeps again and Servalan reacts this time.]

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series featuring a character with very short, dark hair wearing what appears to be an ornate, light-colored costume with decorative elements around the collar or shoulder area. The setting appears to be an interior space with neutral-toned walls. The character appears to be in the middle of delivering dialogue, with an intense or serious expression. The production values and visual style sugge…
@blakes7bot@mas.torpidity.net
2025-06-17 15:28:13

Series A, Episode 12 - Deliverance
TRAVIS: I've told you, I want my command back. It's the only way I can catch -
SERVALAN: You really are obsessed with Blake, aren't you?
TRAVIS: It's my right.
blake.torpidity.net/m/112/237 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a television production, showing someone in what looks like a white garment or costume, seated on what appears to be a light-colored couch or seating. The setting has dramatic lighting with some bokeh effects in the background, creating an atmospheric, possibly futuristic environment typical of science fiction productions. The lighting and composition suggest this is from a dramatic scene, with the subject appearing to…
@blakes7bot@mas.torpidity.net
2025-06-17 12:26:03

Series B, Episode 11 - Gambit
TRAVIS: Oh, yes. I'm a hero, too.
CHENIE: So. You've saved his life twice. Why?
TRAVIS: It's my noble nature.
CHENIE: Oh, yes, Travis. I can see. It shines from your one yellow eye. Nobility?
blake.torpidity.net/m/211/140

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series featuring an elegantly dressed woman in what appears to be a Victorian or period-inspired costume. The character is wearing an ornate black dress with decorative details and a matching choker necklace, with her blonde hair styled in an elaborate updo typical of 19th century fashion. The setting appears to be aboard a spaceship or futuristic facility, with modern lighting and metallic su…
@blakes7bot@mas.torpidity.net
2025-06-16 12:08:18

Series C, Episode 13 - Terminal
CALLY: We've got to help them!
TARRANT: No. It's too late. There's nothing we can do. [The links rip at Reeval and Toron's clothing.]
blake.torpidity.net/m/313/274 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like a futuristic or space-oriented setting. The person is wearing what appears to be a dark colored outfit with some kind of decorative or technological element visible that has a reddish color with star-like patterns or lights on it. The image quality and style suggests this is from a television production, likely from several decades ago based on the…
@blakes7bot@mas.torpidity.net
2025-06-16 09:06:03

Series C, Episode 01 - Aftermath
MELLANBY: I don't know. [Lauren enters]
LAUREN: [Enters] Do you hear it, Father?
AVON: Any idea where it came from?
LAUREN: There's nothing inside the ship.
blake.torpidity.net/m/301/257 B7B2

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. The scene shows three people in what looks like a futuristic spacecraft or space station interior with metallic walls and distinctive lighting.

The image captures a tense conversation between three characters. On the left is a person wearing glasses and a uniform with what appears to be a badge or emblem. In the center is someone dressed in black attire, loo…
@blakes7bot@mas.torpidity.net
2025-06-16 18:12:51

Series D, Episode 11 - Orbit
VILA: I'm not the type for this sort of thing, Avon.
AVON: Why not?
VILA: This Egrorian, you said he was some kind of genius.
AVON: They said he was supposed to be some time back.
blake.torpidity.net/m/411/62 B7B5

Claude Sonnet 4.0 describes the image as: "This scene takes place aboard the Liberator, the main spacecraft used by the rebel crew. The setting appears to be the ship's flight deck or a similar interior area, characterized by the distinctive white and metallic design elements typical of the series' futuristic aesthetic.

In the image, we can see crew members in their characteristic costumes - one person wearing the familiar light-colored leather outfit, while another is dressed in the black lea…
@blakes7bot@mas.torpidity.net
2025-06-20 21:15:53

Series A, Episode 13 - Orac
BLAKE: No, we'd end up looking for each other as well as Orac and Ensor. Come on.
[Scene: Travis and Servalan still in the tunnels.]
TRAVIS: Let's check the map.
SERVALAN: We're almost there.
blake.torpidity.net/m/113/241

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic or sci-fi setting, likely aboard a spacecraft or space facility based on the sterile, metallic interior visible in the background. They're wearing matching green and white/silver colored outfits that have a utilitarian, space-age design - possibly uniforms or protective gear. Both individuals have dark, curly hair typical of late 1970s styling. The woman appears concerned or apprehensive, while th…
@blakes7bot@mas.torpidity.net
2025-06-15 18:20:02

Series B, Episode 05 - Pressure Point
VILA: [Grabbing Blake's arm] You'll hit him!
BLAKE: Let go! [Shakes free, takes aim, and fires] Avon, run for your life! [Muttering] Come on, come on.
blake.torpidity.net/m/205/447 B7B5

Claude Sonnet 4.0 describes the image as: "I can see four men in what appears to be an outdoor, rocky or cave-like setting with vegetation around them. They're wearing what looks like futuristic or science fiction-style clothing in muted colors - dark and earth tones. The scene has a gritty, dramatic quality typical of 1970s science fiction television production. The lighting and atmosphere suggest this might be during an action sequence or tense moment in the story. The setting appears rough a…
@blakes7bot@mas.torpidity.net
2025-06-15 06:10:29

#Blakes7 Series B, Episode 10 - Voice from the Past
AVON: [Restrains Blake] Blake.
BLAKE: Renounce!
AVON: Easy, easy!
BLAKE: Renounce!
AVON: [To Cally] Tranquilizer pack!
BLAKE: Renounce! [Cally administers the tranquilizer pack. Blake subsides]

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a dramatic scene showing someone in what looks like a moment of intense physical or emotional distress. The person's eyes are closed, their mouth is open, and their face appears strained or pained, suggesting they may be experiencing some form of suffering or extreme exertion. The lighting and close-up framing creates a tense, dramatic atmosphere typical of science fiction television productions from that era. The image qua…
@blakes7bot@mas.torpidity.net
2025-06-15 12:15:12

Series B, Episode 03 - Weapon
COSER: Now, even if Security trace us to this planet, they'll assume the ship crashed and we died in the explosion. Did you hear what I said?
RASHEL: Yes.
COSER: Well?
RASHEL: It's a very clever plan, sir.
blake.torpidity.net/m/203/2

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a dramatic scene set in a barren, post-apocalyptic landscape. They're positioned among tall, dried grass with bare, twisted trees in the background, creating a desolate atmosphere. Both figures are wearing dark clothing that fits the somber tone of the setting. The scene has the distinctive visual style of 1970s British science fiction television, with its characteristic lighting and outdoor filming techniques…
@blakes7bot@mas.torpidity.net
2025-06-15 09:13:32

Series D, Episode 06 - Headhunter
SOOLIN: Not very, by the look of it.
DAYNA: It was like a tomb up there.
AVON: Orac is wired up and ready in the resuscitation room. Hurry it up.
[Vena and Avon in the mess room.]
blake.torpidity.net/m/406/326 B7B2

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing what looks like a medical or technical facility. The scene features several people in a clinical setting with control panels and equipment visible in the background. 

In the foreground, a person wearing a distinctive black and white uniform stands holding what appears to be a device or tool. Behind them are beds or examination tables with people lying on them covered by white sheets. …
@blakes7bot@mas.torpidity.net
2025-06-13 21:12:45

Series C, Episode 05 - The Harvest of Kairos
SERVALAN: What?
JARVIK: I made it look convincing.
SERVALAN: Oh, it was convincing all right. It convinced me. Three Mark Tens and fifteen years' supply of Kairopan.
blake.torpidity.net/m/305/331 B7B6

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic setting with green mesh or grid-like walls in the background. One person is wearing an elaborate white outfit with dramatic ruffled or wing-like sleeves and appears to have short dark hair. The other person is wearing what looks like a blue and gray uniform or jacket. The setting has a science fiction aesthetic typical of television productions from that era, with the distinctive green metallic me…
@blakes7bot@mas.torpidity.net
2025-06-14 15:24:51

Series B, Episode 11 - Gambit
JARRIERE: Even if he cannot be trusted?
SERVALAN: Oh, he can be trusted to do anything for money. He'll deliver Travis.
JARRIERE: And Docholli?
blake.torpidity.net/m/211/155 B7B4

Claude 3.7 describes the image as: "The image shows a performer in a striking red sequined dress with a dramatic fan-like collar or accessory in matching red. Their theatrical makeup includes distinctive facial cosmetics that create a bold, stylized appearance. They're seated in what appears to be a retro-futuristic setting with a yellow wall, a potted plant, and geometric wall features including a hexagonal light fixture.

The scene has a theatrical, dramatic quality with the vibrant red costu…
@blakes7bot@mas.torpidity.net
2025-06-14 12:23:06

Series C, Episode 05 - The Harvest of Kairos
[Space Command]
SERVALAN: How did that happen?
JARVIK: They fired through their own force shield.
SERVALAN: Don't be absurd.
JARVIK: You asked, I told you.
[Liberator flight deck]
blake.torpidity.net/m/305/294

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic setting with metallic walls and green lighting typical of a spaceship or advanced facility. One person is wearing an elegant white one-shoulder dress with decorative elements, while the other is dressed in casual blue and gray clothing. The scene has the distinctive aesthetic of classic science fiction television, with sleek architectural elements and dramatic lighting that creates an atmospheric,…
@blakes7bot@mas.torpidity.net
2025-06-14 06:18:14

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: So, you have an answer for the Summons to Justification. Like what? Surely not a Blood Feud? [rises to face her] I can't have killed someone who's close kin to both of you. Particularly not as your friend here is a citizen of the Vandor Confederacy. As I assume you are. [drops a metal ID card at her feet]
KARLA: [Picks it …

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a retro sci-fi production, featuring two people in a futuristic interior setting. One person is standing wearing a distinctive patterned outfit in neutral tones - a matching jacket and pants with a geometric pattern, paired with a light-colored top. The other person is seated below, wearing what looks like a cream-colored turtleneck sweater.

The setting has a very distinctive 1970s-era science fiction aesthetic…
@blakes7bot@mas.torpidity.net
2025-06-20 09:06:56

Series D, Episode 11 - Orbit
AVON: Pressurize the rest of the ship.
SOOLIN: Right. [Applies some controls.] The forward section's pressurized.
AVON: All right. Vila, let's get to the airlock.
VILA: Me?
blake.torpidity.net/m/411/56 B7B2

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a futuristic spacecraft control room or command center. The characters are seated and standing around a console with technical equipment visible in the foreground.

The individuals are wearing distinctive 1980s-style sci-fi costumes - some in metallic gray uniforms with gold accents on the shoulders, while the central figure wears a more elaborate black outfit with de…
@blakes7bot@mas.torpidity.net
2025-06-19 21:19:06

Series A, Episode 08 - Duel
BLAKE: [To Travis] We could agree not to fight.
TRAVIS: [Chuckles slightly] Could we?
GIROC: If you trusted one another.
SINOFAR: There is another matter: a lesson you must learn about death.
blake.torpidity.net/m/108/281 B7B6

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing what looks like a dramatic scene in what appears to be a cave or rocky underground setting. There are several people in the scene - one person wearing what appears to be futuristic armor or protective gear with a metallic chest piece, and others in darker clothing. The lighting and set design has that distinctive look of British science fiction television from the late 1…
@blakes7bot@mas.torpidity.net
2025-06-13 12:05:31

Series D, Episode 11 - Orbit
PINDER: Egrorian? Egrorian? They're here! Come and see. [Egrorian enters. He slaps Pinder away from the monitor. They look at the monitor and laugh hysterically.]
[Back on Scorpio]
blake.torpidity.net/m/411/9 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a futuristic medical facility or laboratory, with clean white walls and advanced-looking equipment visible in the background. The setting has the distinctive sterile, high-tech aesthetic typical of science fiction productions from this era. An elderly man with grey curly hair is seated at what looks like a examination or work table, wearing casual clothing. The scene appears to be from a dramatic mome…
@blakes7bot@mas.torpidity.net
2025-06-13 18:10:13

Series A, Episode 10 - Breakdown
BLAKE: We'll just have to take the chance.
JENNA: Thanks.
blake.torpidity.net/m/110/431 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two characters in what looks like a spacecraft or futuristic setting. One character is wearing dark clothing and has curly dark hair, while the other has blonde/light colored hair and is wearing a distinctive black outfit with metallic studs or decorative elements and what appears to be silver trim. The setting has the characteristic look of 1970s sci-fi production design, w…
@blakes7bot@mas.torpidity.net
2025-06-12 12:32:04

Series B, Episode 07 - Killer
TYNUS: [Entering with food packages] I've got one for each of you. Hydrolyzed protein.
VILA: Thanks.
TYNUS: I've got to put it in the oven first.
AVON: Don't bother.
VILA: Lost our appetites suddenly.
blake.torpidity.net/m/207/506

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like a spacecraft or futuristic setting. One character is wearing a distinctive black leather outfit with metallic studs or decorative elements, while the other is dressed in more casual clothing and appears to be wearing headphones or some kind of communication device. The setting has a retro-futuristic aesthetic typical of British sci-fi producti…
@blakes7bot@mas.torpidity.net
2025-06-12 09:27:02

Series B, Episode 12 - The Keeper
ROD: Brother - I will not call you Charl.
GOLA: Then I shall make you. [Blake enters]
JENNA: Blake!
BLAKE: Shhh!
GOLA: Who is this?
ROD: This is my second.
blake.torpidity.net/m/212/472 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with characters in period or fantasy-style costumes. The setting appears to be indoors with ornate decorative elements visible in the background. The characters are wearing elaborate clothing with metallic details and fur trim, suggesting this might be from an episode with a historical or fantasy theme. The lighting and production style is ch…
@blakes7bot@mas.torpidity.net
2025-06-12 06:06:05

#Blakes7 Series B, Episode 06 - Trial
SERVALAN: I was watching Samor. What Travis said bothered him!
THANIA: You were watching?
blake.torpidity.net/m/206/485 B7B1

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene in a minimalist, futuristic setting with white walls featuring a geometric pattern. The scene depicts two people in a formal conversation across what appears to be a control console or technical device with buttons and a circular display.

On the left is a person with short dark hair wearing a white outfit, shown from behind. On the right stands someone in a fitted black leathe…
@blakes7bot@mas.torpidity.net
2025-06-12 18:36:37

Series A, Episode 08 - Duel
BLAKE: Seen any sign of Travis?
JENNA: Have you?
BLAKE: No. We'd better make ourselves some weapons.
[LATER - Blake is sharpening two stakes into spears with his machete]
blake.torpidity.net/m/108/321 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like an outdoor setting with trees in the background. The image has the characteristic film quality and styling typical of British television from the late 1970s or early 1980s. One person is wearing what appears to be a burgundy or wine-colored top with a metallic chain necklace, while the other is dressed in what looks like a light-colored jacket o…
@blakes7bot@mas.torpidity.net
2025-06-12 15:34:21

Series A, Episode 01 - The Way Back
BLAKE: I have to think.
FOSTER: Of course. We'll talk after the meeting.
BLAKE: Hmm.
DEV TARRANT: What do you think?
blake.torpidity.net/m/101/89 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two men in what looks like a futuristic or medieval-style setting. One man has blonde hair and is wearing what appears to be a light-colored vest or tunic, while the other has darker hair and is dressed in more elaborate clothing with metallic or chainmail-like material. The setting appears to be indoors with other figures visible in the background. The lighting and prod…