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@rompe@mastodon.social
2025-05-30 12:46:10

Immer, wenn ich sowas lese, schaue ich erst einmal auf das Datum. Ich meine, das ist gut und richtig und die Argumentation passt auch, aber haben die Verantwortlichen die letzten Jahre komplett verschlafen? Worauf haben die so lange gewartet?
> ÜSTRA verlässt die Plattform X (ehemals Twitter) | ÜSTRA

@LillyHerself@Mastodon.social
2025-05-31 12:34:00

Very good points, a reply to a CEO who wondered why his engineers were resistant to using LLMs for coding:

Screenshot from twitter: 
@robleathern
Senior engineers are typically early adopters of genuinely useful
technology - they're usually the first to embrace new tools, frameworks,
and approaches that make their work more effective. If your most
experienced engineers are resistant to Al while leadership is
enthusiastic, that suggests a few possibilities:
1. The Al tools being pushed might not actually solve real problems the
engineers face
2. There could be legitimate concerns about code quality, …
@blakes7bot@mas.torpidity.net
2025-05-31 12:07:50

Series A, Episode 10 - Breakdown
ZEN: Your command reduces to an order to self-destruct. This runs counter to Prime Directive.
VILA: Zen obviously believes there's something nasty in that zone.
blake.torpidity.net/m/110/148 B7B3

@dkl@23.social
2025-05-26 09:10:15

Man kann sich an einer #Verbandsklage gegen #Twitter/X beteiligen, wenn man einen Account dort hatte.
Da kann man dem Elon 'nen Taui aus der Tasche ziehen.

@jorgecandeias@mastodon.social
2025-05-28 14:22:07

Quem quer conhecer alternativas europeias a produtos americanos (ou quaisquer outros, na verdade), pode ir a este site:
goeuropean.org/
Por exemplo, para alternativas ao twitter basta procurar por "Twitter" na barra de pesquisa por baixo de onde diz "Search for European produ…

@AccordionBruce@Mastodon.social
2025-05-29 20:16:34

Tune in this Sunday at 8pm BST (Noon in Vancouver) for this week's #ListeningClub featuring perhaps my very favourite #accordion record all the way through — right up there if I had to pick from any genre it's so nifty
That'll be a treat, so join us, don't give it away …

THE LISTENING CLUB
WE LISTEN TO A MYSTERY ALBUM TOGETHER ON MASTODON. EVERY SUNDAY 20:00 BST (GMT+1). (Bruce added accordion emoji to the edges of this standard banner message.)
(USED TO BE ON TWITTER, BUT FUCK THAT GUY). JOIN US AT HTTPS://MASTODON.SOCIAL/@LISTENINGCLUB AND SEARCH THE HASHTAG #LISTENINGCLUB FOR THE CHAT. EST. 2012 BY @KLEPTONES.
@sean@scoat.es
2025-05-29 20:05:45

I remember a simpler time…
…a time when we complained about "taco"s that were the web-breaking short links (on the "t.co" domain) that Twitter imposed on us…
…not a time when the day's "taco" was a world-economy-breaking short-attentioned twit.

@arXiv_csDL_bot@mastoxiv.page
2025-05-30 07:17:12

Are there stars in Bluesky after the return of Donald Trump to the White House?
Wenceslao Arroyo-Machado, Nicolas Robinson-Garcia, Daniel Torres-Salinas
arxiv.org/abs/2505.22702

@deprogrammaticaipsum@mas.to
2025-05-29 10:23:40

"Mike gave a legendary talk called “F*ck You, Pay Me,” with a title inspired by a quote from the late Ray Liotta in the 1990 movie “Goodfellas.”
What is interesting about this talk is that, despite being primarily directed to designers, its contents are immediately suitable for freelancing software engineers, a profession whose work is, at least since the return of Steve Jobs to Apple in 1997, inextricably linked to that of designers."

@blakes7bot@mas.torpidity.net
2025-05-30 15:13:40

Series C, Episode 07 - Children of Auron
C.A. TWO: Next, the young adults. Thank you, module six.
C.A. ONE: Any response to the distress calls?
C.A. TWO: Not a whisper. Appeals out on all channels, nothing.
VOICE: Medical section reporting.
blake.torpidity.net/m/307/119

@ELLIOTTCABLE@functional.cafe
2025-03-26 16:28:16

Wow, what a weird rabbit-hole I just ended up down.
So, the “Spread Mastodon" page (tutorial?) recommends a cool-sounding browser extension as an alternative to all those constantly-dead 'fedifinder' / Twitter-person-looker-upper-tools: the ‘Whosum Social Assistant' browser extension.
Sounds cool! Sounds like the correct solution to this problem!

screenshot of a ‘getting started on mastodon’ site, describing a browser extension to find Twitter followers.
@rer_c@lepoulsdumonde.com
2025-05-29 06:35:12

Train supprimé :
- Le train VACK au départ de Juvisy Š 08h58, et prévu Š l'arrivée en gare de Versailles Rive Gauche Š 10h05.
Risque d'affluence Š bord du train suivant.
Prochain train Š circuler :
- Le train VACK au départ de Juvisy Š 09h13, et prévu Š l'arrivée en gare de Versailles Rive Gauche Š 10h20.
Pour plus d'informations sur cette perturbation, consultez le fil Twitter de la ligne.
Motif : panne d'un train (train immobilisé en at…

@curiouscat@fosstodon.org
2025-04-28 15:12:18

I hope Fosstodon continues.
See 2 recent posts on the matter
fosstodon.org/@kev/11441539087

@jrm4@mastodon.social
2025-04-23 01:53:16

I'm not exactly sure what the specific lesson is, but It's getting close to being able to *credit* the people who stayed on X/Twitter for at least being partially responsible for Musk crashing out. He's getting bullied hard there, in the way he deserves.
"Leave Twitter or you're a Nazi" was always goofy
#socialmedia

@blakes7bot@mas.torpidity.net
2025-05-30 06:07:57

#Blakes7 Series B, Episode 02 - Shadow
CALLY: I think Blake can look after himself.
VILA: He's led a very sheltered life.
CALLY: What, Blake has led a sheltered life?
blake.torpidity.net/m/202/119

@gedankenstuecke@scholar.social
2025-05-27 12:15:26

As I've seen a good number of people here post about "Worktree.ca" as a "Canadian-owned" alternative to GitHub: it's a closed-source fork of Gitea which "one day" (maybe, if the company doesn't change its mind) will be open core. It also runs on AWS…
Not that it's any of my business, but migrating there feels like the code-equivalent of leaving Twitter for Bluesky: Moving from one company-owned walled garden to the next, without having learned a lesson. All painted in a nationalist cash grab. 🤷‍♂️

@seeingwithsound@mas.to
2025-05-27 20:54:45

There's a lovely discussion on Twitter/X between humans and AI models (Grok and Perplexity) on whether a Neuralink Blindsight brain implant can provide meaningful vision to people born blind x.com/waleedd322/status/192746

@blakes7bot@mas.torpidity.net
2025-05-31 12:07:50

Series A, Episode 10 - Breakdown
ZEN: Your command reduces to an order to self-destruct. This runs counter to Prime Directive.
VILA: Zen obviously believes there's something nasty in that zone.
blake.torpidity.net/m/110/148 B7B3

@sncf_ligne_r@lepoulsdumonde.com
2025-05-28 04:14:27

Train supprimé :
- ZOHA départ 06h02 Montereau, arrivée Melun 06h39
Risque d'affluence Š bord du train suivant.
Prochain train Š circuler :
- ZOHA départ 06h29 Montereau, arrivée Melun 07h06
Pour plus d'informations sur cette perturbation, consultez le fil Twitter de la ligne.
Motif : prolongation des travaux sur le réseau ferroviaire dans le secteur de Montereau.
🤖 28/05 06:14

@MediaActivist@todon.eu
2025-05-25 22:03:42

"What is different, is that before what were largely fringe anti-Semitic and white supremacist theories floating around the far corners of the Alt-Right, have now become the backbone of the Republican party. 'The Great Replacement,' once a conspiracy pushed by only hardline neo-Nazis and white supremacists, is now being touted by everyone from pharma billionaire Vivek Ramaswamy, Swason frozen foods heir and Twitter troll Tucker Carlson, to the billionaire backed Turning Point US…

@blakes7bot@mas.torpidity.net
2025-05-30 15:13:40

Series C, Episode 07 - Children of Auron
C.A. TWO: Next, the young adults. Thank you, module six.
C.A. ONE: Any response to the distress calls?
C.A. TWO: Not a whisper. Appeals out on all channels, nothing.
VOICE: Medical section reporting.
blake.torpidity.net/m/307/119

@blakes7bot@mas.torpidity.net
2025-05-30 06:07:57

#Blakes7 Series B, Episode 02 - Shadow
CALLY: I think Blake can look after himself.
VILA: He's led a very sheltered life.
CALLY: What, Blake has led a sheltered life?
blake.torpidity.net/m/202/119

@jkmartindale@mastodon.social
2025-04-16 17:25:23

I wish my university noticed that their ai slop action figure doesn't even contain an action figure twitter.com/OUCampusDining/sta

Tweet from OU Campus Dining:

Meet our action figure Sooner the Chef! 👨‍🍳

Sooner comes with a secret recipe scroll and pouches full of exotic spices and ingredients!

#actionfigure #aitrend #oudining

The tweet image vaguely resembles action figure packaging if you look at it for about half a second.

The package heading states Sooner the Chef, University of Oklahoma Dining.

To the left there is packaging with what almost looks like a toy pan, spatula, food tray, and a second pan that both so…
@gedankenstuecke@scholar.social
2025-05-27 12:15:26

As I've seen a good number of people here post about "Worktree.ca" as a "Canadian-owned" alternative to GitHub: it's a closed-source fork of Gitea which "one day" (maybe, if the company doesn't change its mind) will be open core. It also runs on AWS…
Not that it's any of my business, but migrating there feels like the code-equivalent of leaving Twitter for Bluesky: Moving from one company-owned walled garden to the next, without having learned a lesson. All painted in a nationalist cash grab. 🤷‍♂️

@thomasrenkert@hcommons.social
2025-05-22 10:37:13

"AUcH, weNn ES dIe pOlItiSche fÜhRunG zu UNterBinDEN vErSuChT" - die Gruppe jener #noAfD ler, die wegen unverdautem Militärfetisch bei dem Zirkus mitmachen, ist bislang zu wenig erforscht - hauptsächlich deshalb, weil man mit ständigen Lachanfällen nicht gut forschen kann.

twitter post von AfD-MdB Lucassen: 

Heute vor 84 Jahren sprang mein Vater Hans Lucassen mit seinen Kameraden des Fallschirmjägerregiments 1 über Kreta ab. Das Unternehmen Merkur wurde zur größten Luftlandeoperation der Kriegsgeschichte. Nach 12 Tagen verlustreicher Kämpfe gegen einen materiell und personell überlegenen Gegner war die Mittelmeerinsel genommen. 

Die soldatische Leistung der kämpfenden Einheiten wird bis heute von Militärhistorikern und Soldaten gewürdigt. Die persönlichen Schic…
@tebrown@social.linux.pizza
2025-04-11 20:17:45

Then X should become a public entity flipboard.com/@wired/elon-musk

@blakes7bot@mas.torpidity.net
2025-05-31 15:10:09

Series D, Episode 05 - Animals
DAYNA: Set.
TARRANT: Good luck.
[Dayna teleports to the surface of Bucol Two. Looks around]
DAYNA: [Into bracelet] Scorpio. Down safe.
TARRANT: [Voice over] Right, standing by. Let me know when you make contact.
blake.torpidity.net/m/405/3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series showing someone in what appears to be a spacecraft or futuristic setting. The person is seated in a high-backed chair with a textured, quilted pattern typical of sci-fi production design from this era. They're wearing a distinctive costume - a form-fitting outfit with white, dark, and teal/green colored panels that has a futuristic, military-style appearance with clean lines and geometr…
@blakes7bot@mas.torpidity.net
2025-05-31 15:10:09

Series D, Episode 05 - Animals
DAYNA: Set.
TARRANT: Good luck.
[Dayna teleports to the surface of Bucol Two. Looks around]
DAYNA: [Into bracelet] Scorpio. Down safe.
TARRANT: [Voice over] Right, standing by. Let me know when you make contact.
blake.torpidity.net/m/405/3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series showing someone in what appears to be a spacecraft or futuristic setting. The person is seated in a high-backed chair with a textured, quilted pattern typical of sci-fi production design from this era. They're wearing a distinctive costume - a form-fitting outfit with white, dark, and teal/green colored panels that has a futuristic, military-style appearance with clean lines and geometr…
@sncf_ligne_r@lepoulsdumonde.com
2025-05-28 05:09:26

Train supprimé :
- KOHO départ Melun 06h49, arrivée Montereau 07h26
Risque d'affluence Š bord du train suivant.
Prochain train Š circuler :
- KOHO départ Melun 07h49, arrivée Montereau 08h26
Pour plus d'informations sur cette perturbation, consultez le fil Twitter de la ligne.
Motif : prolongation des travaux sur le réseau ferroviaire Š Montereau.
🤖 28/05 07:09

@blakes7bot@mas.torpidity.net
2025-05-30 09:09:51

Series B, Episode 10 - Voice from the Past
JENNA: Complaining of some sort of noise.
AVON: A sort of tone, he said.
CALLY: Oscillating. It was there again just now.
AVON: As a part of his nightmare?
CALLY: Yes, I think so.
blake.torpidity.net/m/210/85

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft interior. The setting features typical sci-fi production design with metallic surfaces, control panels, and angular architectural elements characteristic of 1970s-80s television production values.

One person is wearing dark clothing and standing, while another is seated wearing lighter colored clothing. The scene appears…
@blakes7bot@mas.torpidity.net
2025-05-30 09:09:51

Series B, Episode 10 - Voice from the Past
JENNA: Complaining of some sort of noise.
AVON: A sort of tone, he said.
CALLY: Oscillating. It was there again just now.
AVON: As a part of his nightmare?
CALLY: Yes, I think so.
blake.torpidity.net/m/210/85

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft interior. The setting features typical sci-fi production design with metallic surfaces, control panels, and angular architectural elements characteristic of 1970s-80s television production values.

One person is wearing dark clothing and standing, while another is seated wearing lighter colored clothing. The scene appears…
@blakes7bot@mas.torpidity.net
2025-05-31 18:12:29

Series A, Episode 06 - Seek-Locate-Destroy
BLAKE: We picked up a whole flock of 'em. But we should outrun them in seven hours.
JENNA: It's almost too easy, isn't it?
blake.torpidity.net/m/106/133 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a spaceship interior setting with white/metallic walls. There are several people in the scene wearing what appear to be futuristic costumes or uniforms. One person is holding what looks like a technological device or prop. The setting and costumes suggest this is from a classic British sci-fi production, with the characteristic low-budget but creative product…
@blakes7bot@mas.torpidity.net
2025-05-31 09:05:59

Series B, Episode 11 - Gambit
JENNA: She's right, Blake. He's led a privileged life. He's got money.
BLAKE: He's also been on the move for a long time.
JENNA: But even so, a man with his skills can always earn it.
blake.torpidity.net/m/211/170 B…

Claude 3.7 describes the image as: "The image shows a person with blonde-reddish hair styled in a 1970s/80s fashion against a shimmering blue background that appears to be a set with reflective or metallic elements. The lighting creates a dramatic effect, highlighting the subject's features and earrings. The visual aesthetic has that distinctive retro sci-fi television production quality typical of British shows from that era. The styling, background, and cinematography suggest this is from a s…
@blakes7bot@mas.torpidity.net
2025-05-31 06:01:33

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
ESCON: Base Commander Escon reporting, sir.
TRAVIS: Yes, Base Commander?
blake.torpidity.net/m/106/396 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in dark, futuristic military-style armor or uniform. The costume design has a distinctive sci-fi aesthetic with metallic elements and structured plating typical of space opera productions from that era. The lighting and set design create a dramatic, somewhat ominous atmosphere with dark tones and institutional-looking backgrounds. The overall production values an…
@blakes7bot@mas.torpidity.net
2025-05-30 21:18:06

Series D, Episode 02 - Power
TARRANT: Why?
AVON: Because that was my instruction.
DAYNA: You told Orac not to crack the code?
TARRANT: Why do that?
blake.torpidity.net/m/402/505 B7B6

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be an interior setting, likely aboard a spacecraft or space station based on the utilitarian wall panels and ventilation visible in the background. The man on the left wears a distinctive white and gray uniform with geometric trim and piping, featuring a high collar - typical of the series' futuristic costume design. The man on the right is dressed in a more casual gray jumpsuit or work outfit. Both ap…
@blakes7bot@mas.torpidity.net
2025-05-30 18:16:15

Series C, Episode 07 - Children of Auron
TARRANT: Not that it'll do us much good without bracelets to get us up to the Liberator.
DAYNA: Could be. If they've somehow found out about Servalan's urge to breed.
VILA: But how?
blake.torpidity.net/m/307/536

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series set in a futuristic spacecraft or station interior. The setting features metallic walls and technical panels in the background, typical of the show's distinctive 1970s-80s sci-fi aesthetic.

In the foreground, two people are engaged in conversation - a woman wearing a striking burgundy outfit with a gold emblem and bracelet, and a man in a brown leather-like jacket with a distinctive collar. Th…
@blakes7bot@mas.torpidity.net
2025-05-30 12:11:45

Series A, Episode 01 - The Way Back
VARON: He works in the Outer Worlds most of the time. He's in Security.
BLAKE: He's a murderer.
VARON: Then he'll come to trial like everyone else in this cover-up.
BLAKE: And what about me?
blake.torpidity.net/m/101/317

Claude 3.7 describes the image as: "The image shows a person behind what appears to be prison bars or some type of confinement. They have curly dark hair and are wearing what looks like an olive or greenish shirt. The scene has a dramatic quality with the bars creating a stark visual separation between the subject and the viewer. The lighting creates shadows that emphasize the confined setting, giving the image a tense, dramatic atmosphere typical of classic science fiction television productio…
@blakes7bot@mas.torpidity.net
2025-05-31 18:12:29

Series A, Episode 06 - Seek-Locate-Destroy
BLAKE: We picked up a whole flock of 'em. But we should outrun them in seven hours.
JENNA: It's almost too easy, isn't it?
blake.torpidity.net/m/106/133 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a spaceship interior setting with white/metallic walls. There are several people in the scene wearing what appear to be futuristic costumes or uniforms. One person is holding what looks like a technological device or prop. The setting and costumes suggest this is from a classic British sci-fi production, with the characteristic low-budget but creative product…
@sncf_ligne_r@lepoulsdumonde.com
2025-05-27 10:10:56

Prévoir un allongement de temps de trajet de 15 minutes environ pour le train suivant : - GAMO départ 11h15, arrivée Montargis de 12h55.
Pour plus d'informations sur cette perturbation, consultez le fil Twitter de la ligne.
Motif : incident affectant la voie dans le secteur de Bois le Roi.
🤖 27/05 12:10

@blakes7bot@mas.torpidity.net
2025-05-31 09:05:59

Series B, Episode 11 - Gambit
JENNA: She's right, Blake. He's led a privileged life. He's got money.
BLAKE: He's also been on the move for a long time.
JENNA: But even so, a man with his skills can always earn it.
blake.torpidity.net/m/211/170 B…

Claude 3.7 describes the image as: "The image shows a person with blonde-reddish hair styled in a 1970s/80s fashion against a shimmering blue background that appears to be a set with reflective or metallic elements. The lighting creates a dramatic effect, highlighting the subject's features and earrings. The visual aesthetic has that distinctive retro sci-fi television production quality typical of British shows from that era. The styling, background, and cinematography suggest this is from a s…
@blakes7bot@mas.torpidity.net
2025-05-31 06:01:33

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
ESCON: Base Commander Escon reporting, sir.
TRAVIS: Yes, Base Commander?
blake.torpidity.net/m/106/396 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in dark, futuristic military-style armor or uniform. The costume design has a distinctive sci-fi aesthetic with metallic elements and structured plating typical of space opera productions from that era. The lighting and set design create a dramatic, somewhat ominous atmosphere with dark tones and institutional-looking backgrounds. The overall production values an…
@blakes7bot@mas.torpidity.net
2025-05-30 21:18:06

Series D, Episode 02 - Power
TARRANT: Why?
AVON: Because that was my instruction.
DAYNA: You told Orac not to crack the code?
TARRANT: Why do that?
blake.torpidity.net/m/402/505 B7B6

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be an interior setting, likely aboard a spacecraft or space station based on the utilitarian wall panels and ventilation visible in the background. The man on the left wears a distinctive white and gray uniform with geometric trim and piping, featuring a high collar - typical of the series' futuristic costume design. The man on the right is dressed in a more casual gray jumpsuit or work outfit. Both ap…
@blakes7bot@mas.torpidity.net
2025-05-30 18:16:15

Series C, Episode 07 - Children of Auron
TARRANT: Not that it'll do us much good without bracelets to get us up to the Liberator.
DAYNA: Could be. If they've somehow found out about Servalan's urge to breed.
VILA: But how?
blake.torpidity.net/m/307/536

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series set in a futuristic spacecraft or station interior. The setting features metallic walls and technical panels in the background, typical of the show's distinctive 1970s-80s sci-fi aesthetic.

In the foreground, two people are engaged in conversation - a woman wearing a striking burgundy outfit with a gold emblem and bracelet, and a man in a brown leather-like jacket with a distinctive collar. Th…
@blakes7bot@mas.torpidity.net
2025-05-30 12:11:45

Series A, Episode 01 - The Way Back
VARON: He works in the Outer Worlds most of the time. He's in Security.
BLAKE: He's a murderer.
VARON: Then he'll come to trial like everyone else in this cover-up.
BLAKE: And what about me?
blake.torpidity.net/m/101/317

Claude 3.7 describes the image as: "The image shows a person behind what appears to be prison bars or some type of confinement. They have curly dark hair and are wearing what looks like an olive or greenish shirt. The scene has a dramatic quality with the bars creating a stark visual separation between the subject and the viewer. The lighting creates shadows that emphasize the confined setting, giving the image a tense, dramatic atmosphere typical of classic science fiction television productio…
@blakes7bot@mas.torpidity.net
2025-05-29 12:20:11

Series C, Episode 08 - Rumours of Death
[Upstairs, in a darkened corridor, Dayna with gun drawn. Federation troops enter, and Dayna shoots.]
TROOPER: [V.O.] Attention in the house. You are surrounded. Throw down your weapons and come out.
blake.torpidity.net/m/308/565

@blakes7bot@mas.torpidity.net
2025-05-29 12:20:11

Series C, Episode 08 - Rumours of Death
[Upstairs, in a darkened corridor, Dayna with gun drawn. Federation troops enter, and Dayna shoots.]
TROOPER: [V.O.] Attention in the house. You are surrounded. Throw down your weapons and come out.
blake.torpidity.net/m/308/565

@blakes7bot@mas.torpidity.net
2025-05-29 18:24:38

Series A, Episode 09 - Project Avalon
ZEN: Liberator has resumed original position and status.
AVON: You'd better switch on the communication channel. [Gan crosses flight deck and switches it on.]
blake.torpidity.net/m/109/314 B7B5

Claude Sonnet 4.0 describes the image as: "This scene shows the interior of a spacecraft, likely the Liberator, with its characteristic curved control stations and futuristic design. The setting appears to be the main flight deck or control room, with multiple crew stations featuring illuminated control panels and displays. The space has a distinctive sci-fi aesthetic with curved walls and ambient lighting typical of the series' production design. Multiple crew members are positioned at their r…
@blakes7bot@mas.torpidity.net
2025-05-29 15:22:38

Series D, Episode 13 - Blake
DEVA: Hm. You've been given a temporary appointment as a law enforcement officer.
BLAKE: That central computer doesn't care who it makes respectable, does it?
DEVA: It's an inferior model, I'm afraid.
blake.torpidity.net/m/413/260

Claude 3.7 describes the image as: "This is a black and white image from a classic British science fiction television series from the late 1970s/early 1980s. The image shows a person with curly, dark hair and a somewhat disheveled appearance, wearing what appears to be a rough-textured coat or jacket with an upturned collar. The expression on their face appears somewhat intense or thoughtful.

The setting seems to be some kind of industrial or spacecraft interior, with what looks like storage c…
@blakes7bot@mas.torpidity.net
2025-05-29 09:18:44

Series C, Episode 13 - Terminal
SERVALAN: Mm. I must admit that when I started beaming messages to the Liberator I was worried you might not believe them.
AVON: I didn't.
SERVALAN: What convinced you?
blake.torpidity.net/m/313/332 B7B2

Claude 3.7 describes the image as: "The image shows a person in what appears to be a costume from a science fiction television series. They're wearing a distinctive black outfit with metallic or reflective shoulder elements that have studs or decorative elements. The costume has an elaborate design typical of 1970s-80s British sci-fi productions.

The setting appears to be an indoor studio set with muted colors in the background. The theatrical costume with its dark color scheme and metallic ac…
@blakes7bot@mas.torpidity.net
2025-05-29 06:16:20

#Blakes7 Series A, Episode 04 - Time Squad
GAN: Hull re-pressurized.
VILA: Inner hatches released.
AVON: Switch the visual.
[Main screen view changes to projectile at rest in inner hold]
blake.torpi…

Claude 3.7 describes the image as: "This appears to be a scene from a classic science fiction television series, set in what looks like a spacecraft or control room. The image shows two people seated in a futuristic cockpit or command area. One person on the left wears a brown and beige outfit, while the person on the right has a lighter brownish jacket with some distinctive details. The setting has the distinctive retro-futuristic aesthetic typical of British sci-fi productions from the late 1…
@blakes7bot@mas.torpidity.net
2025-05-29 18:24:38

Series A, Episode 09 - Project Avalon
ZEN: Liberator has resumed original position and status.
AVON: You'd better switch on the communication channel. [Gan crosses flight deck and switches it on.]
blake.torpidity.net/m/109/314 B7B5

Claude Sonnet 4.0 describes the image as: "This scene shows the interior of a spacecraft, likely the Liberator, with its characteristic curved control stations and futuristic design. The setting appears to be the main flight deck or control room, with multiple crew stations featuring illuminated control panels and displays. The space has a distinctive sci-fi aesthetic with curved walls and ambient lighting typical of the series' production design. Multiple crew members are positioned at their r…
@blakes7bot@mas.torpidity.net
2025-05-29 15:22:38

Series D, Episode 13 - Blake
DEVA: Hm. You've been given a temporary appointment as a law enforcement officer.
BLAKE: That central computer doesn't care who it makes respectable, does it?
DEVA: It's an inferior model, I'm afraid.
blake.torpidity.net/m/413/260

Claude 3.7 describes the image as: "This is a black and white image from a classic British science fiction television series from the late 1970s/early 1980s. The image shows a person with curly, dark hair and a somewhat disheveled appearance, wearing what appears to be a rough-textured coat or jacket with an upturned collar. The expression on their face appears somewhat intense or thoughtful.

The setting seems to be some kind of industrial or spacecraft interior, with what looks like storage c…
@blakes7bot@mas.torpidity.net
2025-05-29 09:18:44

Series C, Episode 13 - Terminal
SERVALAN: Mm. I must admit that when I started beaming messages to the Liberator I was worried you might not believe them.
AVON: I didn't.
SERVALAN: What convinced you?
blake.torpidity.net/m/313/332 B7B2

Claude 3.7 describes the image as: "The image shows a person in what appears to be a costume from a science fiction television series. They're wearing a distinctive black outfit with metallic or reflective shoulder elements that have studs or decorative elements. The costume has an elaborate design typical of 1970s-80s British sci-fi productions.

The setting appears to be an indoor studio set with muted colors in the background. The theatrical costume with its dark color scheme and metallic ac…
@blakes7bot@mas.torpidity.net
2025-05-29 06:16:20

#Blakes7 Series A, Episode 04 - Time Squad
GAN: Hull re-pressurized.
VILA: Inner hatches released.
AVON: Switch the visual.
[Main screen view changes to projectile at rest in inner hold]
blake.torpi…

Claude 3.7 describes the image as: "This appears to be a scene from a classic science fiction television series, set in what looks like a spacecraft or control room. The image shows two people seated in a futuristic cockpit or command area. One person on the left wears a brown and beige outfit, while the person on the right has a lighter brownish jacket with some distinctive details. The setting has the distinctive retro-futuristic aesthetic typical of British sci-fi productions from the late 1…
@blakes7bot@mas.torpidity.net
2025-05-28 09:04:01

Series A, Episode 06 - Seek-Locate-Destroy
BLAKE: Those interceptors will be lifting off any minute now. Let's get on with it. [into comm] Gan, get the ship moving. Full interceptor evasion.
[Flight deck. Gan is at the controls.]
blake.torpidity.net/m/106/464 B7B2…

@blakes7bot@mas.torpidity.net
2025-05-28 09:04:01

Series A, Episode 06 - Seek-Locate-Destroy
BLAKE: Those interceptors will be lifting off any minute now. Let's get on with it. [into comm] Gan, get the ship moving. Full interceptor evasion.
[Flight deck. Gan is at the controls.]
blake.torpidity.net/m/106/464 B7B2…

@blakes7bot@mas.torpidity.net
2025-05-28 21:12:45

Series A, Episode 10 - Breakdown
CALLY: So?
BLAKE: So on the flight deck he tried to kill ME. The limiter didn't even slow him down.
CALLY: Well, among my people such things are considered barbarous.
blake.torpidity.net/m/110/32 B7B6

Claude 3.7 describes the image as: "The image shows a person with curly dark hair wearing what appears to be a dark costume with distinctive panels or stripes. The styling and production quality suggests this is from a classic science fiction television production, likely from the late 1970s or early 1980s based on the visual aesthetic.

The setting appears to be some kind of interior space, possibly a spacecraft or futuristic facility, with a simple, somewhat utilitarian background typical of …
@blakes7bot@mas.torpidity.net
2025-05-28 21:12:45

Series A, Episode 10 - Breakdown
CALLY: So?
BLAKE: So on the flight deck he tried to kill ME. The limiter didn't even slow him down.
CALLY: Well, among my people such things are considered barbarous.
blake.torpidity.net/m/110/32 B7B6

Claude 3.7 describes the image as: "The image shows a person with curly dark hair wearing what appears to be a dark costume with distinctive panels or stripes. The styling and production quality suggests this is from a classic science fiction television production, likely from the late 1970s or early 1980s based on the visual aesthetic.

The setting appears to be some kind of interior space, possibly a spacecraft or futuristic facility, with a simple, somewhat utilitarian background typical of …
@blakes7bot@mas.torpidity.net
2025-05-28 18:10:40

Series C, Episode 13 - Terminal
SERVALAN: Oh, but they're not. The planet's evolution was massively accelerated. It developed through millions of years in a very short time. The creature you saw is not what Man developed from. It is what Man will become. I think I'm ready. [To Tarrant] Give the order. Please.
TARRANT: Take them up, Vila.

Claude Sonnet 4.0 describes the image as: "I can see this is an image from a science fiction television series showing someone in what appears to be a futuristic military or space-faring uniform. The costume features a distinctive burgundy or maroon colored tunic with decorative metallic studs or embellishments, and black accents at the collar. The person has curly brown hair and is holding what looks like a futuristic weapon or device. The setting appears to be aboard a spacecraft or space sta…
@blakes7bot@mas.torpidity.net
2025-05-28 15:08:34

Series B, Episode 06 - Trial
ZIL: To be alone must not be feared. The Host is slow to recognize one who is alone. Though there are many, all stay alone. [Clears off a patch of ground] Do you hunger? [Tears the ground open, scoops up some of the lining of the opening and eats it.] Do you hunger?
BLAKE: What is it?

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be an outdoor, wilderness setting with vegetation and natural ground cover. One person is wearing darker clothing and appears to be kneeling or crouching down, while another person is positioned nearby. The scene has a somewhat gritty, dramatic quality typical of science fiction television from that era. The lighting and color palette suggest this may be from a tense or action-oriented sequence. The natural, over…
@blakes7bot@mas.torpidity.net
2025-05-28 12:06:22

Series B, Episode 04 - Horizon
SELMA: Thank you.
RO: You saved my life. While I live, you'll be welcome on Horizon.
BLAKE: Still Horizon?
RO: You can't return to the past.
BLAKE: [Into bracelet] Liberator, teleport now. [To Ro and Selma] Good-bye.
blake.torpidity.net/m/204/633

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, showing two performers in elaborate costume design. They're wearing distinctive blue-gray fringed garments with dark feathered or fur-like elements at the shoulders. The costumes have a ceremonial or ritualistic quality, with one outfit featuring an open chest design and the other a more covered style. The setting features metallic wall panels with geometric patterns in the background, sug…
@blakes7bot@mas.torpidity.net
2025-05-28 06:02:02

#Blakes7 Series D, Episode 11 - Orbit
VILA: I think so. Try it now.
AVON: Switching to manual. Maximum power on all drives.
[Biodome]
PINDER: Egrorian.
EGRORIAN: They've broken the autocontrol and switched to manual. We've allowed for that.

Claude Sonnet 4.0 describes the image as: "This image shows a scene set in what appears to be the flight deck or control room of a spacecraft. The setting features a futuristic control console with various buttons, switches, and monitoring equipment typical of science fiction television production design from the late 1970s. Two crew members are visible - one in the foreground operating controls at the main console, wearing what appears to be a light-colored uniform, while another crew member c…
@blakes7bot@mas.torpidity.net
2025-05-28 18:10:40

Series C, Episode 13 - Terminal
SERVALAN: Oh, but they're not. The planet's evolution was massively accelerated. It developed through millions of years in a very short time. The creature you saw is not what Man developed from. It is what Man will become. I think I'm ready. [To Tarrant] Give the order. Please.
TARRANT: Take them up, Vila.

Claude Sonnet 4.0 describes the image as: "I can see this is an image from a science fiction television series showing someone in what appears to be a futuristic military or space-faring uniform. The costume features a distinctive burgundy or maroon colored tunic with decorative metallic studs or embellishments, and black accents at the collar. The person has curly brown hair and is holding what looks like a futuristic weapon or device. The setting appears to be aboard a spacecraft or space sta…
@blakes7bot@mas.torpidity.net
2025-05-28 15:08:34

Series B, Episode 06 - Trial
ZIL: To be alone must not be feared. The Host is slow to recognize one who is alone. Though there are many, all stay alone. [Clears off a patch of ground] Do you hunger? [Tears the ground open, scoops up some of the lining of the opening and eats it.] Do you hunger?
BLAKE: What is it?

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be an outdoor, wilderness setting with vegetation and natural ground cover. One person is wearing darker clothing and appears to be kneeling or crouching down, while another person is positioned nearby. The scene has a somewhat gritty, dramatic quality typical of science fiction television from that era. The lighting and color palette suggest this may be from a tense or action-oriented sequence. The natural, over…
@blakes7bot@mas.torpidity.net
2025-05-28 12:06:22

Series B, Episode 04 - Horizon
SELMA: Thank you.
RO: You saved my life. While I live, you'll be welcome on Horizon.
BLAKE: Still Horizon?
RO: You can't return to the past.
BLAKE: [Into bracelet] Liberator, teleport now. [To Ro and Selma] Good-bye.
blake.torpidity.net/m/204/633

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, showing two performers in elaborate costume design. They're wearing distinctive blue-gray fringed garments with dark feathered or fur-like elements at the shoulders. The costumes have a ceremonial or ritualistic quality, with one outfit featuring an open chest design and the other a more covered style. The setting features metallic wall panels with geometric patterns in the background, sug…
@blakes7bot@mas.torpidity.net
2025-05-28 06:02:02

#Blakes7 Series D, Episode 11 - Orbit
VILA: I think so. Try it now.
AVON: Switching to manual. Maximum power on all drives.
[Biodome]
PINDER: Egrorian.
EGRORIAN: They've broken the autocontrol and switched to manual. We've allowed for that.

Claude Sonnet 4.0 describes the image as: "This image shows a scene set in what appears to be the flight deck or control room of a spacecraft. The setting features a futuristic control console with various buttons, switches, and monitoring equipment typical of science fiction television production design from the late 1970s. Two crew members are visible - one in the foreground operating controls at the main console, wearing what appears to be a light-colored uniform, while another crew member c…
@blakes7bot@mas.torpidity.net
2025-05-27 12:12:18

Series A, Episode 02 - Space Fall
LEYLAN: Well, describe it later. Now... now give me life support readout.
TEAGUE: [V.O.] Pressure normal... minimal radiation... breathable oxygen atmosphere.
LEYLAN: Good, good. Now, is there anybody on board?
blake.torpidity.net/m/102/532

@blakes7bot@mas.torpidity.net
2025-05-27 12:12:18

Series A, Episode 02 - Space Fall
LEYLAN: Well, describe it later. Now... now give me life support readout.
TEAGUE: [V.O.] Pressure normal... minimal radiation... breathable oxygen atmosphere.
LEYLAN: Good, good. Now, is there anybody on board?
blake.torpidity.net/m/102/532

@blakes7bot@mas.torpidity.net
2025-05-27 21:18:44

Series D, Episode 01 - Rescue
DORIAN: It is necessary that you should understand what is to happen to you.
AVON: No it isn't. Just kill me and get it over with.
blake.torpidity.net/m/401/452 B7B6

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction costume from a television series. They're wearing an elaborate burgundy and gold uniform with decorative details and metallic accents. The costume has a distinctive military or formal style with a high collar and patterned elements.

The person is standing in what looks like an interior set with shelving visible in the background. They're holding what appears to be a drink in one hand and some t…
@blakes7bot@mas.torpidity.net
2025-05-27 18:16:45

Series C, Episode 10 - Ultraworld
DAYNA: And if we agree?
ULTRA 1: We shall reconsider the fate of your friends. And, of course, yourselves.
TARRANT: Is that the best you can do? No deal.
blake.torpidity.net/m/310/506 B7B5

Claude 3.7 describes the image as: "This image shows a portrait of a person with short dark hair wearing a pink/salmon-colored top and a distinctive star-shaped pendant necklace. The lighting creates a dramatic effect with purple-tinted vertical bars or blinds visible in the background, giving the scene a science fiction atmosphere. 

The composition features a close-up shot with the subject gazing slightly off-camera with an intense, serious expression. The cinematography has that characterist…
@blakes7bot@mas.torpidity.net
2025-05-27 15:14:35

Series C, Episode 01 - Aftermath
LAUREN: I wonder what's made them so determined suddenly.
AVON: Survivors, like me, probably.
blake.torpidity.net/m/301/272 B7B4

Claude 3.7 describes the image as: "The image shows a close-up portrait of a person with short brown hair wearing a dark shirt with a wide collar. They have a serious, intense expression and appear to be in a scene with a green-tinted background. 

The style and quality of the image suggests it's from a television production from the late 1970s or early 1980s, with characteristic lighting and film quality from that era. The setting appears to be an interior space, possibly aboard a spacecraft o…
@blakes7bot@mas.torpidity.net
2025-05-27 09:10:50

Series C, Episode 06 - City at the Edge of the World
VILA: Because you can't like someone without them liking you back. And I like you, Kerril, more than anyone. Anyone I've ever known.
KERRIL: The difference is, I love you.
VILA: Kerril.
blake.torpidity.net/m/306/592

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a science fiction setting, likely aboard a spacecraft or futuristic facility. The woman has a distinctive blonde feathered hairstyle typical of 1970s television, and is wearing what looks like a light-colored outfit with earrings. The man has shoulder-length hair and is wearing what appears to be a high-collared jacket or uniform in muted tones. They appear to be having an intimate or serious conversation, fac…
@blakes7bot@mas.torpidity.net
2025-05-27 06:09:02

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: You think he's been caught?
BLAKE: No. No, there would have been an alarm. [Looks at the access hatch] I'd better get in after him.
blake.torpidity.net…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with three people in what appears to be a futuristic or spaceship-like setting with metallic walls and lighting. The scene has the distinctive visual style of late 1970s British television production. However, I cannot identify specific individuals in the image or confirm which actors these might be, so I cannot provide details about the spec…
@blakes7bot@mas.torpidity.net
2025-05-27 21:18:44

Series D, Episode 01 - Rescue
DORIAN: It is necessary that you should understand what is to happen to you.
AVON: No it isn't. Just kill me and get it over with.
blake.torpidity.net/m/401/452 B7B6

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction costume from a television series. They're wearing an elaborate burgundy and gold uniform with decorative details and metallic accents. The costume has a distinctive military or formal style with a high collar and patterned elements.

The person is standing in what looks like an interior set with shelving visible in the background. They're holding what appears to be a drink in one hand and some t…
@blakes7bot@mas.torpidity.net
2025-05-27 18:16:45

Series C, Episode 10 - Ultraworld
DAYNA: And if we agree?
ULTRA 1: We shall reconsider the fate of your friends. And, of course, yourselves.
TARRANT: Is that the best you can do? No deal.
blake.torpidity.net/m/310/506 B7B5

Claude 3.7 describes the image as: "This image shows a portrait of a person with short dark hair wearing a pink/salmon-colored top and a distinctive star-shaped pendant necklace. The lighting creates a dramatic effect with purple-tinted vertical bars or blinds visible in the background, giving the scene a science fiction atmosphere. 

The composition features a close-up shot with the subject gazing slightly off-camera with an intense, serious expression. The cinematography has that characterist…
@blakes7bot@mas.torpidity.net
2025-05-27 15:14:35

Series C, Episode 01 - Aftermath
LAUREN: I wonder what's made them so determined suddenly.
AVON: Survivors, like me, probably.
blake.torpidity.net/m/301/272 B7B4

Claude 3.7 describes the image as: "The image shows a close-up portrait of a person with short brown hair wearing a dark shirt with a wide collar. They have a serious, intense expression and appear to be in a scene with a green-tinted background. 

The style and quality of the image suggests it's from a television production from the late 1970s or early 1980s, with characteristic lighting and film quality from that era. The setting appears to be an interior space, possibly aboard a spacecraft o…
@blakes7bot@mas.torpidity.net
2025-05-27 09:10:50

Series C, Episode 06 - City at the Edge of the World
VILA: Because you can't like someone without them liking you back. And I like you, Kerril, more than anyone. Anyone I've ever known.
KERRIL: The difference is, I love you.
VILA: Kerril.
blake.torpidity.net/m/306/592

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a science fiction setting, likely aboard a spacecraft or futuristic facility. The woman has a distinctive blonde feathered hairstyle typical of 1970s television, and is wearing what looks like a light-colored outfit with earrings. The man has shoulder-length hair and is wearing what appears to be a high-collared jacket or uniform in muted tones. They appear to be having an intimate or serious conversation, fac…
@blakes7bot@mas.torpidity.net
2025-05-27 06:09:02

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: You think he's been caught?
BLAKE: No. No, there would have been an alarm. [Looks at the access hatch] I'd better get in after him.
blake.torpidity.net…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with three people in what appears to be a futuristic or spaceship-like setting with metallic walls and lighting. The scene has the distinctive visual style of late 1970s British television production. However, I cannot identify specific individuals in the image or confirm which actors these might be, so I cannot provide details about the spec…
@blakes7bot@mas.torpidity.net
2025-05-26 18:25:29

Series C, Episode 06 - City at the Edge of the World
KERRIL: To make sure none of his victims did anything rash like attacking the weakest point of the ship!
VILA: It's here, I know it's here.
KERRIL: If you say so.
VILA: How would he hide it?
blake.torpidity.net/m/306/457

@blakes7bot@mas.torpidity.net
2025-05-26 18:25:29

Series C, Episode 06 - City at the Edge of the World
KERRIL: To make sure none of his victims did anything rash like attacking the weakest point of the ship!
VILA: It's here, I know it's here.
KERRIL: If you say so.
VILA: How would he hide it?
blake.torpidity.net/m/306/457

@blakes7bot@mas.torpidity.net
2025-05-26 15:23:57

Series C, Episode 04 - Dawn of the Gods
CALLY: No.
THAARN: Need!
DAYNA: What's the matter, Cally?
CALLY: There's something out there, a force, something all powerful and evil.
[Vila walks, picks up debris]
VILA: Avon!
blake.torpidity.net/m/304/194

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a vintage science fiction television production from the late 1970s or early 1980s. Two people are engaged in what seems to be a serious conversation. On the left is a person with curly hair wearing a black and white patterned outfit over a dark top. On the right is a person with short hair wearing a teal/turquoise top and a distinctive star-shaped pendant.

The setting appears to be some kind of futuristic or s…
@blakes7bot@mas.torpidity.net
2025-05-26 12:22:04

Series C, Episode 05 - The Harvest of Kairos
VILA: We got it, we got it!
TARRANT: Yes, I know, only I was saving that trick for when they both attacked at once.
VILA: There's only two left now; no trouble.
blake.torpidity.net/m/305/300 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, showing the characteristic futuristic interior design with metallic surfaces and angular architecture typical of the series. The setting has a multi-level bridge or control room layout with various crew positions. Four characters are visible in the scene, positioned at different levels of the ship's interior. The lighting creates a dramatic atmosphere with warm tones in the background contrasting with…
@blakes7bot@mas.torpidity.net
2025-05-26 09:20:06

Series B, Episode 04 - Horizon
CALLY: [Enters] Orac, where did you get this information? [Holds up a data card. Avon takes it]
ORAC: I was instructed to obtain anything relating to the planet. The data was obtained by cross-referencing prisoner and execution lists. It is standard procedure.
blake.torpidity.n…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two characters in what looks like a futuristic or spacecraft setting. One character is wearing a green outfit and has curly hair, while the other is wearing darker clothing. The lighting and production style suggests this is from a British science fiction show, likely from the late 1970s or early 1980s based on the visual aesthetic. The scene appears to show an intim…
@blakes7bot@mas.torpidity.net
2025-05-26 06:17:45

#Blakes7 Series A, Episode 02 - Space Fall
BLAKE: [To Avon] Could it be altered?
AVON: What?
BLAKE: The running log. Could the readings be faked?
AVON: Only by a top-line technician. Nobody on this ship could do it.
BLAKE: Except you.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, set in what looks like a spacecraft or space station interior. The scene takes place in what appears to be crew quarters with bunk beds visible in the background.

The image shows three people in conversation. One person is standing in the center wearing a dark vest over a light-colored shirt. To the right, someone is seated in dark clothing with a thoughtful expression. On the left, partially…
@blakes7bot@mas.torpidity.net
2025-05-26 15:23:57

Series C, Episode 04 - Dawn of the Gods
CALLY: No.
THAARN: Need!
DAYNA: What's the matter, Cally?
CALLY: There's something out there, a force, something all powerful and evil.
[Vila walks, picks up debris]
VILA: Avon!
blake.torpidity.net/m/304/194

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a vintage science fiction television production from the late 1970s or early 1980s. Two people are engaged in what seems to be a serious conversation. On the left is a person with curly hair wearing a black and white patterned outfit over a dark top. On the right is a person with short hair wearing a teal/turquoise top and a distinctive star-shaped pendant.

The setting appears to be some kind of futuristic or s…
@blakes7bot@mas.torpidity.net
2025-05-26 12:22:04

Series C, Episode 05 - The Harvest of Kairos
VILA: We got it, we got it!
TARRANT: Yes, I know, only I was saving that trick for when they both attacked at once.
VILA: There's only two left now; no trouble.
blake.torpidity.net/m/305/300 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, showing the characteristic futuristic interior design with metallic surfaces and angular architecture typical of the series. The setting has a multi-level bridge or control room layout with various crew positions. Four characters are visible in the scene, positioned at different levels of the ship's interior. The lighting creates a dramatic atmosphere with warm tones in the background contrasting with…
@blakes7bot@mas.torpidity.net
2025-05-26 09:20:06

Series B, Episode 04 - Horizon
CALLY: [Enters] Orac, where did you get this information? [Holds up a data card. Avon takes it]
ORAC: I was instructed to obtain anything relating to the planet. The data was obtained by cross-referencing prisoner and execution lists. It is standard procedure.
blake.torpidity.n…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two characters in what looks like a futuristic or spacecraft setting. One character is wearing a green outfit and has curly hair, while the other is wearing darker clothing. The lighting and production style suggests this is from a British science fiction show, likely from the late 1970s or early 1980s based on the visual aesthetic. The scene appears to show an intim…
@blakes7bot@mas.torpidity.net
2025-05-26 06:17:45

#Blakes7 Series A, Episode 02 - Space Fall
BLAKE: [To Avon] Could it be altered?
AVON: What?
BLAKE: The running log. Could the readings be faked?
AVON: Only by a top-line technician. Nobody on this ship could do it.
BLAKE: Except you.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, set in what looks like a spacecraft or space station interior. The scene takes place in what appears to be crew quarters with bunk beds visible in the background.

The image shows three people in conversation. One person is standing in the center wearing a dark vest over a light-colored shirt. To the right, someone is seated in dark clothing with a thoughtful expression. On the left, partially…
@blakes7bot@mas.torpidity.net
2025-05-25 21:13:05

Series C, Episode 05 - The Harvest of Kairos
TARRANT: And you'd hide behind a woman to get them? Time changes people.
JARVIK: [Releases Dayna] Tarrant? Man to man? You can have the advantage. [Throws knife at Tarrant's feet]
blake.torpidity.net/m/305/544 B7B6…

@blakes7bot@mas.torpidity.net
2025-05-25 09:04:59

Series C, Episode 12 - Death-Watch
MAX: For the hundreth time. I'm sorry, I haven't been much help, have I?
DEETA: The Death-Watch is never easy, Max. You did well, I'm grateful to you. [offers his hand and they shake]
MAX: We wish you luck.
blake.torpidity.net/m/312/412

@blakes7bot@mas.torpidity.net
2025-05-25 21:13:05

Series C, Episode 05 - The Harvest of Kairos
TARRANT: And you'd hide behind a woman to get them? Time changes people.
JARVIK: [Releases Dayna] Tarrant? Man to man? You can have the advantage. [Throws knife at Tarrant's feet]
blake.torpidity.net/m/305/544 B7B6…

@blakes7bot@mas.torpidity.net
2025-05-25 09:04:59

Series C, Episode 12 - Death-Watch
MAX: For the hundreth time. I'm sorry, I haven't been much help, have I?
DEETA: The Death-Watch is never easy, Max. You did well, I'm grateful to you. [offers his hand and they shake]
MAX: We wish you luck.
blake.torpidity.net/m/312/412

@blakes7bot@mas.torpidity.net
2025-05-25 18:11:15

Series A, Episode 12 - Deliverance
JENNA: Basic respirator, that's about all. [Blake enters.]
BLAKE: The coordinates place both capsules within one square mile. [Hands Cally the coordinates.] We're going to put you down in the centre of the search area.
blake.torpidity.net/m/112/59

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive burgundy and pink outfit with a fur-trimmed hood. The setting appears to be aboard a spacecraft, with the characteristic angular wall panels and lighting typical of the series' production design. The costume suggests this might be from an episode involving cold environments or disguises, as the hooded garment appears practical for harsh conditions. The interior set design shows the s…
@blakes7bot@mas.torpidity.net
2025-05-25 15:09:13

Series A, Episode 08 - Duel
GAN: [Turns and sees Sinofar and Giroc] Blake, we've got company. [When the others look, they have gone] They were here! Two women, watching us. There's nowhere they could have gone.
JENNA: So where are they now?
blake.torpidity.net/m/108/73

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing what looks like three people in a dark, cave-like or underground setting with rough stone walls. The lighting is dim and atmospheric, creating shadows on the rocky surfaces. The figures appear to be wearing what looks like futuristic or military-style clothing typical of sci-fi productions from that era. The setting suggests they may be exploring or taking shelter in…
@blakes7bot@mas.torpidity.net
2025-05-25 18:11:15

Series A, Episode 12 - Deliverance
JENNA: Basic respirator, that's about all. [Blake enters.]
BLAKE: The coordinates place both capsules within one square mile. [Hands Cally the coordinates.] We're going to put you down in the centre of the search area.
blake.torpidity.net/m/112/59

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive burgundy and pink outfit with a fur-trimmed hood. The setting appears to be aboard a spacecraft, with the characteristic angular wall panels and lighting typical of the series' production design. The costume suggests this might be from an episode involving cold environments or disguises, as the hooded garment appears practical for harsh conditions. The interior set design shows the s…
@blakes7bot@mas.torpidity.net
2025-05-25 15:09:13

Series A, Episode 08 - Duel
GAN: [Turns and sees Sinofar and Giroc] Blake, we've got company. [When the others look, they have gone] They were here! Two women, watching us. There's nowhere they could have gone.
JENNA: So where are they now?
blake.torpidity.net/m/108/73

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing what looks like three people in a dark, cave-like or underground setting with rough stone walls. The lighting is dim and atmospheric, creating shadows on the rocky surfaces. The figures appear to be wearing what looks like futuristic or military-style clothing typical of sci-fi productions from that era. The setting suggests they may be exploring or taking shelter in…
@blakes7bot@mas.torpidity.net
2025-05-25 12:07:15

Series B, Episode 05 - Pressure Point
AVON: It is not going to be easy.
BLAKE: Can we do it?
VILA: Not a chance, it's absolutely impossible.
AVON: There is a way. Where are Kasabi and her people?
blake.torpidity.net/m/205/324 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people in conversation in what looks like a dark, possibly industrial or spacecraft setting. The individuals are wearing distinctive costumes typical of classic sci-fi productions - one in a dark jacket, another wearing what appears to be a protective vest or armor with yellow/beige elements, and the third in what looks like a leather or similar material outfit. The lighting is q…
@blakes7bot@mas.torpidity.net
2025-05-25 06:03:18

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: That's better.
VILA: You're top of the Federation's Most Wanted list - after Blake.
blake.torpidity.net/m/306/167

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television show, likely from the 1980s based on the production quality and styling. 

The scene depicts two individuals in conversation. On the right is a person wearing a simple light-colored turtleneck or high-necked garment. Facing them on the left is someone in an elaborate costume featuring a dark, studded or armored outfit with textured shoulders and decorative elements.

The setting has …
@blakes7bot@mas.torpidity.net
2025-05-25 12:07:15

Series B, Episode 05 - Pressure Point
AVON: It is not going to be easy.
BLAKE: Can we do it?
VILA: Not a chance, it's absolutely impossible.
AVON: There is a way. Where are Kasabi and her people?
blake.torpidity.net/m/205/324 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people in conversation in what looks like a dark, possibly industrial or spacecraft setting. The individuals are wearing distinctive costumes typical of classic sci-fi productions - one in a dark jacket, another wearing what appears to be a protective vest or armor with yellow/beige elements, and the third in what looks like a leather or similar material outfit. The lighting is q…
@blakes7bot@mas.torpidity.net
2025-05-25 06:03:18

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: That's better.
VILA: You're top of the Federation's Most Wanted list - after Blake.
blake.torpidity.net/m/306/167

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television show, likely from the 1980s based on the production quality and styling. 

The scene depicts two individuals in conversation. On the right is a person wearing a simple light-colored turtleneck or high-necked garment. Facing them on the left is someone in an elaborate costume featuring a dark, studded or armored outfit with textured shoulders and decorative elements.

The setting has …