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@rperezrosario@mastodon.social
2025-10-14 02:13:45

Amazon's CTO, Dr. Werner Vogels, recently shared this short post about how software development improves with age. His perspective revolves around the recurrence of certain patterns in technology where the experienced developer can say "New technology, same pattern.", and sift through the daily onslaught of new technologies in a calm fashion, weeding out what's just flash from more interesting developments.
"Development gets better with Age"

Black and white line art drawing of an aging, purported software developer typing away on his keyboard. Besides his work desk is a bottle and glass of wine alluding to things that improve with age. A legend read in large letters "Software development gets better with Age." Image design and execution by ChatGPT 4o.
@arXiv_csHC_bot@mastoxiv.page
2025-10-13 08:45:40

Beyond Words: Infusing Conversational Agents with Human-like Typing Behaviors
Jijie Zhou, Yuhan Hu
arxiv.org/abs/2510.08912 arxiv.org/pdf/2…

@arXiv_mathOC_bot@mastoxiv.page
2025-11-14 08:52:00

Benders Decomposition for Passenger-Oriented Train Timetabling with Hybrid Periodicity
Zhiyuan Yao, Anita Sch\"obel, Lei Nie, Sven J\"ager
arxiv.org/abs/2511.09892 arxiv.org/pdf/2511.09892 arxiv.org/html/2511.09892
arXiv:2511.09892v1 Announce Type: new
Abstract: Periodic timetables are widely adopted in passenger railway operations due to their regular service patterns and well-coordinated train connections. However, fluctuations in passenger demand require varying train services across different periods, necessitating adjustments to the periodic timetable. This study addresses a hybrid periodic train timetabling problem, which enhances the flexibility and demand responsiveness of a given periodic timetable through schedule adjustments and aperiodic train insertions, taking into account the rolling stock circulation. Since timetable modifications may affect initial passenger routes, passenger routing is incorporated into the problem to guide planning decisions towards a passenger-oriented objective. Using a time-space network representation, the problem is formulated as a dynamic railway service network design model with resource constraints. To handle the complexity of real-world instances, we propose a decomposition-based algorithm integrating Benders decomposition and column generation, enhanced with multiple preprocessing and accelerating techniques. Numerical experiments demonstrate the effectiveness of the algorithm and highlight the advantage of hybrid periodic timetables in reducing passenger travel costs.
toXiv_bot_toot

@arXiv_csDC_bot@mastoxiv.page
2025-10-10 08:28:49

A Multi-Simulation Bridge for IoT Digital Twins
Marco Picone, Samuele Burattini, Marco Melloni, Prasad Talasila, Davide Ziglioli, Matteo Martinelli, Nicola Bicocchi, Alessandro Ricci, Peter Gorm Larsen
arxiv.org/abs/2510.08164

@blakes7bot@mas.torpidity.net
2025-12-09 16:08:38

Series A, Episode 12 - Deliverance
VILA: [Aside, to Gan] I told you she was mad.
GAN: [To Meegat] How long have you been waiting?
blake.torpidity.net/m/112/314 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978-1981. The scene shows three characters in distinctive futuristic costumes standing together in what appears to be a dimly lit setting, possibly a spaceship or cave environment.

The actors are wearing the show's characteristic costume design - form-fitting outfits with geometric patterns and bold color blocking. On the left is a figure in a br…
@arXiv_csIR_bot@mastoxiv.page
2025-09-30 10:15:31

Semantic Representation of Processes with Ontology Design Patterns
Ebrahim Norouzi, Sven Hertling, J\"org Waitelonis, Harald Sack
arxiv.org/abs/2509.23776

@tiotasram@kolektiva.social
2025-10-30 09:09:31

Okay, here's the promised follow-up with more authors I respect who didn't make it onto this list. I won't do deep dives but I'll list at least one work per author:
YA novelists:
- Randi Pink ("Girls Like Us")
- Louisa Onomé ("Twice as Perfect")
- Emery Lee ("Meet Cute Diary")
- Robin Benway ("Far from the Tree")
- Angela Velez ("Lulu and Milagro's Search for Clarity")
Children's book authors:
- Jacqueline Davies ("Bubbles Up")
- Freya Hartas ("Slow Down in the Park")
Novelists:
- Rimma Onoseta ("How You Grow Wings")
Graphic novelists:
- Linda Medley ("Castle Waiting")
- 🖋️Magsalene Visaggio 🖌️Paulina Ganucheau ("Girlmode")
- Ursula Vernon ("Digger")
- SJ Sindu ("Tall Water" w/ Dion MBD)
- Hope Larson ("Be That Way"; "Salt Magic" w/ Rebecca Mock)
- Lily Williams Karen Schneemann ("Go With the Flow")
- Maia Kobabe ("Gender Queer")
- Kay O'Neill ("Tea Dragon Society")
- Marjane Satrapi ("Persepolis")
Mangaka:
- Kaoru Mori ("Young Bride's Stories")
- Ryoko Kui ("Delicious in Dungeon")
- Natsuki Takaya ("Fruits Basket")
Anime writers/directors and/or Japanese light/fantasy/SF novelists:
- Nahoko Uehashi ("Moribito")
- Sayo Yamamoto ("Michiko & Hatchin"; "Yuri!!! On Ice")
- Mari Okada ("Ano Hana: The Flower we Saw That Day"; "Toradora!")
Game designers/programmers:
(Upon review I was pretty remiss in skipping over a few of these people, some of whom I wasn't aware of but most of whom I just didn't remember when writing my short list. Subconscious misogyny in action. Short & Thorson probably would have squeezed out some of the YA authors I included, although I have no real regrets.)
- Junko Kawano ("Suikoden")
- Elizabeth LaPensée ("When Rivers Were Trails")
- Momo Pixel ("Hair Nah")
- Zoë Quinn ("Depression Quest"; narrative designer on "Solar Ash")
- Kellee Santiago ("Cloud"; "Flower")
- Tanya X. Short ("Moon Hunters")
- Kim Swift ("Portal")
- Maddy Thorson ("Celeste")
- Andi McClure @… ("Jumpman")
Note: I haven't included composers or artists here, but there's a deep bench.
Games journalists/steamers:
- Tanya DePass @… (#/INeedDiverseGames; twitch streams)
- Anita Sarkeesian (Feminist Frequency)
Game/play scholars:
- Mary Flanagan ("Critical Play")
- Tracy Fullerton ("Game Design Workshop")
- Brenda Laurel ("Toward the Design of a Computer-Based Interactive Fantasy System")
- Janet Murray ("Hamlet on the Holodeck"l
- Susana Tosca ("A Pragmatics of Links")
- Jichen Zhu ("Agency Play: Dimensions of Agency for Interactive Narrative Design")
- Magy Seif El Nasr ("Design patterns to guide player movement in 3D games")
- Kate Compton ("Causal Creators"; also "Spore")
P.S. upon consideration I've decided not to include any authors who are men in this coda.
There are definitely others who probably deserve to be here that I'm forgetting...
#GsmeDesign #Authors

@arXiv_csHC_bot@mastoxiv.page
2025-10-03 07:43:41

Beyond Divergence: Characterizing Co-exploration Patterns in Collaborative Design Processes
Xinhui Ye, Joep Frens, Jun Hu
arxiv.org/abs/2510.01188

@arXiv_csCY_bot@mastoxiv.page
2025-09-24 08:03:24

Dark and Bright Patterns in Cookie Consent Requests
Paul Gra{\ss}l, Hanna Schraffenberger, Frederik Zuiderveen Borgesius, Moniek Buijzen
arxiv.org/abs/2509.18210

@arXiv_csRO_bot@mastoxiv.page
2025-10-08 10:10:59

Human-in-the-loop Optimisation in Robot-assisted Gait Training
Andreas Christou, Andreas Sochopoulos, Elliot Lister, Sethu Vijayakumar
arxiv.org/abs/2510.05780

@arXiv_statML_bot@mastoxiv.page
2025-10-07 15:58:18

Crosslisted article(s) found for stat.ML. arxiv.org/list/stat.ML/new
[1/3]:
- Machine Learning Workflows in Climate Modeling: Design Patterns and Insights from Case Studies
Zheng, Venkatasubramanian, Li, Braverman, Ke, Hou, Jin, Agrawal

@cheeaun@mastodon.social
2025-10-17 11:26:27

It's time for ✨Decal Patterns✨
Reference from Apache ECharts echarts.apache.org/handbook/en — Github issue here

Grid of before-and-after UI mockups showing a “Last 20 posts in the past 2 days” horizontal bar chart with color-coded legend (Original, Replies, Quotes, Boosts). 

Left column labeled “Before” shows original design without patterns.

Middle column labeled “After” shows redesigned, patterned bars.

Right column shows "Emulate vision deficiencies. Force vision deficiency emulaiton" with a select field of 5 values:
- No emulation
- Protanopia (no red)
- Tritanopia (no blue)
- Deuteranop…
@arXiv_physicsoptics_bot@mastoxiv.page
2025-10-02 09:43:41

Analysis and Design of a Reconfigurable Metasurface based on Chalcogenide Phase-Change Material for Operation in the Near and Mid Infrared
Alexandros Pitilakis, Alexandros Katsios, Alexandros-Apostolos A. Boulogeorgos
arxiv.org/abs/2510.00950

@blakes7bot@mas.torpidity.net
2025-11-08 13:11:20

Series D, Episode 04 - Stardrive
VILA: [All "drunk mannerisms" vanishing instantly] Drunk? Who's drunk?
DAYNA: You are.
VILA: Show me how to get drunk on plain water and I won't waste time.
DAYNA: Well, then why pretend?
blake.torpidity.net/m/404/72

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene on what looks like a spacecraft or futuristic setting. Several people are visible in the frame, wearing distinctive uniform-like costumes that have a retro-futuristic design typical of older sci-fi productions. In the foreground, there's what appears to be translucent or transparent mechanical equipment with ridged patterns, possibly part of the ship's control systems or techno…
@arXiv_physicsaoph_bot@mastoxiv.page
2025-10-07 14:37:55

Crosslisted article(s) found for physics.ao-ph. arxiv.org/list/physics.ao-ph/n
[1/1]:
- Machine Learning Workflows in Climate Modeling: Design Patterns and Insights from Case Studies
Zheng, Venkatasubramanian, Li, Braverman, Ke, Hou, Jin, Agrawal

@arXiv_eessSY_bot@mastoxiv.page
2025-09-29 09:36:38

Reinforcement Learning Based Traffic Signal Design to Minimize Queue Lengths
Anirud Nandakumar, Chayan Banerjee, Lelitha Devi Vanajakshi
arxiv.org/abs/2509.21745

@arXiv_csSE_bot@mastoxiv.page
2025-10-02 10:24:51

AI Where It Matters: Where, Why, and How Developers Want AI Support in Daily Work
Rudrajit Choudhuri, Carmen Badea, Christian Bird, Jenna Butler, Rob DeLine, Brian Houck
arxiv.org/abs/2510.00762

@arXiv_csAR_bot@mastoxiv.page
2025-09-18 07:30:41

MACO: A Multi-Agent LLM-Based Hardware/Software Co-Design Framework for CGRAs
Zesong Jiang, Yuqi Sun, Qing Zhong, Mahathi Krishna, Deepak Patil, Cheng Tan, Sriram Krishnamoorthy, Jeff Zhang
arxiv.org/abs/2509.13557

@leftsidestory@mstdn.social
2025-10-29 00:35:19

Moody Urbanity - Literally 📄
情绪化城市 - 字面上 📄
📷 Pentax MX
🎞️ Ilford HP5 Plus 400,expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white image showing a person walking across a tiled pavement. Only the lower legs and feet are visible; the person wears dark pants and white shoes. The pavement features geometric patterns, including arrows and diamond shapes, embedded into the tiles. The image has a grainy texture, giving it an artistic, vintage appearance. The scene captures motion and design in an urban setting.

中文替代文本:
一张黑白照片,展示一个人走在铺有几何图案的地砖上。画面中只看到其腿部和脚部,穿着深色裤子和白色鞋…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A close-up view of a large metal pipe, likely part of a water or gas pipeline system. The pipe is joined by a flange with several bolts and has a handwritten label attached. The label reads “招租 不做饭者优先 1361302812”. The background shows a landscape with rows of trees, suggesting the pipe is part of a infrastructure. The scene is outdoors, with natural light and a clear sky.

中文替代文本:
这是一张大型金属管道的特写图像,可能属于供水或天然气管道系统。管道通过法兰和多个螺栓连接,顶部贴有手写标签,内容为“招租 不做饭者优先 136…
Ilford HP5 Plus 400 (FF)

English Alt Text:
Three safety signs mounted on a tiled wall. Each sign features a red prohibition symbol and bilingual text in Chinese and English. From left to right: “No Burning” with a flame and matchstick icon; “No Entry” with a person walking through a doorway; and “No Climbing” with a person climbing a ladder. The signs are clear and bold, designed to prevent fire hazards, unauthorized access, and unsafe climbing in a restricted area.

中文替代文本:
三块安全警示牌安装在瓷砖墙上。每块牌…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A storefront entrance with glass doors and signage above. The sign includes Chinese text and an image of a bowl, suggesting a food establishment. The text reads “随便外卖 外卖盲盒 吃出惊喜,” promoting takeout meals with a surprise element. A unit number “0412b” is visible above the door. The setting is urban, with reflections of buildings in the glass. The image is in black and white, giving it a stylized, vintage feel.

中文替代文本:
一家餐饮店的入口,设有玻璃门和上方招牌。招牌上有中文文字和一个碗的图…
@blakes7bot@mas.torpidity.net
2025-10-07 09:06:38

Series B, Episode 04 - Horizon
BLAKE: Where in Zone Nine?
ZEN: The freighter is on course for the only habitable planet in Zone Nine.
BLAKE: Which is?
ZEN: Code-named Horizon.
BLAKE: "Horizon"?
AVON: Code-named by whom?
blake.torpidity.net/m/204/34

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series filmed in the late 1970s or early 1980s. The setting appears to be the interior of a spacecraft or space station with a distinctive futuristic design featuring hexagonal wall patterns and tiered levels.

In the foreground, there's a person wearing a brown jacket over light-colored clothing, standing near what looks like cream-colored seating. In the background, two other people are visible on e…
@stiefkind@mastodon.social
2025-11-17 08:38:03

»In the old days, technical writers produced documentation in near isolation, surrounded by complex and similarly isolated corporate cultures. From an anthropological perspective, old manuals are like tribal artefacts. The resulting docs show surprisingly rich design and content patterns, more refreshing than we’re used to in the age of googling for Stack Exchange questions and of bowing to Stripe docs.«

@blakes7bot@mas.torpidity.net
2025-10-06 12:14:05

Series C, Episode 02 - Powerplay
ZEE: What's the matter with your arm?
VILA: Broken, nothing really.
ZEE: Let me see if I can make it more comfortable for you.
blake.torpidity.net/m/302/246 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive futuristic helmet with striped patterns and what appears to be some kind of technological or decorative elements. The character has blonde, wavy hair and is wearing what looks like a fur-collared garment. The lighting and cinematography are characteristic of late 1970s British science fiction television, with dramatic lighting against a dark background. The helmet design suggests thi…
@arXiv_csDC_bot@mastoxiv.page
2025-10-15 08:44:52

A Non-Intrusive Framework for Deferred Integration of Cloud Patterns in Energy-Efficient Data-Sharing Pipelines
Sepideh Masoudi, Mark Edward Michael Daly, Jannis Kiesel, Stefan Tai
arxiv.org/abs/2510.12354

@arXiv_statAP_bot@mastoxiv.page
2025-10-07 14:49:27

Crosslisted article(s) found for stat.AP. arxiv.org/list/stat.AP/new
[1/1]:
- Machine Learning Workflows in Climate Modeling: Design Patterns and Insights from Case Studies
Zheng, Venkatasubramanian, Li, Braverman, Ke, Hou, Jin, Agrawal

@arXiv_csRO_bot@mastoxiv.page
2025-09-17 09:59:50

Moir\'eTac: A Dual-Mode Visuotactile Sensor for Multidimensional Perception Using Moir\'e Pattern Amplification
Kit-Wa Sou, Junhao Gong, Shoujie Li, Chuqiao Lyu, Ziwu Song, Shilong Mu, Wenbo Ding
arxiv.org/abs/2509.12714

@arXiv_qfinPM_bot@mastoxiv.page
2025-09-23 08:34:50

Increase Alpha: Performance and Risk of an AI-Driven Trading Framework
Sid Ghatak, Arman Khaledian, Navid Parvini, Nariman Khaledian
arxiv.org/abs/2509.16707

@arXiv_csCY_bot@mastoxiv.page
2025-09-23 08:41:30

Socratic Mind: Impact of a Novel GenAI-Powered Assessment Tool on Student Learning and Higher-Order Thinking
Jeonghyun Lee, Jui-Tse Hung, Meryem Yilmaz Soylu, Diana Popescu, Christopher Zhang Cui, Gayane Grigoryan, David A Joyner, Stephen W Harmon
arxiv.org/abs/2509.16262

@blakes7bot@mas.torpidity.net
2025-11-25 07:06:39

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
AVON: Space Commander Travis.
BLAKE: Travis!
JENNA: Do you know him?
BLAKE: I thought he was dead. I was sure I'd killed him.
blake.torpidity.net/m/106/…

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a science fiction television production, likely from the 1970s based on the visual style and set design. The image shows four people in what appears to be a spacecraft interior, characterized by the futuristic but modest production design typical of that era.

The setting features sleek, minimalist backgrounds with geometric patterns and metallic tones. The actors are wearing stylized costumes consisten…
@arXiv_eessSY_bot@mastoxiv.page
2025-09-25 08:55:52

Robust Near-Optimal Nonlinear Target Enclosing Guidance
Abhinav Sinha, Rohit V. Nanavati
arxiv.org/abs/2509.19477 arxiv.org/pdf/2509.19477

@blakes7bot@mas.torpidity.net
2025-12-01 13:17:12

Series C, Episode 11 - Moloch
CALLY: And that's what the teleport did to him?
DAYNA: How will the Sardoans make out without him?
blake.torpidity.net/m/311/577 B7B3

Claude Sonnet 4 describes the image as: "I can see this is a scene from what appears to be a science fiction television production, likely from the 1980s based on the aesthetic and production values. The setting appears to be a futuristic or space-based environment, with characteristic sci-fi set design visible in the background including geometric patterns and sleek surfaces.

The person in the image is wearing a distinctive blue garment with white collar details and decorative trim, which app…
@blakes7bot@mas.torpidity.net
2025-09-23 15:26:09

Series D, Episode 08 - Games
AVON: Tell me everything you know about Belkov's One Nine Seven computer.
ORAC: You suggested I spared you the technical details.
AVON: Oh, don't sulk, Orac. I have a little more time now.
blake.torpidity.net/m/408/277 B7B4

Claude Sonnet 4.0 describes the image as: "This image shows a character in a distinctive black leather outfit with metallic studs and decorative elements, typical of the futuristic costume design from late 1970s science fiction television. The character is wearing what appears to be a form-fitting black uniform with silver or chrome studs arranged in patterns across the chest and shoulders. The setting appears to be indoors with a blurred background. The costume design reflects the show's space…
@arXiv_csDC_bot@mastoxiv.page
2025-09-16 10:22:26

LASLiN: A Learning-Augmented Peer-to-Peer Network
Julien Dallot, Caio Caldeira, Arash Pourdamghani, Olga Goussevskaia, Stefan Schmid
arxiv.org/abs/2509.11904

@arXiv_csHC_bot@mastoxiv.page
2025-09-16 10:57:16

When Your Boss Is an AI Bot: Exploring Opportunities and Risks of Manager Clone Agents in the Future Workplace
Qing (Diane), Hu, Qing Xiao, Hancheng Cao, Hong Shen
arxiv.org/abs/2509.10993

@blakes7bot@mas.torpidity.net
2025-11-29 07:12:09

#Blakes7 Series D, Episode 02 - Power
KATE: Stop it, Pella! [Kate rushes at Pella, who shoots her dead. Pella enters the launch silo and the door closes before the others can rush in. Avon takes the crystal from Kate's neckband.]
[Inside silo. The Scorpio's turntable begins to turn and rise.]

Claude Sonnet 3.7 describes the image as: "This image appears to be a scene from the science fiction series "Blake's 7," showing three characters in distinctive costume design typical of the show's futuristic aesthetic. 

The scene features three people standing together in what looks like a spacecraft or space station interior with neutral-colored walls. On the left is a person wearing a white and gray outfit with geometric patterns and a metallic collar. In the center is someone with blonde h…
@blakes7bot@mas.torpidity.net
2025-11-20 07:27:18

#Blakes7 Series B, Episode 02 - Shadow
LARGO: Oh, I'm fascinated. But I'm just an independent businessman.
AVON: [Takes two gems from a bag, lays them on Largo's platform] Are you sure?
blake.torpidity.net/m/…

Claude Sonnet 4.0 describes the image as: "This scene appears to be from a science fiction television production, likely from the 1970s or early 1980s based on the visual quality and costume design. The setting features a sleek, minimalist interior with pale walls and geometric patterns, characteristic of futuristic set design from that era.

In the foreground, one actor wears a distinctive metallic silver tunic with voluminous sleeves over black clothing, creating a striking space-age appearan…
@arXiv_csHC_bot@mastoxiv.page
2025-09-16 11:05:56

Living with Data: Exploring Physicalization Approaches to Sedentary Behavior Intervention for the Elderly
Siying Hu, Zhenhao Zhang
arxiv.org/abs/2509.11059

@blakes7bot@mas.torpidity.net
2025-11-27 19:29:53

Series D, Episode 04 - Stardrive
DAYNA: Of course we do.
VILA: Old friend.
VILA: Oh, uh, [Atlan grabs the front of his tunic] way back.
DAYNA: We were students of the doctor once.
ATLAN: Studying what?
blake.torpidity.net/m/404/343 B7B5

Claude Sonnet 4 describes the image as: "I can see this appears to be from a science fiction production, likely from the 1980s based on the visual style and futuristic costume design. The scene shows two people in conversation - one wearing a distinctive futuristic uniform with geometric patterns in dark and light colors with trim details. The setting appears to be indoors with atmospheric lighting. The production values and aesthetic suggest this is from a British science fiction series from t…
@blakes7bot@mas.torpidity.net
2025-09-27 15:24:20

Series C, Episode 07 - Children of Auron
C.A. TWO: Unlike the youngsters. So what do we do?
C.A. ONE: Evacuation.
FRANTON: It's probably Auron's only chance now.
C.A. ONE: Why aren't you at the replication plant?
FRANTON: Off shift, unfortunately.
blake.torpidity.net/m/307/129

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely showing crew members in their typical gray uniforms with distinctive insignia. The setting has the characteristic futuristic interior design of the series, with geometric patterns visible in the background and what appears to be control panels or technical equipment. The two figures are positioned near what looks like ship's equipment, suggesting this takes place in a working area of the vessel…
@blakes7bot@mas.torpidity.net
2025-09-17 18:25:41

Series A, Episode 12 - Deliverance
TRAVIS: I don't break that easily.
SERVALAN: You were expected to resign the service. Why didn't you?
TRAVIS: I've told you, I want my command back. It's the only way I can catch -
blake.torpidity.net/m/112/235 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing a futuristic interior setting with distinctive geometric wall patterns and modern furniture. The scene takes place in what looks like a sleek, sterile environment with white and metallic surfaces. There's a desk or table in the foreground, and the setting has the characteristic design aesthetic of 1970s/80s sci-fi productions - clean lines, angular patterns, and a minimalist…
@blakes7bot@mas.torpidity.net
2025-09-21 18:21:12

Series D, Episode 01 - Rescue
DORIAN: Relax. Your problems are over. [Draws a hand gun. Scene - Planet Terminal. Exterior. Avon is crouched next to Tarrant. Tarrant sits drinking from a canteen.]
AVON: Pass out again and I'll leave you, Tarrant.
blake.torpidity.net/m/401/105

Claude 3.7 describes the image as: "This image appears to be from a retro science fiction television show, showing two people in distinctive costume design typical of late 1970s/early 1980s sci-fi aesthetic. They're wearing elaborate outfits featuring decorative studs and patterns - one in a predominantly red outfit with silver accents, and the other in black with white patterned detailing. They appear to be in a winter setting with bare trees in the background and what looks like snow on the g…
@blakes7bot@mas.torpidity.net
2025-10-22 06:03:57

#Blakes7 Series C, Episode 10 - Ultraworld
AVON: They've presented no threat so far.
TARRANT: Maybe they're biding their time.
AVON: What for? They could take us out quite easily with their technology.
blak…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator or Scorpio, featuring three crew members in a tense moment. The setting shows the characteristic metallic interior design with geometric patterns typical of the series' futuristic aesthetic. The characters are wearing their distinctive costumes - one in a dark outfit with military-style detailing, another in the iconic studded leather jacket, and a third in red and black. The ligh…
@blakes7bot@mas.torpidity.net
2025-10-21 18:17:39

A04 - Time Squad
BLAKE: Zen, three sixty degree survey. Put etheric detector beams on maximum. Report any space vehicles within range. Vila, put visual survey on the screen.
ZEN: Negative on all systems. There are no space vehicles within detector range.
blake.torpidity.net/m/104/10

Claude Sonnet 4.0 describes the image as: "This image shows a scene from inside a spacecraft, with futuristic interior design elements visible in the background. The character appears to be in a contemplative or brooding pose, wearing what looks like a distinctive costume with earth-toned colors and geometric patterns typical of science fiction television from this era. The setting suggests this is taking place aboard one of the main vessels featured in the series, with the sleek, angular archi…
@blakes7bot@mas.torpidity.net
2025-11-17 10:21:40

Series C, Episode 03 - Volcano
TARRANT: Like capturing us.
HOWER: Do you feel ill, or upset in any way?
DAYNA: No. What was it, some kind of narcotic spray gun?
HOWER: Something like that. Quite harmless, I assure you.
TARRANT: I'm glad to hear it.
blake.torpidity.net/m/303/102

Claude Sonnet 4.0 describes the image as: "This scene appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual quality and costume design. The setting is an ornate, luxurious chamber with decorative spiral patterns on dark walls and ambient lighting creating an atmospheric mood.

Two figures stand prominently in white ceremonial or military-style uniforms with gold accents and insignia, positioned authoritatively in the center of …
@blakes7bot@mas.torpidity.net
2025-10-17 15:28:06

Series A, Episode 08 - Duel
BLAKE: Vila, try and stay alert.
VILA: Of course I will, how can you doubt me?
BLAKE: It isn't easy, but somehow I manage it. Come on. Put us down. [Blake, Jenna and Gan teleport to the planet's surface and look around]
blake.torpidity.net/m/108/59

Claude 3.7 describes the image as: "This image shows a scene set on a spaceship or command center with a futuristic interior design featuring hexagonal wall patterns and control panels. Several individuals are gathered around what appears to be a control console with buttons and displays. 

The scene captures people wearing distinctive 1970s-style science fiction costumes in burgundy, brown, and green tones with geometric collar designs. They appear to be in the middle of a discussion or confro…