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@arXiv_statME_bot@mastoxiv.page
2025-06-18 10:27:06

Environmental extreme risk modeling via sub-sampling block maxima
Tuoyuan Cheng, Xiao Peng, Achmad Choiruddin, Xiaogang He, Kan Chen
arxiv.org/abs/2506.14556

@lukem@hachyderm.io
2025-04-14 14:58:04

I nearly missed the fact it's been a year since I translated @… Meta in Myanmar series to Polish.
A year later, I can confidently say that series radicalized me quite a bit.
I've hated Meta products for a while, so not much has changed in that department.
However, re-reading the story of Rohingya ethnic cleansing over and over again made me grow plenty of sheer anger within me.
Anger over general injustice in the world and stuff.
My third 'era' of photography, involving documenting local activism, with particular attention to oppressed or marginalized groups (tenants, Palestinians, Belarusians - to name just a few) wouldn't have happened if I hadn't had my moment of disillusionment about the whole system we live in.
All of that because I started noticing familiar patterns I haven't been aware before. All stories that involve oppression, genocide, ethnic cleansing or any other kind of systemic cruelty started rhyming to me. Only the context and the environment kept changing.
Literally everything about my current life has changed around April 2024 and only now I'm ready to take a look at that.
Anyway. To all of you who want to read that once again:
Full series in Polish:
blog.lukaszwojcik.net/pl/meta-
Web Archive copy of the above:
archive.org/details/meta-w-mja
Original in English:
erinkissane.com/meta-in-myanma

Just before the Kennedy Center's opening night performance of the musical "Les Miserables,"
Donald and Melania Trump stood to be recognized.
They were met with a loud chorus of boos.
Video of the moment shows the boos mixed with some cheering,
Some Trump supporters in the audience shouted "USA" chants in an attempt to drown out the booing.
In addition to the First Couple, both JD Vance and Usha Vance were also in attendance

@buercher@tooting.ch
2025-06-16 20:36:36

Les États-Unis, pris en otage par Netanyahou, déplacent leurs navires de la mer de Chine vers le Moyen Orient. C'est le moment pour la Chine d'envahir le Taïwan.

@leftsidestory@mstdn.social
2025-06-13 01:49:53

Urban Composition II 🫟
都市构图 II 🫟
📷 Nikon FE
🎞️Ilford FP4 Plus, expired 1995
buy me ☕️ ?/请我喝杯☕️?
#filmphotography

Ilford FP4 E.I. 64

**English Alt Text:**
This black-and-white photograph captures a quiet urban scene. In the foreground, there is a sidewalk and a street with visible lane markings. A bench is situated on the sidewalk, positioned against a large wall that appears to be part of a building. The wall has a textured surface and shows signs of wear and tear. The shadows of trees are cast onto the wall, adding a dynamic element to the otherwise static scene. The overall atmosphere is calm and somew…
Ilford FP4 E.I. 64

**English Alt Text:**
This black-and-white photograph depicts a stack of construction materials placed in front of a modern building. The materials, which appear to be metal sheets or panels, are neatly bundled and secured with straps. The building behind the materials has a glass facade, reflecting the surrounding environment, including trees and the sky. The image captures a moment of urban development or renovation, with the contrast between the raw construction materials…
Ilford FP4 E.I. 64

**English Alt Text:**
This black-and-white image features a close-up view of a modern architectural structure. The photograph is taken from a low angle, capturing the sleek lines and geometric shapes of the building. A curved element, possibly part of a railing or decorative feature, frames the image on the right side. The building's facade is smooth and reflective, with a series of evenly spaced elements that add to its contemporary aesthetic. The contrast between light and…
Ilford FP4 E.I. 64

**English Alt Text:**
This black-and-white image captures a person engaged in cleaning or maintenance work on a balcony of a modern building. The individual is silhouetted against the bright background, creating a stark contrast that highlights their activity. The building has a glass facade, and part of it is covered with a protective sheet, possibly for renovation or cleaning purposes. The scene is framed by the railing of the balcony, and the surrounding environment, incl…
@ukraine_live_tagesschau@mastodon.social
2025-05-29 10:13:20

Wadephul wirft Putin fehlende Verhandlungsbereitschaft vor
Außenminister Johann Wadephul hat Kremlchef Wladimir Putin im US-Fernsehen vorgeworfen, nicht bereit für ein Ende des Angriffskriegs gegen die Ukraine zu sein. "Alle sind für Verhandlungen. Alle sind dafür, dass die beiden Parteien eine einvernehmliche Lösung finden. Aber im Moment ist Russland dazu nicht bereit (...)", sagte der CDU-Politiker im Interview mit dem US-…
📑

@toxi@mastodon.thi.ng
2025-06-06 12:58:28

Unfortunately & conversely, this (below) is the same framing tech bros (and parts of the population) are finding so attractive to anthropomorphize LLMs: These are not machines, and them making mistakes is normal and expected... At the same time, the other card being played (by politics, military & law enforcement) is that AI-driven insights and decision making are _already_ considered superior, infallible and unchallengeable... in the middle of this two pronged rhetoric is the fate o…

@arXiv_astrophHE_bot@mastoxiv.page
2025-06-09 08:49:13

Imprints of Different Types of Low-Angular-Momentum Accretion Flow Solutions in General Relativistic Hydrodynamic Simulations
Indu K. Dihingia, Akhil Uniyal, Yosuke Mizuno
arxiv.org/abs/2506.05750

@arXiv_astrophEP_bot@mastoxiv.page
2025-06-11 08:34:45

Planetesimal Scattering Efficiency of Cold Giant Planet Architectures
Stephen R. Kane, Emma L. Miles
arxiv.org/abs/2506.08088

@kurtsh@mastodon.social
2025-05-29 05:40:03

"The day will come when all these skirmishes & battles, these moments of defiance will have flooded the banks of the Empire's authority & then there will be one too many. One single thing will break the siege."
"Remember this: Try."
▶️ Nemik's Manifesto, #ANDOR