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@markhburton@mstdn.social
2025-07-15 18:17:59

It seems the government's rather imperfect plan to renationalise the railways is in some peril due to a counter-offensive from the predatory Train Operating Companies.
They are fighting hard now to get their "open access" applications approved before new legislation comes in. And, if approved, they could lock in privatisation for decades.
@weownit.org.uk .bsky.social @heidialexander.bsky.social

At a private event hosted by Senator Dave McCormick, Republican of Pennsylvania,
donors wandered through a sculpture hall at the Carnegie Museum of Art in Pittsburgh
and partied with their cowboy hats on at a dinner where each plate cost $5,000.
The aftermath was less celebratory.
Dozens of employees at the Carnegie Museums sent an open letter to trustees,
saying that the fund-raiser violated guidelines meant to safeguard the institution from partisan activities…

@tiotasram@kolektiva.social
2025-07-28 13:06:20

How popular media gets love wrong
Now a bit of background about why I have this "engineered" model of love:
First, I'm a white straight cis man. I've got a few traits that might work against my relationship chances (e.g., neurodivergence; I generally fit pretty well into the "weird geek" stereotype), but as I was recently reminded, it's possible my experience derives more from luck than other factors, and since things are tilted more in my favor than most people on the planet, my advice could be worse than useless if it leads people towards strategies that would only have worked for someone like me. I don't *think* that's the case, but it's worth mentioning explicitly.
When I first started dating my now-wife, we were both in graduate school. I was 26, and had exactly zero dating/romantic experience though that point in my life. In other words, a pretty stereotypical "incel" although I definitely didn't subscribe to incel ideology at all. I felt lonely, and vaguely wanted a romantic relationship (I'm neither aromantic nor asexual), but had never felt socially comfortable enough to pursue one before. I don't drink and dislike most social gatherings like parties or bars; I mostly hung around the fringes of the few college parties I attended, and although I had a reasonable college social life in terms of friends, I didn't really do anything to pursue romance, feeling too awkward to know where to start. I had the beginnings of crushes in both high school and college, but never developed a really strong crush, probably correlated with not putting myself in many social situations outside of close all-male friend gatherings. I never felt remotely comfortable enough to act on any of the proto-crushes I did have. I did watch porn and masturbate, so one motivation for pursuing a relationship was physical intimacy, but loneliness was as much of a motivating factor, and of course the social pressure to date was a factor too, even though I'm quite contrarian.
When I first started dating my now-wife, we were both in graduate school. I was 26, and had exactly zero dating/romantic experience though that point in my life. In other words, a pretty stereotypical "incel" although I definitely didn't subscribe to incel ideology at all. I felt lonely, and vaguely wanted a romantic relationship (I'm neither aromantic nor asexual), but had never felt socially comfortable enough to pursue one before. I don't drink and dislike most social gatherings like parties or bars; I mostly hung around the fringes of the few college parties I attended, and although I had a reasonable college social life in terms of friends, I didn't really do anything to pursue romance, feeling too awkward to know where to start. I had the beginnings of crushes in both high school and college, but never developed a really strong crush, probably correlated with not putting myself in many social situations outside of close all-male friend gatherings. I never felt remotely comfortable enough to act on any of the proto-crushes I did have. I did watch porn and masturbate, so one motivation for pursuing a relationship was physical intimacy, but loneliness was as much of a motivating factor, and of course the social pressure to date was a factor too, even though I'm quite contrarian.
I'm lucky in that I had some mixed-gender social circles already like intramural soccer and a graduate-student housing potluck. Graduate school makes a *lot* more of these social spaces accessible, so I recognize that those not in school of some sort have a harder time of things, especially if like me they don't feel like they fit in in typical adult social spaces like bars.
However, at one point I just decided that my desire for a relationship would need action on my part and so I'd try to build a relationship and see what happened. I worked up my courage and asked one of the people in my potluck if she'd like to go for a hike (pretty much clearly a date but not explicitly one; in retrospect not the best first-date modality in a lot of ways, but it made a little more sense in our setting where we could go for a hike from our front door). To emphasize this point: I was not in love with (or even infatuated with) my now-wife at that point. I made a decision to be open to building a relationship, but didn't follow the typical romance story formula beyond that. Now of course, in real life as opposed to popular media, this isn't anything special. People ask each other out all the time just because they're lonely, and some of those relationships turn out fine (although many do not).
I was lucky in that some aspects of who I am and what I do happened to be naturally comforting to my wife (natural advantage in the "appeal" model of love) but of course there are some aspects of me that annoy my wife, and we negotiate that. In the other direction, there's some things I instantly liked about my wife, and other things that still annoy me. We've figured out how to accept a little, change a little, and overall be happy with each other (though we do still have arguments; it's not like the operation/construction/maintenance of the "love mechanism" is always perfectly smooth). In particular though, I approached the relationship with the attitude of "I want to try to build a relationship with this person," at first just because of my own desires for *any* relationship, and then gradually more and more through my desire to build *this specific* relationship as I enjoyed the rewards of companionship.
So for example, while I think my wife is objectively beautiful, she's also *subjectively* very beautiful *to me* because having decided to build a relationship with her, I actively tried to see her as beautiful, rather than trying to judge whether I wanted a relationship with her based on her beauty. In other words, our relationship is more causative of her beauty-to-me than her beauty-to-me is causative of our relationship. This is the biggest way I think the "engineered" model of love differs from the "fire" and "appeal" models: you can just decide to build love independent of factors we typically think of as engendering love (NOT independent of your partner's willingness to participate, of course), and then all of those things like "thinking your partner is beautiful" can be a result of the relationship you're building. For sure those factors might affect who is willing to try building a relationship with you in the first place, but if more people were willing to jump into relationship building (not necessarily with full commitment from the start) without worrying about those other factors, they might find that those factors can come out of the relationship instead of being prerequisites for it. I think this is the biggest failure of the "appeal" model in particular: yes you *do* need to do things that appeal to your partner, but it's not just "make myself lovable" it's also: is your partner putting in the effort to see the ways that you are beautiful/lovable/etc., or are they just expecting you to become exactly some perfect person they've imagined (and/or been told to desire by society)? The former is perfectly possible, and no less satisfying than the latter.
To cut off my rambling a bit here, I'll just add that in our progress from dating through marriage through staying-married, my wife and I have both talked at times explicitly about commitment, and especially when deciding to get married, I told her that I knew I couldn't live up to the perfect model of a husband that I'd want to be, but that if she wanted to deepen our commitment, I was happy to do that, and so we did. I also rearranged my priorities at that point, deciding that I knew I wanted to prioritize this relationship above things like my career or my research interests, and while I've not always been perfect at that in my little decisions, I've been good at holding to that in my big decisions at least. In the end, *once we had built a somewhat-committed relationship*, we had something that we both recognized was worth more than most other things in life, and that let us commit even more, thus getting even more out of it in the long term. Obviously you can't start the first date with an expectation of life-long commitment, and you need to synchronize your increasing commitment to a relationship so that it doesn't become lopsided, which is hard. But if you take the commitment as an active decision and as the *precursor* to things like infatuation, attraction, etc., you can build up to something that's incredibly strong and rewarding.
I'll follow this up with one more post trying to distill some advice from my ramblings.
#relationships #love

@LillyHerself@Mastodon.social
2025-08-11 15:35:06

This "service" is thanks to the numbskulls the Tories hired when they were still in power. Utter incompetence.

Screenshot from twitter:
RT @the3million
The system that we all rely on to prove our immigration status in the
UK...is down right now. There is no alternative, no physical back-up, so no way of showing your employer, your landlord, or anyone else that you have the right to live here.

Screenshot from immigration website:
"Sorry, there is a problem with the service. Try again later. Contact UK Visas and Immigration if you need further help.

Back to GOV.UK
All content is available under the Open…
@leftsidestory@mstdn.social
2025-07-08 00:30:05

Urban Solitude III 🈳
城市孤独 III 🈳
📷 Pentax MX
🎞️Fujifilm Neopan SS, expired 1995
buy me ☕️ ?/请我喝杯☕️?
#filmphotography

Fujifilm Neopan 100 SS (FF)

**English:**
A black and white photograph depicting a narrow alleyway with a brick-paved path. The alley is flanked by high walls on both sides, creating a sense of depth and leading the eye towards a door at the end. The shadows cast by the walls create a pattern of light and dark on the ground, adding texture to the scene. The door at the end of the alley is slightly ajar, with a ladder leaning against the wall nearby.

**Chinese:**
一张黑白照片,描绘了一条狭窄的小巷,铺着砖块的小路。小巷两侧是…
Fujifilm Neopan 100 SS (FF)

**English:**
A black and white photograph showing a view through a slightly open door into a narrow alleyway. The door handle and hinge are visible on the left side of the image. The alleyway is paved with bricks and extends into the distance, with a few steps leading up to another level. The perspective gives a sense of depth and invites curiosity about what lies beyond.

**Chinese:**
一张黑白照片,展示了通过一扇微开的门看到的狭窄小巷。门把手和铰链在图片的左侧可见。小巷铺着砖块,向远处延伸,几级台阶通向另一个高度。透视感给人一种深度感,并引发人…
Fujifilm Neopan 100 SS (FF)

**English:**
A black and white photograph of an entrance to a traditional building, featuring a decorative brick wall with a circular pattern near the top. The entrance is framed by brick walls, and the roof above shows some wear. The scene is slightly blurred, adding a sense of nostalgia and timelessness to the image.

**Chinese:**
一张黑白照片,展示了一座传统建筑的入口,入口上方的砖墙上有一个圆形图案装饰。入口由砖墙围成,上方的屋顶显得有些破旧。场景略显模糊,为图片增添了一种怀旧和永恒的感觉。
Fujifilm Neopan 100 SS (FF)

**English:**
A black and white photograph capturing a string of traditional Chinese lanterns hanging from a wire. The lanterns are intricately designed and appear to be made of a translucent material. They are positioned in front of a building with a numbered plaque, and a security camera is visible on the right side of the image. The lanterns add a cultural and festive element to the scene.

**Chinese:**
一张黑白照片,拍摄了一串悬挂在电线上的中国传统灯笼。灯笼设计精美,看起来是由半透明材料制成。它们位于一栋带有编号牌匾的建筑…
@aardrian@toot.cafe
2025-06-10 14:58:54

I’m mostly out of the loop on IAAP stuffs (since overlays are members and fuck that), but Rian seems to have a valid concern here for ongoing credits:
mstdn.io/@rianrietveld/1146582

@blakes7bot@mas.torpidity.net
2025-06-12 12:32:04

Series B, Episode 07 - Killer
TYNUS: [Entering with food packages] I've got one for each of you. Hydrolyzed protein.
VILA: Thanks.
TYNUS: I've got to put it in the oven first.
AVON: Don't bother.
VILA: Lost our appetites suddenly.
blake.torpidity.net/m/207/506

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like a spacecraft or futuristic setting. One character is wearing a distinctive black leather outfit with metallic studs or decorative elements, while the other is dressed in more casual clothing and appears to be wearing headphones or some kind of communication device. The setting has a retro-futuristic aesthetic typical of British sci-fi producti…
@blakes7bot@mas.torpidity.net
2025-07-07 15:34:10

Series B, Episode 09 - Countdown
AVON: Approximately six million. It was colonized in the last century of the Old Calendar. At first they resisted political affiliation, but then they joined the Federation, and they have remained unswervingly loyal.
VILA: Then they're not likely to welcome us with open arms.

Claude Sonnet 4.0 describes the image as: "I can see two actors in what appears to be a futuristic spacecraft interior setting. The scene shows them in conversation, with one wearing earth-toned clothing and the other in a distinctive red leather outfit. The background features sleek, metallic surfaces with horizontal lines typical of science fiction set design from the late 1970s. The lighting and production values are characteristic of British television from that era. The actors appear to be…
@luca@social.luca.run
2025-08-10 18:03:30

Zweiter Prototyp einer Kartenmischmaschine aus Lego. Da der Legomotor innerlich zerfällt (nach zwanzig Jahren), habe ich einen von Sonos genommen.
Die Karten werden in zwei gleich große Stapel aufgeteilt und in das jeweilige Fach gelegt. Der Motor treibt zwei Gummiräder unter den Stapeln an, sodass jeweils ein bis zwei Karten herausgezogen und in den Auffangbehälter in der Mitte geworfen werden.
Grundsätzlich funktioniert ist. Probleme gibt es wenn der Stapel zu hoch ist, dann is…

Die Kartenmischmaschine aus Lego Technik in Betrieb. Links und rechts sind zwei Säulen, auf denen die rechteckigen Behälter für die Karten befestigt sind. Oben sind die Behälter miteinander verbunden und an der Außenseite acht Zahnräder, die die beiden Gummiräder unter den Kartenbehältern mit dem Motor verbinden, der sich auf der rechten Seite der Konstruktion befindet. Die Karten fallen erst langsam und dann immer schneller in den Behälter der lose in der Mitte unter dem Gerät steht und nur au…
@blakes7bot@mas.torpidity.net
2025-06-29 09:14:59

Series B, Episode 01 - Redemption
AVON: Don't worry. At the right time, I will remind you of it.
[Flight deck]
VILA: [Accepts cup from Jenna and swallows pill] Thanks.
JENNA: [To Blake who has just entered flight deck with Avon] You all right?
blake.torpidity.net/m/201/242

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series from the late 1970s or early 1980s. The scene shows two individuals in what looks like a futuristic or industrial setting with a textured wall behind them. 

One person is wearing a dark brown outfit with an open collar, while the other is dressed in a black leather jacket. They appear to be engaged in a tense conversation or confrontation, facing each other closely. The lighting and fi…