Tootfinder

Opt-in global Mastodon full text search. Join the index!

No exact results. Similar results found.
@leftsidestory@mstdn.social
2026-07-19 00:30:00

Civic Museums II 🏛️
民间博物馆 II 🏛️
📷 Pentax MX
🎞️ LUCKY SHD 400 (FF)
If you like my work, Support by buying me a coffee or a roll of film from
PayPal paypal.com/paypalme/ydcdingsite
Wise

Lucky LUCKY SHD 400 (FF)

English
A black-and-white photograph of a serene pond surrounded by dense foliage. Tree branches with sparse leaves extend over the water, creating a partially shaded surface. The water is calm, with scattered light reflections and floating debris, possibly leaves or petals. The background is filled with thick vegetation, giving a sense of a secluded, natural setting.
中文
一张黑白照片,展现了一个宁静的池塘,周围环绕着茂密的植被。树枝上稀疏的叶子延伸至水面上方,形成部分阴影。水面平静,散落着光线的倒影以及漂浮的碎片,可能是叶子或花瓣。背景充满浓密的植被,营造出一种隐世…
Lucky LUCKY SHD 400 (FF)

English
A black-and-white photograph of a clothing store interior. The shop is filled with racks of traditional dresses and garments, displayed on mannequins and hangers. A person is seated on a chair in the background, partially obscured by the clothing. The foreground features tables with various items, possibly accessories or decorative objects. The store has a rustic, wooden structure, and hanging lights illuminate the space.
中文
一张黑白照片,展示了一家服装店的内部。店内摆满了传统连衣裙和服装,陈列在…
Lucky LUCKY SHD 400 (FF)

English
A black-and-white close-up photograph of intricately carved wooden doors. The doors feature multiple panels with detailed relief carvings depicting scenes of people, animals, and nature, such as trees, flowers, and vases. The carvings are highly detailed, showcasing traditional craftsmanship. A lock is visible in the center of the doors.
中文
一张黑白特写照片,展示了精美雕刻的木门。门上有多个面板,上面的浮雕精细地描绘了人物、动物和自然场景,如树木、花朵和花瓶。雕刻非常细腻,展现了传统工艺。门的中央可见一把锁。
Lucky LUCKY SHD 400 (FF)

English
A black-and-white photograph of a narrow waterway, flanked by dense bamboo and other vegetation. The path appears to lead to an overbridge with a glass facade in the background, partially obscured by the foliage. The scene is dimly lit, with shadows cast by the surrounding plants, creating a mysterious and secluded atmosphere.
中文
一张黑白照片,展现了一条狭窄的水路,两侧是茂密的竹子和其他植被。小径似乎通向背景中一个玻璃外立面的横跨桥,部分被植被遮挡。场景光线昏暗,周围植物投下的阴影营造出一种神秘而隐世的氛围。
@PwnieFan@infosec.exchange
2026-06-17 15:22:56

15 Minnesotans were arrested yesterday for anti-ICE activity. As you're reading the news, remember that the Trump administration has weaponized the Department of Justice. Many cases filed by the DOJ have collapsed in court. In Chicago, a judge had to throw out an entire case because DOJ prosecutors had abused the grand jury process to get the indictment. In yesterday's case, there are notable abnormalities. First, the prosecutor is bringing criminal charges without specifying who or…

@aredridel@kolektiva.social
2026-07-11 17:06:34
Content warning: on sexism in technology work

For those that don't know, I help run a large women in technology chat group on Slack. It's been going for 11 years now! (ask me for an invite if you want one and that's appropriate!)
It has deeply shaped how I think about technology, especially the social side. There is so much embodied knowledge in that community, it's amazing. And it's also such a window into how much the mainstream of technology writing is dominated by men. We talk about it differently! We're much more likely to be critical, and to be critical of the _structures_ in tech. Sometimes that comes off as kneejerk "Ugh BRIAN!" to some of the bullshit men to do women in the workplace, but also embedded underneath is an understanding of rarely-mapped power structures in the field. So much advice out there is written assuming that there is no dissent, no silent frustration, no quiet abandoning the job when the pressures are unresolved. And so much of the tech world, press and on social media alike, has no insight that this attrition even happens.
Women, collectively, though, understand it. We notice the patterns of promotions. We understand the way that if we're in our 40s, we're rather likely to have a manager who is a decade younger than we are, with no particular experience. We notice when men are lauded for spending time with their family instead of work on occasion, but women are expected to be present at all times and rarely seen positively for doing the exact same things.
And yet, any given instance is always shrouded in deniability. The pattern generally holds, but is this one my fault? Do I not measure up? Or is it sexism?
That's what these structures rob from us: we never have the clarity in feedback that it is accurate, that is us that must change. When we stick to our guns, are we being obstinate, or are we correct? That information is denied to us by sexism. It only becomes clear in aggregate, and even then it is very hard to find action to take on it except to acknowledge it and move on.
I don't think people talk about that ambiguity enough: we're always looking for the clear sexism, the man speaking over the women, the trading sexual favors for advancement, the clear pattern of pet-to-threat that so many women experience as they age or gain skill in the field. But the bulk of sexism that we experience is in the structural poisoning of feedback.

@hikingdude@mastodon.social
2026-07-15 16:50:30

During our vacation recently, I tried to practice more foreground and composition for .. not for documenting our vacation, but to capture more a feeling that I had at this moment.
This is one of the photos. Here it felt "better" to me to set the focus to the red poppies because at this moment, they just drew more attention as we were walking towards the gate.
More of this day:

This image captures a picturesque and serene scene featuring a historic building, likely a monastery or church, set against a lush, natural backdrop. The building is characterized by its white walls with red trim, a steeply pitched red roof, and an arched entrance. Atop the roof, there are statues of religious figures, adding a sense of grandeur and historical significance to the structure.
In the foreground, a vibrant meadow stretches out, dotted with red poppies and other wildflowers. The con…
@arXiv_physicsfludyn_bot@mastoxiv.page
2026-05-19 08:13:44

Solutocapillary instability in slipping falling films
Sanghasri Mukhopadhyay, S\'everine Millet, Bastien Di Pierro, Asim Mukhopadhyay
arxiv.org/abs/2605.17519 arxiv.org/pdf/2605.17519 arxiv.org/html/2605.17519
arXiv:2605.17519v1 Announce Type: new
Abstract: We present a comprehensive framework for gravity-driven, surfactant-laden thin films flowing over slippery substrates, elucidating how wall slip modifies the coupled hydrodynamics and interfacial transport. A long-wave model is formulated with a conservative bulk-surface mass balance and a Navier slip condition. The Orr-Sommerfeld eigenvalue problem governs the linear regime, while a weighted-residual model captures the nonlinear evolution over a range of equilibrium surfactant coverages, Marangoni strengths, and adsorption kinetics. The analysis predicts a non-monotonic variation of the critical Reynolds number with equilibrium coverage, exhibiting a maximum at intermediate $\Gamma_e$, and a slip-induced transition from single- to double-hump solitary structures with increasing Marangoni number, accompanied by attenuated capillary ripples. Under fast adsorption kinetics, the surface field homogenizes, preserving the mean film shape and flux while flattening both the surface concentration $\Gamma$ and the bulk inventory $\chi h\phi$. A spurious interfacial mass growth reported by Pascal et al.(PRF, 2019) and D'Alessio et al.(JFM, 2020) is resolved through a revised surface balance ensuring strict conservation. Wall slip thus emerges as a key control parameter, reducing viscous resistance and mitigating Marangoni back-stress. The slip parameter $\beta$ is a useful control knob for surfactant-laden films. Slip prevents fragile multi-hump bound states, promoting a single broad crest or an almost flat, uniform sheet by carefully bonding $\beta$ to wave selection, ripple damping, and the bulk-surface surfactant balance.
toXiv_bot_toot

@jake4480@c.im
2026-05-04 18:40:38

Winners of the 2025 Close-Up Photographer of the Year #nature #photography

Emerald Glow. 3rd Place, Young. A Cuban tree frog in the photographer’s backyard in Florida. Hawkins-Kimmel: “During the heat of the day, I uncovered this Cuban tree frog hiding in the leaf of a banana tree in my backyard. The frog was very calm and allowed me to slip a flashlight under the leaf to create this effect. My 100mm lens ensured that I didn’t need to get too close, so as not to stress out the frog.”
In the Crowd. Finalist, Young. A group of flamingos in Camargue, France. Godin: “It was the courtship season for flamingos. They were constantly lowering and raising their heads. I had this photo in mind and wanted one flamingo to be sharp in the middle of other blurred flamingos. So I concentrated on one particular flamingo and followed it with my eyes, only pressing the shutter button when it was surrounded by several other flamingo heads.”
Inside the Pack. 2nd Place, Animals. Arctic wolves on the sea ice in a frozen fjord on Ellesmere Island, Canada. Eshel: “Lying on the sea ice of a frozen fjord, I experienced a moment of pure magic when a pack of Arctic wolves approached me out of sheer curiosity. They came so close I could feel their breath, yet I never sensed aggression, only wonder. These wolves, unlike others, have never been hunted or threatened by humans. In the remote wilderness of northern Ellesmere Island, they have no…
Spider Web. 3rd Place, Animals. A Eurasian beaver approaches a spider’s web in Kiskunság National Park, Hungary. Máté: “Years ago, I managed to intervene at the last minute to stop the water department from clear-cutting trees along a 2km stretch of canal. Since then, we’ve worked together. I monitor and notify them of any trees obstructing water traffic, while they avoid unnecessary clear-cutting, preserving a thriving habitat. Beavers returned to this area in 2015, nearly two centuries after …
@hex@kolektiva.social
2026-06-27 04:05:41

Now, I don't especially like the term "church" so I may use something else... like "coven." You can do what you want. But I happen to have already mapped out an example. (It is exactly that, just an example, so take if it's useful, change if you need, and don't stick to anything too closely.) Oh, this mapping also means that you would, for religious reasons, only be allowed to work under capitalism 4 days a week instead of 5.
Given the increases in productivity over the last 100 years, a 4 day work week is a completely reasonable expectation. If we have to annex Monday for the weekend by force of religion, so be it. It is rightfully ours anyway. If enough people try it, this will probably work. If it doesn't work, it just needs more people.
The Practice of Worship:
It is recommended to break down worship in to three sections: the functional, the communal, and the spiritual. It is also recommended to break these across multiple days. A common structure for some Christian churches is to take 10-15 minutes for announcements (Functional), an hour or two for services (Spiritual), followed by (Communal) coffee, tea, and cookies for an unspecified time up to two hours after. When starting or working with limited time a single compressed model like this may work, but it's not optimal.
- The Functional
The purpose of this section is to address the functional needs of the coven. Block out time (less than 90 minute blocks is recommended) to go through reports and updates from those involved in the Dispensary, Library, Works Committee (infrastructure), and Services Committee (providing services internally and, potentially, externally). Talk through any additional announcements, including those from other covens you may be federated with.
It is helpful to include unstructured communal time, such as shared meals, during or after functional meetings. As the federation grows, more time will be needed. It is recommended to break functional meetings, work parties, and such across multiple days. When a federation becomes sufficiently large, it is recommended to take every Monday, on top of Saturday and Sunday, as a third day of community and worship.
The scope of the functional spans 3 realms (which may be more-or-less fluid): the personal or family, the coven and federation, and humanity itself. It is up to each coven and individual to negotiate how to allocate the three days of the weekend once we have liberated Monday from the work week, but it is important to reserve it for one of these three. However, some people must work on weekends. Medical personnel, for example, cannot conform to a standard work week. While the work week should be universally restricted, which specific days are used will be up to the specific coven and their members.
A functional meeting can start with an agenda like the following:
Functional Invocation
Announcements
Report Backs
Dispensary
Inventory Check
What is low
What is empty
What is expiring
What is needed
Funds status
Library
Inventory Check and Items needing return
Library acquisition requests
Funds status and budget check
Works Committee
Upcoming projects
Subcommittee updates (Following the Works Committee agenda)
New committee formations
Funds status
Services Committee
New capabilities announcements
New needs requests
Subcommittee updates (Following the Works Committee agenda)
New committee formations
Funds status
Task Check
Breaking the Circle
This agenda is a suggestion for those who don't know where to start. It can be adapted or ignored as appropriate.
- The Spiritual
Spirituality is necessarily an undefined space. It is deeply personal. Each individual taking time to share their own personal spiritual experiences can help each connect with each other. This experience of connection can itself be a spiritual experience. It may also be useful to read esoteric, mystical, or philosophical texts together as type of "book club" and share thoughts. Others may draw from their own knowledge or traditions. This is something that must be defined together within a group.
- The Communal
The communal aspect of the practice of worship bind the coven and federation together. Within the community we find joy and release, connection and comfort. The coven is where we turn in times of need, and where we share our hopes and dreams.

Next week, College Democrats from across the U.S. are gathering in Washington, D.C.
We're running powerful training workshops on field organizing,
digital strategy, and everything in between
to get as many young people into the fight as possible before the midterms.
But the Supreme Court just made the fight much harder for us.
Last week, the court's MAGA majority struck down decades-old limits on big money in our elections.
Megadonors can now fu…

@cjust@infosec.exchange
2026-07-11 20:58:09

The AI Industry Has Finally Found the Perfect Customer: Bloodthirsty Terrorists

“The terrorists are not waiting for us to make AI safe,” Juelich told the NYT. “They are able to use them now and train them to cause harm.”
Spokespeople for both Anthropic and Google failed to take accountability when asked for comment by the newspaper, saying only that they had strict and effective guardrails in place.
“We know that bad actors will never stop trying to misuse our…

@leftsidestory@mstdn.social
2026-05-12 03:21:33

Trivia of Life 🔆
生活小品 🔆
📷 Pentax 6x7
🎞️ Kentmere 400 (6x7)
If you like my work, Support by buying me a coffee or a roll of film from PayPal #filmphotography

Kentmere PAN 400 (6x7)

##English
A black-and-white photograph of a broomstick with thin, leafless twigs placed against a wall. The branch casts a distinct shadow on the rough, textured wall. The image captures the contrast between the delicate branches and the rugged surface, with a portion of a wooden staircase visible on the left side.
##中文
一张黑白照片,展示了一根靠着墙的扫帚。枝在粗糙、有质感的墙上投下清晰的影子。照片捕捉了细嫩枝条与粗糙墙面之间的对比,左侧还能看到一部分木制楼梯。
Kentmere PAN 400 (6x7)

##English
A black-and-white photograph of a modern food stall in a market. The stall features illuminated signage with Chinese characters. The display case is filled with various food items, and a menu with prices is visible on the right side. The stall is clean, well-organized, and inviting, with a few customers visible in the background.
##中文
一张黑白照片,展示了市场里的一家海鲜摊位。摊位上方有中文发光招牌,展示柜中摆满了各种食物。右侧可见一张带价格的菜单。摊位干净、整洁且吸引人,背景中还能看到几位顾客。
Kentmere PAN 400 (6x7)

##English
A black-and-white interior shot of a traditional meat shop. The shop's signboard reads "回民清真肉店" (Halal Meat Shop). Several pieces of meat, likely lamb or beef ribs, hang from hooks in the foreground. The shop is well-lit, with a glass display case and various items visible inside. The scene conveys a busy, authentic market atmosphere.
##中文
一张黑白室内照片,展示了一家传统的肉店。店铺的招牌上写着“回民清真肉店”。前景中有几块肉,可能是羊排或牛排,挂在钩子上。店内灯光明亮,有一个玻璃展示柜,里面还能看到各种物品。场景传达了忙碌、地道的市场氛围。
Kentmere PAN 400 (6x7)

##English
A black-and-white close-up of a market stall displaying various food items. In the foreground, there are large, halved melons. To the right, a stack of cut pumpkins is visible. In the background, bundles of dried herbs or plants hang, and a pile of round, dark-colored fruits or vegetables is present. The scene is bustling with textures and traditional market elements.
##中文
一张黑白近景照片,展示了市场摊位上的各种食品。前景是两个被切开的冬瓜。右侧是一叠小小的切开的南瓜。后方悬挂着束干燥的草药或植物,还有一堆深色的圆形水果或蔬菜。场景充满了质感和传统…