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In the two weeks since the U.S. and Israel launched strikes on Iran,
Donald Trump increasingly has been knocked on his political heels.
He’s grown more agitated with news coverage
and has failed to find a way to explain why he started the war
— or how he will end it
— that resonates with a public concerned by American deaths in the conflict,
surging oil prices
and dropping financial markets.
Even some of his supporters are questioning his pla…

@aredridel@kolektiva.social
2026-04-14 14:22:42

So to follow up on this, I've caught it in action. Models, when quantized a bit, just do a bit more poorly with short contexts. Even going from f32 (as trained) to bf16 (as usually run) to q8 tends to do okay for "normal" context windows. And q4 you start feeling like "this model is a little stupid and gets stuck sometimes” (it is! It's just that it's still mostly careening about in the space of "plausible" most of the time. Not good guesswork, but still in the zone). With long contexts, the probability of parameters collapsing to zero are higher, so the more context the more likelihood you are to see brokenness.
And then at Q2 (2 bits per parameter) or Q1, the model falls apart completely. Parameters collapse to zero easily. You start seeing "all work and no play makes jack a dull boy” sorts of behavior, with intense and unscrutinized repetition, followed by a hard stop when it just stops working.
And quantization is a parameter that a model vendor can turn relatively easily. (they have to regenerate the model from the base with more quantization, but it's a data transformation on the order of running a terabyte through a straightforward and fast process, not like training).
If you have 1000 customers and enough equipment to handle the requests of 700, going from bf16 to q8 is a no-brainer. Suddenly you can handle the load and have a little spare capacity. They get worse results, probably pay the same per token (or they're on a subscription that hides the cost anyway so you are even freer to make trade-offs. There's a reason that subscription products are kinda poorly described.)
It's also possible for them to vary this across a day: use models during quieter periods? Maybe you get an instance running a bf16 quantization. If you use it during a high use period? You get a Q4 model.
Or intelligent routing is possible. No idea if anyone is doing this, but if they monitor what you send a bit, and you generally shoot for an expensive model for simple requests? They could totally substitute a highly quantized version of the model to answer the question.
There are •so many tricks• that can be pulled here. Some of them very reasonable to make, some of them treading into outright misleading or fraudulent, and it's weirdly hard to draw the line between them.

#WhiteTown #Leicesterval

@azonenberg@ioc.exchange
2026-02-13 20:51:18

Git gurus: suppose I have a complex repository structure containing multiple levels of submodules.
We get frequent support tickets on github from users who failed to update one or more submodules when pulling the latest changes from the parent repo and get build issues or just don't incorporate the bug fix they're trying to test.
Is there a good way to fix/detect this in the build system? Like recursively follow .gitmodules and complain if the commit the parent wants isn&…

@pre@boing.world
2026-03-13 22:35:16

One of my VR Lighthouses died last month. These things are gyroscopically spinning 24 hours a day for, what, a decade now? Nearly.
No wonder. Mostly the industry seems to be settling on using head-mounted cameras rather than sweeping infra-red beams and receptors on the head anyway.
It is true that lighthouses give accurate positioning, but means I can't easily take the headset next door, say. Or to a party.
So inside-out, as they call it, is fine for the headset now and mostly okay for the hand-controllers.
But it offers no solution at all for the foot-trackers and hip-tracker that I need for puppetting the characters in the #vr #slimeVR #trackers

@leftsidestory@mstdn.social
2026-03-07 11:00:02

Life Treats 🥇
生活奖励 🥇
📷 Nikon FE
🎞️ Ilford HP5 Plus 400, expired 1993
If you like my work, buy me a coffee from PayPal #filmphotography

Ilford HP5 Plus 400 (FF)

Image 3 – Alt Text (English)

A black‑and‑white photo of a tall, symmetrical building with two towers, each topped with an antenna. The building has a grid pattern of windows. In the foreground, out‑of‑focus plants or branches partially block the view. The sky is clear. The contrast highlights the straight architectural lines behind the softer shapes of the foliage.

Image 3 – Alt Text (Chinese)

一张黑白照片,主体是一栋高大且对称的建筑,两侧各有一座带天线的塔楼。建筑外墙呈网格状窗户。前景有模糊的植物或枝叶,部分遮挡视线。天空晴朗。画面呈现…
Ilford HP5 Plus 400 (FF)

Image 1 – Alt Text (English)

A black‑and‑white photo showing a tall building seen through a chain‑link fence. The fence is close to the camera and has a bent or damaged opening in the center. Through this opening, a multi‑story building with many windows is visible in the background. The building appears rectangular and modern. The angle is slightly low, making the building look taller. The focus is on the fence, while the building behind it is somewhat softer in deta…
Ilford HP5 Plus 400 (FF)

Image 2 – Alt Text (English)

A black‑and‑white close‑up of a vine with several leaves in the foreground. The vine is sharply in focus. Behind it, out of focus, is a multi‑story building and a roadway or overpass with vehicles on it. The background appears urban, but details are softened by shallow depth of field. The contrast highlights the difference between the natural vine and the built environment.

Image 2 – Alt Text (Chinese)

一张黑白特写照片,前景是一根带叶子的藤蔓,清晰可见。背景模糊,可看到多…
Ilford HP5 Plus 400 (6x6)

Image 4 – Alt Text (English)

A black‑and‑white photo of a concrete wall with a tiled base along a sidewalk. Shadows of tree branches and leaves stretch across the wall and ground, creating irregular patterns. The shadows are long, suggesting low sunlight. The scene contains only the wall, sidewalk, and shadows, with no people present.

Image 4 – Alt Text (Chinese)

一张黑白照片,画面为一面混凝土墙及其下方的瓷砖基座,旁边是人行道。树枝和树叶的影子投射在墙面和地面上,形成不规则的图案。影子较长,显示光源位置较低。画面中没有人物。
@blakes7bot@mas.torpidity.net
2026-02-10 13:36:49

Series C, Episode 01 - Aftermath
AVON: I don't know; I never really had an offer I felt was worthy of me.
SERVALAN: Then why don't you see if you can find us a drink. We have things to talk about.
blake.torpidity.net/m/301/339 B7B3

Claude Sonnet 4 describes the image as: "This image shows a dramatic scene featuring a man with dark, wavy hair wearing what appears to be a black leather or similar dark garment. The setting has a futuristic or sci-fi aesthetic, with green-tinted lighting and metallic structural elements visible in the background. The lighting creates a moody, atmospheric effect typical of science fiction television productions from the late 1970s or early 1980s. The man's expression appears intense or concern…
@laimis@mstdn.social
2026-04-08 18:24:47

My daughter had her second complete game pitched yesterday, and a win. Our practice work is showing up on the field for sure now. Her weakness now is still too many balls thrown. The pitches that are in the strike zone come in fast and are hard to hit, or if hit they go nowhere. But yeah, getting there. We just keep on working on keeping her form the same. Super proud of her progress!

@tiotasram@kolektiva.social
2026-01-27 13:12:55
Content warning: ICE, racism, police brutality

Also: we're seeing what happens when white people are actually motivated en-masse (and the George Floyd response was actually another decent example of this).
General strike -> capitalist class goes "oh shit we need to deescalate" -> temporary reprieve.
White people actually putting their bodies on the line (or at least near enough to it that ICE killed them) got results. This is direct evidence of just how much oppression depends on the social fragmentation it invests immense energy into creating in order to not get its ass kicked both ideologically and literally.
Also for those white people like me who are scared to participate: I don't have the numbers, but there were something like 50,000 people who stood up (even if we just want to count observers and joiners-of-whistle-crowds I'd guess at least 5,000-10,000). Two in that category died (more like 30 have died in the direct-targets-of-ICE category). So don't look at Pretti and think "protesting is so risky." Consider that both the odds of being the one or two killed are low, and that if you don't stand up quickly and strongly enough against this shit, the body count will grow much higher.
This isn't over, and continued escalation and resistance is super critical now. Rather than hoping the twin cities story is a story of heroes elsewhere who solved the problem, make it a story of an inspiring example that gets replicated in LA, Chicago, and all around the nation where ICE is trying to metastasize into an unaccountable secret police.

@leftsidestory@mstdn.social
2026-04-05 00:49:02

Pagoda 7️⃣
浮屠 7️⃣
📷 Pentax MX
🎞️ Harman Red 125 (FF)
If you like my work, buy me a coffee or a roll of film from PayPal #filmphotography

Harman Red 125 (FF)

English

A red-toned photograph featuring a tall, slender pagoda standing prominently in the center. The foreground includes bare tree branches, and the background is filled with a deep red sky. The lower part of the image shows a blurred, dark silhouette of a wall with decorative roof tiles, adding depth to the scene.

中文

一张红色调的照片,中间是一座高而细的宝塔,十分显眼。前景是光秃的树枝,背景是深红色的天空。照片下方是模糊的黑色墙壁剪影,屋顶上有装饰性瓦片,为画面增添了深度。
Harman Red 125 (FF)

English

A striking red-toned photograph showing a tall, multi-tiered pagoda on the left side, partially obscured by leafless trees. The sky is a deep red, creating a dramatic and intense atmosphere. The silhouettes of the trees and the pagoda stand out starkly against the vibrant red background.

中文

一张引人注目的红色调照片,左侧是一座高耸的多层宝塔,部分被光秃的树枝遮挡。天空呈深红色,营造出戏剧性和强烈的氛围。树木和宝塔的剪影在鲜红的背景下显得格外突出。
Harman Red 125 (FF)

English

A red-toned photograph capturing a mountainous landscape. The sky and trees are bathed in a deep red hue, creating a surreal and dramatic effect. In the lower part of the image, there are silhouettes of trees and possibly a structure, with beams of light cutting through the darkness, adding a mysterious and intense atmosphere.

中文

一张红色调的照片,展示了山脉风景。天空和树木浸润在深红色调中,营造出超现实和戏剧性的效果。照片下方是树木和可能的建筑剪影,光束穿过黑暗,增添了神秘而强烈的氛围。
Harman Red 125 (FF)

English

A sepia-toned photograph featuring a traditional East Asian architectural scene. In the foreground, there are large, bare tree branches framing the image. To the right, a traditional building with a tiled roof and decorative brickwork is visible. In the background, a multi-tiered pagoda rises above the trees, set against a mountainous landscape. The overall atmosphere is serene and historical.

中文

一张带有棕褐色调的照片,展示了东亚传统建筑风景。前景是巨大的光秃树枝构成画面框架。右侧有一座传统建筑,屋顶铺有瓦片,砖墙上有装饰图案。…