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@_tillwe_@mastodon.social
2025-09-01 18:13:52

Aufschrieb zu meiner (nicht nur) SF-Lektüre im August.
blog.till-westermayer.de/index

@relcfp@mastodon.social
2025-08-03 06:10:20

Call for Papers: Religion and AI in Science Fiction and Horror
ift.tt/vpiHcUx
Book Title: A (Holy?) Ghost in the Machine: Religion and Artificial Intelligence in Science-Fiction…
via Input 4 RELCFP

@blakes7bot@mas.torpidity.net
2025-11-02 13:10:56

Series D, Episode 07 - Assassin
NEBROX: Well, that's hard to say. Until this woman turns up, I suppose. Or until they get tired of waiting.
PIRI: Who is this wretched woman anyway?
blake.torpidity.net/m/407/327 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, featuring a person with distinctive white/pink hair wearing an elaborate costume. They're dressed in a red and purple outfit with decorative elements including what looks like buttons or studs along the collar. 

The setting has a futuristic feel with what appears to be geometric shapes or control panels visible in the background, typical of science fiction set design from the late 1970s o…
@salrandolph@zirk.us
2025-10-30 14:21:13

A tale for these days when we enjoy being spooked by what haunts us.
#fiction #flashfiction
salrandolph.substack.com/p/gho…

@tiotasram@kolektiva.social
2025-10-03 11:09:16

Day 10: Stacey Mason
Another academic, but this time one of my compatriots; we overlapped at UC Santa Cruz as advisees of Michael Mates, and even collaborated on a Twitch stream called ScholarsPlay for a bit, although we never coauthored any papers. We did chat about our research, and I had many good discussions with her about agency in interactive fiction, a topic we both published on. Her paper "On Games and Links: Extending the Vocabulary of Agency and Immersion in Interactive Narratives" (#20AuthorsNoMen

@fluchtkapsel@nerdculture.de
2025-11-01 23:19:44

Gestern habe ich zwei Filme gesehen: Das Cloverfield Paradox und Alien Romulus. Und es war kein guter dabei.
Cloverfield, also den ersten Film, den mit dem Monster, mochte ich eigentlich ganz gerne, aber was war denn Cloverfield Paradox jetzt bittesehr? Prämisse, Worldbuilding, Charaktere — das alles war doch nix. Es wirkte wie Event Horizon, aber ohne ein Konzept, was es eigentlich sein will. Science-Fiction oder Mystery oder Horror?
Und Alien Romulus? Warum dreht man so einen F…

@kexpmusicbot@mastodonapp.uk
2025-08-30 21:41:41

🇺🇦 #NowPlaying on KEXP's #VarietyMix
Little Dragon:
🎵 New Fiction
#LittleDragon
littledragon.bandcamp.com/trac
open.spotify.com/track/3xQX97h

@chpietsch@fedifreu.de
2025-09-28 15:50:58

Ein Sci-Fi-Hörspiel aus dem Jahr 1986, das #Palantir #Gotham beschreibt? Wie kann das sein, und warum heißt dieses System im Hörspiel Donald? Vielen Dank an den WDR5, der das Werk heute gesendet hat!
Bernhard Pfletschinger: Der Dissident
Hier steht es ein Jahr lang zum Download…

@_tillwe_@mastodon.social
2025-09-30 10:11:54

Aus Gründen, und weil es zur aktuellen Debatte um die deutschsprachige SF-Szene auch irgendwie passt, dieser Text aus dem April. (Ja, vordergründig geht's um anderes, trotzdem ...)
blog.till-westermayer.de/index

@arXiv_csRO_bot@mastoxiv.page
2025-09-03 12:57:13

Speculative Design of Equitable Robotics: Queer Fictions and Futures
Minja Axelsson
arxiv.org/abs/2509.01643 arxiv.org/pdf/2509.01643

It is hard to count all the different ways ICE lied throughout this case.
In a truly extraordinary document
Judge Rodriguez throws out the indictment because
"the Government’s conduct is so shocking to the universal sense of justice that it should be deprived of the opportunity to prosecute the Defendant."

@vform@openbiblio.social
2025-10-01 12:58:16

Momo: Wie ein Black-Mirror-Film von Michael Ende
golem.de/news/momo-wie-ein-bla
Das klingt ziemlich gut.

@cjust@infosec.exchange
2025-09-30 20:08:37

#ShamelesslyStolenFromTheFacebook

The image depicts a scene that blends science fiction and dark humor. The primary focus is a person submerged in a cylindrical tank filled with a bubbling liquid, presumably water or some other fluid. The person appears to be a man, shirtless and wearing a white diaper-like garment. He's positioned towards the center of the tank, with his arms outstretched, as if floating or being suspended. Bubbles stream around him, creating a sense of movement and indicating the liquid is being agitated.

Th…
@blakes7bot@mas.torpidity.net
2025-10-02 15:15:12

Series B, Episode 11 - Gambit
AVON: - and I was assuring him that the whole idea is an absurd fantasy.
ORAC: On the contrary. It is neither absurd, nor is it a fantasy.
AVON: Are you suggesting that you know more about the subject than I do?
blake.torpidity.net/m/211/115

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series, featuring two people in a futuristic setting. On the right is someone wearing a distinctive silver/white outfit with a brown collar, who appears to be making a point with a raised finger during a conversation. The person on the left is dressed in a brown uniform with lighter trim. They appear to be having a discussion beside what looks like a clear console or control panel. The background featu…
@blakes7bot@mas.torpidity.net
2025-10-03 06:08:48

#Blakes7 Series B, Episode 04 - Horizon
VILA: They'll murder us!
AVON: Blake, they might be protected.
BLAKE: I don't think so. And even if I'm wrong we still have a slim chance.
blake.torpidity.net/m/2…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a profile view of a person in what looks like a futuristic setting. The individual is wearing what appears to be a dark, possibly uniform-like outfit. They have distinctive sideburns and a hairstyle that suggests the production is from the late 1970s or early 1980s era.

The background has a reddish-pink tint with some structural elements visible, which fits with the aesthetic of sci-f…
@ErikJonker@mastodon.social
2025-09-28 16:49:05

"People notice that while AI can now write programs, design websites, etc, it still often makes mistakes or goes in a wrong direction, and then they somehow jump to the conclusion that AI will never be able to do these tasks at human levels, or will only have a minor impact. When just a few years ago, having AI do these things was complete science fiction!"

@BBC6MusicBot@mastodonapp.uk
2025-11-01 09:56:06

🇺🇦 #NowPlaying on #BBC6Music's #RadcliffeAndMaconie
Buzzcocks:
🎵 Fiction Romance
#Buzzcocks
trajanorecords.bandcamp.com/tr
open.spotify.com/track/6y8EVfZ

@goebelmasse@det.social
2025-08-30 18:46:41

Was ist denn heute mit der 20-Uhr-Tagesschau los? Normalerweise beginnt die Sendung mit einem Zoom durch die absurde Vorlesebühne im Stil mieser Science-Fiction, während im Hintergrund die schlimmsten Verbrecher des Landes und der Welt durchrollen. (Also die aus den sechs Meldungen.)
Das haben die heute weggelassen. Jingle, Ansage, harter Schnitt zum Sprecher (heute Thorsten Schröder).
Wollen die etwa wieder seriöser aussehen? Da will ich mal hoffen, dass es nicht bei der Optik …

@UP8@mastodon.social
2025-10-29 19:01:11

❤️‍🔥 Heat-rechargeable design powers nanoscale molecular machines
#nanotechnology

@qurlyjoe@mstdn.social
2025-10-29 02:00:18
Content warning: Muddled maunderings of a doddering fool.

#muddledMaunderings caveat emptor.
Details within.

A book is a set of possibilities.

I read this in a short story in the November/December 2023 issue of Asimov’s Science Fiction. The story was titled, The Four Last Things, by Cristopher Rowe. I don’t know why, but the phrase has attached itself in my mind. In the story, the phrase is almost a throwaway line, spoken by a character to an AI in answer to the question, what is a book? It’s like watching a meme invading my mind in real time. I can almost feel tendrils of connection spreading into, …
@relcfp@mastodon.social
2025-09-02 06:05:57

[NeMLA 2026 Panel] Kafka's Fiction
ift.tt/ULpAyon
updated: Monday, September 1, 2025 - 3:11pmfull name / name of organization: Northeast Modern…
via Input 4 RELCFP

@blakes7bot@mas.torpidity.net
2025-11-03 10:04:39

Series A, Episode 09 - Project Avalon
BLAKE: Does it support any intelligent life?
AVON: Does the Liberator? [Blake and Jenna exchange looks.] There are humanoid creatures called subterrons. They live in caves. Quite what that says for their intelligence, I really wouldn't know.
blake.torpidity.net/m/109/24

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the image quality and styling. The scene shows someone in what appears to be a futuristic or military-style costume with distinctive collar details. The setting looks like it could be aboard a spacecraft or in some kind of technical facility, with blurred background elements suggesting an industrial or high-tech environment. The…
@NFL@darktundra.xyz
2025-08-19 12:56:42

Is Vikings' J.J. McCarthy struggling or thriving? Playing fact or fiction with NFC North's newest starting QB

cbssports.com/nfl/news/is…

@heiseonline@social.heise.de
2025-09-15 13:22:00

Smarter Staub: Wie millimetergroße Computer unsere Welt unbemerkt vermessen
"Smarter Staub" ist keine Science-Fiction mehr: Winzige Sensoren könnten in Zukunft unsere Umwelt unbemerkt überwachen.

@blakes7bot@mas.torpidity.net
2025-11-03 07:02:13

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: What do you think?
MAX: It's all been according to the rules.
blake.torpidity.net/m/312/161 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two people in what looks like a spacecraft or futuristic vehicle interior. The lighting is dramatic and moody, with both figures wearing light-colored clothing. The setting has the characteristic look of 1970s/80s sci-fi television production design, with angular surfaces and technical equipment visible in the background. The scene appears tense or dramatic based on the …

"Everything is Tuberculosis" by John Green is a 2025 non-fiction book everyone should read.
Tuberculosis kills more people each year, once again, than any other disease. Now that
John was a chaplain at a children's hospital before he became famous, after he and his brother Hank Green invented vlogging. This is his second non-fiction book. Everything he writes is GREAT.
#BookRecommendations

@tiotasram@kolektiva.social
2025-09-28 10:06:00

Day 5: Robin Wall Kimmerer
I'm taking these liberty of changing my hashtag and expanding the intent of this list to include all non-men, although Kimerer is a woman so I'll get to more gender diversity later... I've also started planning this out more and realized that I may continue a bit beyond 20...
In any case, Robin Wall Kimmerer is an Indigenous academic biologist and excellent non-fiction author whose work touches on Potawotomi philosophy, colonialism (including in academic spaces), and ideas for a better future. Anyone interested in ecology, conservation, or decolonization in North America will probably be impressed by her work and the rich connections she weaves between academic ecology and Indigenous knowledge offer a critical opportunity to expand your understanding of the world if like me you were raised deeply enmeshed in "Western" scientific tradition. I suppose a little background in skepticism helped prepare me to respect her writing, but I don't think that's essential.
I've only read "Braiding Sweetgrass," but "Gathering Moss" and her more recent "The Serviceberry" are high on my to-read list, despite my predilection for fiction. Kimmerer incorporates a backbone of fascinating anecdotes into "Braiding Sweetgrass" that makes it surprisingly easy reading for a work that's philosophical at its core. She also pulls off an impressive braided organization to the whole thing, weaving together disparate knowledges in a way that lets you see both their contradictions and their connections.
The one criticism I've seen of her work is that it's not sufficiently connected to other Indigenous philosophers & writers, and that it's perhaps too comfortable of a read for colonizers, and that seems valid to me, even though (perhaps because I am a colonizer) I still find her book important.
An excellent author in any case, and one doing concrete ideological work towards a better world.
#20AuthorsNoMen

@AimeeMaroux@mastodon.social
2025-08-11 10:54:33
Content warning:

New story up sponsored by my subs: Amazon princess Penthesileia performs an erotic war dance for the goddess #Artemis. Artemis shows her appreciation by requesting a private encore...
📜 Plain text:

On November 5th, Trump will keep trying to blur truth and fiction through his staged shadow hearings.
Our answer will be simple:
Circles of light around our local government buildings.
Testimony shared openly and honestly.
A united message: The people are watching.
Some will stand silently in person.
Some will speak through livestreams and digital testimony.

Together, we will form a national chorus of truth.

@raiders@darktundra.xyz
2025-09-17 13:23:44

Why the Vikings Need to Show Patience With J.J. McCarthy si.com/nfl/why-vikings-need-to

@blakes7bot@mas.torpidity.net
2025-09-01 15:18:08

Series B, Episode 04 - Horizon
BLAKE: [Rubs his stomach and neck] Zen, check systems status.
ZEN: Confirmed.
blake.torpidity.net/m/204/94 B7B4

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series from the late 1970s/early 1980s. The scene takes place in what looks like a spacecraft interior with metallic walls and futuristic design elements typical of that era's production values.

The shot captures four individuals in a tense moment. One person in a yellow outfit is being examined or assisted by another wearing a distinctive cream-colored outfit with unusual puffed shoulders or…
@laurentperrinet@neuromatch.social
2025-08-27 05:58:00

« Friends Don't Let Friends Prompt » : teaching others and yourself to not fall too easily into over-using #LLLM
buttondown.com/maiht3k/archive

@blakes7bot@mas.torpidity.net
2025-10-02 18:19:38

Series A, Episode 02 - Space Fall
BLAKE: Check the outer hatch in case someone decides to try and join us.
RAIKER: I want a boarding crew kitted out and ready to follow me over.
[Technician nods.]
[Switch to Blake, trying to push/pull the hatch closed.]
blake.torpidity.net/m/102/651

Claude 3.7 describes the image as: "This appears to be a scene from a vintage science fiction television production from the late 1970s or early 1980s. The image shows a futuristic spacecraft interior with a distinctive hexagonal design aesthetic typical of BBC sci-fi productions of that era. 

The setting features angular control panels and a stylized spacecraft bridge with geometric lighting fixtures. Several people are visible in what appears to be a command center or flight deck of a spacec…
@arXiv_csCY_bot@mastoxiv.page
2025-08-29 08:27:01

Composable Life: Speculation for Decentralized AI Life
Botao Amber Hu, Fangting
arxiv.org/abs/2508.20668 arxiv.org/pdf/2508.20668

@stargazer@woof.tech
2025-10-30 15:47:49

#WritersCoffeeClub
22-23-24. I gave a gnawing deja vu. I have answered these before.
25. Does 'destiny' have a rôle in modern fiction?
26. How culturally diverse do your casts tend to be?
27. Recommend a book that had an impact on your prose.
---
25. It is now a trivial plot device. As such, it — or its denial/deconstruction — begs for originality. Warcr…

@blakes7bot@mas.torpidity.net
2025-10-02 09:11:04

Series A, Episode 12 - Deliverance
MEEGAT: I will await your return.
VILA: You'll wait up there by the door?
GAN: If we make it, we'll be back.
MEEGAT: The Lord Avon will protect you. [Vila gives Gan a skeptical look and the two of them go on ahead.]
blake.torpidity.net/m/112/398

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s. Four people are gathered in what looks like a darkened set. On the left is a person wearing a distinctive silver/metallic costume with black trim. The others are dressed in period or theatrical costumes - one in a reddish outfit with decorative elements, another in dark clothing with fur trim, and on the right, a person wearing a white v…
@relcfp@mastodon.social
2025-09-27 12:50:15

Matrifocal Narratives in Indian Fiction #acrel call-for-papers.sas.upenn.edu/

@blakes7bot@mas.torpidity.net
2025-09-02 12:09:10

Series D, Episode 13 - Blake
AVON: Does it matter?
TARRANT: Well, it might. There's still a price on our heads from the old days.
SOOLIN: Not on G-P, there isn't.
VILA: G-P?
blake.torpidity.net/m/413/95 B7B3

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television series from the late 1970s or early 1980s, based on the production style and costumes. 

Two performers are shown in futuristic attire featuring distinctive metallic accents and structured shoulders typical of space-themed productions of that era. The foreground figure wears a purple/gray outfit with gold trim and decorative elements around the collar, while the person in the backgro…
@blakes7bot@mas.torpidity.net
2025-11-02 22:19:11

Series A, Episode 08 - Duel
JENNA: I'm sorry. I went to sleep.
BLAKE: No, it's all right, it was my fault. We should have both stayed awake.
[LIBERATOR - The tired crew are watching the screen. Avon gets up.]
VILA: Have you thought of another plan?
blake.torpidity.net/m/108/400

Claude 3.7 describes the image as: "This image appears to be a still from a vintage British science fiction television series from the late 1970s or early 1980s. The scene shows two people in what looks like a forest or wooded area. On the left is a person wearing a dark and olive-colored jacket, with curly dark hair. On the right is a person with blonde wavy hair wearing a pink and burgundy outfit with a light-colored collar. Both appear to have concerned or alarmed expressions on their faces …
@tiotasram@kolektiva.social
2025-08-30 01:40:19

Just finished "Concrete Rose" by Angie Thomas (I haven't yet read "The Hate U Give" but that's now high on my list of things to find). It's excellent, and in particular, an excellent treatise on positive masculinity in fiction form. It's not a super easy book to read emotionally, but is excellently written and deeply immersive. I don't have the perspective to know how it might land among teens like those it portrays, but I have a feeling it's true enough to life, and it held a lot of great wisdom for me.
CW for the book include murder, hard drugs, and parental abandonment.
I caught myself in a racist/classist habit of thought while reading that others night appreciate hearing about: early on I was mentally comparing it to "All my Rage" by Sabaa Tahir and wondering if/when we'd see the human cost of the drug dealing to the junkies, thinking that it would weaken the book not to include that angle. Why is that racist/classist? Because I'm always expecting books with hard drug dealers in them to show the ugly side of their business since it's been drilled into me that they're evil for the harm they cause, yet I never expect the same of characters who are bankers, financial analysts, health insurance claims adjudicators, police officers, etc. (Okay, maybe I do now look for that in police narratives). The point is, our society includes many people who as part of their jobs directly immiserate others, so why and I only concerned about that misery being brought up when it's drug dealers?
#AmReading

@blakes7bot@mas.torpidity.net
2025-08-31 15:25:34

Series D, Episode 07 - Assassin
AVON: No, but we can try a sweep in the general area. That is, unless someone has a better suggestion.
VILA: You want to introduce us to your friend?
[Later]
blake.torpidity.net/m/407/209 B7B4

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction setting. They're wearing a distinctive black outfit with metallic collar detailing, suggesting a futuristic or space-themed costume. The background features what looks like industrial or spaceship interior elements with metallic surfaces.

The styling, costume design, and overall aesthetic are characteristic of classic British science fiction television from the late 1970s to early 1980s. The pr…
@_tillwe_@mastodon.social
2025-10-18 16:19:02

RE: blog.till-westermayer.de/index
Katabasis - eine Empfehlung.

@blakes7bot@mas.torpidity.net
2025-09-03 12:24:49

Series B, Episode 06 - Trial
AVON: Define alive. All planets are by some definition.
ORAC: I am not referring to a complex ecosystem. I refer to a single organism. A planetary life form. Fascinating, don't you think?
VILA: I doubt if Blake does.
blake.torpidity.net/m/206/346

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in the crew quarters or common area of a spacecraft. The setting features a curved, cream-colored seating area with a futuristic design typical of science fiction television from this era. The interior has a utilitarian, spaceship aesthetic with visible structural elements and control panels in the background.

Several crew members are present in the scene, positioned around the seating area. The staging suggests this is …
@blakes7bot@mas.torpidity.net
2025-09-03 06:20:23

#Blakes7 Series D, Episode 07 - Assassin
DAYNA: Feeling any better now? [she serves Tarrant and Avon, reclining on the loungers, then goes over to Soolin and hands her one]
TARRANT: I still think you left it to the last minute on purpose.

Claude Sonnet 4.0 describes the image as: "This scene appears to be set in a futuristic medical bay or treatment facility aboard a spacecraft. The sterile, high-tech environment features metallic walls and sophisticated equipment typical of science fiction settings. Two individuals are seated in what appear to be medical treatment chairs, while a third person in a form-fitting uniform is attending to them, holding what looks like medical equipment or monitoring devices. The setting suggests thi…
@NFL@darktundra.xyz
2025-08-06 21:31:42

Caleb Williams fact or fiction: Should Bears be concerned with second-year QB's up-and-down training camp?

cbssports.com/nfl/news/caleb-w

@relcfp@mastodon.social
2025-08-26 16:05:52

Call for Papers: Religion and AI in Science Fiction and Horror
ift.tt/NxBAFwV
Book Title: A (Holy?) Ghost in the Machine: Religion and Artificial Intelligence in Science-Fiction…
via Input 4 RELCFP

@blakes7bot@mas.torpidity.net
2025-10-03 09:11:03

Series D, Episode 08 - Games
BELKOV: I wouldn't do that if I were you.
SERVALAN: Go ahead. [guard opens a panel and is electrocuted]
blake.torpidity.net/m/408/236 B7B2

Claude 3.7 describes the image as: "The image shows a person with gray hair wearing what appears to be an elaborate costume with a textured, padded or quilted dark upper garment that has a distinctive design with a green section at the chest area. The costume has a medieval or science fiction styling to it, which is consistent with the aesthetic of classic British television drama. 

The setting appears dark, creating a dramatic atmosphere typical of studio-based productions from that era. The …
@tiotasram@kolektiva.social
2025-09-25 09:51:34

In any case, day 2: Ursula K Le Guin.
As I've said elsewhere, part of her science fiction thesis is that "human" can encompass much more than what we mere Terrans think of it as, and that moral standing extends broadly throughout the universe. This is the antithesis of Tokens fantasy, wherein "race" is real and determines moral standing. For Le Guin, it's barely okay to intervene in complex alien politics unless you carefully ensure you're not causing systemic harms; for Tolkien, it's okay to ambush and murder orc children, because they are by nature evil.
Add to her excellent politics Le Guin's masterful worldbuilding and unparalleled range of plots, and you have the one author I loved as a decidedly liberal and naïve teen and love even more now that I'm an adult. She's an absolute legend and deserves a very high place on any list of women authors (or list of authors, period.).
For a short story, try "The Ones Who Walk Away From Omelas" which you can read here: utilitarianism.com/nu/omelas.p
For fantasy "A Wizard of Earthsea" (also has a nice graphic novel adaptation), or for science fiction, "The Left Hand of Darkness" or if you want a more anarchist flavor, "The Dispossessed."
I'll close this with an amazing quote from her:
"""
We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.
"""

@blakes7bot@mas.torpidity.net
2025-11-02 10:08:22

Series C, Episode 08 - Rumours of Death
AVON: A name?
SHRINKER: I had to question a controller from Central. When I was with the rebels ...
blake.torpidity.net/m/308/281 B7B2

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a dark, cavernous environment with a greenish tint to the lighting. Two people are engaged in conversation - one younger figure on the left wearing a leather-type jacket and another older figure with a beard on the right in dark clothing with what looks like an emblem or badge. The setting suggests an underground or secluded location, typical of the science fiction aesthetic from television productions of the…
@blakes7bot@mas.torpidity.net
2025-09-02 06:04:36

#Blakes7 Series A, Episode 04 - Time Squad
JENNA: It seems to me it should have taught us something. Something about the wisdom involved in bringing aliens aboard.
BLAKE: Seven of us can run this ship properly.
VILA: Six surely.
BLAKE: You forgot Zen.

Claude 3.7 describes the image as: "The image appears to be from a vintage television program, likely from the late 1970s or early 1980s based on the production style and aesthetic. It shows a person with blonde, voluminous feathered hair typical of that era. They are wearing a colorful outfit with pastel pink and purple tones and a metallic choker necklace. The background suggests a studio set with soft lighting and muted colors common in science fiction productions of that period. The scene h…
@relcfp@mastodon.social
2025-09-27 10:31:10

Postcolonial Spaces in Indian Science Fiction #acrel call-for-papers.sas.upenn.edu/

@blakes7bot@mas.torpidity.net
2025-09-02 15:11:20

Series C, Episode 10 - Ultraworld
AVON: [Moves next to Tarrant at Main pilot's console] Anything on the star charts?
TARRANT: Not within this quadrant. Nothing listed, not even a Federation beacon.
AVON: It couldn't be that?
TARRANT: Why not?
blake.torpidity.net/m/310/6

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be a futuristic spacecraft interior with metallic walls and control panels. One man is wearing a dark jacket or vest, while the other is dressed in a brown leather outfit with decorative studs or details. They appear to be having a conversation in what looks like the ship's control room or bridge area. The setting has the distinctive retro-futuristic aesthetic typical of late 1970s science fiction television, with c…
@_tillwe_@mastodon.social
2025-10-08 17:22:28

Meine SF- und Fantasy-Lektüre: mit Magiesystemen, Arcane, dem akademischen Höllenritt von Katabasis und einem leider enttäuschenden Solarpunk-Zeitreise-Buch.
blog.till-westermayer.de/index

@tiotasram@kolektiva.social
2025-09-26 17:02:50

Day 3: Octavia Butler.
Incredibly dark, graphic, and disturbing near-future science fiction, which has proved absolutely prophetic. In the 1990's she was writing about a charismatic Conservative Christian and white nationalist president elected in 2024, and the horrors his paramilitary followers would unleash, including forced labor & indoctrination camps. Did I mention those books include ebikes & pseudo-cellphones too? Characters fleeing north from a disastrous social collapse in Loss Angeles? This is "The Parable of the Sower" and "The Parable of the Talents" and the later was tragically rushed to an end because of Butler's declining health.
Her work deals unflinchingly with racism and the darker parts of society, and to those who might say "her depiction of social collapse is overblown," I'd say that while it's not literally the world we live in, it's *effectively* the world that the poorest of us live in. If you're a homeless undocumented latinx person in LA right now, I'm not sure how meaningfully different your world is from the one she depicts.
Her work comes with a strong content warning for lots of things, including racial violence, sexual abuse and slavery, including of children, animal harm, etc., so it's not for everyone. Reading it in 2023 was certainly an incredible trip. Her politics are really cool though; with explicit pro-LGBTQ themes and tinges of what might today be considered #SolarPunk.
#20WomenAuthors

@blakes7bot@mas.torpidity.net
2025-08-30 18:12:55

Series C, Episode 03 - Volcano
CALLY: Nothing.
AVON: Keep trying Servalan is down there.
CALLY: Servalan!
AVON: And a patrol.
VILA: Why?
AVON: Ask her, but something big is happening. Tarrant and Dayna are probably prisoners.
blake.torpidity.net/m/303/305

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like a futuristic spacecraft or space station setting. The person is wearing dark clothing and is positioned near what appears to be a curved window or viewing port with white structural elements visible. The lighting and production values suggest this is from a British science fiction program, likely from the late 1970s or early 1980s based on the visu…
@_tillwe_@mastodon.social
2025-10-04 14:00:35

Ich habe mir die verschiedenen Postings und Threads zu Empfehlungen deutschsprachiger progressiver SF und Fantasy mal in meinem Blog gebookmarked - wenn es noch mehr Listen gibt, die ich da erwähnen könnte, nehme ich Ergänzungen gerne auf.
blog.till-westermayer.d…

@tiotasram@kolektiva.social
2025-10-24 13:52:52

Day 28: Samira Ahmed
As foreshadowed, we're back to YA land, which represents a lot of what I've been enjoying from the library lately.
I've read "Hollow Fires", "This Book Won't Burn", and "Love, Hate, and other Filters" by Ahmed, along with "Mad, Bad, and Dangerous to Know" which is quite different. All four are teen ~romances with interesting things to say about racism & growing up as a South Asian Muslim, but whereas the first three are set in small-town Indiana, the third is set in France and includes a historical fiction angle involving Dumas and a hypothetical Muslim woman who was (in this telling) the inspiration for several Lord Byron poems.
Ahmed's novels all include a strong and overt theme of social justice, and it's refreshing to see an author not try to wade around the topic or ignore it. Her romances are complex, with imperfect protagonists and endings that aren't always "happily ever after" although they're satisfying and believable.
My library has a plethora of similar authors I've been enjoying, including Adiba Jaigirdar (who appeared earlier in this list), Sabaa Tahir ("All my Rage" is fantastic but I'm less of a fan of her fantasy stuff), Sabina Khan ("The Love and Lies of Rukhsana Ali"), and Randa Abdel-Fattah ("Does My Head Look Big In This?"; from an earlier era). Ahmed gets the spot here because I really like her politics and the way she works them into her writing. Her characters are unapologetic advocates against things like book bans, and Ahmed doesn't second-guess them or try to make things more palatable for those who want to ban books (or whatever). Her historical fiction in "Mad..." is also really cool in terms of "huh that could actually totally be true" and grappling with literary sexism from ages past.
#30AuthorsNoMen

@blakes7bot@mas.torpidity.net
2025-10-31 16:22:30

Series A, Episode 10 - Breakdown
KAYN: At last.
RENOR: Sorry, professor. [to Cally] Hello! This place is full of pretty girls.
KAYN: Prepare for immediate surgery, please.
RENOR: Right.
JENNA: I'll get out of your way.
blake.torpidity.net/m/110/455 B7B4

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series from the late 1970s/early 1980s. It appears to be set in a futuristic corridor or spacecraft interior with clean, minimalist design elements typical of that era's sci-fi aesthetic.

The scene captures several people in conversation, wearing distinctive costumes that reflect the show's styling. One person is dressed in a gray draped outfit, while another wears a white turtleneck with a dark vest.…
@blakes7bot@mas.torpidity.net
2025-09-01 09:13:56

Series B, Episode 07 - Killer
BLAKE: What's happened?
BELLFRIAR: Well, it's standard drill with a space death. The autopsy's carried out in a sealed mortuary in case there are any alien micro-organisms around. Are you all set, Dr. Wiler?
blake.torpidity.net/m/207/286

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a science fiction setting with futuristic interior design featuring white and geometric wall patterns. There are two figures in the scene - one person with curly dark hair wearing what appears to be a light-colored outfit, and another figure in white clothing. The setting has the distinctive clean, minimalist aesthetic typical of sci-fi productions from this era, with sleek walls and modern-looking control panels or equipme…
@blakes7bot@mas.torpidity.net
2025-10-01 12:38:33

Series B, Episode 01 - Redemption
CALLY: Treatment unit. He tried to reconnect one of the servo links and it burned his hand.
BLAKE: Right, sit down. [All but Vila sit at a small table to the left of flight consoles] No one is to attempt to repair any equipment till the computers are back under our control.
blake.torpi…

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction TV series, showing a scene in what looks like a spacecraft or futuristic control room. The setting features technical equipment and utilitarian design elements typical of sci-fi productions from the late 1970s or early 1980s.

The scene captures three individuals in conversation. On the right is a person wearing a distinctive black leather outfit with decorative studs or buttons along the sleeves. In the…
@relcfp@mastodon.social
2025-08-19 16:06:08

Call for Papers: Religion and AI in Science Fiction and Horror
ift.tt/RtP9Bci
Book Title: A (Holy?) Ghost in the Machine: Religion and Artificial Intelligence in Science-Fiction…
via Input 4 RELCFP

@tiotasram@kolektiva.social
2025-10-27 00:02:59

Just finished "Low Orbit" by Kazimir Lee.
It's an excellent graphic novel about a queer Malaysian immigrant kid in small-town Maine, the unexpected friends she makes, and the science fiction author who happens to be her landlord. It reminded me a bit of the also excellent "Navigating With You" because of its interwoven fictional sci-fi novel (with really good writing!). CW as predictable for queer family trauma, although it doesn't get too bad and has a happy ending.
#AmReading #ReadingNow

@blakes7bot@mas.torpidity.net
2025-10-01 09:15:40

Series D, Episode 11 - Orbit
VILA: You really think things through, don't you, Avon? If we do need it, we won't have time to get it.
AVON: Well then, let's hope we don't need it. [Smiles]
[Scene: Scorpio]
blake.torpidity.net/m/411/84 B7B2

Claude 3.7 describes the image as: "The image shows a person in a scene that appears to be from a science fiction production. They're wearing what looks like a light-colored outfit with a distinctive collar. The background features what appears to be technical equipment or control panels with lights and switches, suggesting a spacecraft or futuristic setting.

The lighting creates a dramatic mood, typical of sci-fi productions from the late 1970s or early 1980s, giving the scene a vintage quali…
@blakes7bot@mas.torpidity.net
2025-10-31 19:25:00

Series D, Episode 12 - Warlord
ZUKAN: Where is the other one?
DAYNA: What other one?
ZUKAN: That came with you to Betafarl.
AVON: Tarrant.
ZUKAN: Search the base.
SOOLIN: If she is here, presumably she wants to be. She's not a child. [Vila nods.]
blake.torpidity.net/m/412/132

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a futuristic space station or spacecraft interior with a minimalist design aesthetic typical of science fiction from the late 1970s/early 1980s. 

The scene features several people in distinctive costumes around a curved white table that contains what looks like a small display or game board with colored pieces. Two figures stand wearing dramatic black uniforms with striking shoulder details, conveying author…
@tiotasram@kolektiva.social
2025-09-27 12:26:53

Day 4: Adiba Jaigirdar
Thought I'd mix things up a bit in terms of intensity & genre. Jaigirdar has written several lovely sapphic teen romances that grapple with parental acceptance in Muslim Bengali immigrant culture, along with racism and other aspects of second generation immigrant life in Dublin.
I've discovered a few other Southeast Asian authors at my local library who will appear on this list, but I'm putting Jaigirdar first because of just how enjoyable her books are, and because I generally find queer romance to be more engaging than non-queer romance. Jaigirdar's characters are sympathetic and convincing, and their problems are both dramatic and a little funny. "Hani & Ishu's Guide to Fake Dating" is probably my favorite by Jaigirdar, but I also enjoyed "The Henna Wars" and "Rani Choudhury Must Die." "A Million to One" is a bit of a departure from her other books, as historical fiction with a heist plot, but it still engages with Irish culture, immigrants, and queer romance.
#20WomenAuthors

@tiotasram@kolektiva.social
2025-10-20 11:16:23

Day 26: Emily Short
If you know who Short is, you know exactly why she's on this list. If you don't, you're probably in the majority. She's an absolutely legendary author within the interactive fiction (IF) community, which gets somewhat pigeonholed by stuff like Zork when there's actually a huge range of stuff in the medium some of which isn't even puzzle-focused, and Short has been writing & coding on the bleeding edge of things for decades.
I was lucky enough to be introduced to Short's work in graduate school, where we played "Galatea" as part of an interactive fiction class. Short uses a lot of clever parser tricks to make your conversation with a statue feel very fluid and conversational, giving to contemporary audiences a great example of how vibrant interaction with a well-designed agent can be in contrast to an LLM, if you're willing to put in some work on bespoke parsing & responses (although the user does need to know basic IF conventions). While I didn't explore the full range of Galatea's many possible outcomes, it left a strong impression on me as a vision for what IF could be besides dorky puzzles, and I think that "visionary" is a great term to describe Short.
If you'd like you get a feel for her (very early) work, you can play Galatea here: #30AuthorsNoMen

@blakes7bot@mas.torpidity.net
2025-10-30 19:30:36

Series C, Episode 13 - Terminal
ZEN: Confirmed.
[Teleport room. All but Avon are present. Avon enters.]
AVON: You can take the watch now, Vila.
VILA: Wonderful. I've been looking forward to that.
TARRANT: Where are we going, Avon?
blake.torpidity.net/m/313/86

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a spaceship or control room. The setting has distinctive angular walls with reddish-brown paneling and hexagonal design elements typical of 1970s/80s sci-fi productions.

In the scene, a person wearing a dark leather outfit stands at what looks like a control console with various technical equipment. The futuristic control panel contains box-like devices with displays…
@blakes7bot@mas.torpidity.net
2025-09-29 21:15:00

Series D, Episode 01 - Rescue
TARRANT: [Enters] You all right?
DORIAN: How many more of you are there?
AVON: [Enters, weapon levelled at Dorian] Just one. Stand still. Drop the gun. Now move away from it. Slowly.
blake.torpidity.net/m/401/114 B7B6

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, captured in a winter setting with snow on the ground. Four people are standing in conversation, wearing distinctive futuristic costumes that suggest a space or sci-fi theme. The costumes include dark leather-like materials and unique styling typical of 1970s/80s television productions. The scene takes place in a sparse outdoor location with bare trees and shrubs in the background, creating a s…
@blakes7bot@mas.torpidity.net
2025-09-29 18:12:58

Series A, Episode 11 - Bounty
VILA: We don't want to do anything hasty.
AVON: [V.O.] Vila!
VILA: Yes, I'm standing by. [Avon and Jenna are in the teleport room.]
blake.torpidity.net/m/111/118 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing someone in elaborate period-style costume with rich fabrics in burgundy and earth tones, featuring ornate fastenings and detailed sleeves. The setting appears to be a futuristic or spaceship-like environment with metallic surfaces and circular design elements visible in the background. The costume design suggests this might be from a formal or ceremonial scene, with the …
@blakes7bot@mas.torpidity.net
2025-08-30 15:11:03

Series A, Episode 08 - Duel
BLAKE: Right, wake me when you're tired.
[Up a different tree: Travis and Mutoid]
TRAVIS: Tell me something, do you remember who you were?
MUTOID: I don't understand the question, Commander.
blake.torpidity.net/m/108/375 B7B4

Claude 3.7 describes the image as: "The image shows a dramatic portrait shot from what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the filming style and aesthetic. The scene is very dark, with dramatic side lighting that creates strong shadows against a black background.

The person in the image appears to be wearing what looks like a high-collared jacket or uniform, typical of sci-fi costume design from that era. The lighting techni…
@blakes7bot@mas.torpidity.net
2025-10-31 13:20:02

Series D, Episode 02 - Power
VILA: Eleven minutes!
TARRANT: Yes, but what about the others?
PELLA: There aren't any others. Last week we were five. This morning, three. And now we are two.
VILA: Ten and three-quarter minutes!
TARRANT: Let's go.
blake.torpidity.net/m/402/472

Claude 3.7 describes the image as: "The image shows a person with brown hair wearing a gray and cream-colored vest over a dark turtleneck. They appear to be in a scene from a science fiction television production from the late 1970s or early 1980s, as suggested by the distinctive costume styling and visual quality of the footage.

The individual has an expressive facial expression showing concern or mild distress. The background appears minimal and somewhat sterile, consistent with spacecraft o…
@blakes7bot@mas.torpidity.net
2025-10-28 13:23:03

Series B, Episode 12 - The Keeper
ZEN: Main detectors report Federation pursuit ship, bearing one three two, course two seven six, leaving the planet and entering orbit.
AVON: Put it on the main screen.
ZEN: Affirmative. [pursuit ship appears on screen]
blake.torpidity.net/m/212/31

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing the interior of what looks like a spacecraft or control room. The setting features futuristic control panels with various buttons, switches, and displays typical of 1970s-80s sci-fi production design. There are comfortable-looking seats and the overall aesthetic has that distinctive retro-futuristic appearance common to British science fiction shows of that era. The lighting…
@blakes7bot@mas.torpidity.net
2025-10-29 19:12:27

Series A, Episode 08 - Duel
MUTOID: Time Distort Six.
TRAVIS: Minimum scan, their sensors mustn't register the beam.
MUTOID: Scan complete, identification confirmed.
blake.torpidity.net/m/108/12 B7B5

Claude 3.7 describes the image as: "The image shows a character from a science fiction television series wearing a distinctive black leather uniform with a silver badge or emblem on the front. The character has a notable eye patch or covering over one eye, which is a defining feature of their appearance. This appears to be from a scene set on a spaceship or futuristic facility, as indicated by the sterile, technological-looking background.

The costume design is characteristic of dystopian sci-…
@blakes7bot@mas.torpidity.net
2025-09-28 18:18:29

Series D, Episode 05 - Animals
ARDUS: I, I cannot say, Commissioner.
SERVALAN: Very well, I await your information.
ARDUS: I think it would be improper of me to release it unless authorised by the High Council.
blake.torpidity.net/m/405/196 B7B5

Claude 3.7 describes the image as: "This image appears to be a still from a science fiction television series from the late 1970s or early 1980s. The scene shows two people in a dramatic interaction. On the left is an older person with white hair wearing distinctive blue-tinted glasses and a gray and dark outfit with a high collar. Standing nearby is a person in a striking black feathered or textured costume with a v-neck design.

The setting appears to be an interior room with light-colored cu…
@blakes7bot@mas.torpidity.net
2025-10-30 10:22:30

Series B, Episode 01 - Redemption
BLAKE: It's all right, Vila. I think we've lost them.
VILA: How'd you know?
BLAKE: We're still here. Cut the auxiliaries. Get back to primary drive. [To Avon] Are you all right?
blake.torpidity.net/m/201/124 B7B2

Claude 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s, based on the visual style and production quality. The setting appears to be the bridge or control room of a spacecraft, with futuristic control panels and a distinctive angular design aesthetic typical of sci-fi productions from that era.

Several people are visible in the control room, wearing costume garments that suggest a unified st…
@blakes7bot@mas.torpidity.net
2025-09-29 06:03:43

#Blakes7 Series B, Episode 03 - Weapon
JENNA: Maybe IMIPAK is another Orac. If we captured it perhaps we could breed from them.
BLAKE: What a disgusting idea.
JENNA: [Smiles] Well, despite Orac's lucky eavesdropping, we're not much wiser, are we?

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a spacecraft interior with distinctive futuristic design elements typical of classic science fiction television from the late 1970s/early 1980s. 

The scene features two individuals in conversation - a person with blonde feathered hair wearing a navy blue outfit with decorative gold accents on the shoulders, and another person with curly dark hair wearing a brown jacket over darker clothing.

The spacecraft s…
@blakes7bot@mas.torpidity.net
2025-09-29 12:08:01

Series C, Episode 12 - Death-Watch
VINNI: You're not good enough to get past me, Tarrant.
DEETA: You're going to look pretty silly flat on your back with a face full of footprints.
blake.torpidity.net/m/312/213 B7B3

Claude 3.7 describes the image as: "The image shows two people in conversation, bathed in a purple-tinted light. They are wearing distinctive futuristic outfits typical of science fiction television productions from the late 1970s or early 1980s. The person on the left wears a brown and white color-blocked uniform, while the person on the right has on a light-colored garment with decorative striped elements. 

The setting appears to be an interior space with curtains or vertical panels visible …
@blakes7bot@mas.torpidity.net
2025-10-30 13:24:54

Series D, Episode 08 - Games
GERREN: Told you, there was no time. Besides, from what I've heard, she might be more than a match for you.
AVON: Well now. Just who are they sending?
blake.torpidity.net/m/408/87 B7B3

Claude Sonnet 4.0 describes the image as: "This image shows a character in what appears to be a futuristic military or space-faring uniform, featuring a high collar with metallic detailing. The costume design reflects the science fiction aesthetic typical of late 1970s British television production. The setting appears to be an interior spaceship or facility environment with blurred background elements. The uniform's sleek, authoritarian styling with its reflective collar elements suggests this…
@blakes7bot@mas.torpidity.net
2025-08-29 15:17:57

Series C, Episode 02 - Powerplay
TARRANT: It was an even bet.
AVON: Quite.
TARRANT: I still don't know who the girl is, though.
AVON: Her name is Dayna, she's not one of us. Where is she, by the way?
TARRANT: Do you care?
blake.torpidity.net/m/302/352

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be a futuristic or sci-fi setting with metallic/technological backgrounds typical of space-based television productions. One man is shown in profile on the left, while the other faces more toward the camera on the right, wearing what looks like a dark high-collared garment. The lighting and production values suggest this is from a British science fiction series from the late 1970s or early 1980s. The scene appears t…
@blakes7bot@mas.torpidity.net
2025-10-28 16:25:53

Series C, Episode 07 - Children of Auron
SERVALAN: Manual only, I'm afraid.
PILOT FOUR-ZERO: I'll manage.
DERAL: With reduced power?
PILOT FOUR-ZERO: Auron isn't so far off. Can you supply me with the course coordinates.?
blake.torpidity.net/m/307/48 B7B4…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s based on the visual style and production quality. 

The photo shows a person with a distinctive short dark haircut, wearing dramatic makeup including defined eyes and red lipstick. They're wearing what appears to be a black outfit with a decorative choker or collar that has metallic elements. 

The setting seems to be a darkened interior set, possibly aboard a…
@blakes7bot@mas.torpidity.net
2025-09-28 06:10:02

#Blakes7 Series A, Episode 09 - Project Avalon
GUARD: Down, it's Blake! [He shoves Blake and Vila into the other guard and takes off down the hall.]
BLAKE: Chevner! [A fight ensues.] Jenna!
COMPUTER: Detention block seven - condition red. [Alarm starts.]

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene in what looks like a spacecraft or space station corridor with white walls and futuristic design elements. 

The image shows several people in costume - some wearing colorful outfits in burgundy and green with distinctive headwear, while a figure on the right is dressed in dark clothing and appears to be holding what looks like a weapon. The individuals with their hands near th…
@blakes7bot@mas.torpidity.net
2025-08-29 12:15:51

Series C, Episode 07 - Children of Auron
AVON: You are forgetting that the Aurons rejected her. They sent her into exile.
TARRANT: You were exiled from Earth.
AVON: I go back as an executioner.
blake.torpidity.net/m/307/194 B7B3

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television production with a futuristic setting. Two individuals are captured in conversation, with one wearing a light-colored tunic with decorative fastenings, and the other in a dark green or gray high-collared outfit that appears to be made of a textured material. The person on the left has curly hair and is looking down, while the person on the right has shorter, straight hair and appears to be speaking. The…
@blakes7bot@mas.torpidity.net
2025-10-28 19:28:12

Series A, Episode 13 - Orac
BLAKE: All right, put us down.
[Scene: The planet's surface. Blake and Cally land near the obelisk.]
BLAKE: Some sort of obelisk, I suppose.
CALLY: Well, what should we do now?
blake.torpidity.net/m/113/170 B7B5

Claude 3.7 describes the image as: "The image appears to be from a classic science fiction television series from the late 1970s/early 1980s era, showing a person with curly dark hair wearing what looks like a light-colored vest or jacket over a darker garment. The background is dark, suggesting a spacecraft or futuristic setting typical of space-based sci-fi productions from that time period.

The styling, costume design, and filming quality are characteristic of British television productions…
@blakes7bot@mas.torpidity.net
2025-08-28 18:27:28

Series C, Episode 05 - The Harvest of Kairos
JARVIK: Woman, you're beautiful. [grabs and kisses her]
SERVALAN: Guards! Take this primitive to the punishment cells! Move!
blake.torpidity.net/m/305/93 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The image shows someone in what appears to be casual clothing against a green, textured background that could be foliage or an alien landscape setting. The lighting and composition suggest this is from a dramatic scene, possibly during an outdoor or planet-surface sequence. The production…
@blakes7bot@mas.torpidity.net
2025-08-29 09:13:42

Series C, Episode 11 - Moloch
CHESIL: Done to who?
DORAN: My pal, that's who. What have they done to my pal?
CHESIL: Your pal? I don't know who you mean.
blake.torpidity.net/m/311/496 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The scene shows two people in what appears to be a dramatic conversation - one person has their back to the camera while facing someone with styled blonde/brown hair who appears to be delivering dialogue with an intense or concerned expression. The setting has atmospheric lighting with som…
@blakes7bot@mas.torpidity.net
2025-09-28 09:11:58

Series C, Episode 13 - Terminal
TARRANT: Avon, where is the ship headed?
AVON: To tell you the truth, I haven't the faintest idea.
[Flight deck. Tarrant, Vila, Dayna, Cally enter.]
blake.torpidity.net/m/313/94 B7B2

Claude 3.7 describes the image as: "This image shows a character in what appears to be a science fiction setting, wearing a distinctive black and silver costume with a high collar. The person has short brown hair and is looking slightly to the side against a background with horizontal lines or panels. The costume has a sleek, futuristic appearance typical of classic sci-fi television from the late 1970s or early 1980s. The styling, set design, and costume suggest this is from a British science …
@blakes7bot@mas.torpidity.net
2025-10-29 13:07:14

Series A, Episode 12 - Deliverance
ENSOR: I'm on three-quarter boost as it is. She's not responding! I'm going to maximum. It's all right. It's all right. She's slowing. Compensators beginning to hold. [Ship starts to steady.] Come on, come on, that's my beauty. That's...come on. Pull us back, pull us back. All right, she's coming back. We're all right.
MARYATT: Don't do that too often, will you? I'm a very nervous passenger.

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be the interior of a spacecraft or control room setting. They're positioned near what looks like control panels or technical equipment, with some kind of display screen visible showing a green geometric shape. The lighting is dramatic and moody, typical of science fiction television production from this era. The men are wearing what appears to be futuristic or military-style clothing. The setting suggests they're li…
@blakes7bot@mas.torpidity.net
2025-09-27 18:25:58

Series B, Episode 10 - Voice from the Past
JENNA: The power's changed.
CALLY: Meteorite storm.
AVON: I'll go and check. [Blake is seen as door closes]
AVON: Blake! Blake! [Blake is destroying the door opening mechanism]
blake.torpidity.net/m/210/223 B7B5

Claude 3.7 describes the image as: "The image shows a person with feathered blonde-brown hair in what appears to be a scene from a television production, likely from the late 1970s or early 1980s based on the styling and image quality. They are wearing what looks like a burgundy or reddish-brown jacket or top, and the shot is framed as a close-up showing their profile against a dark background.

The serious expression and dramatic lighting suggest this is from a science fiction or drama series.…
@blakes7bot@mas.torpidity.net
2025-10-23 06:18:31

#Blakes7 Series B, Episode 09 - Countdown
BLAKE: What's the countdown?
CAUDER: Fifty-three.
BLAKE: [Into bracelet] Liberator, this is Blake. Do you read me?
JENNA: [V.O., over bracelet] We hear you.
BLAKE: Any news from Avon?

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. The scene shows four people gathered around what looks like a clear control panel or device with colored buttons and components. They're in what appears to be a spacecraft or futuristic setting, indicated by the technical equipment and the overhead lighting fixtures.

The individuals are dressed in typical science fiction attire of that era - practical jumpsu…
@blakes7bot@mas.torpidity.net
2025-10-27 22:13:59

Series B, Episode 10 - Voice from the Past
BLAKE: Guilty.
ORAC: No. Conditioned under hypnosis.
BLAKE: No. No.
ORAC: Yes, Blake. Standard hypnotic procedure, audio pulse signals with visual support...
BLAKE: False.
blake.torpidity.net/m/210/139 B7B6

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television production, appearing to be from the late 1970s or early 1980s based on the visual quality and style. In the frame, a person with dark curly hair is lying back with their eyes closed, appearing to be undergoing some kind of medical procedure or interrogation. There are thin red wires or electrodes attached to their face, suggesting some form of monitoring or mental probing device. They're wearing what …
@blakes7bot@mas.torpidity.net
2025-10-28 10:20:43

Series A, Episode 05 - The Web
BLAKE: Blake.
[Flight deck of the Liberator.]
CALLY: Cally.
BLAKE: [V.O.] Tell Avon I need two fully charged flutonic power cells.
CALLY: I will tell him.
[In the laboratory complex.]
blake.torpidity.net/m/105/365 B7B2

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, based on the production style and set design. 

The scene shows a person with curly hair wearing a dark outfit with what looks like some kind of decorative or functional arm detail. They appear to be in a futuristic spacecraft or space station interior with distinctive angular design elements. In the foreground, there are what look like control panels or equi…
@blakes7bot@mas.torpidity.net
2025-09-26 18:10:22

Series A, Episode 04 - Time Squad
VILA: Could I read yours?
CALLY: You could receive my thought if I wished you to.
BLAKE: Cally, how do we contact the resistance force?
CALLY: There is no resistance force. They're all dead.
BLAKE: All of them?
blake.torpidity.net/m/104/377

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing three people in what looks like an outdoor setting with a textured wall or rocky surface in the background. The scene has the characteristic visual style of late 1970s/early 1980s television drama. One person is wearing a distinctive red/burgundy colored outfit, while another is in more muted tones. The lighting and film quality suggest this is from a dramatic scene, pos…
@blakes7bot@mas.torpidity.net
2025-09-26 21:12:20

Series C, Episode 07 - Children of Auron
VILA: Um, welcome aboard.
DERAL: Sit down. [points gun at Vila]
VILA: Over here? [sits at teleport console]
DERAL: Mnn hmm.
DAYNA: [Enters with gun on Deral] Keep still! [takes his gun]
blake.torpidity.net/m/307/453 B7B…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two people in what looks like a futuristic spacecraft or space station interior. The setting has the characteristic design elements of 1970s-80s sci-fi productions, with angular walls, distinctive lighting, and technical panels visible in the background.

One person is wearing dark clothing and appears to be holding something small, while the other is wearing what lo…
@blakes7bot@mas.torpidity.net
2025-09-21 09:14:37

Series D, Episode 13 - Blake
TARRANT: Oh, surely you're not that naive.
BLAKE: You're wasting your breath, Tarrant. [The intercom beeps.]
DEVA: [Into Intercom] Yes?
blake.torpidity.net/m/413/428 B7B2

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production from the late 1970s or early 1980s based on the visual style and costume design. 

The scene features a person with distinctive curly hair wearing what appears to be a beige or tan costume with decorative elements or fasteners visible on the shoulder area. The costume has a somewhat retro-futuristic design typical of science fiction productions from that era.

The background is dark with wh…
@blakes7bot@mas.torpidity.net
2025-09-27 06:15:43

#Blakes7 Series B, Episode 03 - Weapon
VILA: Why didn't you suggest it to us?
CALLY: Because I knew how you'd react.
AVON: Auron may be different, Cally, but on Earth it is considered ill-mannered to kill your friends while committing suicide.

Claude 3.7 describes the image as: "This image shows a person with short hair wearing a dark, high-collared uniform in what appears to be a futuristic sci-fi setting. The person has a somewhat concerned or serious expression, and is positioned against a gray/metallic background that suggests the interior of a spacecraft or space station. 

The costume design is characteristic of 1970s-80s British science fiction television, with its minimalist styling and dark colors. The setting has the distin…
@blakes7bot@mas.torpidity.net
2025-08-27 15:21:56

Series B, Episode 09 - Countdown
RALLI: That's Provine! That's his service record. [She picks up the card] That's the man I got to go with Blake!
VILA: Which way did they go?
RALLI: The rocket silo. [Vila runs to door, then back]
blake.torpidity.net/m/209/414

Claude 3.7 describes the image as: "This image shows a scene in what appears to be a futuristic spacecraft or control room setting. Two people are engaged in conversation, with one wearing a green outfit with a light green overlay jacket, and the other in a gray outfit with what looks like a wrist device or communication tool. They appear to be exchanging some kind of document or data card.

The setting features technological elements typical of science fiction production design from the late 1…
@blakes7bot@mas.torpidity.net
2025-09-27 12:21:04

Series A, Episode 12 - Deliverance
GAN: That's Jenna's.
AVON: Obviously somebody, or something, attacked her.
VILA: And obviously it won.
GAN: She might have made a run for it.
blake.torpidity.net/m/112/117 B7B3

Claude Sonnet 4.0 describes the image as: "I can see three people in winter/cold weather gear kneeling in what appears to be a snowy, rocky terrain. They're wearing heavy coats and appear to be in some kind of outdoor survival or mission scenario. The setting looks harsh and desolate, with white rocky formations or snow-covered ground visible in the background. The individuals appear to be taking shelter or regrouping in this challenging environment. The scene has the look of a science fiction …
@blakes7bot@mas.torpidity.net
2025-09-26 06:00:55

#Blakes7 Series C, Episode 01 - Aftermath
AVON: So you have very little to fear from Servalan. There is no real Federation anymore. It's unlikely that anyone will come looking for you. You won't have to hide any longer.
MELLANBY: It's odd. For the last twenty years that's all I've dreamed of, freedom to do what I want, go where I want. Now that I've got it,…

Claude 3.7 describes the image as: "This image appears to be from a science fiction TV series from the late 1970s or early 1980s based on the visual style and production quality. The scene shows two people in what looks like a spacecraft or futuristic setting, with metallic elements visible in the background. 

One person wears a black outfit while the other wears an elegant white off-shoulder garment and appears to be holding or examining something. The person on the right is adorned with a ne…
@blakes7bot@mas.torpidity.net
2025-10-27 13:06:42

A10 - Breakdown
AVON: It's a space laboratory. A permanent research facility financed by a consortium of neutral planets. Two specialist fields: weaponry and space medicine. An interesting combination, don't you think?
JENNA: How do you know all this?
blake.torpidity.net/m/110/113

Claude 3.7 describes the image as: "This is a black and white image from a classic science fiction television series from the late 1970s/early 1980s. The image shows a person with short dark hair wearing what appears to be a distinctive costume with striped elements and a high collar, typical of the show's futuristic styling. 

The person has a slight smile and appears to be in what would be a spacecraft or base set from the series. The production values reflect the era of television in which i…
@blakes7bot@mas.torpidity.net
2025-08-26 15:28:19

Series C, Episode 01 - Aftermath
LAUREN: That's the north shore.
MELLANBY: Nothing there. Try the west. Nothing there either.
DAYNA: [Enters] What's happening, father?
blake.torpidity.net/m/301/264 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a futuristic spacecraft interior or control room setting. The scene features several people gathered around what appears to be a control console or table with some kind of device on it. The set design has that distinctive late 1970s/early 1980s sci-fi aesthetic with white and metallic surfaces, and there are some lighting effects visible in the background. Th…