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The Military Religious Freedom Foundationhas received a litany of complaints about religious ideology seeping into military orders since the U.S. and Israel began bombing Iran,
independent journalist Jon Larsen first reported.
Mikey Weinstein, founder and president of MRFF,
a nonprofit group established 21 years ago that focuses on ensuring constitutional protections for service members,
spoke with HuffPost by phone Tuesday morning and illuminated some details of the…

@leftsidestory@mstdn.social
2026-03-04 01:16:12

Urban Demons X👻
城市鬼魂 X 👻
📷 Nikon F4E
🎞️ ERA 100, expired 1993
If you like my work, buy me a coffee from PayPal #filmphotography

ERA 100 (FF)

English alt text:
A black‑and‑white photo of a store display case filled with plush toys and small figurines. Characters like Minions and other cartoon figures sit on several shelves, brightly lit from the left. The right side fades into a darker mall interior with an escalator and distant lights. The contrast between the illuminated toys and the shadowed surroundings creates a dramatic, high‑contrast scene.

中文替代文字:
一张黑白照片,展示柜里摆满了毛绒玩具和小摆件,包括小黄人等卡通角色。左侧灯光明亮,照亮整排玩具;右侧较暗,可看到商场内部和一部自…
ERA 100 (FF)

English alt text:
A black‑and‑white mall scene showing a person in a hoodie riding an escalator while looking at their phone. To the left is a large, glowing advertisement with Chinese text. The surroundings include glass railings, store entrances, and overhead lighting. The bright ad contrasts sharply with the darker escalator area.

中文替代文字:
一张黑白商场照片,一位穿连帽衫的人在自动扶梯上看手机。左侧有一块发光的中文广告牌。周围有玻璃栏杆、店铺入口和顶部灯光。明亮的广告与较暗的扶梯区域形成强烈对比。
ERA 100 (FF)

English alt text:
A black‑and‑white photo of a modern mall interior with two visible levels. On the upper level, a tech store displays products on tables while people browse. The glass railing and polished floor create strong reflections. On the lower level, another person walks past additional display tables. The composition emphasizes symmetry and mirrored surfaces.

中文替代文字:
一张黑白照片,展示现代商场的上下两层结构。上层的科技店铺摆放着产品,几个人在浏览。玻璃栏杆和光亮地面形成清晰倒影。下层有人走过展示桌。画面突出对称性和反射效果。
ERA 100 (FF)

English alt text:
A black‑and‑white interior scene featuring a large illuminated arch with tiny lights or perforations along its surface. The polished floor reflects the arch, forming an eye‑shaped symmetry. Inside the arch is a seating area with a couch and small table, and behind it is a counter with similar lighting. The overall style feels sleek and futuristic.

中文替代文字:
一张黑白室内照片,主体是一个带灯光的大型拱形结构,表面布满小灯点或孔洞。光亮地面映出拱形,形成眼形对称。拱内有沙发和小桌子,后方是带灯光的柜台。整体风格现代且富有未来感。
@hex@kolektiva.social
2026-02-28 10:20:01

As salty as I am about it, there's also another way to think about this. For anyone who still has connections to folks on the right (which is perhaps unlikely for anyone on this server, I digress), the cult that has consumed them thrives on isolation and grievance.
The words "you were right" have the potential to cut through the programming and open up an opportunity for reconnection. The modern conspiratorial cult of the Right has been built partially around people who were told they were wrong or were crazy. In the vast majority of cases, they were wrong and even when they were right they completely misunderstood why, but we'll skip that for now. Liberals making fun of them (even the times when they definitely earned it) has pushed them further and further into their ideological hole.
The thing about those words, "you were right," in this context is that the way they offer reconnection also requires them to take one little step of betraying their ideology to accept them. So they must choose between maintaining allegiance to a pedophile or finally getting to feel superior after years of living in an illusion of persecution.
Under the ideology of the Right, admitting one is wrong is a weakness. It is admitting defeat. They have to "own the libs" by saying things, things that they know aren't true, in order to feel dominant. But these things are often so absurd that they end up being made fun of, feeling even more weak and pathetic, reinforcing their fear and alienation.
Offering what they're looking for can offer a way out, but only if they're willing to start to recognize the thing they've supported for what it is.
And they were right about some things. They were right that Bill Gates was a terrible person. I've had plenty of liberals defend him based on his philanthropy washing, but he's awful and always has been. The Epstein links make that blatant. They intuitively recognized him and didn't trust him, even if they were wildly off base about *how and why* he shouldn't be trusted... Even if their correct mistrust was leveraged into one of the most destructive conspiracy theories ever (vaccine denial and COVID vaccine avoidance).
They were right about Bill Clinton. He was always shady as fuck. Sure, the people who attacked him at the time turned out to be even more shady but that's not the point right now. He was connected to Epstein and that was always creepy as fuck.
And the Epstein thing was an open secret that liberals ignored for a long time. It was seen as some weird thing that right wing nutjobs believed about the Clintons. But it was true. Not all of it, and there has always been an antisemitic element to the right wing interpretation or Epstein stuff, but his whole pedophile conspiracy was always kind of real.
The whole "Illuminati"/deep state thing is a vast oversimplification, an attempt to make comprehensible an incredibly complex set of interlocking and emergent behaviors. But Epstein did very much want to remake the world, to create a new world order, and he absolutely played a part in it.
The Right wing nutjobs talked about global authoritarianism, Blackhawks flying over American cities, masked men with guns disarming and executing legal gun owners in the streets. That's all happening right now.
The "FEMA concentration camps" are not actually that far off. ICE and FEMA are sister agencies, both under DHS. I'd be more than happy to call that one "close enough" in order to hear some MAGA admit that ICE is, in fact, building concentration camps.
There was always a huge millennialist element to these things. They tended to be connected to "the antichrist." It was absurd, especially for me as someone who no longer identifies as a Christian. But I'll even acquiess that to a degree. The "the number of the Beast" is 666. That's just the sum of the Hebrew spelling of "Nero." Revelations focuses a lot on Nero coming back to life after his death. His death that involved a head wound, thus the line from Revelation 13:3:
> And I saw one of his heads as if it had been mortally wounded, and his deadly wound was healed. And all the world marveled and followed the beast.
The parallels between Trump and Nero are easy to draw, and Trump's ear wound feels pretty on-the-nose for this. I don't believe in "prophecy" in this way. I think that there are patterns, and useful patterns can become encoded in beleif systems. But I will, again, happily call this one "close enough" for anyone on that side willing to also acknowledge it. I'm happy to meet on that common ground, because anyone who accepts it must recognize that their duty is to fight against it.
A lot of these correct nuggets are embedded in a framework of religious extremism and antisemitism. The vast majority of the beliefs holding these together are wildly wrong and incredibly toxic. But by giving some room to feel validated, listened to, understood, can give some room to admit things that were wrong.
Cult de-programming starts with an opening. People have to talk through their own thoughts, hear their own inconsistencies. Guiding questions can help them untangle these things for themselves. And it all starts by having enough room to feel safe, to not feel cornered, to not feel stupid. Admitting mistakes means being vulnerable, and the MAGA cult is built on fear. It's built on exploiting vulnerability and locking it away.
De-programming takes a long time. It's not easy. It takes patience. But every person who comes out does so with a powerful perspective, a deep understanding, that can be turned back against it. The best people at getting people out of cults are former members. Some of the most dedicated antifa are former fascists who understood their mistakes and dedicate their lives to fixing them.

@AimeeMaroux@mastodon.social
2026-05-01 18:00:27
Content warning:

I finally got Hades II to run on #Linux 🥳 🎉 🎊 🍾
I only succeeded on Steam after I bought it again. The Epic Store version still fails. Maybe I can return it because it ran for zero seconds, even though I bought it when the early access version came out.
But if I can't, at least the extra money is going to a cool indie games studio 🙂
I'm a little sad I didn't get to j…

Promotional image of Hades II protagonist Melinoë. She has shoulder-length blond hair and wears a short, orange tunic, wielding a dagger and a sickle by floating them in front of her via magic. She stands against a dark background illuminated by a green magic circle and a lunar crescent.
@davej@dice.camp
2026-04-26 01:49:55

Stolen to add #AltText.
NB: the article shown in the last panel is at theguardian.com/us-news/2026/a

A four-panel comic, showing a young woman sitting alone on a bus, or perhaps a train.

In the first panel, she stares into her mobile phone, illuminated by its light. “I love seeing people smile at their phones in public,” the caption reads.

In the second panel, this time showing her a little closer, she smiles, tears brimming in her eyes as she gazes into her phone. “Have they received happy news?” the caption asks. “Is it a text from a loved one perhaps?”

The next panel shows her in a head-…
@toxi@mastodon.thi.ng
2026-02-13 13:00:12

Slowly getting into a rhythm to start the day with doing a print each morning, each time still tweaking either negatives, concentrations and/or durations of different processing stages to adjust tones/hues... A new adventure with some back and forth each time!
This print is of Langkofel / Sassolungo, one of my favourite mountain massifs, just such interesting features and so many dear memories, here seen from the east (around half and hour before sunset)...

iPhone photo of a 8x6" kallitype print of a photo of the Langkofel mountain massif with its talus fields and some scattered pine forest in the foreground. The sky is filled with layers of small clouds illuminated by the evening sun. The picture is surrounded by a thick dark brown border of the exposed hand-painted photo emulsion.
@johnhobbs@mstdn.ca
2026-03-01 21:10:31

Immersing myself in historical fiction is my go-to for relaxation and learning. These journeys through time not only captivate but offer profound insights into today’s world. The past's narratives illuminate the complexities of the present, proving that books are an eternal bridge between yesterday and today! 📚 #HistoricalFiction #LiteraryInsights

@leftsidestory@mstdn.social
2026-04-21 00:30:02

City Silhouettes III 🏙️
城市轮廓线 III 🏙️
📷 Pentax 6x7
🎞️ Lucky SHD 400 (6x7)
If you like my work, Support by buying me a coffee or a roll of film from PayPal paypal.com/paypalme/ydcdingsite

Lucky LUCKY SHD 400 (6x7)

English

A close-up of a corrugated metal wall with a neon sign that reads "Film Never Die" in large, bold letters. The sign is illuminated and stands out against the textured, industrial surface of the wall. Below the main sign, there is a smaller sticker or label with the same text. The background is slightly blurred, but another sign with partial text "Grain is Good" is visible.

中文

一面瓦楞金属墙的特写,墙上有一个霓虹灯标志,用粗体大字写着“Film Never Die”。这个发光的标志在粗糙的工业金属墙面上非常显眼。主标志下方有一个较小的贴纸…
Lucky LUCKY SHD 400 (6x7)

English

A shadow of a tree branch is cast sharply against a brick wall. The shadow creates a striking, abstract pattern, with the branches extending diagonally across the wall. The wall itself is made of uniformly laid bricks, and some greenery is visible at the bottom right corner, suggesting the presence of plants or a garden nearby.

中文

一根树枝的影子清晰地投射在一面砖墙上。影子形成了一个鲜明的抽象图案,树枝斜向延伸穿过墙面。墙本身由整齐的砖块砌成,右下角可见一些绿色植物,暗示附近有植物或花园。
Lucky LUCKY SHD 400 (6x7)

English

A narrow, dimly lit alleyway in an urban setting. The alley is flanked by old, weathered buildings with visible wear and peeling paint. Overhead, a network of electrical wires and makeshift awnings can be seen. The ground is paved with bricks, some of which appear damp or stained. The alley extends into the distance, creating a sense of depth and leading the eye toward a brighter area at the end.

中文

一个狭窄、光线昏暗的城市小巷。巷子两侧是老旧、风化的建筑,墙面有明显的磨损和剥落的油漆。头顶上方有电线和临时搭建的遮…
Lucky LUCKY SHD 400 (6x7)

English

An outdoor scene featuring a historic building with a distinctive architectural style, including arched windows and a pitched roof. The building is constructed of brick and stone. In the foreground, bare trees frame the scene, and a few people can be seen walking near the building. The sky is clear, and the overall atmosphere is calm.

中文

一个户外场景,主体是一栋具有独特建筑风格的历史建筑,建筑上有拱形窗户和斜屋顶。建筑由砖石砌成。前景中光秃秃的树木框出了这个场景,几个人在建筑附近行走。天空晴朗,整体氛围宁静。
@toxi@mastodon.thi.ng
2026-04-17 15:50:49

Sunset walk
Happy #FootpathFriday !
#LandscapePhotography #WinterWonderland #Mountains

Sunset over a beautiful snowed in landscape in the foothills of the Alps on a cold and crisp clear day. The sun flares just before disappearing behind the ridges of the mountains in the distance, which are already casting their shadows far and long. The view is from an open ridge and the snow in the foreground is illuminated by orange light. Other people's foot steps have a created a path in the snow, leading into the distance towards a forest on the right hand side. Clear azure sky.