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@pgcd@mastodon.online
2025-08-19 20:03:17

I can't overestimate the impact this song had on me when I heard it. I was 12, obsessed with sci-fi and these weirdos pop up in the most boring, normalized italian music show (Sanremo) to play a kind of music I had never heard before (and rarely after).
Still sublime after all these years.
youtu.be/aexf…

@blakes7bot@mas.torpidity.net
2025-08-20 15:20:33

Series A, Episode 01 - The Way Back
RICHIE: No, not me. The man we're going to meet. He especially asked us to contact you so he could tell you in person. He was on Ziegler Five a few months ago.
BLAKE: Where is he now?
RAVELLA: Waiting for us. Outside.
blake.torpidity.net/m/101/18

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing three people in what looks like a dramatic scene against a dark background. The individuals are wearing earth-toned clothing that appears to be costume design typical of 1970s-80s sci-fi shows. The lighting and staging suggest this is an indoor scene, possibly on a spaceship or similar futuristic setting. The composition shows the three figures in close conversation or c…
@blakes7bot@mas.torpidity.net
2025-07-20 15:10:05

Series C, Episode 09 - Sarcophagus
TARRANT: She's in some sort of coma. Describe what attacked you.
DAYNA: Well, that's the point. It was Cally. But not Cally.
blake.torpidity.net/m/309/274 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene in a futuristic setting. The image shows figures in what appears to be a spacecraft or space station interior, with characteristic lighting and set design typical of classic sci-fi productions. There appears to be someone lying on the floor while another figure kneels nearby, suggesting this may be from an intense or dramatic moment in the ep…
@arXiv_condmatmtrlsci_bot@mastoxiv.page
2025-09-17 11:44:18

Crosslisted article(s) found for cond-mat.mtrl-sci. arxiv.org/list/cond-mat.mtrl-s
[1/1]:
- Unsupervised Atomic Data Mining via Multi-Kernel Graph Autoencoders for Machine Learning Force Fi...
Hong Sun, Joshua A. Vita, Amit Samanta, Vincenzo Lordi

@UP8@mastodon.social
2025-10-05 15:54:43

Fourth Power’s sci-fi thermal batteries could be cheaper than pricey natural gas power plants
techcrunch.com/2025/09/16/four

@heiseonline@social.heise.de
2025-09-25 08:51:00

"Deus Ex Remastered": Sci-Fi-Klassiker kehrt mit modernisierter Grafik zurück
Aspyr bringt den Cyberpunk-Klassiker "Deus Ex" 25 Jahre nach Veröffentlichung mit modernisierter Grafik und angepasster Steuerung zurück.

@compfu@mograph.social
2025-10-16 22:09:42

This sounds like a really cool sci-fi idea: a language model that is special-purpose, cheap and energy efficient and not connected to the internet so it can be built into household appliances. It might be the positive "residue" of an AI bubble crash.
But will those household appliance companies do it? They'd have to let go of their internet connected fridges and data collection. Maybe it'll be the FOSS and 3d-printing community who does it.

@gray17@mastodon.social
2025-08-08 08:18:56

probing gpt5 (free)
- image of a toaster lying on its side - complete fail
- image of a cereal box fully obscuring a toaster - partial success (no toaster, but no toaster shadow)
- list sci-fi novels with furries - 2/10, the rest hallucinated, or not sci-fi, or not novels, or not furry
- refine to sci-fi only, novels only - 3/10, the rest hallucinated
- remove hallucinations from list - "✅ Verified Sci-Fi Novels with Furry Characters or Species" list is 4/6…

@blakes7bot@mas.torpidity.net
2025-08-20 06:13:14

#Blakes7 Series D, Episode 10 - Gold
PILOT: [V.O., over comm.] There's no doubt in your mind that she'll die, Doctor?
DOCTOR: [V.O., over comm.] None at all, Captain.
PILOT: [V.O.] Aborting the trip is out of the question, I'm afraid.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a medical or scientific facility with futuristic set design. The scene features someone in medical/surgical attire in the foreground, with other figures visible in the background. The setting has distinctive sci-fi elements including curved walls, geometric patterns, and ambient lighting typical of 1970s-80s television production design. The scene appears to …
@macandi@social.heise.de
2025-07-30 11:00:00

Pluribus: Apple-Serie von "Breaking Bad"-Macher mit Sci-Fi-Setting
Nach "Silo" und bald "Neuromancer" kommt demnächst "Pluribus". In der Thrillerreihe von Vince Gilligan geht es um nicht weniger als die Zukunft des Planeten.

@blakes7bot@mas.torpidity.net
2025-09-19 21:15:22

Series B, Episode 03 - Weapon
OFFICER: My apologies, sir; I meant no offence.
CARNELL: I was offensive. Why shouldn't you be?
OFFICER: Sir?
CARNELL: Give me the report. [Flips the folder open and closes it] Do you play chess?
OFFICER: A little, sir.
blake.torpidity.net/m/203/374

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series set in a futuristic, minimalist environment with a distinctive honeycomb-patterned wall. Two individuals in dark uniforms appear to be exchanging what looks like a chess set or similar game board. The setting has a clean, sterile aesthetic typical of 1970s-80s British sci-fi productions, with a white sculptural chair visible in the foreground. The room features soft lighting and a doorway with a…
@mlawton@mstdn.social
2025-09-09 23:39:03

Finished "Automatic Noodle" by Annalee Newitz, a novella comfortably ensconced in the "cozy sci-fi" category. Becky Chambers fan? This one is probably a pretty safe bet!
A group of food service robots facing an uncertain future in the aftermath of a war decides to give it a go in their own restaurant. Only they aren't technically able to own one and they face some adversity that requires them to pull together.
3.5/5 stars, rounded up ⭐ ⭐ ⭐ ⭐

@detondev@social.linux.pizza
2025-09-14 18:52:20

Maybe dressing as a futuristic space explorer while still on earth would fix me

plasticky sci fi anime ass heels
@blakes7bot@mas.torpidity.net
2025-08-20 18:23:18

B09 - Countdown
ARRIAN: I don't believe that.
PROVINE: But it's true. It's out of our control now. Neither I nor anybody else can do anything about it. Now. You listen to me. You can give yourself a chance. You don't have to die here with the rest of them.
blake.torpidity.net/m/209/189

Claude 3.7 describes the image as: "The image shows a person with dark hair wearing a green turtleneck and what appears to be a light olive-colored jacket or vest. They have a serious, contemplative expression and are shown in profile against a reddish background. 

This appears to be a still from a science fiction television production from the late 1970s or early 1980s, based on the filming quality and styling. The costume design has that distinctive retro sci-fi aesthetic with simple, practi…
@chpietsch@fedifreu.de
2025-09-28 15:50:58

Ein Sci-Fi-Hörspiel aus dem Jahr 1986, das #Palantir #Gotham beschreibt? Wie kann das sein, und warum heißt dieses System im Hörspiel Donald? Vielen Dank an den WDR5, der das Werk heute gesendet hat!
Bernhard Pfletschinger: Der Dissident
Hier steht es ein Jahr lang zum Download…

@Techmeme@techhub.social
2025-09-07 14:01:07

PitchBook: VCs have invested $5B in humanoid robotics startups since the beginning of 2024, as years of steady progress and GenAI triggers an investment frenzy (Washington Post)

@davidaugust@mastodon.online
2025-09-05 19:26:02

AI enhanced psychosis is not a great thing.
AI Psychosis sounds like a sci-fi problem, but it is real, and present tense.
Turns out AIs like ChatGPT, and their propensity to lie and their lack of actual intelligence, comes with costs.
cnn.com/2025/09/05/tech/ai-spa

@tiotasram@kolektiva.social
2025-10-11 11:44:24

Day 18: Mark Oshiro
Having just learned that Oshiro is nonbinary, they're an instant include on this list. In veering extremely heavily towards YA, and losing a spot that would have gone to an absolutely legendary mangaka, anime writer, or feminist philosopher, but "Anger is A Gift" and "Each of us a Desert" are just that good, and I'm trying to steer a bit towards towards lesser-known authors I respect.
I already mentioned "Anger is a Gift" above, but to recap, it's a painful, vivid, and beautifully honest story of queer love, loss, and protest against an oppressive system. CW for racist police murder, intergenerational trauma, and police brutality against highschool students. It's a book a lot of Americans could benefit from reading right now, and while it's fiction, it's not fantasy or sci-fi. Besides the themes and politics, the writing is just really solid, with delicate characterization and tight-plotted developments that are beautifully paced.
To me "Each of us a Desert" is maybe even more beautiful, and Oshiro leaps into a magnificent fantasy world that's richly original in its desolation, dark history, lonely characters, and mythical magic. Particularly the clearly-not-just-superscription but ambiguously-important/powerful magical elements of Oshiro's worldbuilding are a rare contrast to the usual magic-is-real-here's-how-it-works fare, and pulling that off a all as they do is a testament to their craft. The prose is wonderful, probably especially so if you speak Spanish, but I enjoyed it immensely despite only knowing a few words here and there. The rich interiority of the characters, their conflicts both with each other and within themselves, and the juxtaposition of all that against origins in cult-like ignorance allows for the delivery of a lot of wisdom and complex truths.
Between these two books, so different and yet each so powerful, Oshiro has demonstrated incredible craft and also a wide range of styles, so I'm definitely excited to read more of their work and to recommend them to others.
I'm also glad to have finally put a nonbinary author on this list; the others I had in mind won't make it at this point because there's too much genre overlap, although I'll include them in my didn't-make-it list at the end. I've now got just 2 slots left and have counted up 14 more authors that absolutely need to be mentioned, so we'll see what happens.
#20AuthorsNoMen

@heiseonline@social.heise.de
2025-09-30 10:22:00

Die besten VR-Spiele im Oktober 2025: "Star Wars", "Reach", "Memoreum" und mehr
Von Sci-Fi-Horror im Weltraum über Star Wars im Wohnzimmer bis zu poetischen Pixel-Traumwelten: Der VR-Oktober hat es in sich.

@compfu@mograph.social
2025-10-14 21:31:20

The mathematics behind making homing missiles hit their targets in an interesting way. This is the typical sci-fi anime effect called "Macross Missile Massacre" or - after its inventor Ichirō Itano - "Itano Circus". By @…

A space ship from the anime series Macross is firing dozens of missiles towards the camera, each leaving a white trail of smoke behind. Initially it looks more like flare and chaff that fighter jets are ejecting to avoid missiles but here the effect is an artistic chaos of trajectories and explosions as the missile trails twist and zig-zag across a starry sky towards their targets.
@blakes7bot@mas.torpidity.net
2025-09-18 06:09:43

#Blakes7 Series B, Episode 05 - Pressure Point
VERON: I won't.
BLAKE: Now, once we're into the entry blockhouse-
VILA: Why don't we teleport right down to the control computer chamber?
blake.torpidity.n…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a dark, moody scene with four individuals standing together in what looks like a spacecraft or futuristic setting. The scene has a distinctly retro sci-fi aesthetic typical of 1970s-80s British television productions.

The characters are wearing distinctive costumes - one in a yellow/beige outfit with some type of arm support or design element, while others are dressed in darker leathe…
@karlauerbach@sfba.social
2025-10-04 14:30:57

Overall the media consolidation described below is beyond four alarm fire levels.
E. Musk is dangerous to society, but Musk acts like an addled kid who read too much bad Sci-fi. Ellison doesn't have those positive qualities - he is much like the killer car, Christine, in the Steven King novel.
My first experience with Ellison's Oracle was back around 1980 or '81 when Oracle people came to our company and more than asked, they ordered us, to make sure that their produ…

@aardrian@toot.cafe
2025-09-01 02:41:26

Just finished “For All Mankind” season 3 and consider it the weakest season yet. With the exception of a couple episodes, it felt like a weird soap opera. Even the sciencey bits of the show seemed to gloss over or deus ex machina challenges (or physics). Debating if I’m tapping out of yet another AppleTV sci-fi show.

@blakes7bot@mas.torpidity.net
2025-08-18 12:12:39

Series A, Episode 08 - Duel
GAN: He seems to be working to a plan.
VILA: I wish we were.
AVON: [Entering] Well? Did any of the controls respond?
GAN: Nothing here.
VILA: Nothing on mine.
CALLY: Nothing on these.
blake.torpidity.net/m/108/338 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from inside a spacecraft or futuristic setting, with what looks like a control room or bridge environment. The lighting has a distinctive colored tint that was characteristic of sci-fi productions from that era. There are several people in the scene wearing what appears to be period-appropriate costume design, but I cannot identify specific individuals in the image. The setting suggests this is likely from a dramati…
@jake4480@c.im
2025-08-01 17:22:37

For the first time this year, I've been trying out keeping a basic list in a spreadsheet of TV and movie premieres (and I started a new tab for ones coming out next year, too) -- just to keep up with things. This is the last half of the 2025 now, so here's everything I have from yesterday til the end of the year.
I won't necessarily watch ALL of this, but it's things I might be interested in, and I find that it's helped to have a basic guide as to what comes out wh…

A list of everything coming out from now til the end of 2025 that I'm personally interested in, TV shows and movies - mostly comedy, sci-fi, horror, music-related, cartoons, etc
@azonenberg@ioc.exchange
2025-07-31 02:59:17

I have vague memories of reading years ago about a weapon called a "photic driver" consisting of an LED or strobe or laser array flashing in patterns deliberately crafted to induce photosensitive seizures and disorientation (not just a conventional dazzler intended primarily to interfere with the target's vision).
I have no idea if it was a failed CIA project, a sci-fi plot element, something some military or police department actually fielded, etc.
Anybody ever hea…

NASA is facing backlash after reportedly being ordered to destroy a fully operational satellite that plays a crucial role in monitoring the Earth’s atmosphere.
Imagine a perfectly good, high-tech spacecraft gathering invaluable data on carbon dioxide
– a key player in climate change
– only to be sent hurtling back into our atmosphere to burn up.
This isn’t the plot of a sci-fi movie;
It’s the reality for the Orbiting Carbon Observatory-2 (OCO-2) satellite.

@blakes7bot@mas.torpidity.net
2025-09-18 09:11:43

Series B, Episode 11 - Gambit
SERVALAN: He'll soon come round. Travis is very strong. [She goes to inspect Travis.]
JARRIERE: Oh, he once worked for you?
SERVALAN: Yes.
JARRIERE: And now he's an outlaw? Uh, what happened?
blake.torpidity.net/m/211/202 B7B2…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and set design. The scene shows two characters in what appears to be a futuristic spacecraft or space station interior, with characteristic metallic wall panels and geometric design elements typical of sci-fi sets from that era.

One character is wearing an elaborate red costume with dramatic shoulder details th…
@detondev@social.linux.pizza
2025-08-08 06:00:30

alright im going through my old files again and rediscovered a shitty unfinished sci-fi epic poem thing i was writing sometime when i was 14/15/idfk. all i remember about it is that it was gonna keep doing this countdown and changing structure accordingly for a really long time, i was thinking of depicting the character finding love in an ethereal sorta way for the ending, and it was gonna incorporate a enochian number square for some reason.

SIXTEEN CYCLES AGO,

a smouldering sunset steps away stops scorching her scattered populace, of scar ed, smoke-cycling children trapped in a limbo they weren't old enough to understand.

SIXTEEN CYCLES AGO, the sky dances from gold to muddy grime in lockstep with their lover, and none on Upkeak's face bend in the slightest sur as i kneel, rifle over roof's edge, poised for his arrival.

SIXTEEN CYCLES AGO, his carrier cuts through the congregating crust in the clouds, almost doing Sky a favor t…
fuck my life i missed the mark FIFTEEN TIMES IN A ROW

fuck this air tripped brain through breath FIFTEEN TIMES IN A ROW

fuck they saw me one pair of eyes FIFTEEN TIMES IN A ROW

fuck these legs fourteen cycles forward FIFTEEN TIMES IN A ROW

fuck the height from building to building FIFTEEN TIMES IN A ROW

fuck

fuck

fuck

fuck

fuck FIFTEEN TIMES-

~!@#$%^&*()_+
fuck my life shitty glass smashed sixteen scattered shards FIFTEEN TIMES

fuck this air pulsing pounding head pulsing pounding heart IN A ROW

fuck they saw me mental specter vanishes forced second guesses FIFTEEN TIMES

fuck my legs covered in cuts beautiful blood IN A ROW

fuck the height of my ambition fuck my life again FIFTEEN TIMES

fuck fuck fuck fuck fuck fuck fuck fuck fuck fuck IN A ROW

*click*
burning light FIFTEEN ROWS IN A TIME

angel light ROW ROW ROW ROW ROW

can't leave IN A FIFTEEN TIMES ROW

angel carry ROW ROW ROW ROW ROW

burning light ROW ROW ROW

ROW

ROW

ROW

ROW

ROW

ROW

ROW

ROW

ROW

ROW

ROW

ROW

...

..

..

...
@Mediagazer@mstdn.social
2025-07-29 16:50:45

Runway and Luma AI say they are talking to robotics and self-driving car companies about their video models and expect these revenue sources to eclipse studios (Rocket Drew/The Information)
theinformation.com/articles/ru

@Tuxramus@social.linux.pizza
2025-08-01 21:41:54

Get ready for some major sci-fi flora! On today's "3D Printing Adventures Penguin Style!", we're turning an AT-AT into a humble pot plant. Because even Imperial walkers need a little green in their lives. Tune in for the shenanigans! #ATAT #StarWarsGardening

@blakes7bot@mas.torpidity.net
2025-09-18 18:18:22

Series A, Episode 02 - Space Fall
[Leylan walks towards the exit to the Flight Deck]
LEYLAN: I'm going to my quarters. Anything I should know?
blake.torpidity.net/m/102/26 B7B5

Claude 3.7 describes the image as: "This image shows two individuals having a conversation in a stark, futuristic corridor. They're both wearing similar dark uniforms with blue shoulder sections, typical of the science fiction aesthetic of the late 1970s/early 1980s British television production. The minimalist set features gray walls with a small blue panel visible in the background, and a textured floor. The corridor has the institutional, utilitarian look common in sci-fi productions of that…
@heiseonline@social.heise.de
2025-07-22 13:31:00

"Hellraiser Revival": Horror wird auf PC, Xbox und Playstation spielbar
Sci-Fi und Horror: "Hellraiser" wird zum Videospiel. "Clive Barker’s Hellraiser: Revival" soll von den ersten beiden Filmen inspiriert sein.

@alexanderadam@ruby.social
2025-09-24 08:44:55

I can't believe that this is what we came to.
Did any of the sci-fi authors anticipate what we arrived to?
#claude_code #claude4 #llm

A Reddit user writing:

I just treat claude code like a child.

"Claude, did you make poopoo your pants?"

"No."

"Claude, are you sure? Check your .md files"

"You're absolutely right, I did poopoo my pants"



Another user answering:

"I can't use PowerShell"

"Yes you can"

"You're absolutely right, I can use PowerShell!" starts to use PowerShell

I can't believe I had to motivate Claude to believe in itself so that it could use it.
@mlawton@mstdn.social
2025-08-08 21:46:24

Finished “Of Monsters and Mainframes” by Barbara Truelove.
Demeter is a ship AI blamed for the continued deaths of her passengers being ferried to and from Alpha Centauri. But something paranormal is happening and this quirky story becomes a mashup of sci-fi & vampires, werewolves, and aliens.
4.5 stars rounded up for being fun ⭐️⭐️⭐️⭐️⭐️

@stefanlaser@social.tchncs.de
2025-09-24 06:21:35

Our #prediction series is announced, Mattering Press 2025 👋.
There is power in prediction. In the first volume of the Predictions series, a set of #sts authors makes a case for engaging with practices and cultures of prediction. From speculative ethnography to sci-fi.

@Techmeme@techhub.social
2025-07-29 18:15:59

Runway and Luma AI say they are talking to robotics and self-driving car companies about their video models and expect these revenue sources to eclipse studios (Rocket Drew/The Information)
theinformation.com/articles/ru

@blakes7bot@mas.torpidity.net
2025-09-17 06:15:20

#Blakes7 Series C, Episode 07 - Children of Auron
TARRANT: In the absence of a more pressing engagement.
AVON: I am not asking THEM to kill him.
CALLY: But pointless revenge, it doesn't achieve anything.
blake.t…

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a spaceship interior with a futuristic design. Four individuals are pictured in a lounge-like area with cream-colored seating arranged in a sunken conversation pit style. There's a colorful triangular game board on a table in the foreground.

The setting features typical sci-fi elements of the late 1970s/early 1980s era television production, with distinctive costume styling of that period - including brown a…
@blakes7bot@mas.torpidity.net
2025-08-17 06:17:13

#Blakes7 Series B, Episode 09 - Countdown
BLAKE: We'll do it. [Starts to call the ship]
AVON: Wait. Disarming a device is not your field. You finish what we came here for: find Provine.
GRANT: [To Avon] I'll come with you.
AVON: No.

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing a character in what looks like a futuristic or spaceship setting. The person is wearing a distinctive burgundy or maroon colored leather-like outfit with a high black collar, which has a sleek, military or space-faring aesthetic typical of sci-fi productions from this era. The lighting and production values suggest this is from a British television series, likely from the late…
@jake4480@c.im
2025-09-26 23:24:40

Another #LastFourWatched for #LetterboxdFriday. Dug all these. I mean.. for what they are. Horror and sci-fi of varying and perhaps questionable quality (often my favorite kind). 😂
#horror

Last 4 films watched on Letterboxd. The Hoarder, Cabin Fever (2016), The Dead Don't Die, and Invasion of the Body Snatchers (1956).
@blakes7bot@mas.torpidity.net
2025-09-17 18:25:41

Series A, Episode 12 - Deliverance
TRAVIS: I don't break that easily.
SERVALAN: You were expected to resign the service. Why didn't you?
TRAVIS: I've told you, I want my command back. It's the only way I can catch -
blake.torpidity.net/m/112/235 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing a futuristic interior setting with distinctive geometric wall patterns and modern furniture. The scene takes place in what looks like a sleek, sterile environment with white and metallic surfaces. There's a desk or table in the foreground, and the setting has the characteristic design aesthetic of 1970s/80s sci-fi productions - clean lines, angular patterns, and a minimalist…
@compfu@mograph.social
2025-09-23 18:58:46

Watched "Mars Express" for the second time because I noticed that I had bought it last year on Prime. I liked it just as much as the first time I saw it.
It has a nice "Ghost in the Shell" vibe going on but it's less philosophical. It makes up for it with great animation and smooth camera moves as well as lots of imaginative sci-fi tech. An exceptional non-Japanese gem in the animated sci-fi genre!

@blakes7bot@mas.torpidity.net
2025-08-15 21:19:08

Series B, Episode 10 - Voice from the Past
VILA: Right.
BLAKE: One more thing, Vila.
VILA: Oh yes, sorry [Releases Blake]
BLAKE: Thank you. Asteroid PK One One Eight.
VILA: Right. [Vila moves in front of Zen]
blake.torpidity.net/m/210/213 B7B6

Claude 3.7 describes the image as: "The image shows two characters in what appears to be a sci-fi television production from the late 1970s or early 1980s. The setting looks like the interior of a spacecraft or futuristic facility with light-colored walls visible in the background.

Two men are engaged in conversation, with one on the left having shorter, lighter hair and sideburns, while the person on the right has curly, darker hair. They're wearing light-colored clothing that appears to be d…
@jake4480@c.im
2025-09-24 19:34:57

The Smithereens anthology 'From Jersey it Came' was released in September 2004. In 2004 I was 24. The Smithereens had been my favorite band for a while at that point, so this was a treat for a megafan like me. If you ignore the roughness of their super early stuff here, this is a really good primer for some of the Smithereens' best songs. It starts off with ones from their early days like their first single "Girls About Town" and it also includes basically all their lat…

The cover of Smithereens anthology 'From Jersey it Came', featuring a sci-fi type cover with people being attacked by monsters
@blakes7bot@mas.torpidity.net
2025-08-16 06:02:45

#Blakes7 Series B, Episode 10 - Voice from the Past
JENNA: He's a hard man to rescue when he doesn't want to be rescued.
AVON: More to the point, are you yourself?
BLAKE: What happened? Why aren't we at Del Ten? What's going on, Avon.

Claude 3.7 describes the image as: "The image shows two people in a science fiction setting, wearing futuristic costumes with metallic and gray elements typical of classic sci-fi television production design from the late 1970s/early 1980s. 

The individuals are dressed in similar styled uniforms with high collars, though the person on the right has more prominent silver detailing on their costume. Both have distinctive period hairstyles that align with the aesthetic of British television produ…
@blakes7bot@mas.torpidity.net
2025-10-16 06:15:12

#Blakes7 Series C, Episode 07 - Children of Auron
FRANTON: With respect, sir. You and Cally are from the same sibling group, aren't you?
ZELDA: Yes, Cally's my twin.
FRANTON: Identical brain scan.
ZELDA: Optimum telepathic affinity.

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series, showing a person with blonde hair wearing what appears to be a futuristic uniform or costume with grey and green coloring and distinctive shoulder details. The setting appears to be an interior space with white or light-colored walls, consistent with the sterile, spaceship-like environments typical of sci-fi productions from this era. The costume design and production values are charac…
@blakes7bot@mas.torpidity.net
2025-10-16 09:17:24

Series B, Episode 09 - Countdown
TRONOS: Selson.
SELSON: Sir.
TRONOS: [Points to the screen on his console] That's the third staircase, isn't it?
SELSON: Yes, sir [The console screen displays a metal staircase] They're getting closer every minute, sir.
blake.torpidity.net/m/209/3

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two men in what looks like a tense dramatic scene. One man is wearing dark clothing and appears to be in distress or being restrained, while another figure in what appears to be black leather or similar material is positioned behind him. The setting appears to be an interior space with institutional or futuristic styling typical of sci-fi productions from this era. The l…
@blakes7bot@mas.torpidity.net
2025-10-15 18:22:33

Series C, Episode 06 - City at the Edge of the World
[Avon and Cally shoot down two men]
AVON: Get their guns.
[Avon and Cally enter; Bayban points cannon at them]
blake.torpidity.net/m/306/478 B7B5

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series, showing a scene set in what looks like a futuristic or spacecraft interior. The setting features metallic walls with a triangular lattice pattern and a distinctive industrial design aesthetic typical of 1970s/80s sci-fi productions.

Several people are visible in the frame - two standing in what appears to be a doorway or elevator (one in a beige/cream uniform and another in an olive/b…
@blakes7bot@mas.torpidity.net
2025-10-15 09:15:54

Series C, Episode 05 - The Harvest of Kairos
SHAD: [On screen] Yes, madam.
[Launch platform]
GUARD: Instructions from the Captain. You are to wait for the next shuttle.
CARLON: But there isn't another.
GUARD: One will be sent for you tomorrow.
blake.torpidity.net/m/305/214

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, showing a person in what looks like a military or security uniform with a distinctive black helmet. They appear to be inside what could be a spacecraft or command center, with technical equipment and panels visible in the background. The scene has a somewhat dark, industrial aesthetic with red and metallic elements visible in the background, which was characteristic of many sci-fi producti…
@blakes7bot@mas.torpidity.net
2025-09-14 06:00:48

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: He's not my type.
VILA: You can't afford to be choosy now!
JENNA: Why else would I be talking to you?
VILA: Thanks!
JENNA: Pleasure.
JENNA: [To Avon] What've you got there?

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spacecraft or futuristic facility interior, with metallic walls and institutional lighting typical of science fiction productions from this era. The scene shows several characters in conversation, with costumes reflecting the show's distinctive late 1970s sci-fi aesthetic. The characters are wearing a mix of practical spacefaring garments and more elaborate period-appropriate clothing. The lighting an…
@blakes7bot@mas.torpidity.net
2025-08-14 09:14:10

Series A, Episode 10 - Breakdown
BLAKE: [V.O.]Have you done it, Avon?
AVON: Soon.
BLAKE: [V.O.]How soon?
AVON: I can talk or I can work, but I can't do both.
BLAKE: [V.O.]We're running out of time, Avon.
[Flight deck]
blake.torpidity.net/m/110/225

Claude 3.7 describes the image as: "The image shows someone in a futuristic costume with a high collar and distinctive black and silver/gray design. They appear to be in what looks like a control room or technical area with numerous buttons, lights, and control panels visible in the background. The setting has a classic science fiction aesthetic with its utilitarian control panels featuring colored buttons and indicators.

The costume design is characteristic of vintage sci-fi television produc…
@blakes7bot@mas.torpidity.net
2025-09-13 09:21:13

Series D, Episode 08 - Games
VILA: [V.O.] Belkov's living quarters.
TARRANT: We'll be right there.
blake.torpidity.net/m/408/409 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring three characters in what appears to be a futuristic or sci-fi setting with dark atmospheric lighting. The characters are wearing distinctive costumes - one person is dressed in form-fitting attire with metallic armor-like details and decorative elements, another is wearing a gray tunic-style outfit, and the third is in dark clothing with yellow/orange trim or sash details. The lighting and staging suggests this is fr…
@blakes7bot@mas.torpidity.net
2025-08-13 09:19:30

Series A, Episode 10 - Breakdown
KAYN: That's where the fault was, in the limiter, there. And there it is repaired. If you survive, so should he.
BLAKE: Is there any way we can thank you?
KAYN: You could try getting caught.
blake.torpidity.net/m/110/552 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing three people in what looks like a futuristic spacecraft or station interior. The setting has characteristic sci-fi design elements including curved walls with horizontal ribbing and control panels with various displays and controls. One person is wearing what appears to be a light-colored uniform or outfit, while the others are in darker clothing. They appear to be engaged i…
@blakes7bot@mas.torpidity.net
2025-09-06 06:03:13

#Blakes7 Series C, Episode 10 - Ultraworld
CALLY: [V.O. faintly] Calling Liberator.
AVON: Be quiet, Vila.
CALLY: [V.O. signal is distorted and weak] I don't know where I am.
VILA: That's Cally's voice.

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set aboard a spacecraft. The image features several people gathered around what appears to be a control panel or table in a futuristic command center environment. The set design has hexagonal lighting panels and metallic walls typical of sci-fi productions from this era.

The individuals are wearing distinctive 1970s/80s-style sci-fi costumes - one in a brown outfit with decorative elements, a…
@blakes7bot@mas.torpidity.net
2025-09-12 15:10:22

Series A, Episode 02 - Space Fall
LEYLAN: Yes.
BLAKE: These are mine. You will hand over all your weapons to my men. Whilst we hold the computer, the ship is helpless. It will remain that way until you agree. You will then fly this ship to the nearest habitable planet where the prisoners will disembark. Any attempt by your men to break into this room and we'll destroy the computer. Totally. That's all.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft or space station setting. The environment has the characteristic utilitarian, high-tech aesthetic typical of sci-fi productions from that era, with control panels and metallic surfaces visible in the background.

One person has curly blonde hair and is wearing what appears to be a dark, sequined or textured outfit. The ot…
@blakes7bot@mas.torpidity.net
2025-09-12 12:08:21

Series C, Episode 10 - Ultraworld
AVON: What for? They could take us out quite easily with their technology.
TARRANT: Damn their technology. Is that all you care about? What about Cally? How did she come to be here? Why are they holding her?
blake.torpidity.net/m/310/249 B7B3…

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction setting, with a muted, industrial-looking background. They're wearing what looks like a brown costume with some reflective or shiny elements, possibly part of a uniform or specialized outfit typical of vintage sci-fi productions. The lighting and film quality suggest this is from a television production from the 1970s or early 1980s era, which is characteristic of classic British science fiction…
@blakes7bot@mas.torpidity.net
2025-10-11 15:27:21

Series C, Episode 01 - Aftermath
CALLY: Jenna's gone with Blake.
AVON: So let's get on with it. [Explosion. Avon is unconscious]
CALLY: He's out cold. We must get him into a capsule fast. And then you can put Orac in with him. Come on, quick!
blake.torpidity.net/m/301/14

Claude 3.7 describes the image as: "The image shows three people in a sci-fi corridor setting with bright, minimalist futuristic design featuring white walls and overhead lighting. They're wearing distinctive leather-like costumes typical of late 1970s/early 1980s British science fiction television. The person on the left wears a dark leather jacket, the middle figure is partially visible between the others, and the person on the right wears a green outfit. They appear to be in some kind of spa…
@blakes7bot@mas.torpidity.net
2025-08-11 15:14:17

B06 - Trial
BLAKE: I never doubted it for a moment. [To Avon] Is something wrong?
AVON: It just occurred to me, that as the description of a highly sophisticated technological achievement, "Avon's gadget works," seems to lack a certain style.
blake.torpidity.net/m/206/472

Claude 3.7 describes the image as: "This image shows a scene from a classic science fiction television series, set in what appears to be a spacecraft or control room with angular walls and a futuristic design typical of late 1970s/early 1980s British sci-fi production.

Two performers are pictured: one standing on the left wearing a olive-green/brown uniform with a vest-like outer layer, with curly hair and a contemplative expression; and another seated on the right wearing a gray high-collared…
@blakes7bot@mas.torpidity.net
2025-10-11 12:25:17

Series A, Episode 06 - Seek-Locate-Destroy
AVON: Too close. Another few seconds we'd have all been blown up.
VILA: Well, it wasn't my fault.
AVON: Well, whose fault was it? I thought you were supposed to guard the corridor.
blake.torpidity.net/m/106/116 B7B3

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series from the late 1970s or early 1980s. It shows three people in a futuristic spacecraft setting, wearing distinctive space-age costumes with metallic and colored accents typical of the era's sci-fi aesthetic.

In the foreground, a woman with blonde curly hair is examining what appears to be some kind of electronic device or control panel. She's wearing a pinkish-lavender outfit. Two men in…
@blakes7bot@mas.torpidity.net
2025-09-11 12:12:51

Series D, Episode 02 - Power
TARRANT: Let's go.
[Hillside. Avon runs along.]
[Corridor near door of landing silo. Vila finishes using the lance while still holding the timer and turns to face the others.]
blake.torpidity.net/m/402/476 B7B3

Claude 3.7 describes the image as: "The image shows a person with curly brown hair wearing a distinctive costume that features a high collar with white trim and a blue and white paneled design. This appears to be from a science fiction television production from the late 1970s or early 1980s based on the visual style and production quality. 

The costume has a futuristic appearance typical of space-based sci-fi shows of that era, with clean lines and color blocking. The background appears to be…
@blakes7bot@mas.torpidity.net
2025-08-11 18:16:30

Series A, Episode 10 - Breakdown
JENNA: Lateral one-eighty.
ZEN: Lateral one eighty.
BLAKE: I'll handle this Jenna. You can help Gan.
FARREN: [Into com unit] They'll take no further action without orders from me!
blake.torpidity.net/m/110/558 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing a scene set in what looks like a spacecraft or futuristic control room. There's a person with blonde hair wearing a black outfit with metallic studs or decorative elements, seated at what appears to be a control console or computer terminal. The background shows a starfield or space scene, creating an atmospheric sci-fi setting. The production values and visual style suggest…
@blakes7bot@mas.torpidity.net
2025-09-10 18:23:45

Series A, Episode 05 - The Web
JENNA: [Joins Blake. Cally moves to the console and begins altering settings] Navigation computers can't cope with a change of course. We're running blind.
CALLY: [Gan enters stealthily from other passageway]. Don't move.
blake.torpidity.net/m/105/77

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series, showing a person with curly brown hair wearing a distinctive green/olive colored outfit with a metallic or satin-like finish. The costume has a futuristic design typical of 1970s-80s sci-fi productions, with a v-neck and collar styling. The setting appears to be inside a spacecraft or space station, with angular metallic walls and geometric patterns visible in the background. The light…
@blakes7bot@mas.torpidity.net
2025-09-30 12:44:32

Series D, Episode 09 - Sand
DAYNA: Oh, I trust you, Avon.
AVON: I must be slipping.
SLAVE: Yes indeed, I think I must be too, Master.
AVON: What?
SLAVE: Er, slipping, Master.
AVON: Soolin, take over.
blake.torpidity.net/m/409/78 B7B3

Claude 3.7 describes the image as: "The image shows a person with short dark hair and elegant earrings, looking to the side with an expressive gaze. They're wearing what appears to be a distinctive gold-colored high collar or neck piece with decorative elements, possibly part of a futuristic or sci-fi costume. The styling has a distinct retro sci-fi aesthetic characteristic of British television productions from the late 1970s or early 1980s.

The background is muted and dark, creating contrast…
@blakes7bot@mas.torpidity.net
2025-10-10 18:15:08

Series A, Episode 01 - The Way Back
P.A.: [V.O.] Security clear on cell unit M-three for Justice Department access.
VARON: I'm Tel Varon, Justice Department. I've been assigned to defend you.
BLAKE: I don't need a defence. I'm going to plead guilty.
blake.torpidity.net/m/101/157

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing a scene in what looks like a sterile, white institutional setting. In the foreground, there's a person in dark clothing reading or examining some papers at what appears to be a desk or table. In the background, there are figures in what look like military or security uniforms. The setting has a clinical, authoritarian atmosphere typical of dystopian sci-fi productions from t…
@blakes7bot@mas.torpidity.net
2025-08-09 09:19:00

Series A, Episode 09 - Project Avalon
BLAKE: [V.O.] Can you identify it?
GAN: Well, the detectors read it as a military command cruiser and the trajectory suggested it could have come from Federation space headquarters.
blake.torpidity.net/m/109/143 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a spacecraft or futuristic interior setting with metallic/technological surfaces in the background. The scene has the characteristic lighting and production design typical of British sci-fi shows from that era. However, I cannot identify specific individuals in the image or confirm details about particular actors or characters without being able to verify who…
@blakes7bot@mas.torpidity.net
2025-10-09 12:17:57

Series C, Episode 05 - The Harvest of Kairos
DAYNA: What Kairopan? I haven't got any.
JARVIK: You must have touched some. It can smell it on you. Don't tell me you threw it away.
blake.torpidity.net/m/305/534 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people standing in a field near a building. They're wearing distinctive futuristic costumes - one in a dark outfit with light-colored boots, and two others in light-colored tunics with embellishments and boots, suggesting a sci-fi or fantasy setting.

In the foreground, there's a partial view of what looks like someone's hand or arm in a reddish/brown leather glove or sleeve. The…
@blakes7bot@mas.torpidity.net
2025-10-09 15:20:06

Series C, Episode 05 - The Harvest of Kairos
SHAD: Get hold of Command.
DASTOR: [On screen] Command. Yes?
SHAD: It's the harvest, sir. It's been good. Very good.
DASTOR: [On screen] And?
SHAD: Well, we're loaded and ready for lift-off, but, er...
blake.torpidity.net/m/305/201

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like a spacecraft or space station interior. The person is wearing what appears to be a dark helmet or headgear and some kind of uniform or protective clothing. The setting has the distinctive look of a sci-fi production from what seems to be the late 1970s or early 1980s, with characteristic lighting and set design of that era. The background shows var…
@blakes7bot@mas.torpidity.net
2025-09-09 18:30:00

Series A, Episode 05 - The Web
JENNA: Look.
[Main viewscreen shows the web dissolving.]
GAN: He did it. We're free.
JENNA: Not yet.
blake.torpidity.net/m/105/503 B7B5

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series, appearing to be from the late 1970s or early 1980s based on the production style. Three people are standing together in what looks like a futuristic spacecraft or control room, with dramatic lighting and technical elements visible in the background.

The trio is dressed in distinctive retro sci-fi costumes - the person on the left wears a patterned vest-like garment with earthy tones, the middl…
@blakes7bot@mas.torpidity.net
2025-08-09 12:21:15

Series B, Episode 03 - Weapon
AVON: Auron may be different, Cally, but on Earth it is considered ill-mannered to kill your friends while committing suicide.
GAN: Why that base, Cally?
blake.torpidity.net/m/203/31 B7B3

Claude 3.7 describes the image as: "The image shows a person in what appears to be a scene from a television production, likely from the late 1970s or early 1980s based on the visual style and quality. They are wearing a black turtleneck sweater and have short dark hair. The background is minimalist and gray, with what looks like stairs or stepped architecture visible behind them.

The lighting and cinematography have that distinctive quality common in British sci-fi television productions of t…
@blakes7bot@mas.torpidity.net
2025-08-07 21:18:29

Series B, Episode 05 - Pressure Point
TRAVIS: What's the matter with you, Servalan? [Jenna and Veron emerge into sight behind her in the doorway. Both are armed.]
JENNA: She's nervous.
BLAKE: Jenna!
blake.torpidity.net/m/205/516 B7B6

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series set in a sterile, white-walled futuristic environment. Several characters are gathered in what looks like a spaceship or space station corridor, with a doorway or window showing a purple/violet glow in the background. The characters are wearing various costumes typical of 1970s/80s sci-fi productions - including dark leather or fabric outfits and more casual clothing. The setting and c…
@blakes7bot@mas.torpidity.net
2025-09-08 09:05:34

Series D, Episode 09 - Sand
TARRANT: No?
SERVALAN: [Pulls the end of his gun to her forehead] At a distance of one inch, the shot should be even more efficient.
blake.torpidity.net/m/409/165 B7B2

Claude 3.7 describes the image as: "The image shows a tense scene from a television series with a dramatic confrontation. One person with short dark hair and elegant makeup is wearing what appears to be formal attire with jewelry, including earrings. They are facing another person with curly hair wearing what looks like a grayish-green jacket, who is holding what appears to be a weapon or device.

The setting features light-colored curtains or fabric in the background, giving it a retro sci-fi …
@blakes7bot@mas.torpidity.net
2025-10-07 12:08:48

Series A, Episode 10 - Breakdown
BLAKE: The way we're using power, it'll be sooner.
CALLY: What will happen to the ship?
AVON: The forces inside that will not merely destroy us, they will annihilate us.
blake.torpidity.net/m/110/310 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like the interior of a spacecraft or futuristic facility. The setting has a distinctly retro-futuristic aesthetic typical of British sci-fi productions from the late 1970s or early 1980s.

The scene shows two people seated together - one wearing a flowing green/gray draped garment, and another in what appears to be a dark vest or tunic-style outfit…
@blakes7bot@mas.torpidity.net
2025-09-07 15:36:35

Series D, Episode 02 - Power
PELLA: [Having entered unnoticed] Yes, Avon, why?
AVON: I didn't.
PELLA: Your finger was on the trigger. YOU killed him.
AVON: I didn't, Pella. But YOU did, didn't you?
blake.torpidity.net/m/402/392 B7B4

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. It shows a person wearing a distinctive costume featuring a black leather jacket with studded shoulders and white accent panels. The costume has a somewhat militaristic or futuristic design typical of sci-fi productions from that era.

The person is wearing a dark shirt underneath the elaborate jacket and has a serious, intense expression. The setting appears…
@blakes7bot@mas.torpidity.net
2025-10-07 15:10:53

Series D, Episode 10 - Gold
AVON: But I shouldn't imagine it's much use to you now. You'll just have to confess and pay up.
TARRANT: [Into comm.] We're ready, Vila.
KEILLER: Avon, what about me?
blake.torpidity.net/m/410/406 B7B4

Claude 3.7 describes the image as: "The image shows a person with curly dark hair in what appears to be an outdoor, rugged landscape setting. They're wearing what looks like a gray uniform or jacket with metallic accents, typical of science fiction costume design from the late 1970s or early 1980s. The individual is holding what appears to be a prop weapon, possibly a futuristic gun or blaster.

The scene has a distinctly retro sci-fi aesthetic with a barren, possibly quarry-like landscape in t…
@blakes7bot@mas.torpidity.net
2025-10-05 09:19:19

Series B, Episode 04 - Horizon
CALLY: [V.O.] Right.
AVON: Orac, have you obtained any further information on the planet Horizon?
ORAC: No.
AVON: Why not?
ORAC: Is that a serious question?
AVON: No.
blake.torpidity.net/m/204/406 B7B2

Claude 3.7 describes the image as: "This image shows a futuristic sci-fi control room or laboratory setting. A person is seated at what appears to be a control station, wearing a distinctive silver/white jacket with dark pants. The metallic, reflective fabric of the outfit suggests a futuristic or space-age aesthetic typical of science fiction productions from the late 1970s or early 1980s.

In the foreground, there's a transparent console or equipment case containing various tubes, wires, and …
@blakes7bot@mas.torpidity.net
2025-10-06 18:18:21

Series A, Episode 05 - The Web
NOVARA: Flutonic power cells. As you can see from the registers one of them is totally exhausted. The other almost so.
BLAKE: And you have no means of recharging them.
blake.torpidity.net/m/105/349 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series, showing someone wearing what appears to be a light-colored, military or utilitarian-style jacket or uniform. The setting has the distinctive look of late 1970s/early 1980s television production, with characteristic lighting and background colors typical of that era's sci-fi shows. The person appears to be in some kind of indoor setting, possibly aboard a spacecraft or in a futuristic f…
@blakes7bot@mas.torpidity.net
2025-10-05 12:22:41

Series C, Episode 09 - Sarcophagus
TARRANT: Wait a minute, Orac-
ORAC: Disconnect. [The glasses tumble off the tray which begins to swoop around in the air.]
DAYNA: I don't believe that.
VILA: Try and convince me, will you? Please?
blake.torpidity.net/m/309/228

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a futuristic spaceship interior, with characteristic sci-fi design elements including hexagonal wall panels and advanced-looking control surfaces. The setting features sleek, technological architecture typical of space-based science fiction productions from this era.

The scene shows someone in a distinctive costume - a grey and red outfit that appears to be some kind of uniform or specialized clothin…
@blakes7bot@mas.torpidity.net
2025-08-04 15:49:01

Series B, Episode 08 - Hostage
JENNA: But you've been against it all until now.
AVON: I know, but I'm still going down. Vila?
JENNA: [To Cally] You know what all this is about, don't you?
CALLY: [Nodding] I think I can guess.
blake.torpidity.net/m/208/319

Claude 3.7 describes the image as: "The image shows two people sitting together in what appears to be a sci-fi television setting from the late 1970s or early 1980s. On the left is a person with blonde, feathered hair wearing a patterned black and white top with a pearl necklace. On the right is someone with curly brown hair dressed in a light-colored, possibly cream or beige outfit.

The scene appears to be set inside a spacecraft or futuristic setting, with neutral-toned seating visible behin…
@blakes7bot@mas.torpidity.net
2025-08-05 15:24:47

Series D, Episode 09 - Sand
CHASGO: Suddenly, I think we must have hit some kind of multi-gravitational field. Instruments are going mad. Investigator, you and the others better get strapped in. S'gonna be a hell of a bumpy ride down.
[In Xenon Base, Vila slams his glass down on the table in front of him.]
blake.torp…

Claude 3.7 describes the image as: "The image shows two individuals in a science fiction setting, wearing distinctive costume uniforms with black sparkly material, white shoulder pads, and red accents. They appear to be operating some kind of control panel or spacecraft console with various buttons and instruments. The costume design has a retro futuristic aesthetic typical of classic British sci-fi productions from the late 1970s/early 1980s. 

The setting appears to be some sort of command ce…
@blakes7bot@mas.torpidity.net
2025-10-02 18:19:38

Series A, Episode 02 - Space Fall
BLAKE: Check the outer hatch in case someone decides to try and join us.
RAIKER: I want a boarding crew kitted out and ready to follow me over.
[Technician nods.]
[Switch to Blake, trying to push/pull the hatch closed.]
blake.torpidity.net/m/102/651

Claude 3.7 describes the image as: "This appears to be a scene from a vintage science fiction television production from the late 1970s or early 1980s. The image shows a futuristic spacecraft interior with a distinctive hexagonal design aesthetic typical of BBC sci-fi productions of that era. 

The setting features angular control panels and a stylized spacecraft bridge with geometric lighting fixtures. Several people are visible in what appears to be a command center or flight deck of a spacec…
@blakes7bot@mas.torpidity.net
2025-08-02 09:08:16

Series D, Episode 04 - Stardrive
AVON: [To Plaxton, indicating a seat] There. [To Tarrant and Vila] Secure that and let's get the hell out of here.
VILA: [To Tarrant] Put it on the back of the counter. [They do so, and hurry to their seats.]
blake.torpidity.net/m/404/401 B7…

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a futuristic control room or command center. Several people are gathered around a console with technical equipment. The setting features a clean, minimalist aesthetic typical of sci-fi productions from this era, with white walls, tiled flooring, and computer panels.

The individuals are wearing distinctive costumes - one in a black outfit with decorative elements stan…
@blakes7bot@mas.torpidity.net
2025-10-01 12:38:33

Series B, Episode 01 - Redemption
CALLY: Treatment unit. He tried to reconnect one of the servo links and it burned his hand.
BLAKE: Right, sit down. [All but Vila sit at a small table to the left of flight consoles] No one is to attempt to repair any equipment till the computers are back under our control.
blake.torpi…

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction TV series, showing a scene in what looks like a spacecraft or futuristic control room. The setting features technical equipment and utilitarian design elements typical of sci-fi productions from the late 1970s or early 1980s.

The scene captures three individuals in conversation. On the right is a person wearing a distinctive black leather outfit with decorative studs or buttons along the sleeves. In the…
@blakes7bot@mas.torpidity.net
2025-10-01 15:40:54

Series C, Episode 08 - Rumours of Death
SULA: Then stop talking like a fool. Do you seriously imagine I have any personal regard for that woman? Doesn't it occur to you that I might hate her more than any of you precisely because I do know her?
HOB: So let's cut her throat and be done with it.
blake.torpidity.n…

Claude 3.7 describes the image as: "This image shows a scene from what appears to be a vintage television production, likely from the late 1970s or early 1980s based on the visual style and production quality. 

The person in the image has short, light brown hair and is wearing a gray high-collared outfit, which fits with the futuristic or sci-fi aesthetic common in productions of that era. Their expression appears concerned or intense, suggesting this might be from a dramatic scene.

The backg…
@blakes7bot@mas.torpidity.net
2025-09-01 09:13:56

Series B, Episode 07 - Killer
BLAKE: What's happened?
BELLFRIAR: Well, it's standard drill with a space death. The autopsy's carried out in a sealed mortuary in case there are any alien micro-organisms around. Are you all set, Dr. Wiler?
blake.torpidity.net/m/207/286

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a science fiction setting with futuristic interior design featuring white and geometric wall patterns. There are two figures in the scene - one person with curly dark hair wearing what appears to be a light-colored outfit, and another figure in white clothing. The setting has the distinctive clean, minimalist aesthetic typical of sci-fi productions from this era, with sleek walls and modern-looking control panels or equipme…
@blakes7bot@mas.torpidity.net
2025-10-01 09:15:40

Series D, Episode 11 - Orbit
VILA: You really think things through, don't you, Avon? If we do need it, we won't have time to get it.
AVON: Well then, let's hope we don't need it. [Smiles]
[Scene: Scorpio]
blake.torpidity.net/m/411/84 B7B2

Claude 3.7 describes the image as: "The image shows a person in a scene that appears to be from a science fiction production. They're wearing what looks like a light-colored outfit with a distinctive collar. The background features what appears to be technical equipment or control panels with lights and switches, suggesting a spacecraft or futuristic setting.

The lighting creates a dramatic mood, typical of sci-fi productions from the late 1970s or early 1980s, giving the scene a vintage quali…
@blakes7bot@mas.torpidity.net
2025-08-30 09:06:30

Series A, Episode 02 - Space Fall
BLAKE: Spread out and find the armoury. Jenna?
JENNA: What?
BLAKE: Let's find the computer room.
[Switch to Raiker and Artix]
RAIKER: All the doors are open!
blake.torpidity.net/m/102/316 B7B2

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a sci-fi television program from the late 1970s or early 1980s, based on the production quality and styling. The scene depicts a tense moment with several people in what looks like a corridor or interior room with gray walls.

In the foreground, there's an interaction where one person in a light-colored vest is restraining or holding someone in a dark blue outfit. Several others stand in the background observing…
@blakes7bot@mas.torpidity.net
2025-09-29 21:15:00

Series D, Episode 01 - Rescue
TARRANT: [Enters] You all right?
DORIAN: How many more of you are there?
AVON: [Enters, weapon levelled at Dorian] Just one. Stand still. Drop the gun. Now move away from it. Slowly.
blake.torpidity.net/m/401/114 B7B6

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, captured in a winter setting with snow on the ground. Four people are standing in conversation, wearing distinctive futuristic costumes that suggest a space or sci-fi theme. The costumes include dark leather-like materials and unique styling typical of 1970s/80s television productions. The scene takes place in a sparse outdoor location with bare trees and shrubs in the background, creating a s…
@blakes7bot@mas.torpidity.net
2025-08-29 15:17:57

Series C, Episode 02 - Powerplay
TARRANT: It was an even bet.
AVON: Quite.
TARRANT: I still don't know who the girl is, though.
AVON: Her name is Dayna, she's not one of us. Where is she, by the way?
TARRANT: Do you care?
blake.torpidity.net/m/302/352

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be a futuristic or sci-fi setting with metallic/technological backgrounds typical of space-based television productions. One man is shown in profile on the left, while the other faces more toward the camera on the right, wearing what looks like a dark high-collared garment. The lighting and production values suggest this is from a British science fiction series from the late 1970s or early 1980s. The scene appears t…
@blakes7bot@mas.torpidity.net
2025-07-30 12:07:16

Series B, Episode 02 - Shadow
GAN: The manual controls won't respond.
VILA: Do something, Gan.
GAN: Something is draining off the power. [Lights dim]
VILA: Orac, it has to be Orac.
blake.torpidity.net/m/202/565 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, showing a person in a light-colored uniform or jumpsuit inside what seems to be a spacecraft or futuristic control room. They are working with what looks like technical equipment or control panels, typical of retro sci-fi production design. The interior has the distinctive aesthetic of television productions from that era, with somewhat minimalist set design …
@blakes7bot@mas.torpidity.net
2025-08-30 15:11:03

Series A, Episode 08 - Duel
BLAKE: Right, wake me when you're tired.
[Up a different tree: Travis and Mutoid]
TRAVIS: Tell me something, do you remember who you were?
MUTOID: I don't understand the question, Commander.
blake.torpidity.net/m/108/375 B7B4

Claude 3.7 describes the image as: "The image shows a dramatic portrait shot from what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the filming style and aesthetic. The scene is very dark, with dramatic side lighting that creates strong shadows against a black background.

The person in the image appears to be wearing what looks like a high-collared jacket or uniform, typical of sci-fi costume design from that era. The lighting techni…
@blakes7bot@mas.torpidity.net
2025-08-08 09:04:29

Series C, Episode 10 - Ultraworld
[INTERIOR. Liberator flight deck]
DAYNA: What did you feel like, Avon?
AVON: [Distracted] What?
DAYNA: Being an entry in an encyclopedia.
TARRANT: Oh, he wouldn't mind so long as they filed him under genius.
blake.torpidity.net/m/310/681

Claude 3.7 describes the image as: "This image shows a scene from a sci-fi television series set in what appears to be a spacecraft control room or command center. The futuristic set features distinctive ribbed wall panels and technical equipment typical of 1970s/80s British television science fiction production design.

Four performers are shown in the spacecraft interior, seated in what looks like a command area. One person wearing a brown leather-like outfit with buckles sits prominently in …
@blakes7bot@mas.torpidity.net
2025-09-27 06:15:43

#Blakes7 Series B, Episode 03 - Weapon
VILA: Why didn't you suggest it to us?
CALLY: Because I knew how you'd react.
AVON: Auron may be different, Cally, but on Earth it is considered ill-mannered to kill your friends while committing suicide.

Claude 3.7 describes the image as: "This image shows a person with short hair wearing a dark, high-collared uniform in what appears to be a futuristic sci-fi setting. The person has a somewhat concerned or serious expression, and is positioned against a gray/metallic background that suggests the interior of a spacecraft or space station. 

The costume design is characteristic of 1970s-80s British science fiction television, with its minimalist styling and dark colors. The setting has the distin…
@blakes7bot@mas.torpidity.net
2025-07-28 09:15:50

Series D, Episode 05 - Animals
SOOLIN: Or boozed up.
VILA: Would you settle for fed up? It's somebody else's turn.
AVON: Try and do it right this time, Vila.
VILA: A glass of wine when I come up or I don't do it at all.
AVON: Half a glass.
blake.torpidity.net/m/405/262

Claude 3.7 describes the image as: "This image shows a scene with two people in what appears to be a futuristic spaceship or station interior. They're wearing distinctive sci-fi costumes typical of late 1970s/early 1980s British television production. 

The person on the left wears a stylized outfit with green and white vertical stripes and a turtleneck, complemented by curly hair. The person on the right has blonde hair in a ponytail and wears a gray uniform with similar design elements and a …
@blakes7bot@mas.torpidity.net
2025-09-28 09:11:58

Series C, Episode 13 - Terminal
TARRANT: Avon, where is the ship headed?
AVON: To tell you the truth, I haven't the faintest idea.
[Flight deck. Tarrant, Vila, Dayna, Cally enter.]
blake.torpidity.net/m/313/94 B7B2

Claude 3.7 describes the image as: "This image shows a character in what appears to be a science fiction setting, wearing a distinctive black and silver costume with a high collar. The person has short brown hair and is looking slightly to the side against a background with horizontal lines or panels. The costume has a sleek, futuristic appearance typical of classic sci-fi television from the late 1970s or early 1980s. The styling, set design, and costume suggest this is from a British science …
@blakes7bot@mas.torpidity.net
2025-08-27 09:17:04

C07 - Children of Auron
DERAL: [Talks over Servalan. Then thinks better of it.] You'll get your or-
SERVALAN: Yes. With full quarantine precautions. Say we're afraid of cross infection. Under the circumstances, they shouldn't find that hard to believe.
blake.torpidity.net/m/307/204

Claude 3.7 describes the image as: "The image shows a dark, futuristic interior setting with a distinctly retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s. 

In the foreground is a person with short dark hair wearing a distinctive high collar or choker and elegant attire. Behind them stands another figure in a dark uniform or outfit that appears military or authoritarian in style.

The scene appears to be taking place in some kind of control room …
@blakes7bot@mas.torpidity.net
2025-09-26 21:12:20

Series C, Episode 07 - Children of Auron
VILA: Um, welcome aboard.
DERAL: Sit down. [points gun at Vila]
VILA: Over here? [sits at teleport console]
DERAL: Mnn hmm.
DAYNA: [Enters with gun on Deral] Keep still! [takes his gun]
blake.torpidity.net/m/307/453 B7B…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two people in what looks like a futuristic spacecraft or space station interior. The setting has the characteristic design elements of 1970s-80s sci-fi productions, with angular walls, distinctive lighting, and technical panels visible in the background.

One person is wearing dark clothing and appears to be holding something small, while the other is wearing what lo…
@blakes7bot@mas.torpidity.net
2025-08-27 18:24:21

Series D, Episode 13 - Blake
BLAKE: Chalk up another one to law and order.
DEVA: Smuggler, do you think?
BLAKE: Something like that. Do you know it's getting so you can't make a dishonest living on this planet anymore?
blake.torpidity.net/m/413/247 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set on what appears to be a spaceship bridge or control room, with characteristic sci-fi production design featuring control panels, lighting, and futuristic set pieces typical of late 1970s British television. The setting shows sophisticated electronic equipment and displays. One person is seated at what looks like a control console or computer terminal, wearing a light-colored outfit with distinctive black trim details. Anot…
@blakes7bot@mas.torpidity.net
2025-08-28 12:22:34

Series B, Episode 04 - Horizon
CALLY: And we thought we were tired before.
VILA: I'll tell you this, though: it beats work.
[End of episode. Roll credits.]
blake.torpidity.net/m/204/667 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is an image featuring someone in what appears to be a futuristic costume with a distinctive green and cream colored outfit with metallic trim. The setting has dramatic lighting with reddish tones in the background, creating a moody sci-fi atmosphere typical of 1970s/1980s television production. The styling includes a short, curled hairstyle characteristic of that era's television aesthetic. The costume design suggests this is from a spac…
@blakes7bot@mas.torpidity.net
2025-09-26 12:05:21

Series D, Episode 11 - Orbit
AVON: Orac mark two. Just a replica I made a few months back. Contingency planning, Vila, and the contingency arose.
VILA: But the thing worked!
blake.torpidity.net/m/411/372 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a futuristic control room or technical facility, with characteristic sci-fi styling including metallic surfaces and electronic equipment in the background. Two characters are present - one wearing light-colored clothing in the background, and another in the foreground wearing a distinctive black leather outfit with decorative studs or embellishments. The character in black appears to be operating or e…
@blakes7bot@mas.torpidity.net
2025-08-26 12:26:10

Series B, Episode 02 - Shadow
BLAKE: Don't tell me you agree with Gan.
AVON: No, no, no, I'm just...interested. It seems to me that we have identified the source of that threat rather easily.
BLAKE: So why haven't they?
AVON: Exactly.
blake.torpidity.net/m/202/405

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be a futuristic or sci-fi setting with metallic walls and atmospheric lighting in the background. One man is wearing a dark green or olive-colored shirt, while the other is dressed in a distinctive silver metallic garment with a black collar or turtleneck underneath. The scene appears to be taking place in some kind of spaceship or advanced facility interior. The lighting and set design have the characteristic look …