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@castarco@hachyderm.io
2025-11-16 12:05:17
Content warning: "long" rant about american sci-fi tv series and "neuro-archy"

I have the distinct impression that we could use most American "sci-fi" TV series (which seem to have a kink for post-apocalyptical scenographies) as a diagnostic tool for the autism spectrum.
For a moment, let's leave aside the tons of right-wing propaganda "hidden" in plain sight, and their excessive reliance on boring & worn out tropes (religious & cultish bullshit, irrational lack of communication & excess of anti-social behaviour, all vs all, ultra-low-iq characters*, psychotic & irrationally treacherous characters*, ultra-inconsistent character development used to justify "unexpected" plot twists, rampant anti-intellectualism...).
What could be used as a diagnosis tool is the incredible amount of strong inconsistencies that we can find in them**. It throws me out of the story every single time; and I suspect that it takes a certain kind of "uncommon personality" to feel that way about it, because otherwise these series wouldn't be so popular without real widespread criticism beyond cliches like "too slow", "it loses steam towards the end of the season", etc.
Many of those plots start in a gold mine of potentially powerful ideas... yet they consistently provide us with dirt & clay instead, while side-lining the "good stuff" as if it was too complicated for the populace.
Do you feel strongly about it? Do you feel like you can't verbalize it without being criticised as "too negative", or "too picky", or an "unbearable snob"? Do you wonder why it seems like nobody around shares your discomfort with these stories?
* : I feel this is a bit like the chicken & egg problem. Has the media conditioned part of American society to behave like dumb psychopaths as if it was something "natural", or is the media reflecting what was already there? Also, could we use other societies as models for these stories... just for a change? Please?
** : Just a tiny example: a "brilliant" engineer who builds a bridge out of fence parts and who doesn't bother to perform the most basic tests before trying it in a real setting and suffer the consequences: the bridge failing and her falling into the void. Bonus points for anyone who knows what I'm talking about.

@jake4480@c.im
2026-01-12 19:37:59

The 1990 Total Recall is one of my favorite movies, and I didn't know David Cronenberg was the original director for it and created the character of Kuato and all the mutants (although it makes perfect sense). The puppet itself was created by Rob Bottin.
How Kuato the mutant was created for Total Recall without any CGI:

@blakes7bot@mas.torpidity.net
2026-01-15 13:12:08

Series C, Episode 12 - Death-Watch
VILA: [Pulls Orac's key] They don't write poetry like that anymore. What this electronic pain is trying to say is-
TARRANT: -is that unless we get a break, there's going to be a fatal foul-up.
VILA: Right.
blake.torpidity.net/m/312/52

Claude Haiku 4.5 describes the image as: "# Scene from a Sci-Fi Production

This image captures a scene set inside what appears to be a spaceship or futuristic vessel. Four individuals are seated together in what looks like a common area or control room, with curved architectural elements and control panels visible in the background. The setting suggests this is from a science fiction television production, likely from the 1980s based on the visual style and costume design.

The group appears t…
@Jackobli@mastodon.social
2025-11-16 18:32:23

Ein schwarzer Pilz, der unter radioaktiver Strahlung schneller wächst. Könnte im Weltraum nützlich sein. 🤨
Warum tönt das für mich eher nach einem guten Start in einen Sci-Fi-/Horrorthriller?
srf.ch/wissen/forschung/aus-ts

@tiotasram@kolektiva.social
2026-01-15 02:32:28

Just finished "Far Sector" written by N. K. Jemisin and illustrated by Jamal Campbell. I don't normally go for Marvel/DC comics stuff and this was a good reminder why. Jemisin's authorship was the draw for me here, as well as some curiosity about what I might be missing out on by avoiding the classic comics lineage. I won't go into too much detail about particulars, but suffice to say it ends up feeling to me line a very neoliberal story dressed up in a veneer of radicalism, which is not what I'd expected of Jemisin. Particularly in light of current events, the "good cops" aspects of the storyline ring truly hollow. There's still a lot of neat parts, but I guess I also wound up disappointed by the sci-fi aspects in a lot off ways. I truly think Jemisin is capable of better than this, based on her other (excellent) work.
#AmReading #ReadingNow

@Mediagazer@mstdn.social
2025-12-11 19:41:05

A Manhattan jury finds director Carl Rinsch guilty on all seven counts of defrauding Netflix of $11M when making sci-fi show White Horse (Jacob Shamsian/Business Insider)
businessinsider.com/netflix-di

@blakes7bot@mas.torpidity.net
2025-11-15 07:04:41

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
SERVALAN: Very well, Councillor Bercol. You may tell the President that I am appointing a Space Commander to take absolute control of this matter. He will be exclusively concerned to seek, locate, and destroy Blake.
BERCOL: Oh, excellent, excellent.

Claude 3.7 describes the image as: "The image shows a person with short dark hair in what appears to be a scene from a television production. They are wearing an elegant white outfit with a decorative crystal or beaded collar that has a distinct vintage sci-fi or fantasy aesthetic. The individual has a contemplative or mid-conversation expression and is seated against what looks like a light-colored sofa or seating area.

The setting appears to be from a classic television production, likely fr…
@kurtsh@mastodon.social
2025-11-13 06:10:05

Battlestar Galactica is one of my all-time favorite sci-fi TV series ever, along with:
▫️Twilight Zone
▫️Firefly
▫️Star Trek: Strange New Worlds
▫️Mr. Robot
▫️The Expanse
▫️Star Wars: Andor
▫️Fallout
▶️ The Controversy of BATTLESTAR GALACTICA (2003)
youtub…

@stefan@gardenstate.social
2025-12-07 15:42:54

The Future of Sci-Fi and Fantasy Panel Highlights | DSNX25 – Dragonsteel Books share.google/siJXiuu0PyZOEb3lW

@blakes7bot@mas.torpidity.net
2025-11-16 10:03:42

Series D, Episode 04 - Stardrive
AVON: We'll take it with us. [As Tarrant enters, Atlan trips him, grabs Soolin and uses her as a shield as he backs towards the door. He shoves her away and runs off.]
DAYNA: The door control. [Runs after Atlan.]
blake.torpidity.net/m/404/382

Claude 3.7 describes the image as: "This image appears to be from the classic British science fiction series "Blake's 7." The scene takes place in what looks like a futuristic spacecraft interior with white walls, translucent panels, and a minimalist design aesthetic typical of sci-fi productions from that era.

Three people are shown in distinctive costume designs that reflect the show's characteristic styling. On the left, a person wears a two-tone outfit with a chevron pattern. In the center…
@theodric@social.linux.pizza
2026-01-13 23:16:24

This is some 100% sci-fi shit right here: the U.S. government bought a device on the black market, and is studying it to try and understand how it works. The device apparently makes people sick using radio spectrum emissions.
From CNN:
"The Defense Department has spent more than a year testing a device purchased in an undercover operation that some investigators think could be the cause of a series of mysterious ailments impacting US spies, diplomats and troops that are coll…

@davidaugust@mastodon.online
2025-11-06 21:00:53

Seems worth posting this again:
#tech #ethics #DataEthics

Screenshot of a post by Alex Blechman @AlexBlechman: 

Sci-Fi Author: In my book I invented the Torment Nexus as a cautionary tale 

Tech Company: At long last, we have created the Torment Nexus from classic sci-fi novel Don't Create The Torment Nexus 

Nov 8, 2021 · 10:49 PM UTC
‪@todbot@mastodon.social‬
2025-12-10 00:45:45

@… looks very sci-fi

@digitalnaiv@mastodon.social
2025-12-09 10:19:01

Forscher zeigen: KIs können Menschen – unbemerkt – von politischen Meinungen überzeugen. Ein Algorithmus, der dich „sanft“ in Richtung einer Wahlentscheidung schiebt. Kein Sci-Fi, sondern Gegenwart. Die Demokratie steht auf Debug. #zeitonline #KI

@iam_jfnklstrm@social.linux.pizza
2025-11-10 07:50:41

@… draw for me A surreal concept art of a human brain transforming into a digital archive, with neural pathways turning into glowing fiber-optic cables, and tiny floating folders and documents orbiting around it, vibrant colors, sci-fi style, hyper-realistic.

@compfu@mograph.social
2025-12-09 17:59:03

A list of sci-fi movies ordered by the year they were set in (not when they were made). Those years that are now in the past are marked in blue!
#SciFi rheinneckar.social/@splitmind/

@UP8@mastodon.social
2025-10-21 01:38:12

😱 Sci-fi Meets Eldritch Horror in Deck Builder Chaos Zero Nightmare
animenewsnetwork.com/conventio

@tante@tldr.nettime.org
2025-12-02 13:00:05

"So what if, right, what if, we put the data centres in … space!
This idea has a lot of appeal if you’ve read too much sci-fi, and it sounds obvious if you don’t know any practical details."
(Original title: AI data centres — in SPACE! Why DCs in space can’t work)

@blakes7bot@mas.torpidity.net
2025-12-14 16:22:02

Series A, Episode 13 - Orac
VILA: Yes, but Zen's only a machine.
AVON: So is Orac. [He removes the activator and throws it across the flight deck.]
VILA: That's all right, that's fixed Orac.
BLAKE: No, it hasn't.
JENNA: What do you mean?
blake.torpidity.net/m/113/484

Claude Sonnet 4 describes the image as: "I can see a science fiction scene showing two people seated in what appears to be a spaceship interior. The setting has the characteristic design elements of classic sci-fi television - sleek surfaces, futuristic chairs, and technical equipment visible in the background. One person wears a red v-neck outfit with a decorative belt, while the other is dressed in burgundy and tan colored clothing with a more utilitarian, space-faring appearance. They appear…
@LillyHerself@Mastodon.social
2025-12-24 23:52:49

Something to look forward to in the new year! #Newromancer
cbr.com/apple-tv-neuromancer-c

@kurtsh@mastodon.social
2026-01-10 23:41:43

One of the GREAT original movies created around the "Halo" universe from Microsoft Studios, now FREE to view - all 1hr 31min.
▶️ Halo 4: Forward Unto Dawn | FULL MOVIE | Video Game Sci-Fi Action Adventure Microsoft
youtube.com/watch?v=AZj3Is6Upn

@blakes7bot@mas.torpidity.net
2025-12-14 13:19:35

Series D, Episode 11 - Orbit
SERVALAN: Don't concern yourself, Egrorian. I encourage ambition.
EGRORIAN: I never conspired against you, I swear it! Orac, acknowledge my instructions. [Orac buzzes, but says nothing.] I don't understand.
blake.torpidity.net/m/411/363 B7B3…

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction production, likely from the late 1970s or early 1980s based on the aesthetic and production design. The setting features a sleek, futuristic interior with geometric white panels and distinctive angular ceiling architecture characteristic of classic sci-fi television sets.

Three actors are engaged in what appears to be a tense dramatic scene. On the left, a woman with short dark hair wears an elegant blac…
@aral@mastodon.ar.al
2025-12-26 20:59:06

Yes, please, let’s emulate what the US does. Because who doesn’t want to experience a dystopian sci-fi future first-hand?

@fanf@mendeddrum.org
2025-12-01 09:42:01

from my link log —
The disappearance and return to print of John M. Ford.
slate.com/culture/2019/11/john
saved 2019-11-16

@stefan@gardenstate.social
2025-12-07 15:46:06

New Indie Game Announced for 2026 Is Perfect for Fans of Hardcore Science Fiction share.google/2rOZ8cIjRyn3A7m91

@blakes7bot@mas.torpidity.net
2026-01-14 16:19:54

Series A, Episode 02 - Space Fall
JENNA: Why indeed?
[Whispers something to Raiker]
[Raiker slaps her across the face]
RAIKER: You'll come round! I can be VERY persuasive!
[Avon takes a note from his top pocket]
[Jenna walks back to Vila, Avon & Nova]
blake.torpidity.net/m/102/78

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The setting appears to be an industrial or spaceship interior, with metallic surfaces and utilitarian design elements visible in the background.

The scene features distinctive period styling typical of that era's sci-fi productions, with futuristic costume design inc…
@PaulWermer@sfba.social
2025-12-02 16:50:50

From the article: "He added: “It’s something where it’s moving very quickly and people don’t necessarily have time to absorb it or figure out what to do.”"
That impersonal, natural "it" is moving - Not the people developing the models and selling them (or inflicting them), not the wealthy investors demanding market share, not the sci-fi addled techbros (Muskrats?) imagining that if only we get AGI all problems will be solved tomorrow, - all wanting to be first. Oh…

@paulwermer@sfba.social
2025-12-02 16:50:50

From the article: "He added: “It’s something where it’s moving very quickly and people don’t necessarily have time to absorb it or figure out what to do.”"
That impersonal, natural "it" is moving - Not the people developing the models and selling them (or inflicting them), not the wealthy investors demanding market share, not the sci-fi addled techbros (Muskrats?) imagining that if only we get AGI all problems will be solved tomorrow, - all wanting to be first. Oh…

@matematico314@social.linux.pizza
2025-12-02 20:29:14

RE: mastodon.com.br/@elmoneto/1156
Medonha mesmo, parece coisa de distopia sci-fi.

@bourgwick@heads.social
2025-12-25 03:58:28

nearing the conclusion of an epic mass market sci-fi paperback & my nose is tragically just slightly too stuffed to smell it. #books

@hex@kolektiva.social
2025-11-27 22:32:54

I was just thinking about how the fact that #Musk named his AI "Grok" is evidence that he "reads sci-fi" in the same way he "plays video games." Like, he claims to do it but when it comes time to show the evidence it's clear he does not actually "grok" it.
Like... To grok something is to have a layer deeper than simply knowledge, but mathematically encoding statistical relationships between words is pretty obviously not even understanding much less qualifying as "groking" it. In the book, the ability to grok something is also the ability to annihilate that thing with a thought. Just pretending that an LLM actually *was* something that could become AGI (which it's not), this name would imply the AI would have the power to annihilate reality. That's bad. That's a bad name for an AI.
And why would a greedy fascist name something of his after something an anarchist communist space Jesus taught to the hippie cult he started? There are so many layers of facepalm to this. It's some kind of php-esque fractal of incompetence.
Like, there's no reason to talk about this but my brain does this to me sometimes and now it's your problem.

@compfu@mograph.social
2025-12-09 21:01:58

RE: social.wildeboer.net/@jwildebo
The sci-fi novel "The Truth Machine" describes a future where people can wear a ring that shows whether the person they are talking to is lying. This changes society on a fun…

@kurtsh@mastodon.social
2026-01-10 23:56:02

The Halo: Fall of Reach animated movie is available for FREE & tells the origins of the SPARTAN II program & the fall of a planet to the alien Covenant. (1hr 4m)
▶️ Halo: The Fall Of Reach | FULL MOVIE | Video Game Sci-Fi Action Animation
youtube.com/watch?v=o8DAeQt0jH

@cheryanne@aus.social
2025-11-27 08:13:33

Still catching up on Star Trek: Strange New Worlds
#StarTrek #StrangeNewWorlds

@jake4480@c.im
2025-12-28 01:30:44

Gillian Anderson photographed by David LaChapelle for Allure Magazine (the first three) and Mark Seliger for US Magazine (the last one), both 1997.
#90s #GillianAnderson #scifi

Gillian Anderson in a black dress, huge eyes behind her, surreal
Gillian Anderson in a red dress, she's on a table & aliens are around her her, sci-fi
Gillian Anderson laying down in a sci-fi landscape, holding a toy rocket above her
Gillian Anderson looking like an old fashioned housewife cleaning, holding up a vacuum, looking surprised
@benb@osintua.eu
2025-12-20 01:15:22

This isn’t SCI-FI – it’s SMART WEAPONS hunting Russia’s army: benborges.xyz/2025/12/20/this-

@inthehands@hachyderm.io
2025-10-20 21:31:16

I have to say, I really feel for the folks at Apple who have to keep churning out large-scale look-and-feel changes to differentiate every new version of the OS. It’s hard to constantly generate visibly new stuff when you already did a good job many versions ago, hard not to succumb to the temptation to make your product look like one of those UIs from a sci-fi movie that UI experts use in class as a case study in things that are cool-looking but actually a bad idea.

@Mediagazer@mstdn.social
2025-12-03 11:01:42

A US federal trial of Carl Rinsch, accused of swindling Netflix out of millions when making sci-fi series White Horse, begins with an ex-Netflix exec testifying (Antonio Ferme/Variety)
variety.com/2025/tv/news/carl-

@tiotasram@kolektiva.social
2025-10-27 03:00:46

Day 30: Elizabeth Moon
This last spot (somehow 32 days after my last post, but oh well) was a tough decision, but Moon brings us full circle back to fantasy/sci-fi, and also back to books I enjoyed as a teenager. Her politics don't really match up to Le Guin or Jemisin, but her military experience make for books that are much more interesting than standard fantasy fare in terms of their battles & outcomes (something "A Song of Ice and Fire" achieved by cribbing from history but couldn't extrapolate nearly as well). I liked (and still mostly like) her (unironically) strong female protagonists, even if her (especially more recent) forays into "good king" territory leave something to be desired. Still, in Paksenarion the way we get to see the world from a foot-soldier's perspective before transitioning into something more is pretty special and very rare in fantasy (I love the elven ruins scene as Paks travels over the mountains as an inflection point). Battles are won or lost on tactics, shifting politics, and logistics moreso than some epic magical gimmick, which is a wonderful departure from the fantasy norm.
Her work does come with a content warning for rape, although she addresses it with more nuance and respect than any male SF/F author of her generation. Ex-evangelicals might also find her stuff hard to read, as while she's against conservative Christianity, she's very much still a Christian and that makes its way into her writing. Even if her (not bad but not radical enough) politics lead her writing into less-satisfying places at times, part of my respect for her comes from following her on Twitter for a while, where she was a pretty decent human being...
Overall, Paksenarrion is my favorite of her works, although I've enjoyed some of her sci-fi too and read the follow-up series. While it inherits some of Tolkien's baggage, Moon's ability to deeply humanize her hero and depict a believable balance between magic being real but not the answer to all problems is great.
I've reached 30 at this point, and while I've got more authors on my shortlist, I think I'll end things out tomorrow with a dump of also-rans rather than continuing to write up one per day. I may even include a man or two in that group (probably with at least non-{white cishet} perspective). Honestly, doing this challenge I first thought that sexism might have made it difficult, but here at the end I'm realizing that ironically, the misogyny that holds non-man authors to a higher standard means that (given plenty have still made it through) it's hard to think of male authors who compare with this group.
Looking back on the mostly-male authors of SF/F in my teenage years, for example, I'm now struggling to think of a single one whose work I'd recommend to my kids (having cheated and checked one of my old lists, Pratchett, Jaques, and Asimov qualify but they're outnumbered by those I'm now actively ashamed to admit I enjoyed). If I were given a choice between reading only non-men or non-woman authors for the rest of my life (yes I'm giving myself enby authors as a freebie; they're generally great) I'd very easily choose non-men. I think the only place where (to my knowledge) not enough non-men authors have been allowed through to outshine the fields of male mediocrity yet is in videogames sadly. I have a very long list of beloved games and did include some game designers here, but I'm hard-pressed to think of many other non-man game designers I'd include in the genuinely respect column (I'll include at least two tomorrow but might cheat a bit).
TL;DR: this was fun and you should do it too.
#30AuthorsNoMen

@cellfourteen@social.petertoushkov.eu
2025-10-25 10:17:07

Arriving at Act I, The Alters is quite engaging. It's a video game, in case you are reaching for your favourite search engine. So far, the sci-fi aspect has that structured feeling of the Eastern European/Soviet branch of the genre, mixed up with the post-Soviet era shift of values and cultural trends -- still kind of bland, but looking at the Western guilty thrill of the dystopian. It's a damn good, well-made game. I hope it holds up in that way until the end.

The Alters cover art, showing the main protagonist and his many different clones whimsically looking at the camera.
@blakes7bot@mas.torpidity.net
2025-12-13 17:08:04

Series D, Episode 02 - Power
VILA: Not too close. The gap is all connected with the thickness of the door. So what's the difference between Seskas and Hommiks?
PELLA: How do you know how thick it is?
VILA: By the stress pattern.
blake.torpidity.net/m/402/132 B7B4

Claude Haiku 4.5 describes the image as: "# Scene Description

This image shows two figures in what appears to be a sci-fi setting, likely from a television production. The male character on the left wears a grey and gold uniform typical of 1970s space opera costumes, complete with practical pockets and fitted design. He's holding what appears to be a futuristic rifle with blue and black coloring.

The female character on the right wears a flowing, draped cream or beige garment with elegant ple…
@seedling@dice.camp
2025-12-18 16:49:09

Cool list of sci Fi trinkets
#otherPeoplesBlogs

@blakes7bot@mas.torpidity.net
2026-01-12 16:29:26

Series C, Episode 05 - The Harvest of Kairos
SERVALAN: GREATER?
[Landing module]
AVON: Self-defence. Some animals bristle out their fur to frighten their enemies. But that doesn't count for much in the dark.
VILA: So what does Sopron do?
blake.torpidity.net/m/305/601

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a moment from what appears to be a science fiction television production, set in a futuristic control room or spacecraft interior. The backdrop features the distinctive geometric design typical of 1970s sci-fi sets, with angular panels in teal and neutral tones.

The scene shows two characters in costume. On the left is a character wearing an elaborate white ensemble featuring an impressive sculptural shoulder pi…
@jake4480@c.im
2025-12-31 18:04:26

These were my favorite movies of 2025. Pretty much all horror, sci-fi, comedy. There's still a couple I need to see from this year (Cold Storage!) but these are all my favorites as of now.
#2025Films

@blakes7bot@mas.torpidity.net
2026-01-12 19:31:51

Series B, Episode 01 - Redemption
AVON: What the hell is going on?
BLAKE: Zen, report.
ZEN: Aft hull sensors register two strikes by medium-range neutron blasters.
AVON: Where are they coming from?
blake.torpidity.net/m/201/40 B7B5

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, showing two men in conversation. The figure on the left wears a distinctive black leather jacket adorned with metal studs and rivets, which appears to be a futuristic costume design. The lighting is dramatic, with blue-tinted atmospheric lighting visible in the background, suggesting an interior spacecraft or sci-fi setting.

The scene captures an intimate moment…
@blakes7bot@mas.torpidity.net
2025-11-11 13:07:13

Series B, Episode 07 - Killer
JENNA: Obviously not.
BLAKE: I hope we got that through to him in time.
[A-line room]
AVON: Keep an eye on the corridor.
blake.torpidity.net/m/207/537 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series featuring two characters in what appears to be a futuristic spacecraft setting. The background shows typical sci-fi television production design with metallic surfaces and circular lighting elements. One character is wearing a mint green and white outfit with a chain necklace and has blonde hair, while the other wears earth-toned clothing including what appears to be a leather jacket ov…
@blakes7bot@mas.torpidity.net
2026-01-11 13:21:24

Series C, Episode 07 - Children of Auron
VILA: And Cally?
AVON: She'll be all right, she's sleeping. Zen, course.
ZEN: Course zero three two zero for the planet Kaarn.
AVON: Kaarn?
blake.torpidity.net/m/307/596 B7B3

Claude Haiku 4.5 describes the image as: "# Scene Description

This image shows two men in what appears to be a futuristic spacecraft or space station interior. The setting features metallic walls with illuminated panels in the background, creating a sci-fi atmosphere typical of 1970s-80s television production design.

The man on the left wears a dark jacket and appears to be engaged in a tense physical confrontation with the man on the right, who is dressed in a black leather jacket. Their bod…
@tiotasram@kolektiva.social
2025-10-27 00:02:59

Just finished "Low Orbit" by Kazimir Lee.
It's an excellent graphic novel about a queer Malaysian immigrant kid in small-town Maine, the unexpected friends she makes, and the science fiction author who happens to be her landlord. It reminded me a bit of the also excellent "Navigating With You" because of its interwoven fictional sci-fi novel (with really good writing!). CW as predictable for queer family trauma, although it doesn't get too bad and has a happy ending.
#AmReading #ReadingNow

@blakes7bot@mas.torpidity.net
2025-12-11 13:06:58

Series D, Episode 13 - Blake
TARRANT: That isn't the plan anymore, though, is it Avon?
AVON: I think we can do better.
VILA: Does that mean safer?
AVON: In the end, winning is the only safety.
VILA: It doesn't mean safer. I didn't think it would.
blake.torpidity.net/m/413/16

Claude Sonnet 3.7 describes the image as: "The image shows a scene from what appears to be the science fiction TV series "Blake's 7." The setting is a futuristic spacecraft interior with metallic walls and control panels. 

Several people are visible in the scene, dressed in characteristic 1970s/80s sci-fi costumes. In the foreground, two individuals wearing gray uniforms appear to be in conversation, with one seated near what looks like a control panel. In the background, several other crew me…
@compfu@mograph.social
2025-12-27 21:48:58

There are at least two instances of Space Battleship Yamato (anime and live-action) and they both feel kinda goofy: a ship-shaped spaceship. I thought that this was some Japanese thing -- paying homage to a heroic part of their history. I recently saw a documentary about the real battleship Yamato and oh boy... what a mess. Are there any Japanese amongst my followers who can tell me if these sci-fi versions are about paying homage? Because to me it feels a bit like historic revisionism.

@blakes7bot@mas.torpidity.net
2025-11-11 16:09:46

Series A, Episode 09 - Project Avalon
TRAVIS: Ohh?
SERVALAN: Oh, so far I have resisted that pressure. But now, I need your reassurance that my confidence has not been misplaced.
TRAVIS: I think Project Avalon will silence the critics.
blake.torpidity.net/m/109/174 B7B4

Claude 3.7 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in what looks like a minimalist, futuristic interior space with plain gray walls and metallic fixtures. The setting has a sterile, institutional quality typical of 1970s-80s sci-fi design.

In the foreground, a woman wearing a white garment with dark trim is engaged in conversation with a man in a black leather jacket. Between them appears to be some kind of white …
@blakes7bot@mas.torpidity.net
2025-12-11 22:14:34

Series A, Episode 06 - Seek-Locate-Destroy
BLAKE: [To Avon] Now do you know what you're looking for?
AVON: [Shortly] Yes. [Moves off towards the equipment.]
BLAKE: [To Gan] All the equipment here?
GAN: All here.
blake.torpidity.net/m/106/52 B7B6

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7" from the late 1970s or early 1980s. The image shows two men in futuristic military-style clothing examining what appears to be a tactical display or map on a table. The setting looks like the interior of a spacecraft, with typical sci-fi production design elements visible in the background including control panels and metallic surfaces. The lighting and film quality…
@blakes7bot@mas.torpidity.net
2025-11-11 07:02:02

#Blakes7 Series D, Episode 08 - Games
AVON: Who does?
SLAVE: I fear I am unable to identify them Master. I regret this failure most bitterly.
AVON: Orac?
blake.torpidity.net/m/408/117

Claude 3.7 describes the image as: "This image shows a droid or robot character from the science fiction television series. The machine has a distinctive spherical, segmented design with metallic sections separated by gold trim bands. It appears to have a control panel with small red lights visible in its midsection. The robot is positioned in what looks like a technical corridor or facility with textured green wall panels visible on either side, creating a classic retro sci-fi aesthetic. The s…
@blakes7bot@mas.torpidity.net
2025-12-10 07:17:55

#Blakes7 Series D, Episode 12 - Warlord
DAYNA: [Into comm] All launch checks complete.
AVON: [V.O.] Green on all systems.
VILA: [Into comm] Betafarl has just confirmed full clearance on your flight plan.
blake.torp…

Claude Sonnet 4 describes the image as: "This image shows two actors in what appears to be a science fiction television production, likely from the late 1970s or 1980s based on the visual style and set design. The scene takes place in a futuristic control room or spacecraft interior, featuring typical sci-fi elements like control panels with blinking lights and a sterile, technological aesthetic.

One actor wears an elaborate costume with ornate metallic detailing and a high collar design that …
@blakes7bot@mas.torpidity.net
2026-01-10 19:25:08

Series B, Episode 13 - Star One
CALLY: Are we fanatics?
BLAKE: Does it matter?
CALLY: Many, many people will die without Star One.
BLAKE: I know.
CALLY: Are you sure that what we're going to do is justified?
blake.torpidity.net/m/213/77 B7B5

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a science fiction television production, set within a spaceship interior. The setting features a sleek, futuristic design with cream-colored seating, dark control panels, and ambient lighting typical of 1970s-80s sci-fi aesthetics. The architectural elements include geometric shapes and a modernist bridge or upper structure visible in the background.

In the foreground, a woman with curly blonde hair si…
@blakes7bot@mas.torpidity.net
2025-11-10 13:10:23

Series B, Episode 04 - Horizon
[Teleport section]
AVON: [Snapping on a bracelet] What do these detectors look like?
ORAC: Logic would suggest they are camouflaged - in plants.
blake.torpidity.net/m/204/536 B7B3

Claude 3.7 describes the image as: "This image shows a person in a distinctive silver/metallic costume with a black turtleneck underneath, standing in what appears to be a futuristic set design. The individual is positioned at what looks like a control panel or console with transparent elements. The costume has a retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s.

The setting features angular architectural elements with geometric shapes and panels …
@blakes7bot@mas.torpidity.net
2026-01-02 13:10:03

Series D, Episode 03 - Traitor
QUUTE: A one in a thousand chance, General. The operator happened to pick it up while running a routine line-scan.
GENERAL: And what was this data it was taking from the terminal?
blake.torpidity.net/m/403/316 B7B3

Claude Sonnet 3.7 describes the image as: "This image is from a sci-fi television production, likely from the British series "Red Dwarf" or a similar science fiction show from that era. It shows a scene with characters wearing distinctive dark armored or military-style uniforms with textured surfaces and red accents.

The setting appears to be a spacecraft or space station interior, with control panels visible in the foreground and characteristic sci-fi design elements including wall panels and…
@blakes7bot@mas.torpidity.net
2025-12-09 10:03:30

Series C, Episode 13 - Terminal
TARRANT: Let's see if we can't find a way off this planet. There's a lot to do.
[Tarrant, Cally, Dayna, and Vila exit one by one. Avon turns to go, and smiles as he too exits.]
[End of episode. Roll credits.]
blake.torpidity.net/m/313/441

Claude Sonnet 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction TV series, likely "Blake's 7" based on the distinctive costumes and setting. Several people are gathered in what looks like a spacecraft or space station interior. The individuals are wearing characteristic sci-fi costumes from the late 1970s/early 1980s era of television production.

The person in the center is wearing a red neckerchief/cravat with a light-colored outfit, while others a…
@blakes7bot@mas.torpidity.net
2025-11-09 07:06:06

#Blakes7 Series D, Episode 13 - Blake
AVON: This won't hold it for long.
TARRANT: Have we shaken any of them off?
SOOLIN: [Looking at monitor] Not exactly.
VILA: Not remotely. There's four more coming on zero two three.

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction television production from the late 1970s or early 1980s, based on the filming style and costume design. 

The individual is wearing a distinctive black leather outfit with metallic studs or embellishments, which is characteristic of the futuristic, somewhat dystopian aesthetic common in British sci-fi of that era. 

The costume has a militaristic or authoritarian quality, with structured should…
@blakes7bot@mas.torpidity.net
2025-11-09 22:21:11

Series C, Episode 10 - Ultraworld
[Ultra 2 Negative response.]
ULTRA 1: Operate primary fail-safe terminals.
ULTRA 3: Confirmed.
[Tarrant retrieves the memory tubes and leaves the control room.]
blake.torpidity.net/m/310/592 B7B6

Claude Sonnet 4.0 describes the image as: "This image shows a character with distinctive pale, greyish makeup and golden-colored eyes, wearing what appears to be a metallic or silver-colored garment. The character has a bald head and an otherworldly appearance that suggests they are an alien or artificially enhanced being. The background features warm orange and reddish lighting, creating a dramatic sci-fi atmosphere typical of the series. The makeup and costume design emphasize the character's…
@blakes7bot@mas.torpidity.net
2025-11-01 07:09:47

#Blakes7 Series C, Episode 06 - City at the Edge of the World
KERRIL: What are you staring at?
VILA: I'm not staring.
KERRIL: We've been on the move a lot.
VILA: Yes.
KERRIL: It's the first chance I've had to, well, get cleaned up.

Claude 3.7 describes the image as: "The image shows a scene set in what appears to be a futuristic or sci-fi environment with metallic walls and geometric patterns. Two people are visible in the frame - one wearing a light green sleeveless dress with blonde hair on the left, and another in a light gray wraparound tunic with matching pants and tan boots on the right.

The setting has a distinctive retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s. T…
@blakes7bot@mas.torpidity.net
2025-11-08 13:11:20

Series D, Episode 04 - Stardrive
VILA: [All "drunk mannerisms" vanishing instantly] Drunk? Who's drunk?
DAYNA: You are.
VILA: Show me how to get drunk on plain water and I won't waste time.
DAYNA: Well, then why pretend?
blake.torpidity.net/m/404/72

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene on what looks like a spacecraft or futuristic setting. Several people are visible in the frame, wearing distinctive uniform-like costumes that have a retro-futuristic design typical of older sci-fi productions. In the foreground, there's what appears to be translucent or transparent mechanical equipment with ridged patterns, possibly part of the ship's control systems or techno…
@blakes7bot@mas.torpidity.net
2025-11-08 10:08:16

Series D, Episode 02 - Power
GUNN SAR: All right, woman, you just made a very big mistake.
[Corridor in Hommik dwelling. Kate grabs Nina, covering her mouth. She lets go when they recognize each other.]
KATE: Nina!
blake.torpidity.net/m/402/414 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing a person with long blonde hair and facial hair in what looks like a dramatic scene. However, I cannot identify who this specific person is or provide details about their character or role in the series. The lighting and production style suggests this is from a classic sci-fi show, likely from the late 1970s or early 1980s based on the visual aesthetic. The person appears…
@blakes7bot@mas.torpidity.net
2025-12-30 13:37:17

Series B, Episode 02 - Shadow
CALLY: I want you back here. Get ready to teleport.
VILA: Wasting your time, Cally. I'm not wearing a bracelet. I'm not going to be snatched away in the middle of...in the middle of anything. Sightseeing. And you should see some of the sights I'm seeing. No. Perhaps you shouldn't.

Claude Sonnet 3.7 describes the image as: "The image appears to be a still from a television series, showing a person in a distinctive white outfit with a floral or patterned panel down the front. They're standing in what looks like a futuristic or sci-fi setting, with angular walls and panels visible in the background. The interior space has a geometric design with light panels contrasting against darker structural elements.

The costume has a 1970s-80s sci-fi aesthetic, with a cream-colored f…
@blakes7bot@mas.torpidity.net
2026-01-07 10:06:50

Series C, Episode 06 - City at the Edge of the World
VILA: Well, if we don't move around too much ...
KERRIL: It hardly seems worth trying to stay alive a few minutes longer. [removes gunbelt]
blake.torpidity.net/m/306/405 B7B2

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction television production, likely from the late 1970s or early 1980s based on the styling and video quality. The setting features a futuristic interior with geometric patterned walls or screens in the background, creating a distinctly sci-fi atmosphere with cool lighting tones.

Two characters are shown in an intimate moment, with their arms around each other in what appears to be an emotional or romantic sce…
@blakes7bot@mas.torpidity.net
2025-11-06 16:15:06

Series B, Episode 05 - Pressure Point
TRAVIS: [To mutoids] Get after them!
SERVALAN: [Slaps Travis] You hesitated. My life was at risk and you hesitated. [Tries slapping him again, but he catches her hand]
[Blake and crew hurry through the red corridors.]
blake.torpidity.net/m/205/527

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic sci-fi setting with distinctive lighting and architectural elements typical of the series. One person is wearing an elegant white dress with decorative details, while the other is dressed in dark leather or similar material with sunglasses, creating a striking contrast between their costumes. The scene has a dramatic, tense quality to it, with the lighting creating an otherworldly atmosphere. The …
@blakes7bot@mas.torpidity.net
2025-12-06 10:08:28

Series D, Episode 03 - Traitor
AVON: Ah well. Tarrant is brave; young; handsome. [Chuckles] There are three good reasons for anyone not to like him.
SOOLIN: He has a point all the same.
AVON: About Tarrant?
blake.torpidity.net/m/403/109 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in a futuristic spacecraft interior. The setting features metallic cylindrical columns and modern technological elements typical of 1980s sci-fi aesthetic, with sleek gray and silver tones throughout.

Two characters are shown in conversation within this high-tech environment. The character on the left wears a distinctive black jacket adorned with elaborate s…
@blakes7bot@mas.torpidity.net
2025-11-06 22:20:02

Series A, Episode 12 - Deliverance
TRAVIS: It begins to look that way. [Pauses]
SERVALAN: What's the matter?
TRAVIS: Maryatt.
SERVALAN: What about him?
TRAVIS: His disappearance - there may be questions.
blake.torpidity.net/m/112/271 B7B6

Claude 3.7 describes the image as: "The image shows a person in a black leather jacket standing in what appears to be an interior setting with a distinctive textured wall featuring a diamond pattern in the background. The individual is turned slightly, looking over their shoulder, and appears to be holding something small in their hands. The setting has a somewhat institutional or utilitarian appearance with simple walls and minimal decoration, which is characteristic of the retro sci-fi aesthe…
@blakes7bot@mas.torpidity.net
2025-12-05 19:17:54

Series D, Episode 06 - Headhunter
VILA: I am!
SOOLIN: I know.
VILA: Where's Orac? He can run a scan first.
SOOLIN: 'Fraid not, sorry.
AVON: [Who has entered unnoticed and is leaning casually against the doorway.] Why not?
SOOLIN: Orac's in hiding.
blake.torpidity.net/m/406/444

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, set in a futuristic interior space with white/gray walls, ventilation grates, and industrial-style lighting. The setting has a distinctly spaceship or space station aesthetic typical of sci-fi shows from the late 1970s or early 1980s.

Two actors are positioned in the scene - a man on the left wearing a light-colored military or utility-style jacket, and a woman on …
@blakes7bot@mas.torpidity.net
2026-01-05 16:21:41

Series B, Episode 08 - Hostage
MOLOK: Wait. Over there. Quick.
MOLOK: You are Cally.
CALLY: Yes.
JENNA: What's happened to our friends?
MOLOK: They're dead.
JENNA: What?
blake.torpidity.net/m/208/577 B7B4

Claude Sonnet 4 describes the image as: "This image shows two women in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the styling and video quality. The setting is clearly a futuristic spacecraft or space station interior, characterized by distinctive hexagonal wall panels and sleek, angular design elements typical of sci-fi productions of that era.

The woman on the left wears a simple, elegant cream-colored outfit with clean line…
@blakes7bot@mas.torpidity.net
2026-01-05 16:21:41

Series B, Episode 08 - Hostage
MOLOK: Wait. Over there. Quick.
MOLOK: You are Cally.
CALLY: Yes.
JENNA: What's happened to our friends?
MOLOK: They're dead.
JENNA: What?
blake.torpidity.net/m/208/577 B7B4

Claude Sonnet 4 describes the image as: "This image shows two women in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the styling and video quality. The setting is clearly a futuristic spacecraft or space station interior, characterized by distinctive hexagonal wall panels and sleek, angular design elements typical of sci-fi productions of that era.

The woman on the left wears a simple, elegant cream-colored outfit with clean line…
@blakes7bot@mas.torpidity.net
2025-11-05 19:23:10

Series C, Episode 05 - The Harvest of Kairos
JARVIK: You don't think they have enough problems as it is?
SERVALAN: Oh, I'm sure they have. You may take a small party with you to make the numbers equal.
blake.torpidity.net/m/305/477 B7B5

Claude 3.7 describes the image as: "The image shows two people in what appears to be a futuristic spaceship or station interior. One person with very short dark hair is wearing a light-colored patterned outfit and is looking up with a smile at the other person, who is wearing a distinctive blue padded vest or jacket with gray sections. 

The setting has a clean, minimalist sci-fi aesthetic typical of classic British television productions, with rounded wall fixtures and technical-looking panels…
@blakes7bot@mas.torpidity.net
2025-11-05 16:20:48

Series A, Episode 11 - Bounty
VILA: Nobody could open it.
AVON: I thought you could open anything, that's always been one of your more modest claims.
VILA: I could open that door in two minutes.
blake.torpidity.net/m/111/400 B7B4

Claude Sonnet 4.0 describes the image as: "This image shows a scene from what appears to be a science fiction television production, featuring a character in distinctive futuristic costume. The person is wearing a striking black outfit with metallic silver trim arranged in V-shaped patterns across the chest and shoulders. The costume has a high collar and appears to be made of leather or similar material, giving it a sleek, space-age appearance typical of 1970s-80s sci-fi productions.

The sett…
@blakes7bot@mas.torpidity.net
2025-12-04 10:07:38

Series B, Episode 04 - Horizon
RO: [Enters] Kommissar.
KOMMISSAR: Ro. It has been too long.
RO: An unlooked for pleasure. I welcome your return to my planet.
KOMMISSAR: I would've come sooner - pressure of office.
blake.torpidity.net/m/204/244 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This appears to be a scene from Star Trek: The Next Generation, set in what looks like a Romulan vessel or similar sci-fi environment. The setting features dark, industrial architecture with large carved or textured panels in the background, creating an imposing alien atmosphere with purple and red lighting tones.

The man on the left wears a burgundy Starfleet uniform, characteristic of Starfleet officers from the TNG era. He appea…
@blakes7bot@mas.torpidity.net
2026-01-04 13:22:50

Series D, Episode 08 - Games
GAMBIT: Yes, Belkov.
BELKOV: [O.M.S.] Position please.
GAMBIT: Your orbit is stable, you are approaching optimum departure co-ordinates.
BELKOV: [O.M.S.] Fine. Sever guidance links, give me automatic control.
blake.torpidity.net/m/408/503

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the 1970s or 1980s based on the visual style and film quality. The setting is clearly a futuristic spacecraft or space station, with characteristic sci-fi interior design elements including control panels, screens, and technological equipment visible in the background. The lighting and set design have that distinctive retro-futuristic aesthetic common to…
@blakes7bot@mas.torpidity.net
2025-11-04 16:26:09

A05 - The Web
SAYMON: None. If our life support should fail, they would simply wither away. Thanks to you and your energy cells that will not occur.
BLAKE: So that all I have spoken to them about, all they have told me, that was you talking not them.
blake.torpidity.net/m/105/440

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a science fiction scene featuring what looks like a transparent cylindrical chamber or containment unit with a reddish tint. There appears to be a figure visible within the chamber, though the image quality and lighting make details difficult to discern clearly. The setting has a futuristic, clinical appearance typical of sci-fi television production design from this era, with metallic elements visible at the top of the cha…
@blakes7bot@mas.torpidity.net
2025-11-04 07:19:02

#Blakes7 Series B, Episode 07 - Killer
BLAKE: The service history of that ship you've got in the landing bay. I sent you a warning about it earlier.
BELLFRIAR: Where did this come from?
BLAKE: Central Registry.
BELLFRIAR: Seven hundred years old?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production values. The scene shows someone in what appears to be a futuristic white outfit or uniform, sitting in what looks like a spaceship or futuristic setting. The lighting and set design have that distinctive look characteristic of British sci-fi productions from that era, with clean, minimalist aesthe…
@blakes7bot@mas.torpidity.net
2025-11-03 07:02:13

#Blakes7 Series C, Episode 12 - Death-Watch
DEETA: What do you think?
MAX: It's all been according to the rules.
blake.torpidity.net/m/312/161 B7B1

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two people in what looks like a spacecraft or futuristic vehicle interior. The lighting is dramatic and moody, with both figures wearing light-colored clothing. The setting has the characteristic look of 1970s/80s sci-fi television production design, with angular surfaces and technical equipment visible in the background. The scene appears tense or dramatic based on the …
@blakes7bot@mas.torpidity.net
2025-12-03 22:19:39

Series A, Episode 04 - Time Squad
JENNA: Gan, the aliens have linked their ship to our power source. I'm getting a very heavy power loss. I'll have to disconnect. You'll be all right, won't you?
GAN: [Nods] Yes.
blake.torpidity.net/m/104/454 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in a futuristic spacecraft interior. The scene depicts two characters in what looks like a command or recreational area of the vessel.

The setting features distinctive retro-futuristic design elements typical of 1970s sci-fi television, including geometric wall panels with hexagonal shapes and horizontal striping. The color palette consists of muted tones—gr…
@blakes7bot@mas.torpidity.net
2025-12-02 10:10:50

Series C, Episode 02 - Powerplay
DAYNA: No, Avon!
KLEGG: Very neat. I don't think I'd like you as a friend, Avon.
AVON: Let's get it over with. [shot]
AVON: Tarrant! I've got them Tarrant! [Tarrant enters and is captured.]
blake.torpidity.net/m/302/506

Claude Sonnet 3.7 describes the image as: "The image shows a scene from what appears to be a television production, likely from the sci-fi series "Blake's 7." Three individuals are captured in a tense moment. On the left is a person wearing a gray leather-like jacket. In the center stands someone in an elegant white one-shoulder dress. On the right, a person in dark clothing is holding what appears to be a weapon or futuristic gun, pointing it toward the others.

The setting looks like a sparse…
@blakes7bot@mas.torpidity.net
2025-11-02 16:13:12

Series A, Episode 10 - Breakdown
AVON: ...concept.
BLAKE: Damn.
AVON: We're going to have to turn back. Jenna, stand by to reverse the course.
JENNA: Look, we've set out to save Gan and that's what we're going to do.
AVON: But you don't understand.
blake.torpidity.net/m/110/204

Claude 3.7 describes the image as: "The image shows two people in what appears to be a spacecraft interior, sitting on cream-colored seating. They're engaged in what seems to be a serious conversation. Both are wearing dark clothing with some decorative elements - one has curly hair while the other has straight darker hair. The futuristic setting is suggested by the control panel visible in the background with colored lights. The aesthetic has that distinctive late 70s/early 80s sci-fi televisi…
@blakes7bot@mas.torpidity.net
2025-12-01 13:17:12

Series C, Episode 11 - Moloch
CALLY: And that's what the teleport did to him?
DAYNA: How will the Sardoans make out without him?
blake.torpidity.net/m/311/577 B7B3

Claude Sonnet 4 describes the image as: "I can see this is a scene from what appears to be a science fiction television production, likely from the 1980s based on the aesthetic and production values. The setting appears to be a futuristic or space-based environment, with characteristic sci-fi set design visible in the background including geometric patterns and sleek surfaces.

The person in the image is wearing a distinctive blue garment with white collar details and decorative trim, which app…
@blakes7bot@mas.torpidity.net
2026-01-01 22:20:27

Series C, Episode 01 - Aftermath
AVON: Servalan.
SERVALAN: You don't sound surprised.
blake.torpidity.net/m/301/143 B7B6

Claude Sonnet 3.7 describes the image as: "This image appears to be a still from a television production, set in a grassy, dune-like environment. It shows two people in what seems to be a dramatic scene. The person on the left is wearing a white outfit with a pearl necklace and has short dark hair. The person on the right, dressed in a dark leather-like jacket, appears to be holding some kind of weapon or device.

The setting has a distinctive retro sci-fi aesthetic typical of British televisio…
@blakes7bot@mas.torpidity.net
2025-11-30 13:41:30

Series C, Episode 12 - Death-Watch
AVON: We are short of time, Orac.
VILA: I'll say we are. It's not hanging about this time. [Screen display: 2. WAIT blinks out and is replaced by:]
[Computer display: 2. ARBITERS TAKE POSITION AND INDICATE READINESS]
blake.torpidity.net/m/312/544

Claude Sonnet 4 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7," likely from the late 1970s or early 1980s. The setting is the interior of what looks like a spaceship or futuristic facility, with characteristic sci-fi design elements including angular architecture and metallic surfaces visible in the background.

Four actors are seated in a comfortable lounge area with cream-colored furniture arranged around a distinctive glass …
@blakes7bot@mas.torpidity.net
2025-12-31 19:19:21

Series A, Episode 13 - Orac
TRAVIS: Right. [They go down some steps into a tunnel. Travis looks around.]
SERVALAN: Travis!
TRAVIS: Huh?
SERVALAN: It's this way. [They walk through wet tunnels, there are loud breathing sounds in the background.]
blake.torpidity.net/m/113/94

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction production, set in a rocky, quarry-like landscape with chalk or limestone cliffs in the background. The terrain is rough and barren, with scattered rocks and debris creating an alien or otherworldly atmosphere typical of classic British sci-fi productions from the 1970s-80s.

A figure in a flowing white costume stands prominently in the scene, positioned on elevated rocky ground. The whit…
@blakes7bot@mas.torpidity.net
2025-11-30 10:30:05

Series D, Episode 01 - Rescue
TARRANT: All right, I'll keep it a secret.
[They resume their descent.]
TARRANT: Look, we must be at least four levels below the landing silo by now.
DAYNA: At least.
blake.torpidity.net/m/401/395 B7B2

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the 1980s based on the visual style and production quality. The scene shows two characters in what appears to be a spacecraft or futuristic facility, with metallic structural elements and technological equipment visible in the background. The lighting creates a dramatic atmosphere typical of sci-fi productions of that era.

One character is positioned lower in the frame, w…
@blakes7bot@mas.torpidity.net
2025-11-30 19:47:00

Series A, Episode 02 - Space Fall
LEYLAN: And the prisoners?
DAINER: We've killed six.
LEYLAN: Six?
DAINER: [Glancing at body] Seven. In the course of quelling a riot and protecting the ship, sir.
LEYLAN: Very well. Carry on.
blake.torpidity.net/m/102/373

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s or 1980s based on the visual style and production quality. The scene shows two figures in matching blue uniforms with distinctive red trim, suggesting they're part of the same organization or crew. The setting appears to be inside a spacecraft or futuristic facility, with sleek, minimalist design elements typical of sci-fi productions of that era.

The uniforms a…
@blakes7bot@mas.torpidity.net
2025-10-30 19:30:36

Series C, Episode 13 - Terminal
ZEN: Confirmed.
[Teleport room. All but Avon are present. Avon enters.]
AVON: You can take the watch now, Vila.
VILA: Wonderful. I've been looking forward to that.
TARRANT: Where are we going, Avon?
blake.torpidity.net/m/313/86

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a spaceship or control room. The setting has distinctive angular walls with reddish-brown paneling and hexagonal design elements typical of 1970s/80s sci-fi productions.

In the scene, a person wearing a dark leather outfit stands at what looks like a control console with various technical equipment. The futuristic control panel contains box-like devices with displays…
@blakes7bot@mas.torpidity.net
2025-12-30 10:19:17

Series D, Episode 02 - Power
VILA: Oh yes. I just don't know what it's for.
PELLA: And they didn't teach this in, ah, Academy? [laughs] There's a switch. When the door is closed, every forty-eight hours Dorian must say a code word to reset the timing.
blake.torpidity.net/m/402/150

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, showing two characters in what looks like a spaceship or futuristic facility corridor. The setting features distinctive metallic ventilation panels and neutral-toned walls typical of 1970s-80s sci-fi aesthetics.

On the left stands a character wearing an elegant flowing cream-colored robe or gown with draped fabric and a decorative collar piece. The styling inclu…
@blakes7bot@mas.torpidity.net
2025-10-30 10:22:30

Series B, Episode 01 - Redemption
BLAKE: It's all right, Vila. I think we've lost them.
VILA: How'd you know?
BLAKE: We're still here. Cut the auxiliaries. Get back to primary drive. [To Avon] Are you all right?
blake.torpidity.net/m/201/124 B7B2

Claude 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s, based on the visual style and production quality. The setting appears to be the bridge or control room of a spacecraft, with futuristic control panels and a distinctive angular design aesthetic typical of sci-fi productions from that era.

Several people are visible in the control room, wearing costume garments that suggest a unified st…
@blakes7bot@mas.torpidity.net
2025-11-29 10:14:47

Series C, Episode 06 - City at the Edge of the World
KERRIL: Sorry, Vila, it's all my fault.
VILA: No, you were right. Bayban would never have let me out without finishing the job.
KERRIL: How long do you think the air will last?
blake.torpidity.net/m/306/402 B7B2

Claude Sonnet 4 describes the image as: "This image shows two people in an intimate embrace in what appears to be a futuristic or science fiction setting. The scene has a distinctive 1970s or early 1980s aesthetic, with soft lighting and a technological backdrop featuring geometric patterns. Both individuals are wearing light-colored, flowing garments that complement the sci-fi atmosphere. The woman has blonde feathered hair typical of that era and is wearing earrings, while the man has darker …
@blakes7bot@mas.torpidity.net
2025-10-28 13:23:03

Series B, Episode 12 - The Keeper
ZEN: Main detectors report Federation pursuit ship, bearing one three two, course two seven six, leaving the planet and entering orbit.
AVON: Put it on the main screen.
ZEN: Affirmative. [pursuit ship appears on screen]
blake.torpidity.net/m/212/31

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing the interior of what looks like a spacecraft or control room. The setting features futuristic control panels with various buttons, switches, and displays typical of 1970s-80s sci-fi production design. There are comfortable-looking seats and the overall aesthetic has that distinctive retro-futuristic appearance common to British science fiction shows of that era. The lighting…
@blakes7bot@mas.torpidity.net
2025-10-28 19:28:12

Series A, Episode 13 - Orac
BLAKE: All right, put us down.
[Scene: The planet's surface. Blake and Cally land near the obelisk.]
BLAKE: Some sort of obelisk, I suppose.
CALLY: Well, what should we do now?
blake.torpidity.net/m/113/170 B7B5

Claude 3.7 describes the image as: "The image appears to be from a classic science fiction television series from the late 1970s/early 1980s era, showing a person with curly dark hair wearing what looks like a light-colored vest or jacket over a darker garment. The background is dark, suggesting a spacecraft or futuristic setting typical of space-based sci-fi productions from that time period.

The styling, costume design, and filming quality are characteristic of British television productions…
@blakes7bot@mas.torpidity.net
2025-12-26 10:07:45

Series C, Episode 13 - Terminal
ZEN: Emergence from matter belt in thirty-nine point zero one seconds.
TARRANT: Any damage yet?
ZEN: Hull sensors appear temporarily impaired. All other systems continue on full function.
blake.torpidity.net/m/313/139 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a scene from what appears to be a science fiction television production, set in a futuristic spacecraft interior. The setting features distinctive angular architectural elements with metallic striping on the walls, creating a sleek, modernist aesthetic typical of 1980s sci-fi design.

The character on the left wears an elaborate burgundy uniform with a distinctive studded shoulder cape, suggesting a high-ranking …
@blakes7bot@mas.torpidity.net
2025-10-26 07:04:44

#Blakes7 Series B, Episode 12 - The Keeper
VILA: Huh! Blake!
BLAKE: Shhh, quiet.
VILA: Am I glad to see you. What are you doing here?
BLAKE: Is Jenna all right?
VILA: Only pair-bonding with the chief.
BLAKE: Good.

Claude 3.7 describes the image as: "This image appears to be from a dark, dramatic scene, likely filmed in a low-light setting. The photo shows a person wearing what looks like a utilitarian or military-style jacket in a brownish color. They appear to be in some kind of dimly lit environment, possibly a corridor or confined space.

The dramatic lighting creates strong shadows and a tense atmosphere, which was characteristic of the sci-fi television production styles of the late 1970s/early 1980…
@blakes7bot@mas.torpidity.net
2025-12-25 16:17:26

Series D, Episode 12 - Warlord
TARRANT: Extent of damage, Orac? [pause, no response] Orac?
[Crew room. Tarrant enters and looks at Orac beneath the beam.]
[Shot of Zukan's ship in space, approaching another space ship.]
blake.torpidity.net/m/412/270 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction television production, showing a scene set in what looks like a spacecraft or futuristic facility interior. The setting features technical panels and equipment typical of sci-fi set design from the late 1970s or early 1980s.

The scene depicts four individuals in costume around what appears to be a control station or work area. The costumes are characteristic of space opera productions of that era, featur…
@blakes7bot@mas.torpidity.net
2025-10-25 09:10:59

Series C, Episode 03 - Volcano
ZEN: That information is not available.
VILA: Very helpful.
CALLY: Avon, those Federation assessment teams were always followed up by invasion and colonization.
AVON: Usually.
blake.torpidity.net/m/303/60 B7B2

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing three characters in what looks like a spaceship interior or futuristic setting. The scene has the distinctive visual style of late 1970s/early 1980s British sci-fi television, with metallic set pieces and atmospheric lighting in the background.

The three individuals are dressed in period-appropriate futuristic costumes - one in a light-colored tunic-style garment, another in …
@blakes7bot@mas.torpidity.net
2025-10-25 15:15:49

Series B, Episode 02 - Shadow
JENNA: Destroy rather than dump, surely.
BEK: I'll do it. [Rises]
AVON: It isn't necessary.
BLAKE: Will it work?
blake.torpidity.net/m/202/618 B7B4

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene set in what looks like a futuristic spacecraft interior. The setting features hexagonal wall panels and technical equipment in the background, creating a distinctive retro sci-fi aesthetic typical of productions from the late 1970s or early 1980s.

Two people are shown in conversation - one seated on the left wearing a white outfit with blonde hair, and another standing on the …
@blakes7bot@mas.torpidity.net
2025-11-24 13:16:48

Series C, Episode 13 - Terminal
ZEN: The information you require has been stored via a coded route, and retrieval is not possible without the correct security command sequence.
CALLY: And that sequence is known only to Avon, I imagine.
ZEN: Confirmed.
blake.torpidity.net/m/313/100

Claude 3.7 describes the image as: "# Blake's 7 - Observation Dome Scene

This image depicts a scene from the science fiction series Blake's 7, showing four characters standing in what appears to be a spacecraft's observation dome or bridge area. The setting features futuristic architecture with metallic walls and a large viewing screen displaying what looks like a planetary body or celestial object.

The characters are dressed in the distinctive costume design of the 1970s-80s sci-fi series, w…