Tootfinder

Apparently Timothy Doyle, a well known Marvel artist has been making some Anti-ICE art using The Punisher, Wolverine and Ghost Rider.
(h/t to https://bsky.app/profile/roterote.bsky.social)

Flame Skimmer Dragonfly hanging onto a branch with its mandibles. LA Arboretum, Arcadia, California, USA. October 2025. OM System OM-1 M.Zuiko 300mm F4. #laarboretum #dragonfly #flameskimmer

PG-rated movies dominate the US Box Office, driven by films like A Minecraft Movie; an NRG study finds kids want a social experience with friends and family (Ben Cohen/Wall Street Journal)
https://www.wsj.com/business/media/wicked-

Hollywood Is Reeling—and PG Movies Have Never Been So Popular
The PG rating has become the king of the box office. The entertainment business now relies on kids dragging their parents to theaters.

The Berg 🫠
#drakensberg #southafrica

Dragonfire 💚 #auroraborealis #Flensburg

And you don't need to accept the trap of authoritarian masculinity on logic alone, the proof is right there in male influencers like Andrew Tate and their followers. These dipshits get so obsessed with gatekeeping they don't realize that the gates they're tending keep them in, that the more walls they put up to protect their privilege, the smaller their identity can be. They huddle in tiny pens, terrified of crossing imaginary bounds that they imposed *on themselves.*
They have built their own torture chambers and locked themselves inside, and for what? They turn themselves into dragons, hoarding what they see as valuable while repressing every emotion including joy. And if they let themselves experience joy, they would, perhaps, realize that all these privileges are inconsistent with it. They might, perhaps, recognize that they have built up these privileges so they don't have to admit that their suffering and fear are not, in fact, admirable. They might have to face the fact that they have lived lives that are deeply pathetic, might have to face the fact that only empathy can give one access to deep satisfaction, might have to face the fact that they have lived their whole lives on a treadmill, going nowhere.
But I assume that they won't ever do that, because to do so would force them to face the enormity of the emotional debt, the pain and suffering they have inflicted on the world, and those are big feelings. It's far easier to hide in a hole, forever alone, making up silly rules to keep everyone inside scared and keep everyone outside from seeing in.

Okay, here's the promised follow-up with more authors I respect who didn't make it onto this list. I won't do deep dives but I'll list at least one work per author:
YA novelists:
- Randi Pink ("Girls Like Us")
- Louisa Onomé ("Twice as Perfect")
- Emery Lee ("Meet Cute Diary")
- Robin Benway ("Far from the Tree")
- Angela Velez ("Lulu and Milagro's Search for Clarity")
Children's book authors:
- Jacqueline Davies ("Bubbles Up")
- Freya Hartas ("Slow Down in the Park")
Novelists:
- Rimma Onoseta ("How You Grow Wings")
Graphic novelists:
- Linda Medley ("Castle Waiting")
- 🖋️Magsalene Visaggio 🖌️Paulina Ganucheau ("Girlmode")
- Ursula Vernon ("Digger")
- SJ Sindu ("Tall Water" w/ Dion MBD)
- Hope Larson ("Be That Way"; "Salt Magic" w/ Rebecca Mock)
- Lily Williams Karen Schneemann ("Go With the Flow")
- Maia Kobabe ("Gender Queer")
- Kay O'Neill ("Tea Dragon Society")
- Marjane Satrapi ("Persepolis")
Mangaka:
- Kaoru Mori ("Young Bride's Stories")
- Ryoko Kui ("Delicious in Dungeon")
- Natsuki Takaya ("Fruits Basket")
Anime writers/directors and/or Japanese light/fantasy/SF novelists:
- Nahoko Uehashi ("Moribito")
- Sayo Yamamoto ("Michiko & Hatchin"; "Yuri!!! On Ice")
- Mari Okada ("Ano Hana: The Flower we Saw That Day"; "Toradora!")
Game designers/programmers:
(Upon review I was pretty remiss in skipping over a few of these people, some of whom I wasn't aware of but most of whom I just didn't remember when writing my short list. Subconscious misogyny in action. Short & Thorson probably would have squeezed out some of the YA authors I included, although I have no real regrets.)
- Junko Kawano ("Suikoden")
- Elizabeth LaPensée ("When Rivers Were Trails")
- Momo Pixel ("Hair Nah")
- Zoë Quinn ("Depression Quest"; narrative designer on "Solar Ash")
- Kellee Santiago ("Cloud"; "Flower")
- Tanya X. Short ("Moon Hunters")
- Kim Swift ("Portal")
- Maddy Thorson ("Celeste")
- Andi McClure @… ("Jumpman")
Note: I haven't included composers or artists here, but there's a deep bench.
Games journalists/steamers:
- Tanya DePass @… (#/INeedDiverseGames; twitch streams)
- Anita Sarkeesian (Feminist Frequency)
Game/play scholars:
- Mary Flanagan ("Critical Play")
- Tracy Fullerton ("Game Design Workshop")
- Brenda Laurel ("Toward the Design of a Computer-Based Interactive Fantasy System")
- Janet Murray ("Hamlet on the Holodeck"l
- Susana Tosca ("A Pragmatics of Links")
- Jichen Zhu ("Agency Play: Dimensions of Agency for Interactive Narrative Design")
- Magy Seif El Nasr ("Design patterns to guide player movement in 3D games")
- Kate Compton ("Causal Creators"; also "Spore")
P.S. upon consideration I've decided not to include any authors who are men in this coda.
There are definitely others who probably deserve to be here that I'm forgetting...
#GsmeDesign #Authors

I know everyone’s already dragging the living shit out of this already but 🤷🏻‍♀️:
All ICE/BP should have:
Clearly marked vehicles
Clearly marked names on uniforms (large TEXT for both)
ID/badges
Dismissal and/or prosecution for failing to comply.
QR codes are just unneeded “tech” complication
The current regime talks a lot of shit about ID being required to vote, but is fine with armed agents of the govt having less ID than a teen trying (and failing) to…

I must admit, it gives me joy to be able to order the following article from my university library: «Channelling the darkness: Group flow and environmental expression in the music of Black Sabbath and Joy Division»

"producing the feeling of knowing without the labor of judgement"
https://arxiv.org/abs/2512.19466
oh what a great line

Epistemological Fault Lines Between Human and Artificial Intelligence
Large language models (LLMs) are widely described as artificial intelligence, yet their epistemic profile diverges sharply from human cognition. Here we show that the apparent alignment between human and machine outputs conceals a deeper structural mismatch in how judgments are produced. Tracing the historical shift from symbolic AI and information filtering systems to large-scale generative transformers, we argue that LLMs are not epistemic agents but stochastic pattern-completion systems, for…