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@mgorny@social.treehouse.systems
2025-08-10 18:04:46

"""
But there is no certainty that madness was content to sit locked up in its immutable identity, waiting for psychiatry to perfect its art, before it emerged blinking from the shadows into the blinding light of truth. Nor is it clear that confinement was above all, or even implicitly, a series of measures put in place to deal with madness. It is not even certain that in this repetition of the ancient gesture of segregation at the threshold of the classical age, the modern world was aiming to wipe out all those who, either as a species apart or a spontaneous mutation, appeared as 'asocial'. The fact that the internees of the eighteenth century bear a resemblance to our modern vision of the asocial is undeniable, but it is above all a question of results, as the character of the marginal was produced by the gesture of segregation itself. For the day came when this man, banished in the same exile all over Europe in the mid-seventeenth century, suddenly became an outsider, expelled by a society to whose norms he could not be seen to conform; and for our own intellectual comfort, he then became a candidate for prisons, asylums and punishment. In reality, this character is merely the result of superimposed grids of exclusion.
The gesture that proscribed was as abrupt as the one that had isolated the lepers, and in both cases, the meaning of the gesture should not be mistaken for its effect. Lepers were not excluded to prevent contagion, any more than in 1657, 1 per cent of the population of Paris was confined merely to deliver the city from the 'asocial'. The gesture had a different dimension: it did not isolate strangers who had previously remained invisible, who until then had been ignored by force of habit. It altered the familiar cityscape by giving them new faces, strange, bizarre silhouettes that nobody recognised. Strangers were found in places where their presence had never previously been suspected: the process punctured the fabric of society, and undid the familiar. Through this gesture, something inside man was placed outside of himself, and pushed over the edge of our horizon. It is the gesture of confinement, in short, which created alienation.
"""
(Michel Foucault, History of Madness)

@jamesthebard@social.linux.pizza
2025-09-10 17:48:32

The Pathfinder 2E character sheet continues. The current "components" are all now linked to actual character sheet data. The skill functions all do what they're supposed to including some interesting edge cases. The ability scores can be edited, and the sheet auto-updates which took longer than it should have. I'm still not a fan of JavaScript/Vue though.
#programming

The current state of the character sheet.  The Stats and Skill blocks are populated and calculating, and the Saves block is still in progress.
A screenshot of the character sheet data.  It's currently inside the JS code because I haven't moved it out yet.  Fairly simple.
@leftsidestory@mstdn.social
2025-09-12 00:30:00

On The Road - To Xi’An/ Silhouette 👤
在路上 - 去西安/ 轮廓 👤
📷 Pentax MX
🎞️Lucky SHD 400
#filmphotography #Photography #blackandwhite

Lucky Lucky SHD 400 (FF)

English Alt Text:
A black-and-white photo features a single streetlight pole with two lamps extending outward, set against a dramatic, cloud-filled sky. The clouds are thick and textured, suggesting stormy weather. The composition is minimalistic, focusing on the contrast between the solitary pole and the moody sky.

中文替代文字:
这张黑白照片中,一根路灯杆矗立在画面中央,顶部两盏灯向两侧伸展。背景是密布的厚重云层,暗示可能有暴风雨。画面构图极简,强调孤独的路灯与阴沉天空之间的对比。
Lucky Lucky SHD 400 (FF)

English Alt Text:
A black-and-white photo shows a row of curved streetlights lining the edge of an elevated highway. The perspective is from below, emphasizing the repetition and symmetry of the lights against a cloudy sky. On the left, buildings peek into the frame, and at the bottom, part of a vehicle roof is visible. The mood is quiet and minimalistic, highlighting urban infrastructure.

中文替代文字:
这是一张黑白照片,拍摄的是高架公路边缘一排弯曲的路灯。画面从下方仰视,突出了路灯的重复和对称美感。左侧有部分建筑物,底部可见一辆车的车顶。整体…
Lucky Lucky SHD 400 (FF)

English Alt Text:
A black-and-white photo shows a traditional Chinese building with ornate, tiered roofs in the background. In front, a busy street is filled with cars, buses, motorcycles, and pedestrians. Streetlights and traffic signals add to the urban atmosphere. The image contrasts heritage architecture with modern city life.

中文替代文字:
这是一张黑白照片,背景是一座具有多层飞檐的中国传统建筑。前方街道车流密集,包括汽车、公交车、摩托车和行人。街灯和交通信号灯增强了城市氛围。画面呈现传统建筑与现代生活的对比。
Lucky Lucky SHD 400 (FF)

English Alt Text:
A black-and-white image captures a busy street passing through a large stone wall with battlements and flags. Two arched gateways allow cars and motorcycles to pass. The scene blends ancient architecture with modern urban life.

中文替代文字:
这张黑白照片展示了一条繁忙街道穿过一座带有城垛和旗帜的巨大石墙。墙上有两个拱形门洞,车辆和摩托车穿行其中。画面融合了古代建筑与现代城市生活。
@blakes7bot@mas.torpidity.net
2025-08-08 12:06:26

Series C, Episode 06 - City at the Edge of the World
TARRANT: [V.O.] Are you sure, Cally?
CALLY: Unless they're hiding. But why should they hide?
TARRANT: [V.O.] I don't know. Maybe outsiders -
blake.torpidity.net/m/306/77 B7B3

Claude 3.7 describes the image as: "The image shows a person with curly dark hair wearing a cream-colored outfit with dark accents against a rocky backdrop. The clothing style and the film quality suggest this is from a classic science fiction television production, likely from the late 1970s or early 1980s based on the aesthetic. 

The setting appears to be an outdoor location with stone or rock formations creating a somewhat stark, possibly alien landscape. The costume has a distinctive desig…
@lysander07@sigmoid.social
2025-07-24 13:00:20

This week's ISE 2025 lecture was focussed on artificial neural networks. In particular, we were discussing how to get rid of manual feature engineering and doing representation learning from raw data with convolutional neural networks.
#AI #ArtificialNeuralNetworks

Slide from the ISE 2025 lecture on Neural Networks and Deep Learning.
Imagine you want to detect cats in images. Of course you have to consider that not every cat looks alike. Moreover, its position in the picture, the distance (size), the illumination/lighting, potential occlusion, etc. have to be considered. For this reason, originally well suited features had to be extracted from the images, which allowed to consider all these requirements. Nowadays, there is no need for this manual feature …
@ErikJonker@mastodon.social
2025-08-17 14:21:10

Read all about Chatcontrol and why we should resist it. This sentence is extremely scary.... "Specifically, this AI will have to be built by WhatsApp/Meta so they can monitor us on behalf of the EU" 😱
berthub.eu/articles/posts/chat

@arXiv_csCG_bot@mastoxiv.page
2025-06-17 09:19:27

Tight Routing and Spanning Ratios of Arbitrary Triangle Delaunay Graphs
Prosenjit Bose, Jean-Lou De Carufel, John Stuart
arxiv.org/abs/2506.12625

@blakes7bot@mas.torpidity.net
2025-06-19 09:09:48

Series C, Episode 06 - City at the Edge of the World
DAYNA: You should have killed them.
AVON: Probably.
CALLY: They could sleep through a war.
TARRANT: That's good, because if it is Bayban down there, a war is what we'll have.
blake.torpidity.net/m/306/416

@arXiv_mathST_bot@mastoxiv.page
2025-08-15 08:24:52

Online selective conformal inference: adaptive scores, convergence rate and optimality
Pierre Humbert, Ulysse Gazin, Ruth Heller, Etienne Roquain
arxiv.org/abs/2508.10336

@blakes7bot@mas.torpidity.net
2025-06-13 06:00:45

#Blakes7 Series C, Episode 06 - City at the Edge of the World
KERRIL: No! You can push people too far.
SHERM: You should remember that.
KERRIL: I said people, not garbage.
SHERM: Garbage!
BAYBAN: Kerril - Sherm - out. [Kerril and Sherm leave]