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@stephane_klein@social.coop
2025-07-11 16:24:14

Une extension browser pour exporter ses threads Claude.ia et ChatGPT
#claude

@macandi@social.heise.de
2025-07-11 13:25:00

Apple arbeitet an erstem Chatbot – aber nur für den Support
Bislang weigert sich der iPhone-Hersteller, eigene Konkurrenten für ChatGPT, Claude und Co. zu implementieren. Für eine Teilanwendung könnte sich das ändern.

@Techmeme@techhub.social
2025-06-09 05:05:37

Cloudflare open sourced an OAuth library mostly written by Claude, showing how AI handles mechanical implementation while humans guide with context and judgment (Max Mitchell)
maxemitchell.com/writings/i-re

@kidehen@mastodon.social
2025-05-13 16:17:48

An example of what’s now possible—thanks to our (@…) sophisticated MCP Server for JDBC, Oracle’s native JDBC Driver, and Anthropic's Claude Desktop as the MCP client:
A dashboard generated from Oracle’s HR database using the following natural language prompt:
Using JDBC with the following connection details:
URL: jdbc:oracle:thin:@oracle-h…

Employee Dashboard example
@blakes7bot@mas.torpidity.net
2025-07-13 21:18:51

Series B, Episode 05 - Pressure Point
JENNA: You're suggesting that we go into the Forbidden Zone and attack Control?
BLAKE: Yes, that is what I am suggesting.
CALLY: Do we know where this computer complex is?
JENNA: Most Earth people have heard of it.
blake.torpidity.net/m/205/49

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two women in what looks like a futuristic setting with a distinctive sci-fi interior backdrop. One woman has shorter dark hair and is wearing a blue outfit, while the other has blonde hair styled in a 1970s fashion and is wearing a dark outfit with decorative elements. The setting appears to be inside a spacecraft or futuristic facility, with characteristic retro-futuristic …
@metacurity@infosec.exchange
2025-06-05 08:43:52

Reddit sues AI company Anthropic for allegedly ‘scraping’ user comments to train chatbot Claude
apnews.com/article/reddit-sues

@kubikpixel@chaos.social
2025-06-02 06:00:25

Analysis – When your LLM calls the cops: Claude 4’s whistle-blow and the new agentic AI risk stack
🤖 venturebeat.com/ai/when-your-l

@aredridel@kolektiva.social
2025-06-11 17:28:41

Dudes who give more credit to claude than their coworkers smdh

@michabbb@social.vivaldi.net
2025-07-10 15:41:45

🔧 #ccundo – Intelligent undo for Claude Code sessions
* Reads directly from Claude Code session files to track operations
* Provides granular undo/redo with cascading safety & detailed previews
* Supports file edits, creations, deletions & bash commands
* Zero configuration – works out of the box

@Techmeme@techhub.social
2025-07-05 21:25:55

A developer details how he shipped Context, a native macOS app that was almost 100% built using Claude Code (Indragie Karunaratne/My Portfolio)
indragie.com/blog/i-shipped-a-

@blakes7bot@mas.torpidity.net
2025-07-13 18:16:48

Series B, Episode 02 - Shadow
AVON: The explosion in the planet's atmosphere would have provided the rest.
BLAKE: Yes, I hadn't thought of that.
blake.torpidity.net/m/202/602 B7B5

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. The scene shows three people dressed in similar white outfits with belts in what looks like a desert or rocky terrain setting. The costumes have a distinctive retro sci-fi aesthetic typical of productions from that era.

The group appears to be in some kind of tense situation, possibly on an alien planet or remote location. One person on the left is examining…
@cwensel@fosstodon.org
2025-05-27 04:08:30

I tried to convince #Claude Code #ai to write a #docker sandbox to run it in. Here are the results.

@adamhill@hachyderm.io
2025-06-07 19:16:59

The future's so bright, I gotta wear 😎
#work #future cc: @…

@blakes7bot@mas.torpidity.net
2025-07-13 12:11:57

Series D, Episode 04 - Stardrive
DAYNA: Shut up! Be quiet! [Sound of engines approaching] What is it?
VILA: How should I know? [Two Space Rats approach on three-wheeled ATV's.]
DAYNA: What are they?
VILA: THEY are the Space Rats.
blake.torpidity.net/m/404/209 B7…

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be an outdoor setting with rocky terrain. One person is wearing dark clothing and appears to be holding some kind of device or equipment, while another person in lighter colored clothing is positioned behind them near a large moss-covered rock formation. The setting looks rugged and natural, with an overcast sky visible in the background. The scene has the production quality typical of science fiction television …
@macandi@social.heise.de
2025-07-09 11:23:00

Wenn die KI eine Mac-App programmiert: Entwickler berichtet über Erfahrungen
Ein erfahrener Mac-Entwickler hat eine komplexe App nahezu komplett von Claude Code erschaffen lassen. Jetzt berichtet er über seine Erfahrungen mit der KI.

@Techmeme@techhub.social
2025-06-05 20:30:48

Anthropic co-founder Jared Kaplan says Anthropic cut Windsurf's direct access to Claude models because of reports that OpenAI is acquiring Windsurf (Maxwell Zeff/TechCrunch)
techcrunch.com/2025/06/05/anth

@arXiv_csCY_bot@mastoxiv.page
2025-06-09 07:25:02

Can LLMs Talk 'Sex'? Exploring How AI Models Handle Intimate Conversations
Huiqian Lai
arxiv.org/abs/2506.05514

@adrianco@mastodon.social
2025-07-04 21:37:04

I wrote some iPhone apps in Objective C in the early days, it was hard, I stopped about 15 years ago. Now I’m building a native Swift app with a voice based interface using Claude to write the code, and a Claude-flow agent swarm to create plans and architecture and more complex implementation steps. It’s fun, it works on my phone, and all I have to do is say what I want in steps small enough that I can tell I got it. Follow along at

@mgorny@social.treehouse.systems
2025-07-05 18:35:18

To whomever praises #Claude #LLM:
ClaudeBot has made 20k requests to bugs.gentoo.org today. 15k of them were repeatedly fetching robots.txt. That surely is a sign of great code quality.
#AI

@michabbb@social.vivaldi.net
2025-07-10 15:41:45

🎯 #ClaudePoint – The safest way to “live code” with Claude Code
* Creates instant checkpoints of your codebase for fearless experimentation
* Direct MCP integration with Claude Code & Desktop
* Tracks development history with automatic changelog
* Smart compression with gitignore awareness

@mgorny@pol.social
2025-07-05 18:36:35

Jak ktoś chwali sobie #Claude #LLM, to wspomnę:
ClaudeBot dziś wykonał 20 tysięcy żądań do bugs.gentoo.org. Spośród nich, 15 tysięcy w kółko ciągnęło plik robots.txt. Zaprawdę wysokiej jakości kod.
#AI

@blakes7bot@mas.torpidity.net
2025-07-12 12:19:29

Series B, Episode 05 - Pressure Point
KASABI: You think so?
SERVALAN: Oh, yes, we think so.
TRAVIS: You could spare yourself a lot of pain.
KASABI: No doubt.
TRAVIS: You are a very intelligent woman.
blake.torpidity.net/m/205/152 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing what looks like a medical or laboratory setting. There's a person in what appears to be a green/olive colored uniform or medical garment, and another figure in white (possibly medical attire) in the background. The setting has a clinical, futuristic appearance with clean white surfaces and lighting typical of sci-fi medical facilities. However, I cannot identify the spec…
@arXiv_csCL_bot@mastoxiv.page
2025-07-10 09:53:11

Expediting data extraction using a large language model (LLM) and scoping review protocol: a methodological study within a complex scoping review
James Stewart-Evans, Emma Wilson, Tessa Langley, Andrew Prayle, Angela Hands, Karen Exley, Jo Leonardi-Bee
arxiv.org/abs/2507.06623

@Mediagazer@mstdn.social
2025-06-24 14:25:45

A US judge rules Anthropic use of copyrighted books to train AI was fair use, but its storage of pirated books in a "central library" used for training was not (Olivia Sophie Rafferty/ai fray)
aifra…

@mariyadelano@hachyderm.io
2025-07-07 16:26:18

For context - I didn't write that prompt or feed particularly bad input to prove my point. I was trying out Claude, which so many people tell me is "the good" LLM product and above-and-beyond.
This prompt was written by Anthropic's own team, and featured in their gallery of web apps that can be built with this AI.
THEY THINK THIS IS GOOD!

@Techmeme@techhub.social
2025-06-04 02:30:49

Windsurf says Anthropic is limiting its direct access to its AI models, including the newest Claude 4 family and the highly popular Claude 3 models (Maxwell Zeff/TechCrunch)
techcrunch.com/2025/06/03/wind

@matzeschmidt@masto.ai
2025-07-09 07:12:06

Am 19. Juni 1945 hatte der alte Mann Philippe Pétain vielleicht in seiner Gefängniszelle im Fort de Montrouge noch Stuhlgang; Claude Rains hatte ungefähr drei jahre zuvor beim Dreh für Casablanca ein Flasche „#Vichy Water” in den Papierkorb geworfen. Das Foto wurde mit einer digitalen Kamera aufgenommen, 23mm, 1.0 Sek. f/2,8 ISO 51200 5000 K, Selbstauslöser,

@arXiv_csSE_bot@mastoxiv.page
2025-07-10 08:09:41

Evaluating Efficiency and Novelty of LLM-Generated Code for Graph Analysis
Atieh Barati Nia, Mohammad Dindoost, David A. Bader
arxiv.org/abs/2507.06463

@blakes7bot@mas.torpidity.net
2025-07-13 06:07:28

#Blakes7 Series A, Episode 02 - Space Fall
VILA: Now I want to show you a little trick here. Right, Gan. You know this one.
DAINER: Now, I'll watch carefully this time.
VILA: Right, now watch carefully, watch the old piece of cloth, right... And a one...

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spacecraft or space station corridor with characteristic futuristic wall panels and lighting. The setting has the typical industrial, utilitarian design aesthetic of science fiction television from this era. Three figures are visible in the scene - two appear to be wearing earth-toned, practical clothing that suggests they might be prisoners or rebels, while a third figure in darker clothing appears t…
@BBC3MusicBot@mastodonapp.uk
2025-06-12 07:26:00

🇺🇦 #NowPlaying on BBCRadio3's #Breakfast
Claude Debussy & Pierre‐Laurent Aimard:
🎵 La cathédrale engloutie (Preludes, Book 1)
#ClaudeDebussy #PierreLaurentAimard

@jswright61@ruby.social
2025-06-27 19:52:13

I’d rate myself an #AI skeptic to agnostic. I hadn’t used the tools at all, because I had problems w/ creation of the models: resource usage, & IP theft, were top of mind. Hallucinations a big issue too.
But I tried it, and even though I can’t set aside my concerns I’ll say I was impressed.
I used Claude to produce a Zsh prompt to replace one I’ve used for years using Oh My Zsh.
What …

@gadgetboy@gadgetboy.social
2025-07-07 15:25:32

I learned about WACZ files today. (Web Archive Collection Zipped)
I also learned that Claude can't process WACZ files without treating them as text, so my file is 3247% over the text entry limit. 🙄
I could use the API but by the time I configure that, I could just manually extract the text.

@camerontw@social.coop
2025-07-06 00:15:56

"here's a dialogue I had with Claude" is always half-way between
- man, I was so stoned last night, and, you know, have you wondered about [the bleeding obvious considered profound]..."
and
- "I had the weirdest dream; I was [and then, and then, and, I can't quite remember, but then]..."

@lil5@social.linux.pizza
2025-07-03 06:58:23

Are you enjoying the heatwave yet? Help it keep you warm with #Claude the next generation of home heating.
#cimatechange #webdev

@arXiv_hepth_bot@mastoxiv.page
2025-07-09 09:37:22

Double spacelike collinear limits from multi-Regge kinematics
Claude Duhr, Aniruddha Venkata, Chi Zhang
arxiv.org/abs/2507.05355

@blakes7bot@mas.torpidity.net
2025-06-12 12:32:04

Series B, Episode 07 - Killer
TYNUS: [Entering with food packages] I've got one for each of you. Hydrolyzed protein.
VILA: Thanks.
TYNUS: I've got to put it in the oven first.
AVON: Don't bother.
VILA: Lost our appetites suddenly.
blake.torpidity.net/m/207/506

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing two characters in what looks like a spacecraft or futuristic setting. One character is wearing a distinctive black leather outfit with metallic studs or decorative elements, while the other is dressed in more casual clothing and appears to be wearing headphones or some kind of communication device. The setting has a retro-futuristic aesthetic typical of British sci-fi producti…
@veit@mastodon.social
2025-05-06 09:21:14

Mein Vortrag für die Tübix wurde angenommen:
Wie uns LLMs beim Programmieren helfen
#LLM

@michabbb@social.vivaldi.net
2025-07-11 21:41:49

💻 Coding Performance:
• LiveCodeBench v6: 53.7 (beats Claude Opus 4's 47.4) 🏆 • SWE-bench Verified: 65.8% single-attempt (competitive with top models) • SWE-bench Multilingual: 47.3% (leading multilingual coding) • EvalPlus: 80.3 (state-of-the-art performance) 📈 • Pass@1 LiveCodeBench: 26.3

@blakes7bot@mas.torpidity.net
2025-06-12 09:27:02

Series B, Episode 12 - The Keeper
ROD: Brother - I will not call you Charl.
GOLA: Then I shall make you. [Blake enters]
JENNA: Blake!
BLAKE: Shhh!
GOLA: Who is this?
ROD: This is my second.
blake.torpidity.net/m/212/472 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with characters in period or fantasy-style costumes. The setting appears to be indoors with ornate decorative elements visible in the background. The characters are wearing elaborate clothing with metallic details and fur trim, suggesting this might be from an episode with a historical or fantasy theme. The lighting and production style is ch…
@Techmeme@techhub.social
2025-06-25 23:16:27

Anthropic now lets Claude app users build, host, and share AI-powered apps directly in Claude via Artifacts, launching in beta on Free, Pro, and Max tiers (Jay Peters/The Verge)
theverge.com/news/693342/anthr

@blakes7bot@mas.torpidity.net
2025-06-12 06:06:05

#Blakes7 Series B, Episode 06 - Trial
SERVALAN: I was watching Samor. What Travis said bothered him!
THANIA: You were watching?
blake.torpidity.net/m/206/485 B7B1

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene in a minimalist, futuristic setting with white walls featuring a geometric pattern. The scene depicts two people in a formal conversation across what appears to be a control console or technical device with buttons and a circular display.

On the left is a person with short dark hair wearing a white outfit, shown from behind. On the right stands someone in a fitted black leathe…
@michabbb@social.vivaldi.net
2025-07-11 21:41:52

🆚 How It Stacks Up
• Kimi K2 🚀 — LCB v6: 53.7 🏅 | SWE: 65.8 % | Open Source: ✅ | Cost: 💸 Low
• Claude Opus 4 🎻 — LCB v6: 47.4 | SWE: 72.5 % | Open Source: 🚫 | Cost: 💰💰 High
• GPT-4.1 🤖 — LCB v6: 44.7 | SWE: 54.6 % | Open Source: 🚫 | Cost: 💰 Medium

@blakes7bot@mas.torpidity.net
2025-06-12 18:36:37

Series A, Episode 08 - Duel
BLAKE: Seen any sign of Travis?
JENNA: Have you?
BLAKE: No. We'd better make ourselves some weapons.
[LATER - Blake is sharpening two stakes into spears with his machete]
blake.torpidity.net/m/108/321 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like an outdoor setting with trees in the background. The image has the characteristic film quality and styling typical of British television from the late 1970s or early 1980s. One person is wearing what appears to be a burgundy or wine-colored top with a metallic chain necklace, while the other is dressed in what looks like a light-colored jacket o…
@mariyadelano@hachyderm.io
2025-07-07 16:27:08

Also, why did we build technology that requires extreme levels of flattery to function?
I don't want to tell my computer that they are "the world's best" at ANYTHING to get them to do tasks. Why does Claude need to be told that you believe in it?
It's so dumb.

@blakes7bot@mas.torpidity.net
2025-06-12 15:34:21

Series A, Episode 01 - The Way Back
BLAKE: I have to think.
FOSTER: Of course. We'll talk after the meeting.
BLAKE: Hmm.
DEV TARRANT: What do you think?
blake.torpidity.net/m/101/89 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing two men in what looks like a futuristic or medieval-style setting. One man has blonde hair and is wearing what appears to be a light-colored vest or tunic, while the other has darker hair and is dressed in more elaborate clothing with metallic or chainmail-like material. The setting appears to be indoors with other figures visible in the background. The lighting and prod…
@matzeschmidt@masto.ai
2025-07-09 07:21:16

#Photography of the night sky above Creuzier-le-Vieux near #Vichy in France (Europe) at June 19, 2025 about 1:30 am. On June 19, 1945 the old man Philippe Pétain maybe had a bowl movement in his prison cell in Fort de Montrouge; Claude Rains threw a bottle of "Vichy Water" into the trash can at the fi…

@BBC3MusicBot@mastodonapp.uk
2025-07-13 17:46:00

🇺🇦 #NowPlaying on BBCRadio3's #WordsAndMusic
Claude Debussy & Emmanuel Pahud:
🎵 Syrinx
#ClaudeDebussy #EmmanuelPahud
open.spotify.com/track/1BPdFZX

@Techmeme@techhub.social
2025-06-26 09:50:46

Anthropic releases preliminary results showing users who discuss emotional issues with Claude tend to grow more positive as conversations progress (Megan Morrone/Axios)
axios.com/2025/06/26/anthropic

@blakes7bot@mas.torpidity.net
2025-06-13 12:05:31

Series D, Episode 11 - Orbit
PINDER: Egrorian? Egrorian? They're here! Come and see. [Egrorian enters. He slaps Pinder away from the monitor. They look at the monitor and laugh hysterically.]
[Back on Scorpio]
blake.torpidity.net/m/411/9 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a futuristic medical facility or laboratory, with clean white walls and advanced-looking equipment visible in the background. The setting has the distinctive sterile, high-tech aesthetic typical of science fiction productions from this era. An elderly man with grey curly hair is seated at what looks like a examination or work table, wearing casual clothing. The scene appears to be from a dramatic mome…
@blakes7bot@mas.torpidity.net
2025-06-13 21:12:45

Series C, Episode 05 - The Harvest of Kairos
SERVALAN: What?
JARVIK: I made it look convincing.
SERVALAN: Oh, it was convincing all right. It convinced me. Three Mark Tens and fifteen years' supply of Kairopan.
blake.torpidity.net/m/305/331 B7B6

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic setting with green mesh or grid-like walls in the background. One person is wearing an elaborate white outfit with dramatic ruffled or wing-like sleeves and appears to have short dark hair. The other person is wearing what looks like a blue and gray uniform or jacket. The setting has a science fiction aesthetic typical of television productions from that era, with the distinctive green metallic me…
@blakes7bot@mas.torpidity.net
2025-06-13 18:10:13

Series A, Episode 10 - Breakdown
BLAKE: We'll just have to take the chance.
JENNA: Thanks.
blake.torpidity.net/m/110/431 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two characters in what looks like a spacecraft or futuristic setting. One character is wearing dark clothing and has curly dark hair, while the other has blonde/light colored hair and is wearing a distinctive black outfit with metallic studs or decorative elements and what appears to be silver trim. The setting has the characteristic look of 1970s sci-fi production design, w…
@Techmeme@techhub.social
2025-07-10 12:11:22

Artificial Analysis' benchmarks show Grok 4 is the leading AI model, a first for xAI, and its per-token pricing is more expensive than Gemini 2.5 Pro and o3 (@artificialanlys)
x.com/artificialanlys/status/1

@BBC3MusicBot@mastodonapp.uk
2025-07-13 17:43:55

🇺🇦 #NowPlaying on BBCRadio3's #WordsAndMusic
Claude Debussy & Emmanuel Pahud:
🎵 Syrinx
#ClaudeDebussy #EmmanuelPahud
open.spotify.com/track/1BPdFZX

@michabbb@social.vivaldi.net
2025-07-10 15:41:46

💡 Both tools solve the “oops” moment when Claude Code
Changes go wrong

github.com/RonitSachdev/ccundo

@BBC3MusicBot@mastodonapp.uk
2025-07-12 11:56:44

🇺🇦 #NowPlaying on BBCRadio3's #EarlierWithJoolsHolland
Claude Debussy & Alban Berg Quartett:
🎵 String Quartet in G minor, Op 10 (3rd mvt)
#ClaudeDebussy #AlbanBergQuartett

@Techmeme@techhub.social
2025-06-04 13:21:31

ChatGPT-4o, Claude 3.7 Sonnet, Gemini 2.0 Flash, Llama 4, and Copilot comparison: Claude was the best overall with the highest consistency and no hallucinations (Geoffrey A. Fowler/Washington Post)
washingtonpost.com/technology/

@BBC3MusicBot@mastodonapp.uk
2025-07-12 11:53:45

🇺🇦 #NowPlaying on BBCRadio3's #EarlierWithJoolsHolland
Claude Debussy & Alban Berg Quartett:
🎵 String Quartet in G minor, Op 10 (3rd mvt)
#ClaudeDebussy #AlbanBergQuartett

@blakes7bot@mas.torpidity.net
2025-07-11 18:29:27

Series D, Episode 09 - Sand
SLAVE: Er, slipping, Master.
AVON: Soolin, take over.
SOOLIN: Give me manual control, Slave. [Goes to the flight controls]
SLAVE: With great relief, Madam. I am somewhat disorien- disor- confused.
VILA: Sounds drunk to me.
blake.torpidity.net/m/409/82

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, showing three people in distinctive futuristic costumes on what looks like a spacecraft set with metallic walls and control panels. The scene features a person on the left wearing a black outfit with a distinctive white collar design, a central figure in a light gray uniform with a belt, and a person on the right in a white/cream-colored outfit. The costumes have that characteristic 1980s …
@Techmeme@techhub.social
2025-06-24 14:23:54

A US judge rules Anthropic use of copyrighted books to train AI was fair use, but its storage of pirated books in a "central library" used for training was not (Olivia Sophie Rafferty/ai fray)
aifra…

@blakes7bot@mas.torpidity.net
2025-07-11 15:27:15

Series D, Episode 01 - Rescue
TARRANT: Ten seconds.
AVON: Main drives running true.
TARRANT: All drives on. Lift you scruffy bag of bolts. Lift.
[Planet Scorpio. Exterior. Scorpio lifts off.]
TARRANT: Orbital booster fired.
blake.torpidity.net/m/401/205 B7B4

Claude 3.7 describes the image as: "The image shows two people in what appears to be a spacecraft control room or flight deck. On the left, a person wearing a burgundy/red outfit with dark curly hair is leaning back with hands behind their head. On the right, another person in a dark jacket with a patterned collar is pointing at something, seemingly operating controls.

In the foreground, there's a white, circular control panel or console with textured, ridge-like patterns. The set has a distin…
@blakes7bot@mas.torpidity.net
2025-07-11 12:25:03

Series B, Episode 06 - Trial
BLAKE: All right, Zen, you know what to do.
ZEN: Confirmed. [Blake exits as Jenna enters from a different passage.]
JENNA: Blake? [Blake continues out without reacting.] It's getting worse for him, isn't it?
blake.torpidity.net/m/206/93

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series set on what appears to be a spacecraft or control room. The foreground shows a person wearing a brownish-olive outfit with a utility belt, standing near what looks like a control console. In the background, another figure can be seen wearing a metallic-looking jacket, standing in a more shadowed area of the set.

The futuristic set design features angled walls, technical equipment, and distinct…
@blakes7bot@mas.torpidity.net
2025-07-11 09:22:57

B02 - Shadow
BEK: What's in it for you?
BLAKE: You can help me with one of my crew. His name's Vila and he's suffering from a bad attack of alcoholic remorse. [Into bracelet] All right, Cally. [To them] He wants to make a necklace of his teeth.
blake.torpidity.net/m/202/321

Claude Sonnet 4.0 describes the image as: "I can see three people in what appears to be a futuristic or institutional setting with white/light colored walls and geometric patterns. They're wearing similar olive or khaki-colored clothing that looks like uniforms or simple garments. The individuals appear to be having a conversation, with one person in the center appearing to listen while the other two are engaged in discussion. The setting has a sterile, possibly medical or detention facility ap…
@Techmeme@techhub.social
2025-07-01 06:25:47

An interview with Claude AI product lead Scott White on Claude Code writing 90% of its own code, MCP, coding being accessible to non-technical workers, and more (Michael Nuñez/VentureBeat)
venturebeat.com/ai/from-chatbo

@blakes7bot@mas.torpidity.net
2025-06-11 15:18:45

Series A, Episode 03 - Cygnus Alpha
GAN: As long as the door doesn't break.
VILA: Did you see? They killed Arco.
BLAKE: I don't understand. There's no response from the ship.
VILA: Perhaps these bracelets don't work any more.
blake.torpidity.net/m/103/543

Claude 3.7 describes the image as: "The image shows three people in what appears to be a dimly lit, industrial or spacecraft-like setting. They're wearing period costume that suggests a science fiction production from the late 1970s or early 1980s. The individuals are dressed in earth-toned clothing including vests and collared shirts, appropriate for a space-based drama. The composition shows them in close proximity, seemingly in the middle of a tense or important conversation. The lighting an…
@blakes7bot@mas.torpidity.net
2025-06-11 09:14:27

Series C, Episode 04 - Dawn of the Gods
AVON: Our hero lives.
TARRANT: At least he didn't try to get into a spacesuit.
AVON: I look upon self-interest as my great strength. Vila.
TARRANT: One day, Avon, I may have to kill you.
blake.torpidity.net/m/304/107

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television production from the late 1970s or early 1980s, based on the visual style and production quality. 

The setting looks like the interior of a spacecraft or space station with curved walls and minimalist design elements typical of sci-fi of that era. Two people are visible in the frame - one person in a light-colored shirt standing and gesturing to another person wearing dark clothing w…
@blakes7bot@mas.torpidity.net
2025-06-11 06:05:53

#Blakes7 Series D, Episode 02 - Power
VILA: No. Must be brain warp. Think I'll just go off and die somewhere. [starts to exit]
TARRANT: Vila.
VILA: What?
TARRANT: The door.
VILA: Which door?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like futuristic costume design typical of late 1970s/early 1980s British sci-fi productions. The person is wearing what appears to be a light-colored outfit with darker trim or detailing, and the lighting and film quality are characteristic of that era's television production values. The setting appears to be an interior space, possibly a spacecraft or …
@Techmeme@techhub.social
2025-07-01 18:45:47

Sources: Anthropic's revenue hit a pace of $4B/year, up almost 4x from the beginning of 2025; Cursor maker Anysphere has poached two of Claude Code's leaders (The Information)
theinformation.com/articles/an

@Techmeme@techhub.social
2025-06-05 13:45:38

Anthropic unveils a new set of Claude Gov models tailored for US national security customers and designed to be applied to planning, analysis, and more (Kyle Wiggers/TechCrunch)
techcrunch.com/2025/06/05/anth

@blakes7bot@mas.torpidity.net
2025-07-10 18:15:20

Series B, Episode 07 - Killer
GAMBRILL: They just started to act strangely, vague, wandering about, then they went into convulsions. They're in the sick bay now.
BELLFRIAR: That could be a space contamination, you'd better get me the sick bay at once.
blake.torpidity.net/m/207/365

Claude Sonnet 4.0 describes the image as: "I can see two figures in what appears to be a futuristic interior setting with clean, white and beige walls typical of science fiction production design. One person is wearing a distinctive all-white outfit with puffy, padded segments and a high collar that gives it an almost ceremonial or protective appearance. The other figure is dressed in white with some dark trim details. The lighting and set design create a sterile, high-tech atmosphere character…
@Techmeme@techhub.social
2025-06-27 22:35:57

Anthropic tested Claude's ability to manage a physical "storefront" to mixed results, as the AI struggled with pricing strategy and inventory management (Ryan Daws/AI News)
artificialintelligence-news.co

@blakes7bot@mas.torpidity.net
2025-07-10 15:13:10

Series D, Episode 03 - Traitor
PRACTOR: A live target general?
GENERAL: Sleer's people picked up a rebel who'd been sent on an intelligence mission. He was adapted, given a tracer to swallow and sent back to rejoin his friends. When he reached their base, my missile commander just pressed the button.
blake.torp…

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a futuristic command center or ship interior with distinctive red and silver/gray color scheme. Three individuals are present, all wearing similar dark military-style uniforms with metallic accents and trim. The uniforms have a formal, high-ranking appearance with structured shoulders and decorative elements.

Two officers are standing while one is seated at what looks like a control console or table with col…
@blakes7bot@mas.torpidity.net
2025-06-10 09:14:56

Series A, Episode 05 - The Web
GEELA: [Touches Avon's hand with her weapon. She releases his hand.] Minimum power. A full charge would cut you in half.
NOVARA: Understand. Your lives are totally unimportant to us.
BLAKE: All right.
blake.torpidity.net/m/105/484

Claude 3.7 describes the image as: "The image shows a close-up of a person with dark, short hair wearing what appears to be a gray or silver jacket with a high collar. They have an intense or concerned expression on their face. The lighting gives the scene a somewhat dark, muted tone with greenish hues in the background.

This appears to be from a science fiction television production from the late 1970s or early 1980s, based on the visual style and filming quality. The setting seems to be some…
@blakes7bot@mas.torpidity.net
2025-06-10 06:12:50

#Blakes7 Series A, Episode 04 - Time Squad
AVON: Good. Moving to line up. Right lateral, minimum power.
VILA: Too much. You're overshooting.
AVON: Left lateral. That's enough. Hold.
VILA: Square on.

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator, given the futuristic interior with curved walls and control panels visible in the background. The setting has the characteristic sleek, technological aesthetic of the series with muted lighting creating a serious atmosphere.

Two crew members are shown in what appears to be a tense or contemplative moment. One character is wearing the distinctive brown and beige Federation uniform …
@blakes7bot@mas.torpidity.net
2025-06-10 18:21:41

Series B, Episode 03 - Weapon
CLONE 2: Is there anything for us here?
RASHEL: Yes. We're free.
CLONE 2: Can we survive - alone?
blake.torpidity.net/m/203/532 B7B5

Claude Sonnet 4.0 describes the image as: "This appears to be a tense scene set in what looks like a spacecraft or space station corridor. The setting has the characteristic sterile, industrial aesthetic typical of science fiction productions from this era, with gray walls and functional lighting.

In the scene, there are three figures - one person wearing a distinctive olive-green uniform with a belt and equipment, suggesting they may be a guard or security officer. They appear to be confronti…
@blakes7bot@mas.torpidity.net
2025-06-10 15:19:30

Series A, Episode 09 - Project Avalon
AVALON: Who betrayed us?
TRAVIS: [To mutoids] Take her.
MUTOID: [Indicating homing beacon] Shall I smash it?
TRAVIS: No. Give Blake his homing beacon - make it easier for him. Finish it.
blake.torpidity.net/m/109/37 B7…

Claude 3.7 describes the image as: "The image shows a dark, atmospheric scene featuring a figure in what appears to be a black leather outfit with some kind of eye patch or facial covering. They are partially illuminated against a very dark background, creating a dramatic, shadowy effect. The costume includes what looks like fur trim visible in the lower right portion of the frame.

This appears to be from a science fiction production, with the styling and costume design suggesting a dystopian …
@blakes7bot@mas.torpidity.net
2025-07-09 18:22:05

Series B, Episode 02 - Shadow
CALLY: Scan.
ZEN: Gun ship. It is manoeuvering for attack position.
CALLY: Warn them off.
ZEN: Warning ignored.
CALLY: Compute coordinates, range blasters.
ZEN: Blasters ranged.
blake.torpidity.net/m/202/277 B7B5

Claude 3.7 describes the image as: "The image shows a person with short brown hair wearing a white garment with a decorative pattern at the neckline. They appear to be in what looks like a futuristic or sci-fi setting, with geometric shapes and angled panels visible in the background, which has a warm orange/pink tone.

The style of the costume and set design is characteristic of British television science fiction from the late 1970s to early 1980s, with its distinctive aesthetic and production…
@blakes7bot@mas.torpidity.net
2025-07-09 15:19:16

Series D, Episode 11 - Orbit
SOOLIN: Yes. Not too easy, at this range.
TARRANT: Yeah, well don't lose him. We need to get a precise fix on Egrorian's base.
DAYNA: Why? You think we might have to drop in on him?
blake.torpidity.net/m/411/92 B7B4

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a futuristic or sci-fi environment with metallic walls and technical equipment. Two people are examining or working with a large mechanical structure that has a ribbed or segmented design. One person with blonde hair is leaning over the structure while another person in a gray uniform-like outfit with a belt is standing and handling part of the mechanism.

The setting has the distinctive retro sci-fi aestheti…
@blakes7bot@mas.torpidity.net
2025-07-09 12:17:07

Series B, Episode 02 - Shadow
CALLY: [V.O.] Blake.
BLAKE: Yes, Cally.
CALLY: Has anyone found Orac yet?
BLAKE: [V.O.] No, I think we'll have to wait for Vila.
CALLY: Well, there may not be time for that.
blake.torpidity.net/m/202/349 B7B3

Claude 3.7 describes the image as: "The image shows a person with curly dark hair wearing what appears to be a green or olive-colored jacket with a distinctive collar. The background is blurred but suggests an indoor setting with warm, muted tones. The lighting and film quality have a distinctive vintage television production style that was common in British sci-fi programs from the late 1970s/early 1980s.

The person has a serious, contemplative expression and appears to be in a dramatic scene…
@blakes7bot@mas.torpidity.net
2025-07-09 06:12:38

#Blakes7 Series D, Episode 04 - Stardrive
PLAXTON: What's the matter with your main drive?
TARRANT: It's a museum piece.
PLAXTON: Standard fiber optic control connections?
AVON: Very standard.
blake.t…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set on the flight deck or bridge of the Liberator spacecraft. The futuristic set features the characteristic curved control console with its distinctive ribbed design and multiple monitor screens. Several crew members are positioned around the bridge - some seated at the control stations while others stand nearby. The setting has the typical gray and metallic color scheme of the ship's interior, with the multi-level bridge de…
@blakes7bot@mas.torpidity.net
2025-06-09 06:17:16

#Blakes7 Series B, Episode 01 - Redemption
JENNA: Look, we've been on the Liberator for a long time. The computers have never turned against us before. Why now?
AVON: That's what I was trying to find out when you sent for me. There's something else I'd like to try. [Burbles and gargles in two tones from Zen]

Claude 3.7 describes the image as: "This is a black and white image from a television production that appears to be from the late 1970s or early 1980s based on the styling. The image shows a person with voluminous, feathered blonde hair styled in a way typical of that era. They're wearing what looks like a patterned blouse or top with a pearl or beaded necklace. The expression appears somewhat serious or concerned, and the lighting creates a dramatic contrast typical of television productions f…
@blakes7bot@mas.torpidity.net
2025-06-09 18:26:03

Series B, Episode 05 - Pressure Point
TRAVIS: Come on, come on. Where were you to rendezvous with Blake?
KASABI: You can rot, Travis. I'll tell you nothing, nothing. [Kasabi spits on Travis. Travis crosses to Servalan.]
blake.torpidity.net/m/205/170 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this is a black and white scene showing two characters in what appears to be a dramatic confrontation. One figure wears an ornate, metallic costume with distinctive armor-like detailing, while the other is dressed in white with a wide-brimmed hat. The setting appears to be an interior space with clean, futuristic architecture typical of science fiction productions. The composition and lighting suggest this is a pivotal dramatic moment between…
@blakes7bot@mas.torpidity.net
2025-06-09 15:23:49

Series C, Episode 03 - Volcano
SERVALAN: What has gone wrong?
COMMANDER: [On viewscreen] Liberator is still firing. I'm retreating out of range. All ships take evasion course. I repeat, all ships disengage.
blake.torpidity.net/m/303/461 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The image shows a person with very short, dark hair and distinctive makeup, wearing what appears to be a light-colored garment. The setting appears to be some kind of futuristic or sci-fi environment with blurred lighting effects in the background. The cinematography and costume design ar…
@blakes7bot@mas.torpidity.net
2025-07-08 18:28:43

Series C, Episode 03 - Volcano
CALLY: [V.O. telepathy] Avon, listen. The enemy are on board. Avon.
AVON: Are they maintaining formation?
ZEN: Affirmative.
AVON: When will they be in range?
ZEN: They have been in range for one minute, eight seconds.
blake.torpidity.net/m/303/413

Claude Sonnet 4.0 describes the image as: "This image shows a scene set within what appears to be a spacecraft interior, characterized by the distinctive futuristic design elements typical of science fiction television from the late 1970s. The setting features curved metallic walls with circular details and technological panels, creating an appropriately sterile and advanced atmosphere.

The person in the scene is wearing a black leather outfit that has a sleek, military-style appearance fittin…
@blakes7bot@mas.torpidity.net
2025-07-08 15:26:30

Series C, Episode 03 - Volcano
BERSHAR: We do not come to the surface any more than we have to. The air is not very pleasant.
TARRANT: I've noticed. [Troopers come out of hiding, guns drawn.]
DAYNA: [Looks as Bershar] You?
blake.torpidity.net/m/303/316 B7B4…

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction TV production from the late 1970s or early 1980s. The scene shows three people in costume standing together in what looks like a set with stone or rock-like features. 

The person on the left wears a cream-colored top with pink/light-colored pants. The middle figure is dressed in a brown vest with decorative elements over a white shirt with billowy sleeves and brown pants. The person on the right is wear…
@blakes7bot@mas.torpidity.net
2025-07-08 12:24:41

Series B, Episode 01 - Redemption
[Flight deck]
BLAKE: Orac, why won't you give us the background to that prediction?
ORAC: Because that would invalidate the prediction.
blake.torpidity.net/m/201/6 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing a futuristic interior setting with sleek, metallic surfaces and dramatic lighting typical of sci-fi productions from that era. The scene takes place in what looks like a spacecraft or space station, with curved walls and technological elements visible in the background. The lighting creates an atmospheric, somewhat moody environment with blue and amber tones. The setting sug…
@blakes7bot@mas.torpidity.net
2025-07-08 06:20:19

#Blakes7 Series D, Episode 11 - Orbit
VILA: Hideaway? Avon, if I got my hands on that kind of money, I'd have gone somewhere I could enjoy it. What is the point of having money if you have to exist on a hole like that!
AVON: You are forgetting, there is a big difference between you and Egrorian. HE has a brain.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, based on the production style and visual effects. The scene shows a person in a light-colored tunic-style costume sitting in what looks like a spacecraft or space station interior. 

Behind them is a curved window or viewing screen displaying what appears to be a planet or moon against the darkness of space. The set design features white paneled walls typical…
@blakes7bot@mas.torpidity.net
2025-06-08 15:09:10

Series D, Episode 07 - Assassin
AVON: [V.O.] Scorpio, come in Scorpio.
TARRANT: Avon, what's happening?
AVON: [V.O.] Never mind what's happening. Just get me up as quickly as you can. [Cut to Domo]
NEBROX: You promised! You promised! [Back to Scorpio]
blake.torpidity.net/m/407/181

Claude 3.7 describes the image as: "This image shows a person with curly dark hair wearing a gray futuristic uniform with white/silver accents and decorative studs or buttons. They appear to be in what looks like a spacecraft or technological control room, with what seems to be a monitor or screen visible in the background. The setting has a distinctly retro sci-fi aesthetic typical of British television productions from the late 1970s to early 1980s. The costume design features the angular sho…
@blakes7bot@mas.torpidity.net
2025-06-08 09:04:49

Series D, Episode 05 - Animals
SERVALAN: Your work and the animals.
JUSTIN: My work is destroyed.
SERVALAN: Then you die. Both of you.
DAYNA: It's in his head. He said so.
blake.torpidity.net/m/405/386 B7B2

Claude 3.7 describes the image as: "This is a black and white image from a science fiction television production. The person in the image is wearing what appears to be a distinctive uniform or costume with a white collar and dark suspender-like elements. The setting seems to be a futuristic or spacecraft interior, with some geometric patterns visible in the background.

The image has the characteristic aesthetic of British science fiction television from the late 1970s or early 1980s, with mini…
@blakes7bot@mas.torpidity.net
2025-06-08 06:02:22

#Blakes7 Series B, Episode 01 - Redemption
AVON: Have you considered amputation?
[Blake and Cally meet in a corridor]
BLAKE: How's Jenna?
CALLY: Just shaken. She'll be back in the teleport as soon as she's recovered.
BLAKE: Good. Help Avon with Zen.

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction setting, wearing a distinctive dark leather or vinyl costume with metallic studs or decorative elements. They are seated in what looks like a high-backed chair or control station with light-colored padding visible behind them. The costume has a futuristic, somewhat militaristic style typical of classic science fiction television productions from the late 1970s or early 1980s. The lighting and fi…
@blakes7bot@mas.torpidity.net
2025-06-08 21:13:37

Series A, Episode 13 - Orac
CALLY: I'm sure.
[Scene: Gan is in a cabin. We see him listen to the following conversation over the intercom.]
BLAKE: [O.S.] Our only hope is if they have a supply on Aristo.
VILA: [O.S.] But if they don't?
blake.torpidity.net/m/113/60

Claude Sonnet 4.0 describes the image as: "This image shows a scene set aboard a futuristic spacecraft, with the characteristic sleek, technological interior design featuring metallic surfaces and angular lighting elements typical of science fiction television from this era. The setting appears to be part of the ship's main areas, with the distinctive architectural elements and color scheme that creates an advanced, sterile atmosphere. The lighting and set design emphasize the high-tech environ…
@blakes7bot@mas.torpidity.net
2025-06-08 18:11:25

Series B, Episode 13 - Star One
VILA: Minefield, what minefield?
AVON: Perhaps the intergalactic drive has been developed. Question is, by whom.
BLAKE: A defence zone to keep mankind in, or something else out.
blake.torpidity.net/m/213/231 B7B5

Claude 3.7 describes the image as: "This image shows a scene from a science fiction TV series set on what appears to be a spaceship bridge or control room. Several people are gathered around what looks like a control console or computer terminal. They're wearing distinctive 1970s-style sci-fi costumes in various earth tones - primarily leather and suede jackets in brown and olive green.

The retro futuristic set design features angular panels and technical elements typical of television science…
@blakes7bot@mas.torpidity.net
2025-07-07 06:04:35

#Blakes7 Series D, Episode 02 - Power
VILA: A sort of academy, when I was a boy. They chose me as technical advisor for the escape.
PELLA: Escape? From an academy?
VILA: Perhaps academy was the wrong word.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing two people in a futuristic setting. On the left is a person with short blonde hair wearing an elegant cream-colored draped gown with a distinctive metallic collar. They're facing another person on the right who is partially visible from behind, wearing a gray uniform with yellow shoulder detailing.

The scene takes place in what looks like a spacecraft or space station interior, with m…
@blakes7bot@mas.torpidity.net
2025-07-07 18:36:20

Series B, Episode 01 - Redemption
ALTA TWO: [To guard] Stop! [To slaves and guards] March on.
[Control room. Alta Two enters and she and Alta One touch the silver dots on their foreheads. The pedestal dome beeps, Alta Two places her hands on it, and it gargles. Blake is pushed into the room and Alta One motions him to a chair across from hers]

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, featuring a person in a futuristic costume. They're wearing a light blue high-necked outfit with silver metallic shoulder elements and what appears to be a small silver emblem on their forehead. The background shows a white tiled wall with some red markings visible, suggesting a technological or spacecraft interior setting.

The short-haired individual has a serious expression and appears to b…
@blakes7bot@mas.torpidity.net
2025-07-07 15:34:10

Series B, Episode 09 - Countdown
AVON: Approximately six million. It was colonized in the last century of the Old Calendar. At first they resisted political affiliation, but then they joined the Federation, and they have remained unswervingly loyal.
VILA: Then they're not likely to welcome us with open arms.

Claude Sonnet 4.0 describes the image as: "I can see two actors in what appears to be a futuristic spacecraft interior setting. The scene shows them in conversation, with one wearing earth-toned clothing and the other in a distinctive red leather outfit. The background features sleek, metallic surfaces with horizontal lines typical of science fiction set design from the late 1970s. The lighting and production values are characteristic of British television from that era. The actors appear to be…
@blakes7bot@mas.torpidity.net
2025-07-07 12:16:05

Series B, Episode 01 - Redemption
ALTA TWO: Sustained. Level five. [Guard uses prod on Blake again] Release. You were warned. A third time and I will command destruction level. Move.
[Exterior shot of Spaceworld]
[Jenna and Avon in a cell]
blake.torpidity.net/m/201/386

Claude Sonnet 4.0 describes the image as: "I can see this is a science fiction scene featuring a person in futuristic costume and makeup. The character appears to be wearing a metallic silver and light blue outfit with distinctive shoulder pieces, and has a metallic disc or emblem on their forehead. The setting looks like the interior of a spacecraft or futuristic facility, with control panels and technological equipment visible in the background. The lighting and production design are characte…
@blakes7bot@mas.torpidity.net
2025-06-07 09:09:56

Series A, Episode 02 - Space Fall
LEYLAN: We might save the other three.
RAIKER: Right. At least we'll have tried.
LEYLAN: Right. Get them equipped and bring 'em down here...
[Artix studies the controls, and heads for the communicator.]
blake.torpidity.net/m/102/565

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The image shows a person in what appears to be a dark-colored garment, photographed in what looks like a futuristic or institutional setting with metallic or technological elements visible in the blurred background. The lighting and cinematography are characteristic of British television …
@blakes7bot@mas.torpidity.net
2025-06-07 06:07:23

#Blakes7 Series B, Episode 04 - Horizon
BLAKE: Look at me, Jenna. Concentrate. The whole idea is - is to disorientate you.
JENNA: It doesn't seem to help.
BLAKE: When they ask questions, pretend you're dizzy.
JENNA: I AM dizzy.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing a person in what looks like a white or light-colored shirt or jacket against a dark background with green geometric framing elements. The lighting and visual style is characteristic of 1970s or early 1980s British television production. The setting appears to be some kind of interior space, possibly a spacecraft or futuristic facility, with the distinctive green-tinted g…
@blakes7bot@mas.torpidity.net
2025-06-07 21:19:17

Series B, Episode 07 - Killer
JENNA: A missile?
BLAKE: No, it can't be. They can't have spotted Liberator. We've got the blind down. [launch appears on screen]
JENNA: There it is, look, just leaving the ionosphere.
blake.torpidity.net/m/207/33 B7B6…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. It shows two people in what looks like a spacecraft or futuristic control room setting. On the left is a person with blonde feathered hair wearing a white outfit with a teal/mint green accent and a gold chain necklace. On the right is a person with dark curly hair wearing a brown shirt. Both have serious or concerned expressions as they appear to be reacting …
@blakes7bot@mas.torpidity.net
2025-06-07 18:17:33

Series B, Episode 13 - Star One
DURKIM: Not computers. Computer. Singular. Very singular indeed. Our unbeatable control and coordination centre.
SERVALAN: No!
DURKIM: Servalan, by design or accident Star One is failing.
blake.torpidity.net/m/213/29 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic or institutional setting with white tiled walls and ceiling. One person has very short dark hair and is wearing what appears to be a white garment with a pearl necklace, while the other person is shown from behind wearing dark clothing. The lighting and production style suggests this is from a British television production, likely f…
@blakes7bot@mas.torpidity.net
2025-06-07 15:14:21

Series A, Episode 02 - Space Fall
DAINER: You drink it first.
[Avon crawls through the service channel. He reaches the hatch leading into the computer room. He quietly opens the hatch, sees the technician, and closes the hatch again. The technician doesn't see this, and continues to check the computer. Avon waits for a bit, and opens the hatch again.]

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spacecraft or futuristic facility, with characteristic white/grey walls and technical equipment visible in the background. The setting has the clinical, sterile appearance typical of sci-fi productions from this era. There are several people in the scene wearing period-appropriate costumes - some in earth-toned clothing and others in what appears to be more formal or military-style attire. The lightin…