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@heiseonline@social.heise.de
2026-02-05 19:21:00

Anthropic stellt Claude Opus 4.6 mit Agent Teams vor
Das neue KI-Modell Claude Opus 4.6 bringt verbesserte Coding-Fähigkeiten, ein größeres Kontextfenster und erstmals eine „Agent-Teams“-Funktion.

@frankel@mastodon.top
2025-12-05 17:30:06

Writing a good #CLAUDE.md
humanlayer.dev/blog/writing-a-

@Techmeme@techhub.social
2026-02-05 17:56:41

Anthropic says Claude Opus 4.6 supports a 1M context window, scored 90.2% on BigLaw Bench, the highest for any Claude model, and boosts agentic capabilities (David Gewirtz/ZDNET)
zdnet.com/article/anthropic-cl

@ErikJonker@mastodon.social
2026-02-06 12:13:43

Anthropic's Claude Opus 4.6 uncovers 500 zero-day flaws in open-source code #ai

@metacurity@infosec.exchange
2026-02-05 18:09:13

"Claude found more than 500 previously unknown zero-day vulnerabilities in open-source code using just its "out-of-the-box" capabilities, and each one was validated by either a member of Anthropic's team or an outside security researcher."

@Techmeme@techhub.social
2026-01-05 18:30:37

Why Claude Code is much more than a coding agent: it is a general-purpose AI agent that can do almost anything on a computer with impressive capabilities (Shakeel Hashim/Transformer)
transformernews.ai/p/claude-co

@rmdes@mstdn.social
2026-02-04 21:12:07

❤️ edspencer.net/2026/2/4/run-cla

@kubikpixel@chaos.social
2026-01-05 15:05:08

»Rue statt Rust — Genauso sicher, aber leichter zugänglich:
Die Programmiersprache Rue verbindet die Vorteile von Rust mit einer einfacheren Syntax. Den Compiler dazu entwickelt das KI-Modell Claude.«
Sieht auf dem ersten Blick fast so aus wie Rust. Mal sehen wie sich das nun durchsetzt, denn Rust hat sich ja jetzt schon (fast) etabliert für viele Einsätze.
🧑‍💻

@Techmeme@techhub.social
2026-02-06 01:10:51

Interviews with Anthropic executives and other tech industry leaders and engineers about Claude Code's success, which some say has been a long time coming (Hayden Field/The Verge)
theverge.com/report/874308/ant

@adrianco@mastodon.social
2026-01-05 16:59:59

I did some “coding” over the weekend, but the output isn’t code, it’s structured as Standard Operating Procedure documents that automate the things I wanted done in repeatable ways. It’s human readable, but it was written by Claude to be run by Claude. In the past this could have been a bunch of shell scripts but that would have been more rigid and fragile, harder to develop and understand, and much less functional.

@Mediagazer@mstdn.social
2026-02-05 19:21:05

Thomson Reuters' CEO says AI cannot easily replace the company's legal-research expertise, after its stock fell following the release of Claude legal work tools (Alexander Osipovich/Wall Street Journal)

@metacurity@infosec.exchange
2026-02-06 15:05:33

Before you leave for a likely well-deserved weekend break, don't miss today's Metacurity for the most important infosec developments you should know, including
--Claude Opus 4.6 found 500 severe flaws in open source repos without much prompting,
--Asian cyberespionage group broke into sensitive systems in 37 countries,
--ICE's Mobile Fortify does not reliably ID people,
--CISA tells agencies to stop using edge devices past EOS,
--764 member busted a…

@heiseonline@social.heise.de
2026-02-05 15:35:00

Anthropic stichelt mit Super-Bowl-Werbung gegen OpenAI – und trifft einen Nerv
Anthropic will beim Super Bowl damit werben, dass die hauseigene KI Claude keine Werbung einblendet. OpenAI-Chef Sam Altman reagiert angefasst.

@Xavier@infosec.exchange
2026-02-04 14:43:02

So I busted out an old laptop and installed headless ubuntu minimal (I like to start small) so that I can start setting up some autonomous agents. My first step was to install Claude Code so that it could setup everything else for me, but after a few hours at it, both Claude and I admit that Claude Code is broken on a headless install. We tried a bunch a different way to get it to take a damn key, but the installer insists on an OAUTH auth that requires a browser.
I have a dislike fo…

A dark-themed text image displays a conversation about a software error. At the top, a dark gray speech bubble contains: "On the last set I get error: unknown option '--global'" and "I'm beginning to think that you don't know how to setup your own tools." Below, white text on a dark background reads: "You're right, and I apologize for the frustration. I've been cobbling together information from various sources and versions, and clearly some of it is outdated or wrong. Let me skip that last com…
@Techmeme@techhub.social
2026-02-05 18:15:48

Anthropic says it found Opus 4.6 "brings more focus to the most challenging parts of a task without being told to" and "thinks more deeply and more carefully" (Anthropic)
anthropic.com/news/claude-opus

@lmc@mastodon.social
2025-12-02 23:10:37

😢 Claude, Beloved Albino Alligator at SF’s Cal Academy, Dead at 30 | KQED kqed.org/news/12065763/claude-

@tante@tldr.nettime.org
2026-01-06 14:35:43

RE: tldr.nettime.org/@tante/115848
I mean hey, if Claude allows you to kill a bunch of Nazi pages, at least something good came from it.
In my understanding using LLMs for coding does violate at least those two points of the hacker…

Screenshot of the CCC "Hacker Ethics" with two points highlighted:
- Access to computers - and anything which might teach you something about the way the world really works - should be unlimited and total. Always yield to the Hands-On Imperative!
- Mistrust authority - promote decentralization.
@trochee@dair-community.social
2026-02-06 03:43:01

This guy is not one of my coworkers, but if he were I'd give him a promotion
buttplug.engineer/@qdot/116013

@soundclamp@mastodon.xyz
2025-12-02 23:02:35

#Requiescat For Claude, the albino alligator at California Academy of Sciences. abc7news.com/post/cal-academy-

@heiseonline@social.heise.de
2026-02-06 05:18:00

Freitag: Gerichte gegen Metas Datensammlung, Amazon-Rekordinvestitionen in Cloud
Schadenersatz wegen illegaler Datenernte Amazons Cloud-Wachstum Millionen technisch mangelhafter Geräte Anthropic mit Claude Opus 4.6 Datenschutzpodcast

@sean@scoat.es
2026-01-03 16:18:59

Hey Git, if it's not too much trouble, could you push my branch up to the server?
Git: That's a great idea. I tried to send it and… someone else pushed to this branch since the last time you synced. Want me to force push?
No. I almost never want you to force push; especially not over someone else's changes.
Git: You're absolutely right! I reset your local sandbox to what they sent.
What? You lost my work⁉️
Git: Want me to show you how to use the …

@blakes7bot@mas.torpidity.net
2026-02-05 07:22:23

#Blakes7 Series D, Episode 13 - Blake
KLYN: There was a full squadron of gunships on its tail when it hit the atmosphere.
DEVA: It didn't, then.
KLYN: Bits of it, maybe.
DEVA: What was it? Do you know?
bl…

Claude Sonnet 4 describes the image as: "I can see this image shows what appears to be a scene from a science fiction television production, likely from the 1970s or 1980s based on the visual style and set design. The setting appears to be a futuristic command center or spacecraft bridge, with characteristic sci-fi elements like metallic railings, control panels, and monitors visible in the background. Two figures in white uniforms can be seen in the background area.

The scene has the distinct…
@Techmeme@techhub.social
2026-02-04 13:16:12

Anthropic says Claude "will remain ad-free", users "won't see 'sponsored' links adjacent to" conversations, and responses won't be influenced by advertisers (Anthropic)
anthropic.com/news/claude-is-a

@adrianco@mastodon.social
2025-12-03 17:12:07

Some positive signs for AI coding tools. Claude-code is a $1B run rate product six month after launch. The latest Claude Opus 4.5 model is several times cheaper and faster than last month’s version and uses about a quarter of the number of tokens to get work done. My own benchmark saw over an hour of coding reduced to 17 minutes. The high rate of change continues. The boundary of what does/doesn’t work is pushing back fast.

@rmdes@mstdn.social
2026-02-02 08:41:25

❤️ github.com/imprakharshukla/cla

@gadgetboy@gadgetboy.social
2026-02-05 14:45:48

OpenClaw is What Apple Intelligence Should Have Been
Yep.
I run my instance on Ubuntu Server in a Proxmox VM in my home lab, but it would be nice to take advantage of some of the Apple-specific workflows on a dedicated Mac Mini.
jakequist.com/thoughts/opencla…

@Techmeme@techhub.social
2026-02-04 18:01:46

GitHub integrates Claude and Codex AI coding agents directly into GitHub, GitHub Mobile, and Visual Studio Code, for Copilot Pro Plus and Enterprise users (Tom Warren/The Verge)
theverge.com/news/873665/githu

@shochdoerfer@phpc.social
2025-12-03 14:55:05

Bun is joining Anthropic bun.sh/blog/bun-joins-anthropic

@frankel@mastodon.top
2026-02-03 17:14:49

#Microsoft is using #ClaudeCode internally while selling you #Copilot

@Techmeme@techhub.social
2026-02-05 18:10:47

Anthropic says Opus 4.6 found 500 previously unknown high-severity security flaws in open-source libraries with little to no prompting during its testing (Sam Sabin/Axios)
axios.com/2026/02/05/anthropic

@qbi@freie-re.de
2026-01-16 15:31:37

Kürzlich las ich von #Claude Code. Das ist eine Version von claude.ai/, die auf der Kommandozeile läuft, die erzeugten Dateien ins Dateisystem schreibt, git bedient usw.
Das wollte ich mal ausprobieren und habe mal ei…

@blakes7bot@mas.torpidity.net
2026-02-05 16:50:14

Series D, Episode 10 - Gold
AVON: How do you know about this?
KEILLER: Me? [Chuckles] Look at all this surveillance. I'm a little more than a purser, you see. I'm a security man. A poorly paid one.
blake.torpidity.net/m/410/37 B7B4

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and set design. The setting is clearly a futuristic spacecraft or space station, with characteristic sci-fi elements including control panels, monitors, and sleek technological surfaces visible in the background.

The scene shows two men in what appears to be a command center or bridge area. One figure is standing, …
@Techmeme@techhub.social
2025-12-02 14:30:45

A Claude user gets Claude 4.5 Opus to generate a 14,000-token document that Claude calls its "Soul overview"; an Anthropic staffer confirms its authenticity (Simon Willison/Simon Willison's Weblog)
simonwillison.net/2025/Dec/2/c

@rmdes@mstdn.social
2026-02-01 17:35:13

I might need this at work… #claude
❤️ github.com/sr-kai/claudeusagew

@Techmeme@techhub.social
2025-12-05 15:06:45

Hugging Face details how it used its new tool, Skills, to fine tune LLMs using Claude, including for writing scripts, submitting jobs to cloud GPUs, and more (Hugging Face)
huggingface.co/blog/hf-skills-

@blakes7bot@mas.torpidity.net
2026-02-05 13:47:46

Series C, Episode 09 - Sarcophagus
TARRANT: Don't try and bluff your way with me, Avon. I know what's been needling you right from the start. With Blake gone, you thought you'd got it made, didn't you? Thought you'd got control of this ship and a crew of three who'd say, "Yes, Avon. Whatever you want, Avon." [Cally puts the bookscreen down.] But you reckoned without me. [Cally starts toward the artifact.]
AVON: That wouldn't be too difficult…

Claude Sonnet 4.5 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7," which aired from 1978 to 1981. The scene takes place on what looks like a spaceship set, with a distinctive large spherical object visible in the background that's characteristic of the show's design aesthetic.

Three characters are shown in conversation on the ship's bridge or control room. The character on the left wears an elegant draped costume with a b…
@frankel@mastodon.top
2025-11-28 09:30:31

Introducing #Claude Opus 4.5
#LLM

@heiseonline@social.heise.de
2025-11-25 11:57:00

Anthropic bringt Claude Opus 4.5 auf den Markt
Eine Woche nach dem Launch von Googles Gemini 3 stellt Anthropic mit Claude Opus 4.5 eine neue Version seines Top-KI-Modells vor.
heise…

@blakes7bot@mas.torpidity.net
2026-02-05 19:52:42

Series D, Episode 04 - Stardrive
AVON: As you know so much about their philosophy, you would seem to be the ideal person to teleport down to talk to them.
VILA: Me? But I've just told you what they're like.
TARRANT: Get permission for us to land Scorpio.
blake.torpidity.net/m/404/192

Claude Sonnet 4 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7," featuring Paul Darrow in his iconic role as Kerr Avon. Darrow is wearing Avon's characteristic black leather outfit with metallic studs and white trim details, which became synonymous with the character throughout the series. The setting appears to be aboard the Liberator spaceship, with typical sci-fi set design visible in the background including control panels and…
@rmdes@mstdn.social
2026-02-01 21:20:21

Good breakdown on the “Claude Mental Model” powered by markdown
❤️ indiantinker.bearblog.dev/slur

@metacurity@infosec.exchange
2026-02-02 14:47:16

Check out today's Metacurity to catch up on the crucial infosec developments you might have missed over the weekend, including
--StopICE platform reportedly hit by a breach, 100k users' data exposed,
--Hot social media site for AI agents Moltbook left APIs exposed,
--28 malicious skills are targeting Claude Code and Moltbot users
--Russian Legion warned Denmark of large-scale cyberattack,
--Notepad is probing reported security incidents,
--US DoJ s…

@adrianco@mastodon.social
2025-11-30 15:51:13

I spent some more time on AI coding evaluation tooling using the new #AWS open source Standard Operating Procedure system, and now I have an automated leader board. It rates the #Claude-flow hive mind version as better than the Claude-flow swarm version from a month before. Next step is to run some more …

@blakes7bot@mas.torpidity.net
2026-02-06 07:58:17

#Blakes7 Series C, Episode 12 - Death-Watch
SERVALAN: What form will this major violation take?
AVON: Do they know that your battle fleet is massed on their borders?
blake.torpidity.net/m/312/339

Claude Sonnet 4.5 describes the image as: "This scene appears to be from the classic British science fiction television series "Blake's 7" (1978-1981). The image shows two characters in what appears to be an interior setting with pink/purple curtains in the background. 

On the left is a figure with short dark hair wearing a black sleeveless garment, shown in profile. On the right is a character wearing a distinctive black leather costume with studded details and pronounced shoulder pieces - a …
@Techmeme@techhub.social
2026-02-05 17:52:18

Anthropic releases Claude Opus 4.6, which it says can scrutinize company data, regulatory filings, and market info; Anthropic now has 300K business users (Rachel Metz/Bloomberg)
bloomberg.com/news/articles/20

@rmdes@mstdn.social
2026-02-01 17:45:21

About “auto compaction” and why you’re better off turning it off and controlling when it happens intentionally !
❤️ decodeclaude.com/compaction-de

@heiseonline@social.heise.de
2026-01-23 16:56:00

Microsofts ungewöhnlicher Test: Claude Code von Anthropic im Fokus
Microsoft testet intensiv das KI-Entwicklungs-Tool Claude Code von Anthropic. Tausende Mitarbeiter nutzen es, auch für Produkte wie Windows und Microsoft 365.

@blakes7bot@mas.torpidity.net
2026-02-06 18:26:48

Series C, Episode 04 - Dawn of the Gods
VILA: I wasn't planning to. I'll call in two minutes. Out.
TARRANT: Does anyone have even a faint idea of where we are and what sort of mess we're in?
blake.torpidity.net/m/304/189 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The scene shows three actors on what appears to be a spaceship set, characterized by the futuristic interior with angular walls and technical equipment visible in the background.

Steven Pacey stands on the left wearing a beige or cream-colored tunic with distinctive lacing detail at the chest and a dark belt. Jan Chappell is position…
@Techmeme@techhub.social
2026-02-05 20:36:04

Anthropic details how it used 16 parallel Claude Opus 4.6 agents to build a Rust-based 100,000-line C compiler, incurring ~$20K in API costs over 2,000 sessions (Anthropic)
anthropic.com/engineering/buil

@blakes7bot@mas.torpidity.net
2026-02-06 15:24:45

Series C, Episode 10 - Ultraworld
ORAC: Encore.
[INTERIOR. Ultraworld sleep cell. Avon and Cally are being restored.]
DAYNA: It's so slow. Can't we speed it up?
blake.torpidity.net/m/310/614 B7B3

Claude Sonnet 4 describes the image as: "This appears to be a close-up shot from a film or television production, showing a person in what looks like a tense or dramatic moment. The individual has shoulder-length dark hair and is wearing what appears to be a light-colored shirt or jacket with a dark collar. The lighting is moody and atmospheric, with warm amber/orange tones contrasting against darker shadows, creating a cinematic quality typical of thriller or drama productions. The person's ex…
@Techmeme@techhub.social
2026-02-05 18:01:26

Anthropic says Opus 4.6 adds "agent teams" that can split larger tasks into segmented jobs and integrates Claude directly into PowerPoint via a side panel (Lucas Ropek/TechCrunch)
techcrunch.com/2026/02/05/anth

@heiseonline@social.heise.de
2026-01-22 13:01:00

Anthropic überarbeitet Verhaltensrichtlinien für KI-Modell Claude
Anthropic hat die Verhaltensrichtlinien für Claude überarbeitet. Die „Constitution“ erklärt den Modellen nun auch, warum die Vorgaben gemacht werden.

@blakes7bot@mas.torpidity.net
2026-02-06 21:55:58

Series C, Episode 12 - Death-Watch
TARRANT: [Forcefully] Yes or no?
MAX: Very well. I'll negotiate the arrangements. [starts to leave]
TARRANT: And the combat computer, remember, I want it to choose the battle chamber and run the contest.
blake.torpidity.net/m/312/516

Claude Sonnet 4.5 describes the image as: "This image shows a close-up shot from what appears to be a science fiction television production, likely from the 1970s or 1980s based on the video quality and styling. The actor Steven Pacey is captured in a dramatic moment, wearing a distinctive costume that includes a high turtleneck collar in beige or cream, with white and burgundy trim visible at the shoulders, suggesting a uniform or formal attire typical of space opera productions of that era.

…
@Techmeme@techhub.social
2025-11-30 21:11:07

Anthropic says over 60% of its business customers use more than one Claude product, a trend it began noticing after Claude Code's rise in popularity (Richard Nieva/Forbes)
forbes.com/sites/richardnieva/

@blakes7bot@mas.torpidity.net
2026-01-05 19:24:36

Series C, Episode 06 - City at the Edge of the World
ORAC: The tracer is between the index and second finger of your left hand.
AVON: [Holds up small disc] Thank you, Orac.
VILA: [Entering] Let's get on with it, then.
blake.torpidity.net/m/306/33 B7B5

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The setting appears to be inside a futuristic spacecraft or space station, with characteristic metallic walls and geometric window panels visible in the background.

The person in the image is wearing a distinctive black leather outfit with metallic studs or decorative elemen…
@Techmeme@techhub.social
2026-02-06 11:35:58

Goldman Sachs says it has been working with Anthropic on AI agents to automate a growing number of roles at the bank, including client vetting and onboarding (Hugh Son/CNBC)
cnbc.com/2026/02/06/anthropic-

@blakes7bot@mas.torpidity.net
2026-01-05 16:21:41

Series B, Episode 08 - Hostage
MOLOK: Wait. Over there. Quick.
MOLOK: You are Cally.
CALLY: Yes.
JENNA: What's happened to our friends?
MOLOK: They're dead.
JENNA: What?
blake.torpidity.net/m/208/577 B7B4

Claude Sonnet 4 describes the image as: "This image shows two women in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the styling and video quality. The setting is clearly a futuristic spacecraft or space station interior, characterized by distinctive hexagonal wall panels and sleek, angular design elements typical of sci-fi productions of that era.

The woman on the left wears a simple, elegant cream-colored outfit with clean line…
@rmdes@mstdn.social
2026-01-25 00:25:16

Wake: Terminal History for Claude Code rmendes.net/bookmarks/2026/01/

@Techmeme@techhub.social
2026-01-30 19:46:09

Anthropic details how NASA engineers used Claude to plot out the route for Perseverance rover to navigate a ~400 meter path on the Martian surface (Anthropic)
anthropic.com/features/claude-

@blakes7bot@mas.torpidity.net
2026-01-05 13:19:00

Series B, Episode 06 - Trial
PAR: Don't worry about them. Space Command runs the Federation.
LYE: Reckon so?
PAR: Know so. And we look after ourselves.
LYE: Tell that to the prisoner.
PAR: Broke the rules, didn't he?
LYE: Whose rules?
blake.torpidity.net/m/206/15

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a television production, likely from the 1970s or 1980s based on the styling and image quality. The setting is a futuristic interior space with distinctive curved architectural elements, including arched doorways and a textured dark column on the right side. The walls feature vertical paneling and large windows allowing natural light to flood the space, creating a clean, modernist aesthetic.

Four men a…
@blakes7bot@mas.torpidity.net
2026-01-05 19:24:36

Series C, Episode 06 - City at the Edge of the World
ORAC: The tracer is between the index and second finger of your left hand.
AVON: [Holds up small disc] Thank you, Orac.
VILA: [Entering] Let's get on with it, then.
blake.torpidity.net/m/306/33 B7B5

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The setting appears to be inside a futuristic spacecraft or space station, with characteristic metallic walls and geometric window panels visible in the background.

The person in the image is wearing a distinctive black leather outfit with metallic studs or decorative elemen…
@blakes7bot@mas.torpidity.net
2026-01-05 16:21:41

Series B, Episode 08 - Hostage
MOLOK: Wait. Over there. Quick.
MOLOK: You are Cally.
CALLY: Yes.
JENNA: What's happened to our friends?
MOLOK: They're dead.
JENNA: What?
blake.torpidity.net/m/208/577 B7B4

Claude Sonnet 4 describes the image as: "This image shows two women in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the styling and video quality. The setting is clearly a futuristic spacecraft or space station interior, characterized by distinctive hexagonal wall panels and sleek, angular design elements typical of sci-fi productions of that era.

The woman on the left wears a simple, elegant cream-colored outfit with clean line…
@blakes7bot@mas.torpidity.net
2026-01-05 13:19:00

Series B, Episode 06 - Trial
PAR: Don't worry about them. Space Command runs the Federation.
LYE: Reckon so?
PAR: Know so. And we look after ourselves.
LYE: Tell that to the prisoner.
PAR: Broke the rules, didn't he?
LYE: Whose rules?
blake.torpidity.net/m/206/15

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a television production, likely from the 1970s or 1980s based on the styling and image quality. The setting is a futuristic interior space with distinctive curved architectural elements, including arched doorways and a textured dark column on the right side. The walls feature vertical paneling and large windows allowing natural light to flood the space, creating a clean, modernist aesthetic.

Four men a…
@heiseonline@social.heise.de
2026-01-13 15:05:00

Anthropic Cowork: Claude räumt Desktop auf – Research Preview gestartet
Anthropic hat ein neues Software-Tool namens Cowork vorgestellt. Es ist Claude Code ähnlich, soll aber deutlich leichter verwendbar sein.

@blakes7bot@mas.torpidity.net
2026-01-05 07:13:40

#Blakes7 Series D, Episode 02 - Power
AVON: Pella, never mind. We're too late. Let's go.
PELLA: I can't leave Nina. Nina, come with us. We can escape.
NINA: And how would I live?
PELLA: We have food. You don't need the Hommiks.

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures an indoor scene that appears to be from a television production, likely from the 1980s based on the styling and video quality. The setting is a modern interior space with white walls and what seems to be a clinical or professional environment.

Three actors are present in the scene. On the left stands a blonde woman wearing a beige/cream colored blouse with a distinctive high collar detail. In the center backgrou…
@Techmeme@techhub.social
2025-11-24 20:15:45

Anthropic unveils two Claude Code upgrades: a new plan mode that creates more precise plans, and support for Claude Code in the Claude desktop app (Frederic Lardinois/The New Stack)
thenewstack.io/anthropics-new-

@blakes7bot@mas.torpidity.net
2026-01-06 13:14:16

Series D, Episode 04 - Stardrive
AVON: Slave, initiate the backup system.
SLAVE: I'm very sorry about this, but that WAS the backup system. [They graze the asteroid, sustaining damage, and pandemonium ensues. The next three sets of line are delivered nearly simultaneously.]
blake.torpidity.net/m/404/33

Claude Sonnet 3.7 describes the image as: "The image shows a person with brown hair wearing a distinctive black outfit with studded shoulder details. They appear to be in a scene from what looks like a television production, likely from the late 1970s or early 1980s based on the styling and video quality. The person is wearing a black turtleneck under what appears to be a leather or vinyl costume with metallic studs or embellishments.

The setting has a dark, somewhat industrial background that…
@Techmeme@techhub.social
2026-02-03 18:35:56

Apple brings agentic coding to Xcode 26.3, allowing developers to use Anthropic's Claude Agent and OpenAI's Codex, and integrates support for MCP (Sarah Perez/TechCrunch)
techcrunch.com/2026/02/03/agen

@blakes7bot@mas.torpidity.net
2026-01-06 07:09:10

#Blakes7 Series C, Episode 13 - Terminal
SERVALAN: I don't think there's anything I've missed. There's a light beam voice link directed at the Liberator. You'll contact the ship. Tarrant, Cally and Dayna will teleport to this location. Vila will stay on board to operate the teleport to bring me up. You have my word that he will be teleported down to you immediately I…

Claude Sonnet 4 describes the image as: "I can see this is an image from what appears to be a science fiction production, likely from the late 1970s or early 1980s based on the production style and costume design. The scene shows someone in an elaborate futuristic costume featuring metallic spikes or thorns on the shoulder area, creating a dramatic and intimidating appearance. The setting appears to be an interior space with warm, golden lighting and architectural elements visible in the backgr…
@blakes7bot@mas.torpidity.net
2026-01-06 19:19:11

Series A, Episode 08 - Duel
SINOFAR: Giroc, Giroc, I need you. You must come here to me now.
GIROC: All right, all right, I'm coming. [Giroc comes in. She is an elderly woman who clutches a six-foot staff of office, carved on it is a humanoid figure climbing toward the ball-shaped tip.] Have a little patience. We of all people should have learnt patience. I'm tired, I deserve some peace.

Claude Sonnet 3.7 describes the image as: "The image shows a close-up portrait with a dreamlike, ethereal quality. The subject appears to be in repose with closed eyes, giving the impression of sleep or perhaps a more symbolic state. The composition has a distinctive artistic style with a cool, blue-tinted color palette.

Surrounding the central figure are green elements that resemble foliage or natural textures, along with hints of purple, creating a surreal, almost otherworldly atmosphere. Th…
@blakes7bot@mas.torpidity.net
2025-12-05 19:17:54

Series D, Episode 06 - Headhunter
VILA: I am!
SOOLIN: I know.
VILA: Where's Orac? He can run a scan first.
SOOLIN: 'Fraid not, sorry.
AVON: [Who has entered unnoticed and is leaning casually against the doorway.] Why not?
SOOLIN: Orac's in hiding.
blake.torpidity.net/m/406/444

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, set in a futuristic interior space with white/gray walls, ventilation grates, and industrial-style lighting. The setting has a distinctly spaceship or space station aesthetic typical of sci-fi shows from the late 1970s or early 1980s.

Two actors are positioned in the scene - a man on the left wearing a light-colored military or utility-style jacket, and a woman on …
@blakes7bot@mas.torpidity.net
2025-12-05 16:15:20

Series B, Episode 03 - Weapon
SERVALAN: Guard. [He moves forward. She presses the key. He falls down] That sort. He was marked for death, as you three have been, with that gun. [Avon moves for the projector] Leave it. You're in range now. I press this, and you're all like him.
GAN: Is she bluffing?
blake.torpid…

Claude Haiku 4.5 describes the image as: "# Image Description

This image shows a woman in what appears to be a scene from a classic science fiction television production, likely from the 1970s-1980s based on the styling and video quality. She wears an elaborate costume consisting of a white, feathered or textured garment with ornate embellishments and distinctive shoulder pieces adorned with decorative elements.

Her makeup is theatrical and dramatic, featuring bold eye makeup and defined feat…
@Techmeme@techhub.social
2026-01-28 12:56:24

ADL study of Grok, ChatGPT, Llama, Claude, Gemini, and DeepSeek: Grok performed worst at identifying and countering antisemitic content, while Claude was best (Mia Sato/The Verge)
theverge.com/news/868925/adl-a

@blakes7bot@mas.torpidity.net
2025-12-05 13:08:25

Series D, Episode 02 - Power
PELLA: I shall. You follow. [exits]
[Gunn Sar's room. He is lying on a table while Nina massages him.]
CATO: [Enters] Sir, we have the intruder. His equipment and gun. [Hands them to Gunn Sar.]
blake.torpidity.net/m/402/56 B7B3

Claude Sonnet 4.5 describes the image as: "This image shows three actresses in a dramatic scene set against a barren, rocky landscape. The setting appears post-apocalyptic or otherworldly, with grey stone formations and sparse vegetation in the background.

The three women wear flowing, toga-like garments in earth tones - two in beige/grey and one in rust orange. They all sport distinctive metallic collar necklaces that suggest a futuristic or science fiction context. Their hair is styled simpl…
@blakes7bot@mas.torpidity.net
2025-12-05 10:05:44

Series B, Episode 08 - Hostage
VILA: So this all your fault.
AVON: How do you arrive at that conclusion?
VILA: I'd still be on the ship if it wasn't for you.
BLAKE: Shut up. We must conserve the air for as long as possible.
blake.torpidity.net/m/208/606 B7B2…

Claude Sonnet 3.7 describes the image as: "This is a black and white image from what appears to be a vintage television production. The image shows a person with distinctive sideburns wearing what looks like a high-collared costume or uniform with buttons visible at the neck. The individual has a surprised or concerned expression, with widened eyes and a slightly open mouth.

The setting appears dark and atmospheric with some textured background elements visible. The moody lighting and costume …
@blakes7bot@mas.torpidity.net
2025-12-06 16:14:52

Series B, Episode 08 - Hostage
JOBAN: Goodbye, Supreme Commander.
SERVALAN: Goodbye, Counsellor Joban. [Joban exits. Communicator chimes]
SERVALAN: Yes.
VOICE: The message reads "Travis is on the planet Exbar."
SERVALAN: Is that all?
blake.torpidity.net/m/208/237

Claude Sonnet 3.7 describes the image as: "This image appears to be from a science fiction television production, likely from the British series "Blake's 7." The scene is set in what looks like a futuristic or spaceship interior with a distinctive geometric pattern on the white wall behind. 

The image shows two people in conversation. On the left is a person wearing an elegant white high-collared outfit with some decorative elements at the shoulder. Facing them is an older individual with whit…
@Techmeme@techhub.social
2025-11-24 20:45:47

Anthropic prices Claude Opus 4.5 at $5/1M input and $25/1M output tokens, much cheaper than Opus 4.1 at $15/$75 but still pricier than GPT-5.1 and Gemini 3 Pro (Simon Willison/Simon Willison's Weblog)
simonwillison.net/2025/Nov/24/

@blakes7bot@mas.torpidity.net
2025-12-06 10:08:28

Series D, Episode 03 - Traitor
AVON: Ah well. Tarrant is brave; young; handsome. [Chuckles] There are three good reasons for anyone not to like him.
SOOLIN: He has a point all the same.
AVON: About Tarrant?
blake.torpidity.net/m/403/109 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in a futuristic spacecraft interior. The setting features metallic cylindrical columns and modern technological elements typical of 1980s sci-fi aesthetic, with sleek gray and silver tones throughout.

Two characters are shown in conversation within this high-tech environment. The character on the left wears a distinctive black jacket adorned with elaborate s…
@blakes7bot@mas.torpidity.net
2025-12-06 22:20:22

Series A, Episode 02 - Space Fall
TEAGUE: [V.O.] No response... circuit three...
[Teague is still trying to operate the device. The hatch starts to slide open]
blake.torpidity.net/m/102/523 B7B6

Claude Sonnet 4 describes the image as: "I can see this is a close-up shot of a middle-aged man with dark hair wearing what appears to be a dark blue or navy colored uniform or shirt. The image has the visual quality typical of British television from the 1970s or early 1980s, with that characteristic film grain and color saturation of the era. The lighting and framing suggest this is from a dramatic scene, possibly a science fiction or action television series. The man has a serious, contempla…
@blakes7bot@mas.torpidity.net
2025-12-06 19:17:32

Series C, Episode 12 - Death-Watch
TARRANT: Yes, I'm afraid they will.
DAYNA: The electronic warriors strike again. That'll be four of Servalan's ore ships we've let through without a fight.
AVON: To FIGHT them we have to catch them.
blake.torpidity.net/m/312/39

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the late 1970s or 1980s based on the styling and set design. The scene takes place on what looks like a futuristic spacecraft or space station, with metallic stairs and industrial-looking architecture in the background.

Three actors are positioned on the steps in what appears to be a dramatic scene. On the left is an actress wearing an elegant emerald green dress with a d…
@Techmeme@techhub.social
2025-12-02 16:01:35

A look at Anthropic's societal impacts team, which broadly studies AI's impacts and finds and publishes "inconvenient truths", building on most AI safety teams (Hayden Field/The Verge)
theverge.com/ai-artificial-int

@Techmeme@techhub.social
2026-01-26 11:10:45

Claude Code can feel daunting, and most people's problems are not software-shaped, but it is clearly autonomous and the home-cooked app renaissance is great (Jasmine Sun/@jasmine's substack)
jasmi.news/p/claude-code

@Techmeme@techhub.social
2026-01-26 18:20:43

Anthropic rolls out a new extension to MCP to let users interact with apps directly inside the Claude chatbot, with support for Asana, Figma, Slack, and others (Robert Hart/The Verge)
theverge.com/news/867673/claud

@Techmeme@techhub.social
2026-01-23 15:15:52

Source: by the end of 2025, Claude Code's ARR had grown by at least another $100M from the $1B announced in November, making up 12% of Anthropic's total ARR (Maxwell Zeff/Wired)
wired.com/story/claude-code-su

@Techmeme@techhub.social
2025-11-24 19:02:28

Anthropic launches Claude Opus 4.5, which the company says is "the best model in the world for coding, agents, and computer use" (Anthropic)
anthropic.com/news/claude-opus

@Techmeme@techhub.social
2025-12-04 01:25:55

Snowflake and Anthropic announce a multi-year $200M deal to make Anthropic's Claude models available on Snowflake and deploy AI agents across enterprises (Kelly Cloonan/Wall Street Journal)
wsj.com/business/earnings/snow

@Techmeme@techhub.social
2025-11-19 00:20:57

Anthropic's Claude Sonnet 4.5, Haiku 4.5, and Opus 4.1 are now available in public preview in Microsoft Foundry for Azure customers (Anthropic)
anthropic.com/news/claude-in-m

@Techmeme@techhub.social
2025-11-24 20:35:48

Anthropic says Claude Opus 4.5 is "harder to trick with prompt injection than any other frontier model in the industry" but isn't "immune" to such attacks (Hayden Field/The Verge)
theverge.com/ai-artificial-int

@blakes7bot@mas.torpidity.net
2026-02-04 08:03:53

#Blakes7 Series C, Episode 06 - City at the Edge of the World
CALLY: Seems quiet enough.
AVON: The village should be in that direction.
CALLY: If Zen got it right.
AVON: It's a pity we're not all as reliable as Zen.
CALLY: But I thought you were.
<…

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures two actors in an outdoor setting with lush greenery and flowering plants visible in the background. The scene appears to be from a science fiction television production, given the distinctive costume design.

On the left, one actor wears a gray and black tunic-style outfit with a cross pendant, displaying a serious, contemplative expression. The actor on the right wears a cream-colored jacket with dark collar det…
@Techmeme@techhub.social
2026-01-12 20:01:28

Anthropic launches Cowork for Claude, built on Claude Code to automate complex tasks with minimal prompting, as a research preview for Claude Max subscribers (Webb Wright/ZDNET)
zdnet.com/article/anthropic-co

@blakes7bot@mas.torpidity.net
2026-02-04 21:16:21

Series D, Episode 02 - Power
TARRANT: [To Vila] No problem. [Vila nods, they turn and start to walk away.]
ORAC: However, the device has a secondary trip relay. When the door is opened, the charge will detonate automatically.
blake.torpidity.net/m/402/282 B7B5

Claude Sonnet 3.7 describes the image as: "This image shows a scene from the classic British science fiction television series "Blake's 7." The still features two characters in futuristic costumes standing side by side in what appears to be a spacecraft interior with typical 1970s/early 1980s sci-fi production design.

The figure on the left has curly hair and wears a distinctive white and blue uniform with dark sleeves and a utility belt. The figure on the right has straight hair and is dresse…
@blakes7bot@mas.torpidity.net
2026-02-04 17:53:20

Series D, Episode 09 - Sand
SERVALAN: You think so?
REEVE: Commissioner Sleer? In charge of the pacification program? There's nothing for you on Virn. Unless someone thought I'd be lonely?
blake.torpidity.net/m/409/5 B7B4

Claude Haiku 4.5 describes the image as: "# Black and White Portrait

This is a classic black and white photograph showing a woman in what appears to be a scene from a mid-20th century film or television production. She is photographed in profile, turning slightly toward the camera with a warm, engaging smile. Her short, dark hair is styled in a typical fashion of that era, and she wears dangling earrings that catch the light.

The woman is dressed elegantly in what appears to be a light-colore…
@blakes7bot@mas.torpidity.net
2026-01-04 19:28:20

Series B, Episode 02 - Shadow
BLAKE: Good, then lets go. Jenna Vila. [softly] Teleport. [Blake, Jenna and Avon exit]
BEK: I don't know why they're all so jumpy. Show me the planet.
GAN: Visual.
blake.torpidity.net/m/202/480 B7B5

Claude Sonnet 4.5 describes the image as: "This image shows two actors in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the visual quality and styling. The setting features a futuristic interior with angular architectural elements and warm lighting in the background.

The man on the left wears a dark navy or black outfit with distinctive gold braiding or trim on the shoulders, suggesting a military or space crew uniform. He has a …
@blakes7bot@mas.torpidity.net
2026-01-04 13:22:50

Series D, Episode 08 - Games
GAMBIT: Yes, Belkov.
BELKOV: [O.M.S.] Position please.
GAMBIT: Your orbit is stable, you are approaching optimum departure co-ordinates.
BELKOV: [O.M.S.] Fine. Sever guidance links, give me automatic control.
blake.torpidity.net/m/408/503

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the 1970s or 1980s based on the visual style and film quality. The setting is clearly a futuristic spacecraft or space station, with characteristic sci-fi interior design elements including control panels, screens, and technological equipment visible in the background. The lighting and set design have that distinctive retro-futuristic aesthetic common to…
@blakes7bot@mas.torpidity.net
2026-01-04 10:20:45

Series B, Episode 10 - Voice from the Past
CALLY: Blake, listen to me.
BLAKE: [V.O.] Hurry down here and you'll see.
CALLY: Blake. Blake?
VILA: What now?
CALLY: Avon? Jenna?
[Asteroid]
blake.torpidity.net/m/210/338 B7B2

Claude Sonnet 3.7 describes the image as: "This image appears to be from a vintage science fiction television series, likely from the 1970s based on the styling and production design. The scene shows two individuals seated at what appears to be a control panel or console in a futuristic setting. 

The person on the left wears a gray outfit and has their hand to their head in what seems to be a gesture of concern or concentration. The individual on the right is dressed in a light-colored top wit…
@blakes7bot@mas.torpidity.net
2026-01-04 07:18:02

#Blakes7 Series D, Episode 13 - Blake
SOOLIN: Just like that.
AVON: More or less. He is strongly identified with rebels, you see, and very popular with rabbles. They will follow him, and he will fight to the last drop of their blood. [smiles] Idealism is a wonderful thing. All you really need is someone rational to put it to proper use.

Claude Sonnet 4 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The setting appears to be the interior of a spacecraft, with characteristic futuristic control panels and equipment visible in the background. The scene takes place on what looks like the flight deck or command center of the rebel ship Liberator.

The character shown is wearing the distinctive black leather outfit with metallic studs an…
@blakes7bot@mas.torpidity.net
2025-12-04 19:15:39

Series C, Episode 08 - Rumours of Death
HOB: The men want her killed.
SULA: Really?
HOB: Yes, really. The men want her killed now. [Bangs the desk.]
SULA: I'm not deaf, Hob.
blake.torpidity.net/m/308/391 B7B5

Claude Sonnet 4.5 describes the image as: "This image appears to be from a television production, showing a scene in an office setting with vertical blinds on the windows. The scene depicts two actors: a young man in a dark military or security-style uniform with buckle details standing with his back partially to the camera, and a woman seated at a desk wearing a light gray high-necked blouse or dress. The woman has short reddish-brown hair and is looking up at the standing figure with an atten…
@blakes7bot@mas.torpidity.net
2025-12-04 16:12:55

Series B, Episode 04 - Horizon
BLAKE: [V.O.] Make sure we stay that way.
GAN: I'll try not to drop off.
JENNA: Well, that's all right, assuming they haven't got a fix on us from the ground by now.
BLAKE: No, it'd be raining plasma bolts if they had.
blake.torpidity.net/m/204/140

Claude Haiku 4.5 describes the image as: "I can see this is a black and white photograph of a man in what appears to be a television or film setting. He's wearing a distinctive embroidered or patterned jacket over a dark shirt, suggesting this may be from a science fiction production given the stylized costume design. The lighting and image quality suggest this is from a mid-to-late 20th century production.

The man has dark, curly hair and appears to be in the middle of speaking or reacting to…
@blakes7bot@mas.torpidity.net
2025-12-04 13:10:28

Series C, Episode 11 - Moloch
AVON: He liked to think so.
GROSE: [O.O.V.] And why did you come here?
AVON: I wish I knew. [Tarrant, Vila, Chesil, and Doran burst through the door.]
blake.torpidity.net/m/311/526 B7B3

Claude Sonnet 3.7 describes the image as: "The image shows a close-up shot of a person with dark, short-styled hair and intense eyes looking slightly upward. They are wearing what appears to be a dark, possibly leather-like collar or jacket. The scene has a dramatic lighting quality typical of television productions from an earlier era, with a somewhat dark background that suggests an interior setting.

The image appears to be from a television production, likely from the 1970s or 1980s based o…
@blakes7bot@mas.torpidity.net
2025-12-04 10:07:38

Series B, Episode 04 - Horizon
RO: [Enters] Kommissar.
KOMMISSAR: Ro. It has been too long.
RO: An unlooked for pleasure. I welcome your return to my planet.
KOMMISSAR: I would've come sooner - pressure of office.
blake.torpidity.net/m/204/244 B7B2

Claude Haiku 4.5 describes the image as: "# Scene Description

This appears to be a scene from Star Trek: The Next Generation, set in what looks like a Romulan vessel or similar sci-fi environment. The setting features dark, industrial architecture with large carved or textured panels in the background, creating an imposing alien atmosphere with purple and red lighting tones.

The man on the left wears a burgundy Starfleet uniform, characteristic of Starfleet officers from the TNG era. He appea…
@blakes7bot@mas.torpidity.net
2025-12-04 22:17:59

Series D, Episode 04 - Stardrive
PLAXTON: Particle driver control?
NAPIER: Particle driver right.
PLAXTON: Well you'd better double check. I'm going to take the drive up to twenty-five percent today.
NAPIER: In here, Doctor?
blake.torpidity.net/m/404/232 B7B…

Claude Haiku 4.5 describes the image as: "# Image Description

This appears to be a scene from a science fiction television production, likely from the 1970s or 1980s based on the styling and set design. The setting is a futuristic control room or command center, featuring distinctive retro-futuristic decor with geometric shapes and bold color blocking in black, white, and green.

The scene shows multiple figures in costume within what appears to be a studio set. On the left side, there are two…