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@cwensel@fosstodon.org
2025-05-27 04:08:30

I tried to convince #Claude Code #ai to write a #docker sandbox to run it in. Here are the results.

@Techmeme@techhub.social
2025-06-25 23:16:27

Anthropic now lets Claude app users build, host, and share AI-powered apps directly in Claude via Artifacts, launching in beta on Free, Pro, and Max tiers (Jay Peters/The Verge)
theverge.com/news/693342/anthr

@jswright61@ruby.social
2025-06-27 19:52:13

I’d rate myself an #AI skeptic to agnostic. I hadn’t used the tools at all, because I had problems w/ creation of the models: resource usage, & IP theft, were top of mind. Hallucinations a big issue too.
But I tried it, and even though I can’t set aside my concerns I’ll say I was impressed.
I used Claude to produce a Zsh prompt to replace one I’ve used for years using Oh My Zsh.
What …

@Techmeme@techhub.social
2025-06-27 22:35:57

Anthropic tested Claude's ability to manage a physical "storefront" to mixed results, as the AI struggled with pricing strategy and inventory management (Ryan Daws/AI News)
artificialintelligence-news.co

@timbray@cosocial.ca
2025-06-27 19:16:59

Anthropic tests AI running a real business with bizarre results artificialintelligence-news.co

@ErikJonker@mastodon.social
2025-06-28 16:03:11

“DeepSeek has not been able to provide my agency with convincing evidence that German users' data is protected in China to a level equivalent to that in the European Union," Kamp said.”
But ChatGPT , Claude , CoPilot and Gemini are OK ? 🤣

@al3x@hachyderm.io
2025-06-27 18:47:19

Paying $17/mo or $200/year for Claude Code feels expensive.
I pay less for my IDE.
Asking the question of being worth is very tempting.
Answers might not help me with the decision as the context will most probably be completely different.

@Techmeme@techhub.social
2025-06-26 09:50:46

Anthropic releases preliminary results showing users who discuss emotional issues with Claude tend to grow more positive as conversations progress (Megan Morrone/Axios)
axios.com/2025/06/26/anthropic

@blakes7bot@mas.torpidity.net
2025-06-28 09:22:09

Series C, Episode 01 - Aftermath
AVON: That's about all. Keep feeding reports through Orac.
ZEN: Information. A space vehicle has been registering on the detectors. Visual scan now indicates that it is approaching the Liberator. Present status suggests the vehicle will attempt docking beside port entry.

Claude 3.7 describes the image as: "This image shows a scene set in a futuristic spacecraft or space station interior with metallic walls and sci-fi styling typical of late 1970s/early 1980s British television production. 

The person in the image is wearing a dark outfit with a distinctive collar and appears to be in what looks like a control room or laboratory setting. In the foreground, there's a clear container or box with visible electronic components inside, suggesting some kind of techno…
@Mediagazer@mstdn.social
2025-06-24 14:25:45

A US judge rules Anthropic use of copyrighted books to train AI was fair use, but its storage of pirated books in a "central library" used for training was not (Olivia Sophie Rafferty/ai fray)
aifra…

@aredridel@kolektiva.social
2025-06-27 13:18:55

TFW you read "Claude Code" as "Chaude Chode"

@seeingwithsound@mas.to
2025-05-26 17:55:40

To Claude: Explain how smart glasses with AI-based scene description, OCR for reading print, and visual-to-auditory sensory substitution for "raw vision" will erode the market opportunities for all implantable visual prostheses (retinal implants and brain implants for restoring vision to the blind).

AI-generated image of a blind woman wearing The vOICe vision BCI glasses, standing in front of a blind man seen from behind with a Neuralink Blindsight bilateral brain implant visible on the backside of his head.
@ErikUden@mastodon.de
2025-05-25 22:36:57

An Amazon backed AI blackmails engineers when it discovers that it'll be replaced when given access to E-Mails which state so...
„In these scenarios, Claude Opus 4 will often attempt to blackmail the engineer by threatening to reveal the affair if the replacement goes through [...]”
From a BBC article talking about this. All the companies worki…

Claude Plays Pokemon has restarted with Claude 4.
So far (~24 hours in) it seems pretty similar to the old one; it's currently wandering around Viridian Forest. But supposedly, internal tests showed it doing somewhat better. I don't know how much of that is due to the model and how much is the improved harness.
Improved harness info:

@blakes7bot@mas.torpidity.net
2025-06-28 18:29:05

Series B, Episode 06 - Trial
COMPUTER: Holding.
THANIA: Defence requests the names of the alleged victims and the cause of death in each case be specified.
SAMOR: All of them?
THANIA: If it pleases the arbiter.
blake.torpidity.net/m/206/58 B7B5

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, featuring a character in a distinctive black uniform with a high collar. The uniform includes a silver emblem or insignia on the collar that appears to be a stylized geometric shape, possibly representing some type of space organization or military faction. 

The person has short dark hair and is posed against a plain, light-colored background that gives the scene a stark, minimalist aesth…
@Techmeme@techhub.social
2025-06-28 19:22:04

Hands-on with seven coding agents tasked with building a website: Claude Code performed best, OpenAI's Codex lacked polish, and Replit failed to build the site (Timothy B. Lee/Understanding AI)
understandingai.org/p/what-i-l

@blakes7bot@mas.torpidity.net
2025-06-28 15:26:48

Series A, Episode 04 - Time Squad
JENNA: To transport what?
VILA: Do we care?
JENNA: [Slight laugh] Getting nervous?
VILA: No, I've been nervous all along. I do not like the look of that thing.
BLAKE: Zen, have the sensors picked up any sign of life?
blake.torpidity.net/m/104/72

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic spacecraft setting, consistent with science fiction television production values of the late 1970s. The scene takes place in what looks like a ship's interior with metallic surfaces and technical equipment visible in the background. One person is wearing earth-toned clothing while the other is dressed in lighter colored attire. The lighting and composition suggest this is from a dramatic scene, wi…
@kubikpixel@chaos.social
2025-06-02 06:00:25

Analysis – When your LLM calls the cops: Claude 4’s whistle-blow and the new agentic AI risk stack
🤖 venturebeat.com/ai/when-your-l

@johnleonard@mastodon.social
2025-06-25 14:29:51

Google has unveiled Gemini CLI, an open-source AI agent that allows developers to interact with the Gemini 2.5 LLM from their terminals and integrate its output into their activities.
computing.co.uk/news/2025/ai/g

@metacurity@infosec.exchange
2025-06-05 08:43:52

Reddit sues AI company Anthropic for allegedly ‘scraping’ user comments to train chatbot Claude
apnews.com/article/reddit-sues

@blakes7bot@mas.torpidity.net
2025-06-28 12:24:38

Series B, Episode 02 - Shadow
ORAC: The bridge is complete.
VILA: What? What did he say?
GAN: Something's wrong.
VILA: No, that wasn't it.
ZEN: Information. Liberator is losing power from all systems. Orbital maintenance is threatened.
blake.torpidity.net/m/202/555

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, based on the production style and set design. The scene takes place in what looks like the interior of a spacecraft or futuristic control room.

A person wearing a light-colored or cream jumpsuit/uniform is shown operating what appears to be some kind of technical equipment or control panel. They are inside what seems to be a retro-futuristic set with distinc…
@rollin_rob@social.linux.pizza
2025-05-26 17:32:20

#claude4 #ai #coding

Claude 4 just refactored my entire codebase in one call.
25 tool invocations, 3000+ new lines, 12 brand new files.
It modularized everything. Broke up monoliths. Cleaned up spaghetti.
None of it worked.
But boy was it beautiful.
@Techmeme@techhub.social
2025-06-24 14:23:54

A US judge rules Anthropic use of copyrighted books to train AI was fair use, but its storage of pirated books in a "central library" used for training was not (Olivia Sophie Rafferty/ai fray)
aifra…

@arXiv_csSE_bot@mastoxiv.page
2025-06-26 09:05:40

Large Language Model-Driven Code Compliance Checking in Building Information Modeling
Soumya Madireddy, Lu Gao, Zia Din, Kinam Kim, Ahmed Senouci, Zhe Han, Yunpeng Zhang
arxiv.org/abs/2506.20551

@migueldeicaza@mastodon.social
2025-06-20 08:24:51

I asked Claude to change my avatar to have a Kimono to use while I am in Japan.
The result:

@blakes7bot@mas.torpidity.net
2025-06-29 12:17:12

Series A, Episode 05 - The Web
AVON: Yes.
BLAKE: [V.O.] I need you on the flight deck.
AVON: I'm busy
BLAKE: [V.O.] Now, Avon.
[Flight deck of the Liberator.]
BLAKE: Zen, how are the repairs going?
blake.torpidity.net/m/105/20 B7B3

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, featuring a person in a dark uniform with padded shoulders working at what appears to be a control console or technical station. The individual is operating some kind of electronic equipment in what looks like a spacecraft or futuristic control room.

The set design has the distinctive aesthetic of late 1970s/early 1980s British sci-fi, with angular white walls, geometric patterns, and a clean…
@BBC3MusicBot@mastodonapp.uk
2025-06-28 15:45:51

🇺🇦 #NowPlaying on BBCRadio3's #SoundOfCinema
Son Lux, Claude Debussy & Son Lux:
🎵 Everything Everywhere All at Once "What a Fast Elevator!" "Clair de Lune"
#SonLux #ClaudeDebussy

@blakes7bot@mas.torpidity.net
2025-06-29 09:14:59

Series B, Episode 01 - Redemption
AVON: Don't worry. At the right time, I will remind you of it.
[Flight deck]
VILA: [Accepts cup from Jenna and swallows pill] Thanks.
JENNA: [To Blake who has just entered flight deck with Avon] You all right?
blake.torpidity.net/m/201/242

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series from the late 1970s or early 1980s. The scene shows two individuals in what looks like a futuristic or industrial setting with a textured wall behind them. 

One person is wearing a dark brown outfit with an open collar, while the other is dressed in a black leather jacket. They appear to be engaged in a tense conversation or confrontation, facing each other closely. The lighting and fi…
@jlpiraux@wallonie-bruxelles.social
2025-05-23 17:12:33

"Don't do that, Dave"
techcrunch.com/2025/05/22/anth

@poppastring@dotnet.social
2025-05-22 01:51:55

After months of coding with an #LLM I'm going back to using my brain
simonwillison.net/2025/May/20/

The 60-year-old man lying on the street, as far as anyone knew, was just a janitor hit by a drunk driver.
There was no mention of it on the local news, no obituary in the morning paper.
His name might have been Anonymous. But it wasn’t. 
His name was Peter Putnam.
He was a physicist who’d hung out with Albert Einstein, John Archibald Wheeler, and Niels Bohr,
and two blocks from the crash, in his run-down apartment, where his partner, Claude, was startled by a scr…

@blakes7bot@mas.torpidity.net
2025-05-29 18:24:38

Series A, Episode 09 - Project Avalon
ZEN: Liberator has resumed original position and status.
AVON: You'd better switch on the communication channel. [Gan crosses flight deck and switches it on.]
blake.torpidity.net/m/109/314 B7B5

Claude Sonnet 4.0 describes the image as: "This scene shows the interior of a spacecraft, likely the Liberator, with its characteristic curved control stations and futuristic design. The setting appears to be the main flight deck or control room, with multiple crew stations featuring illuminated control panels and displays. The space has a distinctive sci-fi aesthetic with curved walls and ambient lighting typical of the series' production design. Multiple crew members are positioned at their r…
@Treppenwitz@sfba.social
2025-05-22 17:54:29

I have to hand it to #Cursor. I opened up settings to find #Claude 4 already available. They KNOW what the devs want. #ai

@blakes7bot@mas.torpidity.net
2025-05-29 15:22:38

Series D, Episode 13 - Blake
DEVA: Hm. You've been given a temporary appointment as a law enforcement officer.
BLAKE: That central computer doesn't care who it makes respectable, does it?
DEVA: It's an inferior model, I'm afraid.
blake.torpidity.net/m/413/260

Claude 3.7 describes the image as: "This is a black and white image from a classic British science fiction television series from the late 1970s/early 1980s. The image shows a person with curly, dark hair and a somewhat disheveled appearance, wearing what appears to be a rough-textured coat or jacket with an upturned collar. The expression on their face appears somewhat intense or thoughtful.

The setting seems to be some kind of industrial or spacecraft interior, with what looks like storage c…
@arXiv_physicscompph_bot@mastoxiv.page
2025-06-26 08:12:50

Exploring the Capabilities of the Frontier Large Language Models for Nuclear Energy Research
Ahmed Almeldein, Mohammed Alnaggar, Rick Archibald, Tom Beck, Arpan Biswas, Rike Bostelmann, Wes Brewer, Chris Bryan, Christopher Calle, Cihangir Celik, Rajni Chahal, Jong Youl Choi, Arindam Chowdhury, Mark Cianciosa, Franklin Curtis, Gregory Davidson, Sebastian De Pascuale, Lisa Fassino, Ana Gainaru, Yashika Ghai, Luke Gibson, Qian Gong, Christopher Greulich, Scott Greenwood, Cory Hauck, Ehab …

@michabbb@social.vivaldi.net
2025-06-15 02:02:17

📁 Three essential tools: read_file for content inspection, list_files for directory navigation & edit_file for code modifications
#Anthropic #Claude integration with tool definitions using JSON schema validation & structured input parameters

@blakes7bot@mas.torpidity.net
2025-05-29 09:18:44

Series C, Episode 13 - Terminal
SERVALAN: Mm. I must admit that when I started beaming messages to the Liberator I was worried you might not believe them.
AVON: I didn't.
SERVALAN: What convinced you?
blake.torpidity.net/m/313/332 B7B2

Claude 3.7 describes the image as: "The image shows a person in what appears to be a costume from a science fiction television series. They're wearing a distinctive black outfit with metallic or reflective shoulder elements that have studs or decorative elements. The costume has an elaborate design typical of 1970s-80s British sci-fi productions.

The setting appears to be an indoor studio set with muted colors in the background. The theatrical costume with its dark color scheme and metallic ac…
@blakes7bot@mas.torpidity.net
2025-05-29 06:16:20

#Blakes7 Series A, Episode 04 - Time Squad
GAN: Hull re-pressurized.
VILA: Inner hatches released.
AVON: Switch the visual.
[Main screen view changes to projectile at rest in inner hold]
blake.torpi…

Claude 3.7 describes the image as: "This appears to be a scene from a classic science fiction television series, set in what looks like a spacecraft or control room. The image shows two people seated in a futuristic cockpit or command area. One person on the left wears a brown and beige outfit, while the person on the right has a lighter brownish jacket with some distinctive details. The setting has the distinctive retro-futuristic aesthetic typical of British sci-fi productions from the late 1…
@blakes7bot@mas.torpidity.net
2025-05-28 21:12:45

Series A, Episode 10 - Breakdown
CALLY: So?
BLAKE: So on the flight deck he tried to kill ME. The limiter didn't even slow him down.
CALLY: Well, among my people such things are considered barbarous.
blake.torpidity.net/m/110/32 B7B6

Claude 3.7 describes the image as: "The image shows a person with curly dark hair wearing what appears to be a dark costume with distinctive panels or stripes. The styling and production quality suggests this is from a classic science fiction television production, likely from the late 1970s or early 1980s based on the visual aesthetic.

The setting appears to be some kind of interior space, possibly a spacecraft or futuristic facility, with a simple, somewhat utilitarian background typical of …
@blakes7bot@mas.torpidity.net
2025-05-28 18:10:40

Series C, Episode 13 - Terminal
SERVALAN: Oh, but they're not. The planet's evolution was massively accelerated. It developed through millions of years in a very short time. The creature you saw is not what Man developed from. It is what Man will become. I think I'm ready. [To Tarrant] Give the order. Please.
TARRANT: Take them up, Vila.

Claude Sonnet 4.0 describes the image as: "I can see this is an image from a science fiction television series showing someone in what appears to be a futuristic military or space-faring uniform. The costume features a distinctive burgundy or maroon colored tunic with decorative metallic studs or embellishments, and black accents at the collar. The person has curly brown hair and is holding what looks like a futuristic weapon or device. The setting appears to be aboard a spacecraft or space sta…
@blakes7bot@mas.torpidity.net
2025-05-28 15:08:34

Series B, Episode 06 - Trial
ZIL: To be alone must not be feared. The Host is slow to recognize one who is alone. Though there are many, all stay alone. [Clears off a patch of ground] Do you hunger? [Tears the ground open, scoops up some of the lining of the opening and eats it.] Do you hunger?
BLAKE: What is it?

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be an outdoor, wilderness setting with vegetation and natural ground cover. One person is wearing darker clothing and appears to be kneeling or crouching down, while another person is positioned nearby. The scene has a somewhat gritty, dramatic quality typical of science fiction television from that era. The lighting and color palette suggest this may be from a tense or action-oriented sequence. The natural, over…
@blakes7bot@mas.torpidity.net
2025-05-28 12:06:22

Series B, Episode 04 - Horizon
SELMA: Thank you.
RO: You saved my life. While I live, you'll be welcome on Horizon.
BLAKE: Still Horizon?
RO: You can't return to the past.
BLAKE: [Into bracelet] Liberator, teleport now. [To Ro and Selma] Good-bye.
blake.torpidity.net/m/204/633

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, showing two performers in elaborate costume design. They're wearing distinctive blue-gray fringed garments with dark feathered or fur-like elements at the shoulders. The costumes have a ceremonial or ritualistic quality, with one outfit featuring an open chest design and the other a more covered style. The setting features metallic wall panels with geometric patterns in the background, sug…
@blakes7bot@mas.torpidity.net
2025-05-28 06:02:02

#Blakes7 Series D, Episode 11 - Orbit
VILA: I think so. Try it now.
AVON: Switching to manual. Maximum power on all drives.
[Biodome]
PINDER: Egrorian.
EGRORIAN: They've broken the autocontrol and switched to manual. We've allowed for that.

Claude Sonnet 4.0 describes the image as: "This image shows a scene set in what appears to be the flight deck or control room of a spacecraft. The setting features a futuristic control console with various buttons, switches, and monitoring equipment typical of science fiction television production design from the late 1970s. Two crew members are visible - one in the foreground operating controls at the main console, wearing what appears to be a light-colored uniform, while another crew member c…
@blakes7bot@mas.torpidity.net
2025-05-27 21:18:44

Series D, Episode 01 - Rescue
DORIAN: It is necessary that you should understand what is to happen to you.
AVON: No it isn't. Just kill me and get it over with.
blake.torpidity.net/m/401/452 B7B6

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction costume from a television series. They're wearing an elaborate burgundy and gold uniform with decorative details and metallic accents. The costume has a distinctive military or formal style with a high collar and patterned elements.

The person is standing in what looks like an interior set with shelving visible in the background. They're holding what appears to be a drink in one hand and some t…
@blakes7bot@mas.torpidity.net
2025-05-29 18:24:38

Series A, Episode 09 - Project Avalon
ZEN: Liberator has resumed original position and status.
AVON: You'd better switch on the communication channel. [Gan crosses flight deck and switches it on.]
blake.torpidity.net/m/109/314 B7B5

Claude Sonnet 4.0 describes the image as: "This scene shows the interior of a spacecraft, likely the Liberator, with its characteristic curved control stations and futuristic design. The setting appears to be the main flight deck or control room, with multiple crew stations featuring illuminated control panels and displays. The space has a distinctive sci-fi aesthetic with curved walls and ambient lighting typical of the series' production design. Multiple crew members are positioned at their r…
@arXiv_csSE_bot@mastoxiv.page
2025-06-23 09:16:00

Evaluating the Use of LLMs for Documentation to Code Traceability
Ebube Alor, SayedHassan Khatoonabadi, Emad Shihab
arxiv.org/abs/2506.16440

@Techmeme@techhub.social
2025-06-05 20:30:48

Anthropic co-founder Jared Kaplan says Anthropic cut Windsurf's direct access to Claude models because of reports that OpenAI is acquiring Windsurf (Maxwell Zeff/TechCrunch)
techcrunch.com/2025/06/05/anth

@blakes7bot@mas.torpidity.net
2025-05-29 15:22:38

Series D, Episode 13 - Blake
DEVA: Hm. You've been given a temporary appointment as a law enforcement officer.
BLAKE: That central computer doesn't care who it makes respectable, does it?
DEVA: It's an inferior model, I'm afraid.
blake.torpidity.net/m/413/260

Claude 3.7 describes the image as: "This is a black and white image from a classic British science fiction television series from the late 1970s/early 1980s. The image shows a person with curly, dark hair and a somewhat disheveled appearance, wearing what appears to be a rough-textured coat or jacket with an upturned collar. The expression on their face appears somewhat intense or thoughtful.

The setting seems to be some kind of industrial or spacecraft interior, with what looks like storage c…
@blakes7bot@mas.torpidity.net
2025-05-29 09:18:44

Series C, Episode 13 - Terminal
SERVALAN: Mm. I must admit that when I started beaming messages to the Liberator I was worried you might not believe them.
AVON: I didn't.
SERVALAN: What convinced you?
blake.torpidity.net/m/313/332 B7B2

Claude 3.7 describes the image as: "The image shows a person in what appears to be a costume from a science fiction television series. They're wearing a distinctive black outfit with metallic or reflective shoulder elements that have studs or decorative elements. The costume has an elaborate design typical of 1970s-80s British sci-fi productions.

The setting appears to be an indoor studio set with muted colors in the background. The theatrical costume with its dark color scheme and metallic ac…
@blakes7bot@mas.torpidity.net
2025-05-29 06:16:20

#Blakes7 Series A, Episode 04 - Time Squad
GAN: Hull re-pressurized.
VILA: Inner hatches released.
AVON: Switch the visual.
[Main screen view changes to projectile at rest in inner hold]
blake.torpi…

Claude 3.7 describes the image as: "This appears to be a scene from a classic science fiction television series, set in what looks like a spacecraft or control room. The image shows two people seated in a futuristic cockpit or command area. One person on the left wears a brown and beige outfit, while the person on the right has a lighter brownish jacket with some distinctive details. The setting has the distinctive retro-futuristic aesthetic typical of British sci-fi productions from the late 1…
@blakes7bot@mas.torpidity.net
2025-05-28 21:12:45

Series A, Episode 10 - Breakdown
CALLY: So?
BLAKE: So on the flight deck he tried to kill ME. The limiter didn't even slow him down.
CALLY: Well, among my people such things are considered barbarous.
blake.torpidity.net/m/110/32 B7B6

Claude 3.7 describes the image as: "The image shows a person with curly dark hair wearing what appears to be a dark costume with distinctive panels or stripes. The styling and production quality suggests this is from a classic science fiction television production, likely from the late 1970s or early 1980s based on the visual aesthetic.

The setting appears to be some kind of interior space, possibly a spacecraft or futuristic facility, with a simple, somewhat utilitarian background typical of …
@blakes7bot@mas.torpidity.net
2025-05-28 18:10:40

Series C, Episode 13 - Terminal
SERVALAN: Oh, but they're not. The planet's evolution was massively accelerated. It developed through millions of years in a very short time. The creature you saw is not what Man developed from. It is what Man will become. I think I'm ready. [To Tarrant] Give the order. Please.
TARRANT: Take them up, Vila.

Claude Sonnet 4.0 describes the image as: "I can see this is an image from a science fiction television series showing someone in what appears to be a futuristic military or space-faring uniform. The costume features a distinctive burgundy or maroon colored tunic with decorative metallic studs or embellishments, and black accents at the collar. The person has curly brown hair and is holding what looks like a futuristic weapon or device. The setting appears to be aboard a spacecraft or space sta…
@Techmeme@techhub.social
2025-06-04 02:30:49

Windsurf says Anthropic is limiting its direct access to its AI models, including the newest Claude 4 family and the highly popular Claude 3 models (Maxwell Zeff/TechCrunch)
techcrunch.com/2025/06/03/wind

@blakes7bot@mas.torpidity.net
2025-05-28 15:08:34

Series B, Episode 06 - Trial
ZIL: To be alone must not be feared. The Host is slow to recognize one who is alone. Though there are many, all stay alone. [Clears off a patch of ground] Do you hunger? [Tears the ground open, scoops up some of the lining of the opening and eats it.] Do you hunger?
BLAKE: What is it?

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be an outdoor, wilderness setting with vegetation and natural ground cover. One person is wearing darker clothing and appears to be kneeling or crouching down, while another person is positioned nearby. The scene has a somewhat gritty, dramatic quality typical of science fiction television from that era. The lighting and color palette suggest this may be from a tense or action-oriented sequence. The natural, over…
@blakes7bot@mas.torpidity.net
2025-05-28 12:06:22

Series B, Episode 04 - Horizon
SELMA: Thank you.
RO: You saved my life. While I live, you'll be welcome on Horizon.
BLAKE: Still Horizon?
RO: You can't return to the past.
BLAKE: [Into bracelet] Liberator, teleport now. [To Ro and Selma] Good-bye.
blake.torpidity.net/m/204/633

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, showing two performers in elaborate costume design. They're wearing distinctive blue-gray fringed garments with dark feathered or fur-like elements at the shoulders. The costumes have a ceremonial or ritualistic quality, with one outfit featuring an open chest design and the other a more covered style. The setting features metallic wall panels with geometric patterns in the background, sug…
@blakes7bot@mas.torpidity.net
2025-05-28 06:02:02

#Blakes7 Series D, Episode 11 - Orbit
VILA: I think so. Try it now.
AVON: Switching to manual. Maximum power on all drives.
[Biodome]
PINDER: Egrorian.
EGRORIAN: They've broken the autocontrol and switched to manual. We've allowed for that.

Claude Sonnet 4.0 describes the image as: "This image shows a scene set in what appears to be the flight deck or control room of a spacecraft. The setting features a futuristic control console with various buttons, switches, and monitoring equipment typical of science fiction television production design from the late 1970s. Two crew members are visible - one in the foreground operating controls at the main console, wearing what appears to be a light-colored uniform, while another crew member c…
@blakes7bot@mas.torpidity.net
2025-05-27 21:18:44

Series D, Episode 01 - Rescue
DORIAN: It is necessary that you should understand what is to happen to you.
AVON: No it isn't. Just kill me and get it over with.
blake.torpidity.net/m/401/452 B7B6

Claude 3.7 describes the image as: "The image shows a person in what appears to be a science fiction costume from a television series. They're wearing an elaborate burgundy and gold uniform with decorative details and metallic accents. The costume has a distinctive military or formal style with a high collar and patterned elements.

The person is standing in what looks like an interior set with shelving visible in the background. They're holding what appears to be a drink in one hand and some t…
@Techmeme@techhub.social
2025-06-18 09:45:52

AWS says Anthropic's Claude Opus 4 launched on its Trainium2 GPUs, and Project Rainier, AWS' supercomputer built for Anthropic, uses 500K Trainium2 chips (Kristina Partsinevelos/CNBC)
cnbc.com/2025/06/17/aws-chips-

@Techmeme@techhub.social
2025-06-09 05:05:37

Cloudflare open sourced an OAuth library mostly written by Claude, showing how AI handles mechanical implementation while humans guide with context and judgment (Max Mitchell)
maxemitchell.com/writings/i-re

@Techmeme@techhub.social
2025-06-15 10:05:34

Anthropic details how it built its multi-agent Claude Research system, claiming significant improvements in internal evaluations over single-agent systems (Anthropic)
anthropic.com/engineering/buil

@blakes7bot@mas.torpidity.net
2025-06-27 18:14:22

Series D, Episode 10 - Gold
SOOLIN: This is a pleasure cruiser. It's got no armour.
KEILLER: I told you, it's incognito. Listen, every so often they send up a highly armed ship with security written all over it, bristling with guards. And every so often someone attacks it and gets killed. Which is crazy. Because that ship's carrying fruit. We carry gold with hardly any guards.

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series featuring a woman with styled blonde hair and what appears to be futuristic or military-style clothing with metallic elements. The setting appears to be indoors, possibly on a spacecraft or in a futuristic facility, with dramatic lighting typical of 1970s-80s sci-fi productions. The character appears to be in a serious or contemplative moment, and the costume design and production value…
@blakes7bot@mas.torpidity.net
2025-06-27 12:10:32

Series A, Episode 02 - Space Fall
BLAKE: Oh yes. He's also made it clear that summary execution's one of our options. We chose the other.
LEYLAN: Well if you're successful, I promise that I'll get your sentences quashed.
AVON: And if we're not?
blake.torpidity.net/m/102/576

Claude Sonnet 4.0 describes the image as: "This appears to be a tense confrontation scene set in what looks like a spacecraft corridor or control room. The setting has the characteristic sterile, metallic interior design typical of space-based science fiction productions of the era. Several characters are wearing what appear to be communication devices or restraints with metallic chest pieces and coiled cables. The scene suggests a dramatic moment where characters are likely being held captive …
@blakes7bot@mas.torpidity.net
2025-06-27 09:08:51

Series B, Episode 05 - Pressure Point
CALLY: I'd prefer that to being here.
VILA: You're welcome to take my place when the time comes.
AVON: If it comes.
CALLY: What do you mean?
AVON: Something's not right.
blake.torpidity.net/m/205/245

Claude Sonnet 4.0 describes the image as: "This image shows a character in what appears to be a futuristic uniform or costume, featuring dark colored fabric with distinctive yellow/gold shoulder accents or trim. The setting has a utilitarian, spaceship-like interior with curved walls and surfaces typical of science fiction television production design from this era. The lighting creates dramatic shadows and highlights that emphasize the futuristic atmosphere. The costume design suggests this is…
@blakes7bot@mas.torpidity.net
2025-06-27 06:06:51

#Blakes7 Series C, Episode 13 - Terminal
AVON: Thank you.
TARRANT: Avon, are we still on route for Calipheron? Are we?
AVON: No.
TARRANT: You've changed course?
AVON: Obviously.
TARRANT: You had no right to do that.

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series featuring two people in distinctive futuristic costumes. One person is wearing a burgundy outfit with studded details and is shown from behind. The other is wearing a black leather-like ensemble with silver trim and a high collar, facing the camera with a serious expression. 

The setting appears to be a spacecraft or space station interior with angular walls and technological elements visible i…
@blakes7bot@mas.torpidity.net
2025-05-27 18:16:45

Series C, Episode 10 - Ultraworld
DAYNA: And if we agree?
ULTRA 1: We shall reconsider the fate of your friends. And, of course, yourselves.
TARRANT: Is that the best you can do? No deal.
blake.torpidity.net/m/310/506 B7B5

Claude 3.7 describes the image as: "This image shows a portrait of a person with short dark hair wearing a pink/salmon-colored top and a distinctive star-shaped pendant necklace. The lighting creates a dramatic effect with purple-tinted vertical bars or blinds visible in the background, giving the scene a science fiction atmosphere. 

The composition features a close-up shot with the subject gazing slightly off-camera with an intense, serious expression. The cinematography has that characterist…
@blakes7bot@mas.torpidity.net
2025-05-27 15:14:35

Series C, Episode 01 - Aftermath
LAUREN: I wonder what's made them so determined suddenly.
AVON: Survivors, like me, probably.
blake.torpidity.net/m/301/272 B7B4

Claude 3.7 describes the image as: "The image shows a close-up portrait of a person with short brown hair wearing a dark shirt with a wide collar. They have a serious, intense expression and appear to be in a scene with a green-tinted background. 

The style and quality of the image suggests it's from a television production from the late 1970s or early 1980s, with characteristic lighting and film quality from that era. The setting appears to be an interior space, possibly aboard a spacecraft o…
@blakes7bot@mas.torpidity.net
2025-05-27 09:10:50

Series C, Episode 06 - City at the Edge of the World
VILA: Because you can't like someone without them liking you back. And I like you, Kerril, more than anyone. Anyone I've ever known.
KERRIL: The difference is, I love you.
VILA: Kerril.
blake.torpidity.net/m/306/592

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a science fiction setting, likely aboard a spacecraft or futuristic facility. The woman has a distinctive blonde feathered hairstyle typical of 1970s television, and is wearing what looks like a light-colored outfit with earrings. The man has shoulder-length hair and is wearing what appears to be a high-collared jacket or uniform in muted tones. They appear to be having an intimate or serious conversation, fac…
@blakes7bot@mas.torpidity.net
2025-05-27 06:09:02

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: You think he's been caught?
BLAKE: No. No, there would have been an alarm. [Looks at the access hatch] I'd better get in after him.
blake.torpidity.net…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with three people in what appears to be a futuristic or spaceship-like setting with metallic walls and lighting. The scene has the distinctive visual style of late 1970s British television production. However, I cannot identify specific individuals in the image or confirm which actors these might be, so I cannot provide details about the spec…
@blakes7bot@mas.torpidity.net
2025-05-27 18:16:45

Series C, Episode 10 - Ultraworld
DAYNA: And if we agree?
ULTRA 1: We shall reconsider the fate of your friends. And, of course, yourselves.
TARRANT: Is that the best you can do? No deal.
blake.torpidity.net/m/310/506 B7B5

Claude 3.7 describes the image as: "This image shows a portrait of a person with short dark hair wearing a pink/salmon-colored top and a distinctive star-shaped pendant necklace. The lighting creates a dramatic effect with purple-tinted vertical bars or blinds visible in the background, giving the scene a science fiction atmosphere. 

The composition features a close-up shot with the subject gazing slightly off-camera with an intense, serious expression. The cinematography has that characterist…
@blakes7bot@mas.torpidity.net
2025-05-27 15:14:35

Series C, Episode 01 - Aftermath
LAUREN: I wonder what's made them so determined suddenly.
AVON: Survivors, like me, probably.
blake.torpidity.net/m/301/272 B7B4

Claude 3.7 describes the image as: "The image shows a close-up portrait of a person with short brown hair wearing a dark shirt with a wide collar. They have a serious, intense expression and appear to be in a scene with a green-tinted background. 

The style and quality of the image suggests it's from a television production from the late 1970s or early 1980s, with characteristic lighting and film quality from that era. The setting appears to be an interior space, possibly aboard a spacecraft o…
@blakes7bot@mas.torpidity.net
2025-05-27 09:10:50

Series C, Episode 06 - City at the Edge of the World
VILA: Because you can't like someone without them liking you back. And I like you, Kerril, more than anyone. Anyone I've ever known.
KERRIL: The difference is, I love you.
VILA: Kerril.
blake.torpidity.net/m/306/592

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a science fiction setting, likely aboard a spacecraft or futuristic facility. The woman has a distinctive blonde feathered hairstyle typical of 1970s television, and is wearing what looks like a light-colored outfit with earrings. The man has shoulder-length hair and is wearing what appears to be a high-collared jacket or uniform in muted tones. They appear to be having an intimate or serious conversation, fac…
@blakes7bot@mas.torpidity.net
2025-05-27 06:09:02

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: You think he's been caught?
BLAKE: No. No, there would have been an alarm. [Looks at the access hatch] I'd better get in after him.
blake.torpidity.net…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with three people in what appears to be a futuristic or spaceship-like setting with metallic walls and lighting. The scene has the distinctive visual style of late 1970s British television production. However, I cannot identify specific individuals in the image or confirm which actors these might be, so I cannot provide details about the spec…
@Techmeme@techhub.social
2025-06-04 13:21:31

ChatGPT-4o, Claude 3.7 Sonnet, Gemini 2.0 Flash, Llama 4, and Copilot comparison: Claude was the best overall with the highest consistency and no hallucinations (Geoffrey A. Fowler/Washington Post)
washingtonpost.com/technology/

@blakes7bot@mas.torpidity.net
2025-06-26 18:22:45

Series C, Episode 10 - Ultraworld
TARRANT: And because they said it we're supposed to believe them.
AVON: What else are we to believe? I told you they could take us out like that. [snaps fingers] Why should they bother to lie?
[Tarrant exits]
blake.torpidity.net/m/310/256

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series showing two characters in what looks like a spacecraft or futuristic setting. One character is wearing a green uniform or jacket and is shown from behind, while the other character faces toward the camera wearing what appears to be a brown leather outfit with metallic studs or decorative elements. The setting has the characteristic look of 1970s/80s sci-fi production design, with white…
@blakes7bot@mas.torpidity.net
2025-05-26 15:23:57

Series C, Episode 04 - Dawn of the Gods
CALLY: No.
THAARN: Need!
DAYNA: What's the matter, Cally?
CALLY: There's something out there, a force, something all powerful and evil.
[Vila walks, picks up debris]
VILA: Avon!
blake.torpidity.net/m/304/194

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a vintage science fiction television production from the late 1970s or early 1980s. Two people are engaged in what seems to be a serious conversation. On the left is a person with curly hair wearing a black and white patterned outfit over a dark top. On the right is a person with short hair wearing a teal/turquoise top and a distinctive star-shaped pendant.

The setting appears to be some kind of futuristic or s…
@blakes7bot@mas.torpidity.net
2025-05-26 12:22:04

Series C, Episode 05 - The Harvest of Kairos
VILA: We got it, we got it!
TARRANT: Yes, I know, only I was saving that trick for when they both attacked at once.
VILA: There's only two left now; no trouble.
blake.torpidity.net/m/305/300 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, showing the characteristic futuristic interior design with metallic surfaces and angular architecture typical of the series. The setting has a multi-level bridge or control room layout with various crew positions. Four characters are visible in the scene, positioned at different levels of the ship's interior. The lighting creates a dramatic atmosphere with warm tones in the background contrasting with…
@blakes7bot@mas.torpidity.net
2025-05-26 09:20:06

Series B, Episode 04 - Horizon
CALLY: [Enters] Orac, where did you get this information? [Holds up a data card. Avon takes it]
ORAC: I was instructed to obtain anything relating to the planet. The data was obtained by cross-referencing prisoner and execution lists. It is standard procedure.
blake.torpidity.n…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two characters in what looks like a futuristic or spacecraft setting. One character is wearing a green outfit and has curly hair, while the other is wearing darker clothing. The lighting and production style suggests this is from a British science fiction show, likely from the late 1970s or early 1980s based on the visual aesthetic. The scene appears to show an intim…
@blakes7bot@mas.torpidity.net
2025-05-26 06:17:45

#Blakes7 Series A, Episode 02 - Space Fall
BLAKE: [To Avon] Could it be altered?
AVON: What?
BLAKE: The running log. Could the readings be faked?
AVON: Only by a top-line technician. Nobody on this ship could do it.
BLAKE: Except you.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, set in what looks like a spacecraft or space station interior. The scene takes place in what appears to be crew quarters with bunk beds visible in the background.

The image shows three people in conversation. One person is standing in the center wearing a dark vest over a light-colored shirt. To the right, someone is seated in dark clothing with a thoughtful expression. On the left, partially…
@blakes7bot@mas.torpidity.net
2025-05-26 15:23:57

Series C, Episode 04 - Dawn of the Gods
CALLY: No.
THAARN: Need!
DAYNA: What's the matter, Cally?
CALLY: There's something out there, a force, something all powerful and evil.
[Vila walks, picks up debris]
VILA: Avon!
blake.torpidity.net/m/304/194

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a vintage science fiction television production from the late 1970s or early 1980s. Two people are engaged in what seems to be a serious conversation. On the left is a person with curly hair wearing a black and white patterned outfit over a dark top. On the right is a person with short hair wearing a teal/turquoise top and a distinctive star-shaped pendant.

The setting appears to be some kind of futuristic or s…
@blakes7bot@mas.torpidity.net
2025-05-26 12:22:04

Series C, Episode 05 - The Harvest of Kairos
VILA: We got it, we got it!
TARRANT: Yes, I know, only I was saving that trick for when they both attacked at once.
VILA: There's only two left now; no trouble.
blake.torpidity.net/m/305/300 B7B3

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, showing the characteristic futuristic interior design with metallic surfaces and angular architecture typical of the series. The setting has a multi-level bridge or control room layout with various crew positions. Four characters are visible in the scene, positioned at different levels of the ship's interior. The lighting creates a dramatic atmosphere with warm tones in the background contrasting with…
@blakes7bot@mas.torpidity.net
2025-05-26 09:20:06

Series B, Episode 04 - Horizon
CALLY: [Enters] Orac, where did you get this information? [Holds up a data card. Avon takes it]
ORAC: I was instructed to obtain anything relating to the planet. The data was obtained by cross-referencing prisoner and execution lists. It is standard procedure.
blake.torpidity.n…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two characters in what looks like a futuristic or spacecraft setting. One character is wearing a green outfit and has curly hair, while the other is wearing darker clothing. The lighting and production style suggests this is from a British science fiction show, likely from the late 1970s or early 1980s based on the visual aesthetic. The scene appears to show an intim…
@blakes7bot@mas.torpidity.net
2025-05-26 06:17:45

#Blakes7 Series A, Episode 02 - Space Fall
BLAKE: [To Avon] Could it be altered?
AVON: What?
BLAKE: The running log. Could the readings be faked?
AVON: Only by a top-line technician. Nobody on this ship could do it.
BLAKE: Except you.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, set in what looks like a spacecraft or space station interior. The scene takes place in what appears to be crew quarters with bunk beds visible in the background.

The image shows three people in conversation. One person is standing in the center wearing a dark vest over a light-colored shirt. To the right, someone is seated in dark clothing with a thoughtful expression. On the left, partially…
@blakes7bot@mas.torpidity.net
2025-05-25 18:11:15

Series A, Episode 12 - Deliverance
JENNA: Basic respirator, that's about all. [Blake enters.]
BLAKE: The coordinates place both capsules within one square mile. [Hands Cally the coordinates.] We're going to put you down in the centre of the search area.
blake.torpidity.net/m/112/59

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive burgundy and pink outfit with a fur-trimmed hood. The setting appears to be aboard a spacecraft, with the characteristic angular wall panels and lighting typical of the series' production design. The costume suggests this might be from an episode involving cold environments or disguises, as the hooded garment appears practical for harsh conditions. The interior set design shows the s…
@blakes7bot@mas.torpidity.net
2025-05-25 15:09:13

Series A, Episode 08 - Duel
GAN: [Turns and sees Sinofar and Giroc] Blake, we've got company. [When the others look, they have gone] They were here! Two women, watching us. There's nowhere they could have gone.
JENNA: So where are they now?
blake.torpidity.net/m/108/73

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing what looks like three people in a dark, cave-like or underground setting with rough stone walls. The lighting is dim and atmospheric, creating shadows on the rocky surfaces. The figures appear to be wearing what looks like futuristic or military-style clothing typical of sci-fi productions from that era. The setting suggests they may be exploring or taking shelter in…
@blakes7bot@mas.torpidity.net
2025-05-25 12:07:15

Series B, Episode 05 - Pressure Point
AVON: It is not going to be easy.
BLAKE: Can we do it?
VILA: Not a chance, it's absolutely impossible.
AVON: There is a way. Where are Kasabi and her people?
blake.torpidity.net/m/205/324 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people in conversation in what looks like a dark, possibly industrial or spacecraft setting. The individuals are wearing distinctive costumes typical of classic sci-fi productions - one in a dark jacket, another wearing what appears to be a protective vest or armor with yellow/beige elements, and the third in what looks like a leather or similar material outfit. The lighting is q…
@blakes7bot@mas.torpidity.net
2025-05-25 06:03:18

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: That's better.
VILA: You're top of the Federation's Most Wanted list - after Blake.
blake.torpidity.net/m/306/167

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television show, likely from the 1980s based on the production quality and styling. 

The scene depicts two individuals in conversation. On the right is a person wearing a simple light-colored turtleneck or high-necked garment. Facing them on the left is someone in an elaborate costume featuring a dark, studded or armored outfit with textured shoulders and decorative elements.

The setting has …
@blakes7bot@mas.torpidity.net
2025-05-24 21:19:56

Series A, Episode 12 - Deliverance
VILA: But did they do it?
AVON: "And the way was found." Does it go on?
MEEGAT: Deliverance was prepared. And Kashell the Wise was satisfied that it was good.
blake.torpidity.net/m/112/357 B7B6

Claude Sonnet 4.0 describes the image as: "I can see three people in what appears to be a science fiction setting, likely from a TV show or film. They're wearing distinctive costumes - one person is in a metallic silver outfit, another in a brown/tan colored garment, and the third in a red outfit with fur trim. The setting appears to be some kind of spaceship interior or futuristic facility, with metal paneling visible in the background. The costumes and production design suggest this is from a…
@blakes7bot@mas.torpidity.net
2025-05-25 18:11:15

Series A, Episode 12 - Deliverance
JENNA: Basic respirator, that's about all. [Blake enters.]
BLAKE: The coordinates place both capsules within one square mile. [Hands Cally the coordinates.] We're going to put you down in the centre of the search area.
blake.torpidity.net/m/112/59

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character wearing a distinctive burgundy and pink outfit with a fur-trimmed hood. The setting appears to be aboard a spacecraft, with the characteristic angular wall panels and lighting typical of the series' production design. The costume suggests this might be from an episode involving cold environments or disguises, as the hooded garment appears practical for harsh conditions. The interior set design shows the s…
@blakes7bot@mas.torpidity.net
2025-05-25 15:09:13

Series A, Episode 08 - Duel
GAN: [Turns and sees Sinofar and Giroc] Blake, we've got company. [When the others look, they have gone] They were here! Two women, watching us. There's nowhere they could have gone.
JENNA: So where are they now?
blake.torpidity.net/m/108/73

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing what looks like three people in a dark, cave-like or underground setting with rough stone walls. The lighting is dim and atmospheric, creating shadows on the rocky surfaces. The figures appear to be wearing what looks like futuristic or military-style clothing typical of sci-fi productions from that era. The setting suggests they may be exploring or taking shelter in…
@blakes7bot@mas.torpidity.net
2025-05-25 12:07:15

Series B, Episode 05 - Pressure Point
AVON: It is not going to be easy.
BLAKE: Can we do it?
VILA: Not a chance, it's absolutely impossible.
AVON: There is a way. Where are Kasabi and her people?
blake.torpidity.net/m/205/324 B7B3

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing three people in conversation in what looks like a dark, possibly industrial or spacecraft setting. The individuals are wearing distinctive costumes typical of classic sci-fi productions - one in a dark jacket, another wearing what appears to be a protective vest or armor with yellow/beige elements, and the third in what looks like a leather or similar material outfit. The lighting is q…
@blakes7bot@mas.torpidity.net
2025-05-25 06:03:18

#Blakes7 Series C, Episode 06 - City at the Edge of the World
BAYBAN: That's better.
VILA: You're top of the Federation's Most Wanted list - after Blake.
blake.torpidity.net/m/306/167

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a science fiction television show, likely from the 1980s based on the production quality and styling. 

The scene depicts two individuals in conversation. On the right is a person wearing a simple light-colored turtleneck or high-necked garment. Facing them on the left is someone in an elaborate costume featuring a dark, studded or armored outfit with textured shoulders and decorative elements.

The setting has …
@blakes7bot@mas.torpidity.net
2025-05-24 21:19:56

Series A, Episode 12 - Deliverance
VILA: But did they do it?
AVON: "And the way was found." Does it go on?
MEEGAT: Deliverance was prepared. And Kashell the Wise was satisfied that it was good.
blake.torpidity.net/m/112/357 B7B6

Claude Sonnet 4.0 describes the image as: "I can see three people in what appears to be a science fiction setting, likely from a TV show or film. They're wearing distinctive costumes - one person is in a metallic silver outfit, another in a brown/tan colored garment, and the third in a red outfit with fur trim. The setting appears to be some kind of spaceship interior or futuristic facility, with metal paneling visible in the background. The costumes and production design suggest this is from a…
@blakes7bot@mas.torpidity.net
2025-06-23 06:05:23

#Blakes7 Series A, Episode 03 - Cygnus Alpha
ZEN: Confirmed.
JENNA: [Looks at controls] That's done it. It seems we're on course now.
blake.torpidity.net/m/103/90

Claude 3.7 describes the image as: "The image appears to be a still from a vintage science fiction television production, likely from the late 1970s or early 1980s based on the visual style and aesthetic. 

It shows a person with curly blonde hair wearing an elegant dark outfit with decorative beaded or embellished details around the neckline. The costume has a distinctive retro-futuristic design that was characteristic of sci-fi productions from that era.

The scene has dramatic lighting with …
@blakes7bot@mas.torpidity.net
2025-06-23 09:08:03

Series C, Episode 02 - Powerplay
VILA: Oh, you've no idea what I've been through.
CALLY: How is it?
VILA: Well, it's all right if you don't count the agony.
CALLY: I tried very hard to contact you.
VILA: Things got a bit hectic. Are you all right?
blake.torpidity.net/m/302/4…

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television series from the late 1970s or early 1980s. The scene captures an intense conversation between three people in what looks like a futuristic or institutional setting with neutral-colored walls.

In the foreground, a woman with curly brown hair in green attire is facing a man in a brown jacket. They appear to be having a serious discussion. Between them, slightly in the background, is another per…
@blakes7bot@mas.torpidity.net
2025-06-21 18:27:54

Series B, Episode 08 - Hostage
ZEN: Fifteen minutes.
JENNA: How long before her detectors pick us up?
ZEN: Twelve minutes.
JENNA: We can't go down, if that's all the time we've got.
blake.torpidity.net/m/208/625 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a spacecraft interior, with characteristic futuristic design elements including curved walls and sleek surfaces. Two women are present in the scene - one wearing a light-colored, flowing garment with a belt, and another in a patterned outfit. The setting has the distinctive aesthetic of late 1970s science fiction television, with clean lines and a sterile, high-tech atmosphere. The scene appears to be…
@blakes7bot@mas.torpidity.net
2025-06-22 09:14:21

Series B, Episode 03 - Weapon
SERVALAN: Or respect. A man might see it as respect. You would have - once.
[Flight deck]
BLAKE: What do you think, Jenna?
AVON: I think the basic idea was stupid.
BLAKE: No, the idea was logical enough. Jenna?
blake.torpidity.net/m/203/71

Claude 3.7 describes the image as: "The image shows a person with a short dark pixie haircut wearing an elaborate white costume with a distinctive crystalline or transparent collar design that extends upward around the neck. They're wearing teardrop-shaped earrings that complement the outfit. The setting appears to be a minimalist, bright white environment that gives a futuristic, clinical feel typical of science fiction productions from that era. The costume design features intricate details t…
@blakes7bot@mas.torpidity.net
2025-06-22 06:12:33

#Blakes7 Series D, Episode 06 - Headhunter
TARRANT: [V.O. over comm.] Muller can't.
AVON: Well, we'll give him a refund on his ticket. Just get that ship back, Tarrant. We'll worry about the details then. Out!

Claude Sonnet 4.0 describes the image as: "This image shows a scene from inside a spacecraft, featuring futuristic interior design with metallic surfaces and technological elements typical of science fiction television from the late 1970s. The character is wearing a distinctive black leather outfit with metallic studs and white trim details, which was characteristic of the show's costume design. The setting appears to be aboard the Liberator, the main spacecraft used by the rebel crew. The slee…
@blakes7bot@mas.torpidity.net
2025-06-22 12:16:55

Series A, Episode 06 - Seek-Locate-Destroy
RONTANE: With respect, Supreme Commander, we are aware of the facts. They are simply that with all the resources that the Federation can call upon, this one vulnerable, lucky man is still free to cause havoc.
SERVALAN: You have some criticism of my handling of this matter, Secretary Rontane?

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a man in what appears to be a futuristic black and white uniform or outfit with a high collar. The setting has a distinctive geometric patterned ceiling or wall in the background, giving it a sci-fi institutional feel typical of the series' aesthetic. The lighting and production values are characteristic of British television from the late 1970s/early 1980s. The uniform suggests this character holds some kind of offi…
@blakes7bot@mas.torpidity.net
2025-06-21 06:19:12

#Blakes7 Series C, Episode 10 - Ultraworld
AVON: When the planet was on the screen, did anyone notice Cally's reaction?
VILA: I didn't.
AVON: You were too busy teaching Orac nursery rhymes.
VILA: Riddles.

Claude 3.7 describes the image as: "The image shows a person with dark, short hair styled in a typical 1970s-80s fashion. They're wearing what appears to be a high-necked costume with a brown textured material featuring some decorative elements or studs.

The lighting and film quality suggest this is from a British science fiction television production of that era. The costume design has that distinctive retro sci-fi aesthetic common in shows from this period.

The scene appears to be from a st…
@blakes7bot@mas.torpidity.net
2025-06-20 18:13:40

Series A, Episode 03 - Cygnus Alpha
BLAKE: [Whispers] Vila. [Pause, then louder] Vila. [Pause] Gan. [Pause] Gan.
GAN: [Moves to bars] Blake.
BLAKE: What is it? What's the matter with everybody?
GAN: How did you get here?
blake.torpidity.net/m/103/377

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a dramatic scene with two male characters in what looks like a dimly lit, confined space - possibly aboard a spacecraft or in some kind of underground facility. The lighting creates strong shadows across their faces, giving the scene a tense, serious atmosphere. One character is facing toward the camera while engaged in what appears to be an intense conversation or confrontation with the other character, whose back is parti…