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@blakes7bot@mas.torpidity.net
2025-09-28 21:20:36

Series C, Episode 05 - The Harvest of Kairos
[Next day; outside hangar]
TARRANT: Where the hell's Avon?
VILA: He's back. I saw him go inside. [Tarrant heads toward the hangar]
VILA: [To Dayna] I won't be a moment.
[Landing module]
blake.torpidity.net/m/305/497

Claude Sonnet 4.0 describes the image as: "I can see a scene set in what appears to be a rural or desolate outdoor location with some kind of industrial or institutional building in the background. There are three people in the scene - one person wearing light-colored clothing in the foreground with their back to the camera, another person in similar light clothing standing in the background near the building, and a third person crouched or kneeling on the ground wearing darker clothing. The se…
@thomasfuchs@hachyderm.io
2025-08-29 02:22:35

Dropped a friend of near the big university here today to catch her bus ride and I’m always astounded how little clothing American students wear.
They basically looked liked they’re coming from a pool party. (They did not, just normal classes.)

@tante@tldr.nettime.org
2025-09-29 12:20:05

The whole "discourse" meme is rotting people's brains.
(Original title: Doin’ Discourse With Ezra and Charlie)
leftycartoons.com/2025/09/26/d

@Techmeme@techhub.social
2025-09-28 08:10:50

A look at the implosion of CaaStle, a clothing inventory monetization startup whose ex-CEO Christine Hunsicker is accused of swindling investors out of $300M (Bloomberg)

@arXiv_physicshistph_bot@mastoxiv.page
2025-07-30 08:10:11

Antirealism in sheep's clothing: Wave function realism and scientific realism
Raoni Arroyo, Jonas R. Becker Arenhart
arxiv.org/abs/2507.21615

@gwire@mastodon.social
2025-10-29 09:09:03

One thing about no longer checking Twitter that there are now years worth of odd things I wasn't aware of. "Whatever happened to the music artist M.I.A?" gets answered with "Selling EMF-blocking silver underpants on Infowars."
st…

An advert for EMF-blocking OHMNI silver boxer shorts
@rasterweb@mastodon.social
2025-10-27 23:04:06

I never thought I’d be a person who wore hi-vis clothing but biking home after 5pm has me contemplating it…
#bikeTooter

@arXiv_csHC_bot@mastoxiv.page
2025-09-30 08:01:24

Debiasing the Influence of Demographic and Appearance Cues in Social Engineering via Role-Taking: Negative Results
Tourjana Islam Supti (College of Engineering, Qatar University, Doha, Qatar), Israa Abuelezz (College of Engineering, Qatar University, Doha, Qatar), Aya Muhanad (College of Engineering, Qatar University, Doha, Qatar), Mahmoud Barhmagi (College of Engineering, Qatar University, Doha, Qatar), Ala Yankouskaya (Department of Psychology, Bournemouth University, Poole, UK), Kha…

The Zipper Is Getting Its First Major Upgrade in 100 Years
By stripping away the fabric tape that’s held zippers together for a hundred years,
Japanese clothing giant YKK is designing the future of seamless clothing
wired.com/story/the-zipper-is-

@UP8@mastodon.social
2025-10-26 17:09:27

🔫 Engineers develop spray to make clothes more fire-resistant
#clothing

@arXiv_csGR_bot@mastoxiv.page
2025-07-30 08:13:22

Learning Simulatable Models of Cloth with Spatially-varying Constitutive Properties
Guanxiong Chen, Shashwat Suri, Yuhao Wu, Etienne Voulga, David I. W. Levin, Dinesh Pai
arxiv.org/abs/2507.21288

@blakes7bot@mas.torpidity.net
2025-08-30 18:12:55

Series C, Episode 03 - Volcano
CALLY: Nothing.
AVON: Keep trying Servalan is down there.
CALLY: Servalan!
AVON: And a patrol.
VILA: Why?
AVON: Ask her, but something big is happening. Tarrant and Dayna are probably prisoners.
blake.torpidity.net/m/303/305

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like a futuristic spacecraft or space station setting. The person is wearing dark clothing and is positioned near what appears to be a curved window or viewing port with white structural elements visible. The lighting and production values suggest this is from a British science fiction program, likely from the late 1970s or early 1980s based on the visu…
@yaya@jorts.horse
2025-10-16 19:05:55

how do you even make a Lycra top hat Bruce mastodon.social/@chest_bot_sho

@davidaugust@mastodon.online
2025-10-26 01:01:08

If you encounter kidnappers, stay safe and take note of these things about them, and then share the information with ICIRR.
Download a PDF to print and carry with you, I have put this at slideshare.net/slideshow/ice-w

A mnemonic poster with the acronym S.A.L.U.T.E. representing Size/Strength, Activity/Action, Location/Direction, Uniform/Clothing, Time and Date, Equipment/Weapons, and a phone number: Call ICIRR 855-435-7693.
@paulbusch@mstdn.ca
2025-10-27 11:52:37

Good Morning #Canada
Finally, arriving at our our 10th province, Manitoba, and putting this series to rest means no more nightmares. Friendly Manitoba, it says so right on their license plates, also has hundreds of abandoned towns, but today we'll focus on Scarf. Named for William Scarf, not for winter clothing or the more recent term for eating quickly, the settlement began in the 1880s, started to flourish after train service arrived in 1907, and died slowly after train service stopped, with the last residents leaving in the 1980s. But in 2013, the regional mayor decided to sell parcels of land in the ghost town for $10. I wasn't able to find out if this plan to bring Scarf back from the dead was successful, but perhaps the area is cursed. In 2020, a tornado touched down near Scarf, killing two teenagers when their vehicle was swept off the road.
#CanadaIsAwesome #CanadianGhostTowns
cbc.ca/news/canada/manitoba/ma

@blakes7bot@mas.torpidity.net
2025-09-29 15:10:24

Series A, Episode 03 - Cygnus Alpha
VARGAS: Ahhh. [crushes a teleport bracelet] How did you get here?
BLAKE: I was a prisoner on the Federation ship.
blake.torpidity.net/m/103/426 B7B4

Claude 3.7 describes the image as: "The image appears to be from a television drama set in what looks like a dimly lit, rustic interior with stone walls. Two people are shown in conversation - one with curly hair wearing a green vest over light-colored clothing is positioned on the right side of the frame, while another person is partially visible from behind on the left side, wearing what appears to be a hooded or cloaked garment.

The scene has a distinctly vintage quality to its production s…
@ErikUden@mastodon.de
2025-09-12 16:36:24

due to the crackdown of any leftist discourse surrounding charlie kirk's assassination, bringing into context his own statements, viewpoints, and what they had to do with his demise, huge social media accounts are being banned on twitter, instagram, and bluesky.
for a friend of mine who's running “punkwithacamera” on Instagram, this also meant having the identity and address of doxxed, to the degree where even a member of the house of representatives of the united states of ame…

An image of two people wearing black shirts. one of the shirts has a hammer and sickle with the hammer being a vibrator, the other says “fuck work, let's riot”
@blakes7bot@mas.torpidity.net
2025-09-30 18:49:06

Series C, Episode 01 - Aftermath
TROOPER 1: Yeah, but was it one of ours?
TROOPER 2: Couldn't tell.
TROOPER 1: I'd be very careful if I were you, sir. There could be some alien survivors down.
blake.torpidity.net/m/301/52 B7B5

Claude 3.7 describes the image as: "The image shows two people in what appears to be an outdoor setting with tall grass or reeds in the background. The scene has a vintage film quality with a somewhat muted color palette typical of television productions from the late 1970s or early 1980s. 

Both individuals are wearing dark clothing and appear to be in the midst of an intense moment, with expressions suggesting distress or exertion. The person on the right has darker, slightly longer hair and …
@seedling@dice.camp
2025-08-18 04:36:08

Does anyone know a good resource for what medieval clothing looked like? And also more generally for clothing of different cultures before industrialization?

@blakes7bot@mas.torpidity.net
2025-10-29 13:07:14

Series A, Episode 12 - Deliverance
ENSOR: I'm on three-quarter boost as it is. She's not responding! I'm going to maximum. It's all right. It's all right. She's slowing. Compensators beginning to hold. [Ship starts to steady.] Come on, come on, that's my beauty. That's...come on. Pull us back, pull us back. All right, she's coming back. We're all right.
MARYATT: Don't do that too often, will you? I'm a very nervous passenger.

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be the interior of a spacecraft or control room setting. They're positioned near what looks like control panels or technical equipment, with some kind of display screen visible showing a green geometric shape. The lighting is dramatic and moody, typical of science fiction television production from this era. The men are wearing what appears to be futuristic or military-style clothing. The setting suggests they're li…
@jkmartindale@mastodon.social
2025-08-26 18:25:15

thank u Ryan Rockstar from Rockstar Support telling me to contact support regarding a missing hoodie from the Lucky Wheel in a support ticket regarding a missing hoodie from the Lucky Wheel

Excerpt from Rockstar Support reply.

Using the Interaction Menu (for saved outfits):

If you have already saved an outfit that includes a hoodie, you can equip it on the fly.
1. Hold the View button (Xbox) or Touchpad (PlayStation) to open the Interaction Menu.
2. Navigate to Style > Outfits.
3. Select the saved outfit that contains the hoodie. 

If you can't find a hoodie: 

Check the right category: If you are in a clothing store, make sure you are navigating the "Tops" section and its "Hood…
@arXiv_csCV_bot@mastoxiv.page
2025-09-25 09:12:12

Bias in the Picture: Benchmarking VLMs with Social-Cue News Images and LLM-as-Judge Assessment
Aravind Narayanan, Vahid Reza Khazaie, Shaina Raza
arxiv.org/abs/2509.19659

@sean@scoat.es
2025-09-22 23:10:59

Younger-me-with-more-energy would definitely go up to the church at the end of my street and leave some full sets of clothing (in body shape) on the steps, late tonight.
#rapture

@blakes7bot@mas.torpidity.net
2025-09-29 06:03:43

#Blakes7 Series B, Episode 03 - Weapon
JENNA: Maybe IMIPAK is another Orac. If we captured it perhaps we could breed from them.
BLAKE: What a disgusting idea.
JENNA: [Smiles] Well, despite Orac's lucky eavesdropping, we're not much wiser, are we?

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a spacecraft interior with distinctive futuristic design elements typical of classic science fiction television from the late 1970s/early 1980s. 

The scene features two individuals in conversation - a person with blonde feathered hair wearing a navy blue outfit with decorative gold accents on the shoulders, and another person with curly dark hair wearing a brown jacket over darker clothing.

The spacecraft s…
@Techmeme@techhub.social
2025-08-22 01:10:46

Clothing subscription service Rent the Runway gives up around 86% ownership to three lenders in exchange for $240M in debt relief and $20M in fresh financing (Bloomberg)
bloomberg.com/news/articles/20

@leftsidestory@mstdn.social
2025-09-22 00:30:00

On The Road - To Xi’An/ Beings II 👁️‍🗨️
在路上 - 去西安/ 灵 II 👁️‍🗨️
📷 Pentax MX
🎞️Kodak Double-X 5222
#filmphotography #Photography #blackandwhite

Kodak Double-X 5222 (FF)

English Alt Text:
A black-and-white photo taken through dense bushes. A person in light clothing stands near a motorbike with a delivery box on the back. The motorbike is parked on a sidewalk in front of a building with a staircase and glass entrance. Above the entrance, signage in Chinese reads “series, bedding products.” The hidden vantage point adds a candid, almost voyeuristic feel to the urban moment.

中文替代文字:
一张黑白照片,从浓密灌木中拍摄。一位穿浅色衣服的人站在一辆带配送箱的摩托车旁。摩托车停在人行道上,前方是一栋…
Kodak Double-X 5222 (FF)

English Alt Text:
A black-and-white photo of a sidewalk scene. An elderly person sits on a small stool facing away from the camera, wearing a patterned outfit and hat. In front is a barrier with vertical bars, aligned with a tactile paving strip for the visually impaired. Behind, pedestrians walk in both directions. Trees, buildings, and parked motorcycles line the street. The image evokes quiet reflection and urban accessibility.

中文替代文字:
一张黑白照片,展示人行道上的场景。一位老人坐在小凳上,背对…
Kodak Double-X 5222 (FF)

English Alt Text:
A black-and-white photo of a city bus in motion. The bus displays route number “601” with Chinese characters indicating its direction. Through the windows, passengers are visible—some seated, others standing. The side of the bus bears a slogan in Chinese: “Build a civilized city together, create a better future together.” The license plate reads “06-161.” The monochrome tone gives the image a documentary feel, capturing a slice of daily urban life in …
Kodak Double-X 5222 (FF)

English Alt Text:
A black-and-white image of a busy urban sidewalk. A three-wheeled electric scooter with a canopy is parked near a tree. Behind it, a person sits. Pedestrians and cyclists move along the sidewalk. Cars, including a taxi, drive on the adjacent road. Storefronts and signage line the buildings. The photo captures the rhythm of city life, blending transportation, commerce, and human activity.

中文替代文字:
一张黑白照片,描绘繁忙的城市街道。人行道旁停着一辆带遮蓬的三轮电动车。车后是一位坐着。人行道上有行人和骑车者穿…

Enough Stuff is a free thrift store based in East Peoria, Illinois,
which is stocked with donated items and give away those items for free to customers.
They aim to meet the needs for those who are without the basic necessities of adequate clothing, home goods and food items.
But the shop is for all, whoever is in need of items but also if people just want to change up their wardrobe.

@arXiv_csRO_bot@mastoxiv.page
2025-09-05 08:55:01

Reactive In-Air Clothing Manipulation with Confidence-Aware Dense Correspondence and Visuotactile Affordance
Neha Sunil, Megha Tippur, Arnau Saumell, Edward Adelson, Alberto Rodriguez
arxiv.org/abs/2509.03889

@_tillwe_@mastodon.social
2025-08-17 17:07:39

Great panel with @… and Nancy Kress on rules in and for novels. On the box it said "rules and when to break them". Even thou they didn't said a single word about the breaking of rules, I learned much about writing, world-building, and the favorite clothing-colour of vikings (magenta!).

@georgiamuseum@glammr.us
2025-09-03 15:14:05

The exhibition "Brilliant Exiles" has been on view at two other museums, including the #NationalPortraitGallery, which organized it. But its appearance at the #GeorgiaMuseumOfArt is different because of a unique on-campus partnership. The

An installation photograph of the exhibition  “Brilliant Exiles: American Women in Paris, 1900 – 1939,” which shows a painting of a woman in black displayed next to two mannequins wearing black clothing borrowed from the University of Georgia's Anne Barge Historic Clothing and Textile Collection.
@blakes7bot@mas.torpidity.net
2025-08-28 18:27:28

Series C, Episode 05 - The Harvest of Kairos
JARVIK: Woman, you're beautiful. [grabs and kisses her]
SERVALAN: Guards! Take this primitive to the punishment cells! Move!
blake.torpidity.net/m/305/93 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The image shows someone in what appears to be casual clothing against a green, textured background that could be foliage or an alien landscape setting. The lighting and composition suggest this is from a dramatic scene, possibly during an outdoor or planet-surface sequence. The production…
@Mediagazer@mstdn.social
2025-08-10 20:20:37

How former Food52 executive Shannon Muldoon stole $270,000 from Food52 between 2021 and 2023 by using the company's credit card for luxury clothing and travel (Charlotte Klein/The Cut)
thecut.com/article/food52-shan

@AimeeMaroux@mastodon.social
2025-08-11 15:19:28
Content warning:

Did Medusa not hear dem cheeks clappin'?
#BumDayMonday #ReverseNotObverse

Neoclassical marble sculpture of Perseus holding the severed head of Medusa in his left and his sickle sword in his right. He is shown from reverse, his buttocks and back muscles well-defined in the artwork. He is nude, the cap of invisibility and a long himation draped over his left arm the only clothing.
@Migurski@mastodon.social
2025-08-11 17:03:01

“This is the corner of a hand-sewn #sail made in the #1800s … Canvas sails like this were made from hemp, which was also used in clothing, ropes, and even the caulking that sealed gaps between ship planks. Hemp was favored over materials like jute because it was three times stronger and resistant to salt…

@arXiv_csCV_bot@mastoxiv.page
2025-09-23 13:11:41

ComposeMe: Attribute-Specific Image Prompts for Controllable Human Image Generation
Guocheng Gordon Qian, Daniil Ostashev, Egor Nemchinov, Avihay Assouline, Sergey Tulyakov, Kuan-Chieh Jackson Wang, Kfir Aberman
arxiv.org/abs/2509.18092

@lapizistik@social.tchncs.de
2025-08-08 15:16:10

If I got this right ICE is well known for coming masked in military clothing and suspiciously neutral vans without warrants to arrest people.
So what if a bunch of lookalikes would show up on a golf course and just take Trump away?
Ok, I assume there is guards…
#pol #uspol

@blakes7bot@mas.torpidity.net
2025-09-28 12:14:11

Series C, Episode 10 - Ultraworld
[The door to the storage room opens. Three menials enter. One is Relf. Dayna holds her weapon on him. He watches as the other two menials remove one of the stored bodies. Dayna sneezes. Relf turns at the sound, but does not respond. She tests his response and gets none. The other two menials rejoin Relf, and all three exit.]
DAYNA: What now?

Claude 3.7 describes the image as: "This image appears to be a still from a television series, showing two individuals in what seems to be a dimly lit, futuristic setting. The scene captures an intense moment between the characters, with a blue-tinted background that suggests a spacecraft or technical environment. One person has curly hair and is wearing dark clothing, while the other is wearing what appears to be a reddish outfit. The lighting and cinematography have that distinctive vintage s…
@blakes7bot@mas.torpidity.net
2025-09-28 06:10:02

#Blakes7 Series A, Episode 09 - Project Avalon
GUARD: Down, it's Blake! [He shoves Blake and Vila into the other guard and takes off down the hall.]
BLAKE: Chevner! [A fight ensues.] Jenna!
COMPUTER: Detention block seven - condition red. [Alarm starts.]

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene in what looks like a spacecraft or space station corridor with white walls and futuristic design elements. 

The image shows several people in costume - some wearing colorful outfits in burgundy and green with distinctive headwear, while a figure on the right is dressed in dark clothing and appears to be holding what looks like a weapon. The individuals with their hands near th…
@UP8@mastodon.social
2025-09-19 02:39:15

🌱 Plant cell wall mechanics informs how to grow sustainable architectural forms
#cornell

@servelan@newsie.social
2025-10-02 05:02:16

Grifting must be genetic in that family...
'Mad as hell': Taylor Swift fans allege Trump's granddaughter stole logo for clothing line - Raw Story
rawstory.com/kai-trump/

@leftsidestory@mstdn.social
2025-08-21 00:30:01

Uneven Lives 👁️
不工整人生 👁️
📷 Minolta Hi-Matic AF
🎞️ERA 100, expired 1994
buy me ☕️ ?/请我喝杯☕️?
#filmphotography

English Alt Text:
A dramatic black and white image showing the shadow of a leafy plant cast sharply onto a light surface, creating a striking silhouette.

中文替代文字:
一张黑白照片,展示一株植物的叶子在明亮表面上投下清晰的阴影,形成鲜明的剪影效果。
English Alt Text:
A black and white photo of a windowsill with an open window. A small container with long, thin sticks sits inside a shallow dish on the sill, above a radiator.

中文替代文字:
一张黑白照片,展示一个窗台和打开的窗户。窗台上放着一个浅盘,盘中有一个小容器,插着几根细长的枝条,下方是一个暖气片。
English Alt Text:
A black and white photo of a quiet urban street. A person wearing a hat and light clothing sits on a bicycle parked near a tree on the sidewalk. Another bicycle is nearby. Trees line the left side of the street, while cars and buildings fill the background, creating a calm and reflective atmosphere.

中文替代文字:
一张黑白照片,描绘一条宁静的城市街道。一位戴帽子、穿浅色衣服的人坐在人行道树旁停放的自行车上,旁边还有另一辆自行车。街道左侧种有树木,背景中有汽车和建筑,营造出平静而富有思考感的氛围。
English Alt Text:
A busy parking lot with several cars and two pedestrians, set against a backdrop of a building with Chinese signage reading “北京金豆豆物语” and “华宇云商 乐地生活家”. Trees line the background, and the image has a double exposure effect with vertical lines and partial silhouettes.

中文替代文字:
一个繁忙的停车场,停着多辆汽车,两位行人正在行走。背景是一栋建筑,标有“北京金豆豆物语”和“华宇云商 乐地生活家”的中文招牌。后方有树木,画面呈现出双重曝光效果,带有垂直线条和部分剪影。
@arXiv_csCV_bot@mastoxiv.page
2025-09-08 09:50:40

LUIVITON: Learned Universal Interoperable VIrtual Try-ON
Cong Cao, Xianhang Cheng, Jingyuan Liu, Yujian Zheng, Zhenhui Lin, Meriem Chkir, Hao Li
arxiv.org/abs/2509.05030

@thomasfuchs@hachyderm.io
2025-10-07 20:06:58

Any user interface element in any app should, by law, have to disclose if your data goes anywhere that's not directly in said app, in minimum font size and contrast; perhaps with some standardized icons.
We list ingredients on food and composition on clothing; why don't we do this for data?

@gwire@mastodon.social
2025-09-17 09:00:35

If America doesn't want its children to grow up confused about gender-appropriate clothing, they should replace all depictions of Jesus, or indeed any biblical male, with versions in which they are wearing long-trousers.
Should be doable with AI, I'm assured.

@arXiv_csRO_bot@mastoxiv.page
2025-08-19 11:06:00

Bimanual Robot-Assisted Dressing: A Spherical Coordinate-Based Strategy for Tight-Fitting Garments
Jian Zhao, Yunlong Lian, Andy M Tyrrell, Michael Gienger, Jihong Zhu
arxiv.org/abs/2508.12274

@arXiv_csHC_bot@mastoxiv.page
2025-08-05 09:44:50

RoboLinker: A Diffusion-model-based Matching Clothing Generator Between Humans and Companion Robots
Jing Tang, Qing Xiao, Kunxu Du, Zaiqiao Ye
arxiv.org/abs/2508.01165

@blakes7bot@mas.torpidity.net
2025-10-26 22:17:49

Series C, Episode 02 - Powerplay
DAYNA: Avon, what are you doing?
AVON: In a way, I am making us invisible.
[Scene - the corridor with the hatch, Tarrant, Klegg, Harmon and a guard]
blake.torpidity.net/m/302/190 B7B6

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a spacecraft interior, with metallic walls and a staircase visible in the background. The setting has the characteristic futuristic, industrial design typical of science fiction productions from this era. One person is wearing a flowing white dress or gown, while another is dressed in dark leather clothing and is operating some kind of control panel or technical equipment. The scene appears to be taki…
@blakes7bot@mas.torpidity.net
2025-10-27 19:11:42

Series D, Episode 10 - Gold
TARRANT: Yes, they're clear all right. Aren't they, Avon. We've just risked our lives, for nothing.
SOOLIN: Not for nothing, Tarrant. We risked our lives to make Servalan rich.
blake.torpidity.net/m/410/433 B7B5

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator or Scorpio based on the futuristic interior design with metallic walls and technical equipment visible in the background. The setting has the characteristic sterile, high-tech aesthetic typical of the series' spaceship environments.

In the foreground, a character wearing distinctive black leather clothing with decorative studs and buckles is prominently featured. This appears to …
@blakes7bot@mas.torpidity.net
2025-09-26 21:12:20

Series C, Episode 07 - Children of Auron
VILA: Um, welcome aboard.
DERAL: Sit down. [points gun at Vila]
VILA: Over here? [sits at teleport console]
DERAL: Mnn hmm.
DAYNA: [Enters with gun on Deral] Keep still! [takes his gun]
blake.torpidity.net/m/307/453 B7B…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two people in what looks like a futuristic spacecraft or space station interior. The setting has the characteristic design elements of 1970s-80s sci-fi productions, with angular walls, distinctive lighting, and technical panels visible in the background.

One person is wearing dark clothing and appears to be holding something small, while the other is wearing what lo…
@arXiv_csCV_bot@mastoxiv.page
2025-08-19 12:07:10

Odo: Depth-Guided Diffusion for Identity-Preserving Body Reshaping
Siddharth Khandelwal, Sridhar Kamath, Arjun Jain
arxiv.org/abs/2508.13065

@blakes7bot@mas.torpidity.net
2025-08-26 09:21:10

Series B, Episode 11 - Gambit
KRANTOR: And when you have disposed of Travis, don't forget to bring me Docholli. [Cevedic departs.] Now, for our other problem. [Looks at mirror.] Tell the croupier to shut the wheel down, Toise. It has developed a mechanical fault.
[Travis leaves bar holding Docholli's surgical kit.]

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring two characters in elaborate period costumes with powdered wigs, suggesting an 18th-century aristocratic setting. One character wears ornate clothing with decorative embroidery and an elaborate golden flame-like crown or headdress. The other character is dressed in a striped robe or dressing gown and is holding what appears to be a small white cat or similar pet. The setting appears formal and palatial, with classical…
@UP8@mastodon.social
2025-10-09 11:43:42

⛹🏻‍♀️ Ball mill technique produces nanoscale scaffolds that filter PFAS
#pfas

@blakes7bot@mas.torpidity.net
2025-09-26 09:03:01

Series B, Episode 04 - Horizon
[Teleport section. Avon is seated at the console]
BLAKE: Have you got the coordinates yet?
AVON: It takes time.
BLAKE: There may not BE much time.
AVON: Then stop distracting me.
[Rack room]
blake.torpidity.net/m/204/602 B7B2…

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic medical or technical facility setting. One person is standing, wearing white robes or garments, while another is lying down on what looks like a medical bed or examination table, wearing light-colored clothing. The background shows typical sci-fi television production design with control panels, screens, and technological equipment typical of the era. The setting has a clinical, sterile appearance…
@arXiv_csHC_bot@mastoxiv.page
2025-10-15 08:50:32

Refashion: Reconfigurable Garments via Modular Design
Rebecca Lin, Michal Luk\'a\v{c}, Mackenzie Leake
arxiv.org/abs/2510.11941 arxiv.o…

@blakes7bot@mas.torpidity.net
2025-09-26 12:05:21

Series D, Episode 11 - Orbit
AVON: Orac mark two. Just a replica I made a few months back. Contingency planning, Vila, and the contingency arose.
VILA: But the thing worked!
blake.torpidity.net/m/411/372 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a futuristic control room or technical facility, with characteristic sci-fi styling including metallic surfaces and electronic equipment in the background. Two characters are present - one wearing light-colored clothing in the background, and another in the foreground wearing a distinctive black leather outfit with decorative studs or embellishments. The character in black appears to be operating or e…
@blakes7bot@mas.torpidity.net
2025-10-26 19:15:25

Series A, Episode 08 - Duel
TRAVIS: Aren't you curious about it?
MUTOID: No.
TRAVIS: I find that hard to believe.
MUTOID: Memory is an encumbrance. All trace of it is removed and with it all trace of identity.
TRAVIS: And it doesn't concern you?
blake.torpidity.net/m/108/381

Claude 3.7 describes the image as: "The image shows a dark, atmospheric scene that appears to be set in a forest or wooded area at night. There are two people visible in profile against the shadowy background, with foliage visible around them. The lighting is very low-key and dramatic, creating a tense, secretive mood. The individuals are wearing dark clothing that blends with the nighttime setting, suggesting they might be hiding or on some kind of covert mission. The composition has a cinemat…
@arXiv_csCV_bot@mastoxiv.page
2025-09-16 12:45:17

HoloGarment: 360{\deg} Novel View Synthesis of In-the-Wild Garments
Johanna Karras, Yingwei Li, Yasamin Jafarian, Ira Kemelmacher-Shlizerman
arxiv.org/abs/2509.12187

@blakes7bot@mas.torpidity.net
2025-08-25 06:14:01

#Blakes7 Series A, Episode 12 - Deliverance
TRAVIS: It was Maryatt.
SERVALAN: Does it matter?
TRAVIS: No... No. Only Blake matters now.
SERVALAN: And Orac.
TRAVIS: Right.
blake.torpidity.net/m/112/281…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a futuristic interior setting with distinctive geometric wall patterns. There's a person in dark, military-style clothing standing, and another figure seated or reclining. The set design has a sleek, spaceship-like aesthetic typical of classic sci-fi shows, with clean lines and metallic surfaces. The lighting and production values suggest this is from a Briti…
@blakes7bot@mas.torpidity.net
2025-09-25 15:11:55

Series A, Episode 02 - Space Fall
AVON: [To Jenna] Luck has nothing to do with it.
[Switch to prisoner's living area]
VILA: You look as if you could do with a drink.
DAINER: I'm always thirsty, Vila.
blake.torpidity.net/m/102/246 B7B4

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, with its characteristic sterile, futuristic interior visible in the background. The setting shows what appears to be a corridor or common area of the ship. Multiple crew members are present in the scene, wearing the typical earth-toned, practical clothing characteristic of the series. The lighting and production values are typical of late 1970s British science fiction television.…
@arXiv_csCV_bot@mastoxiv.page
2025-10-14 13:46:48

InfiniHuman: Infinite 3D Human Creation with Precise Control
Yuxuan Xue, Xianghui Xie, Margaret Kostyrko, Gerard Pons-Moll
arxiv.org/abs/2510.11650

@blakes7bot@mas.torpidity.net
2025-10-19 15:13:10

Series A, Episode 02 - Space Fall
BLAKE: Just wondered how good you really were.
AVON: Don't try and manipulate me, Blake.
BLAKE: Now why should I try and do that?
AVON: You need my help.
BLAKE: Only if you can open the doors.
blake.torpidity.net/m/102/185

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be a sterile, white medical or detention facility. Two men are seated in the clinical environment - one in the foreground wearing dark clothing and looking downward with a troubled expression, while another sits in the background wearing lighter colored clothing with a vest. The setting has a cold, institutional feel with white walls and surfaces, along with hexagonal control panels or monitoring devices visibl…
@blakes7bot@mas.torpidity.net
2025-10-24 09:15:44

Series D, Episode 01 - Rescue
AVON: Cover your eyes.
[Explosions continue. Debris begins to fall around them. Explosions subside.]
AVON: [Sits up] So much for what Servalan didn't tell us.
DAYNA: It's quite a booby trap.
blake.torpidity.net/m/401/4 B7B2

Claude Sonnet 4.0 describes the image as: "I can see two people sitting together in snow in what appears to be a winter outdoor setting. One person is wearing a distinctive black outfit with ornate white decorative trim and studs, while the other is dressed in dark clothing. They appear to be sitting close together on snowy ground with trees or foliage visible in the background. The scene has a dramatic, possibly romantic quality to it, and the winter setting creates an atmospheric backdrop for…
@blakes7bot@mas.torpidity.net
2025-09-24 15:19:10

Series B, Episode 05 - Pressure Point
BLAKE: A church.
GAN: A church?
BLAKE: Place of religious assembly.
GAN: Must be ancient.
BLAKE: The Federation had them all destroyed at the beginning of the New Calendar.
GAN: There's no sign of Kasabi?
blake.torpidity.net/m/205/220

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television series, captured in a dark, moody setting. The scene shows two figures standing together in what looks like a misty or foggy outdoor environment with ruins or deteriorated structures in the background. 

One person is wearing what appears to be a utility-style outfit with a belt, while the other is dressed in darker clothing that resembles a suit or jacket. The grainy, low-contrast quality and…
@blakes7bot@mas.torpidity.net
2025-08-22 21:21:21

Series D, Episode 07 - Assassin
AVON: Don't worry, I'll cover you. [Tarrant charges to the rescue as Avon picks up a gun. Piri watches the fight in horror as Tarrant gets the worst of it. Avon stands by calmly until he gets the chance to shove the gun in Cancer's face]
AVON: As I was saying, we all have to learn to live with disappointment.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a futuristic medical or technical facility. The scene shows someone lying on what appears to be an examination table or medical bed, with another person standing over them in dark clothing. There's a third figure visible in the background. The setting has the characteristic look of 1970s/80s sci-fi production design, with white and metallic surfaces, control …
@blakes7bot@mas.torpidity.net
2025-10-21 21:19:51

Series A, Episode 09 - Project Avalon
BLAKE: Chevner, the security robot. [Into communicator] Avon! Cally! Bring us up!
[Scene: Cuts between the Liberator and the tunnel.]
ZEN: Liberator has resumed original position and status.
blake.torpidity.net/m/109/312 B7B6

Claude 3.7 describes the image as: "The image shows two people in a scene that appears to be set in some kind of small enclosed space with metallic walls, possibly an elevator or small compartment. Both individuals are wearing winter clothing with fur-trimmed hoods. The person on the left wears a green jacket with gloves, while the person on the right is in a burgundy/red jacket with what looks like a utility belt. There's a reflection visible in what seems to be a glass or metal surface betwee…
@blakes7bot@mas.torpidity.net
2025-08-22 18:19:02

Series B, Episode 07 - Killer
GAMBRILL: [Entering laboratory] We've got eight cases in gnotobiotics and several more in the main lab.
BELLFRIAR: Well, have you traced the contacts?
GAMBRILL: That's the point sir, there doesn't seem to have been any.
blake.torpidity.net/m/207/416

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in a futuristic medical or scientific facility. The setting features clean, sterile white and metallic surfaces typical of advanced spacecraft or research stations. Three figures are present in the scene - one seated in white medical or scientific attire in the foreground, another standing behind in similar white garments, and a third person positioned to the right wearing darker clothing. The environment suggests this co…
@blakes7bot@mas.torpidity.net
2025-10-13 09:08:50

Series C, Episode 08 - Rumours of Death
TARRANT: You took your time.
AVON: It was necessary.
TARRANT: Is it done?
AVON: Yes, but it isn't finished.
VILA: Wonderful. Who's next on your list? Servalan?
AVON: [Inserts key] Orac.
blake.torpidity.net/m/308/306

Claude Sonnet 4.0 describes the image as: "This scene appears to be set in a futuristic interior, likely aboard a spacecraft, with characteristic metallic wall panels and angular architecture typical of science fiction productions from this era. Two men are engaged in what appears to be a tense confrontation. One figure is dressed in period-style clothing with ornate brown leather studded with metal details over a white shirt, while the other wears dark, fitted clothing with a high collar. The …
@blakes7bot@mas.torpidity.net
2025-10-21 12:13:03

Series C, Episode 04 - Dawn of the Gods
TARRANT: What about you?
GROFF: I'll be alright, get going! But if you could tell them, my family, they were always in my thoughts.
TARRANT: We'll tell them, Groff. [Groff tries to move main switch]
blake.torpidity.net/m/304/363

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, showing three figures in a futuristic setting. The scene takes place in what looks like a spacecraft interior with distinctive lighting, including a circular red window or portal with an X pattern in the background.

The person on the left is seated and wearing period-style clothing with a white shirt, while gesturing toward the others. In the center stands someone in a green outfit with d…
@blakes7bot@mas.torpidity.net
2025-08-20 15:20:33

Series A, Episode 01 - The Way Back
RICHIE: No, not me. The man we're going to meet. He especially asked us to contact you so he could tell you in person. He was on Ziegler Five a few months ago.
BLAKE: Where is he now?
RAVELLA: Waiting for us. Outside.
blake.torpidity.net/m/101/18

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, showing three people in what looks like a dramatic scene against a dark background. The individuals are wearing earth-toned clothing that appears to be costume design typical of 1970s-80s sci-fi shows. The lighting and staging suggest this is an indoor scene, possibly on a spaceship or similar futuristic setting. The composition shows the three figures in close conversation or c…
@blakes7bot@mas.torpidity.net
2025-10-20 06:15:01

#Blakes7 D01 - Rescue
[Planet terminal. Exterior, night. A crude camp has been made. A small fire burns in the centre. Dayna, Tarrant and Avon are seated around the fire. Avon has Orac in his lap and is attempting to repair it.]
TARRANT: Vila rescued me?

Claude Sonnet 4.0 describes the image as: "This scene shows four characters gathered around a small campfire in what appears to be a cave or rocky shelter. The setting suggests they're in hiding or taking refuge, with patches of snow or frost visible on the ground, indicating cold conditions. The characters are dressed in their typical practical clothing - leather jackets and sturdy garments suitable for their circumstances as rebels on the run. The intimate gathering around the fire creates a …
@blakes7bot@mas.torpidity.net
2025-09-19 18:13:14

Series D, Episode 05 - Animals
TARRANT: Hmm, smells lovely.
VILA: No, it doesn't. It's disgusting.
AVON: Well, somebody has to go down and you are the one with the delicate touch, Vila.
TARRANT: Magic hands. You've often said so yourself.
blake.torpidity.net/m/405/140

Claude Sonnet 4.0 describes the image as: "This scene appears to be set in a futuristic control room or technical facility, characterized by metallic walls and advanced-looking equipment. Three characters are present, with one person in work clothing leaning over what appears to be a large curved console or technical apparatus, manipulating some kind of control surface or readout. Two other figures stand in the background, dressed in more formal attire with distinctive trim details typical of t…
@blakes7bot@mas.torpidity.net
2025-08-19 09:11:31

Series B, Episode 12 - The Keeper
TRAVIS: You could have the secret by then, it has to be one of those two, the chief or his sister. Don't you trust me?
SERVALAN: No, of course not.
blake.torpidity.net/m/212/155 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this is a scene with two characters in what appears to be an ornate, futuristic setting with decorative brick or tiled walls featuring geometric patterns. One figure is wearing a dark military-style uniform and appears to be standing in a position of authority, while another character in lighter colored clothing is seated or reclining. The setting has an elaborate, imperial aesthetic typical of the show's design, with rich textures and archit…
@blakes7bot@mas.torpidity.net
2025-09-19 06:04:20

#Blakes7 Series C, Episode 06 - City at the Edge of the World
AVON: What the hell is that? [to Dayna, who enters] What happened?
DAYNA: Bayban got away from me.
TARRANT: He'll be making for his ship.
NORL: No! Let him go. He has no men left.

Claude Sonnet 4.0 describes the image as: "In this scene, two characters are engaged in what appears to be a tense conversation aboard a spacecraft. The setting has the distinctive purple-tinted lighting and metallic interior design typical of the series. One character wears a dark leather outfit with metallic studs or details, while the other is dressed in flowing red and dark clothing. They appear to be standing close together in what looks like a corridor or chamber of the ship, suggesting a…
@blakes7bot@mas.torpidity.net
2025-08-16 21:13:37

Series B, Episode 11 - Gambit
KRANTOR: [To Avon] Stand aside from your friend's chair, sir. If he loses the game, you might share his shock.
CROUPIER: Les jeux sont fait.
[Loading bay. Blake is standing beside Docholli, his gun aimed at Travis.]
blake.torpidity.net/m/211/476

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring an elaborately costumed character in period dress, including a powdered wig and ornate clothing with black and white striped elements. The character appears to be making a pointing gesture and has theatrical makeup or prosthetics that give them a distinctive, somewhat grotesque appearance. The setting appears to be an interior location with pale yellow/cream colored walls, suggesting an elegant or formal environment.…
@blakes7bot@mas.torpidity.net
2025-10-17 06:08:04

#Blakes7 Series A, Episode 11 - Bounty
BLAKE: He is older. It's seven years since he came into exile. [Into bracelet] Liberator, come in, Liberator.
[Flight deck of the Liberator]
blake.torpidity.net/m/111/32

Claude 3.7 describes the image as: "The image shows two individuals with curly dark hair in what appears to be a rustic or wilderness setting. They are wearing what looks like period or specialized costume clothing, with one wearing what appears to be a spotted fur or animal print garment. The scene has a muted, somewhat desaturated color palette typical of television productions from the late 1970s or early 1980s.

The individuals seem to be in a tense or watchful moment, with one looking off …
@blakes7bot@mas.torpidity.net
2025-10-16 12:19:48

Series A, Episode 03 - Cygnus Alpha
AVON: I have to get rid of Blake first. You're next on my list.
JENNA: That would have been very disarming, if I didn't know that you meant it.
[Jenna begins to leave. She turns at the bottom of the stairs]
blake.torpidity.net/m/103/358

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the styling and production values. The scene shows two characters in what appears to be an intimate or tense moment - a dark-haired man in black clothing facing a blonde woman with an elaborate curled hairstyle typical of that era. The setting appears to be some kind of futuristic interior space, possibly a spacecraft or station…
@blakes7bot@mas.torpidity.net
2025-09-16 06:08:29

#Blakes7 Series D, Episode 12 - Warlord
ZUKAN: Insofar as we on Betafarl have always sought to protect ourselves and our borders, there are some here who would not be unjustified in regarding us as aggressors, but if it is aggression to protect oneself by ensuring that the others remain weak, then we have been aggressors.
BOORVA: Ah.

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television production featuring several characters in distinctive costumes. In the center is a figure with a striking appearance, wearing a black outfit with pronounced shoulders and a gold belt. They have pale makeup and reddish hair styled upward. Surrounding this central character are others in varied futuristic attire - one in minimal black clothing with gold accents, another in dark robes with curly hair, a…
@blakes7bot@mas.torpidity.net
2025-08-15 21:19:08

Series B, Episode 10 - Voice from the Past
VILA: Right.
BLAKE: One more thing, Vila.
VILA: Oh yes, sorry [Releases Blake]
BLAKE: Thank you. Asteroid PK One One Eight.
VILA: Right. [Vila moves in front of Zen]
blake.torpidity.net/m/210/213 B7B6

Claude 3.7 describes the image as: "The image shows two characters in what appears to be a sci-fi television production from the late 1970s or early 1980s. The setting looks like the interior of a spacecraft or futuristic facility with light-colored walls visible in the background.

Two men are engaged in conversation, with one on the left having shorter, lighter hair and sideburns, while the person on the right has curly, darker hair. They're wearing light-colored clothing that appears to be d…
@blakes7bot@mas.torpidity.net
2025-10-15 06:13:52

#Blakes7 Series C, Episode 09 - Sarcophagus
TARRANT: I'm sure you wouldn't. [Draws his gun and exits. Avon smiles.]
[Corridors. As Tarrant runs toward the flight deck he is intercut with visions of the conjured figure in scarlet doing the same things.]

Claude Sonnet 4.0 describes the image as: "I can see a figure in what appears to be a futuristic or science fiction setting, wearing distinctive costume elements including red and tan/brown colored clothing with a cape-like garment. The character appears to be on what looks like a spaceship or futuristic interior set, with curved walls and technological elements visible in the background. The lighting creates a dramatic atmosphere typical of science fiction television productions from this era.…
@blakes7bot@mas.torpidity.net
2025-09-16 19:51:37

Series C, Episode 02 - Powerplay
AVON: Now you.
TARRANT: I am Del Tarrant.
AVON: Register the voices, Zen. From now on you will obey their requests and commands.
ZEN: Confirmed.
AVON: Welcome to the Liberator.
VILA: And you are, welcome to it.
blake.torpidity.net/m/302/528

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator or Scorpio, featuring three characters in what seems to be a tense moment. The setting shows the distinctive futuristic interior design typical of the series, with sleek walls and technological elements visible in the background. The characters are positioned in what appears to be a confrontational or dramatic scene - one wearing an elegant white outfit, another in dark clothing, …
@blakes7bot@mas.torpidity.net
2025-10-14 18:29:58

Series A, Episode 08 - Duel
[THE MONUMENT - Blake and Jenna materialise.]
GIROC: You fought well, Blake.
BLAKE: I'm glad you enjoyed it.
GIROC: Why didn't you kill him?
blake.torpidity.net/m/108/459 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene set in what looks like a cave or underground location with rough stone walls. Two figures are present - one wearing lighter colored clothing and another in darker robes with a head covering. The setting has a rustic, primitive quality with what appears to be some kind of bedding or supplies visible in the background. The lighting is dim and atmospheric, creating shadows that emphasize the cave-like environment. The …
@blakes7bot@mas.torpidity.net
2025-10-14 12:25:04

Series C, Episode 05 - The Harvest of Kairos
INTERCEPTOR LEADER: [V.O.] Interceptor Leader to Control. Request instructions!
SERVALAN: Hold position, Interceptor Leader, and wait for instructions from Assault Leader One. We will attack when the Liberator breaks out of Alpha Sector. Four should do it nicely. Well, Dastor, I think it's time we had a little strategic counsel. Bring this - Jarvik to me.

Claude 3.7 describes the image as: "The image shows a scene set in what appears to be a futuristic space setting with distinctive green metallic wall panels in the background. The scene features two individuals in what seems to be a formal or dramatic moment. 

On the left is an older person wearing dark clothing, possibly a black turtleneck or jacket. On the right is someone in an elegant, light-colored satin dress or gown with a one-shoulder design and some sparkly embellishment or accessory.…
@blakes7bot@mas.torpidity.net
2025-09-14 18:09:44

Series B, Episode 12 - The Keeper
VILA: What? I don't ...
GOLA: [To henchman] and Master of the Duel - you!
TARA: It is written he will kill you.
GOLA: You called him back, didn't you?
TARA: Yes I did.
GOLA: Why?
blake.torpidity.net/m/212/479 B7B…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a medieval or fantasy-themed environment, with stone archways and rustic architecture visible in the background. The characters are dressed in period costumes including leather, fur trim, and ornate medieval-style clothing with decorative elements. The setting suggests this might be taking place in a castle, tavern, or similar historical location. The lighting and overall aesthetic give it a dramatic, a…
@blakes7bot@mas.torpidity.net
2025-09-14 06:00:48

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: He's not my type.
VILA: You can't afford to be choosy now!
JENNA: Why else would I be talking to you?
VILA: Thanks!
JENNA: Pleasure.
JENNA: [To Avon] What've you got there?

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spacecraft or futuristic facility interior, with metallic walls and institutional lighting typical of science fiction productions from this era. The scene shows several characters in conversation, with costumes reflecting the show's distinctive late 1970s sci-fi aesthetic. The characters are wearing a mix of practical spacefaring garments and more elaborate period-appropriate clothing. The lighting an…
@blakes7bot@mas.torpidity.net
2025-10-13 12:11:01

Series B, Episode 10 - Voice from the Past
AVON: I'm sorry to have to inform you that he is himself all right.
[End of episode. Roll credits.]
blake.torpidity.net/m/210/623 B7B3

Claude Sonnet 4.0 describes the image as: "This image shows two characters in what appears to be the interior of a spacecraft or space station, with characteristic futuristic wall paneling visible in the background. Both men are wearing what looks like military or rebel-style clothing typical of the series' aesthetic. The lighting and set design have the distinctive look of British science fiction television from the late 1970s. The scene appears to be taking place during a moment of dialogue o…
@blakes7bot@mas.torpidity.net
2025-09-13 06:18:51

#Blakes7 Series A, Episode 04 - Time Squad
AVON: We'll need to blast the door. That will alert the guards before we've even started.
VILA: [To Avon] Listen fingers, computers are yours, doors are mine. Right?
BLAKE: You can open it?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series, showing two people in what looks like a futuristic or spaceship-like setting with white/light colored walls in the background. One person is wearing what appears to be a red or burgundy colored outfit, while the other is wearing darker clothing with what looks like a light-colored vest or jacket over it. The lighting and film quality suggests this is from a television produc…
@blakes7bot@mas.torpidity.net
2025-09-13 09:21:13

Series D, Episode 08 - Games
VILA: [V.O.] Belkov's living quarters.
TARRANT: We'll be right there.
blake.torpidity.net/m/408/409 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring three characters in what appears to be a futuristic or sci-fi setting with dark atmospheric lighting. The characters are wearing distinctive costumes - one person is dressed in form-fitting attire with metallic armor-like details and decorative elements, another is wearing a gray tunic-style outfit, and the third is in dark clothing with yellow/orange trim or sash details. The lighting and staging suggests this is fr…
@blakes7bot@mas.torpidity.net
2025-08-13 09:19:30

Series A, Episode 10 - Breakdown
KAYN: That's where the fault was, in the limiter, there. And there it is repaired. If you survive, so should he.
BLAKE: Is there any way we can thank you?
KAYN: You could try getting caught.
blake.torpidity.net/m/110/552 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing three people in what looks like a futuristic spacecraft or station interior. The setting has characteristic sci-fi design elements including curved walls with horizontal ribbing and control panels with various displays and controls. One person is wearing what appears to be a light-colored uniform or outfit, while the others are in darker clothing. They appear to be engaged i…
@blakes7bot@mas.torpidity.net
2025-09-12 18:12:34

Series C, Episode 06 - City at the Edge of the World
TARRANT: Yes, a little.
AVON: There are no lighting systems that I can find. I suggest we leave here while there's enough light to see where we're going.
TARRANT: No.
blake.torpidity.net/m/306/551 B7B5

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, with several crew members gathered in what looks like the ship's corridor or common area. The lighting has the characteristic dim, atmospheric quality typical of the series' interior shots. The characters are wearing their usual practical space-faring attire - neutral-colored clothing suitable for life aboard a rebel ship. The group appears to be engaged in discussion, possibly p…
@blakes7bot@mas.torpidity.net
2025-10-12 15:20:05

Series C, Episode 08 - Rumours of Death
AVON: I can't. Please, I can't.
SHRINKER: I'm going to start by burning out your eyes.
AVON: Please.
SHRINKER: And you're going to start by telling me your name. Now that's not too difficult, is it? Who are you?
blake.torpidity.net/m/308/26

Claude 3.7 describes the image as: "The image appears to be a scene from a vintage television production with a dramatic interaction between two individuals. The setting appears sparse with plain walls, giving it a utilitarian or institutional feel typical of science fiction productions from the 1970s-80s era.

The scene depicts an intense conversation between two people - one wearing what looks like a casual jacket, and another in darker clothing who appears to be holding what might be a cigar…
@blakes7bot@mas.torpidity.net
2025-10-11 18:29:47

Series C, Episode 10 - Ultraworld
TARRANT: From what?
ULTRA 2: She has undergone a severe mental trauma. We have placed her in a sleep cell to facilitate recovery.
DAYNA: What caused this trauma?
ULTRA 2: We do not know.
blake.torpidity.net/m/310/205 B7B5

Claude Sonnet 4.0 describes the image as: "This scene appears to be set on a spaceship bridge or control room, featuring the characteristic futuristic set design with metallic surfaces and control panels. Three crew members are present - one wearing a distinctive studded leather outfit, another in burgundy/red clothing, and a third in dark attire. They appear to be confronting or negotiating with two translucent, crystalline humanoid beings who are seated at what looks like a control station. T…
@blakes7bot@mas.torpidity.net
2025-09-10 06:14:53

#Blakes7 Series A, Episode 01 - The Way Back
VARON: Look at that: outpatient admission, identity unrecorded.
VARON: And there's another.
VARON: And a third.
MAJA: Three unidentified admissions on the date the victims weren't at school.

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic corridor or spacecraft interior, wearing dark colored clothing that looks like uniforms or utilitarian outfits typical of science fiction productions from this era. The setting has clean, geometric walls with modern lighting that creates dramatic shadows. The scene appears tense or serious based on their body language and positioning. However, I cannot identify who the specific actors are in this …
@blakes7bot@mas.torpidity.net
2025-08-10 12:18:23

Series D, Episode 13 - Blake
TARRANT: We'd be there a lot sooner if your computer stuck to direct line of flight. Is the constant change of direction for my benefit?
BLAKE: No.
[Avon and company board the flyer.]
blake.torpidity.net/m/413/373 B7B3

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be the cockpit or control area of a spacecraft. They're seated side by side, wearing earth-toned clothing that looks like it could be from a science fiction production. The setting has a futuristic aesthetic with control panels and instrumentation visible around them. The lighting and overall visual style suggests this is from a television production, likely from the late 1970s or early 1980s based on the cinemat…
@blakes7bot@mas.torpidity.net
2025-10-10 18:15:08

Series A, Episode 01 - The Way Back
P.A.: [V.O.] Security clear on cell unit M-three for Justice Department access.
VARON: I'm Tel Varon, Justice Department. I've been assigned to defend you.
BLAKE: I don't need a defence. I'm going to plead guilty.
blake.torpidity.net/m/101/157

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing a scene in what looks like a sterile, white institutional setting. In the foreground, there's a person in dark clothing reading or examining some papers at what appears to be a desk or table. In the background, there are figures in what look like military or security uniforms. The setting has a clinical, authoritarian atmosphere typical of dystopian sci-fi productions from t…
@blakes7bot@mas.torpidity.net
2025-09-10 12:19:00

Series D, Episode 13 - Blake
BLAKE: Nobody made the capture. She hit the self-destruct. And when it blew, she took half a squadron of gunships with her. Brace yourself.
VILA: How does it feel to be home?
SOOLIN: I wouldn't know.
blake.torpidity.net/m/413/389 B7B3

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like a vehicle or spacecraft interior. The person appears injured or distressed, with visible bruising or marks on their face. They're wearing what appears to be dark clothing, and the lighting and set design has the characteristic look of 1970s British television production. The interior setting suggests this might be from a dramatic or action sequence…
@blakes7bot@mas.torpidity.net
2025-08-10 18:23:01

Series A, Episode 09 - Project Avalon
AVALON: I don't understand.
TRAVIS: No? Do you think your capture at this particular point was a matter of chance? It was a carefully calculated strategy. You're worth a great deal to me. You're going to give me Blake, his crew, and his undamaged ship. The Federation wants the Liberator - you and I are going to give it to them.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a futuristic medical or examination scene. In the foreground, there's a person lying on what looks like a medical bed or examination table, wearing what appears to be a white garment. Standing nearby is another individual dressed in dark clothing with some sort of eye covering or visor, reaching toward a control panel with illuminated sections. The setting has a distinctly retrofuturis…
@blakes7bot@mas.torpidity.net
2025-08-10 09:16:09

Series A, Episode 09 - Project Avalon
BLAKE: You have a woman prisoner here called Avalon. Where is she being kept?
GUARD: All prisoners are being held in the main detention block. [Chevner scouts ahead to the nearest corridor junction.]
blake.torpidity.net/m/109/279 B7B2

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. It shows a tense confrontation scene in what looks like a sterile, institutional corridor or doorway. 

On the left is a person wearing a fur-trimmed parka hood, facing off against what appears to be a security guard or soldier in dark clothing wearing a helmet with a visor. The guard is holding what looks like a weapon.

The scene has the distinctive visual …
@blakes7bot@mas.torpidity.net
2025-08-09 15:27:18

Series D, Episode 11 - Orbit
EGRORIAN: Apparently not. Can I offer you some refreshment? Everything here is reconstituted, of course, but it remains palatable.
AVON: We came here to talk, Egrorian.
blake.torpidity.net/m/411/118 B7B4

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a futuristic medical or laboratory facility with a clean, white interior design. Two people in gray uniform-like clothing are engaged in conversation across a white counter or examination table. One person on the left has a distinctive pink decoration or antenna on their head, while the person on the right has a more authoritative stance.

The clinical setting includes glass shelving with medical equipment, b…
@blakes7bot@mas.torpidity.net
2025-10-09 15:20:06

Series C, Episode 05 - The Harvest of Kairos
SHAD: Get hold of Command.
DASTOR: [On screen] Command. Yes?
SHAD: It's the harvest, sir. It's been good. Very good.
DASTOR: [On screen] And?
SHAD: Well, we're loaded and ready for lift-off, but, er...
blake.torpidity.net/m/305/201

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like a spacecraft or space station interior. The person is wearing what appears to be a dark helmet or headgear and some kind of uniform or protective clothing. The setting has the distinctive look of a sci-fi production from what seems to be the late 1970s or early 1980s, with characteristic lighting and set design of that era. The background shows var…
@blakes7bot@mas.torpidity.net
2025-08-08 12:06:26

Series C, Episode 06 - City at the Edge of the World
TARRANT: [V.O.] Are you sure, Cally?
CALLY: Unless they're hiding. But why should they hide?
TARRANT: [V.O.] I don't know. Maybe outsiders -
blake.torpidity.net/m/306/77 B7B3

Claude 3.7 describes the image as: "The image shows a person with curly dark hair wearing a cream-colored outfit with dark accents against a rocky backdrop. The clothing style and the film quality suggest this is from a classic science fiction television production, likely from the late 1970s or early 1980s based on the aesthetic. 

The setting appears to be an outdoor location with stone or rock formations creating a somewhat stark, possibly alien landscape. The costume has a distinctive desig…