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@leftsidestory@mstdn.social
2026-01-03 00:30:01

Urban Mirage II 👁️‍🗨️
城市幻境 II 👁️‍🗨️
📷 Nikon F4E
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text: A dome-like wire sculpture composed of thin, overlapping wires forms a chaotic yet geometric pattern. The black-and-white image emphasizes shadows cast on the ground, creating a layered visual effect. The background is blurred, drawing focus to the intricate wirework. The abstract composition evokes themes of fragility, complexity, and spatial tension.

中文替代文本: 一个穹顶状的铁丝结构由细小交错的线条构成,呈现出混乱而几何的图案。黑白照片突出地面上的阴影,营造出层次感。背景模糊,使观者聚焦于精致的线条构造。抽象构图传达出脆弱、复杂与空间张力的主…
Ilford HP5 Plus 400 (FF)

English Alt Text: Four cylindrical paint buckets sit behind an ornate metal grille, possibly on a window ledge. The buckets have visible markings, suggesting industrial use. The black-and-white photo has a grainy texture, enhancing its nostalgic feel. The grille features curved, decorative patterns, contrasting with the utilitarian devices. The image blends industrial history with artistic architecture.

中文替代文本: 四只圆柱形油漆桶放置在一个装饰性金属栅栏后面,可能位于窗台上。桶上有清晰标记,显示其工业用途。黑白照片呈颗粒质感,…
Ilford HP5 Plus 400 (FF)

English Alt Text: A stone building facade features a decorative column and a lion head sculpture. Prominently displayed are Chinese characters reading “一千一夜” and English text below stating “A THOUSAND AND ONE NIGHTS.” The structure blends classical and Eastern architectural elements. Trees and power lines partially obscure the view, and a modern high-rise looms in the background. The scene evokes a cultural fusion referencing the famous Middle Eastern folk tales.

中文替代…
Ilford HP5 Plus 400 (FF)

English Alt Text: Two workers are suspended by ropes, cleaning or maintaining the windows of a modern high-rise building. They wear safety harnesses and carry buckets, emphasizing the risk and skill involved. The building features large glass panels and sleek architectural lines. The image captures teamwork, urban labor, and the importance of safety in high-altitude tasks.

中文替代文本: 两名工人通过绳索悬挂在现代高楼外,进行窗户清洁或维护工作。他们佩戴安全吊带,携带水桶,体现出高空作业的危险性与专业性。建筑外观为大面积玻璃与流线型设计。画面展现了团队协作、城市…
@UP8@mastodon.social
2025-12-01 08:31:11

🍾 Drop-to-deploy: How bistable mechanics unfold structures in under a second
#structures

@blakes7bot@mas.torpidity.net
2026-01-01 10:07:10

Series B, Episode 03 - Weapon
TRAVIS: Whose in particular?
FEN: Like most of our city, this room lives; a vegetable biologically adapted but living and growing - and all life, Travis, is linked. [Laces her fingers] That is the basis of the Rule of Life.
blake.torpidity.net/m/203/158

Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, likely from the 1970s or early 1980s based on the aesthetic and production values. The scene takes place in a futuristic, minimalist set with sleek metallic walls, geometric architectural elements, and atmospheric lighting in warm tones of gold and pink.

The setting appears to be some kind of ceremonial or formal space, possibly a throne room or council chamber, with its clean lines …
@leftsidestory@mstdn.social
2025-11-03 01:01:17

Moody Urbanity - Action Required II 🧭
情绪化城市 - 行动指南 II 🧭
📷 Pentax MX
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:
A monochrome photograph of a tree in an urban environment. The tree’s textured bark and branching limbs dominate the foreground. Behind it stands a modern building with large windows, vertical and horizontal lines, and a glass entrance canopy. The contrast between the organic form of the tree and the structured geometry of the building creates a balanced composition.

中文替代文字:
一张黑白照片,前景是一棵树,树干粗糙有质感,枝干向外伸展。背景是一栋现代建筑,带有大窗户、纵横线条和玻璃门廊。树木的自然形态与建筑的几何结构形成鲜明对比…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A monochrome photograph of a parking garage entrance ramp. The ramp curves downward into a dark tunnel beneath a building. A white arrow painted on the ground indicates two-way traffic. On the left, a ticket machine is mounted on a column. To the right, a grassy area with a tree casts shadows across the scene, separated from the ramp by a railing. The composition highlights the contrast between light and shadow, guiding the viewer’s eye into the tunne…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photograph of an outdoor urban scene. In the foreground, a neatly trimmed hedge borders a grassy area. A small sign with a fire hydrant symbol and a downward arrow marks the hydrant’s location beside the grass. The hydrant itself is visible near the sign. Behind this, modern buildings with large windows rise, and a paved walkway runs alongside them. A person is faintly visible near the buildings, adding a sense of scale. The photo em…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white cityscape featuring tall modern buildings. The central high-rise has a grid of square windows, creating a repetitive geometric pattern. In the foreground, a pedestrian bridge connects two buildings, adding depth and perspective. Above, textured clouds fill the sky, enhancing the dramatic mood. The low-angle viewpoint emphasizes the towering scale of the architecture.

中文替代文字:
一张黑白城市景观照片,展示高耸的现代建筑。中央的高楼布满方形窗户,形成规则的几何图案。前景是一座连接两栋建筑的人行天…
@detondev@social.linux.pizza
2026-01-30 15:45:57

whats the best labor group logo Macau Federation of Trade Unions got a cleeeaannn one

four red geometric interlocked arms over a gear
@toxi@mastodon.thi.ng
2025-11-17 11:07:22

MonochromeEvolutionaryBioDigitalCellularAutomataSimulation
Unlike the recently shared[1] multi-cellular struggles, these here are some selected research stills (handpicked from tens of thousands) of only single CA configurations (aka mono-cultures) which I found interesting/promising and which were then used as raw ingredients/candidates for my infinitely evolving C-SCAPE project[2]...
Each of these cellular automata is 1.5D, meaning each pixel row is one generation, but I allowe…

Abstract monochrome still image of a 1.5D cellular automata simulation, showing the evolution of almost geometric/architectural features from an initial seed generation of just noise.
Abstract monochrome still image of a 1.5D cellular automata simulation, showing the evolution of almost geometric/architectural features from an initial seed generation of just noise.
Abstract monochrome still image of a 1.5D cellular automata simulation, showing the evolution of almost geometric/architectural features from an initial seed generation of a regular pattern.
Abstract monochrome still image of a 1.5D cellular automata simulation, showing the evolution of almost geometric/architectural features from an initial seed generation of just noise.
@samerfarha@mastodon.social
2026-01-31 05:24:53

Scenes from Rosslyn, VA

Two tall, curved glass office buildings stand under a partly cloudy blue sky. The buildings are situated in Arlington, Virginia.
A black and white picture of two tall office buildings with reflective glass facades  under a bright sky
A man wearing a beanie and backpack walks past a speeding subway train in a station with a geometric ceiling.
This is a black and white photograph of a subway station with a train speeding by. The station has a tiled floor and a wall with square recesses, and the image was taken in Arlington, Virginia.
@smashtie@mas.to
2025-12-30 14:03:30

Picasso - Seated Nude - 1909-10
Is that a #dog on your lap...? #art
At the Tate "Theatre Picasso" exhibition, London.

A muted, earth toned painting, in cubist style, of a seated nude. The figure is formed of rough geometric shapes with black outlines. You could imagine the figure is holding a lap dog, perhaps?
@daniel@social.telemetrydeck.com
2026-01-28 09:01:51

Help, I've fallen into a geometric prison made of gray polygons

My head framed in a way that the wall and the surrounding cupboards seem very abstract
@blakes7bot@mas.torpidity.net
2025-12-01 13:17:12

Series C, Episode 11 - Moloch
CALLY: And that's what the teleport did to him?
DAYNA: How will the Sardoans make out without him?
blake.torpidity.net/m/311/577 B7B3

Claude Sonnet 4 describes the image as: "I can see this is a scene from what appears to be a science fiction television production, likely from the 1980s based on the aesthetic and production values. The setting appears to be a futuristic or space-based environment, with characteristic sci-fi set design visible in the background including geometric patterns and sleek surfaces.

The person in the image is wearing a distinctive blue garment with white collar details and decorative trim, which app…
@maxheadroom@hub.uckermark.social
2025-11-25 16:57:43

Drucking 3D again #3Dprint #3Dprinting #3Ddruck

A 3D printer is set up on a red surface, with an orange filament spool mounted above it. The printer features a print bed and a blue extruder assembly. Nearby, there are various tools and items including a small box with a geometric toys
An Ender 3 3D printer is depicted, focusing on the print head and a partially printed object. The printer is situated on a dark surface, with a small section of filament being extruded onto the print bed.
@UP8@mastodon.social
2025-12-12 17:38:07

◍ Diverse particles form identical geometric patterns when confined, model reveals
phys.org/news/2025-11-diverse-

@blakes7bot@mas.torpidity.net
2025-12-31 07:08:26

#Blakes7 Series A, Episode 12 - Deliverance
TRAVIS: Would he do that?
SERVALAN: Oh, yes. He thought it through very carefully. He wouldn't even reveal the location of the laboratory until I'd agreed to all his terms.
TRAVIS: Which were?

Claude Sonnet 4 describes the image as: "This image shows two actors in what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the styling and production values. The scene is set in a futuristic interior with distinctive geometric wall paneling featuring a diamond or lattice pattern in light colors. One actor wears an elaborate black leather or vinyl costume with ornate detailing, while the other is dressed in a flowing white garment. The …
@leftsidestory@mstdn.social
2025-12-31 00:30:02

Monumental III 🪦
纪念 III 🪦
📷 Nikon F4E
🎞️ ERA 100, expired 1993
#filmphotography #Photography #blackandwhite

ERA 100 (FF)

English Alt Text:
A black-and-white photo of an interior brick corner with three walls. The left and right walls are made of dark bricks, while the center wall is white. Each wall has a pattern of missing bricks, forming small rectangular openings. Sunlight streams through these gaps, casting geometric shadows on the tiled floor. A prominent triangle of light appears on the floor, emphasizing the interplay between architecture and natural light. The image evokes a sense of quiet a…
ERA 100 (FF)

English Alt Text:
A black-and-white urban scene featuring a classical-style statue of a woman standing on a shell, reminiscent of Botticelli’s “The Birth of Venus.” The statue is placed in front of a building with two large windows. In the center, a tall utility pole is cluttered with electrical boxes, cables, and meters. One box has two circular elements that resemble eyes, giving it a face-like appearance. To the right, a brick wall with metal pipes and a fence adds to the indus…
ERA 100 (FF)

English Alt Text:
A black-and-white photo of two wooden chairs placed side by side on a paved sidewalk. A small wooden table sits between them. In front of the table, a concrete barrier with a vertical metal pole obstructs access. Behind the setup is a brick wall and stone steps leading to a building entrance. The scene suggests a tension between invitation and restriction—comfortable seating is offered, yet access is blocked. The composition explores themes of urban design, acces…
ERA 100 (FF)

English Alt Text:
A black-and-white image showing a section of a brick wall with several bricks intentionally left out, creating small rectangular openings. To the left, a perforated metal panel stands beside a broomstick. In the background, trees and bright daylight are visible. The design of the wall blends solid structure with open space, possibly for ventilation or aesthetic effect. The image balances nature and architecture, with light filtering through the gaps to create a s…
@arXiv_physicsgenph_bot@mastoxiv.page
2025-11-12 08:41:29

Geometric Interpretation of the Redshift Evolution of H_0(z)
Seokcheon Lee
arxiv.org/abs/2511.07454 arxiv.org/pdf/2511.07454 arxiv.org/html/2511.07454
arXiv:2511.07454v1 Announce Type: new
Abstract: Recent analyses of the Master Type Ia supernova (SN Ia) sample have revealed a mild redshift dependence in the inferred local Hubble parameter, often expressed as tilde{H}_0(z) = H_0 (1 z)^{-\alpha}, where \alpha quantifies possible departures from the standard cosmological time dilation relation. In this work, we show that such an empirical scaling can be interpreted as a purely geometric effect arising from a small, gauge-dependent normalization of cosmic time within the Robertson-Walker metric. This interpretation naturally unifies the observed redshift evolution of tilde{H}_0(z) and the corresponding deviation in SN Ia light-curve durations under a single geometric time-normalization framework. We demonstrate that this mapping leaves all background distances--linked to the Hubble radius in the general-relativistic frame--unchanged, while the apparent evolution in SN Ia luminosity distances arises from the redshift dependence of the Chandrasekhar mass. The result provides a unified and observationally consistent explanation of the mild Hubble-tension trend as a manifestation of the geometric structure of cosmic time rather than a modification of the expansion dynamics.
toXiv_bot_toot

@tiotasram@kolektiva.social
2025-12-21 14:08:22

My "grow plants everywhere" mod for #Luanti is progressing!
I just built a routine to do blobby weight regions as the intersection of a bunch of parabolas, where weight increases logarithmically from the edge of the parabola with an adjustable edge region, and we use the geometric average of these weight values within the intersection region. Then I spent a few hours hunched over a biomes vornoi diagram approximating different broad regions like "arid_grasses" and "temperate_trees" so you can just name some combination of these regions (with custom per-region multipliers) and have your plant definition apply within those regions. I was using rectangular min/max heat/humidity values before, but they were pretty awkward to work with.
If anyone on here who plays Luanti wants to check it out let me know and I can prioritize publishing what I've got. I've got growth definitions for most but not all VoxeLibre plants and it wouldn't be hard to put them together for another game. No trees yet, but that's pretty much the next thing to work on.

@blakes7bot@mas.torpidity.net
2025-11-29 19:22:25

Series B, Episode 08 - Hostage
COMMANDER: Good. Our detector shield is working. Give me her exact position in three minutes at present speed. Mark.
MUTOID: Computer running.
blake.torpidity.net/m/208/56 B7B5

Claude Haiku 4.5 describes the image as: "# Image Description

This image appears to be a scene from a film or television production, shot in black and white or with muted color grading. The setting looks like an interior space, possibly a spacecraft or industrial facility, given the metallic and geometric architectural elements visible in the background.

The main subject is a man shown in profile, wearing a dark textured jacket or tunic with a quilted pattern. He appears to be in a tense or s…
@toxi@mastodon.thi.ng
2025-11-10 16:43:30

MonochromeEvolutionaryBioDigitalMultiCellularSymbiosisStruggle
(Selected stills from my infinitely evolving C-SCAPE project, 2022 - made with #MonochromeMonday

Abstract monochrome still image of a 1.5D multi-organism cellular automata simulation, almost 3D looking structures.
Abstract monochrome still image of a 1.5D multi-organism cellular automata simulation, with some parts showing almost geometric features vs others more organic-looking branching structures.
Abstract monochrome still image of a 1.5D multi-organism cellular automata simulation, showing the parallel evolution and fight between almost geometric features vs more organic-looking branching and noisy structures.
Abstract monochrome still image of a 1.5D multi-organism cellular automata simulation, showing the parallel evolution and fight between almost geometric features vs more organic-looking branching and noisy structures.
@arXiv_csGR_bot@mastoxiv.page
2026-01-21 08:13:41

Copy-Trasform-Paste: Zero-Shot Object-Object Alignment Guided by Vision-Language and Geometric Constraints
Rotem Gatenyo, Ohad Fried
arxiv.org/abs/2601.14207 arxiv.org/pdf/2601.14207 arxiv.org/html/2601.14207
arXiv:2601.14207v1 Announce Type: new
Abstract: We study zero-shot 3D alignment of two given meshes, using a text prompt describing their spatial relation -- an essential capability for content creation and scene assembly. Earlier approaches primarily rely on geometric alignment procedures, while recent work leverages pretrained 2D diffusion models to model language-conditioned object-object spatial relationships. In contrast, we directly optimize the relative pose at test time, updating translation, rotation, and isotropic scale with CLIP-driven gradients via a differentiable renderer, without training a new model. Our framework augments language supervision with geometry-aware objectives: a variant of soft-Iterative Closest Point (ICP) term to encourage surface attachment and a penetration loss to discourage interpenetration. A phased schedule strengthens contact constraints over time, and camera control concentrates the optimization on the interaction region. To enable evaluation, we curate a benchmark containing diverse categories and relations, and compare against baselines. Our method outperforms all alternatives, yielding semantically faithful and physically plausible alignments.
toXiv_bot_toot

@hikingdude@mastodon.social
2025-12-15 18:55:33

New crochet products from my wife. She did one bag for herself, now her family asked for two more. They start to look bettter and better
#crochet #häkeln

Two handcrafted drawstring pouches rest side by side, their cozy textures inviting a closer look. The left pouch, knit in deep blues and crisp whites, features a striking geometric snowflake pattern that dances across its surface, while a sturdy white cord cinches its top. Beside it, the right pouch bursts with warmth—soft pinks and reds swirl in a marled yarn, creating a gentle, heathered effect, with a matching cord adding a playful touch. Both bags sit against a rich terracotta backdrop, the…
@eana@s.1a23.studio
2025-12-21 01:51:53

5th work anniversary.

A faceted clear crystal trophy with a deep blue gradient at its center, resting on a wide square glass base. The award is shaped like a tall pillar with geometric, angled cuts at the top that catch the light. It sits on a light wooden desk in an office setting.
@leftsidestory@mstdn.social
2025-11-30 00:30:00

Moody Urbanity - Old & New III 🔆
情绪化城市 - 新与旧 III 🔆
📷 Nikon FE
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text: A black and white image displays a close-up view of multiple transparent glass jars arranged in neat rows and columns. The jars are identical in shape and size, creating a symmetrical and repetitive pattern. Reflections and shadows on the glass surfaces add depth and texture, while the monochrome palette emphasizes form over color. The composition has an abstract quality, inviting viewers to focus on geometry, light play, and the subtle variations in …
Ilford HP5 Plus 400 (FF)

English Alt Text: A close-up black and white photo shows plant leaves and stems in sharp focus, with a blurred architectural structure in the background. The leaves are irregularly shaped, with holes and jagged edges, possibly from insect damage. The background features a slanted roof and window-like shapes, suggesting a building. The interplay of light and shadow creates a moody atmosphere, emphasizing texture and depth. The contrast between the organic foreground and…
Ilford HP5 Plus 400 (FF)

English Alt Text: A black and white photograph captures an elevated pedestrian bridge spanning a busy urban street. The bridge features vertical railings and an arched support structure above, creating a rhythmic pattern. The perspective is from below, looking up through the railings, which adds depth and layering to the composition. Below the bridge, numerous cars and pedestrians fill the street, suggesting a bustling city environment. The contrast between the rigid g…
Ilford HP5 Plus 400 (FF)

English Alt Text: A black and white photograph captures a sunlit indoor hallway with tiled flooring. A radiator is mounted beneath a window, and a fire extinguisher stands near a gated door in the background. Sunlight streams through the window, casting sharp, geometric shadows on the floor, including a serrated edge pattern likely caused by blinds. The image emphasizes architectural details and the dramatic contrast between light and shadow, creating a quiet, contempl…
@arXiv_physicsoptics_bot@mastoxiv.page
2025-11-25 10:30:13

Manipulation of photonic topological edge and corner states via trivial claddings
Hai-Xiao Wang, Li Liang, Shuai Shao, Shiwei Tang, Junhui Hu, Yin Poo, Jian-Hua Jiang
arxiv.org/abs/2511.18705 arxiv.org/pdf/2511.18705 arxiv.org/html/2511.18705
arXiv:2511.18705v1 Announce Type: new
Abstract: Crystalline symmetry offers a powerful tool to realize photonic topological phases, in which additional trivial claddings are typically required to confine topological boundary states. However, the utility of the trivial cladding in manipulating topological waves is often overlooked. Here, we demonstrate two topologically distinct kagome photonic crystals (KPCs) based on different crystalline symmetries: \mathbit{C}_\mathbf{6}- symmetric KPCs exhibit a quantum spin Hall phase, while \mathbit{C}_\mathbf{3}-symmetric KPCs serve as trivial cladding. By tuning the geometric parameter of the trivial cladding, we observe that a pair of topological interface states featured with pseudospin-momentum locking undergoes a phase transition, accompanied by the appearance and disappearance of corner states in a finite hexagonal supercell. Such a geometry-induced band inversion is characterized by a sign change in the Dirac mass of the topological interface states and holds potential for applications such as rainbow trapping. Furthermore, we experimentally demonstrate the corner states, which is a hallmark of higher-order topology, also depend critically on the trivial cladding. Our work highlights the crucial role of trivial claddings on the formation of topological boundary states, and offers a novel approach for their manipulation.
toXiv_bot_toot

@blakes7bot@mas.torpidity.net
2025-11-29 10:14:47

Series C, Episode 06 - City at the Edge of the World
KERRIL: Sorry, Vila, it's all my fault.
VILA: No, you were right. Bayban would never have let me out without finishing the job.
KERRIL: How long do you think the air will last?
blake.torpidity.net/m/306/402 B7B2

Claude Sonnet 4 describes the image as: "This image shows two people in an intimate embrace in what appears to be a futuristic or science fiction setting. The scene has a distinctive 1970s or early 1980s aesthetic, with soft lighting and a technological backdrop featuring geometric patterns. Both individuals are wearing light-colored, flowing garments that complement the sci-fi atmosphere. The woman has blonde feathered hair typical of that era and is wearing earrings, while the man has darker …
@UP8@mastodon.social
2025-11-17 19:17:27

⛐ Bridging Vision, Language, and Mathematics: Pictographic Character Reconstruction with Bézier Curves
#cs

@arXiv_mathCO_bot@mastoxiv.page
2026-01-16 09:30:45

On the characterization of geometric distance-regular graphs
Chenhui Lv, Jack H. Koolen
arxiv.org/abs/2601.10330 arxiv.org/pdf/2601.10330

@leftsidestory@mstdn.social
2025-12-30 00:30:01

Monumental III 🪦
纪念 III 🪦
📷 Nikon F4E
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:  
A black and white photo of a modern urban scene featuring a large abstract metallic sculpture and surveillance equipment. The sculpture consists of stacked concentric metal rings curving upward in a spiral, resembling a futuristic tower. It stands among trees, suggesting a public park or plaza. To the left, a utility pole supports two surveillance cameras and a box with signage. The box displays Chinese characters and the word “Video,” along with a …
Ilford HP5 Plus 400 (FF)

English Alt Text:  
An outdoor urban scene with a striking abstract sculpture as the focal point. The sculpture has a mirrored surface and a geometric design: a pyramid-like top transitions into a fluid, distorted base. It sits on a white pedestal in a landscaped plaza with ornamental grasses and trees. Parked cars line the background street, and a signboard is visible nearby. The sculpture’s reflective surface captures surrounding light and movement, creating a dynami…
Ilford HP5 Plus 400 (FF)

English Alt Text:  
A stone sculpture of a person seated on the ground with knees drawn up, arms resting on the knees, and head bowed. The figure appears to be emerging from or partially enveloped by a rough-textured stone, blending human form with natural material. Set on a grassy area beside a sidewalk, the sculpture is surrounded by trees and a distant building, suggesting a park or campus. The posture conveys introspection, solitude, or emotional resilience, inviti…
Ilford HP5 Plus 400 (FF)

English Alt Text: A stone sculpture of feet sitting on a reflective object, showing the reflections of a wooden fence.

中文替代文字:一双脚的石雕,坐在一个有反射的物体上,物体里是木栅的反射。
@blakes7bot@mas.torpidity.net
2025-12-30 13:37:17

Series B, Episode 02 - Shadow
CALLY: I want you back here. Get ready to teleport.
VILA: Wasting your time, Cally. I'm not wearing a bracelet. I'm not going to be snatched away in the middle of...in the middle of anything. Sightseeing. And you should see some of the sights I'm seeing. No. Perhaps you shouldn't.

Claude Sonnet 3.7 describes the image as: "The image appears to be a still from a television series, showing a person in a distinctive white outfit with a floral or patterned panel down the front. They're standing in what looks like a futuristic or sci-fi setting, with angular walls and panels visible in the background. The interior space has a geometric design with light panels contrasting against darker structural elements.

The costume has a 1970s-80s sci-fi aesthetic, with a cream-colored f…
@arXiv_csLG_bot@mastoxiv.page
2025-12-22 10:32:50

Spatially-informed transformers: Injecting geostatistical covariance biases into self-attention for spatio-temporal forecasting
Yuri Calleo
arxiv.org/abs/2512.17696 arxiv.org/pdf/2512.17696 arxiv.org/html/2512.17696
arXiv:2512.17696v1 Announce Type: new
Abstract: The modeling of high-dimensional spatio-temporal processes presents a fundamental dichotomy between the probabilistic rigor of classical geostatistics and the flexible, high-capacity representations of deep learning. While Gaussian processes offer theoretical consistency and exact uncertainty quantification, their prohibitive computational scaling renders them impractical for massive sensor networks. Conversely, modern transformer architectures excel at sequence modeling but inherently lack a geometric inductive bias, treating spatial sensors as permutation-invariant tokens without a native understanding of distance. In this work, we propose a spatially-informed transformer, a hybrid architecture that injects a geostatistical inductive bias directly into the self-attention mechanism via a learnable covariance kernel. By formally decomposing the attention structure into a stationary physical prior and a non-stationary data-driven residual, we impose a soft topological constraint that favors spatially proximal interactions while retaining the capacity to model complex dynamics. We demonstrate the phenomenon of ``Deep Variography'', where the network successfully recovers the true spatial decay parameters of the underlying process end-to-end via backpropagation. Extensive experiments on synthetic Gaussian random fields and real-world traffic benchmarks confirm that our method outperforms state-of-the-art graph neural networks. Furthermore, rigorous statistical validation confirms that the proposed method delivers not only superior predictive accuracy but also well-calibrated probabilistic forecasts, effectively bridging the gap between physics-aware modeling and data-driven learning.
toXiv_bot_toot

@arXiv_csGT_bot@mastoxiv.page
2025-12-10 08:54:21

Robust equilibria in continuous games: From strategic to dynamic robustness
Kyriakos Lotidis, Panayotis Mertikopoulos, Nicholas Bambos, Jose Blanchet
arxiv.org/abs/2512.08138 arxiv.org/pdf/2512.08138 arxiv.org/html/2512.08138
arXiv:2512.08138v1 Announce Type: new
Abstract: In this paper, we examine the robustness of Nash equilibria in continuous games, under both strategic and dynamic uncertainty. Starting with the former, we introduce the notion of a robust equilibrium as those equilibria that remain invariant to small -- but otherwise arbitrary -- perturbations to the game's payoff structure, and we provide a crisp geometric characterization thereof. Subsequently, we turn to the question of dynamic robustness, and we examine which equilibria may arise as stable limit points of the dynamics of "follow the regularized leader" (FTRL) in the presence of randomness and uncertainty. Despite their very distinct origins, we establish a structural correspondence between these two notions of robustness: strategic robustness implies dynamic robustness, and, conversely, the requirement of strategic robustness cannot be relaxed if dynamic robustness is to be maintained. Finally, we examine the rate of convergence to robust equilibria as a function of the underlying regularizer, and we show that entropically regularized learning converges at a geometric rate in games with affinely constrained action spaces.
toXiv_bot_toot

@blakes7bot@mas.torpidity.net
2025-11-29 07:12:09

#Blakes7 Series D, Episode 02 - Power
KATE: Stop it, Pella! [Kate rushes at Pella, who shoots her dead. Pella enters the launch silo and the door closes before the others can rush in. Avon takes the crystal from Kate's neckband.]
[Inside silo. The Scorpio's turntable begins to turn and rise.]

Claude Sonnet 3.7 describes the image as: "This image appears to be a scene from the science fiction series "Blake's 7," showing three characters in distinctive costume design typical of the show's futuristic aesthetic. 

The scene features three people standing together in what looks like a spacecraft or space station interior with neutral-colored walls. On the left is a person wearing a white and gray outfit with geometric patterns and a metallic collar. In the center is someone with blonde h…
@arXiv_mathHO_bot@mastoxiv.page
2025-11-11 08:23:30

On the geometric aspects of architectural compositions
Aren A. Nahapetyan, Linda A. Khachatryan
arxiv.org/abs/2511.05507 arxiv.org/pdf/2511…

@@arXiv_physicsatomph_bot@mastoxiv.page@mastoxiv.page
2025-11-19 11:36:51

Crosslisted article(s) found for physics.atom-ph. arxiv.org/list/physics.atom-ph
[1/1]:
- Robust Two-Qubit Geometric Phase Gates using Amplitude and Frequency Ramping
Bowers, Palani, Barta, Guglielmo, Libby, Leibfried, Slichter

@arXiv_physicsoptics_bot@mastoxiv.page
2025-11-25 10:14:12

Topological interface modes in aperiodic subwavelength resonator chains
Habib Ammari, Jiayu Qiu, Alexander Uhlmann
arxiv.org/abs/2511.18363 arxiv.org/pdf/2511.18363 arxiv.org/html/2511.18363
arXiv:2511.18363v1 Announce Type: new
Abstract: We consider interface modes in block disordered subwavelength resonator chains in one dimension. Based on the capacitance operator formulation, which provides a first-order approximation of the spectral properties of dimer-type block resonator systems in the subwavelength regime, we show that a two-fold topological characterization of a block disordered resonator chain is available if it is of dominated type. The topological index used for the characterization is a generalization of the Zak phase associated with one-dimensional chiral-symmetric Hamiltonians. As a manifestation of the bulk-edge correspondence principle, we prove that a localized interface mode occurs whenever the system consists of two semi-infinite chains with different topological characters. We also illustrate our results from a dynamic perspective, which provides an explicit geometric picture of the interface modes, and finally present a variety of numerical results to complement the theoretical results.
toXiv_bot_toot

@blakes7bot@mas.torpidity.net
2025-11-27 19:29:53

Series D, Episode 04 - Stardrive
DAYNA: Of course we do.
VILA: Old friend.
VILA: Oh, uh, [Atlan grabs the front of his tunic] way back.
DAYNA: We were students of the doctor once.
ATLAN: Studying what?
blake.torpidity.net/m/404/343 B7B5

Claude Sonnet 4 describes the image as: "I can see this appears to be from a science fiction production, likely from the 1980s based on the visual style and futuristic costume design. The scene shows two people in conversation - one wearing a distinctive futuristic uniform with geometric patterns in dark and light colors with trim details. The setting appears to be indoors with atmospheric lighting. The production values and aesthetic suggest this is from a British science fiction series from t…
@blakes7bot@mas.torpidity.net
2025-11-28 13:21:59

Series A, Episode 11 - Bounty
JENNA: It could be an injured pilot.
AVON: It could be a trap.
GAN: It's not a very good one, then. We're suspicious of it already.
AVON: The test is not whether you are suspicious but whether you are caught.
blake.torpidity.net/m/111/65

Claude Sonnet 4.5 describes the image as: "This image captures a scene from the classic British science fiction television series "Blake's 7," which aired from 1978 to 1981. The setting appears to be aboard the Liberator spacecraft, characterized by its distinctive angular, modernist interior design with clean lines and geometric shapes visible in the background.

Sally Knyvette portrays Jenna Stannis, a smuggler and pilot who becomes part of the rebel crew. She wears a black outfit adorned wit…
@arXiv_mathSG_bot@mastoxiv.page
2025-11-11 08:48:10

Hamiltonian flow between standard module Lagrangians
Yujin Tong
arxiv.org/abs/2511.06431 arxiv.org/pdf/2511.06431 arxiv.org/html/2511.06431
arXiv:2511.06431v1 Announce Type: new
Abstract: In Aganagic's Fukaya category of the Coulomb branch of quiver gauge theory, the $T_\theta$-brane algebra gives a symplectic realization of the Khovanov-Lauda-Rouquier-Webster (KLRW) algebra, where each standard module is known to admit two Lagrangian realizations: the 'U'-shaped $T$-brane and the step $I$-brane. We show that the latter arises as the infinite-time limit of the Hamiltonian evolution of the former, thus serving as a generalized thimble. This provides a geometric realization of the categorical isomorphism previously established through holomorphic disc counting.
toXiv_bot_toot

@samerfarha@mastodon.social
2026-01-06 18:40:50

The light has been unreal the last few days. Here’s some pictures from Harpa…

A statue of a man playing the cello stands in front of a building with a geometric facade, surrounded by mist and illuminated by warm lighting.
This image shows the Harpa Concert Hall in Reykjavík, Iceland, with its distinctive facade of multicolored glass panels illuminated against a clear blue sky.
The same facade reflect in the pool in front of Harpa, distorted by light wind
@leftsidestory@mstdn.social
2025-12-27 00:30:02

On the Side 🆓
在边缘
📷 Nikon F4E
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:
Two stacks of car tires are placed on a paved road near a sidewalk. Each stack consists of three tires, with the top tire filled with concrete or a similar material, possibly serving as a barrier or planter. The tires are worn and dark, contrasting with the lighter pavement. Behind them is a sidewalk made of rectangular paving stones, a curb, and several bollards with striped markings. Dense foliage from nearby bushes or trees fills the background. Th…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A large, irregularly shaped stone rests on a small platform near a metal gate or railing. The ground is paved with rectangular tiles arranged in a staggered pattern. Behind the gate is a glass door or window reflecting light and showing indistinct objects inside. The stone’s rough texture contrasts with the smooth tiles and metal bars. The image is in black and white, emphasizing surface details and the juxtaposition of natural and man-made elements. …
Ilford HP5 Plus 400 (FF)

Two stacked white plastic objects, likely Styrofoam packaging materials, sit on a tiled sidewalk. Next to them is a black and white striped bollard, used to prevent vehicle access. A small cylindrical object lies nearby on the ground. The sidewalk is made of rectangular paving stones. The image is in black and white, highlighting the contrast between the clean, geometric sidewalk and the discarded materials. The composition draws attention to urban textures and the pre…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A cylindrical stone bollard stands on a tiled sidewalk. On top of it sits a plastic cup with a lid, likely containing a beverage. The cup is centered and casts a faint shadow. In the background, a sharp diamond-shaped shadow of a traffic or directional sign is cast on the ground, though the actual sign is not visible. The sidewalk is made of square tiles, and the image is in black and white, creating a dramatic interplay of light and shadow. The compo…
@arXiv_csLG_bot@mastoxiv.page
2025-12-22 10:34:40

Weighted Stochastic Differential Equation to Implement Wasserstein-Fisher-Rao Gradient Flow
Herlock Rahimi
arxiv.org/abs/2512.17878 arxiv.org/pdf/2512.17878 arxiv.org/html/2512.17878
arXiv:2512.17878v1 Announce Type: new
Abstract: Score-based diffusion models currently constitute the state of the art in continuous generative modeling. These methods are typically formulated via overdamped or underdamped Ornstein--Uhlenbeck-type stochastic differential equations, in which sampling is driven by a combination of deterministic drift and Brownian diffusion, resulting in continuous particle trajectories in the ambient space. While such dynamics enjoy exponential convergence guarantees for strongly log-concave target distributions, it is well known that their mixing rates deteriorate exponentially in the presence of nonconvex or multimodal landscapes, such as double-well potentials. Since many practical generative modeling tasks involve highly non-log-concave target distributions, considerable recent effort has been devoted to developing sampling schemes that improve exploration beyond classical diffusion dynamics.
A promising line of work leverages tools from information geometry to augment diffusion-based samplers with controlled mass reweighting mechanisms. This perspective leads naturally to Wasserstein--Fisher--Rao (WFR) geometries, which couple transport in the sample space with vertical (reaction) dynamics on the space of probability measures. In this work, we formulate such reweighting mechanisms through the introduction of explicit correction terms and show how they can be implemented via weighted stochastic differential equations using the Feynman--Kac representation. Our study provides a preliminary but rigorous investigation of WFR-based sampling dynamics, and aims to clarify their geometric and operator-theoretic structure as a foundation for future theoretical and algorithmic developments.
toXiv_bot_toot

@blakes7bot@mas.torpidity.net
2025-11-27 10:22:19

Series D, Episode 02 - Power
VILA: Well, there's always rodents of one sort or another.
TARRANT: I'm a growing lad, Vila. Rats are not the answer to my diet-
DAYNA: [Makes a gesture to cut them off] Yes, but Orac, can you get a fix on him?
blake.torpidity.net/m/402/27<…

Claude Sonnet 3.7 describes the image as: "The image shows a scene from the British science fiction television series "Blake's 7." It depicts three crew members in a futuristic corridor setting aboard their spacecraft. They are wearing distinctive costume designs typical of the show's aesthetic, with structured uniforms featuring color blocking and geometric patterns in grays, whites, and accent colors.

In the foreground, a crew member is holding what appears to be a transparent container or d…
@leftsidestory@mstdn.social
2026-01-26 01:23:42

Some City Some Nature IV 🏙️🪾
一些城一些自然 IV🏙️🪾
📷 Zeiss IKON Super Ikonta 533/16
🎞️ Lucky SHD 400 (6x6)
#filmphotography #Photography #blackandwhite

Lucky SHD 400 (6x6)

English Alt Text: A black and white image of a road intersection in a rural area. Directional arrows are painted on the road surface. Trees and bushes line the road, with mountains in the background. A utility pole and power lines cross the scene. A road sign in Chinese reads “Scenic Area Traffic,” “Please follow instructions,” and “Entrance,” with an arrow pointing left. The scene is quiet and orderly.

中文替代文本:
这是一张黑白照片,显示一个乡村地区的道路交叉口。路面上有指示交通方向的箭头。道路两旁是树木和灌木,背景中可见山脉。电线杆和电…
Lucky SHD 400 (6x6)
English Alt Text: A large quantity of corn cobs is densely stacked inside a metal and wire mesh enclosure. The corn fills the space from bottom to top, suggesting post-harvest storage. Vertical metal bars and wire mesh form the walls, while a roof overhead shields the contents. The enclosure appears to be part of a rural or industrial agricultural facility. The corn is dry and uniform in size, indicating it may be stored for drying or processing. No people or machinery are v…
Lucky SHD 400 (6x6)

English Alt Text: A black and white photo of large rectangular concrete slabs stacked outdoors in neat piles. Each slab is separated by cylindrical spacers. One stack has dried plant debris on top. Trees and utility wires are visible in the background. The image emphasizes texture and contrast between industrial materials and natural elements. No people or vehicles are present.

中文替代文本:
这是一张黑白照片,展示户外整齐堆放的大型矩形混凝土板。每块板之间用圆柱形垫片分隔。一堆板上覆盖着干枯的植物残骸。背景中可见树木和电线。画面突出了工业材料与自然元素之间的质感和对…
Lucky SHD 400 (6x6)

English Alt Text: A black and white photo of a quiet rural road curving gently through dense vegetation. Utility poles with overhead power lines line the road, creating geometric contrast with the natural surroundings. In the distance, rugged mountains rise under a clear sky. The road disappears into the horizon, evoking a sense of solitude and depth. No vehicles or people are present.

中文替代文本:
这是一张黑白照片,展示一条宁静的乡村道路在茂密植被中缓缓弯曲。道路两旁有电线杆和高架电线,与自然景观形成几何对比。远处是崎岖的山脉,天空晴朗。道路延伸至远方,营…
@blakes7bot@mas.torpidity.net
2025-11-25 07:06:39

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
AVON: Space Commander Travis.
BLAKE: Travis!
JENNA: Do you know him?
BLAKE: I thought he was dead. I was sure I'd killed him.
blake.torpidity.net/m/106/…

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a science fiction television production, likely from the 1970s based on the visual style and set design. The image shows four people in what appears to be a spacecraft interior, characterized by the futuristic but modest production design typical of that era.

The setting features sleek, minimalist backgrounds with geometric patterns and metallic tones. The actors are wearing stylized costumes consisten…
@leftsidestory@mstdn.social
2026-01-15 00:30:00

Gloom & Bloom II ☁️🌺
黑暗绽放 II ☁️ 🌺
📷 Zeiss IKON Super Ikonta 533/16
🎞️ Lucky SHD 400
#filmphotography #Photography #blackandwhite

Lucky SHD 400 (6x6)

English Alt Text:
A black-and-white photo taken from above shows a narrow alley with a brick floor and wall. A person stands near a bench, looking down at their hands. Above them, several rows of rectangular cloth flags—resembling Tibetan prayer flags—are strung diagonally across the space. The flags add a sense of movement and cultural texture. The scene feels quiet and introspective, with the solitary figure framed by the geometric lines of the alley and the soft flutter …
Lucky SHD 400 (6x6)

English Alt Text:
A monochrome photo of an urban workspace featuring two sculpted busts placed near a wall with horizontal slats. One bust wears a hat and is more defined; the other is smaller and abstract. In front of them lie spray paint cans, a brick, and scattered tools. The gritty textures and industrial backdrop suggest a creative or artistic environment, blending sculpture with street art elements.
中文替代文字:
这是一张黑白照片,展示一个城市工作空间。两尊雕塑胸像摆放在带有横向通风板的墙边,一尊戴帽子,轮廓清晰,另一尊较小,形态抽象…
Lucky SHD 400 (6x6)

English Alt Text:
A black-and-white photograph of a modern architectural space with clean lines and geometric forms. The left side features tall glass panels with vertical divisions; the right includes a stained concrete structure and tiled pavement. A white column separates the sections. The interplay of light and shadow emphasizes the minimalist design and quiet elegance of the space.
中文替代文字:
这是一张黑白照片,描绘一个现代建筑空间,线条简洁,几何感强。左侧是带有垂直分隔的大型玻璃板,右侧有一块带有污渍的混凝土结构和铺有瓷砖的地面。中间由一根白色柱子分…
Lucky SHD 400 (6x6)

English Alt Text:
A close-up black-and-white image of a slightly open door with a chain lock and a key inserted. Attached to the keychain is a rectangular sign with Japanese text reading “休憩中,” meaning “On break.” The interior behind the door is dimly lit, suggesting a pause in activity. The textures of the metal lock, door surface, and shadows evoke a sense of stillness and temporary closure.
中文替代文字:
这是一张黑白特写照片,显示一扇微微打开的门,门上有链条锁,钥匙插在锁孔中。钥匙链上挂着一个矩形牌子,上面写着日文“休憩中”,意思是“休息中”。门后…
@arXiv_physicsgenph_bot@mastoxiv.page
2025-11-12 08:45:59

Topological Structure of Infrared QCD
J. Gamboa
arxiv.org/abs/2511.07455 arxiv.org/pdf/2511.07455 arxiv.org/html/2511.07455
arXiv:2511.07455v1 Announce Type: new
Abstract: We investigate the infrared structure of QCD within the adiabatic approximation, where soft gluon configurations evolve slowly compared to the fermionic modes. In this formulation, the functional space of gauge connections replaces spacetime as the natural arena for the theory, and the long-distance behavior is encoded in quantized Berry phases associated with the infrared clouds. Our results suggest that the infrared sector of QCD exhibits features reminiscent of a \emph{topological phase}, similar to those encountered in condensed-matter systems, where topological protection replaces dynamical confinement at low energies. In this geometric framework, color-neutral composites such as quark--gluon and gluon--gluon clouds arise as topological bound states described by functional holonomies. Illustrative applications to hadronic excitations are discussed within this approach, including mesonic and baryonic examples. This perspective provides a unified picture of infrared dressing and topological quantization, establishing a natural bridge between non-Abelian gauge theory, adiabatic Berry phases, and the topology of the space of gauge configurations.
toXiv_bot_toot

@arXiv_mathSG_bot@mastoxiv.page
2025-11-11 08:47:20

Infinite-dimensional Lagrange-Dirac systems with boundary energy flow II: Field theories with bundle-valued forms
Fran\c{c}ois Gay-Balmaz, \'Alvaro Rodr\'iguez Abella, Hiroaki Yoshimura
arxiv.org/abs/2511.05687 arxiv.org/pdf/2511.05687 arxiv.org/html/2511.05687
arXiv:2511.05687v1 Announce Type: new
Abstract: Part I of this paper introduced the infinite dimensional Lagrange--Dirac theory for physical systems on the space of differential forms over a smooth manifold with boundary. This approach is particularly well-suited for systems involving energy exchange through the boundary, as it is built upon a restricted dual space -a vector subspace of the topological dual of the configuration space- that captures information about both the interior dynamics and boundary interactions. Consequently, the resulting dynamical equations naturally incorporate boundary energy flow. In this second part, the theory is extended to encompass vector-bundle-valued differential forms and non-Abelian gauge theories. To account for two commonly used forms of energy flux and boundary power densities, we introduce two distinct but equivalent formulations of the restricted dual. The results are derived from both geometric and variational viewpoints and are illustrated through applications to matter and gauge field theories. The interaction between gauge and matter fields is also addressed, along with the associated boundary conditions, applied to the case of the Yang-Mills-Higgs equations.
toXiv_bot_toot

@blakes7bot@mas.torpidity.net
2026-01-24 16:25:48

Series B, Episode 08 - Hostage
JOBAN: Supreme commander.
SERVALAN: An honour, Counsellor.
JOBAN: Thank you. [Sits down] Aren't you going to offer me a drink?
SERVALAN: Yes, of course. [Pours drink for Joban]
JOBAN: Not joining me?
blake.torpidity.net/m/208/199

Claude Sonnet 4.5 describes the image as: "This image appears to be from a classic British science fiction television production, likely from the 1970s based on the aesthetic and production design. The scene is set in a stark, futuristic white interior with geometric patterns on the walls featuring triangular lattice work.

A woman in an elegant white gown with dramatic ruffled details at the shoulder is captured mid-gesture, appearing to be in conversation or confrontation. Her styling include…
@leftsidestory@mstdn.social
2026-01-10 00:30:02

Urban Texture IV 🧩
城市质地 IV 🧩
📷 Zeiss IKON Super Ikonta 533/16
🎞️ Lucky SHD 400
#filmphotography #Photography #blackandwhite

Lucky SHD 400 (6x6)

English Alt Text:
A dramatic black-and-white photo of tall modern apartment buildings forming a semi-enclosed courtyard. The buildings feature repetitive patterns of windows and balconies, with vertical and horizontal lines creating a geometric rhythm. The central building has a darker facade with a vertical strip of windows, possibly indicating a stairwell. The photo is taken from a low angle, emphasizing the towering height and density of the structures. The monochrome pa…
Lucky SHD 400 (6x6)

English Alt Text:
A black-and-white street scene featuring a white directional arrow painted on the asphalt, pointing straight ahead. In the center, a small circular traffic island with a flower bed adds a touch of nature. To the right, a cyclist rides past a modern building with large support columns and an overhanging structure. Trees and distant buildings line the background. The composition blends urban architecture with subtle natural elements, evoking a quiet, reflect…
Lucky SHD 400 (6x6)

English Alt Text:
A narrow alleyway bordered by a concrete wall on one side and dense foliage on the other. In the center, several white bicycles are piled haphazardly, some overturned or leaning against each other. These bikes appear to be part of a shared bike system, identifiable by uniform frames and QR code labels. The scene is cluttered and chaotic, suggesting abandonment or improper parking. The black-and-white tone adds a somber, gritty atmosphere, emphasizing urban…
Lucky SHD 400 (6x6)

English Alt Text:
A quiet urban street scene in black and white. A row of large, empty concrete planters lines the sidewalk, creating a strong sense of depth and perspective. On the left, a building with multiple windows stretches into the distance, and a lone person walks away from the camera. On the right, evenly spaced trees add contrast to the geometric shapes of the planters. The street is calm, with no visible traffic, and the composition emphasizes symmetry and solit…
@@arXiv_physicsatomph_bot@mastoxiv.page@mastoxiv.page
2025-12-05 08:58:01

Exploring vibronic dynamics near a sloped conical intersection with trapped Rydberg ions
Abdessamad Belfakir, Weibin Li
arxiv.org/abs/2512.04941 arxiv.org/pdf/2512.04941 arxiv.org/html/2512.04941
arXiv:2512.04941v1 Announce Type: new
Abstract: We study spin-phonon coupled dynamics in the vicinity of a sloped conical intersection created by laser coupling the electronic (spin) and vibrational degrees of freedom of a pair of trapped Rydberg ions. We show that the shape of the potential energy surfaces can be engineered and controlled by exploiting the sideband transitions of the crystal vibration and dipole-dipole interactions between Rydberg ions in the Lamb-Dicke regime. Using the sideband transition, we realize a sloped conical intersection whose cone axis is only tilted along one spatial axis. When the phonon wavepacket is located in the potential minimum of the lower potential surface, the spin and phonon dynamics are largely frozen owing to the geometric phase effect. When starting from the upper potential surface, the electronic and phonon states tunnel to the lower potential surface, leading to a partial revival of the initial state. In contrast, the dynamics drastically change when the initial wavepackets are away from the conical intersection. The initial state is revived, and is almost entirely irrelevant to whether it is from the lower or upper potential surface. Complete Rabi oscillations of the adiabatic states are found when the wavepacket is initialized on the upper potential surface. The dynamics occur on the microsecond and nanometer scales, implying that Rydberg ions provide a platform for simulating nonadiabatic processes in the vicinity of a sloped conical intersection.
toXiv_bot_toot

@blakes7bot@mas.torpidity.net
2025-11-23 10:44:02

Series C, Episode 05 - The Harvest of Kairos
AVON: Cally. [Grasps her by the arms]
TARRANT: [Enters] Is this the time or the place? That thing has warped your reason, Avon. It's even warped your notorious instinct for looking after number one. We are in danger, can't you understand that?
blake.torpidity.net/m/3…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and set design. The setting features a futuristic interior with distinctive green lighting and sleek, modernist architecture typical of sci-fi productions of that era.

Three actors are positioned in what appears to be a tense dramatic moment. The scene takes place on a multi-level set with steps and geometric des…
@leftsidestory@mstdn.social
2025-12-23 00:30:00

Double Double 🛗
成双 🛗
📷 Nikon F4E
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:  
A black and white photograph shows a rose branch silhouetted against a bright, blank sky. The branch stretches diagonally across the frame, adorned with several pointed leaves and two prominent rose blossoms. The roses appear delicate and slightly wilted, their petals curling inward. The high contrast between the dark plant and the pale background emphasizes the intricate shapes of the leaves and flowers. The composition is minimalistic and poetic, …
Ilford HP5 Plus 400 (FF)

English Alt Text:  
A monochrome cityscape captures several high-rise apartment buildings under construction. Two large tower cranes dominate the skyline, indicating active development. The buildings vary in completion, with some showing exposed concrete and window frames. In the foreground, dark silhouettes of trees add depth and contrast. The image conveys a sense of urban expansion and industrial progress, with a gritty, documentary-style tone.
中文替代文字:  
这是一幅黑白城市景观图…
Ilford HP5 Plus 400 (FF)

English Alt Text:  
A gritty black and white photo depicts an alley or back area with stacked plastic crates and a small structure featuring a white door. Above the door, pipes and wires run along the wall. On the door, handwritten Chinese characters read “收废品” (collecting recyclables) followed by a phone number. The scene suggests a local recycling business or informal service, with a utilitarian and raw aesthetic.
中文替代文字:  
这是一张黑白照片,画面为一条后巷或角落,堆放着塑料箱子,旁边是一间小屋,屋门为白色。门…
Ilford HP5 Plus 400 (FF)

English Alt Text:  
A black and white image showcases a tall, modern high-rise building with a geometric, staggered design. The facade features numerous windows and balconies, creating a rhythmic pattern. Silhouetted tree branches frame the building in the foreground, adding a natural contrast to the urban structure. The photo emphasizes architectural complexity and the interplay between nature and city life.
中文替代文字:  
这是一张黑白照片,展示了一栋高耸的现代高层建筑,设计上采用几何错落结构。外墙布满窗户和阳台,形成有节…
@blakes7bot@mas.torpidity.net
2025-12-22 19:34:42

Series C, Episode 01 - Aftermath
AVON: Are you all right?
DAYNA: Yes.
AVON: When we first met, you said there was no pleasure without danger. Do you still feel that way?
DAYNA: I think I can do without excitement for a little while.
blake.torpidity.net/m/301/520 B7B…

Claude Sonnet 4 describes the image as: "This image appears to be from a British science fiction television production, likely from the 1970s or 1980s based on the visual style and costume design. The scene shows two characters in what appears to be a futuristic or space-based setting. One character is wearing a distinctive metallic or silver-colored outfit with a high collar and geometric design elements typical of sci-fi costume design from that era. The other character is wearing what appear…
@arXiv_mathSG_bot@mastoxiv.page
2025-11-11 16:45:37

Replaced article(s) found for math.SG. arxiv.org/list/math.SG/new
[1/1]:
- Reduction of Cosymplectic groupoids by cosymplectic moment maps
Daniel L\'opez Garcia, Nicolas Martinez Alba
arxiv.org/abs/2403.03178 mastoxiv.page/@arXiv_mathSG_bo
- Algebraic Lagrangian cobordisms, flux and the Lagrangian Ceresa cycle
Alexia Corradini
arxiv.org/abs/2501.12850 mastoxiv.page/@arXiv_mathSG_bo
- Systolic $S^1$-index and characterization of non-smooth Zoll convex bodies
Stefan Matijevi\'c
arxiv.org/abs/2501.13856 mastoxiv.page/@arXiv_mathSG_bo
- Infinite-dimensional Lagrange-Dirac systems with boundary energy flow I: Foundations
Fran\c{c}ois Gay-Balmaz, \'Alvaro Rodr\'iguez Abella, Hiroaki Yoshimura
arxiv.org/abs/2501.17551 mastoxiv.page/@arXiv_mathSG_bo
- The Simplicity of the Group of Weakly Hamiltonian Diffeomorphisms on Cosymplectic Manifolds
S. Tchuiaga, P. Bikorimana
arxiv.org/abs/2503.10224 mastoxiv.page/@arXiv_mathSG_bo
- Regular semisimple Hessenberg varieties with cohomology rings generated in degree two
Mikiya Masuda, Takashi Sato
arxiv.org/abs/2301.03762 mastoxiv.page/@arXiv_mathAG_bo
- Billiards and Hofer's Geometry
Mark Berezovik, Konstantin Kliakhandler, Yaron Ostrover, Leonid Polterovich
arxiv.org/abs/2507.04767 mastoxiv.page/@arXiv_mathDS_bo
- Geometric, topological and dynamical properties of conformally symplectic systems, normally hyper...
Marian Gidea, Rafael de la Llave, Tere M-Seara
arxiv.org/abs/2508.14794 mastoxiv.page/@arXiv_mathDS_bo
toXiv_bot_toot

@blakes7bot@mas.torpidity.net
2025-11-20 07:27:18

#Blakes7 Series B, Episode 02 - Shadow
LARGO: Oh, I'm fascinated. But I'm just an independent businessman.
AVON: [Takes two gems from a bag, lays them on Largo's platform] Are you sure?
blake.torpidity.net/m/…

Claude Sonnet 4.0 describes the image as: "This scene appears to be from a science fiction television production, likely from the 1970s or early 1980s based on the visual quality and costume design. The setting features a sleek, minimalist interior with pale walls and geometric patterns, characteristic of futuristic set design from that era.

In the foreground, one actor wears a distinctive metallic silver tunic with voluminous sleeves over black clothing, creating a striking space-age appearan…
@leftsidestory@mstdn.social
2025-11-04 00:30:01

Moody Urbanity - Action Required III 🧭
情绪化城市 - 行动指南 III 🧭
📷 Pentax MX
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:
A grainy black-and-white urban photograph, possibly taken through glass. On the left, a person wearing a helmet and carrying a bag walks along a wooden or tiled pathway. Behind them, a large number “7” is displayed on a glass wall or door, suggesting a building entrance or floor marker. The right side of the image is blurred with reflections, showing indistinct shapes and possibly another figure. The photo has a vintage, film-like texture, emphasizing…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photograph of a spiral metal staircase enclosed between two building walls. The staircase curves downward in a tight coil, with railings tracing its circular form. The perspective is from above, looking down into the narrow vertical shaft. The repeating lines of steps and railings create a hypnotic geometric pattern. The photo emphasizes symmetry, depth, and the interplay of light and shadow on the metal surfaces.

中文替代文字:
一张黑白照片,画面中…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A modern city street lined with tall glass-and-metal buildings. Large windows with vertical blinds reflect light, creating a sleek, geometric look. On the left, several brightly colored vertical signs in Chinese characters stand out against the grayscale tones. One sign reads “lottery,” another “football,” suggesting shops or betting outlets. A cyclist or motorbike rider moves away from the camera on the right side of the tiled street. Trees peek thro…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photograph of tall modern buildings with grid-like window patterns. The perspective looks upward through a narrow gap between the towers, emphasizing their height. A pedestrian bridge connects two buildings at an elevated level, forming a striking horizontal line across the vertical scene. The sky is visible at the top, with scattered leaves or debris adding movement. The composition highlights symmetry, geometry, and the imposing sc…
@blakes7bot@mas.torpidity.net
2026-01-21 07:30:48

#Blakes7 Series C, Episode 04 - Dawn of the Gods
VILA: Wonderful. There's nothing wrong with the Liberator, therefore we must have imagined those alarms going off.
TARRANT: Orac, a small problem for you. What is the possiblity of a directional control fault arising on the Liberator without Zen knowing about it?

Claude Sonnet 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the series "Blake's 7" based on the distinctive set design. The scene takes place in what looks like a futuristic spacecraft interior with geometric wall panels and control consoles.

The setting features three people in a control room or flight deck. On the left is a person wearing a loose orange/tan shirt with dark trim. In the center background, som…
@blakes7bot@mas.torpidity.net
2025-11-19 19:33:09

Series A, Episode 01 - The Way Back
P.A.: The President will be answering questions about new population control *?measures
RAVELLA: All our food and drink is treated with suppressants. Going without for a day and a half, they should be wearing off.
blake.torpidity.net/m/101/9 B7…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television production, likely from the late 1970s or early 1980s based on the aesthetic and production values. The scene takes place in what looks like a futuristic, sterile interior setting with white/gray geometric walls and angular architectural elements typical of sci-fi set design from that era.

Two actors are shown in what appears to be an intense dramatic moment. One person on the left has sho…
@leftsidestory@mstdn.social
2025-12-17 00:30:01

Metropolitana VI - Asymmetry ✅
城 VI - 非对称 ✅
📷 Pentax MX
🎞️ Ilford Pan 100
#filmphotography #Photography #blackandwhite

Ilford Pan 100 (FF)

English Alt Text:  
A black-and-white photo of a brick wall with a circular bicycle tire mounted at eye level. Two inner tubes hang loosely through the tire’s center, forming a shape reminiscent of the letter “Q.” Below the tire, wire mesh baskets rest on the ground—one filled with coiled cables or hoses, another stacked with empty baskets. A toolbox or container sits to the left. A diagonal shadow cuts across the left side, adding contrast. The composition is geometric and…
Ilford Pan 100 (FF)

English Alt Text:  
A black-and-white street scene featuring two chairs on a paved sidewalk. One is a simple wooden chair with vertical slats; the other is a worn school chair with a metal frame. Behind them are cabinets and containers with Chinese characters indicating services like car repair, shoe repair, and key duplication. The area is cluttered with wires, suitcases, and tools, suggesting a makeshift repair shop. The setting reflects urban resourcefulness.
中文替代文本:  
这…
Ilford Pan 100 (FF)

English Alt Text:  
A monochrome image of a large tree with thick, twisting branches, many of which are bare or sparsely leafed. The tree is heavily overgrown with vines, creating a tangled, dense appearance. Behind it stands a building with a tiled exterior, partially obscured. In the foreground, a patterned concrete wall runs horizontally. The scene feels eerie and dramatic, with stark contrasts between nature and architecture.
中文替代文本:  
这是一张黑白照片,展示一棵枝干粗壮的大树,许多枝条光秃或仅有稀疏叶片…
Ilford Pan 100 (FF)

English Alt Text:  
A grayscale image of a tree-lined brick pathway. On the left, a person rides a scooter away from the camera. On the right, three people walk together, also heading away. Tall trees with dense foliage form a canopy overhead. A metal fence covered in climbing plants lines the left side. The scene is peaceful and shaded, evoking a quiet urban park or walkway.
中文替代文本:  
这是一张黑白照片,画面是一条砖铺小道,两旁种满高大的树木,枝叶茂密形成树荫。左侧有一人骑电动车远离镜头,右侧三人并肩步行。左边的铁栅栏上爬满植物。整体氛围宁静,像是城市中的一条幽…
@blakes7bot@mas.torpidity.net
2026-01-08 10:23:08

Series C, Episode 11 - Moloch
AVON: Right. Now, ask yourself why they should be shipping in men from a penal colony. [A beep sounds]
DAYNA: [Starting forward] The communicator! They're trying to get through!
blake.torpidity.net/m/311/281 B7B2

Claude Haiku 4.5 describes the image as: "# Science Fiction Scene

This image captures a scene from a classic science fiction television production, featuring two characters in elaborate futuristic costumes. The setting appears to be a spacecraft or space station interior, with geometric architectural elements visible in the background.

On the left stands a figure wearing a striking black outfit adorned with silver studs and geometric patterns, complemented by a distinctive belt. This characte…
@leftsidestory@mstdn.social
2025-12-19 00:30:02

Metropolitana VII - 🆙 🆙 🆙
城 VII - 🆙 🆙 🆙
📷 Pentax MX
🎞️ Ilford Pan 100
#filmphotography #Photography #blackandwhite

Ilford Pan 100 (FF)

English Alt Text:
A large, dark circular object is silhouetted against a partly cloudy sky in this black-and-white photo. Mounted on a pole, the object resembles a street sign or disc. The photo is taken from a low angle, making the circle appear dominant in the frame. The sky transitions from darker to lighter tones, adding depth. The stark contrast between the object and the sky creates a bold, minimalist composition.
中文替代文本:  
这是一张黑白照片,画面中一个大型黑色圆形物体在多云的天空前形成剪影。它安装在一根杆子上,…
Ilford Pan 100 (FF)

English Alt Text:
A tall construction crane stands against a cloudy sky in a black-and-white photograph. The crane’s long boom angles upward, with a hook hanging from its tip. The structural tower supporting the boom is made of metal latticework. The sky is filled with textured clouds, creating a dramatic contrast with the industrial silhouette. The image emphasizes the height and geometry of the crane, evoking a sense of scale and strength.
中文替代文本:  
这是一张黑白照片,画面中是一台高大的建筑起重…
Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photograph shows a streetlight pole and a utility pole with multiple cables stretching across the frame. The streetlight has a curved arm extending leftward with a lamp at the end. The utility pole includes a diagonal support beam. Overhead wires crisscross the cloudy sky, forming geometric patterns. The moody sky and intersecting lines create a visually striking and structured composition.
中文替代文本:  
这是一张黑白照片,画面中有一根街灯杆和一根电线杆,多条电缆横跨画面。街灯杆向…
Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photo captures a modern building with multiple staircases and metal railings viewed from below. Tree branches with leaves frame the top of the image. A reflective sphere is mounted on the building, distorting the surroundings in its mirrored surface. On the building’s wall, a phrase reads: “A PINCH OF SALT CAN BRING OUT THE SWEETNESS.” The composition blends architectural geometry with natural elements and a philosophical message.
中文替代文本:…
@blakes7bot@mas.torpidity.net
2026-01-20 10:38:03

Series A, Episode 10 - Breakdown
KAYN: Oh, yes, sorry. One thing I will say for the Federation, when they decide to do a thing, they do it. [Blake and Kayn exit.]
VILA: I didn't like the sound of that much.
AVON: One of the many faces of neutrality.
blake.torpidity.net/m/110/395

Claude Sonnet 4.5 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The setting appears to be the flight deck of the spacecraft Liberator, characterized by its distinctive retro-futuristic design with dark walls, geometric light panels, and console stations featuring colorful buttons and controls.

Two crew members are seated at the control stations. On the left is Michael Keating, wearing a brown and…
@leftsidestory@mstdn.social
2025-12-18 00:30:00

Metropolitana VII - Markings 💮
城 VII - 印记 💮
📷 Pentax MX
🎞️ Ilford Pan 100
#filmphotography #Photography #blackandwhite

Ilford Pan 100 (FF)

English Alt Text:
A black-and-white image of a vertical measurement gauge beside a road. The gauge is marked from 30 to 100 in increments of 10, with smaller divisions in between. It stands in front of a metal railing. In the background are trees, a white car, a bus, and a multi-story building. The gauge likely measures water levels or clearance height. The urban setting contrasts with the utilitarian design of the gauge.
中文替代文字:  
这是一张黑白照片,展示一条道路旁的垂直测量尺。尺上标有从30到100的数字,每隔10…
Ilford Pan 100 (FF)

English Alt Text:
A black-and-white street scene showing a sidewalk with shadow patterns cast by a fence or railing. Several scooters and bicycles are parked along the right side. A few pedestrians walk in the distance. A car drives on the road in the background. A metal plate embedded in the sidewalk displays partially legible numbers: "182 303 427." The image captures urban life with strong contrasts and geometric shadows.
中文替代文字:  
这是一张黑白街景照片,画面中人行道上有栏杆投下的阴影图案。右侧停放着几辆电动车…
Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photo of a concrete wall in the foreground, with buildings visible above it. One building has a chimney; another is modern with many windows. A streetlight rises above the wall. The sky is filled with wispy clouds and two overhead utility wires stretch across the image. In the bottom right corner, a triangular traffic sign with an upward arrow indicates a one-way direction. The image contrasts industrial and residential elements with dram…
Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photo of a multi-tiered circular shelf filled with bottles of alcoholic beverages. Brands like Martini, Aperol, and Luxardo Limoncello are visible. The shelf has metal railings and is part of a modern interior space. Behind it, a wall features illustrated graphics of bar stools and signage reading "Martini." To the left, a large arched window lets in natural light. Outside the window, a poster with a stylized face and the text "007" is pa…
@blakes7bot@mas.torpidity.net
2025-12-19 10:14:34

Series B, Episode 08 - Hostage
JENNA: It's Travis's move. We still control the Liberator.
CALLY: A sitting target.
JENNA: Not for him.
CALLY: Not for anybody.
JENNA: Where are you going?
CALLY: I'm going to clear the neutron blasters for firing,
blake.torpidity.net/m/208/499

Claude Haiku 4.5 describes the image as: "# Image Description

This appears to be a still from a 1970s television production, capturing a woman with distinctive feathered blonde hair styled in the fashion typical of that era. She wears a black garment with a bold geometric black and white patterned collar or overlay, along with a decorative chain necklace. The lighting and image quality are characteristic of broadcast television from that period.

The setting appears to be an interior space wit…
@leftsidestory@mstdn.social
2025-11-14 00:30:03

Moody Urbanity - Relations VI 🧬
情绪化城市 - 关系 VI 🧬
📷 Zeiss IKON Super Ikonta 533/16
🎞️ Ilford HP5 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (6x6)

English Alt Text: A black-and-white photo showing a dense web of barbed wire in the foreground, tangled and chaotic. Behind it, modern high-rise buildings with clean lines and geometric shapes rise into the sky. The contrast between the sharp, twisted wire and the orderly architecture evokes themes of confinement versus freedom, or security versus openness. The wire dominates the lower half of the image, while the buildings loom in the background, partially obscured. …
Ilford HP5 Plus 400 (6x6)

English Alt Text: A black-and-white photo of a construction site featuring a tall tower crane with a long boom extending upward and a hook hanging from its end. In the foreground, a streetlight with four lamps arranged in a cross pattern stands prominently, providing a sense of scale. The sky is overcast, casting a muted tone across the scene. On the right side, part of a leafy tree is visible, adding a natural element to the otherwise industrial setting. The crane do…
Ilford HP5 Plus 400 (6x6)

English Alt Text: A black-and-white photo of an urban outdoor setting, possibly a park or plaza. The image is heavily blurred due to camera movement, creating a sense of motion and distortion. Several people are visible but indistinct, appearing as ghostly figures. Trees and buildings form the backdrop, though their details are obscured. The photo has a textured overlay, possibly from aged film or print damage, adding a vintage and abstract quality. The overall effect…
Ilford HP5 Plus 400 (6x6)

English Alt Text: A black-and-white photo of a bustling multi-level structure. The lower level features a glass-paneled escalator and stairway, with people ascending and descending. The upper level has storefronts with Chinese signage and individuals walking along the corridor. Reflections on glass surfaces create layered visual effects. The image captures candid moments of daily life, with people engaged in shopping or commuting. The architectural design emphasizes v…
@blakes7bot@mas.torpidity.net
2026-01-19 07:20:58

#Blakes7 Series D, Episode 11 - Orbit
EGRORIAN: A short range relay, now I see how they worked it.
SERVALAN: A bit late in the day, Egrorian!
EGRORIAN: Not so! It means that Orac is still on board the shuttle. We'll be able to recover it after the crash.

Claude Sonnet 4.5 describes the image as: "This appears to be a behind-the-scenes or production still from what looks like a science fiction television series, likely from the late 1970s or early 1980s based on the aesthetic and set design. The scene is set in what appears to be a futuristic control room or spaceship interior, characterized by white walls, a geometric ceiling panel design, and technical equipment visible in the foreground.

Three actors are positioned around what seems to be a …
@leftsidestory@mstdn.social
2025-11-18 00:30:02

Urban Adventure 🏞️
城市探险 🏞️
📷Nikon FE
🎞️Fuijfilm NEOPAN SS, expired 1993
#filmphotography #Photography #blackandwhite

Fujifilm NEOPAN SS (FF)

English Alt Text: A black-and-white photo shows dense shrubbery in the foreground with trimmed bushes and a building in the background. The depth of field is shallow, keeping the background sharp while the foreground is softly blurred. The scene feels quiet and urban, with nature partially enclosing a built environment. The contrast between organic textures and structured signage adds visual interest.

中文替代文字:
这张黑白照片前景是茂密的灌木丛,背景是修剪整齐的绿篱和一栋建筑。景深较浅,背景清晰,前景略微模糊。整个场景宁静而城市化,…
Fujifilm NEOPAN SS (FF)

English Alt Text: A black-and-white photo shows the top of a cylindrical modern building partially hidden by dense leafy trees. The building has vertical lines and a rounded top. A vintage-style streetlamp stands on the left. The sky is overcast, casting a soft, diffused light. The contrast between the structured architecture and organic foliage creates a contemplative mood, blending urban and natural elements.

中文替代文字:
这张黑白照片展示一座圆柱形现代建筑的顶部,被茂密的树叶部分遮挡。建筑有垂直线条和圆形顶部。左侧有一个…
Fujifilm NEOPAN SS (FF)

English Alt Text: A black-and-white photo depicts a small outdoor area with a thin, twisted tree in the foreground. Beneath it sits a simple chair with a curved backrest and a table partially visible to the left. A plastic bucket rests under the table. The background features a building wall with a barred window and another window partially seen. The ground is grassy with scattered debris and small plants. The scene blends natural and man-made elements, evoking quiet so…
Fujifilm NEOPAN SS (FF)

English Alt Text: A black-and-white photo captures a person ascending an escalator in a modern architectural space. The person wears a hat and casual clothes, seen from a low angle that emphasizes the steep diagonal of the escalator. The surrounding structure includes glass panels and metal beams, forming strong geometric lines. Light and shadow interplay across the surfaces, adding depth and motion. Another person is partially visible on the right, cropped by the frame…
@blakes7bot@mas.torpidity.net
2025-11-18 13:21:40

Series D, Episode 13 - Blake
VILA: I asked where Tarrant was.
AVON: Still, that's no longer a problem. [nudges one of the bounty hunters with his foot] We just inherited a flyer.
blake.torpidity.net/m/413/348 B7B3

Claude 3.7 describes the image as: "# Black and White Scene Analysis

This black and white image appears to be from a science fiction production, showing two figures in an ornate, elaborate setting. The man on the left wears a distinctive black outfit adorned with studded details and decorative elements, while another figure stands to his right in a more utilitarian brown/gray uniform. The background features intricate decorative patterns and geometric designs that suggest an alien or futuristi…
@leftsidestory@mstdn.social
2025-11-13 00:30:02

Moody Urbanity - Relations V 🪢
情绪化城市 - 关系 V 🪢
📷 Minolta Hi-Matic AF
🎞️ Shanghai GP3 400 Pan
#filmphotography #Photography #blackandwhite

Shanghai GP3 400 PAN (FF)

English Alt Text: A group of people ride an upward-moving escalator enclosed by glass panels. The architecture features tiled floors and angular surfaces. On the upper level, more people walk in the background. The image captures a moment of daily urban life with geometric design and human movement.

中文替代文本: 这是一张黑白照片。几位乘客正乘坐向上的自动扶梯,扶梯被玻璃护栏包围。建筑设计呈现出瓷砖地面和锐角结构。上层背景中还有其他人在行走。画面展现了城市日常生活的一瞬,几何建筑与人群动态交织。
Shanghai GP3 400 PAN (FF)

English Alt Text: A grainy black-and-white photo of a building with a metal accordion-style gate. Several motorbikes are parked in front. Two people are visible: one standing on the left wearing a cap and light shirt, and another near the center interacting with a motorbike. The foreground is filled with overgrown grass and weeds, contrasting with the structured building. The image feels candid and slightly nostalgic.

中文替代文本: 这是一张颗粒感强烈的黑白照片,拍摄的是一栋建筑,建筑前有金属折叠门。门前停着几辆摩…
Shanghai GP3 400 PAN (FF)

English Alt Text: A black-and-white photo of a deteriorating building facade. In the foreground, a metal fence has a crumpled paper sign taped to it. The sign reads in Chinese: “Danger above. Beware of falling objects.” The building wall behind the fence shows cracks and rough textures, suggesting structural decay. The image conveys a sense of caution and urban neglect.

中文替代文本: 这是一张黑白照片,展示了一栋破旧建筑的外墙。前景中是一道金属围栏,围栏上贴着一张皱巴巴的纸质警示牌。牌子上写着:“上方危险 注意高空坠物。”围栏后面的墙面有裂缝和粗糙的质感,显示出…
Shanghai GP3 400 PAN (FF)

English Alt Text: A black-and-white photo of a tree-lined urban street. On the sidewalk, several pedestrians walk past parked cars. A traffic sign is prominently displayed: a red circle with a diagonal line over a car symbol, indicating no vehicle entry. Below it, the restricted hours are listed as “7:00 - 22:00.” In the background, buildings and a fence are visible. The fence bears Chinese characters “八段锦,” referring to a traditional qigong exercise. The scene blends…
@blakes7bot@mas.torpidity.net
2025-12-18 16:24:48

Series D, Episode 04 - Stardrive
PLAXTON: I don't know you.
DAYNA: -space drive. Why it doesn't look anything like as sophisticated as the prototype you were working on at the academy, but that's only to be expected having to work under these conditions.
blake.torpidity.net/m/404/358

Claude Haiku 4.5 describes the image as: "# Scene Description

This image shows two actors in what appears to be a science fiction setting, likely from a television production. The scene takes place in a modern, minimalist interior with large windows and sleek architectural features visible in the background.

On the left is a character wearing an elaborate costume featuring striking gold and colorful face paint with geometric patterns, along with an ornate outfit composed of a multicolored tun…
@blakes7bot@mas.torpidity.net
2026-01-17 16:32:32

D05 - Animals
CAPTAIN: One of our pursuit units engaged an unidentified planet hopper. They refused to obey a stand and be searched order and the pursuit commander opened fire.
SERVALAN: Why all the interest? What's one civilian cargo ship more or less?
blake.torpidity.net/m/405/97

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction production, likely from the 1970s or 1980s based on the aesthetic and production values. The setting appears to be an interior space with warm lighting and geometric design elements visible in the background, including what looks like a grid pattern with illuminated squares.

Two figures are visible in the scene, both wearing distinctive dark costumes that suggest this is from a dramatic …
@blakes7bot@mas.torpidity.net
2026-01-16 07:23:28

#Blakes7 Series B, Episode 09 - Countdown
AVON: I doubt it. [Turns and leaves]
[Blake smiles]
[End of episode. Roll credits.]
blake.torpidity.net/m/209/537 B7B1

Claude Haiku 4.5 describes the image as: "# Science Fiction Scene

This image captures two men in what appears to be a spacecraft interior, characterized by futuristic geometric ceiling panels that emit bright white light. The setting suggests a science fiction production from the 1970s or 1980s, with its distinctive design aesthetic featuring angular architectural elements typical of that era's space opera aesthetics.

Both individuals are dressed in quilted, form-fitting tunics—one in olive/t…
@blakes7bot@mas.torpidity.net
2025-12-15 22:21:13

Series A, Episode 12 - Deliverance
TRAVIS: You sent for me?
SERVALAN: You've lost some of your fire, Travis. Whatever happened to your pride?
TRAVIS: My pride, Supreme Commander?
blake.torpidity.net/m/112/227 B7B6

Claude Sonnet 3.7 describes the image as: "The image shows a person in a dark leather-like costume with a distinctive black mask or face covering over one eye. They appear to be on a set with light-colored geometric patterned walls in the background. The costume has a textured, armor-like quality with some embossing or design on the chest piece.

This appears to be a scene from a science fiction or fantasy television production, likely from the late 1970s or 1980s based on the production style …
@blakes7bot@mas.torpidity.net
2025-12-17 13:06:35

Series A, Episode 13 - Orac
ORAC: The words future, present, past are meaningless.
AVON: Define 'meaningless'.
ORAC: I have the capacity to predict events that have not yet taken place.
AVON: That is not what I asked.
blake.torpidity.net/m/113/456 B7B3

Claude Sonnet 4.5 describes the image as: "This image shows a close-up shot from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s based on the video quality and aesthetic. The frame captures an actor in a distinctive costume featuring a high-collared black and green outfit with striking white and silver decorative elements on the shoulders. The costume design suggests a futuristic or space-opera setting, with its bold geometric patter…
@UP8@mastodon.social
2026-01-06 14:23:30

Ducks in summer by the Cayuga Lake Inlet in Ithaca
#photo #photography #birds #ithaca

Roughly a  dozen geese in the foreground on green grass with a yellowish tone,  past that a perfectly straight canal,  and past that a building with geometric white and brownish red panels surrounded by grass and trees
@blakes7bot@mas.torpidity.net
2026-01-16 13:28:28

Series D, Episode 09 - Sand
AVON: I wasn't going to say anything. [The ship is shaken and they are all thrown to the ground.]
SOOLIN: How much more of this can the ship take?
DAYNA: Look, there must be some way to get Tarrant off that planet.
blake.torpidity.net/m/409/287

Claude Sonnet 4.5 describes the image as: "This image shows a dramatic scene from what appears to be a British science fiction television production, likely from the late 1970s or early 1980s. The actor is wearing an elaborate costume featuring a striking black garment with a distinctive white and brown geometric collar piece that creates a bold, futuristic aesthetic. The collar has a segmented, almost armor-like quality with metallic studs or rivets adorning it.

The setting appears to be an i…
@leftsidestory@mstdn.social
2026-01-13 00:30:00

The Broken & The Relics 🧱
断壁残垣 🧱
📷 Nikon F4E
🎞️ ERA 100, expired 1993
#filmphotography #Photography #blackandwhite

ERA 100 (FF)

English Alt Text:
A black and white image of a utility pole overwhelmed by a chaotic tangle of wires. The wires loop, twist, and hang in various directions, some appearing disconnected or frayed. The dense mass of cables creates a visual maze, suggesting poor maintenance or infrastructure overload. The pole itself is weathered, and the scene hints at potential hazards. The image emphasizes the complexity and disorder of urban electrical systems.
中文替代文字:
这是一张黑白照片,展示了一根电线杆被大量杂乱电线缠绕的…
ERA 100 (FF)

English Alt Text:
A monochrome image of a deteriorating urban area. A brick wall with peeling paint stands in the background, partially damaged and surrounded by scattered bricks and debris. A concrete curb runs along the bottom edge, and a manhole cover is visible nearby. Overgrown weeds and plants emerge from cracks in the pavement. Electrical boxes mounted on metal frames and a chain-link fence suggest infrastructure. The scene evokes neglect and decay, contrasting nature’s per…
ERA 100 (FF)

English Alt Text:
A close-up black and white photo of a morning glory flower blooming on a vine wrapped around a metal railing. The flower is on the right side, its delicate petals and central opening clearly visible. The vine’s tendrils and leaves intertwine with the railing, creating a contrast between organic curves and industrial lines. The background is softly blurred, emphasizing the flower’s gentle beauty. The image captures a moment of quiet resilience in an urban setting.…
ERA 100 (FF)

English Alt Text:
A black and white photo of an outdoor tiled surface made of hexagonal tiles. The tiles are worn and uneven near the top edge, with some broken pieces and scattered debris. In the upper right corner, a small stack of square slabs tied with string sits atop a short stand or stool. The slabs appear heavy and utilitarian, possibly construction materials. The scene captures a gritty urban texture, with strong contrasts between the geometric tile pattern and the roughn…
@blakes7bot@mas.torpidity.net
2025-11-15 13:09:49

Series D, Episode 10 - Gold
SOOLIN: [Searching Keiller.] He's clean.
KEILLER: Of course I'm clean, what do you take me for. Avon and I are old friends. It's good to see you, Avon.
DAYNA: Uh, nobody said move, Keiller. Just relax.
blake.torpidity.net/m/410/6 B7B3…

Claude Sonnet 4.0 describes the image as: "This image shows two actors in elaborate costume standing in a distinctly retro-futuristic set with pink walls and modern lighting. The setting appears to be from a British science fiction production, likely from the 1970s or early 1980s, characterized by its bright pastel color scheme and geometric design elements.

Paul Darrow, on the left, wears a striking black uniform with silver trim and ornate detailing, including decorative elements along the s…
@blakes7bot@mas.torpidity.net
2025-11-14 16:17:25

Series A, Episode 12 - Deliverance
SERVALAN: Yes?
VOICE: [V.O.] Space Commander Travis is here.
SERVALAN: Send him in. [Travis enters and stands before Servalan's desk. She ignores him for a moment, concentrating on something else.]
blake.torpidity.net/m/112/224 B7B4<…

Claude 3.7 describes the image as: "The image shows a person in a white outfit seated at a desk or table in what appears to be a stylized, retro-futuristic set with a distinctive geometric wall pattern in the background. The setting features round globe lights mounted on a stand and a light-colored couch or seating area visible to the left.

The person has short dark hair and is reaching toward what looks like office equipment on the desk, possibly a communication device. There's also what appe…
@blakes7bot@mas.torpidity.net
2026-01-14 10:14:57

Series C, Episode 13 - Terminal
SERVALAN: I'm going to the flight deck. Get rid of him.
VILA: Eh?
blake.torpidity.net/m/313/418 B7B2

GPT 4.1 Nano describes the image as: "This image appears to be a scene from a science fiction TV show or movie, set in a futuristic or space-themed environment with a distinctive geometric background. The woman on the left, dressed in a black, edgy, and asymmetric outfit, is extending her arm towards the man on the right, who is wearing a beige or light-colored uniform with a high collar and long sleeves. The scene's mood suggests a moment of confrontation or significant dialogue. In the backgr…
@blakes7bot@mas.torpidity.net
2025-12-14 13:19:35

Series D, Episode 11 - Orbit
SERVALAN: Don't concern yourself, Egrorian. I encourage ambition.
EGRORIAN: I never conspired against you, I swear it! Orac, acknowledge my instructions. [Orac buzzes, but says nothing.] I don't understand.
blake.torpidity.net/m/411/363 B7B3…

Claude Sonnet 4.5 describes the image as: "This image appears to be from a science fiction production, likely from the late 1970s or early 1980s based on the aesthetic and production design. The setting features a sleek, futuristic interior with geometric white panels and distinctive angular ceiling architecture characteristic of classic sci-fi television sets.

Three actors are engaged in what appears to be a tense dramatic scene. On the left, a woman with short dark hair wears an elegant blac…
@leftsidestory@mstdn.social
2025-11-06 00:30:01

Moody Urbanity - Urban surrealism 👒
情绪化城市 - 都市超现实主义 👒
📷 Pentax MX
🎞️ Ilford HP5 Plus 400, expired 1993
#filmphotography #Photography #blackandwhite

Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photo showing the back of a person wearing a wide-brimmed straw hat with a dark band. The person stands in an urban setting, possibly near a bus stop or sidewalk. Other people and a vehicle are faintly visible in the background. The focus is on the hat and shoulders, evoking a nostalgic or vintage mood. The hat’s traditional style contrasts with the modern urban environment, creating a timeless feel.

中文替代文字:
一张黑白照片,画面聚焦在一位戴着宽檐草帽的人背影…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A monochrome photo of a concrete space with multiple cylindrical bollards arranged in a grid-like pattern. Each bollard is black with white reflective stripes, designed to restrict vehicle access. The area is partially covered by a structure supported by large white columns. Shadows and natural light create strong contrasts, giving the scene a stark, geometric appearance. The image emphasizes order, control, and urban design.

中文替代文字:
一张黑白照片,展示混凝土区域内排…
Ilford HP5 Plus 400 (FF)

English Alt Text:
A monochrome photo of a pedestrian walkway. Several people walk or stand along the path, enclosed by a metal railing. Large trees with thick trunks and leafy branches partially obscure the view, blending nature with the urban setting. In the background, modern buildings with glass and metal facades rise, suggesting a city or campus environment. The image captures everyday life, with people casually moving through a public space where architecture and …
Ilford HP5 Plus 400 (FF)

English Alt Text:
A black-and-white photo of a city sidewalk. A man stands with his back to the camera, facing the street. Trees and a hedge line the walkway, separating it from the road. Several motorcycles and cars are parked or moving along the street. On the right, a tall white pole supports a dome-shaped surveillance camera. Above the camera, a sign with Chinese characters reads “Video Surveillance.” The atmosphere feels urban, orderly, and slightly watchful, emph…
@leftsidestory@mstdn.social
2025-12-08 00:30:06

Urbanity - Urbana Composita 🌆
城市化 - 建构城市 🌆
📷 Pentax MX
🎞️ Ilford Pan 100
#filmphotography #Photography #blackandwhite

Ilford Pan 100 (FF)

English Alt Text:
A partially obscured urban scene showing the upper portion of a road or railway overpass. A height restriction sign reading “2.8m” is mounted on a pole in front of the overpass structure. The sign is circular with a bold border, indicating maximum vehicle height. The overpass is made of concrete and steel, with visible support beams. The lower half of the image is covered by a white, jagged-edged area, possibly due to overexposure or image damage. The visi…
Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photo of a shaded public seating area under a pergola-style structure. Several people sit on benches, some using phones, others chatting. The background includes a glass storefront with reflections and Chinese advertisements, one showing a person. Trees cast dappled light on the ground. The scene captures a moment of urban social life, blending architecture, nature, and human interaction.

中文替代文本:
一张黑白照片,展示一个带棚架的公共座椅区。几位市民坐在长椅上,有人使用手机,有人交…
Ilford Pan 100 (FF)
English Alt Text:
A black-and-white image of a traditional Chinese architectural wall. The upper section features a tiled roof with ornate end caps. Beneath the roof is a decorative frieze with repeating patterns. The central focus is a circular stone relief embedded in a brick wall, depicting a detailed scene with human and animal figures, possibly mythological. The relief is framed by a square border with geometric motifs. A translucent plastic sheet partially obscures the…
Ilford Pan 100 (FF)

English Alt Text:
A black-and-white photograph of a quiet urban sidewalk lined with tall trees casting shadows on the path. Several people walk along the sidewalk, including one person holding an umbrella. On the right side, a long row of concrete barriers separates the walkway from a wooded or residential area. The scene evokes a calm, everyday moment in a city, with natural light filtering through the trees and people moving at a relaxed pace.

中文替代文本:
一张黑白照片,展示一条安静的城市人行道…
@blakes7bot@mas.torpidity.net
2025-12-13 14:01:11

Series D, Episode 03 - Traitor
SOOLIN: Teleport operating. [Teleport sound. Dayna and Tarrant arrive]
VILA: What are you smirking about? Do you realize we've got half the Federation battle fleet looking for us?
blake.torpidity.net/m/403/495 B7B3

Claude Sonnet 4.5 describes the image as: "This image shows a scene from what appears to be a science fiction television production, featuring two actors at a control panel in a futuristic spacecraft or facility setting. The male actor on the left wears a military-style olive and gray uniform with darker accents, while the female actor on the right has long blonde hair styled with braids and wears a form-fitting gray outfit with geometric quilted patterns and a distinctive necklace.

They are s…
@blakes7bot@mas.torpidity.net
2026-01-12 16:29:26

Series C, Episode 05 - The Harvest of Kairos
SERVALAN: GREATER?
[Landing module]
AVON: Self-defence. Some animals bristle out their fur to frighten their enemies. But that doesn't count for much in the dark.
VILA: So what does Sopron do?
blake.torpidity.net/m/305/601

Claude Haiku 4.5 describes the image as: "# Scene Description

This image captures a moment from what appears to be a science fiction television production, set in a futuristic control room or spacecraft interior. The backdrop features the distinctive geometric design typical of 1970s sci-fi sets, with angular panels in teal and neutral tones.

The scene shows two characters in costume. On the left is a character wearing an elaborate white ensemble featuring an impressive sculptural shoulder pi…
@leftsidestory@mstdn.social
2026-01-07 03:24:05

Urban Texture 🧩
城市质地 🧩
📷 Nikon F4E
🎞️ ERA 100, expired 1993
#filmphotography #Photography #blackandwhite

ERA 100 (FF)

English Alt Text:
A close-up black-and-white photo of a metal tree grate embedded in a sidewalk. The grate has curved slits and is filled with fallen leaves. Chinese characters “城市” (chéng shì), meaning “city,” are cut into the metal. The design is both functional and artistic, allowing water to reach tree roots while contributing to the urban aesthetic. The mix of natural debris and industrial design reflects city life.
中文替代文本:
这是一张黑白特写照片,展示嵌入人行道的金属树池盖。盖板上有弯曲的缝隙,落叶堆积其中。金属上镂空的“城市”…
ERA 100 (FF) 

English Alt Text:
A black-and-white photo captures a person riding a scooter on a paved urban road. The motion blur suggests speed and movement. The pavement is covered with handwritten phone numbers and text in white chalk, likely informal advertisements. Numbers such as “15267563110” and “19838199289” are visible. Shadows from nearby trees stretch across the road, adding texture and contrast. The scene evokes a gritty, everyday city moment with a mix of motion and static detail…
ERA 100 (FF)

English Alt Text:
A monochrome photograph shows a brick wall with a warning sign in Chinese. The sign features a triangle with an exclamation mark and reads: “Pay attention to safety. Danger here. Do not approach. Consequences are at your own risk.” A tree with twisted branches stands in the foreground, its silhouette casting shadows on the wall. The image conveys caution and urban tension through stark contrasts and layered textures.
中文替代文本:
这是一张黑白照片,画面中是一堵砖墙,墙上挂有中文警告牌,牌上有一个带感叹号的…
ERA 100 (FF)

English Alt Text:
A black-and-white image of a textured wall with two distinct sections. On the left is a modern doorway leading into a room with a window. On the right is a decorative double door featuring geometric patterns like spirals, diamonds, and zigzags. The wall shows signs of wear with cracks and peeling paint. Tree shadows fall across the surface, adding depth. The juxtaposition of plain and ornate elements creates visual intrigue.
中文替代文本:
这是一张黑白照片,展示一面有质感的墙壁,分为两个部分。左侧是…
@blakes7bot@mas.torpidity.net
2026-01-10 19:25:08

Series B, Episode 13 - Star One
CALLY: Are we fanatics?
BLAKE: Does it matter?
CALLY: Many, many people will die without Star One.
BLAKE: I know.
CALLY: Are you sure that what we're going to do is justified?
blake.torpidity.net/m/213/77 B7B5

Claude Haiku 4.5 describes the image as: "# Image Description

This scene appears to be from a science fiction television production, set within a spaceship interior. The setting features a sleek, futuristic design with cream-colored seating, dark control panels, and ambient lighting typical of 1970s-80s sci-fi aesthetics. The architectural elements include geometric shapes and a modernist bridge or upper structure visible in the background.

In the foreground, a woman with curly blonde hair si…
@leftsidestory@mstdn.social
2026-01-06 00:30:01

Un Momento III 🕰️
一瞬 III 🕰️
📷 Nikon F4E
🎞️ ERA 100, expired 1993
#filmphotography #Photography #blackandwhite

ERA 100 (FF)

English Alt Text:
A black-and-white photo of a city bus parked on a street. In front of the bus is a metal rolling staircase or platform with handrails, likely used for maintenance or boarding. The bus has Chinese characters "北京公交" (Beijing Public Transport) and the number "263400" printed on its side. The background features a modern glass building with reflections. The composition highlights urban infrastructure and public transportation.
中文替代文字:
这是一张黑白照片,展示了一辆停在街边的城市公交车。公交车前方有一…
ERA 100 (FF)

English Alt Text:
A black-and-white photo of the front of a school bus. The bus has a large, rectangular grille with a circular emblem at its center. Two side mirrors extend outward from the front, and the windshield reflects trees and surroundings. A bold number "4" is displayed in the top left corner of the windshield, possibly indicating the bus route. The hood features partially visible stylized text or graphics. Behind the bus is a gated fence with a sign that includes the le…
ERA 100 (FF)

English Alt Text:
A black-and-white image of a storefront labeled "LE LABO." Above the sign are industrial-style light fixtures. In front of the store is a construction lift platform labeled "SUNWARD SWSL1412HD," suggesting maintenance or installation work. A smaller, partially obscured "LE LABO" sign is visible to the left. The building exterior features clean lines and shadows, with a mix of modern and utilitarian architectural elements. The photo captures urban texture and cont…
ERA 100 (FF)

English Alt Text:
A black-and-white photo of an indoor space, possibly a parking garage or corridor. A "Do Not Enter" traffic sign is mounted on the wall. A fluorescent light fixture and a ventilation grille are also visible. To the right, a fire safety sign in Chinese and English reads: "HYDRANT / EXTINGUISH / CALL 119." The image emphasizes geometric shapes, stark lighting, and utilitarian design.
中文替代文字:
这是一张黑白照片,拍摄于室内空间,可能是停车场或建筑走廊。墙上安装有一个“禁止进入”的交通标志。画面中还可见荧光灯和通风格栅。右侧有一个消防安全标志…
@blakes7bot@mas.torpidity.net
2025-11-10 13:10:23

Series B, Episode 04 - Horizon
[Teleport section]
AVON: [Snapping on a bracelet] What do these detectors look like?
ORAC: Logic would suggest they are camouflaged - in plants.
blake.torpidity.net/m/204/536 B7B3

Claude 3.7 describes the image as: "This image shows a person in a distinctive silver/metallic costume with a black turtleneck underneath, standing in what appears to be a futuristic set design. The individual is positioned at what looks like a control panel or console with transparent elements. The costume has a retro sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s.

The setting features angular architectural elements with geometric shapes and panels …
@blakes7bot@mas.torpidity.net
2026-01-09 19:29:56

Series C, Episode 12 - Death-Watch
TARRANT: I'll risk that.
AVON: He could use the new gun. Dayna?
DAYNA: It's ready. [starts to go but Avon stops her]
AVON: Vila can get it.
DAYNA: It's in the test room, Vila.
blake.torpidity.net/m/312/491 B7B5

Claude Haiku 4.5 describes the image as: "This image appears to be from a science fiction television production, likely from the 1980s based on the styling and set design. The scene takes place on what looks like a spaceship bridge or command center, with distinctive futuristic set pieces visible in the background including geometric panels and atmospheric lighting in yellows and teals.

Five actors are present in the scene, engaged in what appears to be a dramatic conversation or confrontation…
@blakes7bot@mas.torpidity.net
2025-11-07 16:16:32

Series C, Episode 04 - Dawn of the Gods
DAYNA: Orac with delusions of grandeur, Zen unable to control the ship. I'd say we've a lot of little problems on our hands.
AVON: Course deflection is zero zero five. Speed Standard by five and increasing. I'd say we have one large problem on our hands.
blake.torpidit…

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard the Liberator, the advanced alien spacecraft that serves as the main setting for much of the series. The interior shows the characteristic white and geometric design of the ship's living areas or flight deck. Three crew members are present in what appears to be a tense or serious moment. One character is seated wearing earth-toned clothing, while another stands behind in dark attire. A third crew member can be seen i…
@blakes7bot@mas.torpidity.net
2025-12-09 16:08:38

Series A, Episode 12 - Deliverance
VILA: [Aside, to Gan] I told you she was mad.
GAN: [To Meegat] How long have you been waiting?
blake.torpidity.net/m/112/314 B7B4

Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978-1981. The scene shows three characters in distinctive futuristic costumes standing together in what appears to be a dimly lit setting, possibly a spaceship or cave environment.

The actors are wearing the show's characteristic costume design - form-fitting outfits with geometric patterns and bold color blocking. On the left is a figure in a br…
@blakes7bot@mas.torpidity.net
2026-01-07 10:06:50

Series C, Episode 06 - City at the Edge of the World
VILA: Well, if we don't move around too much ...
KERRIL: It hardly seems worth trying to stay alive a few minutes longer. [removes gunbelt]
blake.torpidity.net/m/306/405 B7B2

Claude Sonnet 4 describes the image as: "This appears to be a scene from a science fiction television production, likely from the late 1970s or early 1980s based on the styling and video quality. The setting features a futuristic interior with geometric patterned walls or screens in the background, creating a distinctly sci-fi atmosphere with cool lighting tones.

Two characters are shown in an intimate moment, with their arms around each other in what appears to be an emotional or romantic sce…
@blakes7bot@mas.torpidity.net
2025-12-07 13:10:49

Series B, Episode 03 - Weapon
[Servalan's office. The intercom chimes]
SERVALAN: [Into intercom] Yes, Travis?
TRAVIS: [Face appears on intercom screen visible next to Servalan] We found his ship - it looks to have crashed and blown up.
blake.torpidity.net/m/203/328 B7B…

Claude Sonnet 3.7 describes the image as: "The image shows a person with short dark hair wearing an elegant white draped outfit or gown. They are adorned with an elaborate, statement necklace that appears to be made of clear or crystalline material. The setting looks like a stylized studio or film set with a textured geometric white background and some sparkling elements or lights visible. 

The costume has a classical or futuristic quality to it, with flowing fabric that drapes from the should…
@blakes7bot@mas.torpidity.net
2025-12-06 16:14:52

Series B, Episode 08 - Hostage
JOBAN: Goodbye, Supreme Commander.
SERVALAN: Goodbye, Counsellor Joban. [Joban exits. Communicator chimes]
SERVALAN: Yes.
VOICE: The message reads "Travis is on the planet Exbar."
SERVALAN: Is that all?
blake.torpidity.net/m/208/237

Claude Sonnet 3.7 describes the image as: "This image appears to be from a science fiction television production, likely from the British series "Blake's 7." The scene is set in what looks like a futuristic or spaceship interior with a distinctive geometric pattern on the white wall behind. 

The image shows two people in conversation. On the left is a person wearing an elegant white high-collared outfit with some decorative elements at the shoulder. Facing them is an older individual with whit…
@blakes7bot@mas.torpidity.net
2026-01-05 19:24:36

Series C, Episode 06 - City at the Edge of the World
ORAC: The tracer is between the index and second finger of your left hand.
AVON: [Holds up small disc] Thank you, Orac.
VILA: [Entering] Let's get on with it, then.
blake.torpidity.net/m/306/33 B7B5

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The setting appears to be inside a futuristic spacecraft or space station, with characteristic metallic walls and geometric window panels visible in the background.

The person in the image is wearing a distinctive black leather outfit with metallic studs or decorative elemen…
@blakes7bot@mas.torpidity.net
2026-01-05 19:24:36

Series C, Episode 06 - City at the Edge of the World
ORAC: The tracer is between the index and second finger of your left hand.
AVON: [Holds up small disc] Thank you, Orac.
VILA: [Entering] Let's get on with it, then.
blake.torpidity.net/m/306/33 B7B5

Claude Sonnet 4 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the late 1970s or early 1980s based on the visual style and production quality. The setting appears to be inside a futuristic spacecraft or space station, with characteristic metallic walls and geometric window panels visible in the background.

The person in the image is wearing a distinctive black leather outfit with metallic studs or decorative elemen…
@blakes7bot@mas.torpidity.net
2025-12-04 22:17:59

Series D, Episode 04 - Stardrive
PLAXTON: Particle driver control?
NAPIER: Particle driver right.
PLAXTON: Well you'd better double check. I'm going to take the drive up to twenty-five percent today.
NAPIER: In here, Doctor?
blake.torpidity.net/m/404/232 B7B…

Claude Haiku 4.5 describes the image as: "# Image Description

This appears to be a scene from a science fiction television production, likely from the 1970s or 1980s based on the styling and set design. The setting is a futuristic control room or command center, featuring distinctive retro-futuristic decor with geometric shapes and bold color blocking in black, white, and green.

The scene shows multiple figures in costume within what appears to be a studio set. On the left side, there are two…
@blakes7bot@mas.torpidity.net
2025-12-03 22:19:39

Series A, Episode 04 - Time Squad
JENNA: Gan, the aliens have linked their ship to our power source. I'm getting a very heavy power loss. I'll have to disconnect. You'll be all right, won't you?
GAN: [Nods] Yes.
blake.torpidity.net/m/104/454 B7B6

Claude Haiku 4.5 describes the image as: "# Scene Description

This image appears to be from a science fiction television production, set in a futuristic spacecraft interior. The scene depicts two characters in what looks like a command or recreational area of the vessel.

The setting features distinctive retro-futuristic design elements typical of 1970s sci-fi television, including geometric wall panels with hexagonal shapes and horizontal striping. The color palette consists of muted tones—gr…