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@arXiv_csCV_bot@mastoxiv.page
2025-07-24 10:28:39

Vision Transformer attention alignment with human visual perception in aesthetic object evaluation
Miguel Carrasco, C\'esar Gonz\'alez-Mart\'in, Jos\'e Aranda, Luis Oliveros
arxiv.org/abs/2507.17616

@Techmeme@techhub.social
2025-08-22 21:01:46

Meta announces a partnership with Midjourney, to license the startup's "aesthetic technology" for Meta's future models and products (Alexandr Wang/@alexandr_wang)
x.com/alexandr_wang/status/195

@arXiv_csCY_bot@mastoxiv.page
2025-07-25 07:55:52

Weaving the Future: Generative AI and the Reimagining of Fashion Design
Pierre-Marie Chauvin (IFM, AHP-PReST), Ang\`ele Merlin (IFM, AHP-PReST), Xavier Fresquet (IFM, AHP-PReST), Hugo Caselles-Dupr\'e (IFM, AHP-PReST), Benjamin Simmenauer (IFM, AHP-PReST), Mathieu de Fayet
arxiv.org/abs/2507.17758

@thopan@norden.social
2025-06-25 19:23:57

Aktueller Titel: Aesthetic Perfection – Belong
#DunkleEchos – jetzt live bei mixcloud.com/live/thopan

@detondev@social.linux.pizza
2025-07-24 12:30:13

wayward internet grotesque beauty
canned screaming crying proudly antihuman burning cities proudly nostalgic diy jumbotrons as apartment walls dancers wallow in makeup or lack thereof mechanical laughter at one anothers most sterile moments their tongues become needles along the sidewalks their twenty year old bubbling vomit cycle as both aesthetic and dogma and the unspoken understanding wed crumble if it weren't for losing ourselves in this

@blakes7bot@mas.torpidity.net
2025-07-25 15:07:40

Series A, Episode 04 - Time Squad
JENNA: [To Avon] Negative anti-gravs. [Avon presses buttons] Compensate for orbital drift and hold. [points to button] Hold.
BLAKE: All confirmed.
JENNA: Good.
blake.torpidity.net/m/104/8 B7B4

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard the Liberator spaceship, showing the main flight deck area with its distinctive tiered design and futuristic control panels. The setting has the characteristic sterile, technological aesthetic of the series with white and metallic surfaces. Four crew members are visible in the frame - one seated at what appears to be a control station in the foreground, while three others stand on the stepped platform behind. They'…
@arXiv_csHC_bot@mastoxiv.page
2025-06-25 09:44:40

Filters of Identity: AR Beauty and the Algorithmic Politics of the Digital Body
Miriam Doh, Corinna Canali, Nuria Oliver
arxiv.org/abs/2506.19611

@midtsveen@social.linux.pizza
2025-09-18 19:02:41

𝖜𝖍𝖎𝖒𝖘𝖎𝖌𝖔𝖙𝖍 mixed with whimsical fairycore is my new favorite aesthetic!
🌙✨🦋🍄💜
#Whimsigoth #Whimsical #Fairycore

Whimsigoth aesthetic video!
@blakes7bot@mas.torpidity.net
2025-08-25 06:14:01

#Blakes7 Series A, Episode 12 - Deliverance
TRAVIS: It was Maryatt.
SERVALAN: Does it matter?
TRAVIS: No... No. Only Blake matters now.
SERVALAN: And Orac.
TRAVIS: Right.
blake.torpidity.net/m/112/281…

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a futuristic interior setting with distinctive geometric wall patterns. There's a person in dark, military-style clothing standing, and another figure seated or reclining. The set design has a sleek, spaceship-like aesthetic typical of classic sci-fi shows, with clean lines and metallic surfaces. The lighting and production values suggest this is from a Briti…
@arXiv_csGR_bot@mastoxiv.page
2025-06-25 08:54:40

Style Transfer: A Decade Survey
Tianshan Zhang, Hao Tang
arxiv.org/abs/2506.19278 arxiv.org/pdf/2506.19278

@khalidabuhakmeh@mastodon.social
2025-08-21 13:15:58

80s anime aesthetic convinced me we’d all be living in a future where we all wore red headbands.
I look around and what do I see, no headbands. NO HEADBANDS!

Wildarms main character with a red headband
@arXiv_csCL_bot@mastoxiv.page
2025-09-16 12:11:27

AesBiasBench: Evaluating Bias and Alignment in Multimodal Language Models for Personalized Image Aesthetic Assessment
Kun Li, Lai-Man Po, Hongzheng Yang, Xuyuan Xu, Kangcheng Liu, Yuzhi Zhao
arxiv.org/abs/2509.11620

@june_thalia_michael@literatur.social
2025-07-21 22:15:58

#EroticMusings 8: Do you consume much erotica? Is it similar to your work? Share your favourite works or creators!
As mentioned on last week's prompt, I respond to erotica mainly on an aesthetic level (I think it's pretty) and only ever look at comics and drawings, or read fiction.
Most of my favs are in German, but I have some favourite artists who create in English/in…

@blakes7bot@mas.torpidity.net
2025-09-25 06:05:13

#Blakes7 Series D, Episode 03 - Traitor
PRACTOR: It changes the personality I believe?
LEITZ: Not to any great extent Excellency. It simply blocks the production of adrenalin. The result is that adapted natives no longer resist us.

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be a luxurious interior setting with red and white decor. Three men are wearing dark military-style uniforms with metallic detailing and ornate trim. Two men are facing each other in the foreground in what seems to be a tense confrontation or serious discussion, while a third figure stands in the background. The costumes and set design have the distinctive futuristic aesthetic typical of late 1970s science fict…
@arXiv_csCY_bot@mastoxiv.page
2025-09-16 07:35:36

Aesthetic Experience and Educational Value in Co-creating Art with Generative AI: Evidence from a Survey of Young Learners
Chengyuan Zhang, Suzhe Xu
arxiv.org/abs/2509.10576

@arXiv_csMM_bot@mastoxiv.page
2025-08-22 08:42:01

A Low-Latency 3D Live Remote Visualization System for Tourist Sites Integrating Dynamic and Pre-captured Static Point Clouds
Takahiro Matsumoto, Masafumi Suzuki, Mariko Yamaguchi, Masakatsu Aoki, Shunsuke Konagai, Kazuhiko Murasaki
arxiv.org/abs/2508.15398

@cjust@infosec.exchange
2025-09-17 01:23:54

#ShamelesslyStolenFromSomewhereElseOnTheInternetHonestlyICantKeepTrackOfThisStuffAnymore

The image showcases an open casket, likely in a funeral home or similar setting. The casket is the central focus, positioned on a wheeled stand. The casket's exterior has a distressed, weathered appearance with a predominantly white base and a hint of gray, giving it a rustic or vintage aesthetic. The sides of the casket feature black handles.

The interior of the casket is lined with pristine white fabric. The head area of the casket is adorned with the words "Lived, Laughed, Loved" in a delic…
@blakes7bot@mas.torpidity.net
2025-07-23 15:19:46

Series C, Episode 04 - Dawn of the Gods
TARRANT: How close were we going to Auron, Cally?
CALLY: Well, you know how close.
TARRANT: It's just that if the Aurons are responsible for this, I wonder what it is you did to upset them before you left.
blake.torpidity.net/m/304/46

Claude 3.7 describes the image as: "The image shows a scene from what appears to be a vintage television production, likely from the late 1970s or early 1980s based on the filming style and aesthetic. 

The person in the frame has curly hair and is wearing a light-colored collared shirt or jacket. Their expression suggests they're engaged in conversation or reacting to something happening in the scene. 

The background is somewhat dark and blurred, which is characteristic of studio filming tech…
@Demirramon@cyberfurz.social
2025-09-16 06:21:45

I really enjoy frutiger aero. However, I really don't like the recent glass aesthetic. Feels out of place, too flashy, impractical, distracting, too round, badly thought out overall, sterile, and corporate as fuck. It's not the same, no matter how hard they try.

@arXiv_csCV_bot@mastoxiv.page
2025-09-05 10:25:31

Aesthetic Image Captioning with Saliency Enhanced MLLMs
Yilin Tao, Jiashui Huang, Huaze Xu, Ling Shao
arxiv.org/abs/2509.04378 arxiv.org/pd…

@fortune@social.linux.pizza
2025-07-10 10:00:01

Thousands of days of civilians ... have produced a ... feeling for the
aesthetic modules --

Honest question: Is there anyone besides Trump that believes this aesthetic is tasteful?
Like for someone who was (is?) so desperate to be “accepted” by the social elites
Trump’s (and his fam’s) fashion and design sense is really atrocious and surprising
-- Asha Rangappa
bsk…

@leftsidestory@mstdn.social
2025-09-14 00:30:01

On The Road - To Xi’An/Before & After 🌬️
在路上 - 去西安/之前之后🌬️
📷 Pentax MX
🎞️Lucky SHD 400
#filmphotography #Photography #blackandwhite

Lucky Lucky SHD 400 (FF)

English Alt Text:
A black-and-white urban photo captures a modern high-rise apartment building with balconies and clean lines. Behind it stands a more industrial-looking structure with a grid-like facade and exposed upper section. In the foreground, a pedestrian bridge or overpass with metal railings crosses the scene. The architectural contrast and geometric shapes give the image a stark, modern aesthetic.

中文替代文本:
这是一张黑白城市照片,画面中是一栋现代高层公寓楼,带有阳台和简洁的线条。其后是一座工业风格的建筑,外墙呈网…
Lucky Lucky SHD 400 (FF)

English Alt Text:
A nighttime cityscape in black and white features several buildings. On the left, tall residential or office towers with lit windows rise into the dark sky. In the foreground, a low building with utility lines adds depth. On the right, a darker structure displays two glowing circular clock faces, suggesting a clock tower. The contrast between light and shadow creates a quiet, contemplative mood.

中文替代文本:
这是一张黑白城市夜景照片。左侧是几栋高层住宅或办公楼,窗户中透出灯光,直指夜空。前景中有一座低…
Lucky Lucky SHD 400 (FF)

English Alt Text:
A black-and-white photograph shows a wire basket filled with handheld fans. The fans are arranged with their handles pointing downward and their circular heads fanning outward like petals. Each fan has a mesh or slatted surface, and they vary slightly in shape and size. The basket rests on a smooth indoor floor, possibly in a communal or recreational space. The background is softly blurred, with indistinct furniture and objects. The monochrome tones a…
@AimeeMaroux@mastodon.social
2025-09-06 09:33:05
Content warning:

Have a joyful #DayOfDionysos here at Erotic Mythology! 🍇
"Proklos attributed aesthetic qualities of the dithyramb and nome to the characters of the gods addressed: orgiastic melody, words and rhythms for Dionysos, dignity for Apollon."
Greek Hymns: Selected Cult Songs from the Archaic to the Hellenistic Period by William Furley, 2021

Silver disk showing Dionysos sitting, holding his thyrsus, with Apollo Citharoedus (Apollo the kithara player) beside him in a biga chariot drawn by a female panther and a goat on which sits Silenos playing the double flute. A biga is a chariot drawn by two animals. The female panther has large, visible teats, illustrating Dionysos' fertility powers.
@blakes7bot@mas.torpidity.net
2025-08-22 15:16:56

Series D, Episode 12 - Warlord
ORAC: Orbit range in seventeen minutes.
SOOLIN: Visual scanners?
DAYNA: Locking on to automatic.
[Crew room]
blake.torpidity.net/m/412/8 B7B4

Claude Sonnet 4.0 describes the image as: "This scene appears to be set aboard a spacecraft, likely the Liberator or Scorpio, showing the ship's control room or flight deck. The futuristic interior features white walls, control panels, and technical equipment typical of the series' design aesthetic. Three crew members are present - one wearing a light-colored uniform standing in the background, another in the center wearing what appears to be a metallic or leather outfit with decorative studs, …
@chrislowles@mastodon.social
2025-07-13 10:19:30

look if you want me to watch your video on game optimization you have to stop it with the patrick bateman ass aesthetic

@emd@cosocial.ca
2025-07-06 15:59:45

It me!
eigenmagic.net/@vampiress/1148

@raysofred@discordian.social
2025-07-10 01:29:38

@… Gravelcore #gravelcore

An aesthetic arrangement of gravel pictures with the words " The Little Rocks are my friends"
@arXiv_csCL_bot@mastoxiv.page
2025-07-17 07:33:29

Subjective Evaluation Profile Analysis of Science Fiction Short Stories and its Critical-Theoretical Significance
Kazuyoshi Otsuka
arxiv.org/abs/2507.11582

@blakes7bot@mas.torpidity.net
2025-09-22 12:09:15

Series A, Episode 01 - The Way Back
VARON: Perhaps they should have.
MAJA: What do you mean?
VARON: I don't know. Perhaps Blake is guilty. Even so it's... too perfect.
MAJA: Where're you going?
VARON: The Public Records computer.
blake.torpidity.net/m/101/259

Claude 3.7 describes the image as: "This image appears to be from a dimly lit, intimate scene in a television drama. The lighting is low-key and atmospheric, creating a moody, emotional setting. The composition shows a close-up of two people in what seems to be a tender or emotional moment. 

The image has a vintage quality to it, suggesting it's from an older production, likely from the late 1970s or early 1980s based on the filming style and visual aesthetic. The soft lighting highlights the …
@simon_lucy@mastodon.social
2025-08-02 11:31:07

I finished Jim Butcher's The Olympian Affair this morning and very satisfying it is, an Airship Punk, Victorian aesthetic in a post-post-post-apocalyptic world, crystal magic and horrible beasties.
He orchestrates battles and one on one fights with wit, peril and purpose.
I hope it's not quite so long between the Second and Third of the Spires series as it was between the First and Second.

@midtsveen@social.linux.pizza
2025-07-12 17:57:38

Using my impulse purchases to find out my unique personal aesthetic (An Overanalysis)
#NowWatching

@arXiv_csSD_bot@mastoxiv.page
2025-07-29 10:03:51

JAM: A Tiny Flow-based Song Generator with Fine-grained Controllability and Aesthetic Alignment
Renhang Liu, Chia-Yu Hung, Navonil Majumder, Taylor Gautreaux, Amir Ali Bagherzadeh, Chuan Li, Dorien Herremans, Soujanya Poria
arxiv.org/abs/2507.20880

@arXiv_csRO_bot@mastoxiv.page
2025-09-09 10:04:42

Learning to Walk in Costume: Adversarial Motion Priors for Aesthetically Constrained Humanoids
Arturo Flores Alvarez, Fatemeh Zargarbashi, Havel Liu, Shiqi Wang, Liam Edwards, Jessica Anz, Alex Xu, Fan Shi, Stelian Coros, Dennis W. Hong
arxiv.org/abs/2509.05581

@arXiv_csHC_bot@mastoxiv.page
2025-07-17 08:01:50

Neuroaesthetics and the Science of Visual Experience
Harish Vijayakumar
arxiv.org/abs/2507.11599 arxiv.org/pdf/2507.1…

@gray17@mastodon.social
2025-07-01 06:13:37

esolangs.org does not have anything called #gravy yet. I'm thinking the Gravy language should be a notation you can "pour on top" of some program in any other language, to make the program better. Sort of like literate programming, but more of a diner aesthetic

@arXiv_csLG_bot@mastoxiv.page
2025-09-04 11:43:36

Crosslisted article(s) found for cs.LG. arxiv.org/list/cs.LG/new
[3/3]:
- Improving Perceptual Audio Aesthetic Assessment via Triplet Loss and Self-Supervised Embeddings
Dyah A. M. G. Wisnu, Ryandhimas E. Zezario, Stefano Rini, Hsin-Min Wang, Yu Tsao

@detondev@social.linux.pizza
2025-09-10 20:00:50

i put so much active effort over the years into communicating closer to an average person, not sounding like some stuffy pretentious academic like when i was 15, but now i sorta wanna relearn aspects of that. the aesthetic of being a smart person people should listen to, at least depending on where its applied, is a tool like any other

@hikingdude@mastodon.social
2025-07-26 06:30:05

'Am Fluss' #FotoVorschlag
This is a #photo from a walk last winter in a moor nearby. The slowly lifting fog made a really cool atmosphere.
#landscape

A serene winter landscape is depicted in this image, featuring a body of water surrounded by trees and grass. The photo captures the peaceful reflection of the bare trees in the calm water. The dominant colors in the scene are white and grey, creating a tranquil and cold atmosphere. Various trees of different sizes are scattered throughout the landscape, some with snow on them, adding to the winter aesthetic. The image evokes a sense of tranquility and natural beauty, with the clear sky above a…
@blakes7bot@mas.torpidity.net
2025-09-21 18:21:12

Series D, Episode 01 - Rescue
DORIAN: Relax. Your problems are over. [Draws a hand gun. Scene - Planet Terminal. Exterior. Avon is crouched next to Tarrant. Tarrant sits drinking from a canteen.]
AVON: Pass out again and I'll leave you, Tarrant.
blake.torpidity.net/m/401/105

Claude 3.7 describes the image as: "This image appears to be from a retro science fiction television show, showing two people in distinctive costume design typical of late 1970s/early 1980s sci-fi aesthetic. They're wearing elaborate outfits featuring decorative studs and patterns - one in a predominantly red outfit with silver accents, and the other in black with white patterned detailing. They appear to be in a winter setting with bare trees in the background and what looks like snow on the g…
@blakes7bot@mas.torpidity.net
2025-09-21 15:19:02

Series D, Episode 07 - Assassin
PIRI: [Puzzled] What? Oh, yes, I suppose so. I'm sorry, I just can't stop thinking about that awful man at the end of the corridor.
NEBROX: Everything is going to be all right. We're all here to look after you. [Piri sobs] Would you - would you like me to go and take a look at him?

Claude 3.7 describes the image as: "The image shows a person with pink/reddish hair styled in a vintage updo, wearing a shimmering purple sequined or beaded outfit that catches the light dramatically. They have light-colored eye makeup and are posed with one hand resting against their cheek in a thoughtful or emotional gesture, with a slight smile on their lips.

The theatrical styling suggests this is from a science fiction production, with the distinctive colorful aesthetic common in televisi…
@arXiv_csHC_bot@mastoxiv.page
2025-09-16 11:05:56

Living with Data: Exploring Physicalization Approaches to Sedentary Behavior Intervention for the Elderly
Siying Hu, Zhenhao Zhang
arxiv.org/abs/2509.11059

@arXiv_csCY_bot@mastoxiv.page
2025-09-16 10:02:47

The Lovelace Test of Intelligence: Can Humans Recognise and Esteem AI-Generated Art?
Ewelina Gajewska
arxiv.org/abs/2509.11371 arxiv.org/pd…

@leftsidestory@mstdn.social
2025-08-09 00:30:01

City Snaps - Chengdu / A Rain in Park ☔️
城市抓拍 - 成都 / 雨中的公园 ☔️
📷 Nikon FE
🎞️Ilford Pan 400
buy me ☕️ ?/请我喝杯☕️?
#filmphotography

Ilford Pan 400 (FF)

**English:**
A black and white photograph capturing the surface of a body of water during rainfall. The image shows the ripples and reflections created by raindrops hitting the water, with a soft, blurred background that adds depth to the scene.

**Chinese:**
一张黑白照片,捕捉到了下雨时水面的景象。照片展示了雨滴落在水面上形成的涟漪和倒影,背景柔和模糊,为场景增添了深度。
Ilford Pan 400 (FF)

**English:**
A close-up black and white photograph of a water surface showing intricate patterns of raindrops. The ripples and disturbances on the water's surface create a mesmerizing effect, capturing the essence of a rainy moment.

**Chinese:**
一张黑白照片,特写展示了水面上雨滴形成的复杂图案。水面上的涟漪和波纹创造了一种迷人的效果,捕捉到了雨天的精髓。
Ilford Pan 400 (FF)

**English:**
A black and white photograph of a stone pillar with intricate carvings. The pillar has a square base and a rounded top, featuring detailed designs that add to its aesthetic appeal. The texture of the stone is prominently displayed.

**Chinese:**
一张黑白照片,展示了一根带有精美雕刻的石柱。石柱有一个方形底座和圆形顶部,上面的详细设计增添了其美学吸引力。石头的纹理清晰可见。
Ilford Pan 400 (FF)

**English:**
A black and white photograph of a person walking in a park on a rainy day. The individual is holding an umbrella and is seen from behind, walking along a path lined with trees and lampposts. The scene evokes a sense of tranquility and solitude.

**Chinese:**
一张黑白照片,展示了一个人在雨天的公园里散步。这个人打着伞,从背后看去,沿着一条两旁种满树木和路灯的小路行走。场景中透出一种宁静与孤独的感觉。
@blakes7bot@mas.torpidity.net
2025-08-20 12:18:34

Series C, Episode 07 - Children of Auron
C.A. ONE: For what reason?
FRANTON: Conquest.
C.A. ONE: That's ridiculous.
FRANTON: Surely it would be safer to wait for the Liberator. At least we can trust them, and we know they're coming, Zelda heard.
blake.torpidity.net/m/307/223

Claude 3.7 describes the image as: "The image appears to be from a classic British television production, likely from the late 1970s or early 1980s based on the visual quality and aesthetic. 

The scene shows an elderly person with white hair wearing a dark jacket with teal/green elements and decorative trim. The individual has a serious, contemplative expression and appears to be in a conversation within what looks like an interior setting with light-colored walls or panels visible in the back…
@arXiv_csCV_bot@mastoxiv.page
2025-07-10 07:33:51

Unveiling the Underwater World: CLIP Perception Model-Guided Underwater Image Enhancement
Jiangzhong Cao, Zekai Zeng, Xu Zhang, Huan Zhang, Chunling Fan, Gangyi Jiang, Weisi Lin
arxiv.org/abs/2507.06234

@blakes7bot@mas.torpidity.net
2025-09-19 21:15:22

Series B, Episode 03 - Weapon
OFFICER: My apologies, sir; I meant no offence.
CARNELL: I was offensive. Why shouldn't you be?
OFFICER: Sir?
CARNELL: Give me the report. [Flips the folder open and closes it] Do you play chess?
OFFICER: A little, sir.
blake.torpidity.net/m/203/374

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series set in a futuristic, minimalist environment with a distinctive honeycomb-patterned wall. Two individuals in dark uniforms appear to be exchanging what looks like a chess set or similar game board. The setting has a clean, sterile aesthetic typical of 1970s-80s British sci-fi productions, with a white sculptural chair visible in the foreground. The room features soft lighting and a doorway with a…
@blakes7bot@mas.torpidity.net
2025-08-20 18:23:18

B09 - Countdown
ARRIAN: I don't believe that.
PROVINE: But it's true. It's out of our control now. Neither I nor anybody else can do anything about it. Now. You listen to me. You can give yourself a chance. You don't have to die here with the rest of them.
blake.torpidity.net/m/209/189

Claude 3.7 describes the image as: "The image shows a person with dark hair wearing a green turtleneck and what appears to be a light olive-colored jacket or vest. They have a serious, contemplative expression and are shown in profile against a reddish background. 

This appears to be a still from a science fiction television production from the late 1970s or early 1980s, based on the filming quality and styling. The costume design has that distinctive retro sci-fi aesthetic with simple, practi…
@blakes7bot@mas.torpidity.net
2025-08-19 18:18:25

Series B, Episode 10 - Voice from the Past
VILA: And why not? [Shouts after Avon] I'm as good as you are. [Sotto voce] Better probably.
VILA: [Takes pad off Blake] Blake, you want some water? [Holds glass while Blake drinks]
blake.torpidity.net/m/210/179 B7B5

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, showing a scene in what looks like a futuristic spacecraft or facility. 

The scene depicts three people in a medical or examination setting. Two individuals are standing, wearing gray/silver uniforms typical of the show's aesthetic, while a third person sits in what appears to be an examination chair. The seated person wears a white loose-fitting shirt and h…
@blakes7bot@mas.torpidity.net
2025-08-19 09:11:31

Series B, Episode 12 - The Keeper
TRAVIS: You could have the secret by then, it has to be one of those two, the chief or his sister. Don't you trust me?
SERVALAN: No, of course not.
blake.torpidity.net/m/212/155 B7B2

Claude Sonnet 4.0 describes the image as: "I can see this is a scene with two characters in what appears to be an ornate, futuristic setting with decorative brick or tiled walls featuring geometric patterns. One figure is wearing a dark military-style uniform and appears to be standing in a position of authority, while another character in lighter colored clothing is seated or reclining. The setting has an elaborate, imperial aesthetic typical of the show's design, with rich textures and archit…
@arXiv_csCY_bot@mastoxiv.page
2025-07-10 09:23:01

Girlhood Feminism as Soft Resistance: Affective Counterpublics and Algorithmic Negotiation on RedNote
Meng Liang, Xiaoyue Zhang, Linqi Ye
arxiv.org/abs/2507.07059

@blakes7bot@mas.torpidity.net
2025-09-18 18:18:22

Series A, Episode 02 - Space Fall
[Leylan walks towards the exit to the Flight Deck]
LEYLAN: I'm going to my quarters. Anything I should know?
blake.torpidity.net/m/102/26 B7B5

Claude 3.7 describes the image as: "This image shows two individuals having a conversation in a stark, futuristic corridor. They're both wearing similar dark uniforms with blue shoulder sections, typical of the science fiction aesthetic of the late 1970s/early 1980s British television production. The minimalist set features gray walls with a small blue panel visible in the background, and a textured floor. The corridor has the institutional, utilitarian look common in sci-fi productions of that…
@blakes7bot@mas.torpidity.net
2025-09-18 06:09:43

#Blakes7 Series B, Episode 05 - Pressure Point
VERON: I won't.
BLAKE: Now, once we're into the entry blockhouse-
VILA: Why don't we teleport right down to the control computer chamber?
blake.torpidity.n…

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a dark, moody scene with four individuals standing together in what looks like a spacecraft or futuristic setting. The scene has a distinctly retro sci-fi aesthetic typical of 1970s-80s British television productions.

The characters are wearing distinctive costumes - one in a yellow/beige outfit with some type of arm support or design element, while others are dressed in darker leathe…
@blakes7bot@mas.torpidity.net
2025-07-18 06:17:54

#Blakes7 Series D, Episode 02 - Power
ORAC: No, unless directed by an outside agency, matter transmuted to energy will merely dissipate at random.
VILA: [Indicating teleport area] Could this have done it without us knowing?

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing someone in what looks like a futuristic white and blue uniform or flight suit. The setting appears to be inside a spacecraft or space station, with white paneled walls and what seems to be technical equipment visible in the background. The costume design has a distinctive retro-futuristic aesthetic typical of British science fiction from that era, with clean lines and a coll…
@blakes7bot@mas.torpidity.net
2025-07-17 12:08:24

Series A, Episode 02 - Space Fall
[Switch to flight deck of Liberator. Blake enters rubbing his shoulder.]
AVON: What happened?
BLAKE: Slight disagreement with Raiker. And then the hatch closed.
JENNA: We're on our way.
blake.torpidity.net/m/102/663 B7B3

Claude 3.7 describes the image as: "This appears to be a still from a classic science fiction television series from the late 1970s/early 1980s. The image shows what appears to be the interior of a spacecraft or control room with a futuristic hexagonal design aesthetic typical of British sci-fi productions of that era.

The scene captures several performers in costume on what looks like a spaceship bridge or command center. The person on the right is wearing a light-colored outfit with dark tri…
@blakes7bot@mas.torpidity.net
2025-07-16 21:20:46

Series D, Episode 08 - Games
AVON: We don't have half an hour!
VILA: I know that, but unless you can cut off one of Belkov's fingers for me - just a minute? [He bends down and grabs Tarrant's foot]
TARRANT: Vila, what are you doing?
blake.torpidity.net/m/408/480

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be a futuristic spacecraft or space station interior, characterized by the distinctive metallic walls and technological panels typical of the series' production design. The setting has a sterile, high-tech aesthetic with geometric patterns and industrial lighting.

In the scene, three characters are positioned in what appears to be a corridor or operational area. One figure stands to the left observing the inte…
@blakes7bot@mas.torpidity.net
2025-08-17 06:17:13

#Blakes7 Series B, Episode 09 - Countdown
BLAKE: We'll do it. [Starts to call the ship]
AVON: Wait. Disarming a device is not your field. You finish what we came here for: find Provine.
GRANT: [To Avon] I'll come with you.
AVON: No.

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series, showing a character in what looks like a futuristic or spaceship setting. The person is wearing a distinctive burgundy or maroon colored leather-like outfit with a high black collar, which has a sleek, military or space-faring aesthetic typical of sci-fi productions from this era. The lighting and production values suggest this is from a British television series, likely from the late…
@blakes7bot@mas.torpidity.net
2025-07-17 06:03:48

#Blakes7 Series A, Episode 09 - Project Avalon
GUARD: Sir.
TRAVIS: Good. Stay alert.
blake.torpidity.net/m/109/262 B7B1

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a scene in a stark, white corridor. Several people are visible wearing dark uniforms, with some wearing helmets or visors that obscure parts of their faces. The image has the distinctive low-budget, vintage sci-fi aesthetic typical of British television productions from the late 1970s/early 1980s.

The scene appears to depict some kind of confrontation in what looks like a spacecraft o…
@blakes7bot@mas.torpidity.net
2025-09-17 18:25:41

Series A, Episode 12 - Deliverance
TRAVIS: I don't break that easily.
SERVALAN: You were expected to resign the service. Why didn't you?
TRAVIS: I've told you, I want my command back. It's the only way I can catch -
blake.torpidity.net/m/112/235 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing a futuristic interior setting with distinctive geometric wall patterns and modern furniture. The scene takes place in what looks like a sleek, sterile environment with white and metallic surfaces. There's a desk or table in the foreground, and the setting has the characteristic design aesthetic of 1970s/80s sci-fi productions - clean lines, angular patterns, and a minimalist…
@blakes7bot@mas.torpidity.net
2025-07-16 15:15:52

Series A, Episode 03 - Cygnus Alpha
BLAKE: [Into communicator] Jenna, it appears to have worked.
[Interior. Liberator teleport area.]
BLAKE: [V.O.] Start counting.
JENNA: Four minutes.
blake.torpidity.net/m/103/265 B7B4

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television production, likely from the late 1970s or early 1980s based on the film quality and aesthetic. The scene shows a person in a two-tone jacket (dark vest/body with lighter colored sleeves) in what seems to be a dimly lit, possibly cave-like or outdoor nighttime setting.

The individual appears to be in a tense moment, possibly holding or aiming something, suggesting this might be from an action …
@blakes7bot@mas.torpidity.net
2025-08-16 12:07:17

Series A, Episode 08 - Duel
VILA: Of course I will, how can you doubt me?
BLAKE: It isn't easy, but somehow I manage it. Come on. Put us down. [Blake, Jenna and Gan teleport to the planet's surface and look around]
blake.torpidity.net/m/108/60 B7B3

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be the flight deck or control room of a spacecraft, featuring the characteristic hexagonal wall panels and control consoles typical of the series' futuristic aesthetic. Four crew members are gathered around a central control station, with one person seated at the console operating equipment while three others stand nearby observing. The setting suggests this is during a mission briefing or tactical discussion, …
@blakes7bot@mas.torpidity.net
2025-07-16 06:09:50

#Blakes7 Series C, Episode 02 - Powerplay
AVON: Never heard of them. Are they important to you?
TARRANT: Very.
AVON: Why?
TARRANT: Because this was their ship.
DAYNA: I thought you said it was yours?
TARRANT: Prize of war.

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a spaceship interior, with a large viewscreen or window showing space in the background. The setting has a futuristic control room or bridge aesthetic typical of science fiction productions from this era, with control panels and seating areas visible. The two figures are positioned facing each other in what seems to be a tense conversational moment, with one wearing what appears to be a light-colored …
@blakes7bot@mas.torpidity.net
2025-08-16 18:11:23

Series C, Episode 07 - Children of Auron
ZEN: Confirm course changing to zero three one zero. Destination: the planet Auron. State speed.
TARRANT: Standard by Six.
ZEN: Confirm.
blake.torpidity.net/m/307/171 B7B5

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be the interior of a spacecraft, featuring the characteristic futuristic set design with curved white walls and technological elements. Five characters are gathered in what looks like a crew meeting or discussion area, with comfortable seating and control panels visible. The setting has the distinctive aesthetic of late 1970s science fiction television, with clean lines and a sterile, high-tech atmosphere. The …
@blakes7bot@mas.torpidity.net
2025-08-16 06:02:45

#Blakes7 Series B, Episode 10 - Voice from the Past
JENNA: He's a hard man to rescue when he doesn't want to be rescued.
AVON: More to the point, are you yourself?
BLAKE: What happened? Why aren't we at Del Ten? What's going on, Avon.

Claude 3.7 describes the image as: "The image shows two people in a science fiction setting, wearing futuristic costumes with metallic and gray elements typical of classic sci-fi television production design from the late 1970s/early 1980s. 

The individuals are dressed in similar styled uniforms with high collars, though the person on the right has more prominent silver detailing on their costume. Both have distinctive period hairstyles that align with the aesthetic of British television produ…
@blakes7bot@mas.torpidity.net
2025-07-16 18:18:31

Series C, Episode 05 - The Harvest of Kairos
AVON: Self-defence. Some animals bristle out their fur to frighten their enemies. But that doesn't count for much in the dark.
VILA: So what does Sopron do?
blake.torpidity.net/m/305/603 B7B5

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a spaceship or control room setting. There are several people in the scene, with some seated at what appears to be control consoles or technical equipment. The lighting and production style suggests this is from a British science fiction series, likely from the late 1970s or early 1980s based on the visual aesthetic. The setting appears to be the interior of …
@blakes7bot@mas.torpidity.net
2025-07-15 15:23:48

Series A, Episode 01 - The Way Back
BLAKE: I wish to make a statement.
ARBITER: There can be no more said regarding this case. The matter has been assessed and judgment made.
BLAKE: But the evidence is false. These charges are lies.
blake.torpidity.net/m/101/215 B7B4

Claude Sonnet 4.0 describes the image as: "I can see this is a scene from a science fiction television series, showing a person with dark curly hair wearing what appears to be a green/olive colored vest or tunic over lighter colored clothing. The costume design has a futuristic or space-opera aesthetic typical of British sci-fi productions from the late 1970s or early 1980s. The setting appears to be indoors, possibly on a spaceship or futuristic facility set, with neutral colored walls or surf…
@blakes7bot@mas.torpidity.net
2025-09-15 09:17:16

Series C, Episode 07 - Children of Auron
C.A. ONE: Are you all right? No symptoms?
ZELDA: [On screen] The plant is fully sterile, sir.
C.A. ONE: Zelda, prepare a full range of genetic stock. Get them packed immediately, ready for evacuation.
blake.torpidity.net/m/307/136

Claude Sonnet 4.0 describes the image as: "I can see this is a futuristic interior scene with clean, white surfaces and advanced technology. The setting appears to be some kind of medical or diagnostic facility, with sleek control panels and a large display screen showing a woman's face. There are several people in grey uniforms present in the scene. The environment has a sterile, high-tech aesthetic typical of science fiction productions, with curved walls and sophisticated equipment. The ligh…
@blakes7bot@mas.torpidity.net
2025-08-15 09:10:12

Series C, Episode 09 - Sarcophagus
TARRANT: NO!
ZEN: Twenty seconds.
CALLY: I think I can bring them out with me, otherwise they'll both die.
DAYNA: This way you'll all die.
ZEN: Fifteen seconds.
blake.torpidity.net/m/309/141 B7B2

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be a futuristic spacecraft or space station setting. One person has curly hair and is wearing a distinctive red and white uniform with gray accents that has a somewhat military or official appearance. The other person is wearing what looks like a light-colored outfit. The setting has the characteristic sterile, technological aesthetic typical of science fiction productions from this era, with white and geometric …
@blakes7bot@mas.torpidity.net
2025-07-14 06:24:18

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
SERVALAN: Yes, of course. But why so formal, Rai? What can be so important that we can't discuss it in a more relaxed way? Oh, Rai, come here. [She beckons him to join her on a couch. Stroking his shoulder] Rai, I thought we were old friends.
[Servalan continues stroking his shoulder.]

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television production, likely from the late 1970s or early 1980s based on the filming style and aesthetic. 

The scene shows two people in conversation in what looks like a futuristic setting with textured white walls. One person wears an elegant white outfit with decorative embellishments at the neckline, while the other is dressed in a dark, possibly black outfit. 

The minimalist, clinical-looking bac…
@blakes7bot@mas.torpidity.net
2025-08-14 06:11:58

#Blakes7 Series A, Episode 06 - Seek-Locate-Destroy
CALLY: I think so, too.
AVON: They would have called in.
JENNA: Avon's right.
AVON: [Looks over at Jenna] I usually am.
JENNA: Blake says wait so we wait.

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing two individuals in a futuristic setting. They're wearing distinctive costume pieces that have a utilitarian, space-age aesthetic with mixed earth tones and metallic elements. The scene takes place in what looks like a spacecraft or space station interior with characteristic panel walls and technical elements visible in the background.

Both figures are equipped with what appear to be w…
@blakes7bot@mas.torpidity.net
2025-08-14 09:14:10

Series A, Episode 10 - Breakdown
BLAKE: [V.O.]Have you done it, Avon?
AVON: Soon.
BLAKE: [V.O.]How soon?
AVON: I can talk or I can work, but I can't do both.
BLAKE: [V.O.]We're running out of time, Avon.
[Flight deck]
blake.torpidity.net/m/110/225

Claude 3.7 describes the image as: "The image shows someone in a futuristic costume with a high collar and distinctive black and silver/gray design. They appear to be in what looks like a control room or technical area with numerous buttons, lights, and control panels visible in the background. The setting has a classic science fiction aesthetic with its utilitarian control panels featuring colored buttons and indicators.

The costume design is characteristic of vintage sci-fi television produc…
@blakes7bot@mas.torpidity.net
2025-09-14 06:00:48

#Blakes7 Series A, Episode 02 - Space Fall
JENNA: He's not my type.
VILA: You can't afford to be choosy now!
JENNA: Why else would I be talking to you?
VILA: Thanks!
JENNA: Pleasure.
JENNA: [To Avon] What've you got there?

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spacecraft or futuristic facility interior, with metallic walls and institutional lighting typical of science fiction productions from this era. The scene shows several characters in conversation, with costumes reflecting the show's distinctive late 1970s sci-fi aesthetic. The characters are wearing a mix of practical spacefaring garments and more elaborate period-appropriate clothing. The lighting an…
@blakes7bot@mas.torpidity.net
2025-09-14 18:09:44

Series B, Episode 12 - The Keeper
VILA: What? I don't ...
GOLA: [To henchman] and Master of the Duel - you!
TARA: It is written he will kill you.
GOLA: You called him back, didn't you?
TARA: Yes I did.
GOLA: Why?
blake.torpidity.net/m/212/479 B7B…

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a medieval or fantasy-themed environment, with stone archways and rustic architecture visible in the background. The characters are dressed in period costumes including leather, fur trim, and ornate medieval-style clothing with decorative elements. The setting suggests this might be taking place in a castle, tavern, or similar historical location. The lighting and overall aesthetic give it a dramatic, a…
@blakes7bot@mas.torpidity.net
2025-07-13 06:07:28

#Blakes7 Series A, Episode 02 - Space Fall
VILA: Now I want to show you a little trick here. Right, Gan. You know this one.
DAINER: Now, I'll watch carefully this time.
VILA: Right, now watch carefully, watch the old piece of cloth, right... And a one...

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spacecraft or space station corridor with characteristic futuristic wall panels and lighting. The setting has the typical industrial, utilitarian design aesthetic of science fiction television from this era. Three figures are visible in the scene - two appear to be wearing earth-toned, practical clothing that suggests they might be prisoners or rebels, while a third figure in darker clothing appears t…
@blakes7bot@mas.torpidity.net
2025-07-13 18:16:48

Series B, Episode 02 - Shadow
AVON: The explosion in the planet's atmosphere would have provided the rest.
BLAKE: Yes, I hadn't thought of that.
blake.torpidity.net/m/202/602 B7B5

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. The scene shows three people dressed in similar white outfits with belts in what looks like a desert or rocky terrain setting. The costumes have a distinctive retro sci-fi aesthetic typical of productions from that era.

The group appears to be in some kind of tense situation, possibly on an alien planet or remote location. One person on the left is examining…
@blakes7bot@mas.torpidity.net
2025-09-12 15:10:22

Series A, Episode 02 - Space Fall
LEYLAN: Yes.
BLAKE: These are mine. You will hand over all your weapons to my men. Whilst we hold the computer, the ship is helpless. It will remain that way until you agree. You will then fly this ship to the nearest habitable planet where the prisoners will disembark. Any attempt by your men to break into this room and we'll destroy the computer. Totally. That's all.

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a futuristic spacecraft or space station setting. The environment has the characteristic utilitarian, high-tech aesthetic typical of sci-fi productions from that era, with control panels and metallic surfaces visible in the background.

One person has curly blonde hair and is wearing what appears to be a dark, sequined or textured outfit. The ot…
@blakes7bot@mas.torpidity.net
2025-09-11 06:07:54

#Blakes7 Series D, Episode 06 - Headhunter
ORAC: The survival of organic humanoid life is improbable.
SOOLIN: Are you talking about Vila and Tarrant?
ORAC: All organic humanoid life throughout the galaxy is at hazard.

Claude Sonnet 4.0 describes the image as: "This image shows a scene set in what appears to be a futuristic spacecraft or space station interior, with control panels and technical equipment visible in the background. The setting has the characteristic sterile, high-tech aesthetic typical of science fiction productions from this era. The scene appears to be from a dramatic moment, with the lighting and composition suggesting tension or concern. The futuristic costume design includes metallic elem…
@blakes7bot@mas.torpidity.net
2025-09-11 15:15:08

Series A, Episode 02 - Space Fall
LEYLAN: Dainer!
[Dainer goes over to Leylan]
DAINER: Sir?
LEYLAN: He wasn't armed.
DAINER: We were lucky. They couldn't find the armoury. We've got most of them back to their quarters, we're just mopping up now.
blake.torpidity.net/m/102/366

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be a spacecraft or space station interior, with characteristic white/gray walls and technical equipment visible in the background. The person in the image is wearing a dark blue or navy colored uniform-style garment and is holding what looks like a communication device or small handheld instrument. The setting has the distinctive futuristic aesthetic typical of science fiction productions from this era, …
@blakes7bot@mas.torpidity.net
2025-08-10 12:18:23

Series D, Episode 13 - Blake
TARRANT: We'd be there a lot sooner if your computer stuck to direct line of flight. Is the constant change of direction for my benefit?
BLAKE: No.
[Avon and company board the flyer.]
blake.torpidity.net/m/413/373 B7B3

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be the cockpit or control area of a spacecraft. They're seated side by side, wearing earth-toned clothing that looks like it could be from a science fiction production. The setting has a futuristic aesthetic with control panels and instrumentation visible around them. The lighting and overall visual style suggests this is from a television production, likely from the late 1970s or early 1980s based on the cinemat…
@blakes7bot@mas.torpidity.net
2025-07-09 18:22:05

Series B, Episode 02 - Shadow
CALLY: Scan.
ZEN: Gun ship. It is manoeuvering for attack position.
CALLY: Warn them off.
ZEN: Warning ignored.
CALLY: Compute coordinates, range blasters.
ZEN: Blasters ranged.
blake.torpidity.net/m/202/277 B7B5

Claude 3.7 describes the image as: "The image shows a person with short brown hair wearing a white garment with a decorative pattern at the neckline. They appear to be in what looks like a futuristic or sci-fi setting, with geometric shapes and angled panels visible in the background, which has a warm orange/pink tone.

The style of the costume and set design is characteristic of British television science fiction from the late 1970s to early 1980s, with its distinctive aesthetic and production…
@blakes7bot@mas.torpidity.net
2025-08-08 12:06:26

Series C, Episode 06 - City at the Edge of the World
TARRANT: [V.O.] Are you sure, Cally?
CALLY: Unless they're hiding. But why should they hide?
TARRANT: [V.O.] I don't know. Maybe outsiders -
blake.torpidity.net/m/306/77 B7B3

Claude 3.7 describes the image as: "The image shows a person with curly dark hair wearing a cream-colored outfit with dark accents against a rocky backdrop. The clothing style and the film quality suggest this is from a classic science fiction television production, likely from the late 1970s or early 1980s based on the aesthetic. 

The setting appears to be an outdoor location with stone or rock formations creating a somewhat stark, possibly alien landscape. The costume has a distinctive desig…
@blakes7bot@mas.torpidity.net
2025-08-07 09:09:29

Series A, Episode 09 - Project Avalon
JENNA: Well, yes, I've only met her once, but, yes, that's her.
AVON: Then it must be Chevner.
GAN: Chevner. How do you think he'll do it?
blake.torpidity.net/m/109/349 B7B2

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be the interior of a spacecraft, likely the Liberator. The setting has a distinctive futuristic design with curved walls and lighting typical of the show's aesthetic. One character wears dark leather-style clothing and holds what appears to be a weapon, while the other is dressed in a black outfit with fur trim around the collar. They appear to be having a conversation while seated on what looks like a…
@blakes7bot@mas.torpidity.net
2025-09-05 21:19:59

Series A, Episode 06 - Seek-Locate-Destroy
JENNA: Cally wasn't a child.
BLAKE: Wasn't she?
JENNA: She knew the risks. She accepted them. She even welcomed them.
blake.torpidity.net/m/106/174 B7B6

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a scene between two characters in what appears to be a spacecraft or futuristic setting. The image shows a man with dark curly hair wearing what appears to be a dark colored outfit, and there's a blonde woman visible in the frame. The setting has the typical aesthetic of 1970s/80s science fiction television production, with what looks like technological equip…
@blakes7bot@mas.torpidity.net
2025-08-06 15:20:40

Series A, Episode 03 - Cygnus Alpha
BLAKE: Listen, I've got a ship. I can take you and the others off this planet.
GAN: We can't leave here.
BLAKE: What are you talking about?
GAN: The sickness. We're all infected.
blake.torpidity.net/m/103/389 B7B4

Claude 3.7 describes the image as: "The image shows a tense confrontation scene from a dark, atmospheric science fiction production. It appears to be from a dramatic moment where two people are having an intense exchange. The lighting is low-key and moody, with one person partially visible in the foreground from behind, while another person with a concerned or troubled expression is visible in the light. They're wearing what appears to be simple clothing typical of the show's aesthetic.

The se…
@blakes7bot@mas.torpidity.net
2025-07-05 06:17:56

#Blakes7 Series B, Episode 09 - Countdown
CAUDER: But it's four thousand miles away. It can't be done.
AVON: It can if we use the teleport.
BLAKE: We can teleport right down to the location.
AVON: We'll need special equipment, thermal clothing.

Claude Sonnet 4.0 describes the image as: "This image shows a character in what appears to be a futuristic setting, wearing a distinctive burgundy or maroon leather-style jacket with a high black collar. The costume design reflects the science fiction aesthetic typical of late 1970s British television production. The lighting and image quality suggest this is from a studio-based television production of that era. The character appears to be in a dramatic scene, with the camera capturing them in…
@blakes7bot@mas.torpidity.net
2025-08-05 15:24:47

Series D, Episode 09 - Sand
CHASGO: Suddenly, I think we must have hit some kind of multi-gravitational field. Instruments are going mad. Investigator, you and the others better get strapped in. S'gonna be a hell of a bumpy ride down.
[In Xenon Base, Vila slams his glass down on the table in front of him.]
blake.torp…

Claude 3.7 describes the image as: "The image shows two individuals in a science fiction setting, wearing distinctive costume uniforms with black sparkly material, white shoulder pads, and red accents. They appear to be operating some kind of control panel or spacecraft console with various buttons and instruments. The costume design has a retro futuristic aesthetic typical of classic British sci-fi productions from the late 1970s/early 1980s. 

The setting appears to be some sort of command ce…
@blakes7bot@mas.torpidity.net
2025-09-05 06:07:52

#Blakes7 Series A, Episode 02 - Space Fall
ARTIX: [Into desk-mounted intercom] Full emergency, full emergency. All crew to operational stations. All crew to operational stations.
[Blake is crawling though a narrow access channel. The ship lurches from another shock-wave. When he recovers, Blake continues to a small panel. He taps it three times and waits.]

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator's flight deck or control room. A crew member is seated at what looks like a control station or pilot's position, with the characteristic white and metallic control panels visible in the background. The setting has the distinctive sterile, high-tech aesthetic typical of the series' spacecraft interiors, with various buttons, switches, and monitoring equipment arranged on the walls.…
@blakes7bot@mas.torpidity.net
2025-09-03 12:24:49

Series B, Episode 06 - Trial
AVON: Define alive. All planets are by some definition.
ORAC: I am not referring to a complex ecosystem. I refer to a single organism. A planetary life form. Fascinating, don't you think?
VILA: I doubt if Blake does.
blake.torpidity.net/m/206/346

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in the crew quarters or common area of a spacecraft. The setting features a curved, cream-colored seating area with a futuristic design typical of science fiction television from this era. The interior has a utilitarian, spaceship aesthetic with visible structural elements and control panels in the background.

Several crew members are present in the scene, positioned around the seating area. The staging suggests this is …
@blakes7bot@mas.torpidity.net
2025-07-03 06:06:18

#Blakes7 Series C, Episode 05 - The Harvest of Kairos
AVON: So?
TARRANT: So what do we do before they blow us out of the galaxy?
AVON: We attack.
TARRANT: Attack? We have nothing to attack with.
AVON: Then bluff it. Tell them to surrender.

Claude 3.7 describes the image as: "This image appears to be from a vintage science fiction television production, showing a control room or spacecraft bridge setting. Several individuals are gathered around what looks like technical equipment or control panels. The scene has the distinctive aesthetic of classic sci-fi from the late 1970s or early 1980s, with retro-futuristic technology featuring blinking lights and circuit boards visible in the foreground.

The setting appears to be a technica…
@blakes7bot@mas.torpidity.net
2025-09-02 06:04:36

#Blakes7 Series A, Episode 04 - Time Squad
JENNA: It seems to me it should have taught us something. Something about the wisdom involved in bringing aliens aboard.
BLAKE: Seven of us can run this ship properly.
VILA: Six surely.
BLAKE: You forgot Zen.

Claude 3.7 describes the image as: "The image appears to be from a vintage television program, likely from the late 1970s or early 1980s based on the production style and aesthetic. It shows a person with blonde, voluminous feathered hair typical of that era. They are wearing a colorful outfit with pastel pink and purple tones and a metallic choker necklace. The background suggests a studio set with soft lighting and muted colors common in science fiction productions of that period. The scene h…
@blakes7bot@mas.torpidity.net
2025-08-02 09:08:16

Series D, Episode 04 - Stardrive
AVON: [To Plaxton, indicating a seat] There. [To Tarrant and Vila] Secure that and let's get the hell out of here.
VILA: [To Tarrant] Put it on the back of the counter. [They do so, and hurry to their seats.]
blake.torpidity.net/m/404/401 B7…

Claude 3.7 describes the image as: "This image shows a scene from a science fiction television series, set in what appears to be a futuristic control room or command center. Several people are gathered around a console with technical equipment. The setting features a clean, minimalist aesthetic typical of sci-fi productions from this era, with white walls, tiled flooring, and computer panels.

The individuals are wearing distinctive costumes - one in a black outfit with decorative elements stan…
@blakes7bot@mas.torpidity.net
2025-07-02 15:20:08

Series C, Episode 02 - Powerplay
TARRANT: He isn't.
AVON: So when I refuse to answer his questions we'll get into the dreary process of subjecting me to extreme pain and suffering.
TARRANT: Barbaric, but frequently effective.
blake.torpidity.net/m/302/361

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s, showing two people in conversation in what looks like a spacecraft interior. The scene features two performers in dark clothing against a gray/metallic background, creating the futuristic aesthetic typical of sci-fi productions from that era. 

The person on the left has straight, darker hair and is shown in profile, while the person on the right has curly ha…
@blakes7bot@mas.torpidity.net
2025-06-30 21:17:36

Series D, Episode 02 - Power
PELLA: Can you walk?
AVON: Very likely. [stands up] But just at the moment I can't think of too many places to go.
blake.torpidity.net/m/402/289 B7B6

Claude 3.7 describes the image as: "The image appears to be from a vintage science fiction television production, likely from the late 1970s or early 1980s based on the filming style and aesthetic. 

It shows a person with blonde hair styled in an updo, wearing a light-colored flowing garment with wide sleeves that resembles a robe or cape. They are looking over their shoulder with a serious expression while standing near what appears to be some kind of technological equipment or console with d…
@blakes7bot@mas.torpidity.net
2025-09-01 12:16:18

Series B, Episode 04 - Horizon
JENNA: I said, "Cally's right when she says we're out of condition."
RO: [Into intercom] Guard. Strangers in Theta Section. Take them.
GUARD: Yes, sir. [To other guards and a native] Theta Section, quickly.
blake.torpidity.net/m/204/162

Claude Sonnet 4.0 describes the image as: "I can see this is a scene set in what appears to be an ornate, luxurious interior with decorative carved walls and rich furnishings. The setting has an opulent, possibly alien or futuristic aesthetic with intricate patterns visible in the background stonework. A person is seated in what looks like a throne-like chair, wearing a distinctive burgundy or maroon colored uniform or outfit with military-style details and trim. The costume design suggests thi…
@blakes7bot@mas.torpidity.net
2025-09-01 06:11:48

#Blakes7 Series C, Episode 12 - Death-Watch
VILA: I know him, don't I?
SERVALAN: [On screen] Will you abide by the Convention?
DEETA: [On screen] I will.
SERVALAN: [On screen] You are welcome here.
VILA: I'm sure I know him.

Claude 3.7 describes the image as: "The image shows a person with a concerned or surprised expression in what appears to be a scene from a vintage television production, likely from the late 1970s or early 1980s based on the filming style and aesthetic. 

The individual is wearing a light-colored turtleneck sweater and has distinctive sideburns and a hairstyle characteristic of that era. The background appears to be part of a set with some green elements visible.

The lighting and film quality …
@blakes7bot@mas.torpidity.net
2025-08-01 18:20:43

B13 - Star One
AVON: Move!
[Cally runs outside and throws the bombs over the brow of a rise. Lurena finds the bomb in section four, but is surrounded by aliens. Hiding the bomb behind her back she walks towards them so that it explodes in the midst of them]
blake.torpidity.net/m/213/491

Claude Sonnet 4.0 describes the image as: "This image shows a character in what appears to be a futuristic military or space-faring uniform, featuring a distinctive silver/metallic outfit with a high collar. The setting has a science fiction aesthetic with geometric lighting patterns visible in the background, creating an atmospheric, spaceship-like environment. The lighting creates dramatic shadows and highlights that emphasize the serious, contemplative expression of the figure. The costume d…
@blakes7bot@mas.torpidity.net
2025-09-02 15:11:20

Series C, Episode 10 - Ultraworld
AVON: [Moves next to Tarrant at Main pilot's console] Anything on the star charts?
TARRANT: Not within this quadrant. Nothing listed, not even a Federation beacon.
AVON: It couldn't be that?
TARRANT: Why not?
blake.torpidity.net/m/310/6

Claude Sonnet 4.0 describes the image as: "I can see two men in what appears to be a futuristic spacecraft interior with metallic walls and control panels. One man is wearing a dark jacket or vest, while the other is dressed in a brown leather outfit with decorative studs or details. They appear to be having a conversation in what looks like the ship's control room or bridge area. The setting has the distinctive retro-futuristic aesthetic typical of late 1970s science fiction television, with c…
@blakes7bot@mas.torpidity.net
2025-07-01 15:47:33

Series A, Episode 05 - The Web
BLAKE: Cut in the auxiliaries.
JENNA: That's helped at bit. We're now up to standard by one and one half and building but slowly.
BLAKE: Vila.
VILA: Yes.
BLAKE: It's time to use the neutron blasters.
blake.torpidity.net/m/105/246

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from inside a spacecraft, showing the futuristic interior with curved walls, metallic surfaces, and distinctive hexagonal lighting panels. The setting has the characteristic high-tech aesthetic of the series, with angular architectural elements and a sterile, functional design typical of the spaceship environments. The scene shows what appears to be crew members in their typical attire - practical, utilitarian clothing suitab…
@blakes7bot@mas.torpidity.net
2025-08-02 12:11:13

Series D, Episode 11 - Orbit
VILA: This had better work.
AVON: Have you cleared the governors?
VILA: I think so. Try it now.
AVON: Switching to manual. Maximum power on all drives.
[Biodome]
PINDER: Egrorian.
blake.torpidity.net/m/411/397 B7B3

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a retro-futuristic control room or computer center. Two people are working with vintage electronic equipment. In the foreground, someone in a light-colored uniform is handling what looks like a circuit board or control panel. In the background, another person can be seen near what appears to be old computer banks or data storage systems.

The setting has the distinctive aesthetic of 1970s/80s science fiction …
@blakes7bot@mas.torpidity.net
2025-09-01 09:13:56

Series B, Episode 07 - Killer
BLAKE: What's happened?
BELLFRIAR: Well, it's standard drill with a space death. The autopsy's carried out in a sealed mortuary in case there are any alien micro-organisms around. Are you all set, Dr. Wiler?
blake.torpidity.net/m/207/286

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a science fiction setting with futuristic interior design featuring white and geometric wall patterns. There are two figures in the scene - one person with curly dark hair wearing what appears to be a light-colored outfit, and another figure in white clothing. The setting has the distinctive clean, minimalist aesthetic typical of sci-fi productions from this era, with sleek walls and modern-looking control panels or equipme…